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Jimmy Burns - Editor Mike Bates - Production - Battersea Park

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Friends of <strong>Battersea</strong> <strong>Park</strong><br />

R E V I E W<br />

Issue 74<br />

Summer 2007<br />

£1.00 Free to members


THE REVIEW<br />

<strong>Jimmy</strong> <strong>Burns</strong> - <strong>Editor</strong><br />

<strong>Mike</strong> <strong>Bates</strong> - <strong>Production</strong><br />

The Friends of <strong>Battersea</strong> <strong>Park</strong><br />

Registered Charity Number 802905<br />

From the <strong>Editor</strong>:<br />

Next year the Friends of <strong>Battersea</strong> <strong>Park</strong> will be celebrating their 20th anniversary.<br />

It will be a good point at which to celebrate our achievements,<br />

and build on them for the future.<br />

I was among a handful of <strong>Battersea</strong> residents that back in 1988 came<br />

together with the collective aim of doing what we could to protect and enhance<br />

the <strong>Park</strong> as an oasis of tranquillity, natural beauty and recreation.<br />

Over the years many things may have changed in London, but the Friends<br />

as an organisation has remained true to its founding aims of providing a<br />

“responsible group of people whom Wandsworth Council can consult as<br />

representatives of <strong>Park</strong> users”.<br />

It has not been, as it surely was never intended to be, a compliant talking<br />

shop. It has offered constructive criticism where necessary. It has galvanised<br />

interest in the <strong>Park</strong> on both sides of the river, and beyond these<br />

shores. It has raised funds in order to make positive contributions to the<br />

<strong>Park</strong>’s amenities.<br />

It is almost twenty years since I planned and edited the first of a series<br />

of issues of this Review as a quarterly magazine of news and comment on<br />

the <strong>Park</strong>, a forum for members’ ideas and opinions. It is hugely exciting to<br />

be back as editor when the membership of Friends is growing daily, in a<br />

context of growing awareness around the world of the importance of ecological<br />

and environmental protection and care.<br />

If our planet is to be saved, we all have to do our bit, and action begins<br />

on our own doorstep, nurturing the unique and generous green space in our<br />

midst. Valerie Selby’s nature notes brings into sharp focus how fragile is<br />

the wildlife that we all too often take for granted; Sophie Campbells’ column<br />

identifies with feeling and insight just what it is that draws her deep<br />

into the <strong>Park</strong>’s soul.<br />

The best things in life may indeed be free, and the article we reproduce<br />

by the late and hugely respected author and journalist Tom Pocock is a reminder<br />

of how the <strong>Park</strong> over the decades has fuelled simple pleasures in all<br />

ages and all classes. Tony Tuck takes us down an enlightening avenue of<br />

the <strong>Park</strong>’s rich and varied history, and there are surely lessons to be learnt<br />

from the lido that could have been but wasn’t. There is also food, exercise,<br />

art, and humour in these pages-the kind of mix you find in the <strong>Park</strong> on a<br />

good day.<br />

Cover image: Enjoying the <strong>Park</strong>, by Julia <strong>Burns</strong><br />

2<br />

SUMMER 2007<br />

Events<br />

Music at the Cafe<br />

La Gondola al Parco cafe<br />

13th July 7pm-9:30pm<br />

10th August 7pm-9:30pm<br />

24th August 7pm-9:30pm<br />

Music in the <strong>Park</strong><br />

at the Bandstand<br />

Various bands, with bar and refreshments<br />

20th July from 6:30pm<br />

21st/22nd from noon<br />

Affordable Art Fair<br />

<strong>Battersea</strong> Evolution<br />

18th-20th October<br />

Decorative Antiques Fair<br />

<strong>Battersea</strong> Evolution<br />

2nd-7th October<br />

(see back page for details)<br />

3rd London Tree-athlon<br />

15th September<br />

see www.tree-athlon.org<br />

Contacts<br />

General Enquiries<br />

The Hon. Secretary<br />

Friends of <strong>Battersea</strong> <strong>Park</strong><br />

7 <strong>Park</strong> Mansions<br />

London, SW11 4HG<br />

Letters/Contributions, see page 9<br />

email: review@batterseapark.org<br />

web: www.batterseapark.org<br />

<strong>Park</strong> Office <strong>Park</strong>s Police<br />

020 8871 7530 020 8871 7532


THE POWER STATION<br />

Have we been here before?<br />

Real Estate Opportunities<br />

(REO), the new owners of the <strong>Battersea</strong><br />

Power Station have publicly committed<br />

themselves to either repairing the iconic<br />

chimneys or to provide replacement ones<br />

before deciding what else to do with a<br />

site that changed hands-again- last December<br />

in a deal worth £400m.<br />

English Heritage, which lists the condition<br />

of the power station on their at risk<br />

register as “very bad”, say they have received<br />

assurances from REO about the<br />

need for essential repair works.<br />

The commitment was confirmed by Sarah<br />

Banham, REO’s Development manager<br />

during a meeting on June 12 with<br />

<strong>Battersea</strong> residents and local community<br />

representatives which otherwise left<br />

most of those attending no wiser about<br />

where the project is going in the future.<br />

Ms Banham told those gathered that<br />

Rafael Vinoly, the architects chosen to<br />

map out the latest ‘masterplan’ for the<br />

site, were hoping to draw on the advice<br />

of an evolving team of consultants.<br />

Some of these advisers had also worked<br />

as consultants to the previous owners the<br />

Hong Kong developer <strong>Park</strong>view. However<br />

Vinoly, the architect behind the<br />

controversial “walkie talkie” tower is<br />

working to a brief that includes designing<br />

a completely new ‘masterplan’ for<br />

the site that better responds to “today’s<br />

market conditions.”<br />

Below: Having fun during May Day!<br />

PARKWATCH<br />

So what does that mean? “Shops, offices,<br />

housing, and leisure of some sort,”<br />

said Ms Banham, before adding “but we<br />

are at a very early stage.” She could have<br />

added, as several of the attendees did,<br />

“and we have been there before.”<br />

No matter that the previous master plan<br />

for the site took three years to create and<br />

was followed by a decade of inaction.<br />

We were assured by Ms Banham that<br />

a new planning application would be<br />

ready to submit to Wandsworth<br />

Council “probably” by<br />

June next year.<br />

“This is an incredibly political<br />

and sensitive site,” said<br />

Ms Banham.<br />

She told the meeting that<br />

REO was developing a constructive<br />

relationship with<br />

English Heritage and planned<br />

to take in the views of other<br />

boroughs across the capital.<br />

While REO insists that it<br />

wants to make of the Power<br />

Station a “truly London site”,<br />

their strategy looks likely to<br />

confuse still further what has<br />

already turned into a fragmented<br />

process of consultation<br />

over the site, possibly sidelining<br />

3<br />

Mayday<br />

even further local views.<br />

For the record, the Jerseydomiciled<br />

REO is controlled by<br />

Treasury Holdings, owned by<br />

two Irish property developers Johnny<br />

Ronan and Richard Barrett. During the<br />

1990’s the two’s then company Legacy<br />

bid unsuccessfully for the Millenium<br />

Dome after the government declared<br />

their claims to be “undeliverable”.<br />

Property analysts suggest that the deal<br />

under which the site was secured by<br />

REO offers the prospect of healthy profits<br />

for Ronan and Barrett, regardless of<br />

whether the site is developed or left derelict,<br />

as it has been for so many years.<br />

Above: An enduring view of the<br />

Power Station?<br />

THE rain dried up and the sun decided<br />

to shine in <strong>Battersea</strong> <strong>Park</strong>, London for the<br />

Art of Protest May Day Festival at Pump<br />

House Gallery. Folk artists danced and<br />

played May Day jigs while young and<br />

old made costumes and danced round<br />

the Maypole, or if they were feeling political,<br />

made banners protesting about<br />

things they felt strongly about or ranted<br />

at the speakers corner. The day finished<br />

with a huge procession around the park<br />

led by a Jack-in-the-green decorated<br />

with leaves and flowers, with lots of<br />

dancing, singing and, of course, protesting<br />

(even if it was for more cakes and<br />

less school).


