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Museum Pieces - Beloit Poetry Journal

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ALBERT GOLDBARTH<br />

Vacation: Carolina Coast<br />

Maybe it’s because we’re all born into this world<br />

on a wing of blood, that we can’t stop from seeing our lives<br />

in sunrise on the water.<br />

Of course enough of us leave<br />

in violence, that sunset is also powerful<br />

metaphorically. Enough of us sink out of this world<br />

still burning, still believing<br />

that the night is long, but passes.<br />

■<br />

One day a distracted gull got into the beach house,<br />

through the front door, as if it were a rightful tenant.<br />

That was its attitude, in fact, for the whole<br />

two-hour comic opera chase: that somehow I<br />

was the one who simply was renting this space<br />

for a little while.<br />

■<br />

date: the late l770s<br />

Unable to secure financial backing<br />

for his telescope, and undeterred, the avid<br />

William Herschel made the necessary molds himself<br />

from horse shit. With that finished apparatus,<br />

he could see “the farthest stars,<br />

the highest, and most angelically rarefied<br />

aerial show.” As with this gull:<br />

this garbage feeder,<br />

picker of offal,<br />

eater of gutter dung, that rises<br />

into the clear empyrean.<br />

■<br />

J. phoned today. Among the news:<br />

that D. and M. are separating.<br />

“Look, these things happen. It’s difficult,”<br />

she said, “for poet-and-poet marriages.”<br />

Yes, I suppose. Although you might think,<br />

to look out my window, that water and water<br />

are easily—are perfectly—water.<br />

What better formula is there?<br />

You might think . . . well, anything you or I<br />

28 <strong>Beloit</strong> <strong>Poetry</strong> <strong>Journal</strong> Fall 2002<br />

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