Oct/Nov 2006 pdf - Mission Arts Monthly
Oct/Nov 2006 pdf - Mission Arts Monthly
Oct/Nov 2006 pdf - Mission Arts Monthly
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<strong>Mission</strong> <strong>Arts</strong><br />
<strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> FREE<br />
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Come meet artists in<br />
their studio’s and get<br />
a great deal on some<br />
real art and have some<br />
fun.<br />
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INSIDE<br />
Leena Prasad p3<br />
Eve Shen p5<br />
Scott Young p5<br />
Open Studios Map p6<br />
Open Studios Artist List p7<br />
Intersection p12<br />
MAPP p13<br />
Women’s Building p14<br />
MCCLA p15<br />
Ursula Huete p16<br />
Meri Page p17<br />
Carla Caletti p18<br />
Rebecca Bazell p19<br />
Miranda p20<br />
Young Frankenstein p21<br />
Richard III p22<br />
Manifestival p23<br />
Lani Asher p24<br />
ATA Film Fest p25<br />
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MISSION ARTS MONTHLY 744 Alabama<br />
Street, San Francisco, CA 94110<br />
www.missionarts.org<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> is published by<br />
<strong>Mission</strong> <strong>Arts</strong> Foundation which is a<br />
nonprofi t organization dedicated to<br />
helping the artists and art organizations<br />
of the greater <strong>Mission</strong> District. It is<br />
distributed free of charge during the fi rst<br />
week of the month.The Online version<br />
can be found at: www.<strong>Mission</strong><strong>Arts</strong>.org<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> encourages writers,<br />
artists, arts organizations, galleries,<br />
theaters, cartoonists and anyone else to<br />
submit articles, photos, letters and press<br />
releases for inclusion in the magazine by<br />
e-mail to: editor@missionarts.org<br />
All submissions for publication must be by<br />
e-mail and may be edited for clarity and<br />
length. For Inside the Studio section<br />
please e-mail an artist statement and<br />
three jpeg images of your work.
Visual Narratives: “Shut Up Honky”<br />
By Leena Prasad<br />
Your Existence Gives Me Hope, a sidewalk stencil proclaimed. I pulled out my tiny digital camera<br />
and snapped a quick shot, happy to add another entry to my growing visual journal of these phrases<br />
stenciled into the sidewalks of The <strong>Mission</strong> neighborhood. A few weeks later I noticed a similar stamp,<br />
except with a small update. Next to the Your Existence Gives Me Hope was also stamped Your<br />
Existence Gives me Diarrhea. Although I enjoyed the gushy sentimentality of the original graffiti, I was<br />
delighted to see that the original clichéd stencil had been retrofitted into the mission culture.<br />
Several months ago, I had written a column about the Kill Yuppys sidewalk graffiti. Since then, there has<br />
been an exponential increase in these pavement graffiti and an antagonistic conversation seems to have<br />
started between the original ‘artist’ and some of the graffiti audience. A quick search on Google revealed<br />
a wide fascination with these sidewalk stencils: there were photos posed on Flickr.com, Webshots.com,<br />
Tribe.net, and many other websites.<br />
Who is behind these sidewalk musings? I met a documentary filmmaker who wants to find and interview<br />
the ‘artist.’ On the social network tribe.net, some guess that the messages are from a Christian group<br />
spreading its gospels. There is an ongoing debate whether these are art, vandalism, or public service.<br />
I’m not interested in knowing the artist or the culprit or the religious fanatic. The stencils have simply<br />
added a new dimension to my regular walks. Whenever I see the ubiquitous I Want You So Bad or You<br />
Make My Dreams Come True or any of the other original stencils followed by an editorial Shut Up Honky,<br />
I feel an affirmation of the character of The <strong>Mission</strong>, a place with a personality that I love more than any<br />
other neighborhood in San Francisco. I love finding a stamp that I have not seen before or a response<br />
to existing ones. I especially enjoy the fact that the new stencils are attempting to wrestle back The<br />
<strong>Mission</strong> voice from the original mushy gushy potentially religious messages that are out of tune with<br />
the ‘rebel with a cause’ <strong>Mission</strong> culture. It is kin to experiencing an emotional discussion between two<br />
friends.<br />
I’m sure that not everyone is as gushingly supportive of these minor forms of entertainment as I am and<br />
might look upon them as nothing more than vandalism. During a recent walk, I started looking around<br />
