Jimmy Burns - Editor Mike Bates - Production - Battersea Park
Jimmy Burns - Editor Mike Bates - Production - Battersea Park
Jimmy Burns - Editor Mike Bates - Production - Battersea Park
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Friends of <strong>Battersea</strong> <strong>Park</strong><br />
R E V I E W<br />
Issue 74<br />
Summer 2007<br />
£1.00 Free to members
THE REVIEW<br />
<strong>Jimmy</strong> <strong>Burns</strong> - <strong>Editor</strong><br />
<strong>Mike</strong> <strong>Bates</strong> - <strong>Production</strong><br />
The Friends of <strong>Battersea</strong> <strong>Park</strong><br />
Registered Charity Number 802905<br />
From the <strong>Editor</strong>:<br />
Next year the Friends of <strong>Battersea</strong> <strong>Park</strong> will be celebrating their 20th anniversary.<br />
It will be a good point at which to celebrate our achievements,<br />
and build on them for the future.<br />
I was among a handful of <strong>Battersea</strong> residents that back in 1988 came<br />
together with the collective aim of doing what we could to protect and enhance<br />
the <strong>Park</strong> as an oasis of tranquillity, natural beauty and recreation.<br />
Over the years many things may have changed in London, but the Friends<br />
as an organisation has remained true to its founding aims of providing a<br />
“responsible group of people whom Wandsworth Council can consult as<br />
representatives of <strong>Park</strong> users”.<br />
It has not been, as it surely was never intended to be, a compliant talking<br />
shop. It has offered constructive criticism where necessary. It has galvanised<br />
interest in the <strong>Park</strong> on both sides of the river, and beyond these<br />
shores. It has raised funds in order to make positive contributions to the<br />
<strong>Park</strong>’s amenities.<br />
It is almost twenty years since I planned and edited the first of a series<br />
of issues of this Review as a quarterly magazine of news and comment on<br />
the <strong>Park</strong>, a forum for members’ ideas and opinions. It is hugely exciting to<br />
be back as editor when the membership of Friends is growing daily, in a<br />
context of growing awareness around the world of the importance of ecological<br />
and environmental protection and care.<br />
If our planet is to be saved, we all have to do our bit, and action begins<br />
on our own doorstep, nurturing the unique and generous green space in our<br />
midst. Valerie Selby’s nature notes brings into sharp focus how fragile is<br />
the wildlife that we all too often take for granted; Sophie Campbells’ column<br />
identifies with feeling and insight just what it is that draws her deep<br />
into the <strong>Park</strong>’s soul.<br />
The best things in life may indeed be free, and the article we reproduce<br />
by the late and hugely respected author and journalist Tom Pocock is a reminder<br />
of how the <strong>Park</strong> over the decades has fuelled simple pleasures in all<br />
ages and all classes. Tony Tuck takes us down an enlightening avenue of<br />
the <strong>Park</strong>’s rich and varied history, and there are surely lessons to be learnt<br />
from the lido that could have been but wasn’t. There is also food, exercise,<br />
art, and humour in these pages-the kind of mix you find in the <strong>Park</strong> on a<br />
good day.<br />
Cover image: Enjoying the <strong>Park</strong>, by Julia <strong>Burns</strong><br />
2<br />
SUMMER 2007<br />
Events<br />
Music at the Cafe<br />
La Gondola al Parco cafe<br />
13th July 7pm-9:30pm<br />
10th August 7pm-9:30pm<br />
24th August 7pm-9:30pm<br />
Music in the <strong>Park</strong><br />
at the Bandstand<br />
Various bands, with bar and refreshments<br />
20th July from 6:30pm<br />
21st/22nd from noon<br />
Affordable Art Fair<br />
<strong>Battersea</strong> Evolution<br />
18th-20th October<br />
Decorative Antiques Fair<br />
<strong>Battersea</strong> Evolution<br />
2nd-7th October<br />
(see back page for details)<br />
3rd London Tree-athlon<br />
15th September<br />
see www.tree-athlon.org<br />
Contacts<br />
General Enquiries<br />
The Hon. Secretary<br />
Friends of <strong>Battersea</strong> <strong>Park</strong><br />
7 <strong>Park</strong> Mansions<br />
London, SW11 4HG<br />
Letters/Contributions, see page 9<br />
email: review@batterseapark.org<br />
web: www.batterseapark.org<br />
<strong>Park</strong> Office <strong>Park</strong>s Police<br />
020 8871 7530 020 8871 7532
THE POWER STATION<br />
Have we been here before?<br />
Real Estate Opportunities<br />
(REO), the new owners of the <strong>Battersea</strong><br />
Power Station have publicly committed<br />
themselves to either repairing the iconic<br />
chimneys or to provide replacement ones<br />
before deciding what else to do with a<br />
site that changed hands-again- last December<br />
in a deal worth £400m.<br />
English Heritage, which lists the condition<br />
of the power station on their at risk<br />
register as “very bad”, say they have received<br />
assurances from REO about the<br />
need for essential repair works.<br />
The commitment was confirmed by Sarah<br />
Banham, REO’s Development manager<br />
during a meeting on June 12 with<br />
<strong>Battersea</strong> residents and local community<br />
representatives which otherwise left<br />
most of those attending no wiser about<br />
where the project is going in the future.<br />
Ms Banham told those gathered that<br />
Rafael Vinoly, the architects chosen to<br />
map out the latest ‘masterplan’ for the<br />
site, were hoping to draw on the advice<br />
of an evolving team of consultants.<br />
Some of these advisers had also worked<br />
as consultants to the previous owners the<br />
Hong Kong developer <strong>Park</strong>view. However<br />
Vinoly, the architect behind the<br />
controversial “walkie talkie” tower is<br />
working to a brief that includes designing<br />
a completely new ‘masterplan’ for<br />
the site that better responds to “today’s<br />
market conditions.”<br />
Below: Having fun during May Day!<br />
PARKWATCH<br />
So what does that mean? “Shops, offices,<br />
housing, and leisure of some sort,”<br />
said Ms Banham, before adding “but we<br />
are at a very early stage.” She could have<br />
added, as several of the attendees did,<br />
“and we have been there before.”<br />
No matter that the previous master plan<br />
for the site took three years to create and<br />
was followed by a decade of inaction.<br />
We were assured by Ms Banham that<br />
a new planning application would be<br />
ready to submit to Wandsworth<br />
Council “probably” by<br />
June next year.<br />
“This is an incredibly political<br />
and sensitive site,” said<br />
Ms Banham.<br />
She told the meeting that<br />
REO was developing a constructive<br />
relationship with<br />
English Heritage and planned<br />
to take in the views of other<br />
boroughs across the capital.<br />
While REO insists that it<br />
wants to make of the Power<br />
Station a “truly London site”,<br />
their strategy looks likely to<br />
confuse still further what has<br />
already turned into a fragmented<br />
process of consultation<br />
over the site, possibly sidelining<br />
3<br />
Mayday<br />
even further local views.<br />
For the record, the Jerseydomiciled<br />
REO is controlled by<br />
Treasury Holdings, owned by<br />
two Irish property developers Johnny<br />
Ronan and Richard Barrett. During the<br />
1990’s the two’s then company Legacy<br />
bid unsuccessfully for the Millenium<br />
Dome after the government declared<br />
their claims to be “undeliverable”.<br />
Property analysts suggest that the deal<br />
under which the site was secured by<br />
REO offers the prospect of healthy profits<br />
for Ronan and Barrett, regardless of<br />
whether the site is developed or left derelict,<br />
as it has been for so many years.<br />
Above: An enduring view of the<br />
Power Station?<br />
THE rain dried up and the sun decided<br />
to shine in <strong>Battersea</strong> <strong>Park</strong>, London for the<br />
Art of Protest May Day Festival at Pump<br />
House Gallery. Folk artists danced and<br />
played May Day jigs while young and<br />
old made costumes and danced round<br />
the Maypole, or if they were feeling political,<br />
made banners protesting about<br />
things they felt strongly about or ranted<br />
at the speakers corner. The day finished<br />
with a huge procession around the park<br />
led by a Jack-in-the-green decorated<br />
with leaves and flowers, with lots of<br />
dancing, singing and, of course, protesting<br />
(even if it was for more cakes and<br />
less school).
