V-Mixer M-480 Features - Visit Lib.roland.co.jp - Roland

COMPONENTS
DIGITAL AUDIO TRANSFER
S-4000S-3208
40CH I/O MODULAR RACK
32in/8out flagship I/O unit
S-0808 8X8 I/O UNIT
8in/8out compact digital snake
S-4000M REAC MERGE UNIT
Merge up to four REAC devices
Power REAC devices supporting “REAC
Embedded Power” (S-0808, M-48)
LINEUP
M-480
Live Mixing Console
48 Mixing Ch/6 Stereo Return/19 Bus/8
Matrix, flagship console of V-Mixer lineup
www.rolandsystemsgroup.net
S-4000S-0832
40CH I/O MODULAR RACK
8in/32out flagship I/O unit
S-1608 STAGE UNIT
16in/8out I/O unit
S-OPT
REAC OPTICAL
CONVERTER
Converts multi-channel REAC signal to a
digital optical signal
PERSONAL MIXING MADI MULTI-CHANNEL RECORDING
M-48 LIVE PERSONAL MIXER S-MADI REAC MADI BRIDGE
48-TRACK
R-1000 RECORDER/PLAYER
Musician controls up to 40 channels via Bi-directional conversion between REAC Dedicated recorder for recording/
16 stereo groups
and MADI
playback of up to 48 channels via REAC
Built-in ambient mic, reverb, EQ, line in, BNC and Optical MADI ports
connection
line out, etc. – many functions for the
Clock source can be selected from REAC, HDD and SSD media supported
best possible stage monitoring solution MADI or Word Clock
M-400
Live Mixing Console
48 Mixing Ch/18 Bus/8 Matrix,
award-winning digital mixing console
S-4000S-MR
40CH I/O MODULAR RACK
Modular rack chassis with no preinstalled
In/Out modules
S-0816 FOH UNIT
8in/16out I/O unit
REAC CABLE
W100S-R (100m)
100 meter Cat5e cable
on reel for REAC signal
transmission
Crossover Ethernet cable
with Neutrik® Ethercon
connectors on both ends
M-380
Mixing Console
Rack-mountable console with the same
engine as the M-400
SI-AD4
4-channel
Analog Input Module
SO-DA4
4-channel
Analog Output Module
SI-AES4
4-channel
Digital Input Module
SO-AES4
S-4000D
Roland Systems Group, a member of the worldwide group of Roland companies, is dedicated to the support of audio and video professionals demanding excellence in both
performance and system design. Through the development and support of video and audio products, we endeavor to improve workflow and maximize creative possibilities.
Ensuring high quality while protecting the environment: Roland is ISO9001 and ISO14001 certified
At Roland, several group companies have obtained ISO9001 certification. In addition, in January 1999, Roland also received ISO14001 international environmental management system certification. We’re
actively seeking ways to maintain harmony with the environment. (ISO=International Standardization Organization: an organization for the promotion of standardization of international units and terms. They
provide different categories of certification: ISO9001 Series certification is a product quality certification for products that undergo a certain level of quality control from the design stage to the after service stage;
ISO14001 Series certification is for environment-related standards. Each member of the Roland Group is striving to obtain certification.)
SI-AD4
SC-W100S
SO-DA4
4-channel
Digital Output Module SI-AES4 SO-AES4
REAC SPLITTER &
POWER DISTRIBUTOR
Equipped with 10 REAC ports including 8
ports of REAC Embedded Power
SC-W100S
REAC CABLE (100m)
SC-W20F
REAC CABLE (20m)
SONAR V-STUDIO 700
VS-700C
VS-700R
V-STUDIO Console
V-STUDIO I/O
Ultimate recording and editing solution
for use with REAC systems
M-300
Mixing Console
Powerful and compact, 32 Mixing Ch/11
Bus/4 Matrix digital mixing console
Copyright 2011 Roland Corporation. All right reserved.
All trademarks and logos are the property of their respective companies.
All specification and appearances are subject to change without notice.