the graffiti to see if they were destroying the ambience of their surroundings. The effect was actually<br />
quite the opposite. They detract from some of the old, worn our and sometimes dirty sidewalks. I don’t<br />
see these stencils in my own Noe Valley neighborhood where flowers and plants abound on the sidewalk<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 3
and where these stamps would probably be washed out immediately if they were ever to make an<br />
appearance. I’m not sure that it’s necessarily a good thing to paint over them – they would add a<br />
delightful character to the immaculately clean Noe Valley.<br />
To anyone who dislikes them, I’d say ‘just walk over it.’ The objective of art is to stir emotions, to<br />
force people out of their everyday existence and to think beyond their world. These stenciled stamps<br />
have managed to do that by stirring a dialogue. They’ll dissolve into the landscape in a few months<br />
so we won’t have to use taxpayer funds to wash over them. They also bring attention to sidewalks<br />
in desperate need of maintenance. If the graffiti causes Mayor Gavin Newsom to clean up the<br />
pavements, these stamps would have achieved a much needed neighborhood restoration service.<br />
There is a case to be made for these as a valid genesis of art. The tradition of mural paintings,<br />
which started as unsanctioned painting of public walls, has become a publicly funded San Francisco<br />
tradition. Artists like Keith Herring whose works now hang in major museums, got their start via graffiti<br />
art. If those voices had been turned off, we would have missed the core influences of much of modern<br />
visual art and had been stuck with the tired centuries old art that does not<br />
speak to the new generations or to the people whose ancestry is not rooted in the European<br />
traditions.<br />
I hope these stencils cheer up some people. I’m certainly entertained by the sarcastic responses and<br />
would be happy to support their existence with my tax dollars.<br />
For more photos, go to http://shutuphonky.blogspot.com/<br />
For comments/complaints/kudos/article ideas/etc., please write to Leena Prasad at<br />
art@WeAreNotAmused.com. Please let me know in your letter if it’d be okay to publish it as part of<br />
this column.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 4
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 5
SF OPEN STUDIOS <strong>2006</strong> <strong>Oct</strong>ober 14 th & 15 th Map<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 6
NAME MAP# STUDIO NAME ADDRESS<br />
Amanda Knox 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Anne Arrasmith 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Atelier Gargoyle 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Chris Leib 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Cynthia Tom 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Gracewood Design 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Jeremy David Sutton 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Juliette Lemontey 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Kathleen Maley 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Laura Parker 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Lee Cline 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Michael Schoenig 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Peggy Gyulai 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Peter Sorensen 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Randy Titchenal 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Sara Shaughnessy 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Stephanie Choo 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Tessa Merrie 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Trevor Tubelle 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Wendy L. Miller 111 1890 Bryant Street Studios 1890 Bryant Street<br />
bloum 111 1890 Bryant Street Studios 1890 Bryant Street<br />
Emily Citraro 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Akane Goda 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Andréa D. Guerra 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Catherine Reed 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Barbara Brodsky 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Carla Caletti 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Dmitri Hochstatter 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Dominique Caron 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Emily Hung 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Erika Meriaux 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Francoise Vespa 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Geoffrey Wolfe 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Georgianne Fastaia 