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ALBERT GOLDBARTH<br />
Vacation: Carolina Coast<br />
Maybe it’s because we’re all born into this world<br />
on a wing of blood, that we can’t stop from seeing our lives<br />
in sunrise on the water.<br />
Of course enough of us leave<br />
in violence, that sunset is also powerful<br />
metaphorically. Enough of us sink out of this world<br />
still burning, still believing<br />
that the night is long, but passes.<br />
■<br />
One day a distracted gull got into the beach house,<br />
through the front door, as if it were a rightful tenant.<br />
That was its attitude, in fact, for the whole<br />
two-hour comic opera chase: that somehow I<br />
was the one who simply was renting this space<br />
for a little while.<br />
■<br />
date: the late l770s<br />
Unable to secure financial backing<br />
for his telescope, and undeterred, the avid<br />
William Herschel made the necessary molds himself<br />
from horse shit. With that finished apparatus,<br />
he could see “the farthest stars,<br />
the highest, and most angelically rarefied<br />
aerial show.” As with this gull:<br />
this garbage feeder,<br />
picker of offal,<br />
eater of gutter dung, that rises<br />
into the clear empyrean.<br />
■<br />
J. phoned today. Among the news:<br />
that D. and M. are separating.<br />
“Look, these things happen. It’s difficult,”<br />
she said, “for poet-and-poet marriages.”<br />
Yes, I suppose. Although you might think,<br />
to look out my window, that water and water<br />
are easily—are perfectly—water.<br />
What better formula is there?<br />
You might think . . . well, anything you or I<br />
28 <strong>Beloit</strong> <strong>Poetry</strong> <strong>Journal</strong> Fall 2002<br />
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