Printed in Japan APR. 2011 RAM-20017 IO-PD
M-480
LIVE MIXING CONSOLE
The New Flagship Console of the V-Mixing System

V-Mixer– the Evolution Continues
Developed to exploit ideal sound. The new flagship V-Mixer is born.
With superb sound quality, powerful functions, expandability and intuitive operation,
the V-Mixing System continues to introduce new possibilities to the world of live mixing.
Now four years after its debut and in direct response to actively listening to our users,
the next generation V-Mixer has arrived.
Equipped with a newly developed mixing engine, the M-480 provides a powerful level of
flexible audio processing.
The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing
by connecting a second unit.
Supporting live events, mobile production, broadcasting, and sound installation
the V-Mixing System with the V-Mixer at its heart provides
the next level of innovation for any live mixing venue.
01
The V–Mixing System has been installed
into thousands of venues worldwide
M-480
LIVE MIXING CONSOLE
48 mixing channels plus 6 stereo returns
Main LCR outputs, 16 AUX buses, 8 matrices
4-band fully parametric EQ, gate/compressor on all channels
All input and output channels equipped with delay
6 built-in multi-effects and 12 graphic EQs
Cascade capability supports large format applications
02

V-1600HD
Multi-format
Video Switcher
V-Mixer M-480 Features
Powerful processing provides
an unprecedented level of control
Advanced Processing Power
The processing power of the M-480 supports the widest range of venues and applications.
The newly developed mixing engine provides a 4-band fully parametric EQ, gate, compressor,
and delay on each input channel.185 possible patch points with 90 discreet outputs.
Easy, intuitive and award-winning interface design
The large color display and dedicated knobs and buttons in the channel edit section offers intuitive operation.
The user interface is designed to be easy to learn and easy to use.
Combining the cursor buttons around the value dial provides optimized and efficient operation.
All input and output channels equipped with delay
In large format venues such as a concert halls and stadiums as well in broadcast applications, audio time alignment
settings are critical. The M-480 is equipped with delays on all mixing channels and outputs buses.
High quality and precise sound adjustments can be accomplished by using the built-in real time analyzer.
The cascade capability enables a solution for high channel counts
The M-480 supports a cascade connection requested by many live sound engineers. Connecting two M-480s with
one REAC cable enables the mixing of up to 96 channels as well as advanced synchronization of internal busses.
A mixing environment equivalent to a large format console can be created within a minimal footprint and budget.
R-1000
48-Track
Recorder/Player
M-480
V-Mixer
M-48
Live Personal Mixer
Configure a system for any venue or application
The V-Mixing System - an advanced mixing environment
It’s not simply a digital version of an analog console. The V-Mixing System is the next generation
mixing “ecosystem” that exploits the advantages of digital technology. It separates mixing (V-Mixer)
from the input/output section (Digital Snake) enabling pure sound, minimal loss of transmission with
very flexible system configuration and setup. It allows effortless add-ons for monitoring solutions
(M-48 Personal Mixer) as well as multi-channel live recording (SONAR REAC Recording System and
R-1000 48-Track Recorder/Player). The V-Mixing System encompasses the entire live sound process
expanding the possibilities far beyond a mixing console.
High quality sound is obtained with ease and flexibility
REAC - advanced audio transfer technology
REAC (Roland Ethernet Audio Communication) technology is the cornerstone of the V-Mixing System. REAC
is Roland’s original technology for low latency, high quality digital audio transfer. REAC is an Ethernet based
technology that enables multiple components to be
easily integrated using lightweight Cat5e/6 cable. With
just a single inexpensive cable, 40 x 40 channels of
24-bit uncompressed audio data (including level and
control information) are transferred.
Multiple analog cables were used to transmit data at low gain levels,
which caused problems such as unwanted noise, sound quality
deterioration, and crosstalk between channels. With REAC, these
problems have been eliminated because the pre-amp gain is set
before the data is transmitted digitally. REAC is the audio transmission
technology over Ethernet cable that provides high quality sound with
the bonus of convenient setup.
