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on campus - Article - Manhattan College

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18 manhattan.edu<br />

ROTC Takes <strong>on</strong> the NYSE<br />

<strong>Manhattan</strong> <strong>College</strong>’s Air Force ROTC cadets participated in<br />

Veterans Day activities throughout the city. In additi<strong>on</strong> to<br />

marching in the parade and visiting the Br<strong>on</strong>x Veterans<br />

Hospital, the group rang the bell at the New York Stock<br />

Exchange <strong>on</strong> Nov. 11 to commemorate the 87th anniversary<br />

of Veterans Day.<br />

Am<strong>on</strong>g the members of the armed forces gathered at the<br />

bell are Air Force Assistant Vice Chief of Staff Lt. Gen. Arthur<br />

J. Lichte ’71 (center), Chief Master Sergeant of the Air Force<br />

Gerald R. Murray (center left), and <strong>Manhattan</strong> <strong>College</strong>’s<br />

AFROTC Detachment 560 Cadet Wing Commander Marie<br />

Tracy (third from the right).<br />

A Sculpture Says a Thousand Words<br />

The <strong>Manhattan</strong> Holocaust Resource<br />

Center works with students, professors<br />

and the surrounding community to<br />

study the phenomena and preventi<strong>on</strong><br />

of genocide. Under the directi<strong>on</strong> of<br />

Dr. Frederick Schweitzer, the Center<br />

brings noted historians, who often<br />

present groundbreaking research, to<br />

speak <strong>on</strong> <strong>campus</strong>.<br />

These lectures are distinguished by<br />

the audience resp<strong>on</strong>se, and comments<br />

frequently come from people who have<br />

firsthand knowledge of the events<br />

described. In November, a presentati<strong>on</strong><br />

by Dr. Claudia Ko<strong>on</strong>z <strong>on</strong> How Racism<br />

Became Respectable: An Explorati<strong>on</strong><br />

of Nazi Public Culture was applauded<br />

and critiqued by former diplomats,<br />

German-Jewish refugees and World War<br />

II veterans, as well as Riverdale religious<br />

leaders and members of the <strong>College</strong>.<br />

Ko<strong>on</strong>z detailed how Nazi propaganda<br />

was shaped toward winning over the<br />

professi<strong>on</strong>al classes of Germany and how<br />

When asked why Kalb chose to depict<br />

such disturbing graphic images in this<br />

collecti<strong>on</strong>, he says that in the world we<br />

live in, where visual imagery dominates,<br />

“people believe what they see more<br />

readily than what they read.”<br />

“I want the viewer to have no doubts<br />

regarding the factual aspects of what<br />

is depicted,” Kalb adds. “I want the<br />

shocking quality of these works to raise<br />

a questi<strong>on</strong> as to why the full facts of<br />

these atrocities have been glossed over.<br />

I want people to ask what is happening<br />

now that we do not see.”<br />

the advent of the latest technology at the<br />

time, radio, was used to build first the<br />

illusi<strong>on</strong> and then the reality of c<strong>on</strong>sensus.<br />

The Rosenthal family — Leslie, a<br />

psychotherapist, Renee, an artist, and<br />

Alice, their daughter — are l<strong>on</strong>g-standing<br />

residents of the Riverdale/Kingsbridge<br />

area and regularly attend such lectures<br />

at the <strong>College</strong>. In appreciati<strong>on</strong>, they<br />

presented to <strong>Manhattan</strong> <strong>on</strong>e of Renee’s<br />

sculptures commemorating the victims<br />

of the Holocaust. Entitled We Remember,<br />

it depicts the flame of life and memory<br />

in a set of six clay candles. A motherdaughter<br />

effort, as Alice fashi<strong>on</strong>ed the<br />

fragile stained glass flames atop each<br />

candle, Renee chose the motif of candles<br />

because they are spiritual artifacts<br />

comm<strong>on</strong> to many religi<strong>on</strong>s. The proporti<strong>on</strong>s<br />

and grouping of the candles suggest the<br />

different generati<strong>on</strong>s of the victims, an<br />

evocative abstract of the human family. For<br />

Renee, the cylindrical shapes also recall<br />

the chimneys of the Nazi death camps.<br />

Through creative and aesthetic means,<br />

Kalb’s artwork compels the viewer to<br />

c<strong>on</strong>sider actual historical events in hopes<br />

of increasing an intellectual and emoti<strong>on</strong>al<br />

awareness. He hopes that viewers,<br />

particularly students who may have visited<br />

the exhibit, take away with them a<br />

pers<strong>on</strong>al c<strong>on</strong>necti<strong>on</strong> to the images and<br />

not solely the historical significance.<br />

Kalb joined the Ohio Wesleyan faculty<br />

in 1967 after earning his Master of<br />

Arts from the University of California at<br />

Berkeley. Previously, he taught art at the<br />

University of Kentucky. His paintings<br />

We Remember<br />

C<strong>on</strong>tinued from pg. 17 – Art Series Depicts Images from Holocaust<br />

Schweitzer spoke of the power of the<br />

art to give expressi<strong>on</strong> to the overwhelming<br />

horror of genocide.<br />

“Words are limiting, but art can c<strong>on</strong>vey<br />

some sense of the suffering and loss that<br />

verbalizing cannot,” he says.<br />

The piece is <strong>on</strong> permanent display in<br />

the Rodriguez Room of Miguel Hall.<br />

and drawings are included in many<br />

public and private collecti<strong>on</strong>s in the<br />

United States and abroad.<br />

Kalb’s exhibit at the <strong>College</strong> ran from<br />

November 2 to November 24 and kicked<br />

off the Holocaust Resource Center’s<br />

visiting scholar program.<br />

The Center was established in 1996<br />

to promote Catholic-Jewish dialogue and<br />

to educate people about the Holocaust<br />

and its significance in the present.

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