BBQ at the Zoo<br />
Committee member Vicki Barker<br />
writes:<br />
THE Heap family could make a fortune<br />
renting out <strong>Battersea</strong> <strong>Park</strong> Zoo as a<br />
venue for weddings or corporate events.<br />
But, for the second year running, they<br />
have thrown it open to the Friends for<br />
free, to help us realize our dream of creating<br />
London’s first Winter Garden here<br />
in the park.<br />
Good news like this travels fast – this<br />
year, the event was sold out well in advance,<br />
and disappointed punters had to<br />
be turned away at the front gate. The<br />
two hundred lucky ticket-holders whiled<br />
away the warm evening strolling among<br />
the animal enclosures, to the sound of<br />
the Latin band, Los Soneros, and occasional<br />
wolf whistles from the Mynah<br />
bird aviary.<br />
For charm of venue, delight in entertainment,<br />
range and tastiness of food and<br />
for all-round sheer enjoyment, tickets<br />
for the Barbecue at the Zoo have to represent<br />
the best value in London.<br />
Greg Lawson, manager of the ‘Evolution,<br />
was there, rolling up his sleeves<br />
and helping cook and serve the food<br />
he’d donated. Various Committee members<br />
manned the bar, the front gate and<br />
PARKWATCH<br />
the tombola table. (See box for more detailed<br />
thanks.)<br />
Of all the items donated for the occasion,<br />
the highlight had to be a pair of<br />
lethally high, lusciously yellow, stupendous<br />
regency-style Vivienne Westwood<br />
shoes – donated by the great lady, her-<br />
Above: Adrian Koppens, Marie Louise Lomba and Friends committee<br />
member Mary Spillane<br />
self, after a chance meeting with Committee<br />
Member Ruth Forrest a few days<br />
earlier. Miss Westwood adores <strong>Battersea</strong><br />
<strong>Park</strong> – and when Ruth asked her if she<br />
might have something for the silent auction,<br />
she seems to have dug into her own<br />
wardrobe. She also donated a signed<br />
book.<br />
The evening’s activities were<br />
monitored by the meerkats, whose<br />
initial agitation turned to curiosity<br />
at all these humans wandering<br />
around their home at what would<br />
normally be, one surmises, their<br />
bedtime. They stood on tip-toes<br />
in little clusters, eyeing the passing<br />
human menagerie.<br />
In fact, the Zoo’s Jason Palmer<br />
was heard to say he thought many<br />
of the birds and animals, a large<br />
4<br />
proportion of which come from<br />
South America, particularly enjoyed<br />
the music!<br />
“I cannot thank the Heap family<br />
enough,” says Ruth Forrest, the chief<br />
organiser. “And all of the Zoo staff, led<br />
by Jason Palmer, were extremely helpful...<br />
they couldn’t have been more<br />
cheerful and kind.”<br />
The final tally is still being prepared,<br />
but it’s believed this year’s event raised<br />
in excess of £3,500 for the Winter Garden<br />
– well above last year’s total.<br />
Below: Greg Lawson (in tie)<br />
Oh!, and your correspondent was the<br />
successful bidder for The Shoes. They fit<br />
beautifully: walking in them is another<br />
matter. La Westwood and her clientele<br />
manage to sashay across the landscape at<br />
those Olympian heights without a stumble.<br />
Head held high, ankles wobbling, I<br />
teetered precariously on my tip-toes. I<br />
kept wondering what this reminded me<br />
of, and then it hit me:<br />
I looked like one of the meerkats.<br />
Above: Vivienne Westwoods’ Shoes
PARKWATCH<br />
A charming mid summer rehearsal<br />
in the <strong>Park</strong> of Puccini’s<br />
La Bohème by the Garden Opera<br />
Company enchanted a small crowd of<br />
park users of all ages. On a tiny stage<br />
and with no amplification, this travelling<br />
troupe of singers, struck the perfect<br />
balance, providing free, quality entertainment<br />
with minimum environmental<br />
disruption. Peter Bridges, the GOC’s director<br />
says his vision of an opera company<br />
was inspired by the Spanish poet and<br />
dramatist Federico Garcia Lorca who put<br />
so much energy into his own travelling<br />
theatre group La Barraca before he was<br />
tragically murdered by Franco’s troops<br />
during the Spanish Civil War.<br />
Opera delight<br />
“Although we perform mostly in gardens,<br />
my aim is to create productions<br />
that are adaptable enough to fit into a<br />
wide area of social and physical environments,”<br />
says Bridges. He and his<br />
company, which have offices in <strong>Battersea</strong>,<br />
should become Friends of <strong>Battersea</strong><br />
<strong>Park</strong>.<br />
The Friends of <strong>Battersea</strong> <strong>Park</strong> would like to thank all those<br />
who supported the BBQ and especially the following for their<br />
kindness and generosity to the event:<br />
For Wines, Beers and juices<br />
Fullers, Chiswick Brewery; Goedhuis & Co.<br />
Waitrose, Wandsworth Southside branch<br />
For Flowers<br />
Detta Phillips<br />
For Desserts<br />
Capitan Corelli; Deliverance; Popina,<br />
Ransome’s Dock Restaurant<br />
For Draw and Tombola prizes<br />
Percol Food Brands; La Gondola al Parco;<br />
San Genaro Pizzeria; Carluccio’s PLC;<br />
Santa Maria del Sur, Argentine Bar and Grill;<br />
Tigi Bed Head;<br />
The Butcher and Grill, <strong>Park</strong>gate Road<br />
And, ...<br />
Greg Lawson, Quantum Leap Events<br />
The Heap family, for use of the Zoo<br />
Victor Garcia and Friends,<br />
Vivienne Westwood<br />
<strong>Battersea</strong> <strong>Park</strong> Newsagents<br />
Wandsworth Events Team<br />
5<br />
Below: The Garden Opera<br />
Company rehearsing.<br />
BUSES RAMPAGE<br />
RHS Chelsea Flower Show (22-26<br />
May) and its sponsors, Marshalls plc,<br />
were promoting environmental responsibility<br />
and awareness this year. However,<br />
the excellent courtesy shuttle bus<br />
service, which runs across the river<br />
from <strong>Battersea</strong> <strong>Park</strong>, contradicted this<br />
message due to a few inconsiderate bus<br />
and coach drivers. Although in a minority,<br />
some left their engines running<br />
while stationary in the <strong>Park</strong> discharging<br />
unpleasant noxious fumes at people<br />
walking past. Also, considerable efforts<br />
had been made by Jerry Birtles, <strong>Park</strong><br />
Manager, to ensure adequate headroom<br />
for double decker buses under the trees<br />
along the carriage ways. Despite this an<br />
act of arbicultural vandalism was perpetrated<br />
by the driver of the bus.<br />
By wedging his bus every day under<br />
the small chestnut tree at the South Gate,<br />
he broke off years of growth on one side<br />
of this lovely tree in just a few seconds.<br />
The thoughtless actions of a handful of<br />
drivers this year did much to negate the<br />
image of an environmentally friendly<br />
flower show as far as the <strong>Park</strong> was concerned.
Cross Rail Link<br />
A tunnel under the <strong>Park</strong>, ventilation<br />
shafts, tunnelling work<br />
sites near the Peace Pagoda….<br />
<strong>Park</strong> Manager Jerry Birtles takes a<br />
closer look at the latest potential planning<br />
nightmare looming over the not so<br />
distant horizon…<br />
THE “Cross Rail link” is the proposed<br />
Chelsea-Hackney line which would be<br />
an underground railway linking the Epping<br />
branch of the Central Line to the<br />
Wimbledon branch of the District line.<br />
It is a long term plan unlikely to be completed<br />
before 2025 . Put it another way,<br />
and it is a plan that, unless strongly opposed<br />
from an early stage, could be well<br />
advanced before enough people have<br />
woken up to it.<br />
Obviously, such large scale projects<br />
take a considerable time to complete and<br />
so the Secretary of State for Transportation<br />
can issue Directions under planning<br />
legislation to protect the route against<br />
conflicting development. This is called<br />
“safeguarding”. In the case of the Cross<br />
Rail link there is a safeguarding Direction,<br />
first issued in 1991, that requires<br />
planning authorities consult Transport<br />
for London (TfL) when considering<br />
planning applications which may affect<br />
the route.<br />
There have been numerous changes in<br />
London’s rail network since the Direction<br />
was first issued, some development<br />
has affected the route, and indeed there<br />
have been changes to the proposed route<br />
itself. The original safeguarding Direction<br />
is now 15 years old, out of date, and<br />
TfL now wish to update it.<br />
So how does this affect <strong>Battersea</strong> <strong>Park</strong>?<br />
Although the main route heads west<br />
via Victoria and Parsons Green, there<br />
is a proposal to build a branch tunnel<br />
under the park in which trains can be<br />
reversed and stabled. Consequently<br />
there is a proposal to safeguard a strip<br />
of land in the park, 50m wide, running<br />
approximately under Chelsea car<br />
park, the lake and ending at Prince of<br />
Wales Drive by Alexandra Gate. In<br />
itself, the tunnel alone is unlikely to<br />
affect the park but what would be of<br />
concern is that there is likely to be a<br />
need for a ventilation shaft to be built<br />
somewhere in this strip.<br />
PARKWATCH<br />
Even more worrying though is a<br />
proposal to safeguard a further part<br />
of the park extending between North<br />
Carriage Drive and the river and from<br />
Chelsea car park towards the Peace<br />
Pagoda so that the park could be used<br />
as a tunnelling work site for up to 8<br />
years – so that spoil from the tunnel<br />
could be removed by river.<br />
In itself, the safeguarding only adds<br />
extra layers of administration and consultation<br />
to any planning applications<br />
for development in the park – and such<br />
large scale development is in any case<br />
rather unlikely. However the worrying<br />
aspect is what these areas of the park are<br />
possibly being “saved” for.<br />
The Council has been consulted by TfL<br />
on the revisions to the safeguarding<br />
Direction and is very much opposed<br />
to any “above ground” use of the<br />
park for the project. It has strenuously<br />
objected to safeguarding any area<br />
of the park for the purposes stated.<br />
However, subject to certain assurances,<br />
the Council is not opposed to<br />
the tunnel itself. In due course, TfL<br />
will submit their safeguarding proposals<br />
to the Secretary of State who<br />
then may, or may not, confirm them.<br />
Even if the revised safeguarding<br />
Direction is imposed, the actual proposals<br />
are a long way from coming to fruition<br />
– and perhaps may never do so. Although<br />
the park is not under immediate<br />
threat, the current revision of the safeguarding<br />
Direction does give a worrying<br />
insight into some of the things the planners<br />
of the Cross Rail project are considering.<br />
It is never too early to mobilise<br />
opinion before things get too advanced.<br />
The Friends of <strong>Battersea</strong> <strong>Park</strong> should nip<br />
this project in its bud.<br />
For more details, you can check the<br />
Cross Rail report (Paper No.07-523) in<br />
the Council and Government/Committee<br />
Reports pages of Wandsorth Council’s<br />
website (www.wandsworth.gov.uk)<br />
6<br />
1988-2008:<br />
20 Years in existance and<br />
growing<br />
THE REVIEW is the Friends<br />
of <strong>Battersea</strong> <strong>Park</strong>’s flagship quarterly<br />
magazine. It is written and edited by volunteers<br />
linked by a common respect and<br />
love for <strong>Battersea</strong> <strong>Park</strong>. The <strong>Editor</strong>’s aim<br />
is to strive for a quality, informative read<br />
with a sense of humour, history, and a<br />
soul. It is a co-operative effort. Have you<br />
an article, a letter, or piece of news you<br />
would like to contribute? Have you an<br />
interesting photograph? Can you draw a<br />
decent cartoon? Can you help with distribution?<br />
Do you want to advertise? We<br />
are already preparing the next issue, so<br />
get in touch now :<br />
By email: review@batterseapark.org<br />
By post:<br />
The <strong>Editor</strong>,<br />
Friends of <strong>Battersea</strong> <strong>Park</strong> Review,<br />
51 Brynmaer Road,<br />
London SW114EN<br />
Above: Contemporary Hide,<br />
see below.<br />
Hides or Hidden<br />
ARCHITECTURE WEEK from the<br />
15th-24 June was on the theme ‘How<br />
Green is our Space’, focusing on the critical<br />
issue of sustainability and the environment.<br />
It was marked in the <strong>Park</strong> with<br />
some temporary Bird Hides around the<br />
Lakeside designed and built by by six<br />
architects and a team of students. Made<br />
from sustainable materials in order to<br />
highlight the need to preserve nature and<br />
the environment, not all the Hides beautified<br />
the <strong>Park</strong>. One was mistaken for a<br />
men’s toilet. Another for a portakabin.<br />
But on a weekend marking Father’s Day,<br />
Dads could be seen with children on tow,<br />
taking a closer look at the park’s wildlife,<br />
courtesy of RIBA and the RSPB.