BBQ at the Zoo<br />

Committee member Vicki Barker<br />

writes:<br />

THE Heap family could make a fortune<br />

renting out <strong>Battersea</strong> <strong>Park</strong> Zoo as a<br />

venue for weddings or corporate events.<br />

But, for the second year running, they<br />

have thrown it open to the Friends for<br />

free, to help us realize our dream of creating<br />

London’s first Winter Garden here<br />

in the park.<br />

Good news like this travels fast – this<br />

year, the event was sold out well in advance,<br />

and disappointed punters had to<br />

be turned away at the front gate. The<br />

two hundred lucky ticket-holders whiled<br />

away the warm evening strolling among<br />

the animal enclosures, to the sound of<br />

the Latin band, Los Soneros, and occasional<br />

wolf whistles from the Mynah<br />

bird aviary.<br />

For charm of venue, delight in entertainment,<br />

range and tastiness of food and<br />

for all-round sheer enjoyment, tickets<br />

for the Barbecue at the Zoo have to represent<br />

the best value in London.<br />

Greg Lawson, manager of the ‘Evolution,<br />

was there, rolling up his sleeves<br />

and helping cook and serve the food<br />

he’d donated. Various Committee members<br />

manned the bar, the front gate and<br />

PARKWATCH<br />

the tombola table. (See box for more detailed<br />

thanks.)<br />

Of all the items donated for the occasion,<br />

the highlight had to be a pair of<br />

lethally high, lusciously yellow, stupendous<br />

regency-style Vivienne Westwood<br />

shoes – donated by the great lady, her-<br />

Above: Adrian Koppens, Marie Louise Lomba and Friends committee<br />

member Mary Spillane<br />

self, after a chance meeting with Committee<br />

Member Ruth Forrest a few days<br />

earlier. Miss Westwood adores <strong>Battersea</strong><br />

<strong>Park</strong> – and when Ruth asked her if she<br />

might have something for the silent auction,<br />

she seems to have dug into her own<br />

wardrobe. She also donated a signed<br />

book.<br />

The evening’s activities were<br />

monitored by the meerkats, whose<br />

initial agitation turned to curiosity<br />

at all these humans wandering<br />

around their home at what would<br />

normally be, one surmises, their<br />

bedtime. They stood on tip-toes<br />

in little clusters, eyeing the passing<br />

human menagerie.<br />

In fact, the Zoo’s Jason Palmer<br />

was heard to say he thought many<br />

of the birds and animals, a large<br />

4<br />

proportion of which come from<br />

South America, particularly enjoyed<br />

the music!<br />

“I cannot thank the Heap family<br />

enough,” says Ruth Forrest, the chief<br />

organiser. “And all of the Zoo staff, led<br />

by Jason Palmer, were extremely helpful...<br />

they couldn’t have been more<br />

cheerful and kind.”<br />

The final tally is still being prepared,<br />

but it’s believed this year’s event raised<br />

in excess of £3,500 for the Winter Garden<br />

– well above last year’s total.<br />

Below: Greg Lawson (in tie)<br />

Oh!, and your correspondent was the<br />

successful bidder for The Shoes. They fit<br />

beautifully: walking in them is another<br />

matter. La Westwood and her clientele<br />

manage to sashay across the landscape at<br />

those Olympian heights without a stumble.<br />

Head held high, ankles wobbling, I<br />

teetered precariously on my tip-toes. I<br />

kept wondering what this reminded me<br />

of, and then it hit me:<br />

I looked like one of the meerkats.<br />

Above: Vivienne Westwoods’ Shoes


PARKWATCH<br />

A charming mid summer rehearsal<br />

in the <strong>Park</strong> of Puccini’s<br />

La Bohème by the Garden Opera<br />

Company enchanted a small crowd of<br />

park users of all ages. On a tiny stage<br />

and with no amplification, this travelling<br />

troupe of singers, struck the perfect<br />

balance, providing free, quality entertainment<br />

with minimum environmental<br />

disruption. Peter Bridges, the GOC’s director<br />

says his vision of an opera company<br />

was inspired by the Spanish poet and<br />

dramatist Federico Garcia Lorca who put<br />

so much energy into his own travelling<br />

theatre group La Barraca before he was<br />

tragically murdered by Franco’s troops<br />

during the Spanish Civil War.<br />

Opera delight<br />

“Although we perform mostly in gardens,<br />

my aim is to create productions<br />

that are adaptable enough to fit into a<br />

wide area of social and physical environments,”<br />

says Bridges. He and his<br />

company, which have offices in <strong>Battersea</strong>,<br />

should become Friends of <strong>Battersea</strong><br />

<strong>Park</strong>.<br />

The Friends of <strong>Battersea</strong> <strong>Park</strong> would like to thank all those<br />

who supported the BBQ and especially the following for their<br />

kindness and generosity to the event:<br />

For Wines, Beers and juices<br />

Fullers, Chiswick Brewery; Goedhuis & Co.<br />

Waitrose, Wandsworth Southside branch<br />

For Flowers<br />

Detta Phillips<br />

For Desserts<br />

Capitan Corelli; Deliverance; Popina,<br />

Ransome’s Dock Restaurant<br />

For Draw and Tombola prizes<br />

Percol Food Brands; La Gondola al Parco;<br />

San Genaro Pizzeria; Carluccio’s PLC;<br />

Santa Maria del Sur, Argentine Bar and Grill;<br />

Tigi Bed Head;<br />

The Butcher and Grill, <strong>Park</strong>gate Road<br />

And, ...<br />

Greg Lawson, Quantum Leap Events<br />

The Heap family, for use of the Zoo<br />

Victor Garcia and Friends,<br />

Vivienne Westwood<br />

<strong>Battersea</strong> <strong>Park</strong> Newsagents<br />

Wandsworth Events Team<br />

5<br />

Below: The Garden Opera<br />

Company rehearsing.<br />

BUSES RAMPAGE<br />

RHS Chelsea Flower Show (22-26<br />

May) and its sponsors, Marshalls plc,<br />

were promoting environmental responsibility<br />

and awareness this year. However,<br />

the excellent courtesy shuttle bus<br />

service, which runs across the river<br />

from <strong>Battersea</strong> <strong>Park</strong>, contradicted this<br />

message due to a few inconsiderate bus<br />

and coach drivers. Although in a minority,<br />

some left their engines running<br />

while stationary in the <strong>Park</strong> discharging<br />

unpleasant noxious fumes at people<br />

walking past. Also, considerable efforts<br />

had been made by Jerry Birtles, <strong>Park</strong><br />

Manager, to ensure adequate headroom<br />

for double decker buses under the trees<br />

along the carriage ways. Despite this an<br />

act of arbicultural vandalism was perpetrated<br />

by the driver of the bus.<br />

By wedging his bus every day under<br />

the small chestnut tree at the South Gate,<br />

he broke off years of growth on one side<br />

of this lovely tree in just a few seconds.<br />

The thoughtless actions of a handful of<br />

drivers this year did much to negate the<br />

image of an environmentally friendly<br />

flower show as far as the <strong>Park</strong> was concerned.


Cross Rail Link<br />

A tunnel under the <strong>Park</strong>, ventilation<br />

shafts, tunnelling work<br />

sites near the Peace Pagoda….<br />

<strong>Park</strong> Manager Jerry Birtles takes a<br />

closer look at the latest potential planning<br />

nightmare looming over the not so<br />

distant horizon…<br />

THE “Cross Rail link” is the proposed<br />

Chelsea-Hackney line which would be<br />

an underground railway linking the Epping<br />

branch of the Central Line to the<br />

Wimbledon branch of the District line.<br />

It is a long term plan unlikely to be completed<br />

before 2025 . Put it another way,<br />

and it is a plan that, unless strongly opposed<br />

from an early stage, could be well<br />

advanced before enough people have<br />

woken up to it.<br />

Obviously, such large scale projects<br />

take a considerable time to complete and<br />

so the Secretary of State for Transportation<br />

can issue Directions under planning<br />

legislation to protect the route against<br />

conflicting development. This is called<br />

“safeguarding”. In the case of the Cross<br />

Rail link there is a safeguarding Direction,<br />

first issued in 1991, that requires<br />

planning authorities consult Transport<br />

for London (TfL) when considering<br />

planning applications which may affect<br />

the route.<br />

There have been numerous changes in<br />

London’s rail network since the Direction<br />

was first issued, some development<br />

has affected the route, and indeed there<br />

have been changes to the proposed route<br />

itself. The original safeguarding Direction<br />

is now 15 years old, out of date, and<br />

TfL now wish to update it.<br />

So how does this affect <strong>Battersea</strong> <strong>Park</strong>?<br />

Although the main route heads west<br />

via Victoria and Parsons Green, there<br />

is a proposal to build a branch tunnel<br />

under the park in which trains can be<br />

reversed and stabled. Consequently<br />

there is a proposal to safeguard a strip<br />

of land in the park, 50m wide, running<br />

approximately under Chelsea car<br />

park, the lake and ending at Prince of<br />

Wales Drive by Alexandra Gate. In<br />

itself, the tunnel alone is unlikely to<br />

affect the park but what would be of<br />

concern is that there is likely to be a<br />

need for a ventilation shaft to be built<br />

somewhere in this strip.<br />

PARKWATCH<br />

Even more worrying though is a<br />

proposal to safeguard a further part<br />

of the park extending between North<br />

Carriage Drive and the river and from<br />

Chelsea car park towards the Peace<br />

Pagoda so that the park could be used<br />

as a tunnelling work site for up to 8<br />

years – so that spoil from the tunnel<br />

could be removed by river.<br />

In itself, the safeguarding only adds<br />

extra layers of administration and consultation<br />

to any planning applications<br />

for development in the park – and such<br />

large scale development is in any case<br />

rather unlikely. However the worrying<br />

aspect is what these areas of the park are<br />

possibly being “saved” for.<br />

The Council has been consulted by TfL<br />

on the revisions to the safeguarding<br />

Direction and is very much opposed<br />

to any “above ground” use of the<br />

park for the project. It has strenuously<br />

objected to safeguarding any area<br />

of the park for the purposes stated.<br />

However, subject to certain assurances,<br />

the Council is not opposed to<br />

the tunnel itself. In due course, TfL<br />

will submit their safeguarding proposals<br />

to the Secretary of State who<br />

then may, or may not, confirm them.<br />

Even if the revised safeguarding<br />

Direction is imposed, the actual proposals<br />

are a long way from coming to fruition<br />

– and perhaps may never do so. Although<br />

the park is not under immediate<br />

threat, the current revision of the safeguarding<br />

Direction does give a worrying<br />

insight into some of the things the planners<br />

of the Cross Rail project are considering.<br />

It is never too early to mobilise<br />

opinion before things get too advanced.<br />

The Friends of <strong>Battersea</strong> <strong>Park</strong> should nip<br />

this project in its bud.<br />

For more details, you can check the<br />

Cross Rail report (Paper No.07-523) in<br />

the Council and Government/Committee<br />

Reports pages of Wandsorth Council’s<br />

website (www.wandsworth.gov.uk)<br />

6<br />

1988-2008:<br />

20 Years in existance and<br />

growing<br />

THE REVIEW is the Friends<br />

of <strong>Battersea</strong> <strong>Park</strong>’s flagship quarterly<br />

magazine. It is written and edited by volunteers<br />

linked by a common respect and<br />

love for <strong>Battersea</strong> <strong>Park</strong>. The <strong>Editor</strong>’s aim<br />