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Jerome Doran 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Laura Lengyel 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Linda Adreveno 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Margret Meyer 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Melisa Phillips 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Paul Morin 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Priscilla Otani 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Sri Prabha 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Thomas Albany 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Rebecca Bazell 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Victoria Highland Scott 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Wendi Spiers 109 Art Explosion Studios - 17th St. 2425 17th Street<br />
Mac McNamara 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Rebecca Bennett 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Azin Moali 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Don Ross 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
GB Sunny Fisher 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
George Webber Design 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Godfrey Lim 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Chloe Kang 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Ian Hart 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Jennifer Wasson 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Kelly Spokus 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Kristin Abkemeier 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Kristine Mays 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Marta Fuentealba 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Mona Cereghino 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Samanta Tello 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Seamus Kiel 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Sharaine Bell 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Terri Wolfe 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
Thomas Duane 106 Art Explosion Studios- Alabama Street 744 Alabama St. @ 19th<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 7
David Conrado 114 Artist-Xchange 3169 16th Street<br />
Jacquelyn Paull 114 Artist-Xchange 3169 16th Street<br />
Kent Wisner 114 Artist-Xchange 3169 16th Street<br />
Roger Licot 114 Artist-Xchange 3169 16th Street<br />
Ron M. Saunders 114 Artist-Xchange 3169 16th Street<br />
Suzane Beaubrun 114 Artist-Xchange 3169 16th Street<br />
Andrew Conway 107 BASE Studio 720 York Street<br />
Brian Kaas 107 BASE Studio 720 York Street<br />
Hannah Stouffer 107 BASE Studio 720 York Street<br />
Lark Pien 107 BASE Studio 720 York Street<br />
Scott Barry 107 BASE Studio 720 York Street<br />
LESTER MARKS 120 Belcher Artists 69 Belcher Street<br />
Bret Hansen 120 Belcher Artists 69 Belcher Street<br />
Carlo Abruzzese 120 Belcher Artists 69 Belcher Street<br />
Charles H. Stinson 120 Belcher Artists 69 Belcher Street<br />
Hadley Northrop 120 Belcher Artists 69 Belcher Street<br />
JoAnn Johnson-Deal 120 Belcher Artists 69 Belcher Street<br />
Julie B Montgomery 120 Belcher Artists 69 Belcher Street<br />
Marcia Teusink 120 Belcher Artists 69 Belcher Street<br />
Paul Ferney 120 Belcher Artists 69 Belcher Street<br />
Sean Poreda 120 Belcher Artists 69 Belcher Street<br />
Tracy Taylor Grubbs 120 Belcher Artists 69 Belcher Street<br />
William Salit 120 Belcher Artists 69 Belcher Street<br />
Andrea FONO 120 Belcher Artists 69 Belcher Street<br />
Alice Roche 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Anita Green 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Camilla Newhagen 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Christina Mazza 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
DENISE LAWS 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Elisa Harms 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Emily Keyishian 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Marie Bourget 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Matthew Frederick 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Paule Dubois Dupuis 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Rachel Beth Egenhoefer 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Randall Heath 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Robert Donald 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Sidnea D’Amico 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Stephen Stout 101 Blue Studio 2111 <strong>Mission</strong> Street<br />
Erik Otto Blue Studios 2111 <strong>Mission</strong> Street<br />
BRAD POLT-JONES 265 Calumet Gallery 2001 Bryant St<br />
DOUG THACKER 265 Calumet Gallery 2001 Bryant St<br />