Unholy action<br />
LARGE chunks of grass have<br />
been mysteriously hacked out<br />
and replaced with pieces of<br />
wood in the sign of a swastika at the<br />
foot of the <strong>Park</strong>’s millennium Cross. A<br />
similar but older piece of sculpture, the<br />
newly restored war memorial in Putney<br />
Vale, has been covered in graffiti. At the<br />
Peace Pagoda, the resident monk has<br />
been periodically taunted by anonymous<br />
thugs. That the three acts of apparent<br />
vandalism occurred within days of each<br />
other may be coincidental but they suggest<br />
anti-social behaviour of a disturbing<br />
anti-spiritual kind.<br />
Hopefully the police-<strong>Park</strong>s and Met<br />
will combine their operations and identify<br />
the culprits as successfully as they<br />
managed to deal with the Gondola Café<br />
tormentor. In April an undercover sting<br />
operation by police led to the conviction<br />
of a 19-year-old man for breaking into<br />
the café three times.<br />
The man, Jack McQueen of Greyshott<br />
Road, <strong>Battersea</strong>, was sentenced to 12<br />
months probation plus a six-month curfew<br />
preventing him from leaving his<br />
home between 10pm and 6am. He was<br />
PARKWATCH<br />
also served with an anti-social behaviour<br />
order banning him from entering <strong>Battersea</strong><br />
<strong>Park</strong> for the next two years.<br />
Queenstown Safer Neighbourhood<br />
Team’s energetic police<br />
seargent David Cook told the<br />
Review that McQueen’s arrest<br />
was a cooperative effort between<br />
police inside and outside the<br />
<strong>Park</strong>.<br />
The next issue of the Review<br />
will highlight some of the hugely<br />
constructive work Cook and local<br />
community leaders are doing<br />
to stop local youth from getting<br />
into a never ending spiral of reoffending.<br />
A scheme running<br />
through the summer includes<br />
football in the <strong>Park</strong> –sponsored<br />
by Chelsea Football Cluband<br />
other youth activities and<br />
projects. For further information<br />
contact Henrietta Crooker Pool,<br />
organiser of the <strong>Battersea</strong> Summer<br />
School on 020 70785865<br />
7<br />
On the subject of La Gondola<br />
café, the Review extends a warm<br />
welcome to the new owners and<br />
we wish them all the best in their<br />
aim of improving the quality of the site<br />
and what it offers.<br />
Below: The Cross, vandalised
Running for Life<br />
the Ups and Downs<br />
OVER 5,000 women of all<br />
shapes, sizes, ages, and backround<br />
converged on the <strong>Park</strong> on May 3<br />
to raise more than £850,000 for Cancer<br />
Research UK’s Race for Life. While<br />
such events now take place around the<br />
UK, it is in the <strong>Park</strong> that the first ‘race’<br />
was held back in 1994, when some<br />
600 women came together and raised<br />
£36,000 in sponsorship.<br />
Less than four weeks later, the men and<br />
the boys joined in for another fun fundraising<br />
physical, for the palliative and<br />
neurological care provider, Sue Ryder<br />
Care. The weather, on this very British<br />
bank holiday weekend, was awful but<br />
the runners-some 800 odd-ran the Beat<br />
the Baton dressed in bright yellow ponchos<br />
and with generous spirits. Billed as<br />
the UK’s first 5km race set to live music<br />
from the Royal Philharmonic Orchestra,<br />
the event was judged a success by the<br />
organisers, and was certainly enjoyed by<br />
those taking part.<br />
“We witnessed true Dunkirk spirit,”<br />
enthused Anthony Inglis, Royal Philharmonic<br />
Orchestra conductor, “There<br />
was fabulous atmosphere on stage and<br />
the runners certainly seemed to enjoy<br />
themselves.” It was, he told us, the most<br />
unusual even he had ever done –and one<br />
of the most worthwhile.<br />
But when does a fun run become an<br />
open air concert? asks Friends of Bat-<br />
PARKWATCH<br />
tersea <strong>Park</strong> chairman Philip Wright. The<br />
runners ran their race against the aural<br />
backdrop of a medley of popular classical<br />
hits which were amplified around the<br />
park. A large sound stage, TV pantechnicon<br />
and screen, three generators and<br />
four mobile catering outlets were driven<br />
on to and parked on the grassed area adjacent<br />
to West Carriage Drive. A metal<br />
fencing enclosure and a lunch marquee<br />
were erected.<br />
Due to the downpour that weekend and<br />
sheer weight of the vehicles the grass<br />
was compacted with deep muddy tracks<br />
across it. In 2005 an assurance was given<br />
in Wandsworth Council’s <strong>Battersea</strong> <strong>Park</strong><br />
Events Strategy paper that “Most events<br />
are confined to the British Genius Site. A<br />
few sporting events, fun runs and charity<br />
bike rides are centred on the genius site<br />
but participants then leave the <strong>Park</strong> or<br />
run round the carriage drives.”<br />
We hope that the justifiable desire to<br />
raise funds for worthy causes in future<br />
does not permit the sort of large scale<br />
open air concerts on the grass that have<br />
done so much damage to the green space<br />
in Hyde <strong>Park</strong>.<br />
New York City has banned all commercial<br />
events from Central <strong>Park</strong>. A member<br />
of the Friends of Central <strong>Park</strong> is quoted<br />
as saying: “We love our <strong>Park</strong> it’s a glo-<br />
8<br />
bal tourist attraction and a much<br />
needed refuge for New Yorkers.<br />
It was not worth it for the few<br />
bucks the city was making.”<br />
Wandsworth Council please take note.<br />
Above: All is not so peaceful for<br />
the Monk, see page 7.<br />
Below: Getting the winning<br />
ticket at the BBQ draw
FT in the <strong>Park</strong><br />
PARKWATCH<br />
Foreign correspondents past<br />
and present from the Financial<br />
Times gathered near the <strong>Park</strong>’s<br />
War memorial for the newspaper’s annual<br />
picnic on June 17. The FT’s motto<br />
is “without fear and without favour” so it<br />
was in that spirit that colleagues braved<br />
appalling weather conditions, dressed<br />
down, and shared a huge bowl of pims,<br />
sandwiches, and gazpacho (see recipe<br />
on page 18) prepared by the Review’s<br />
new editor, the FT’s long-serving <strong>Jimmy</strong><br />
<strong>Burns</strong> (sitting while grappling with a<br />
friend’s dog). The next day your editor<br />
was out with the crowds along Horseguards<br />
Parade celebrating the 25th anniversary<br />
of the Falklands. Watching the<br />
march-past by Falklands vets, <strong>Jimmy</strong><br />
remembered the war, as the FT’s man in<br />
Buenos Aires in 1982-an experience that<br />
produced his award-winning The Land<br />
that Lost its Heroes (recently updated<br />
and reprinted by Bloomsbury). After<br />
Argentina, <strong>Jimmy</strong> came back to live in<br />
his beloved <strong>Battersea</strong>,to carry on as an<br />
author, journalist, and co-founder of the Above: FT foreign correspondents, past and present, gather in <strong>Park</strong><br />
Friends of <strong>Battersea</strong> <strong>Park</strong>.<br />
Servicing <strong>Battersea</strong>’s printing and<br />
stationery requirements<br />
for over 50 years.<br />
Printing<br />
Digital colour copying<br />
Binding<br />
Stationery<br />
341 <strong>Battersea</strong> <strong>Park</strong> Road<br />
London SW11 4LS<br />
Telephone 020 7622 4522<br />
Fax 020 7498 0173<br />
email sales@embassypress.co.uk<br />
web www.embassypress.co.uk<br />
9<br />
Above: Buses and branches and boughs,<br />
see page 5.<br />
Did you know?<br />
According to the Association of Football Statisticians, the<br />
first game played under the “Football Association” rules<br />
was on the 9th January 1864 in <strong>Battersea</strong> <strong>Park</strong>.