is to strive for a quality, informative read<br />

with a sense of humour, history, and a<br />

soul. It is a co-operative effort. Have you<br />

an article, a letter, or piece of news you<br />

would like to contribute? Have you an<br />

interesting photograph? Can you draw a<br />

decent cartoon? Can you help with distribution?<br />

Do you want to advertise? We<br />

are already preparing the next issue, so<br />

get in touch now :<br />

By email: review@batterseapark.org<br />

By post:<br />

The <strong>Editor</strong>,<br />

Friends of <strong>Battersea</strong> <strong>Park</strong> Review,<br />

51 Brynmaer Road,<br />

London SW114EN<br />

Above: Contemporary Hide,<br />

see below.<br />

Hides or Hidden<br />

ARCHITECTURE WEEK from the<br />

15th-24 June was on the theme ‘How<br />

Green is our Space’, focusing on the critical<br />

issue of sustainability and the environment.<br />

It was marked in the <strong>Park</strong> with<br />

some temporary Bird Hides around the<br />

Lakeside designed and built by by six<br />

architects and a team of students. Made<br />

from sustainable materials in order to<br />

highlight the need to preserve nature and<br />

the environment, not all the Hides beautified<br />

the <strong>Park</strong>. One was mistaken for a<br />

men’s toilet. Another for a portakabin.<br />

But on a weekend marking Father’s Day,<br />

Dads could be seen with children on tow,<br />

taking a closer look at the park’s wildlife,<br />

courtesy of RIBA and the RSPB.


Unholy action<br />

LARGE chunks of grass have<br />

been mysteriously hacked out<br />

and replaced with pieces of<br />

wood in the sign of a swastika at the<br />

foot of the <strong>Park</strong>’s millennium Cross. A<br />

similar but older piece of sculpture, the<br />

newly restored war memorial in Putney<br />

Vale, has been covered in graffiti. At the<br />

Peace Pagoda, the resident monk has<br />

been periodically taunted by anonymous<br />

thugs. That the three acts of apparent<br />

vandalism occurred within days of each<br />

other may be coincidental but they suggest<br />

anti-social behaviour of a disturbing<br />

anti-spiritual kind.<br />

Hopefully the police-<strong>Park</strong>s and Met<br />

will combine their operations and identify<br />

the culprits as successfully as they<br />

managed to deal with the Gondola Café<br />

tormentor. In April an undercover sting<br />

operation by police led to the conviction<br />

of a 19-year-old man for breaking into<br />

the café three times.<br />

The man, Jack McQueen of Greyshott<br />

Road, <strong>Battersea</strong>, was sentenced to 12<br />

months probation plus a six-month curfew<br />

preventing him from leaving his<br />

home between 10pm and 6am. He was<br />

PARKWATCH<br />

also served with an anti-social behaviour<br />

order banning him from entering <strong>Battersea</strong><br />

<strong>Park</strong> for the next two years.<br />

Queenstown Safer Neighbourhood<br />

Team’s energetic police<br />

seargent David Cook told the<br />

Review that McQueen’s arrest<br />

was a cooperative effort between<br />

police inside and outside the<br />

<strong>Park</strong>.<br />

The next issue of the Review<br />

will highlight some of the hugely<br />

constructive work Cook and local<br />

community leaders are doing<br />

to stop local youth from getting<br />

into a never ending spiral of reoffending.<br />

A scheme running<br />

through the summer includes<br />

football in the <strong>Park</strong> –sponsored<br />

by Chelsea Football Cluband<br />

other youth activities and<br />

projects. For further information<br />

contact Henrietta Crooker Pool,<br />

organiser of the <strong>Battersea</strong> Summer<br />

School on 020 70785865<br />

7<br />

On the subject of La Gondola<br />

café, the Review extends a warm<br />

welcome to the new owners and<br />

we wish them all the best in their<br />

aim of improving the quality of the site<br />

and what it offers.<br />

Below: The Cross, vandalised


Running for Life<br />

the Ups and Downs<br />

OVER 5,000 women of all<br />

shapes, sizes, ages, and backround<br />

converged on the <strong>Park</strong> on May 3<br />

to raise more than £850,000 for Cancer<br />

Research UK’s Race for Life. While<br />

such events now take place around the<br />

UK, it is in the <strong>Park</strong> that the first ‘race’<br />

was held back in 1994, when some<br />

600 women came together and raised<br />

£36,000 in sponsorship.<br />

Less than four weeks later, the men and<br />

the boys joined in for another fun fundraising<br />

physical, for the palliative and<br />

neurological care provider, Sue Ryder<br />

Care. The weather, on this very British<br />

bank holiday weekend, was awful but<br />

the runners-some 800 odd-ran the Beat<br />

the Baton dressed in bright yellow ponchos<br />

and with generous spirits. Billed as<br />

the UK’s first 5km race set to live music<br />

from the Royal Philharmonic Orchestra,<br />

the event was judged a success by the<br />

organisers, and was certainly enjoyed by<br />

those taking part.<br />

“We witnessed true Dunkirk spirit,”<br />

enthused Anthony Inglis, Royal Philharmonic<br />

Orchestra conductor, “There<br />

was fabulous atmosphere on stage and<br />

the runners certainly seemed to enjoy<br />

themselves.” It was, he told us, the most<br />

unusual even he had ever done –and one<br />

of the most worthwhile.<br />

But when does a fun run become an<br />

open air concert? asks Friends of Bat-<br />

PARKWATCH<br />

tersea <strong>Park</strong> chairman Philip Wright. The<br />

runners ran their race against the aural<br />

backdrop of a medley of popular classical<br />

hits which were amplified around the<br />

park. A large sound stage, TV pantechnicon<br />

and screen, three generators and<br />

four mobile catering outlets were driven<br />

on to and parked on the grassed area adjacent<br />

to West Carriage Drive. A metal<br />

fencing enclosure and a lunch marquee<br />

were erected.<br />

Due to the downpour that weekend and<br />

sheer weight of the vehicles the grass<br />

was compacted with deep muddy tracks<br />

across it. In 2005 an assurance was given<br />

in Wandsworth Council’s <strong>Battersea</strong> <strong>Park</strong><br />

Events Strategy paper that “Most events<br />

are confined to the British Genius Site. A<br />

few sporting events, fun runs and charity<br />

bike rides are centred on the genius site<br />

but participants then leave the <strong>Park</strong> or<br />

run round the carriage drives.”<br />

We hope that the justifiable desire to<br />

raise funds for worthy causes in future<br />

does not permit the sort of large scale<br />

open air concerts on the grass that have<br />

done so much damage to the green space<br />

in Hyde <strong>Park</strong>.<br />

New York City has banned all commercial<br />

events from Central <strong>Park</strong>. A member<br />

of the Friends of Central <strong>Park</strong> is quoted<br />

as saying: “We love our <strong>Park</strong> it’s a glo-<br />

8<br />

bal tourist attraction and a much<br />

needed refuge for New Yorkers.<br />

It was not worth it for the few<br />

bucks the city was making.”<br />

Wandsworth Council please take note.<br />

Above: All is not so peaceful for<br />

the Monk, see page 7.<br />

Below: Getting the winning<br />

ticket at the BBQ draw


FT in the <strong>Park</strong><br />

PARKWATCH<br />

Foreign correspondents past<br />

and present from the Financial<br />

Times gathered near the <strong>Park</strong>’s<br />

War memorial for the newspaper’s annual<br />

picnic on June 17. The FT’s motto<br />

is “without fear and without favour” so it<br />

was in that spirit that colleagues braved<br />

appalling weather conditions, dressed<br />

down, and shared a huge bowl of pims,<br />

sandwiches, and gazpacho (see recipe<br />

on page 18) prepared by the Review’s<br />

new editor, the FT’s long-serving <strong>Jimmy</strong><br />

<strong>Burns</strong> (sitting while grappling with a<br />

friend’s dog). The next day your editor<br />

was out with the crowds along Horseguards<br />

Parade celebrating the 25th anniversary<br />

of the Falklands. Watching the<br />

march-past by Falklands vets, <strong>Jimmy</strong><br />

remembered the war, as the FT’s man in<br />

Buenos Aires in 1982-an experience that<br />

produced his award-winning The Land<br />

that Lost its Heroes (recently updated<br />

and reprinted by Bloomsbury). After<br />

Argentina, <strong>Jimmy</strong> came back to live in<br />

his beloved <strong>Battersea</strong>,to carry on as an<br />

author, journalist, and co-founder of the Above: FT foreign correspondents, past and present, gather in <strong>Park</strong><br />

Friends of <strong>Battersea</strong> <strong>Park</strong>.<br />

Servicing <strong>Battersea</strong>’s printing and<br />

stationery requirements<br />

for over 50 years.<br />

Printing<br />

Digital colour copying<br />

Binding<br />

Stationery<br />

341 <strong>Battersea</strong> <strong>Park</strong> Road<br />

London SW11 4LS<br />

Telephone 020 7622 4522<br />

Fax 020 7498 0173<br />

email sales@embassypress.co.uk<br />

web www.embassypress.co.uk<br />

9<br />

Above: Buses and branches and boughs,<br />

see page 5.<br />

Did you know?<br />

According to the Association of Football Statisticians, the<br />

first game played under the “Football Association” rules<br />

was on the 9th January 1864 in <strong>Battersea</strong> <strong>Park</strong>.