GENE LEE 265 Calumet Gallery 2001 Bryant St<br />
REBECCA CHANG 265 Calumet Gallery 2001 Bryant St.<br />
Gage Opdenbrouw 86 Compound 21 2498-A Harrison<br />
Hedda Hope Compound 21 2498 Harrison St<br />
Laurel Roth 86 Compound 21 2498-A Harrison<br />
Mati McDonough 86 Compound 21 2498 A Harrison Street<br />
Sabrina Harrison 86 Compound 21 2498-A Harrison<br />
Susannah Bettag 86 Compound 21 2498-A Harrison<br />
Dustin Rankin 289 G spot Studio 731 Florida st # 103<br />
Joshua Martens 266 Nicholas DiBlasio 1475 Noe Street<br />
Anna Efanova 266 Noe Street Artists 1475 Noe Street<br />
Jane Rades 266 Noe Street Artists 1475 Noe Street<br />
Eli Yasek 113 Nomad 1855 Folsom Street<br />
Eric Fidjeland 113 Nomad 1855 Folsom Street<br />
Gail Siegel 113 Nomad 1855 Folsom Street<br />
Kurt Glowienke 113 Nomad 1855 Folsom Street<br />
Terry Ow-Wing 113 Nomad 1855 Folsom Street<br />
AnneKarin Glass 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Carol Rienecker 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Christine Zohar Olson 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Dorothy Connelly 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
DOROTHY CONNELLY Oakdale Painting Studio 2014 Oakdale Ave<br />
Eve Newell 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Jeanne Carson 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
John Melvin 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Katia Claude 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 8
Larry Robinson 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Lorraine Vendrely 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Priya 58 Oakdale Painting Studio 2014 Oakdale Avenue<br />
Adrian Nieuwenhuyzen 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
AndrzejMichaelKarwacki 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
April Hankins 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Ari Salomon 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Catherine Small 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Cheryl Finfrock 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Claudine Capdeville 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Danielle Loisel 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Diane Rollins Feissel 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Ellen Rosenthal 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Gina Jacupke 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Isabelle Gaudin 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
J. FauchereFruchere 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Jacques Pibot 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Jean Chazy 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Jean Franco 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Jean-Jacques Lapoirie 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Jonah Burlingame 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Liiane Maurin 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Ludovic DeVita 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Marcel Roger 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Michele King 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Mitchell Durkee 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Patric Lipski 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Polska 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Rena Tzolakis 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Sonia Burel 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Veronic Roux Voloir 115 Paris - San Francisco Artist Exchange 312 Valencia Street<br />
Bernard Rauch 110 Project Artaud 499 Alabama Street #129<br />
Cassia Appel 110 Project Artaud 499 Alabama Street #129<br />
Cynthia Point 110 Project Artaud 499 Alabama Street #129<br />
E. Dale Erickson 110 Project Artaud 499 Alabama Street #129<br />
Jan Simon 110 Project Artaud 499 Alabama Street #129<br />
Jane Grossenbacher 110 Project Artaud 499 Alabama Street #129<br />
Jeffrey Blankfort 110 Project Artaud 499 Alabama Street #129<br />
Kenneth Cooper 110 Project Artaud 499 Alabama Street #129<br />
Pepe Ozán 110 Project Artaud 499 Alabama Street #129<br />
Andrew DeWitt 135 Ruby’s Clay Studio 552 A Noe Street<br />
Ann Bontatibus 135 Ruby’s Clay Studio 552 A Noe Street<br />
Denise Stukas 135 Ruby’s Clay Studio 552 A Noe Street<br />
Kent Tool 135 Ruby’s Clay Studio 552 A Noe Street<br />
Marsha Irwin 135 Ruby’s Clay Studio 552 A Noe Street<br />
alexander abajian 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Arnold Wong 105 WorkSpace, Ltd. 2150 Folsom Street<br />
M Walker Hall 105 WorkSpace, Ltd. 2150 Folsom Street<br />