S-1608
Digital Snake
Analog Audio
Cakewalk SONAR
V-STUDIO 700
AES/EBU
S/PDIF
Frequency Response Comparison
V-Mixing System
Analog Transfer
Output Impedance: 600 ohms
S-4000S Series
Digital Snake
S-0808
Digital Snake
PC Direct
Multi-Channel
Recording
MADI
Output Impedance: 2 k ohms (without direct box)
03 04

V-Mixer M-480 Overview
Equipped with all the functionality of current digital consoles.
A myriad of features support any application.
Powerful mixing capacity with Cascade support
The capacity of 48 mixing channels, 6 stereo returns, main LCR
outputs, 16 AUX buses, and 8 matrices supports any venue or
application. The cascade connection enables two M-480s to be
linked allowing up to 96 mixing channels. The fully assignable REAC
A and B patchbays allows for very
flexible internal routing. A post
preamp patchpoint allows direct
routing from inputs to outputs
without having to route through the
console.
Newly developed mixing engine with powerful
signal processing
All inputs and outputs are equipped with a 4-band fully
parametric EQ. A gate, compressor and delay is also available
on all mixing channels. Channel
parameters are controlled using
the dedicated knobs and buttons.
With a high resolution crystal
clear color display, the M-480
provides an unprecedented audio
mixing experience.
Rich effects along with Twelve GEQs/PEQs
The M-480 is equipped with six dual-mono, multi-effects processors
that are available as AUX or insert effects. Each multi-effects
processor has 18 algorithms of
various types such as reverb, delay,
chorus, pitch shift and advanced
channel strip. Six types of precisely
emulated legendary vintage Roland
effects such as the RE-201, SDE-
3000, and SRV-2000 are included.
In addition, twelve 31-band graphic
EQs or 8-band fully parametric
EQs are included for sound
adjustment. The six multi-effects
and twelve GEQs/PEQs can be
used simultaneously.
All inputs and outputs are equipped with delay
The M-480 is equipped with delay on all input channels and output
busses. Problems with sound delay in a concert venue or broadcast
application can be solved using the internal
processor. Delay time is adjustable up to
400msec, and is selectable in both time
and distance units between msec/feet/
meters/frames. It also features a high
performance graphical real time analyzer
for precise and focused sound adjustment.
Remote control and offline setup using a PC
The M-480 can be controlled remotely by connecting an PC via USB. The
M-480RCS control software has the same user interface as the built-in display.
The M-480RCS can also be used when the M-480 is not connected allowing
offline setup and configuring of the system
before an event. Setup data can then be
copied to a USB flash drive ready to load into
the console at the venue. Using a connected
PC and a wireless LAN, a tablet device can
control the M-480 from a remote location like
the stage or a seat in the audience.
* M-480RCS can be downloaded from www.rolandsystemsgroup.net
Three live recording options
The M-480 supports live multi-channel
recording. Simply connect the R-1000 with
Cat5e/6 cable to easily record (or playback)
up to 48 channels of 24-bit audio.
Uncompressed BWF f ile data is stored on a
removable SSD or HDD where it can be
edited later in the studio with a DAW of
choice. By using Cakewalk SONAR
Producer software*, up to 40 channels can
be recorded directly by simply connecting a
single REAC cable to a PC. In addition, the
built-in USB memory recorder can record a
stereo output signal from the M-480 as an
uncompressed WAV file. The USB memory
recorder also supports WAV file playback
for convenient playback of music and
announcements.
R-1000 48-Track Recorder/Player
SONAR REAC Recording System
* REAC driver kit is required to record using Cakewalk SONAR directly.
Built-in USB Recorder/Player
05 06

V-Mixer M-480 Applications
Expandability and flexibility
bring many advantages
Basic System
The basic system supports typical mid-sized live event applications.
Two S-1608 for I/O enable a total of 32 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console.
Stage
Live Monitoring System
S-1608
S-1608
Front of House
Expanded system for mixing live stage. Flexible I/O setup is possible by using four S-0808s. Using four M-48 and M-480,
the V-Mixing System can be used as a monitoring system for any live application.