The Friends welcome letters<br />
and other contributions to the<br />
Review:<br />
The <strong>Editor</strong><br />
Friends Review<br />
51 Brynmaer Road,<br />
London, SW11 4EN<br />
or email review@batterseapark.org<br />
Friends on the Web<br />
To the <strong>Editor</strong>:<br />
It is the on-line social-networking site<br />
of popular choice, with tens of thousands<br />
of Londoners joining it every day. I<br />
thought your readers would like to know<br />
Facebook is also home to a group of 205<br />
<strong>Battersea</strong>ns who have been using the site<br />
to share information about restaurants,<br />
hangouts and other attractions on a special<br />
<strong>Battersea</strong> page. I am one of them.<br />
I hope you will be encouraged by the<br />
comment recently posted by a schoolteacher<br />
and fellow <strong>Park</strong> enthusiast:<br />
“An absolutely wonderful place. It<br />
holds many memories from events of the<br />
years, from memories of the now long<br />
gone remains of the Festival of Britain<br />
fairground, to the wonderful Easter Parades,<br />
to the building of the Peace Pagoda<br />
and the refurbishment which was<br />
completed in 2004.<br />
Having just taken a group of my pupils<br />
to visit the park on an educational trip<br />
I’ve found out some more of the history<br />
and the many things that are in the park.<br />
It would be great to see the Tree Walk<br />
return. When I explained to my pupils<br />
where it was they asked why had it been<br />
taken down and I didn’t have an answer<br />
for them. I also found out that Petula<br />
Clark released a song called ‘Meet Me in<br />
<strong>Battersea</strong> <strong>Park</strong>’ in 1954 in my research.”<br />
Yours,<br />
Jon Boone, SW11<br />
The <strong>Editor</strong> replies: I was a one year old<br />
when Petula first sang that song but it<br />
has one of my favourite lyrics. “If you’re<br />
a Londoner just like me, meet me in <strong>Battersea</strong><br />
<strong>Park</strong>, If you are young or you’d<br />
like to be, meet me in <strong>Battersea</strong> <strong>Park</strong>,<br />
We’ll stroll along by the riverside in sunshine<br />
or after its dark. There’s music and<br />
dancing, place for romancing, so meet<br />
me in <strong>Battersea</strong> <strong>Park</strong>….”<br />
LETTERS<br />
Rediscovery<br />
I found your name on the website for<br />
<strong>Battersea</strong> <strong>Park</strong>. I wanted to pass on some<br />
feedback and wondered if you could get<br />
this to the right people as I’m sure many<br />
are involved. including. If you could<br />
pass it on to the senior folk in the council<br />
too please.<br />
Last Wednesday I was due at a buisness<br />
meeting adjacent to <strong>Battersea</strong> <strong>Park</strong>.<br />
Arriving early I thought I would take<br />
a stroll in the park. To give you some<br />
background, I moved from the Clapham<br />
Junction area at the tender age of<br />
three. I have two lasting memories of the<br />
park. The first of being locked in with<br />
my mother while still in a pushchair -<br />
obvioulsy a story I’ve been told many<br />
times but don’t actually know.<br />
The second, and my last visit to the park<br />
as a young teen, was riding the wooden<br />
rollercoaster the year before it closed.<br />
So as you can imagine, some years have<br />
passed since I last visited.<br />
On entering the park I wasn’t quite sure<br />
what to expect. Too many places in the<br />
city have become run down and strewn<br />
with litter. What I found was simply a<br />
glorious discovery. Beautiful avenues<br />
lined with London Plane trees, fountains,<br />
birdsong, the garden in the park... its was<br />
simply stunning. To have such a superb<br />
open space is outstanding; to have the<br />
space in the middle of London is amazing<br />
and exceptional. On returning home<br />
I simply had to phone my mother who<br />
had known the park so well for many of<br />
10<br />
her younger years and tell her<br />
about it.<br />
Please would you pass on my<br />
sincere appreciation to all who<br />
work in the park and have done such a<br />
wonderful job. They should be rightly<br />
proud of their achievements. And long<br />
may they continue to look after this special<br />
treasure.<br />
Looking forward to a return visit.<br />
Yours,<br />
Chris Gummer (by email)<br />
Below: How far back are your<br />
memories of the <strong>Park</strong>?<br />
Friends of <strong>Battersea</strong> <strong>Park</strong><br />
Committee<br />
Philip Wright OBE<br />
(Chairman)<br />
Vicki Barker<br />
<strong>Mike</strong> <strong>Bates</strong><br />
Claire Beasley<br />
(Appeals Comtee)<br />
Brian Botting<br />
FRICS FCI Arb (rtd)<br />
<strong>Jimmy</strong> <strong>Burns</strong><br />
Mark Cowne<br />
Virginia Darbyshire<br />
(Treasurer)<br />
Chris Davies<br />
Claire Elliot<br />
Ruth Forrest<br />
Elizabeth Hood<br />
(Secretary)<br />
John Johnson<br />
Tom Maxwell<br />
Philip Nixon<br />
Christopher Rice<br />
Mary Spillane
In the continuing series of Nature columns,<br />
the <strong>Park</strong>’s Ecology Officer, Valerie<br />
Selby, looks on, under and over the Lake<br />
of <strong>Battersea</strong> <strong>Park</strong>.<br />
Attila’s Diet<br />
Four geese have just flown overhead en<br />
route to the lake here in the park. This<br />
year has seen a family of Greylag geese<br />
raise young on the lake. These geese differ<br />
from Canada geese in that they are<br />
grey all over and have an orange beak<br />
and legs whereas the Canada geese have<br />
black legs, a black beak and a distinctive<br />
black and white head.<br />
Most domestic geese are descended<br />
from Greylag geese and they are quite a<br />
bold species, not afraid to walk towards<br />
people and confront them demanding<br />
food. Once again, I would urge you not<br />
to succumb to this “mugging”. Bread is<br />
NOT good for the birds digestive systems<br />
making their organs become engorged<br />
and fatty, which can cause them<br />
to suffer from heart disease, liver problems<br />
and other health complications.<br />
Valerie Selby<br />
Secret Dwellers<br />
Below: It’s not a good idea to feed the Swans.<br />
NATURE NOTES<br />
In a natural setting they will seek out<br />
a variety of nutritious foods such as<br />
aquatic plants, natural grains, and invertebrates.<br />
Bread is very low in protein,<br />
contains additives that wildfowl aren’t<br />
built to cope with, and it’s a very poor<br />
substitute for natural foods.<br />
This dietary rule applies to all the birds<br />
on our lakes including “Attila”, the extremely<br />
territorial male swan, and his<br />
family. For the long-term survival of<br />
the cygnets it is important that they learn<br />
to identify and eat natural foods, as this<br />
will give them a greater chance of finding<br />
a safe and secure home.<br />
Swans are by nature territorial and<br />
therefore need to find a patch of water<br />
that can support two adults and any<br />
youngsters with enough food and shelter.<br />
If the swans are unable to learn to<br />
locate natural foods as cygnets, the locations<br />
available for them to establish their<br />
own territory are limited later on in life.<br />
Elsewhere in the park, we have installed<br />
some more areas of aquatic planting<br />
in the lake. These include plants to<br />
help pump oxygen into the water and<br />
water lilies to help provide shade to limit<br />
the growth of algae. In wildlife terms<br />
not only is this the natural version of the<br />
aerators you see bubbling at the waters<br />
surface, it also provides an important<br />
11<br />
home for may invertebrates who<br />
live and breed amongst these<br />
submerged forests. Among<br />
these secret park dwellers we<br />
have damselfly nymphs that will<br />
turn into damselflies later in the<br />
year and a variety of water snails that<br />
help to devour the detritus in the lake<br />
such as fallen leaves. In the long term<br />
these plantings should have the added<br />
benefit of providing an attractive display<br />
of flowers on the waters surface.<br />
Crow Patrol<br />
This is a very bird themed time of year.<br />
One of the other common questions we<br />
are getting at the moment concerns crows<br />
“attacking” people who are going about<br />
their usual business in parks and commons.<br />
This is a short lived phenomenon<br />
and, in much the way that we see Attila<br />
being aggressive on the lake to protect<br />
his young, the crows are protecting their<br />
fledglings as they leave the nest. The<br />
youngsters move out from the nest but<br />
stay close by and are not fully independent<br />
for 3-5 weeks. During this time the<br />
adults will do all they can to protect them<br />
including flying at people and sometimes<br />
even launching at them with their feet.<br />
The simplest thing to do is to avoid the<br />
area – the one case we were aware of in<br />
<strong>Battersea</strong> <strong>Park</strong> happened close to the Albert<br />
Bridge pedestrian gate and we were<br />
able to put notices up advising people to<br />
avoid the area in the short term.<br />
If you have wildlife information to<br />
report or a query that needs answering,<br />
Valerie Selby can be reached<br />
Monday-Thursday,<br />
8:30 am-5.00 pm on 8871-7019 or at<br />
Vselby@wandsworth.gov.uk<br />
How about Attila the swan for lunch?<br />
(cartoon by Philip Wright OBE)
The journalist and historian<br />
Tom Pocock died on May 7th<br />
2007, aged 81. Tom started<br />
work as the youngest war correspondent<br />
of the Second World<br />
War before his career blossomed<br />
as a naval and foreign correspondent,<br />
