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page 20<br />

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Always...<br />

Sax by the tracks<br />

by Bob Hartig<br />

All kinds of things can happen when you<br />

make a habit of practicing the saxophone<br />

in your car out by the railroad tracks. How<br />

many of you, like me, have found this to be<br />

true? Raise your hands.<br />

Hmmm…based on poll results, I probably<br />

should acquaint you with the merits<br />

and the drama of practicing by the tracks.<br />

I’ll begin by explaining that, as both a<br />

jazz saxophonist and a long-time apartment<br />

dweller, I have for many years spared<br />

my neighbors’ ears by practicing my horn<br />

abroad. On the shores of Lake <strong>Michigan</strong><br />

and Gun Lake, I’ve played my sax to the<br />

dance of the gulls and the light show of the<br />

sunset. Down dusty sideroads, I’ve blown<br />

bebop licks for rapt audiences of cows.<br />

(Their hygienic indiscretions aside, cows<br />

are some of the most appreciative jazz listeners<br />

you’ll ever find.)<br />

My most consistent practice venue,<br />

however, has been along a stretch of railroad<br />

tracks that runs past the airport and<br />

onward through a broad landscape of corn<br />

and wheat fields, forests, and streams on<br />

its journey toward Lansing. Along the way<br />

lie the towns of Alto, Clarksville, Lake<br />

Odessa, Woodbury, Sunfield, Mulliken, and<br />

Grand Ledge, as well as the little sidetrack<br />

community of Elmdale.<br />

I frequently park along these tracks and<br />

practice my saxophone. It’s a wonderful<br />

way to cultivate my skills as a musician<br />

while indulging my love of both the<br />

<strong>Michigan</strong> outdoors and trains. An eccentric<br />

habit? I suppose you could call it that.<br />

But we all have our eccentricities, don’t<br />

we—strange quirks, oddly shaped knots in<br />

the grain of our personalities that God has<br />

embedded in us for reasons that need no<br />

justification other than that it pleased Him<br />

to do so.<br />

I’m afraid that many of us repress our<br />

interests because they serve no apparent<br />

function in what we call the <strong>Christian</strong> life.<br />

We’re far more of a killjoy than our heavenly<br />

Father is. He’s the Handcrafter of the<br />

color blue, of tree frogs that trill in the<br />

night time, of whales and flowers, of stars<br />

and starfish, and of the rich pursuits that<br />

distinguish you and me as individuals. The<br />

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things we love to do are, in<br />

their own humble but important<br />

ways, reflections of the creative<br />

nature of our Father. I think He simply<br />

enjoys watching us enjoy them. Yet<br />

we never know when or how He’ll use<br />

our hobbies and passions in surprising<br />

ways, according to “the unforced<br />

rhythms of grace.” (Matthew 11: 28–30,<br />

The Message)<br />

It was night and I was parked by the<br />

railroad tracks where they angle across<br />

the corners of Timpson and 60th Streets<br />

outside of Alto. It’s one of my favorite<br />

spots, a great place to watch for trains<br />

while working out ideas on my saxophone.<br />

Passers-by at this location still give me an<br />

occasional, curious glance, but after many<br />

years, I suspect that most of the locals recognize<br />

me as something of a fixture.<br />

I had been practicing for a while when I<br />

noticed a figure walking along 60th Street,<br />

emerging from the darkness into the dimly<br />

lit sphere of the street light’s glow. The person<br />

was making a beeline toward my vehicle.<br />

“Uh-oh,” I thought, because you never<br />

know what to expect in such circumstances.<br />

As he drew closer, I could see it was<br />

a teen-age kid. I rolled down the window.<br />

“What are you doing?” he asked.<br />

I explained.<br />

“Cool!” he said. He liked that I enjoyed<br />

woodshedding my horn by the railroad<br />

tracks. We got to talking. It was a pleasant<br />

enough chat to begin with, but a world of<br />

hurt soon began to pour out of this young<br />

man. A broken home, painful living conditions…the<br />

story is one that has been told<br />

countless times, but for every person who<br />

tells it, the struggle and brokenness are<br />

unique.<br />

“Look,” I said, crossing the comfort<br />

zone, “hop in the car and we’ll talk.” He<br />

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did, and we did. I did a lot of just plain<br />

listening. I acknowledged the kid’s struggle,<br />

the fact that life had handed him an<br />

unfair blow. I reassured him that the Lord<br />

was real and saw the circumstances, and<br />

that in the midst of the difficulty and<br />

pain, nevertheless this young<br />

man was deeply loved by God. I<br />

gave him my card, recommended<br />

a church that I felt could be<br />

helpful to him, and together we<br />

prayed. It was a good conversation;<br />

it was a God conversation.<br />

When it ended and the teen<br />

stepped out of my car, I’d like to<br />

think he resumed his walk down<br />

60th Street with renewed hope and a<br />

sense that God really was looking out for<br />

him.<br />

That was some years ago. I never heard<br />

from the kid, but I remember him and I<br />

hope that things have turned out well for<br />

him. On my part, I’m glad to have played a<br />

small part in the grand scheme of his life.<br />

The wonder of how we were knit together<br />

in the womb continues to unfold<br />

throughout our lives. We are marvels of<br />

our Maker’s ingenuity, woven into the tapestry<br />

of His purposes in ways we at best<br />

barely comprehend. At a certain juncture<br />

in time, God had a mission that only He<br />

could orchestrate and only a guy who<br />

practices his saxophone by the railroad<br />

tracks could fulfill. In what ways, I wonder,<br />

will He express His kingdom through<br />

you as you watch for the simple, everyday<br />

possibilities of being yourself?<br />

Bob Hartig is a jazz saxophonist, freelance<br />

writer, storm chaser, and the proprietor<br />

of The CopyFox copywriting and<br />

editorial services. He lives in Caledonia,<br />

<strong>Michigan</strong>. Visit his jazz sax and storm<br />

chasing blog at www.stormhorn.com/wp.<br />

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