The Friends welcome letters<br />

and other contributions to the<br />

Review:<br />

The <strong>Editor</strong><br />

Friends Review<br />

51 Brynmaer Road,<br />

London, SW11 4EN<br />

or email review@batterseapark.org<br />

Friends on the Web<br />

To the <strong>Editor</strong>:<br />

It is the on-line social-networking site<br />

of popular choice, with tens of thousands<br />

of Londoners joining it every day. I<br />

thought your readers would like to know<br />

Facebook is also home to a group of 205<br />

<strong>Battersea</strong>ns who have been using the site<br />

to share information about restaurants,<br />

hangouts and other attractions on a special<br />

<strong>Battersea</strong> page. I am one of them.<br />

I hope you will be encouraged by the<br />

comment recently posted by a schoolteacher<br />

and fellow <strong>Park</strong> enthusiast:<br />

“An absolutely wonderful place. It<br />

holds many memories from events of the<br />

years, from memories of the now long<br />

gone remains of the Festival of Britain<br />

fairground, to the wonderful Easter Parades,<br />

to the building of the Peace Pagoda<br />

and the refurbishment which was<br />

completed in 2004.<br />

Having just taken a group of my pupils<br />

to visit the park on an educational trip<br />

I’ve found out some more of the history<br />

and the many things that are in the park.<br />

It would be great to see the Tree Walk<br />

return. When I explained to my pupils<br />

where it was they asked why had it been<br />

taken down and I didn’t have an answer<br />

for them. I also found out that Petula<br />

Clark released a song called ‘Meet Me in<br />

<strong>Battersea</strong> <strong>Park</strong>’ in 1954 in my research.”<br />

Yours,<br />

Jon Boone, SW11<br />

The <strong>Editor</strong> replies: I was a one year old<br />

when Petula first sang that song but it<br />

has one of my favourite lyrics. “If you’re<br />

a Londoner just like me, meet me in <strong>Battersea</strong><br />

<strong>Park</strong>, If you are young or you’d<br />

like to be, meet me in <strong>Battersea</strong> <strong>Park</strong>,<br />

We’ll stroll along by the riverside in sunshine<br />

or after its dark. There’s music and<br />

dancing, place for romancing, so meet<br />

me in <strong>Battersea</strong> <strong>Park</strong>….”<br />

LETTERS<br />

Rediscovery<br />

I found your name on the website for<br />

<strong>Battersea</strong> <strong>Park</strong>. I wanted to pass on some<br />

feedback and wondered if you could get<br />

this to the right people as I’m sure many<br />

are involved. including. If you could<br />

pass it on to the senior folk in the council<br />

too please.<br />

Last Wednesday I was due at a buisness<br />

meeting adjacent to <strong>Battersea</strong> <strong>Park</strong>.<br />

Arriving early I thought I would take<br />

a stroll in the park. To give you some<br />

background, I moved from the Clapham<br />

Junction area at the tender age of<br />

three. I have two lasting memories of the<br />

park. The first of being locked in with<br />

my mother while still in a pushchair -<br />

obvioulsy a story I’ve been told many<br />

times but don’t actually know.<br />

The second, and my last visit to the park<br />

as a young teen, was riding the wooden<br />

rollercoaster the year before it closed.<br />

So as you can imagine, some years have<br />

passed since I last visited.<br />

On entering the park I wasn’t quite sure<br />

what to expect. Too many places in the<br />

city have become run down and strewn<br />

with litter. What I found was simply a<br />

glorious discovery. Beautiful avenues<br />

lined with London Plane trees, fountains,<br />

birdsong, the garden in the park... its was<br />

simply stunning. To have such a superb<br />

open space is outstanding; to have the<br />

space in the middle of London is amazing<br />

and exceptional. On returning home<br />

I simply had to phone my mother who<br />

had known the park so well for many of<br />

10<br />

her younger years and tell her<br />

about it.<br />

Please would you pass on my<br />

sincere appreciation to all who<br />

work in the park and have done such a<br />

wonderful job. They should be rightly<br />

proud of their achievements. And long<br />

may they continue to look after this special<br />

treasure.<br />

Looking forward to a return visit.<br />

Yours,<br />

Chris Gummer (by email)<br />

Below: How far back are your<br />

memories of the <strong>Park</strong>?<br />

Friends of <strong>Battersea</strong> <strong>Park</strong><br />

Committee<br />

Philip Wright OBE<br />

(Chairman)<br />

Vicki Barker<br />

<strong>Mike</strong> <strong>Bates</strong><br />

Claire Beasley<br />

(Appeals Comtee)<br />

Brian Botting<br />

FRICS FCI Arb (rtd)<br />

<strong>Jimmy</strong> <strong>Burns</strong><br />

Mark Cowne<br />

Virginia Darbyshire<br />

(Treasurer)<br />

Chris Davies<br />

Claire Elliot<br />

Ruth Forrest<br />

Elizabeth Hood<br />

(Secretary)<br />

John Johnson<br />

Tom Maxwell<br />

Philip Nixon<br />

Christopher Rice<br />

Mary Spillane


In the continuing series of Nature columns,<br />

the <strong>Park</strong>’s Ecology Officer, Valerie<br />

Selby, looks on, under and over the Lake<br />

of <strong>Battersea</strong> <strong>Park</strong>.<br />

Attila’s Diet<br />

Four geese have just flown overhead en<br />

route to the lake here in the park. This<br />

year has seen a family of Greylag geese<br />

raise young on the lake. These geese differ<br />

from Canada geese in that they are<br />

grey all over and have an orange beak<br />

and legs whereas the Canada geese have<br />

black legs, a black beak and a distinctive<br />

black and white head.<br />

Most domestic geese are descended<br />

from Greylag geese and they are quite a<br />

bold species, not afraid to walk towards<br />

people and confront them demanding<br />

food. Once again, I would urge you not<br />

to succumb to this “mugging”. Bread is<br />

NOT good for the birds digestive systems<br />

making their organs become engorged<br />

and fatty, which can cause them<br />

to suffer from heart disease, liver problems<br />

and other health complications.<br />

Valerie Selby<br />

Secret Dwellers<br />

Below: It’s not a good idea to feed the Swans.<br />

NATURE NOTES<br />

In a natural setting they will seek out<br />

a variety of nutritious foods such as<br />

aquatic plants, natural grains, and invertebrates.<br />

Bread is very low in protein,<br />

contains additives that wildfowl aren’t<br />

built to cope with, and it’s a very poor<br />

substitute for natural foods.<br />

This dietary rule applies to all the birds<br />

on our lakes including “Attila”, the extremely<br />

territorial male swan, and his<br />

family. For the long-term survival of<br />

the cygnets it is important that they learn<br />

to identify and eat natural foods, as this<br />

will give them a greater chance of finding<br />

a safe and secure home.<br />

Swans are by nature territorial and<br />

therefore need to find a patch of water<br />

that can support two adults and any<br />

youngsters with enough food and shelter.<br />

If the swans are unable to learn to<br />

locate natural foods as cygnets, the locations<br />

available for them to establish their<br />

own territory are limited later on in life.<br />

Elsewhere in the park, we have installed<br />

some more areas of aquatic planting<br />

in the lake. These include plants to<br />

help pump oxygen into the water and<br />

water lilies to help provide shade to limit<br />

the growth of algae. In wildlife terms<br />

not only is this the natural version of the<br />

aerators you see bubbling at the waters<br />

surface, it also provides an important<br />

11<br />

home for may invertebrates who<br />

live and breed amongst these<br />

submerged forests. Among<br />

these secret park dwellers we<br />

have damselfly nymphs that will<br />

turn into damselflies later in the<br />

year and a variety of water snails that<br />

help to devour the detritus in the lake<br />

such as fallen leaves. In the long term<br />

these plantings should have the added<br />

benefit of providing an attractive display<br />

of flowers on the waters surface.<br />

Crow Patrol<br />

This is a very bird themed time of year.<br />

One of the other common questions we<br />

are getting at the moment concerns crows<br />

“attacking” people who are going about<br />

their usual business in parks and commons.<br />

This is a short lived phenomenon<br />

and, in much the way that we see Attila<br />

being aggressive on the lake to protect<br />

his young, the crows are protecting their<br />

fledglings as they leave the nest. The<br />

youngsters move out from the nest but<br />

stay close by and are not fully independent<br />

for 3-5 weeks. During this time the<br />

adults will do all they can to protect them<br />

including flying at people and sometimes<br />

even launching at them with their feet.<br />

The simplest thing to do is to avoid the<br />

area – the one case we were aware of in<br />

<strong>Battersea</strong> <strong>Park</strong> happened close to the Albert<br />

Bridge pedestrian gate and we were<br />

able to put notices up advising people to<br />

avoid the area in the short term.<br />

If you have wildlife information to<br />

report or a query that needs answering,<br />

Valerie Selby can be reached<br />

Monday-Thursday,<br />

8:30 am-5.00 pm on 8871-7019 or at<br />

Vselby@wandsworth.gov.uk<br />

How about Attila the swan for lunch?<br />

(cartoon by Philip Wright OBE)