Stage
8ch XLR
8ch XLR
Broadcasting System
Front of House
Use the M-480 for mixing TV/radio broadcasts along with recording direct preamp splits via a parallel connection using the R-1000 and
SONAR REAC Recording System. Using the Roland S-MADI bridge, the sound is sent to an OB van using MADI format.
The S-4000D enables easy splitting and distribution of the audio.
Stage
32ch XLR
8ch XLR
8ch XLR
S-4000S-3208
16ch XLR
16ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
Recording Booth
Monitors
8ch XLR
M-480
8ch XLR
8ch XLR
M-48
POWER
S-0808
S-4000D
S-4000M
S-MADI
S-4000D
R-1000
SONAR REAC
Recording System
MADI
M-480
OB Van
10ch
10ch
M-480
Press Room
S-0816
10ch
10ch
Audio Installation for Hall/Church
A setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events.
An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC.
Stage
8ch XLR S-0808
8ch XLR
POWER
POWER
8ch XLR
8ch XLR
Stage Side of Stage
S-0808
32ch
XLR
8ch
XLR
S-4000S-3208
S-4000S-3208
32ch
XLR
8ch
XLR
Tablet PC
S-4000M* 2
Wireless LAN* 1
PC
Control Software
M-480RCS
48 input channels must be selected from 106 physical inputs via M-480 patchbay. * 1 Wireless LAN equipment and setup are required. * 2 Using S-4000M patchbay, 40 input channels must be selected from 80 physical inputs.
Multi-Channel Recording/Playback System
Stage
Stage
Recording Booth
USB
Front of House
Front of House
RS-232C
2ch
8ch XLR
External Controller
CD/DVD Player
Wireless
Mic Receiver
S-1608
The R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System or other
digital consoles using MADI. This enables playing backing track and rehearsing/training without the band present.
The SONAR REAC Recording System enables multi-channel recording simultaneously.
Cascade System
32ch XLR
16ch XLR
8ch XLR
16ch XLR
Cascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable.
Master console shares Main/AUX/Matrix/Solo buses of Slave Console. A large format mixing system can be configured with minimum footprint.
32ch XLR
32ch XLR
8ch XLR
8ch XLR
8ch XLR
8ch XLR
S-4000S-3208
S-1608
S-4000S-3208
S-4000S-3208
R-1000
M-480
M-480
SONAR REAC
Recording System
07 08
M-480
M-480
10ch
10ch
10ch
10ch

V-Mixer M-480 Specifications
PROCESSING
Mixing Channels
Number of Channels S-1608 : 16 in 8 out S-0816 : 8 in 16 out
AD and DA Conversion 24 bit / 96 kHz
Frequency Response -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)
Total Harmonic
Distortion + Noise
0.05 % or less (Pad: On, Input Gain: +4 dBu, 22Hz to 20 kHz)
Dynamic Range 110 dB
Cross Talk -80 dB or less (Input Gain: +4 dBu, typ.)
Nominal Input Level
-65 to -10 dBu (PAD: Off), -45 to +10 dBu (PAD: On)
(1 dB step, Max. +28 dBu)
PAD 20 dB On/Off
Input Impedance 14 k ohms
Nominal Output Level +4 dBu, Max. +22 dBu
Output Impedance 600 ohms
Recommended Load
Impedance
10 k ohms or greater
Residual Noise Level
(IHF-A, typ.)
INPUT: 48 channels, 6 stereo returns
BUS: MAIN L/C/R, 16 AUX, 8 MATRIX
OUTPUT: 10 ports (Max 90 ports When using REAC devices)
AD/DA Conversion 24-bit/48.0 kHz or 44.1 kHz
Network Latency
CONNECTORS
CONSOLE INPUT
jacks (1 to 8)
TALKBACK MIC IN
jack
STEREO IN
jacks (L / R)
CONSOLE OUTPUT
jacks (1 to 8)
XLR-3-31 type (balanced, phantom power)
RCA phono type
PHONES jack Stereo 1/4 inch phone type
DIGITAL OUT
jacks Stereo
Optical type, Coaxial type
REAC Ports RJ-45 EtherCon type
USB connectors USB Type A and Type B
Remote Controls
Total Harmonic
Distortion + Noise
2.8 mS (typ.)