joining the Daily Mail, then moving to<br />
the Times, and later the Daily Express,<br />
before settling at the Evening Standard<br />
where he spent many years as defence<br />
correspondent and for a decade as<br />
travel editor. His literary output included<br />
books on Nelson and his naval contemporaries,<br />
and more modern figures<br />
such as the Victorian writer of adventure<br />
novels Rider Haggard. Tom lived much<br />
of his life near <strong>Battersea</strong> <strong>Park</strong>, on the<br />
north bank of the River. He edited the<br />
Chelsea Magazine, and together with his<br />
wife Penny was hugely supportive to the<br />
Friends of <strong>Battersea</strong> <strong>Park</strong> from its foundation<br />
in 1988. As a tribute, we reprint<br />
below an edited version of an article he<br />
contributed to one of the first issues of<br />
this Review nearly twenty years ago.<br />
It looks so lush and drowsy on those<br />
summer days, that it is difficult to realise<br />
that the tranquillity of <strong>Battersea</strong> <strong>Park</strong><br />
cannot be taken for granted. Always, it<br />
seems, somebody seems to know better<br />
than those who planned it as a haven of<br />
open air rest and recreation for Londoners,<br />
or somebody wants to make money<br />
out of it.<br />
Sometimes it almost seems as if the<br />
real owners of the <strong>Park</strong> - the people for<br />
whom it was designed and built - have<br />
been forgotten for the moment. It was<br />
built for Londoners and to remember<br />
just how deeply it is rooted in the past<br />
life of London, it is worth looking back<br />
IN MEMORIAM<br />
Tom Pocock<br />
a little. Of course, there is nobody now<br />
who remembers the opening of the <strong>Park</strong><br />
by the Victorians and probably nobody<br />
who remembers the craze for bicycling<br />
around it in the 1890s. But some of us<br />
can remember a very different <strong>Park</strong><br />
when, at a time of sharp social stratification,<br />
it was crowded with Londoners of<br />
every kind.<br />
I was born in a flat overlooking the <strong>Park</strong><br />
in 1925 and my earliest memories are.<br />
of being pushed around it in my pram.<br />
In those days, middle class families of<br />
modest means could afford a nanny for<br />
the children, a living-in maid and probably<br />
a daily help as well. On summer<br />
mornings, the nannies sat on the benches<br />
along the south side of the lake, chatting<br />
amongst themselves and occasionally<br />
wheeling their charges around the<br />
pleasures of the <strong>Park</strong>. These included<br />
the Old English Garden, which we still<br />
have, and the Sub-tropical Garden. Near<br />
the former was the Pheasantry, full of<br />
bright-plumed birds, and, beside what<br />
was called the Ladies’Lake, sleepy owls<br />
perched in a cavern - the artificial rocks<br />
are still to be seen - of another aviary.<br />
As the children grew older, there was<br />
boating on the lake in wooden skiffs -<br />
both pairs and sculling boats, some of<br />
them built by the Greaves boatyard at<br />
Chelsea - and cruises in motor-boats for<br />
a penny, one of them a remarkable craft<br />
with its prow carved like a swan.<br />
There were chats with the park keepers<br />
12<br />
- there seemed to be, and probably<br />
were, dozens of keepers in<br />
brown trilby hats and old men<br />
who sat in the <strong>Park</strong> all day and<br />
fed the birds. I can see across<br />
more than half a century the<br />
twinkling eyes and waxed moustaches<br />
of Keeper Knight (late of the Guards)<br />
and the curly beard of Mr.Lawrence, the<br />
retired carpet-layer, who fed the pigeons<br />
by the bandstand.<br />
Of course, the <strong>Park</strong> was not only for the<br />
middle classes. Sometimes in summer an<br />
open horse-drawn carriage would sweep<br />
around the outer drive and my nanny<br />
would say, “Take your cap off, Tommy.<br />
It’s the little Princesses.” And Princess<br />
Elizabeth and the infant Princess Margaret<br />
Rose would whirl past with their<br />
nannies, taking the air.<br />
<strong>Battersea</strong> <strong>Park</strong> offered almost the only<br />
recreation available to those <strong>Battersea</strong><br />
families living in the cramped streets<br />
of “the slums” to the south of <strong>Battersea</strong><br />
<strong>Park</strong> Road. They were brave, resilient,<br />
friendly people and I remember my parents<br />
being appalled by the conditions in<br />
which they had to live and wondering<br />
how they managed to survive and bring<br />
up children.<br />
On summer Sundays and Bank Holiday<br />
they would crowd into the <strong>Park</strong> and<br />
sit on the grass in their thousands, covering<br />
the field: where the Festival Gardens<br />
were later laid out. They could afford no<br />
other entertainment but sat and talked<br />
and played on the grass in the open air .<br />
In this above all, <strong>Battersea</strong> <strong>Park</strong> justified<br />
the faith of its founders.<br />
It was a beautiful, immaculate park and<br />
was said to be the favourite of Queen<br />
Mary, who had an eye for gardens. Be-<br />
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CARING FOR YOUR COMMUNITY SINCE 1832
fore breakfast, my father would take me<br />
for a walk and point out the characteristics<br />
of the shape, bark and leaves of<br />
different trees. In winter, there would<br />
be walks before teatime when the sun<br />
would be a great red ball setting in the<br />
London murk above the lakeside elms to<br />
an evening chorus from a massed choir<br />
of starlings.<br />
The war changed the <strong>Park</strong> as it changed<br />
everything else but it still reflected the<br />
life of London. It was taken over by airraid<br />
shelters and allotment: for growing<br />
vegetables. First barrage balloons were<br />
tethered there and later rows of anti aircraft<br />
rocket launchers were set up on the<br />
running-track field and manned by the<br />
Home Guard. A wooden bridge - reminiscent<br />
of the first <strong>Battersea</strong> Bridge - was<br />
built across the Thames at the bottom of<br />
Royal Hospita Road in Chelsea as an<br />
emergency crossing.<br />
When those rockets were fired during<br />
the “Little Blitz” of 1944, they may not<br />
have frightened the Luftwaffe but, by<br />
God, they frightened me. The bridge was<br />
never used.<br />
Peace descended on the <strong>Park</strong> at the end<br />
of the war in more ways than one. The<br />
guns went but the allotments remained<br />
and, like the rest of London, it seemed<br />
curiously empty. Occasionally, on a<br />
winter’s night,I would make my way<br />
through the fence by a secret route and<br />
conduct my courting on a bench by the<br />
moonlit lake.<br />
Many of us remember the Festival of<br />
Britain and the Pleasure Gardens in the<br />
<strong>Park</strong>. In 1951, they seemed rather dashing<br />
and I once found myself on a funfair<br />
ride next to Noel Coward. But the smart<br />
gloss soon tarnished and the end of that<br />
cheerful interlude seemed to be marked<br />
by the fatal accident of the fanciful Emmett<br />
railway.<br />
Since then, the <strong>Park</strong> has had its ups<br />
and downs. There has been vandalism<br />
and sacrosanct flower-beds and<br />
lawns became playgrounds. Even the<br />
once¬forbidden heights of the Cascades<br />
were worn by scrambling feet. The <strong>Park</strong><br />
lost much of its magic.<br />
With the disbanding of the Greater London<br />
Council, which had run the <strong>Park</strong> for<br />
the whole of London, it was taken over<br />
by the Borough of Wandsworth. Many<br />
13<br />
early apprehensions proved groundless.<br />
Indeed, many aspects have been improved<br />
and it is now policed more effectively<br />
than for many years. The Council<br />
have been responsive to public opinion<br />
and so would not countenance a plan to<br />
build a gigantic theatre there.<br />
But now with the creation of an immense<br />
new “leisure complex” at the<br />
defunct <strong>Battersea</strong> Power Station - “The<br />
<strong>Battersea</strong>,” as it is to be called - there<br />
are again fears that Wandsworth Council<br />
may consider handing over parts of the<br />
<strong>Park</strong> to private management. If this is so,<br />
the reasoning is clear. The administration<br />
and maintenance of the <strong>Park</strong> is expensive<br />
and Wandsworth must foot the<br />
bill for the pleasure it gives to Londoners<br />
and their visitors.<br />
Surely the solution is simple. <strong>Battersea</strong><br />
<strong>Park</strong> is, and always has been, for the<br />
benefit of all London and so all London<br />
should share the responsibility for its<br />
upkeep. With the other parks once run<br />
by the GLC, it should be subsidised by<br />
all the London boroughs and not remain<br />
a burden to just one. Then it will again<br />
truly belong to London.<br />
NINTH ANNUAL SCULPTURE AWARD<br />
The winner of this year’s award is Maxine Schaffer from<br />
the Royal College of Art Sculpture School for her work<br />
“Buckhorn Plantain” in painted steel.<br />
The sculpture will be unveiled and presentation of the award made at the<br />
Millennium Arena, East Carriageway,<br />
at 7pm on Monday 3 September.<br />
Wine and snacks will be served from 6.30pm.<br />
All Friends are welcome.<br />
The award is the result of collaboration between<br />
the Friends of <strong>Battersea</strong> <strong>Park</strong>,<br />
the Royal College of Art Sculpture School<br />
and Wandsworth Council.