The journalist and historian<br />

Tom Pocock died on May 7th<br />

2007, aged 81. Tom started<br />

work as the youngest war correspondent<br />

of the Second World<br />

War before his career blossomed<br />

as a naval and foreign correspondent,<br />

joining the Daily Mail, then moving to<br />

the Times, and later the Daily Express,<br />

before settling at the Evening Standard<br />

where he spent many years as defence<br />

correspondent and for a decade as<br />

travel editor. His literary output included<br />

books on Nelson and his naval contemporaries,<br />

and more modern figures<br />

such as the Victorian writer of adventure<br />

novels Rider Haggard. Tom lived much<br />

of his life near <strong>Battersea</strong> <strong>Park</strong>, on the<br />

north bank of the River. He edited the<br />

Chelsea Magazine, and together with his<br />

wife Penny was hugely supportive to the<br />

Friends of <strong>Battersea</strong> <strong>Park</strong> from its foundation<br />

in 1988. As a tribute, we reprint<br />

below an edited version of an article he<br />

contributed to one of the first issues of<br />

this Review nearly twenty years ago.<br />

It looks so lush and drowsy on those<br />

summer days, that it is difficult to realise<br />

that the tranquillity of <strong>Battersea</strong> <strong>Park</strong><br />

cannot be taken for granted. Always, it<br />

seems, somebody seems to know better<br />

than those who planned it as a haven of<br />

open air rest and recreation for Londoners,<br />

or somebody wants to make money<br />

out of it.<br />

Sometimes it almost seems as if the<br />

real owners of the <strong>Park</strong> - the people for<br />

whom it was designed and built - have<br />

been forgotten for the moment. It was<br />

built for Londoners and to remember<br />

just how deeply it is rooted in the past<br />

life of London, it is worth looking back<br />

IN MEMORIAM<br />

Tom Pocock<br />

a little. Of course, there is nobody now<br />

who remembers the opening of the <strong>Park</strong><br />

by the Victorians and probably nobody<br />

who remembers the craze for bicycling<br />

around it in the 1890s. But some of us<br />

can remember a very different <strong>Park</strong><br />

when, at a time of sharp social stratification,<br />

it was crowded with Londoners of<br />

every kind.<br />

I was born in a flat overlooking the <strong>Park</strong><br />

in 1925 and my earliest memories are.<br />

of being pushed around it in my pram.<br />

In those days, middle class families of<br />

modest means could afford a nanny for<br />

the children, a living-in maid and probably<br />

a daily help as well. On summer<br />

mornings, the nannies sat on the benches<br />

along the south side of the lake, chatting<br />

amongst themselves and occasionally<br />

wheeling their charges around the<br />

pleasures of the <strong>Park</strong>. These included<br />

the Old English Garden, which we still<br />

have, and the Sub-tropical Garden. Near<br />

the former was the Pheasantry, full of<br />

bright-plumed birds, and, beside what<br />

was called the Ladies’Lake, sleepy owls<br />

perched in a cavern - the artificial rocks<br />

are still to be seen - of another aviary.<br />

As the children grew older, there was<br />

boating on the lake in wooden skiffs -<br />

both pairs and sculling boats, some of<br />

them built by the Greaves boatyard at<br />

Chelsea - and cruises in motor-boats for<br />

a penny, one of them a remarkable craft<br />

with its prow carved like a swan.<br />

There were chats with the park keepers<br />

12<br />

- there seemed to be, and probably<br />

were, dozens of keepers in<br />

brown trilby hats and old men<br />

who sat in the <strong>Park</strong> all day and<br />

fed the birds. I can see across<br />

more than half a century the<br />

twinkling eyes and waxed moustaches<br />

of Keeper Knight (late of the Guards)<br />

and the curly beard of Mr.Lawrence, the<br />

retired carpet-layer, who fed the pigeons<br />

by the bandstand.<br />

Of course, the <strong>Park</strong> was not only for the<br />

middle classes. Sometimes in summer an<br />

open horse-drawn carriage would sweep<br />

around the outer drive and my nanny<br />

would say, “Take your cap off, Tommy.<br />

It’s the little Princesses.” And Princess<br />

Elizabeth and the infant Princess Margaret<br />

Rose would whirl past with their<br />

nannies, taking the air.<br />

<strong>Battersea</strong> <strong>Park</strong> offered almost the only<br />

recreation available to those <strong>Battersea</strong><br />

families living in the cramped streets<br />

of “the slums” to the south of <strong>Battersea</strong><br />

<strong>Park</strong> Road. They were brave, resilient,<br />

friendly people and I remember my parents<br />

being appalled by the conditions in<br />

which they had to live and wondering<br />

how they managed to survive and bring<br />

up children.<br />

On summer Sundays and Bank Holiday<br />

they would crowd into the <strong>Park</strong> and<br />

sit on the grass in their thousands, covering<br />

the field: where the Festival Gardens<br />

were later laid out. They could afford no<br />

other entertainment but sat and talked<br />

and played on the grass in the open air .<br />

In this above all, <strong>Battersea</strong> <strong>Park</strong> justified<br />

the faith of its founders.<br />

It was a beautiful, immaculate park and<br />

was said to be the favourite of Queen<br />

Mary, who had an eye for gardens. Be-<br />

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fore breakfast, my father would take me<br />

for a walk and point out the characteristics<br />

of the shape, bark and leaves of<br />

different trees. In winter, there would<br />

be walks before teatime when the sun<br />

would be a great red ball setting in the<br />

London murk above the lakeside elms to<br />

an evening chorus from a massed choir<br />

of starlings.<br />

The war changed the <strong>Park</strong> as it changed<br />

everything else but it still reflected the<br />

life of London. It was taken over by airraid<br />

shelters and allotment: for growing<br />

vegetables. First barrage balloons were<br />

tethered there and later rows of anti aircraft<br />

rocket launchers were set up on the<br />

running-track field and manned by the<br />

Home Guard. A wooden bridge - reminiscent<br />

of the first <strong>Battersea</strong> Bridge - was<br />

built across the Thames at the bottom of<br />

Royal Hospita Road in Chelsea as an<br />

emergency crossing.<br />

When those rockets were fired during<br />

the “Little Blitz” of 1944, they may not<br />

have frightened the Luftwaffe but, by<br />

God, they frightened me. The bridge was<br />

never used.<br />

Peace descended on the <strong>Park</strong> at the end<br />

of the war in more ways than one. The<br />

guns went but the allotments remained<br />

and, like the rest of London, it seemed<br />

curiously empty. Occasionally, on a<br />

winter’s night,I would make my way<br />

through the fence by a secret route and<br />

conduct my courting on a bench by the<br />

moonlit lake.<br />

Many of us remember the Festival of<br />

Britain and the Pleasure Gardens in the<br />

<strong>Park</strong>. In 1951, they seemed rather dashing<br />

and I once found myself on a funfair<br />

ride next to Noel Coward. But the smart<br />

gloss soon tarnished and the end of that<br />

cheerful interlude seemed to be marked<br />

by the fatal accident of the fanciful Emmett<br />

railway.<br />

Since then, the <strong>Park</strong> has had its ups<br />

and downs. There has been vandalism<br />

and sacrosanct flower-beds and<br />

lawns became playgrounds. Even the<br />

once¬forbidden heights of the Cascades<br />

were worn by scrambling feet. The <strong>Park</strong><br />

lost much of its magic.<br />

With the disbanding of the Greater London<br />

Council, which had run the <strong>Park</strong> for<br />

the whole of London, it was taken over<br />

by the Borough of Wandsworth. Many<br />

13<br />

early apprehensions proved groundless.<br />

Indeed, many aspects have been improved<br />

and it is now policed more effectively<br />

than for many years. The Council<br />

have been responsive to public opinion<br />

and so would not countenance a plan to<br />

build a gigantic theatre there.<br />

But now with the creation of an immense<br />

new “leisure complex” at the<br />

defunct <strong>Battersea</strong> Power Station - “The<br />

<strong>Battersea</strong>,” as it is to be called - there<br />

are again fears that Wandsworth Council<br />

may consider handing over parts of the<br />

<strong>Park</strong> to private management. If this is so,<br />

the reasoning is clear. The administration<br />

and maintenance of the <strong>Park</strong> is expensive<br />

and Wandsworth must foot the<br />

bill for the pleasure it gives to Londoners<br />

and their visitors.<br />

Surely the solution is simple. <strong>Battersea</strong><br />

<strong>Park</strong> is, and always has been, for the<br />

benefit of all London and so all London<br />

should share the responsibility for its<br />

upkeep. With the other parks once run<br />

by the GLC, it should be subsidised by<br />

all the London boroughs and not remain<br />

a burden to just one. Then it will again<br />

truly belong to London.<br />

NINTH ANNUAL SCULPTURE AWARD<br />

The winner of this year’s award is Maxine Schaffer from<br />

the Royal College of Art Sculpture School for her work<br />

“Buckhorn Plantain” in painted steel.<br />

The sculpture will be unveiled and presentation of the award made at the<br />

Millennium Arena, East Carriageway,<br />

at 7pm on Monday 3 September.<br />

Wine and snacks will be served from 6.30pm.<br />

All Friends are welcome.<br />

The award is the result of collaboration between<br />

the Friends of <strong>Battersea</strong> <strong>Park</strong>,<br />

the Royal College of Art Sculpture School<br />

and Wandsworth Council.


