on campus - Article - Manhattan College
on campus - Article - Manhattan College
on campus - Article - Manhattan College
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18 manhattan.edu<br />
ROTC Takes <strong>on</strong> the NYSE<br />
<strong>Manhattan</strong> <strong>College</strong>’s Air Force ROTC cadets participated in<br />
Veterans Day activities throughout the city. In additi<strong>on</strong> to<br />
marching in the parade and visiting the Br<strong>on</strong>x Veterans<br />
Hospital, the group rang the bell at the New York Stock<br />
Exchange <strong>on</strong> Nov. 11 to commemorate the 87th anniversary<br />
of Veterans Day.<br />
Am<strong>on</strong>g the members of the armed forces gathered at the<br />
bell are Air Force Assistant Vice Chief of Staff Lt. Gen. Arthur<br />
J. Lichte ’71 (center), Chief Master Sergeant of the Air Force<br />
Gerald R. Murray (center left), and <strong>Manhattan</strong> <strong>College</strong>’s<br />
AFROTC Detachment 560 Cadet Wing Commander Marie<br />
Tracy (third from the right).<br />
A Sculpture Says a Thousand Words<br />
The <strong>Manhattan</strong> Holocaust Resource<br />
Center works with students, professors<br />
and the surrounding community to<br />
study the phenomena and preventi<strong>on</strong><br />
of genocide. Under the directi<strong>on</strong> of<br />
Dr. Frederick Schweitzer, the Center<br />
brings noted historians, who often<br />
present groundbreaking research, to<br />
speak <strong>on</strong> <strong>campus</strong>.<br />
These lectures are distinguished by<br />
the audience resp<strong>on</strong>se, and comments<br />
frequently come from people who have<br />
firsthand knowledge of the events<br />
described. In November, a presentati<strong>on</strong><br />
by Dr. Claudia Ko<strong>on</strong>z <strong>on</strong> How Racism<br />
Became Respectable: An Explorati<strong>on</strong><br />
of Nazi Public Culture was applauded<br />
and critiqued by former diplomats,<br />
German-Jewish refugees and World War<br />
II veterans, as well as Riverdale religious<br />
leaders and members of the <strong>College</strong>.<br />
Ko<strong>on</strong>z detailed how Nazi propaganda<br />
was shaped toward winning over the<br />
professi<strong>on</strong>al classes of Germany and how<br />
When asked why Kalb chose to depict<br />
such disturbing graphic images in this<br />
collecti<strong>on</strong>, he says that in the world we<br />
live in, where visual imagery dominates,<br />
“people believe what they see more<br />
readily than what they read.”<br />
“I want the viewer to have no doubts<br />
regarding the factual aspects of what<br />
is depicted,” Kalb adds. “I want the<br />
shocking quality of these works to raise<br />
a questi<strong>on</strong> as to why the full facts of<br />
these atrocities have been glossed over.<br />
I want people to ask what is happening<br />
now that we do not see.”<br />
the advent of the latest technology at the<br />
time, radio, was used to build first the<br />
illusi<strong>on</strong> and then the reality of c<strong>on</strong>sensus.<br />
The Rosenthal family — Leslie, a<br />
psychotherapist, Renee, an artist, and<br />
Alice, their daughter — are l<strong>on</strong>g-standing<br />
residents of the Riverdale/Kingsbridge<br />
area and regularly attend such lectures<br />
at the <strong>College</strong>. In appreciati<strong>on</strong>, they<br />
presented to <strong>Manhattan</strong> <strong>on</strong>e of Renee’s<br />
sculptures commemorating the victims<br />
of the Holocaust. Entitled We Remember,<br />
it depicts the flame of life and memory<br />
in a set of six clay candles. A motherdaughter<br />
effort, as Alice fashi<strong>on</strong>ed the<br />
fragile stained glass flames atop each<br />
candle, Renee chose the motif of candles<br />
because they are spiritual artifacts<br />
comm<strong>on</strong> to many religi<strong>on</strong>s. The proporti<strong>on</strong>s<br />
and grouping of the candles suggest the<br />
different generati<strong>on</strong>s of the victims, an<br />
evocative abstract of the human family. For<br />
Renee, the cylindrical shapes also recall<br />
the chimneys of the Nazi death camps.<br />
Through creative and aesthetic means,<br />
Kalb’s artwork compels the viewer to<br />
c<strong>on</strong>sider actual historical events in hopes<br />
of increasing an intellectual and emoti<strong>on</strong>al<br />
awareness. He hopes that viewers,<br />
particularly students who may have visited<br />
the exhibit, take away with them a<br />
pers<strong>on</strong>al c<strong>on</strong>necti<strong>on</strong> to the images and<br />
not solely the historical significance.<br />
Kalb joined the Ohio Wesleyan faculty<br />
in 1967 after earning his Master of<br />
Arts from the University of California at<br />
Berkeley. Previously, he taught art at the<br />
University of Kentucky. His paintings<br />
We Remember<br />
C<strong>on</strong>tinued from pg. 17 – Art Series Depicts Images from Holocaust<br />
Schweitzer spoke of the power of the<br />
art to give expressi<strong>on</strong> to the overwhelming<br />
horror of genocide.<br />
“Words are limiting, but art can c<strong>on</strong>vey<br />
some sense of the suffering and loss that<br />
verbalizing cannot,” he says.<br />
The piece is <strong>on</strong> permanent display in<br />
the Rodriguez Room of Miguel Hall.<br />
and drawings are included in many<br />
public and private collecti<strong>on</strong>s in the<br />
United States and abroad.<br />
Kalb’s exhibit at the <strong>College</strong> ran from<br />
November 2 to November 24 and kicked<br />
off the Holocaust Resource Center’s<br />
visiting scholar program.<br />
The Center was established in 1996<br />
to promote Catholic-Jewish dialogue and<br />
to educate people about the Holocaust<br />
and its significance in the present.