miles epstein 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Dixie Shovar 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Ann Simms 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Ann T. Elliott 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Charli Ornett 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Delfina Piretti 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Elana Kundell 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Joan Casserly 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Kathryn Shantz 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Leslie Andelin 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Lily Martine 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Lisa Costiloe 105 Workspace, Ltd. 2150 Folsom Street<br />
Maxine Solomon 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Michele DeSha 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Mr Rogers 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Natasha Dikareva 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Robert Reed 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Tana Powell 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Lisa Knoop 105 WorkSpace, Ltd. 2150 Folsom Street<br />
Alexandra Blum 132 661 Castro Street<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 9
Allan Wray 134 4069 19th Street<br />
Andrew McPherson 92 960 valencia<br />
Antjuan Oden 87 3031 - 20th Street<br />
Antonio Tovar 274 973 Valencia Street<br />
Artina Morton 52 129 Randall St<br />
Ben Pax 70 272 Jersey Street<br />
Beryl Landau 60 3290 Harrison St.<br />
Bob Gerbracht 130 3822 19th Street<br />
Calixto Robles 112 151 Potrero Avenue<br />
Carmelo Iaria 88 2407 Harrison #11<br />
Carmen Wolf 269 345 Bocana Street<br />
Caro Pemberton 127 19 Sharon Street<br />
Carol Koffel 281 788 Elizabeth Street<br />
Carole Moore 272 2545 Bryant Street<br />
Catherine Butler 123 811 14th St. Apt. #8<br />
Chairs for Charity 123 811 14th Street Garage<br />
Chris Grassano 97 3765 20th Street<br />
Chris Mende 67 1255 Sanchez<br />
Chris O’Dea 276 1102 Church Street<br />
Chris O’Dea 1102 Church St.<br />
Christin Rice 85 1170 A Hampshire Street<br />
Curt Holzinger 125 215 1/2 Henry Street<br />
Dan Girellini 85 1170A Hampshire St.<br />
Dan McHale 277 220 Vicksburg Street<br />
d’Arci Bruno 53 100 Newman st.<br />
DeAnna Gibbons 81 1362 Florida Street<br />
Debra Koval 290 727 Florida St. #104<br />
dk haas 90 3128 21st Street<br />
Edward Enriquez 79 203 Bartlett Street<br />
Ellen Brook 283 659 Castro Street<br />
Ellen Into 73 4207 24th St.<br />
Ellen Into 73 4189 24th Street<br />
Eric Kinsman 131 672 Noe St<br />
Fire Goat Gallery 275 3492 22nd St.<br />
Frisco Native 291 55 Sanchez Street<br />
Garrison Broekema 279 250 Jersey Street<br />
Gilles Combet 102 262 Shotwell Street<br />
Gregory Bartning 119 143 Fillmore St.<br />
Happy / L.A. Hyder 140 386 Noe Street<br />
Hava Liberman 271 3106 25th St.<br />
Hava Liberman 271 3106 25th St.<br />
Hilary Williams 2568 Folsom St<br />
Ida Walker 61 195 Peralta<br />
Ilara Altman 72 548 Elizabeth Street<br />
Irving Lind 118 73 Waller St.<br />
JACK PITTS 57 206 Putnam St.<br />
James Gleeson 63 148 Precita Ave.<br />
Jan Heyneker 82 2700 Bryant Street<br />
Jane Wason 108 2050 Bryant Street<br />
Janice Rumba 72 548 Elizabeth Street<br />
Jason Winshell 129 76 Hancock Street<br />
Jean-Luc Thébaud 119 143 Fillmore Street<br />
Jeanne Clark 292 107 Steiner St.<br />
Jeanne Hauser 126 2191 Market Street, Suite E<br />
Jenna Dibble 54 406 Anderson Street<br />
Jester Swink 52 129 Randall St.<br />
Jhina Alvarado 98 3587 19th street<br />
Jim Leff 117 170 Duboce Avenue, #8<br />
Jim Myrick 69 3961 24th St.<br />
Joan Miró 59 206 Virginia Avenue<br />
Josh Zubkoff 136 4617 18th Street, Apt. B<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 10
Joshua Coffy 268 130 Hazelwood Ave.<br />
Josie Iselin 74 601 Diamond Street<br />
Kenneth Leaf 127 19 Sharon Street<br />
Kimberley Jones 71 4236 25th Street, #10<br />
Kitty Wehrmeister 51 150 Hearst Avenue<br />
Larry DeDionisio 93 925 Guerrero Street<br />
Les Phillips 96 229 market<br />
Lilly Brady 51 150 Hearst Ave<br />
Malinda Walker 61 195 Peralta Ave<br />
Maria Conlon 121 810 14th Street<br />
Marie Kelzer 65 238A 28th Street<br />
Mary Isham 270 144 Andover St.<br />
Mary T. Faria 64 220 Duncan Street<br />
Matthew Purdon 278 130 Jersey Ave<br />
Michael Davidson 282 525 Grandview Ave #1<br />
Michael Krouse 103 3175 17th Street<br />
Michael Markowitz 77 3747 23rd Street<br />
Michelle Peckham 99 57 Lapidge St.<br />
Mike Shriver 96 229 market<br />
Molly S. McCracken 133 4052-R 19th Sttreet<br />
Monique Passicot 137 4406 17th St.<br />
Nancy Otto 76 863A Elizabeth Street<br />
Natasha Dikareva 286 a. Muse art gallery<br />
Nicholas DiBlasio 266 1475 Noe St.<br />
Paul Alley 124 112 Noe St.<br />
Paul Madonna 116 290 Guerrero street<br />