Maximilian, ‘Max’ to his friends<br />
,is a 27 year old criminal barrister,<br />
<strong>Battersea</strong> resident, and<br />
regular exerciser in the <strong>Park</strong>.<br />
The Review’s editor, <strong>Jimmy</strong><br />
<strong>Burns</strong>, finds out more.<br />
Above: Max, hanging around.<br />
So tell me, Max, what got you into<br />
this exercise thing?<br />
A few years ago in a moment of madness<br />
I joined the Territorial Army. It was<br />
a passing malaise, I’m glad to say.<br />
Really? Everyone I’ve ever known in<br />
the TA-and there are one or two on<br />
both sides of the River-loved it.<br />
Well in my case, it happened like this.<br />
During one of the regular bouts of<br />
‘Phys’ that are my principal memory of<br />
that sort-lived folly I was introduced to<br />
the Bastard…<br />
Please Max, this is a family mag…<br />
No, no…. A Bastard is a fiendish exercise<br />
that incorporates a press-up with a<br />
squat thrust with a star jump. As a civilian<br />
you can experience this for a small<br />
fee by joining something called BMF<br />
(British Military Fitness) which meets<br />
at regular intervals in <strong>Battersea</strong> <strong>Park</strong><br />
during the week….<br />
Sounds pretty tough to me…<br />
It is. Except that for civilians the Bastard<br />
is rechristened as ‘Oh No’.<br />
So, you couldn’t hack it…<br />
PARK PEOPLE<br />
Maximilian Hardy<br />
One of the reasons that precipitated<br />
my departure from the TA, other than<br />
a craven lack of moral fibre, was the<br />
realization that one could get fit without<br />
signing up for extended tours of the<br />
Middle East’s worst war zones.<br />
Any other reason?<br />
I stopped attending BMF when I<br />
realized that it was possible to get fit<br />
without paying someone else for the<br />
privilege.<br />
I detect a thesis here…<br />
Well, this is really the point. How many<br />
of us have a monthly subscription to<br />
belong to some fetid, germ-ridden,<br />
soul destroying gym? Yet we have on<br />
our doorstep one of the finest parks in<br />
London with river views that at sunset<br />
would set even the worst curmudgeon’s<br />
spirits soaring.<br />
I never thought of you as a contemplative….<br />
I observe other activities that take place<br />
in the park that are of benefit to the<br />
mind, body, and soul.<br />
For example…<br />
Tai Chi enthusiasts can often be seen<br />
reaping the rather mystifying benefits of<br />
moving one’s body around very slowly<br />
indeed. I have also watched yoga<br />
classes taking place on the stone stage<br />
to the side of the Buddha gazing beatifically<br />
on the Thames from the Japanese<br />
Peace Pagoda.<br />
Come on Max, I’m sure those aren’t<br />
the only scenes in the <strong>Park</strong> that you<br />
observe now and again…<br />
Well, I do reflect occasionally on the<br />
numbers of sturdy and rather muscular<br />
women indefinitely prolonging the<br />
glory of their school hockey careers<br />
or Premiership footballers manqué<br />
deluding themselves that the astroturf<br />
pitches are really Stamford Bridge. And<br />
of course in the Summer there is the<br />
cricket to be had, of varying degrees of<br />
skill and application; often to the accompaniment<br />
of a steel band!<br />
I like that, Max, it shows you have<br />
a sense of <strong>Battersea</strong> <strong>Park</strong> in all its<br />
human diversity. But you still haven’t<br />
14<br />
told me what particular exercise<br />
you’ve been converted<br />
to…<br />
For myself the exercise of<br />
choice necessarily entails the<br />
remorseless degradation of<br />
cartilage in the joints and only running<br />
will do the trick.<br />
I’m a walker myself and my joints<br />
are already degraded….<br />
It’s not walking I compare it to. It’s the<br />
gym. That any sentient human being<br />
could swap a lap or two of the park on<br />
a misty spring morning for the subterreanean<br />
hell of the treadmill simply<br />
offends against reason. Anybody with<br />
even passing knowledge of the park will<br />
have seen the circuit training course<br />
by the athletics track which can give<br />
for free as good a workout as the most<br />
sophisticated machines in any gym. The<br />
same friendly faces can be found there<br />
every morning before breakfast and the<br />
circuit boasts a facility no gym in the<br />
world can rival.<br />
I’m intrigued…<br />
His name is Joe. He is a 78 year old<br />
former army physical training instructor.<br />
He does one hundred pull ups every<br />
single day. And he does them properly<br />
and I know because I have seen him.<br />
Unfortunately Joe has also seen me<br />
do pull ups. I can do ten and rarely<br />
properly.<br />
Below: Joe, pulling up!<br />
A final word or two on what makes<br />
the <strong>Park</strong> special for you…<br />
Selling the virtues of exercising in <strong>Battersea</strong><br />
<strong>Park</strong> seems like selling sweets<br />
to children to me. It’s free, it’s green,<br />
it’s beautiful and you never know who<br />
you might meet there. Just ask Lord<br />
Browne.<br />
Thanks, mate…
As a travel journalist, Sophie<br />
Campbell has journeyed far and<br />
wide across the globe, searching<br />
for the idyll location. Here she<br />
tells us what it is that draws her<br />
back to her <strong>Battersea</strong> flat, and<br />
out into the <strong>Park</strong> across the road…<br />
ON South Carriage Drive, during<br />
last summer’s heatwave, I came across<br />
an elderly woman holding a lead. On<br />
the other end was a Peke, three-quarters<br />
submerged in a puddle, a coiffure<br />
of centrally-parted honey-blonde hair<br />
swirling lazily about him. The puddle,<br />
in the molten heat of a globally-warmed<br />
SW11, looked like a bonsai oasis. The<br />
Peke looked like <strong>Jimmy</strong> Savile, or possibly<br />
a new type of synthetic mop. ‘We<br />
come here once a week,’ said the woman<br />
crisply, ‘His favourite puddle. Keeps<br />
him cool.’ They had been there for over<br />
20 minutes.<br />
The funny thing was they no longer<br />
lived in <strong>Battersea</strong>. They came back for<br />
the puddle. I like that sense of ownership<br />
in the park; the conviction that one small<br />
part of this most public of facilities belongs,<br />
for a time, to you and you alone.<br />
North of the Peke, five-a-side footballers<br />
rampaged up and down the Astroturf<br />
for their allotted hour, spraying sweat<br />
in the heat. Beyond them, picnickers<br />
colonised the fields between the cherry<br />
avenues. Then came the cricketers – including<br />
a pretty Indian girl in a crop-top,<br />
tracky bottoms and a long plait – then<br />
the dreamers in the library-quiet of the<br />
English Garden, then the cyclists and in-<br />
ON THE BENCH<br />
Sophie Campbell<br />
line skaters and kids on bikes, then the<br />
runners and walkers, then the river.<br />
We are bounded by the river, by luxury<br />
flats and by daisy chains of expensive<br />
cars, beyond which are the horrors of<br />
London proper. Traffic. Murders. Chelsea.<br />
No wonder we have fellow feeling.<br />
We are so lucky not to be out there.<br />
We are in here and we can argue with<br />
each other instead. The pro-duck-feeders<br />
(mainly under fives, or ducks), for<br />
example, and the anti-duck feeders.<br />
Pedestrians versus skaters. Skaters versus<br />
cyclists. Skaters and cyclists versus<br />
pedestrians. Everyone versus cars. The<br />
people who think the little fences are<br />
silly. The people who don’t. The dog<br />
walkers. The contra-dog walkers. The<br />
swearing birdwatchers (have you met<br />
them?) and the RSPB types. The executive<br />
joggers and the squads of 30-somethings<br />
doing British Military Fitness. All<br />
life is here, mildly irritated by all other<br />
life. It is the equivalent of the beach in<br />
Rio or Barcelona.<br />
I think my favourite time in the park is<br />
at night, though I never go in there. Ooh<br />
no. Instead I go round the edge, walking<br />
back across the bridges or from the<br />
bus stop, staring in. In summer, you can<br />
feel the enervated ground releasing the<br />
heat of the day. In winter, it sweats cold,<br />
which pours icily through the railings.<br />
There are dim lights in there at night, and<br />
strange rustlings, and the sort of people<br />
that go into parks at night, and sometimes<br />
the engines of joy-riders doing<br />
hand-brake turns on the car park gravel,<br />
though I haven’t heard them for a while.<br />
The south east corner smells as rank as<br />
zoo. Feral. Almost certainly fox.<br />
In fact, they should do night tours of the<br />
park. I’d sign up, if there was an armed<br />
ranger. We might see the owl I mistook<br />
for a mugger (it had the lousiest hoot you<br />
have ever heard, the worst fake owl noise<br />
ever, and I truly thought it was a signal<br />
between people after my handbag until<br />
my companion pointed silently up into<br />
15<br />
a tree. There was an owl, staring<br />
at us with eyes ‘like twin hostile<br />
moons’, in the words of one fine<br />
writer. I still think it was eyeing<br />
my bag, though). I’ve seen<br />
a hawk in there, though I don’t<br />
know what type, and bats, and cats. We<br />
could have a <strong>Battersea</strong> <strong>Park</strong> Night Safari,<br />
with a bush dinner in the café.<br />
Increasingly, though, safari-goers will<br />
see the lights of hundreds of new luxury<br />
flats on Chelsea Bridge Road twinkling<br />
along our eastern borders. By the time<br />
you read this, the last block filling the<br />
gap between the QVC building and the<br />
new development may have blanked<br />
out our last unbroken view of <strong>Battersea</strong><br />
Power Station. Then you will only be<br />
able to see its familiar, lardy billiard-table<br />
legs from north of the river, or from<br />
the top of a bus passing the Dogs’ Home<br />
– or of course, from the balcony of your<br />
east-facing luxury flat in Chelsea Bridge<br />
Wharf. Until the developers finally get<br />
their way and knock it down anyway.<br />
So, our isolation is complete. We are<br />
now properly marooned, hemmed in<br />
on all sides, and we like it that way. We<br />
welcome visitors, it is true – especially if<br />
they bring hard currency – but really it’s<br />
our turf. We all own a bit of it, at certain<br />
times and in certain ways, from the tennis<br />
courts to the Peace Pagoda, from the<br />
rose gardens to the café. But back off the<br />
puddle, though. The puddle is taken.