* Total System Latency of audio signal from S-1608 inputs to
outputs via M-480's REAC ports (A or B).
* Sample Rate: 48.0 kHz * Effects : No insert effects
XLR-3-31 type (balanced, phantom power)
XLR-3-32 type (balanced)
RS-232C connector: 9-pin D-sub type, MIDI connectors
(OUT/THRU, IN): 5-pin DIN type
Other Connectors GND Terminal, LAMP connector XLR-4-31 type
INPUT/OUTPUT CHARACTERISTICS
Frequency Response
CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20 k ohms load, +4
dBu,typ. PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)
CONSOLE OUTPUT jacks (1 to 8): 0.05 % (+4 dBu, typ.)
PHONES jack: 0.05 % (typ., 40 ohms load, 150 mW, typ.)
Dynamic Range CONSOLE OUTPUT jacks (1 to 8): 110 dB (typ.)
Crosstalk@ 1 kHz
CONSOLE INPUT jacks (1 to 8): -80 dB (Pad: ON, Input gain: +10 dBu,
typ.) CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.)
Digital Snake S-1608/0816 Specifications
-80 dBu or less
Nominal Input Level
(Variable)
Input Impedance
Non Clip Maximum
Input level
Nominal Output
Level
Output Impedance
Recommended Load
Impedance
Non Clip Maximum
Output level
Residual Noise Level
(IHF-A, typ.)
Equivalent Input
Noise Level (E.I.N.)
OTHERS
Display 800 x 480 dots Wide VGA backlit TFT color screen
Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Power Consumption 95 W
Dimensions
749.0 (W) x 614.0 (D) x 229.0 (H) mm
29-1/2(W) x 24-11/16(D) x 9-1/16(H) inches
Weight 20 kg, 44 lbs. 1 oz.
Equivalent Input
Noise Level
Network Latency
Nominal Input Level
CONSOLE INPUT jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45
to +10 dBu (Pad: ON), (typ.) STEREO IN jacks (L / R): -18 to
0 dBu TALKBACK MIC IN jack: -50 to -10 dBu
CONSOLE INPUT jacks (1 to 8): 14 k ohms STEREO IN jacks (L /
R): 10 k ohms TALKBACK MIC IN jack: 41 K ohms
CONSOLE INPUT jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu
(Pad: ON),(typ.) STEREO IN jacks (L / R): +18 dBu (typ.)
TALKBACK MIC IN jack: +8 dBu (typ.)
CONSOLE OUTPUT jacks (1 to 8): +4 dBu (Load impedance: 10 k
ohms, typ.)
CONSOLE OUTPUT jacks (1 to 8): 600 ohms
PHONES jack: 100 ohms
CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater
PHONES jack: 8 ohms or greater
CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms
load, typ.)
PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)
-88 dBu (All faders: Min)
-126 dBu
-128 dB
375 microseconds when using REAC cable only (*1)
(AD > REAC > DA Latency: approx 1.2 ms)
(0dBu=0.775Vrms)
* XLR type: 1 GND, 2 HOT, 3: COLD Phantom power: DC +48 V(unloaded maximum), 14 mA
* (maximum load) (All XLR type inputs) LAMP power: DC +12 V/500 mA When a S-4000D
* * REAC Splitter&Power Distributor or a switching hub is used in-line with REAC cables, the network
latency will increase by the amount of processing delay introduced by the splitting device itself.