Pauline Crowther Scott 56 401 Prentiss Street<br />
Rafael Landea 53 100 Newman St.<br />
Randy Antin 55 3900 Folsom Street<br />
Rebecca Reilly 267 350 Athens St.<br />
Rebecca West 82 2700 Bryant St.<br />
Renato Martinez 75 4244 23rd Street<br />
Richard Freeman 133 4052-R 19th Street<br />
Richard Tauber 280 4221 24th Street<br />
Risa Teitelbaum 91 10 Hill St.<br />
Sara Bright 101 2111 <strong>Mission</strong> St<br />
Sarah Beth Goncarova 95 3531 21st St.<br />
Scott Blum 82 2700 Bryant Street<br />
Sean Connor 80 1026 Shotwell st apt. C<br />
Seth Matarese 94 1 Fair Oaks Street #6<br />
Siena Sanderson 128 44 Abbey St.<br />
Silvia Poloto 104 442 Shotwell Street<br />
Soad Kader 78 3560 24th St. #5<br />
Stephanie Spanjian 138 1222 Clayton St. #31<br />
Stevan Shapona 50 831 Avalon Avenue<br />
Studio E 288 660 York Street<br />
Susan Cervantes 62 398 Precita Ave.<br />
Susan Petterson 289 731 Florida St #202<br />
Suzanne F. Miazga 82 2700 Bryant<br />
Suzanne Jamieson 103 3175 17th St.<br />
T.R. Ocheltree 89 711 Shotwell Street<br />
Takashi Ishii 122 31 Landers Street, #2<br />
Terry Burkes 112 1340 Bryant St.<br />
Tiffany Claflin 66 3976 26th Street<br />
Tito Vandermeyden 4069 19th Street<br />
Tom Fanning 54 406 Anderson Street<br />
Trevor von Stein 293 324 Hermann St.<br />
Trish Tunney 90 3128 21st Street<br />
Txu Txo Perez 285 2183 <strong>Mission</strong> St.<br />
Vince Meyer 1101 Lake Street<br />
Janie 266 1475 Noe St.<br />
Winston J. Dong, Jr. 100 103 Lexington Street<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 11
Terror?<br />
@ Intersection for the <strong>Arts</strong> 446 Valencia Street<br />
September 11 - <strong>Nov</strong>ember 11, <strong>2006</strong>, FREE<br />
Gallery Hours: Tues by appointment, Wed - Sat, 12-5pm<br />
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Terror? is an international interdisciplinary project investigating how each one of us experiences fear and how it affects<br />
our lives.<br />
Opening on the 5th Anniversary of 9/11, this ambitious exhibition will include hundreds of works on paper from around<br />
the world - creating a cacophony of personal and collective response to some of the most immediate questions and<br />
issues of our times. What is terror? Who perpetrates it? How does fear control us, and the world around us? Who<br />
are we taught to be afraid of, why? What does fear cost? Where does personal fear intersect with larger societal and<br />
political messages of terror? It is our hope and intention to engage with and share voices and perspectives from a<br />
diversity of cultures, political situations, and artistic practices, and to counter the continuing trend towards defining and<br />
understanding notions of terror and fear as a monolithic paradigm framed by the ongoing “war on terror.” In addition to<br />
an exhibition in our gallery, Terror? includes a film screening, readings, public discussions and performance.<br />
TERROR? ATTENDANT EVENTS<br />
Mondays - September 18, 25 & <strong>Oct</strong>ober 2, 9 - 7-9pm<br />
Photography Salon Workshop with Chloe Atkins<br />
Saturday <strong>Oct</strong>ober 14, 6 - 7pm, FREE<br />
Litquake <strong>2006</strong> - The Anxiety Chronicles: How Fear Shapes Politics, Sex and Language<br />
A panel discussion with Susie Bright, Mark Hertsgaard & Geoffrey Nunberg, moderated by Jack Boulware<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 12
The MAPP<br />
MISSION ARTS & PERFORMANCE PROJECT<br />
Saturday, <strong>Oct</strong>ober 14th, <strong>2006</strong><br />
The <strong>Mission</strong> <strong>Arts</strong> & Performance Project is a bi-monthly collaboration between visual artists, musicians, poets<br />
and performers. The MAPP puts art and performance on the street level by using alternative spaces such as<br />
private garages, basements, and studios. It’s a block party of the arts for inspiring in ourselves, and others, the<br />
desire for a creative existence, an ever widening experience of life.<br />
By transforming garages and backyards into<br />
mini-galleries MAPP shows how ordinary<br />
spaces can be made extra-ordinary to<br />
bring people together to share in a diverse<br />
experience of fine art and performance. The<br />
garages, as they are unpretentious and open<br />
to the street, pose the possibility of exposing<br />
the arts to a lot of folks who might not ever<br />
enter a gallery or theater. This process<br />
helps take the art from the margins of our<br />
communities to where it may come to be<br />
more widely see and understood as a vibrant<br />
and vital force necessary to the health of our<br />
society. It is our hope that local residents and<br />
others attending the MAPP will be inspired<br />
to seek expression of their own experiences<br />