The <strong>Battersea</strong> Society’s chairman<br />
Tony Tuck revives memories<br />
of the Lido project that slipped<br />
away during the Second World<br />
War…<br />
THE Second World War changed many<br />
things, nowhere more so than in <strong>Battersea</strong><br />
<strong>Park</strong> and its surroundings.The Geman<br />
bombing campaign not only cleared<br />
urban sites for redevelopment, but sadly<br />
thwarted the aspiration of more local<br />
planners.<br />
One ‘nearly’ project was the <strong>Battersea</strong><br />
<strong>Park</strong> Lido. Planned for in 1937, deferred<br />
in 1939, replaced in 1940 with anti-aircraft<br />
gun emplacements and allotments<br />
as part of the “Dig for Britain Campaign”<br />
, only to be quietly forgotten in<br />
1945 and abandoned without a single<br />
sod being turned.<br />
My appetite has been whetted to track<br />
down the lost Lido of <strong>Battersea</strong> by a<br />
most delightful and remarkable book<br />
published in 2005 and recently re-printed<br />
by a local author, Janet Smith called<br />
“Liquid Assets – the lidos and open air<br />
swimming pools of Britain”.The book<br />
is the third in a series by English Heritage<br />
called “Played in Britain” which<br />
will focus on the architectural heritage<br />
of British sport – on the pavilions and<br />
clubhouses, the grandstands and swimming<br />
pools that form an integral part of<br />
the British landscape. More titles are in<br />
the pipeline (see www.playedinbritain.<br />
co.uk)<br />
This enchanting book charts the history<br />
of the lido from its earliest origins<br />
in the Peerless Pool in Old Street, Fins-<br />
MEMORY LANE<br />
Tony Tuck<br />
bury developed by a jeweller,<br />
William Kemp, in 1743. This<br />
was the first formalised public<br />
outdoor swimming pool<br />
built in Britain since the Romans<br />
left in the fifth century.<br />
Thereafter there is charted a<br />
survey of British lidos, including<br />
a planned floating<br />
lido designed by Alex Lifschutz<br />
in 1998,which was to<br />
be moored off the South Bank<br />
Though this never left the<br />
drawing board, the French do<br />
have one moored in the river<br />
Seine opposite the Bibliotetheque<br />
Nationale, complete<br />
with a retractable roof.<br />
But the ‘nearly’ <strong>Battersea</strong> Lido had<br />
its origins in a more prosaic set of circumstances.<br />
The former London County<br />
Council (LCC) made its first foray into<br />
a purpose built outdoor swimming pool<br />
in 1906 when Wandsworth Council persuaded<br />
the LCC to release land in Tooting<br />
for an outdoor pool – and to get the<br />
LCC to pay £200 a year towards running<br />
costs. The pool was then built as part of<br />
a scheme to provide work for local unemployed<br />
men.<br />
After the First World War a scatter of<br />
outdoor pools were constructed around<br />
London, sometimes built by unemployed<br />
men and funded by the then<br />
Ministry of Labour, but more often by<br />
local agreements, where the LCC shared<br />
running costs, but the local authority<br />
paid for construction. At a time when<br />
many homes lacked bathrooms and few<br />
workers had ‘leisure time and proper<br />
paid holidays, these open air pools were<br />
hugely popular.<br />
By 1931 the LCC had embarked on a<br />
new major programme of architect designed<br />
pools. Two LCC architects, Harry<br />
Arnold Rowbotham and T L Smithson,<br />
designed a series of ‘designer pools’ in<br />
fully enclosed brick compounds with<br />
purpose built changing rooms, first aid<br />
facilities and integrated water filtration<br />
systems. The style of the buildings was<br />
very distinctive. Janet Smith describes<br />
16<br />
it as being “…hard to place stylistically<br />
– being only faintly Art<br />
Deco, yet patently Modernist in<br />
character – and certainly never<br />
copied anywhere outside London.”<br />
But in July 1937 a major change in<br />
LCC policies took place. Rather than try<br />
to negotiate with often reluctant local<br />
authorities to co-finance and build new<br />
pools (some things remain constant!)<br />
the LCC took over the entire process of<br />
design, construction and management itself.<br />
Not only that, but the then Leader<br />
of the LCC, Herbert Morrison, pledged<br />
that in future no Londoner would have<br />
to walk further that a mile and a half<br />
to their nearest Lido. London, he said,<br />
would become a “City of Lidos”.<br />
The Plan in 1937 was to build five Lidos<br />
at Parliament Hill, Charlton, Ladywell,<br />
Clissold <strong>Park</strong> and <strong>Battersea</strong> <strong>Park</strong>. Only<br />
the first two were ever built. The other<br />
three, including <strong>Battersea</strong> <strong>Park</strong>, never<br />
left the drawing board – though the estimated<br />
capital cost for <strong>Battersea</strong> <strong>Park</strong><br />
Lido had jumped from £15,000 in 1935<br />
to £40,000 by 1937.<br />
After the war the immediate priority for<br />
scarce building material was for homes,<br />
hospitals, and reconstruction. By 1951<br />
the Festival of Britain had taken over<br />
much of <strong>Battersea</strong> <strong>Park</strong> and the ‘nearly<br />
Lido’ slipped from view.<br />
Janet Smith whose book charts the fortunes<br />
of all the real Lido’s has expressed<br />
an interest in joining with me in seeing<br />
if the LCC archives contain any residual<br />
hints of what might have been in <strong>Battersea</strong><br />
<strong>Park</strong>. We shall see….. – hopefully, to<br />
be continued.<br />
All the material in this piece was drawn<br />
from “Liquid Assets – The lidos and<br />
open air swimming pools of Britain” by<br />
Janet Smith and published by English<br />
Heritage 2007<br />
The Friends are always interested to<br />
hear from past <strong>Park</strong> users; if you have<br />
old photographs, post cards, or just good<br />
memories of times in the <strong>Park</strong> please do<br />
contact us.<br />
The <strong>Editor</strong>,<br />
Friends Review<br />
51 Brynmaer Road,<br />
London, SW11 4EN<br />
or email review@batterseapark.org
The rejuvenated Pump House<br />
Gallery continues to surprise<br />
<strong>Park</strong> users with its choice of<br />
art and design. David Firn, a<br />
<strong>Battersea</strong> resident and Financial<br />
Times journalist takes a look at<br />
the summer exhibition...<br />
Where is the Work brings together photographs<br />
of mainly temporary site specific<br />
works by Mathew Cornford & David<br />
Cross for the first time in London.<br />
The pair, who have worked together as<br />
Cornford & Cross, since they met at St<br />
Martins School of Art in 1987,say the<br />
large scale photographs are not merely<br />
records of their work, but are themselves<br />
art.<br />
Over two decades, they have created a<br />
unique and provocative body of work.<br />
Much of their work has involved sitespecific<br />
projects for public spaces, which<br />
responds not only to physical sites, but<br />
also to social situations and historical<br />
moments.<br />
The summer exhibition at the Pump<br />
House also features some of the artists’<br />
unrealized projects and ‘work in<br />
progress’.<br />
Utopia, involved renovating a derelict<br />
pond at Bournville and working with<br />
the chief food scientist to dye the water<br />
‘Cadbury’ purple.10, involved software<br />
engineers in a beauty contest in which<br />
contestants were judged electronically<br />
by facial recognition software that compared<br />
their faces to an ‘ideal of symmetry<br />
and proportion.’<br />
The exhibition consists of one image<br />
from each finished project. Accompanying<br />
text sets the context for each project<br />
and gives the viewer an aid to understanding<br />
the work. Mathew Cornford<br />
says the text gives an “idea rather than<br />
detail”.<br />
They are hoping to provoke thought.<br />
Their site specific work is set within a<br />
particular context - social, political and<br />
physical- and the images are accompanied<br />
by text as a record of actions taken.<br />
Each Cornford & Cross project is radically<br />
different, in both form and intention.<br />
The British Empire, its rise, fall and<br />
its echoes are recurring themes in their<br />
work which is often named after classic<br />
tales.<br />
She - a proposal to install an eternal<br />
flame, next to the Maiwand Lion statue,<br />
ART IN THE PARK<br />
David Firn<br />
in Reading, takes its title from Haggard’s<br />
novel of African exploration and<br />
sorcery. The lion itself is named after<br />
a small village in Afghanistan, where<br />
the local population suffered war at the<br />
hands of foreign invaders over decades.<br />
The flame - of eternal youth in Haggard’s<br />
tale - fed by fossil fuel hints at<br />
today’s geopolitical tensions over access<br />
to gas and oil.<br />
Eclectic and demanding this exhibition<br />
may be, and one wonders how many<br />
park users will really come to grips with<br />
17<br />
it, or even find it relevant to<br />
their own experiences. But<br />
some <strong>Battersea</strong> residents<br />
might be particularly interested<br />
in Words are not Enough,<br />
another ‘work in progress’ with<br />
which Cornford & Cross hope to transform<br />
an abandoned nuclear bunker in<br />
Camberwell, South London into a temporary<br />
peace garden as part of Architecture<br />
Week 2007. If nothing else, it leaves<br />
one guessing what they might transform<br />
<strong>Battersea</strong> Power Station into, if given a<br />
free hand!<br />