Maximilian, ‘Max’ to his friends<br />

,is a 27 year old criminal barrister,<br />

<strong>Battersea</strong> resident, and<br />

regular exerciser in the <strong>Park</strong>.<br />

The Review’s editor, <strong>Jimmy</strong><br />

<strong>Burns</strong>, finds out more.<br />

Above: Max, hanging around.<br />

So tell me, Max, what got you into<br />

this exercise thing?<br />

A few years ago in a moment of madness<br />

I joined the Territorial Army. It was<br />

a passing malaise, I’m glad to say.<br />

Really? Everyone I’ve ever known in<br />

the TA-and there are one or two on<br />

both sides of the River-loved it.<br />

Well in my case, it happened like this.<br />

During one of the regular bouts of<br />

‘Phys’ that are my principal memory of<br />

that sort-lived folly I was introduced to<br />

the Bastard…<br />

Please Max, this is a family mag…<br />

No, no…. A Bastard is a fiendish exercise<br />

that incorporates a press-up with a<br />

squat thrust with a star jump. As a civilian<br />

you can experience this for a small<br />

fee by joining something called BMF<br />

(British Military Fitness) which meets<br />

at regular intervals in <strong>Battersea</strong> <strong>Park</strong><br />

during the week….<br />

Sounds pretty tough to me…<br />

It is. Except that for civilians the Bastard<br />

is rechristened as ‘Oh No’.<br />

So, you couldn’t hack it…<br />

PARK PEOPLE<br />

Maximilian Hardy<br />

One of the reasons that precipitated<br />

my departure from the TA, other than<br />

a craven lack of moral fibre, was the<br />

realization that one could get fit without<br />

signing up for extended tours of the<br />

Middle East’s worst war zones.<br />

Any other reason?<br />

I stopped attending BMF when I<br />

realized that it was possible to get fit<br />

without paying someone else for the<br />

privilege.<br />

I detect a thesis here…<br />

Well, this is really the point. How many<br />

of us have a monthly subscription to<br />

belong to some fetid, germ-ridden,<br />

soul destroying gym? Yet we have on<br />

our doorstep one of the finest parks in<br />

London with river views that at sunset<br />

would set even the worst curmudgeon’s<br />

spirits soaring.<br />

I never thought of you as a contemplative….<br />

I observe other activities that take place<br />

in the park that are of benefit to the<br />

mind, body, and soul.<br />

For example…<br />

Tai Chi enthusiasts can often be seen<br />

reaping the rather mystifying benefits of<br />

moving one’s body around very slowly<br />

indeed. I have also watched yoga<br />

classes taking place on the stone stage<br />

to the side of the Buddha gazing beatifically<br />

on the Thames from the Japanese<br />

Peace Pagoda.<br />

Come on Max, I’m sure those aren’t<br />

the only scenes in the <strong>Park</strong> that you<br />

observe now and again…<br />

Well, I do reflect occasionally on the<br />

numbers of sturdy and rather muscular<br />

women indefinitely prolonging the<br />

glory of their school hockey careers<br />

or Premiership footballers manqué<br />

deluding themselves that the astroturf<br />

pitches are really Stamford Bridge. And<br />

of course in the Summer there is the<br />

cricket to be had, of varying degrees of<br />

skill and application; often to the accompaniment<br />

of a steel band!<br />

I like that, Max, it shows you have<br />

a sense of <strong>Battersea</strong> <strong>Park</strong> in all its<br />

human diversity. But you still haven’t<br />

14<br />

told me what particular exercise<br />

you’ve been converted<br />

to…<br />

For myself the exercise of<br />

choice necessarily entails the<br />

remorseless degradation of<br />

cartilage in the joints and only running<br />

will do the trick.<br />

I’m a walker myself and my joints<br />

are already degraded….<br />

It’s not walking I compare it to. It’s the<br />

gym. That any sentient human being<br />

could swap a lap or two of the park on<br />

a misty spring morning for the subterreanean<br />

hell of the treadmill simply<br />

offends against reason. Anybody with<br />

even passing knowledge of the park will<br />

have seen the circuit training course<br />

by the athletics track which can give<br />

for free as good a workout as the most<br />

sophisticated machines in any gym. The<br />

same friendly faces can be found there<br />

every morning before breakfast and the<br />

circuit boasts a facility no gym in the<br />

world can rival.<br />

I’m intrigued…<br />

His name is Joe. He is a 78 year old<br />

former army physical training instructor.<br />

He does one hundred pull ups every<br />

single day. And he does them properly<br />

and I know because I have seen him.<br />

Unfortunately Joe has also seen me<br />

do pull ups. I can do ten and rarely<br />

properly.<br />

Below: Joe, pulling up!<br />

A final word or two on what makes<br />

the <strong>Park</strong> special for you…<br />

Selling the virtues of exercising in <strong>Battersea</strong><br />

<strong>Park</strong> seems like selling sweets<br />

to children to me. It’s free, it’s green,<br />

it’s beautiful and you never know who<br />

you might meet there. Just ask Lord<br />

Browne.<br />

Thanks, mate…


As a travel journalist, Sophie<br />

Campbell has journeyed far and<br />

wide across the globe, searching<br />

for the idyll location. Here she<br />

tells us what it is that draws her<br />

back to her <strong>Battersea</strong> flat, and<br />

out into the <strong>Park</strong> across the road…<br />

ON South Carriage Drive, during<br />

last summer’s heatwave, I came across<br />

an elderly woman holding a lead. On<br />

the other end was a Peke, three-quarters<br />

submerged in a puddle, a coiffure<br />

of centrally-parted honey-blonde hair<br />

swirling lazily about him. The puddle,<br />

in the molten heat of a globally-warmed<br />

SW11, looked like a bonsai oasis. The<br />

Peke looked like <strong>Jimmy</strong> Savile, or possibly<br />

a new type of synthetic mop. ‘We<br />

come here once a week,’ said the woman<br />

crisply, ‘His favourite puddle. Keeps<br />

him cool.’ They had been there for over<br />

20 minutes.<br />

The funny thing was they no longer<br />

lived in <strong>Battersea</strong>. They came back for<br />

the puddle. I like that sense of ownership<br />

in the park; the conviction that one small<br />

part of this most public of facilities belongs,<br />

for a time, to you and you alone.<br />

North of the Peke, five-a-side footballers<br />

rampaged up and down the Astroturf<br />

for their allotted hour, spraying sweat<br />

in the heat. Beyond them, picnickers<br />

colonised the fields between the cherry<br />

avenues. Then came the cricketers – including<br />

a pretty Indian girl in a crop-top,<br />

tracky bottoms and a long plait – then<br />

the dreamers in the library-quiet of the<br />

English Garden, then the cyclists and in-<br />

ON THE BENCH<br />

Sophie Campbell<br />

line skaters and kids on bikes, then the<br />

runners and walkers, then the river.<br />

We are bounded by the river, by luxury<br />

flats and by daisy chains of expensive<br />

cars, beyond which are the horrors of<br />

London proper. Traffic. Murders. Chelsea.<br />

No wonder we have fellow feeling.<br />

We are so lucky not to be out there.<br />

We are in here and we can argue with<br />

each other instead. The pro-duck-feeders<br />

(mainly under fives, or ducks), for<br />

example, and the anti-duck feeders.<br />

Pedestrians versus skaters. Skaters versus<br />

cyclists. Skaters and cyclists versus<br />

pedestrians. Everyone versus cars. The<br />

people who think the little fences are<br />

silly. The people who don’t. The dog<br />

walkers. The contra-dog walkers. The<br />

swearing birdwatchers (have you met<br />

them?) and the RSPB types. The executive<br />

joggers and the squads of 30-somethings<br />

doing British Military Fitness. All<br />

life is here, mildly irritated by all other<br />

life. It is the equivalent of the beach in<br />

Rio or Barcelona.<br />

I think my favourite time in the park is<br />

at night, though I never go in there. Ooh<br />

no. Instead I go round the edge, walking<br />

back across the bridges or from the<br />

bus stop, staring in. In summer, you can<br />

feel the enervated ground releasing the<br />

heat of the day. In winter, it sweats cold,<br />

which pours icily through the railings.<br />

There are dim lights in there at night, and<br />

strange rustlings, and the sort of people<br />

that go into parks at night, and sometimes<br />

the engines of joy-riders doing<br />

hand-brake turns on the car park gravel,<br />

though I haven’t heard them for a while.<br />

The south east corner smells as rank as<br />

zoo. Feral. Almost certainly fox.<br />

In fact, they should do night tours of the<br />

park. I’d sign up, if there was an armed<br />

ranger. We might see the owl I mistook<br />

for a mugger (it had the lousiest hoot you<br />

have ever heard, the worst fake owl noise<br />

ever, and I truly thought it was a signal<br />

between people after my handbag until<br />

my companion pointed silently up into<br />

15<br />

a tree. There was an owl, staring<br />

at us with eyes ‘like twin hostile<br />

moons’, in the words of one fine<br />

writer. I still think it was eyeing<br />

my bag, though). I’ve seen<br />

a hawk in there, though I don’t<br />

know what type, and bats, and cats. We<br />

could have a <strong>Battersea</strong> <strong>Park</strong> Night Safari,<br />

with a bush dinner in the café.<br />

Increasingly, though, safari-goers will<br />

see the lights of hundreds of new luxury<br />

flats on Chelsea Bridge Road twinkling<br />

along our eastern borders. By the time<br />

you read this, the last block filling the<br />

gap between the QVC building and the<br />

new development may have blanked<br />

out our last unbroken view of <strong>Battersea</strong><br />

Power Station. Then you will only be<br />

able to see its familiar, lardy billiard-table<br />

legs from north of the river, or from<br />

the top of a bus passing the Dogs’ Home<br />

– or of course, from the balcony of your<br />

east-facing luxury flat in Chelsea Bridge<br />

Wharf. Until the developers finally get<br />

their way and knock it down anyway.<br />

So, our isolation is complete. We are<br />

now properly marooned, hemmed in<br />

on all sides, and we like it that way. We<br />

welcome visitors, it is true – especially if<br />

they bring hard currency – but really it’s<br />

our turf. We all own a bit of it, at certain<br />

times and in certain ways, from the tennis<br />

courts to the Peace Pagoda, from the<br />

rose gardens to the café. But back off the<br />

puddle, though. The puddle is taken.


