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Download the free e-book (pdf) - Bruno Massé

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eloquence, haunt us, seductively, begging to<br />

be released. Yet it is our familiarity with<br />

<strong>the</strong>se places, <strong>the</strong>se scents, which tempt us to<br />

twist our own regrets into verse, if only to<br />

hold <strong>the</strong>m one last time.<br />

Fur<strong>the</strong>rmore, poems are but representations,<br />

mirrors casting flawed reflections, and<br />

aes<strong>the</strong>tical though <strong>the</strong>y may be, <strong>the</strong>y can<br />

never equate life. We offer <strong>the</strong>m to ourselves<br />

and to o<strong>the</strong>rs as testaments to <strong>the</strong> desire of all<br />

we fail to attain: <strong>free</strong>dom, love, peace,<br />

wilderness, ecstasy, company. And in such<br />

<strong>the</strong>y are almost utterly vain. They signify<br />

passiveness, not action. In <strong>the</strong> senseless<br />

horror of civilised existence, poetry is never<br />

found at <strong>the</strong> forefront, <strong>the</strong> flanks or even at<br />

<strong>the</strong> rearguard: it lies in entrenched camps, far<br />

away from confrontation: cowardly and<br />

pestilent. Perhaps we dared not fight. Perhaps<br />

we fought and lost. Perhaps we’re recoiling,<br />

bracing for a new onslaught. Or perhaps we<br />

won, only to discover what conflicting desires<br />

truly cost us. But whatever <strong>the</strong> cause, we’re<br />

not over <strong>the</strong>re, we’re over here, scribbling<br />

moments away. Absent.<br />

6

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