The actual delay is dependant upon the specifications of the splitting device, though the maximum
delay amount for a single splitting device should be about 200 microseconds. EtherCon is the
* registered trade mark of Neutric®
XLR Input (XLR-3-31 type, balanced, phantom power): 16 (S-1608), 8 (S-0816)
XLR Output (XLR-3-32 type, balanced): 8 (S-1608), 16 (S-0816)
Digital Output connector x 1 (Optical type)
REAC Connector x 1 (RJ-45 EtherCon type)
Remote Connector x 1 (RS-232C, DB-9 type)
Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Power Consumption 45W
Dimensions 401(W) x 135(D) x 177(H) mm 15-13/16(W) x 5-3/8(D) x 7(H) inches
Weight 5.5 kg, 12 lbs. 3 oz. (Including rack-mount adaptor)
* Phantom power: DC +48 V(unloaded maximum), 14 mA(maximum load) (All XLR type inputs)
* When a S-4000D REAC Splitter&Power Distributor or a switching hub is used in-line with REAC
cables, the network latency will increase by the amount of processing delay introduced by the
splitting device itself. The actual delay is dependant upon the specifications of the splitting device,
though the maximum delay amount for a single splitting device should be about 200
microseconds.
* EtherCon is the registered trade mark of Neutric®
V-Mixer M-480 Dimensions Digital Snake S-1608/0816 Dimensions
636.1
680
749
606.8
598.5
369.8
35º
228.5
95.8 64
Unit: mm
135
401 482
177
135
Unit: mm
177
* EIA-4U Size when the bundled rack-mount adaptor is attached.
09 10
87.2
5º
7.6
322.2
563.4
614
V-Mixer M-480 Block Diagram
OUTPUT
PATCHBAY
MAIN AUX MTX SOLO
LRC 12 15 16 12 78 LR
INPUT
PATCHBAY
REAC A INPUT 1–40
REAC B INPUT 1–40
16 INPUTS
CONSOLE INPUT 1–8
STEREO INPUT L, R
MAIN L, R, C
AUX 1–16
MTX 1–8
SOLO L, R
CASCADE INPUT
PEAK
SIG
GAIN
S-1608
INPUT1–16
PHANTOM
+48V
A/D
8 OUTPUTS
MAIN L, R, C
S-1608
OUTPUT 1–8
CH 1–48
PREAMP Post ATT Post HPF Post GATE Post COMP Post DELAY Pre EQ
GR GR
INSERT
EXT FX
� ATT HPF
GATE/
4-BAND
COMP DELAY
EXP
EQ
8 INPUTS
Pre FADER Post FADER
PEAK
SIG
S-0816
INPUT1–8
PHANTOM GAIN
+48V
C SW
A/D
LCR
FADER
LR SW
1 SPLIT/
BACKUP
PAN
MUTE
MAX 40 INPUTS
Post DELAY
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
D/A
40
MAIN SW
CENTER
PEAK
SIG
S-4000S
SI-AD4
PHANTOM GAIN
+48V
FADER
BAL MUTE GEQ
INSERT
MAIN L, R, C OUT
TO MONITOR SELECT
TO REC SELECT
TO MONO MIX
LIMITER DELAY