The <strong>Battersea</strong> Society’s chairman<br />

Tony Tuck revives memories<br />

of the Lido project that slipped<br />

away during the Second World<br />

War…<br />

THE Second World War changed many<br />

things, nowhere more so than in <strong>Battersea</strong><br />

<strong>Park</strong> and its surroundings.The Geman<br />

bombing campaign not only cleared<br />

urban sites for redevelopment, but sadly<br />

thwarted the aspiration of more local<br />

planners.<br />

One ‘nearly’ project was the <strong>Battersea</strong><br />

<strong>Park</strong> Lido. Planned for in 1937, deferred<br />

in 1939, replaced in 1940 with anti-aircraft<br />

gun emplacements and allotments<br />

as part of the “Dig for Britain Campaign”<br />

, only to be quietly forgotten in<br />

1945 and abandoned without a single<br />

sod being turned.<br />

My appetite has been whetted to track<br />

down the lost Lido of <strong>Battersea</strong> by a<br />

most delightful and remarkable book<br />

published in 2005 and recently re-printed<br />

by a local author, Janet Smith called<br />

“Liquid Assets – the lidos and open air<br />

swimming pools of Britain”.The book<br />

is the third in a series by English Heritage<br />

called “Played in Britain” which<br />

will focus on the architectural heritage<br />

of British sport – on the pavilions and<br />

clubhouses, the grandstands and swimming<br />

pools that form an integral part of<br />

the British landscape. More titles are in<br />

the pipeline (see www.playedinbritain.<br />

co.uk)<br />

This enchanting book charts the history<br />

of the lido from its earliest origins<br />

in the Peerless Pool in Old Street, Fins-<br />

MEMORY LANE<br />

Tony Tuck<br />

bury developed by a jeweller,<br />

William Kemp, in 1743. This<br />

was the first formalised public<br />

outdoor swimming pool<br />

built in Britain since the Romans<br />

left in the fifth century.<br />

Thereafter there is charted a<br />

survey of British lidos, including<br />

a planned floating<br />

lido designed by Alex Lifschutz<br />

in 1998,which was to<br />

be moored off the South Bank<br />

Though this never left the<br />

drawing board, the French do<br />

have one moored in the river<br />

Seine opposite the Bibliotetheque<br />

Nationale, complete<br />

with a retractable roof.<br />

But the ‘nearly’ <strong>Battersea</strong> Lido had<br />

its origins in a more prosaic set of circumstances.<br />

The former London County<br />

Council (LCC) made its first foray into<br />

a purpose built outdoor swimming pool<br />

in 1906 when Wandsworth Council persuaded<br />

the LCC to release land in Tooting<br />

for an outdoor pool – and to get the<br />

LCC to pay £200 a year towards running<br />

costs. The pool was then built as part of<br />

a scheme to provide work for local unemployed<br />

men.<br />

After the First World War a scatter of<br />

outdoor pools were constructed around<br />

London, sometimes built by unemployed<br />

men and funded by the then<br />

Ministry of Labour, but more often by<br />

local agreements, where the LCC shared<br />

running costs, but the local authority<br />

paid for construction. At a time when<br />

many homes lacked bathrooms and few<br />

workers had ‘leisure time and proper<br />

paid holidays, these open air pools were<br />

hugely popular.<br />

By 1931 the LCC had embarked on a<br />

new major programme of architect designed<br />

pools. Two LCC architects, Harry<br />

Arnold Rowbotham and T L Smithson,<br />

designed a series of ‘designer pools’ in<br />

fully enclosed brick compounds with<br />

purpose built changing rooms, first aid<br />

facilities and integrated water filtration<br />

systems. The style of the buildings was<br />

very distinctive. Janet Smith describes<br />

16<br />

it as being “…hard to place stylistically<br />

– being only faintly Art<br />

Deco, yet patently Modernist in<br />

character – and certainly never<br />

copied anywhere outside London.”<br />

But in July 1937 a major change in<br />

LCC policies took place. Rather than try<br />

to negotiate with often reluctant local<br />

authorities to co-finance and build new<br />

pools (some things remain constant!)<br />

the LCC took over the entire process of<br />

design, construction and management itself.<br />

Not only that, but the then Leader<br />

of the LCC, Herbert Morrison, pledged<br />

that in future no Londoner would have<br />

to walk further that a mile and a half<br />

to their nearest Lido. London, he said,<br />

would become a “City of Lidos”.<br />

The Plan in 1937 was to build five Lidos<br />

at Parliament Hill, Charlton, Ladywell,<br />

Clissold <strong>Park</strong> and <strong>Battersea</strong> <strong>Park</strong>. Only<br />

