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Arts & Culture Arts & Culture<br />
Tacheles<br />
www.tacheles.de. Oranienburgerstr.<br />
54-56a. U-Bahn: Oranienburgerstr.<br />
Tel: +49 302 826 185.<br />
Originally created as a non-profi t<br />
organisation, a vision that it still<br />
retains to this day, Tacheles is<br />
currently a key centre<br />
for art creation and<br />
exhibition near the<br />
centre of <strong>Berlin</strong>.<br />
Not to be confused<br />
with the separate<br />
collection of bars,<br />
commonly referred to<br />
as Studio 54, that are<br />
scattered behind and<br />
in the lower section<br />
of the building, it<br />
aims to focus on the<br />
creative processes<br />
behind art and tries<br />
to do away with the<br />
organisational ties<br />
that offi cial museums<br />
hold. Housed in an old<br />
department department store, the the building has a<br />
strong appeal with graffi ti adorning<br />
every visible space, and all sorts of<br />
characters roaming freely within.<br />
As a result of its volatile history and<br />
unique atmosphere it holds a strong<br />
attraction for tourists, especially<br />
backpackers, as well as the artists<br />
from all over the world that head<br />
there to work and live.<br />
The Kunsthaus (art-house) Tacheles<br />
was built at the beginning of the 20th<br />
century as a large enclosed space for<br />
small businesses, before becoming<br />
a department store, and has since<br />
served many purposes including<br />
housing an SS offi ce.<br />
The building was<br />
damaged during the<br />
Second World War<br />
and only occasionally<br />
used throughout the<br />
Cold War. The section<br />
that stands today is<br />
just a small part of<br />
the original building.<br />
In 1990, shortly<br />
after the collapse<br />
of the wall and two<br />
months before the<br />
building was due to<br />
be demolished, an<br />
artists’ initiative<br />
group called Tacheles,<br />
which translates as<br />
plain or honest in Yiddish, occupied<br />
the building. From then on the future<br />
of the building, and the non-profi t<br />
organisation housed within, has been<br />
far from certain. A lease was agreed<br />
with the current owners, with a token<br />
rent of €0.50 paid each month. This<br />
lease has recently expired however,<br />
and with the property owner’s bank<br />
seeking administration rights, it is<br />
more uncertain than ever before as<br />
to the future of this unique cultural<br />
site. Problems are also had with the<br />
various bars, also on site, which all<br />
originally had leases agreed with<br />
the Tacheles organisation. Currently<br />
only one bar continues to pay rent<br />
and this causes a large amount of<br />
tension.<br />
Despite the ongoing legal wrangling<br />
and the internal problems it has,<br />
Tacheles still has plans and high<br />
hopes for the future. These include<br />
the creation of a foundation to<br />
support non-profi t cultural projects;<br />
the formation of a limited company<br />
to outsource economic activities;<br />
the creation of a sculpture park<br />
on the roof and the expansion of<br />
brand marketing to gain revenue for<br />
cultural projects.<br />
Tacheles is key to retaining the<br />
spirit of cooperation and the ‘art for<br />
art’s sake’ attitude brought about<br />
in its formation almost 20 years<br />
ago. Yet whilst this is an admirable<br />
position to take, and arguably the<br />
cornerstone that makes Tacheles<br />
such an attraction today, it is also<br />
an aspect that causes it to struggle<br />
in a modern world dominated<br />
by profi table organisations and<br />
establishments with a heavilyrefi<br />
ned corporate image. Despite<br />
this though, and the uncertain future<br />
ahead, Tacheles is keen to take the<br />
original aims of the organisation into<br />
the future and create an artistic<br />
legacy for generations to come.<br />
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