and feelings through creative means and join<br />
in sharing what they have discovered in the<br />
MAPP events to come.<br />
1PM-4PM<br />
The FAMILY MAPP<br />
- Red Poppy Art House -<br />
The MAPP now offers a full afternoon of<br />
activities for youth. Mural & sidewalk art, face<br />
painting, tie dye, drum circle, dance, and<br />
healthy snacks.<br />
7PM-11PM<br />
The MAPP<br />
Art Exhibits, Music, Poetry, Dance, & Film in 13 Locations!<br />
The MAPP features performances and art exhibits simultaneously and for one night only at locations listed<br />
below. There’s no way to see everything, but this is part of the fun. It happens all at once, like a creative bomb<br />
going off in the neighborhood. The following is a list of spaces with some of the acts and exhibiting artists.<br />
Check back for more info as we get closer to the date.<br />
MAPP TOUR 7PM<br />
Begins at the Art House and tours all MAPP locations. Recommended for MAPP newcomers.<br />
Programs/Maps will be available at MAPP locations.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 13
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 14<br />
28th Annual The Women’s Building<br />
Celebration of Craftwomen<br />
<strong>Nov</strong>ember 25-26 & December 2-3, <strong>2006</strong><br />
Herbst Pavilion at Fort Mason Center,<br />
San Francisco<br />
Now in it’s 28th year, The Women’s Building Celebration of<br />
Craftswomen offers a unique opportunity to fi nd gorgeous, oneof-a-kind<br />
holiday gifts, fi ne crafts, and contemporary art all by<br />
women. The show features the work of 300 female artists - 150<br />
different artists each weekend.<br />
The Celebration of Craftswomen will be held from 10-5 on two<br />
weekends: <strong>Nov</strong>. 25-26 & Dec. 2-3, <strong>2006</strong>. Admission is $8 for<br />
adults, $6 for seniors and students, and free for children under<br />
12. A two-day pass that can be used any two of the four days is<br />
$14.<br />
The Fort Mason Herbst Pavilion is located at Buchanan Street and<br />
Marina Blvd. Parking with shuttle service is available at Marina<br />
Middle School, on Bay Street between Buchanan Street and<br />
Webster Street.<br />
This event benefi ts The Women’s Building, a multi-cultural<br />
community center where women and girls achieve selfsuffi<br />
ciency and pursue their dreams. Monies raised though the<br />
raffl e, admission fees, and booth fees go to the organization.<br />
Programs offered by The Women’s Building include a free<br />
bilingual Spanish/English information and referral service,<br />
educational support for low-income adults, fi nancial counseling,<br />
and community events that promote arts, culture, and<br />
discussion. The fi rst women-owned community center in the<br />
U.S., the Women’s Building houses ten diverse community<br />
groups and has helped launch more than 160 women’s programs<br />
and initiatives in San Francisco.<br />
For additional information about the Fair, visit The Women’s<br />
Building Celebration of Craftswomen web site: http://www.<br />
womensbuilding.org or call the information line
CALL FOR ARTISTS & COMMUNITY<br />
Dia De Los Muertos <strong>2006</strong><br />
La Fiesta de los Huesos<br />
A party for the dead... and the living<br />
Curator: Patricia Rodriguez<br />
Exhibition Dates: OCT 27 - NOV17.<br />
AWARDS!<br />
$500 for the best “Contemporary Altar”<br />
$500 for the best “Traditional Altar”<br />
Deadline for Entries: September 8thEntries<br />
must be postmarked by September 8, <strong>2006</strong>. No<br />
Exceptions.<br />
.<br />
ENTRIES: Please include a $15 check payable:<br />
<strong>Mission</strong> Cultural Center for Latino <strong>Arts</strong> (MCCLA),<br />
an entry form a statement of intent, a drawing of<br />
your proposed altar or installation, along with any<br />
one of the following: 3 slides in a 2 x 2” plastic<br />
mount, labeled with your name, title, dimensions<br />
and year or photographs to:<br />
<strong>Mission</strong> Cultural Center<br />
for Latino <strong>Arts</strong><br />
Attn: Patricia Rodriguez, Curator<br />
2868 <strong>Mission</strong> Street<br />
San Francisco, CA 94110<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 15
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 16<br />
America:<br />
photographs by<br />
Ursula G. Huete @<br />
ATA<br />
America is a photographic<br />
project about the artist’s time<br />
in the United States. There<br />
are two collections of pictures:<br />
the San Francisco project and<br />
the California project. The San<br />
Francisco project is a collection of<br />
pictures taken in the streets of the<br />
city. The California project is about<br />
the feeling of being outdoors.<br />
Ursula Huete is originally from<br />
Barcelona, Spain.