the first two were ever built. The other<br />

three, including <strong>Battersea</strong> <strong>Park</strong>, never<br />

left the drawing board – though the estimated<br />

capital cost for <strong>Battersea</strong> <strong>Park</strong><br />

Lido had jumped from £15,000 in 1935<br />

to £40,000 by 1937.<br />

After the war the immediate priority for<br />

scarce building material was for homes,<br />

hospitals, and reconstruction. By 1951<br />

the Festival of Britain had taken over<br />

much of <strong>Battersea</strong> <strong>Park</strong> and the ‘nearly<br />

Lido’ slipped from view.<br />

Janet Smith whose book charts the fortunes<br />

of all the real Lido’s has expressed<br />

an interest in joining with me in seeing<br />

if the LCC archives contain any residual<br />

hints of what might have been in <strong>Battersea</strong><br />

<strong>Park</strong>. We shall see….. – hopefully, to<br />

be continued.<br />

All the material in this piece was drawn<br />

from “Liquid Assets – The lidos and<br />

open air swimming pools of Britain” by<br />

Janet Smith and published by English<br />

Heritage 2007<br />

The Friends are always interested to<br />

hear from past <strong>Park</strong> users; if you have<br />

old photographs, post cards, or just good<br />

memories of times in the <strong>Park</strong> please do<br />

contact us.<br />

The <strong>Editor</strong>,<br />

Friends Review<br />

51 Brynmaer Road,<br />

London, SW11 4EN<br />

or email review@batterseapark.org


The rejuvenated Pump House<br />

Gallery continues to surprise<br />

<strong>Park</strong> users with its choice of<br />

art and design. David Firn, a<br />

<strong>Battersea</strong> resident and Financial<br />

Times journalist takes a look at<br />

the summer exhibition...<br />

Where is the Work brings together photographs<br />

of mainly temporary site specific<br />

works by Mathew Cornford & David<br />

Cross for the first time in London.<br />

The pair, who have worked together as<br />

Cornford & Cross, since they met at St<br />

Martins School of Art in 1987,say the<br />

large scale photographs are not merely<br />

records of their work, but are themselves<br />

art.<br />

Over two decades, they have created a<br />

unique and provocative body of work.<br />

Much of their work has involved sitespecific<br />

projects for public spaces, which<br />

responds not only to physical sites, but<br />

also to social situations and historical<br />

moments.<br />

The summer exhibition at the Pump<br />

House also features some of the artists’<br />

unrealized projects and ‘work in<br />

progress’.<br />

Utopia, involved renovating a derelict<br />

pond at Bournville and working with<br />

the chief food scientist to dye the water<br />

‘Cadbury’ purple.10, involved software<br />

engineers in a beauty contest in which<br />

contestants were judged electronically<br />

by facial recognition software that compared<br />

their faces to an ‘ideal of symmetry<br />

and proportion.’<br />

The exhibition consists of one image<br />

from each finished project. Accompanying<br />

text sets the context for each project<br />

and gives the viewer an aid to understanding<br />

the work. Mathew Cornford<br />

says the text gives an “idea rather than<br />

detail”.<br />

They are hoping to provoke thought.<br />

Their site specific work is set within a<br />

particular context - social, political and<br />

physical- and the images are accompanied<br />

by text as a record of actions taken.<br />

Each Cornford & Cross project is radically<br />

different, in both form and intention.<br />

The British Empire, its rise, fall and<br />

its echoes are recurring themes in their<br />

work which is often named after classic<br />

tales.<br />

She - a proposal to install an eternal<br />

flame, next to the Maiwand Lion statue,<br />

ART IN THE PARK<br />

David Firn<br />

in Reading, takes its title from Haggard’s<br />

novel of African exploration and<br />

sorcery. The lion itself is named after<br />

a small village in Afghanistan, where<br />

the local population suffered war at the<br />

hands of foreign invaders over decades.<br />

The flame - of eternal youth in Haggard’s<br />

tale - fed by fossil fuel hints at<br />

today’s geopolitical tensions over access<br />

to gas and oil.<br />

Eclectic and demanding this exhibition<br />

may be, and one wonders how many<br />

park users will really come to grips with<br />

17<br />

it, or even find it relevant to<br />

their own experiences. But<br />

some <strong>Battersea</strong> residents<br />

might be particularly interested<br />

in Words are not Enough,<br />

another ‘work in progress’ with<br />

which Cornford & Cross hope to transform<br />

an abandoned nuclear bunker in<br />

Camberwell, South London into a temporary<br />

peace garden as part of Architecture<br />

Week 2007. If nothing else, it leaves<br />

one guessing what they might transform<br />

<strong>Battersea</strong> Power Station into, if given a<br />

free hand!<br />

Cornford & Cross, Where is the Work?<br />

At the Pump House Gallery until 5 August<br />

2007. Open Wednesdays, Thursdays,<br />

Sundays 11am-5pm; Fridays and<br />

Saturdays 11am-4pm. Closed Mondays<br />

and Tuesdays.<br />

Below: Why Read the Classics?<br />

Film light on reflector behind marble statue For Tra monti, Rome, Italy, 2005


THE stretch of <strong>Battersea</strong> <strong>Park</strong><br />

Road between <strong>Battersea</strong> <strong>Park</strong><br />

Station and the Latchmere, is<br />

architecturally not the most seductive<br />

street in the neighborhood.<br />

But it has its delights and<br />

no shortage of variety when it comes to<br />

eating and drinking.<br />

I’ve counted 42 restaurants and cafes in<br />

the mile between <strong>Battersea</strong> <strong>Park</strong> Station<br />

and the “Little India” tracks. Just a snapshot<br />

will confirm that of the Chinese<br />

variety, there are two restaurants and 5<br />

take-aways. Then you have one Albanian,<br />

two Thai, one Spanish, one Mexican,<br />

and three Italian restaurants and one new<br />

Italian deli-restaurant.<br />

As if that was not enough, there are<br />

three pizza parlours, two sandwich bars,<br />

five varieties of Indian take-away, four<br />

fried food emporia, four cafes with internet<br />

access, and two or three good<br />

old EnglishBreakfast/Roast Beef lunch<br />

cafés, as well as six pub-restaurants<br />

along the South side of the road.<br />

There is something for every taste, and<br />

every <strong>Park</strong> user, and the purveyors are as<br />

varied as the food, coming from all over<br />

Europe, the Middle East, and many parts<br />

of Asia. I may not be a huge eater but I<br />

like this sense of diversity reaching out<br />

across green spaces and concrete.<br />

So here are some tentative cheap but<br />

cheerful recommendations Not far from<br />

the station, there is the Chinese NewCity<br />

restaurant: friendly and delicious.<br />

Across the road it’s the Italian named<br />

after the patron saint of Naples San<br />

Gennaro: young crowd, excellent food,<br />

genuine pizza, cheery atmosphere. The<br />

one-time Turkish Adalar, on the corner<br />

of Cupar Road, is in the midst of transformation<br />

into an Albanian restaurant.<br />

That should be interesting.<br />

Next on my walk from east to west,<br />

there is, do I dare mention it, <strong>Battersea</strong>’s<br />

least best kept secret: Corelli’s . For Italian<br />

home-style cooking and best lunchtime<br />

neighborhood experience, there is<br />

still nothing that comes near it!<br />

Also in my good books is the excellent<br />

Indian take-away Holy Cow and the two<br />

Thais: the posh Chada and more intimate<br />

and less expensive Dee. Nearby are The<br />

Lighthouse (ex-Clock Tower) pub for<br />

garden, wine list and atmosphere and<br />

The Latchmere for a traditional pub cum<br />

FOOD CORNER<br />

Christine Fremantle<br />

theatrical experience. The new Mexican<br />

Margarita Loca is for those with cast iron<br />

palates and a sense of fun. And Il Molino<br />

Café for atmosphere and internet. And<br />

I am not denigrating the 32 remaining<br />

eateries! Chacun a son gout! Salud! &<br />

Buen apetito!<br />

Above: Cakes at the Friends BBQ<br />

The <strong>Editor</strong>s Choice<br />

Seasonal Recipe<br />

by <strong>Editor</strong> <strong>Jimmy</strong> <strong>Burns</strong><br />

I owe it to my Spanish mother that I’ve<br />

been brought up believing that Mediterranean<br />

food is not only easy to engage<br />

with, but also delicious and healthy.<br />

Gazpacho is a supercharged smoothie,<br />

easily transportable in a flask or similar<br />

container (make sure you keep it cool),<br />

and guaranteed to provide both nourishment<br />

and refreshment on a hot sultry<br />

summer’s day in the park.<br />

In the days before electricity, the name<br />

Gazpacho was used to refer to any ingredients<br />

that could be put together<br />

easily and cheaply in a mortar. At its<br />

most elemental it became a popular<br />

dish with starving peasants and labourers<br />

transforming a stale piece of white<br />

bread into something worthwhile after<br />

pounding and mixing it with water, oil,<br />

salt, vinegar, and garlic. Long before<br />

the tourist boom, early foreign travellers<br />

to Spain left records of their experience<br />

of this rustic improvised cooking.<br />

Richard Twiss, a wealthy Englishmen<br />

who visited Spain in the 1770’s found<br />

that the experience of tasting gazpa-<br />

18<br />

cho for the first time more than<br />

made up for the inconvenience<br />

of having to sleep the night on a<br />

shopkeeper’s wooden chest near<br />

Algeciras. “This is an excellent<br />

soup-maigre,” remarked Twiss,<br />

“nothing can be more refreshing during<br />

the violent heats.” The Frenchman Theophile<br />

Gautier was less impressed, judging<br />

gazpacho the sign of a lesser race.<br />

“In our country,” hissed Gautier, “no dog<br />

with the slightest breeding would deign<br />

to put his muzzle in such a mixture.”<br />

These days, there will be no shortage<br />

of pretentious and loud mouthed cooks<br />

who will insist they are licensed to own<br />

a unique and perfect haute cuisine recipe<br />

for Gazpacho but in so doing they have<br />

turned their back on its very soul. For<br />

a true Gazpacho, like all good genuine<br />

cooking, still requires instinct and<br />

improvisation, according to mood and<br />

what is available. What follows should<br />

provide terms of reference rather than<br />

definition for a party of four.<br />

Ingredients (preferably organic and local)):<br />

4 slices of ageing white bread with<br />

crusts removed and soaked in cold tap<br />

water for ten to fifteen minutes; 1 kg of<br />

very ripe peeled tomatoes ; 1 green pepper<br />

cut in small pieces (you can throw in<br />

a red pepper too if you feel like it); half<br />

a cucumber peeled and cut in thin slices;<br />

4 cloves of peeled and crushed garlic; 10<br />

tbsp olive-oil (preferably extra-virgin); 3<br />

tbsp white wine vinegar; a few drops of<br />

tabasco; a pinch of cumin; salt and pepper.<br />

Put the bread with its water and all the<br />

other ingredients in a large bowl and<br />

squeeze and stir them together with your<br />

hands, then pour into a blender and mix,<br />

adding water until you’ve reached the<br />

consistency that best suits you. My preference<br />

is for a thickish soup to which<br />

I then add some cubes of ice. But you<br />

can of course go for a smoother and/or<br />

more refreshing option, pushing the<br />

soup through a sieve and chilling further<br />

in the fridge or freezer. For the perfect<br />

summer tapas in the park, try throwing in<br />

some croutons and cut up bits of boiled<br />

egg, then follow it with some Spanish<br />

Serrano ham, chorizo, and manchego<br />

cheese, and a glass or two of Rioja.<br />

<strong>Jimmy</strong> <strong>Burns</strong>’s A Literary Companion to<br />

Spain is published by Santana Books


Below, a summary of the Friends accounts for our last financial year.<br />

STATEMENT OF FINANCIAL ACTIVITIES<br />

FOR THE YEAR ENDED 31st MARCH 2007<br />

Incoming resources Unrestricted Restricted Total Total<br />

funds income funds this year last year<br />

Voluntary income<br />

£ £ £ £<br />

subscriptions 4,117 4,157 4,235<br />

miscellaneous donations 773 773 392<br />

Winter Garden donations 13,385 13,385 13,702<br />

Maple Avenue donations 7,400 7,400<br />

Grant for signs<br />

Gift Aid tax refund<br />

9,845 9,845<br />

subscriptions/Winter Garden<br />

Activities for generating funds<br />

648 2,058 2,706 423<br />

events 302 2,254 2,556 207<br />

advertising 1,040 1,040 690<br />

sales<br />

Investment income<br />

996 996 541<br />

bank interest 906 906 697<br />

Total incoming resources<br />

Resources expended<br />

Costs of generating funds<br />

Costs of generating voluntary income<br />

8,782 34,942 43,724 20,887<br />

Subscriptions paid 90 90 65<br />

Review costs 5,555 5,555 3,327<br />

Bad debt 220 220 400<br />

Event expenditure<br />

Fundraising trading costs<br />

153 153 50<br />

Christmas cards expenses<br />

Charitable activities<br />

237 237 254<br />

Winter garden 1,069 1,069 21,803<br />

Maple Avenue<br />

Goverance costs<br />

7,400 7,400 0<br />

postage 52 52 55<br />

stationery 93 93 85<br />

bank charges 0 0 1<br />

Total resources expended 6,400 8,469 14,869 26,040<br />

Net incoming/(outgoing) resources 2,382 26,473 28,855 (5,153)<br />

Total funds brought foward 7,898 0 7,898 13,051<br />

Total funds carried forward 10,280 26,473 36,753 7,898<br />

BALANCE SHEET AT 31ST MARCH 2007<br />

Unrestricted Restricted Total Total<br />

funds income funds this year last year<br />

£ £ £ £<br />

Current assets<br />

Debtors 150 0 150 0<br />

Cash at bank and in hand 10,130 26,473 36,603 7,898<br />

Total current assets 10,280 26,473 36,753 7,898<br />

Creditors 0 0 0 0<br />

Total net assets<br />

Capital and Reserves<br />

10,280 26,473 36,753 7,898<br />

Net incoming/(outgoing) resources 2,382 26,473 28,855 (5,153)<br />

Total funds brought forward 7,898 0 7,898 13,051<br />

Total funds carried forward 10,280 26,473 36,753 7,898<br />

19


THE DECORATIVE<br />

ANTIQUES &<br />

TEXTILES FAIR<br />

Autumn Fair<br />

October 2-7 2007<br />

<strong>Battersea</strong> <strong>Park</strong><br />

London SW11<br />

Opening times<br />

Tuesday 2nd 12 noon-8pm<br />

Wednesday 3rd 11am-8pm<br />

Thursday 4th 11am-8pm<br />

Friday 5th 11am-7pm<br />

Saturday 6th 11am-7pm<br />

Sunday 7th 11am-6pm<br />

The Decorative Antiques & Textiles Fair<br />

Harvey (Management Services) Ltd.<br />

PO Box 149, London W9 1QN<br />

decorativefair.com

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