INSERT
EXT FX
KEY-IN
SOLO
KEY-IN
REAC A
INPUT
A/D
16 OUTPUTS
S-0816
OUTPUT 1–16
�
4-BAND
EQ
ATT
PAN
TO SOLO
KEY-IN
FILTER
- SELF POST HPF
- CH 1–48 POST HPF
1
D/A
REAC A
OUTPUT
CASCADE OUT ATT
AUX/MTX
LINK
TO
1, 3...15
MTX SEND 1–8
S-4000S MAX 40 OUTPUTS
MTX
LINK
SW SEND
SO-DA4
TO MTX 1, 3...7
PRE EQ
PRE FADER
POST FADER
AUX SEND 1–16, MTX SEND 1–8
PRE EQ LEVEL SW
PRE FADER
POST FADER
PAN
PRE EQ LEVEL SW
PRE FADER
POST FADER
SI-AES4
AES/EBU
KEY-IN
SOLO
KEY-IN
40
SRC
TO SOLO
KEY-IN
FILTER
- SELF POST GATE
- CH 1–48 POST GATE
MUTE
OPTION
TO
2, 4...16
8 INPUTS
PAN
D/A
SW SEND
S-0808
INPUT 1–4
PHANTOM GAIN
+48V
SO-AES4
AES/EBU
SRC
L
R
C
TO MTX 2, 4...8
DIRECT OUT
POINT
MONO
MIX
MONO OUT
SOLO
AFL SW
TO OUTPUT PATCHBAY
TO SOLO
FROM AUX 1–16
PRE PHASE
PRE EQ
PRE FADER
POST FADER
A/D
MUTE
OPTION
INPUT 5–8
PHANTOM
+48V
8 OUTPUTS
S-0808
OUTPUT 1–8
D/A
SOLO
AFL SW
PFL (L)
AFL (L)
GAIN
AUX 1–16
PFL (R)
AFL (R)
A/D
(7/8 ONLY)
HI-Z
ON/OFF
Post DELAY
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
S-4000M
MAX 40 OUTPUTS
S-4000M
FADER
BAL MUTE GEQ
INSERT
MAX 40 INPUTS
To Monitor/Broadcast
Console
(M-300, M-380 or M-400)
AUX 1–16 OUT
TO MONITOR SELECT
TO REC SELECT
TO FX INPUT SELECT
LIMITER DELAY
INSERT
EXT FX
RTN 1L–6R
From FOH (V-Mixer)
�
4-BAND
EQ
ATT
Pre FADER Post FADER
PREAMP Post ATT Post DELAY
C SW
MAIN SEND
CASCADE OUT ATT
16 INPUTS
LCR
FADER
LR SW
PAN
MUTE
C SW
DELAY
ATT
�
PEAK
SIG
GAIN
S-1608
INPUT1–16
PHANTOM
+48V
LCR
LR SW
PAN
MAIN SW
CENTER
A/D
TO MAIN L
TO MAIN C
MAIN SW
8 INPUTS
8 OUTPUTS
S-1608
OUTPUT 1–8
PAN
TO MAIN R
S-0816
INPUT1–8
PHANTOM GAIN
+48V
REAC B
OUTPUT
PAN
(LCR)
PEAK
SIG
CENTER
AUX/MTX
LINK
D/A
1
A/D
S-0816
OUTPUT 1–16
40
MTX
LINK
16 OUTPUTS
SW SEND
TO MTX 1, 3...7
MTX SEND 1–8
PRE EQ
PRE FADER
POST FADER
TO
1, 3...15
AUX SEND 1–16, MTX SEND 1–8
LEVEL SW
PAN
LEVEL SW
PRE FADER
POST FADER
MUTE
OPTION
MAX 40 INPUTS
TO
2, 4...16
PRE FADER
POST FADER
PAN
D/A
SW SEND
PEAK
SIG REAC B
INPUT
S-4000S
SI-AD4
PHANTOM GAIN
+48V
TO MTX 2, 4...8
DIRECT OUT
POINT
A/D
1
TO OUTPUT PATCHBAY
S-4000S MAX 40 OUTPUTS
SOLO
AFL SW
PRE PHASE
PRE FADER
POST FADER
AFL SW
MUTE
OPTION
40
SI-AES4
AES/EBU
SO-DA4
TO SOLO
SOLO
PFL (L)
AFL (L)
SRC
D/A
SO-AES4
AES/EBU
SRC
MTX 1–8
PFL (R)
AFL (R)
8 INPUTS
Post DELAY
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
OSC
ON
OSC
OSC