Cornford & Cross, Where is the Work?<br />
At the Pump House Gallery until 5 August<br />
2007. Open Wednesdays, Thursdays,<br />
Sundays 11am-5pm; Fridays and<br />
Saturdays 11am-4pm. Closed Mondays<br />
and Tuesdays.<br />
Below: Why Read the Classics?<br />
Film light on reflector behind marble statue For Tra monti, Rome, Italy, 2005
THE stretch of <strong>Battersea</strong> <strong>Park</strong><br />
Road between <strong>Battersea</strong> <strong>Park</strong><br />
Station and the Latchmere, is<br />
architecturally not the most seductive<br />
street in the neighborhood.<br />
But it has its delights and<br />
no shortage of variety when it comes to<br />
eating and drinking.<br />
I’ve counted 42 restaurants and cafes in<br />
the mile between <strong>Battersea</strong> <strong>Park</strong> Station<br />
and the “Little India” tracks. Just a snapshot<br />
will confirm that of the Chinese<br />
variety, there are two restaurants and 5<br />
take-aways. Then you have one Albanian,<br />
two Thai, one Spanish, one Mexican,<br />
and three Italian restaurants and one new<br />
Italian deli-restaurant.<br />
As if that was not enough, there are<br />
three pizza parlours, two sandwich bars,<br />
five varieties of Indian take-away, four<br />
fried food emporia, four cafes with internet<br />
access, and two or three good<br />
old EnglishBreakfast/Roast Beef lunch<br />
cafés, as well as six pub-restaurants<br />
along the South side of the road.<br />
There is something for every taste, and<br />
every <strong>Park</strong> user, and the purveyors are as<br />
varied as the food, coming from all over<br />
Europe, the Middle East, and many parts<br />
of Asia. I may not be a huge eater but I<br />
like this sense of diversity reaching out<br />
across green spaces and concrete.<br />
So here are some tentative cheap but<br />
cheerful recommendations Not far from<br />
the station, there is the Chinese NewCity<br />
restaurant: friendly and delicious.<br />
Across the road it’s the Italian named<br />
after the patron saint of Naples San<br />
Gennaro: young crowd, excellent food,<br />
genuine pizza, cheery atmosphere. The<br />
one-time Turkish Adalar, on the corner<br />
of Cupar Road, is in the midst of transformation<br />
into an Albanian restaurant.<br />
That should be interesting.<br />
Next on my walk from east to west,<br />
there is, do I dare mention it, <strong>Battersea</strong>’s<br />
least best kept secret: Corelli’s . For Italian<br />
home-style cooking and best lunchtime<br />
neighborhood experience, there is<br />
still nothing that comes near it!<br />
Also in my good books is the excellent<br />
Indian take-away Holy Cow and the two<br />
Thais: the posh Chada and more intimate<br />
and less expensive Dee. Nearby are The<br />
Lighthouse (ex-Clock Tower) pub for<br />
garden, wine list and atmosphere and<br />
The Latchmere for a traditional pub cum<br />
FOOD CORNER<br />
Christine Fremantle<br />
theatrical experience. The new Mexican<br />
Margarita Loca is for those with cast iron<br />
palates and a sense of fun. And Il Molino<br />
Café for atmosphere and internet. And<br />
I am not denigrating the 32 remaining<br />
eateries! Chacun a son gout! Salud! &<br />
Buen apetito!<br />
Above: Cakes at the Friends BBQ<br />
The <strong>Editor</strong>s Choice<br />
Seasonal Recipe<br />
by <strong>Editor</strong> <strong>Jimmy</strong> <strong>Burns</strong><br />
I owe it to my Spanish mother that I’ve<br />
been brought up believing that Mediterranean<br />
food is not only easy to engage<br />
with, but also delicious and healthy.<br />
Gazpacho is a supercharged smoothie,<br />
easily transportable in a flask or similar<br />
container (make sure you keep it cool),<br />
and guaranteed to provide both nourishment<br />
and refreshment on a hot sultry<br />
summer’s day in the park.<br />
In the days before electricity, the name<br />
Gazpacho was used to refer to any ingredients<br />
that could be put together<br />
easily and cheaply in a mortar. At its<br />
most elemental it became a popular<br />
dish with starving peasants and labourers<br />
transforming a stale piece of white<br />
bread into something worthwhile after<br />
pounding and mixing it with water, oil,<br />
salt, vinegar, and garlic. Long before<br />
the tourist boom, early foreign travellers<br />
to Spain left records of their experience<br />
of this rustic improvised cooking.<br />
Richard Twiss, a wealthy Englishmen<br />
who visited Spain in the 1770’s found<br />
that the experience of tasting gazpa-<br />
18<br />
cho for the first time more than<br />
made up for the inconvenience<br />
of having to sleep the night on a<br />
shopkeeper’s wooden chest near<br />
Algeciras. “This is an excellent<br />
soup-maigre,” remarked Twiss,<br />
“nothing can be more refreshing during<br />
the violent heats.” The Frenchman Theophile<br />
Gautier was less impressed, judging<br />
gazpacho the sign of a lesser race.<br />
“In our country,” hissed Gautier, “no dog<br />
with the slightest breeding would deign<br />
to put his muzzle in such a mixture.”<br />
These days, there will be no shortage<br />
of pretentious and loud mouthed cooks<br />
who will insist they are licensed to own<br />
a unique and perfect haute cuisine recipe<br />
for Gazpacho but in so doing they have<br />
turned their back on its very soul. For<br />
a true Gazpacho, like all good genuine<br />
cooking, still requires instinct and<br />
improvisation, according to mood and<br />
what is available. What follows should<br />
provide terms of reference rather than<br />
definition for a party of four.<br />
Ingredients (preferably organic and local)):<br />
4 slices of ageing white bread with<br />
crusts removed and soaked in cold tap<br />
water for ten to fifteen minutes; 1 kg of<br />
very ripe peeled tomatoes ; 1 green pepper<br />
cut in small pieces (you can throw in<br />
a red pepper too if you feel like it); half<br />
a cucumber peeled and cut in thin slices;<br />
4 cloves of peeled and crushed garlic; 10<br />
tbsp olive-oil (preferably extra-virgin); 3<br />
tbsp white wine vinegar; a few drops of<br />
tabasco; a pinch of cumin; salt and pepper.<br />
Put the bread with its water and all the<br />
other ingredients in a large bowl and<br />
squeeze and stir them together with your<br />
hands, then pour into a blender and mix,<br />
adding water until you’ve reached the<br />
consistency that best suits you. My preference<br />
is for a thickish soup to which<br />
I then add some cubes of ice. But you<br />
can of course go for a smoother and/or<br />
more refreshing option, pushing the<br />
soup through a sieve and chilling further<br />
in the fridge or freezer. For the perfect<br />
summer tapas in the park, try throwing in<br />
some croutons and cut up bits of boiled<br />
egg, then follow it with some Spanish<br />
Serrano ham, chorizo, and manchego<br />
cheese, and a glass or two of Rioja.<br />
<strong>Jimmy</strong> <strong>Burns</strong>’s A Literary Companion to<br />
Spain is published by Santana Books
Below, a summary of the Friends accounts for our last financial year.<br />
STATEMENT OF FINANCIAL ACTIVITIES<br />
FOR THE YEAR ENDED 31st MARCH 2007<br />
Incoming resources Unrestricted Restricted Total Total<br />
funds income funds this year last year<br />
Voluntary income<br />
£ £ £ £<br />
subscriptions 4,117 4,157 4,235<br />
miscellaneous donations 773 773 392<br />
Winter Garden donations 13,385 13,385 13,702<br />
Maple Avenue donations 7,400 7,400<br />
Grant for signs<br />
Gift Aid tax refund<br />
9,845 9,845<br />
subscriptions/Winter Garden<br />
Activities for generating funds<br />
648 2,058 2,706 423<br />
events 302 2,254 2,556 207<br />
advertising 1,040 1,040 690<br />
sales<br />
Investment income<br />
996 996 541<br />
bank interest 906 906 697<br />
Total incoming resources<br />
Resources expended<br />
Costs of generating funds<br />
Costs of generating voluntary income<br />
8,782 34,942 43,724 20,887<br />
Subscriptions paid 90 90 65<br />
Review costs 5,555 5,555 3,327<br />
Bad debt 220 220 400<br />
Event expenditure<br />
Fundraising trading costs<br />
153 153 50<br />
Christmas cards expenses<br />
Charitable activities<br />
237 237 254<br />
Winter garden 1,069 1,069 21,803<br />
Maple Avenue<br />
Goverance costs<br />
7,400 7,400 0<br />
postage 52 52 55<br />
stationery 93 93 85<br />
bank charges 0 0 1<br />
Total resources expended 6,400 8,469 14,869 26,040<br />
Net incoming/(outgoing) resources 2,382 26,473 28,855 (5,153)<br />
Total funds brought foward 7,898 0 7,898 13,051<br />
Total funds carried forward 10,280 26,473 36,753 7,898<br />
BALANCE SHEET AT 31ST MARCH 2007<br />
Unrestricted Restricted Total Total<br />
funds income funds this year last year<br />
£ £ £ £<br />
Current assets<br />
Debtors 150 0 150 0<br />
Cash at bank and in hand 10,130 26,473 36,603 7,898<br />
Total current assets 10,280 26,473 36,753 7,898<br />
Creditors 0 0 0 0<br />
Total net assets<br />
Capital and Reserves<br />
10,280 26,473 36,753 7,898<br />
Net incoming/(outgoing) resources 2,382 26,473 28,855 (5,153)<br />
Total funds brought forward 7,898 0 7,898 13,051<br />
Total funds carried forward 10,280 26,473 36,753 7,898<br />
19
THE DECORATIVE<br />
ANTIQUES &<br />
TEXTILES FAIR<br />
Autumn Fair<br />
October 2-7 2007<br />
<strong>Battersea</strong> <strong>Park</strong><br />
London SW11<br />
Opening times<br />
Tuesday 2nd 12 noon-8pm<br />
Wednesday 3rd 11am-8pm<br />
Thursday 4th 11am-8pm<br />
Friday 5th 11am-7pm<br />
Saturday 6th 11am-7pm<br />
Sunday 7th 11am-6pm<br />
The Decorative Antiques & Textiles Fair<br />
Harvey (Management Services) Ltd.<br />
PO Box 149, London W9 1QN<br />
decorativefair.com