LEVEL
8 OUTPUTS
S-0808
OUTPUT 1–8
D/A
FADER
BAL MUTE GEQ
INSERT
INSERT
EXT FX
PINK NOISE
WHITE NOISE
OSCILLATOR 1–2
S-0808
INPUT 1–4
PHANTOM GAIN
+48V
A/D
MTX 1–8 OUT
TO MONITOR SELECT
TO REC SELECT
LIMITER DELAY
4-BAND
EQ
�
ATT
TO OUTPUT PATCHBAY
SINE WAVE
MULTISINE
INPUT 5–8
PHANTOM
+48V
SOLO
AFL SW
TALKBACK TALKBACK TALKBACK
LEVEL ON
GAIN
PHANTOM
TALKBACK
GAIN
TO SOLO
MAX 40 OUTPUTS
S-4000M
FROM AUX 1–16, MAIN L, R, C
+48V
A/D
A/D
(7/8 ONLY)
HI-Z
ON/OFF
To Monitor/Broadcast
Console
(M-300, M-380 or M-400)
USB
MEMORY
INPUT
USB MEMORY RECORDER
REC
SELECT
AUX 1–16 OUT
REC
LEVEL
TO OUTPUT PATCHBAY
MAX 40 INPUTS
S-4000M
OUTPUT
SELECT
INPUT
SELECT
EFFECTS
INPUT FX 1
OUTPUT
To CH 1–48 INSERT IN
CH 1–48 INSERT OUT
TO INPUT
PATCHBAY
USB MEMORY
RECORDER
MTX 1–8 OUT
To AUX 1–16 INSERT IN
EFFECT
AUX 1–16 INSERT OUT
REC OUT L,R
MAIN L, R, C OUT
To MTX 1–8 INSERT IN
Same as the above
FX 2
MTX 1–8 INSERT OUT
DIGITAL OUTPUT
COAXIAL
OPTICAL
TO MONITOR
SELECT
MAIN OUT L+C
MAIN OUT R+C
MAIN MONO OUT
To MAIN L, R, C INSERT IN
MAIN L, R, C INSERT OUT
STEREO INPUT L, R
GAIN
MONITOR
SELECT
MONITOR
To INPUT PATCHBAY
Same as the above
FX 6
AUX 1–16 OUT
A/D
MONITOR
AUX 1–16 OUT
MONITOR
LEVEL
SOLO
LOGIC
OUTPUT
SELECT
INPUT
SELECT
GEQ
MTX 1–8 OUT
MONITOR OUT L
CONSOLE OUTPUT 1–8
DELAY
EXT FX
ENABLE
To AUX 1–16 INSERT IN
INPUT GEQ 1
OUTPUT
31-BAND GEQ
or
8-BAND PEQ
GEQ 2
Same as the above
AUX 1–16 INSERT OUT
CONSOLE INPUT 1–8
PHANTOM GAIN
MONITOR OUT R
DELAY
D/A
SOLO
LEVEL
MAIN LR OUT
MAIN C OUT
MAIN LCR
MAIN MONO OUT
REC OUT LR
+48V
To MTX 1–8 INSERT IN
MTX 1–8 INSERT OUT
EXTERNAL FX SEND
PHONES
LEVEL
A/D
PHONES
To MAIN L, R, C INSERT IN
GEQ 12
Same as the above
MAIN L, R, C INSERT OUT
D/A
TO EXTERNAL FX RETURN
CASCADE OUT LEVEL
OUTPUT
SELECT
MAIN L, R, C, AUX 1–16, MTX 1–8 SOLO
INPUT
SELECT
EXTERNAL FX
EXTERNAL FX RETURN
DIRECT OUT CH 1–48
DIRECT OUT RTN 1L–6R
OSCILLATOR 1–2
TALKBACK
CASCADE OUTPUT
Link to BUS ATT,
SOLO LEVEL
MAIN L, R, C
ATT
AUX 1–16
ATT
MTX 1–8
ATT
SOLO L, R
LEVEL
To CH 1–48 INSERT IN
CH 1–48 INSERT OUT
SEND RETURN RETURN
LEVEL
EXT FX 1–8
SEND
LEVEL
To AUX 1–16 INSERT IN
AUX 1–16 INSERT OUT
FX 1L OUT–FX 6R OUT
PLAYBACK L / R
To MTX 1–8 INSERT IN
MTX 1–8 INSERT OUT
To MAIN L, R, C INSERT IN
TO EXTERNAL FX SEND
MAIN L, R, C INSERT OUT
LRC 1 2 15 16 12 78 LR
MAIN AUX MTX SOLO