IN THE STUDIO...<br />
Meri Page Design Fresh organic art glass, inspired by nature.<br />
Rarely starting from a pattern, these stained glass pieces evolve<br />
spontaneously - each one unique. An exploration of organic shapes,<br />
abstraction, negative space, color, light, form and surface. My work<br />
incorporates a variety of materials: glass, rocks, shells, gemstones,<br />
and other found objects. The results are often unexpected and always<br />
interesting.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 17
Carla<br />
Caletti<br />
In my paintings, I explore the<br />
female form and the evolution of<br />
women expressing themselves<br />
in the world. Inspired by<br />
folk art, my figurative style<br />
is representational with an<br />
emphasis on bold color. My work<br />
is taking on more narrative in<br />
terms of juxtaposing the women<br />
figures with other elements<br />
that begin to tell a story. I like<br />
playing with scale and letting<br />
what is real on the canvas be an<br />
experiment.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 18
Rebecca Bazell<br />
I was born in Brighton, England, where I lived for<br />
6 months before moving to the US, eventually<br />
living in seven cities before the age of ten. These<br />
moves, though not necessarily in my conscious<br />
memory, are made vivid by my parent’s<br />
descriptions, photos, and historical descriptions<br />
of the early 1970s. The paintings I’m working on<br />
attempt to connect my memories of those times<br />
with what I’ve been able to find out since.<br />
I started these paintings in July, when I returned<br />
to San Francisco after living in NYC for the<br />
past 12 years. I was surprised to discover that<br />
while I was painting these memories, I was also<br />
responding to being back in California, and it<br />
made me question my own memories of place.<br />
Are memories just responses to the present?<br />
Rebecca Bazell holds a BA in Art from Hamilton<br />
College, studied art history in Florence, Italy<br />
and holds a degree in Painting from the New<br />
York Studio School. She teaches painting and<br />
drawing, and recently moved her studio from New<br />
York City to San Francisco’s Potrero Hill.<br />
She has shown in New York, Maine and Los<br />
Angeles, and has received numerous awards<br />
including: The Gamblin Paint Prize, Absolut<br />
Grant, NYSS Merit Award and a Milton Avery<br />
Fellowship.<br />
Attached Art<br />
Brighton, <strong>2006</strong>, oil on canvas, 36 x 24<br />
Boreum Hill (Brooklyn), <strong>2006</strong>, oil on canvas, 36 x 24<br />
West Village Tub, <strong>2006</strong>, oil on canvas, 36 x 24<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 19
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<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 20<br />
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Impossible Productions presents<br />
YOUNG FRANKENSTEIN<br />
THE PLAY<br />
SAN FRANCISCO, CA — It’s a comedy about making friends! This Halloween, crack the secrets of life everlasting with<br />
the greatest mad scientist story ever created! YOUNG FRANKENSTEIN: the Play is Impossible Production’s larger than<br />
life tribute to Gene Wilder and Mel Brook’s zany and shocking masterpiece that will leave you in stitches. It’s all-live!<br />
Promising young neurosurgeon Fredrick Frankenstein (grandson to the notorious Doctor) inherits the ominous family<br />
castle. Scoffing its infamous past, he visits the estate and Fate delivers him into the hands of Inga his beautiful new<br />
assistant, Igor the outlandish hunchback, and Frau Blücher the enigmatic heinermacherfrau—all keys to his mysterious<br />
legacy.<br />
With the discovery of the castle’s secret lab and library, temptation proves too much and Freddy becomes obsessed with<br />
continuing his Grandfather’s work—to reanimate a human cadaver—and turn a grave mistake into the acme of scientific<br />
achievement!<br />
But a corpse is a corpse, of course, of course, and the local burgomaster, history fresh in his mind, rallies the villagers into<br />
a riotous mob hell-bent on hunting down Frankenstein’s Monster. And to complicate the grey matter the Creature kidnaps<br />
Elizabeth, Freddy’s estranged fiancé. It comes down to his daring genius to save his creation at the risk of his own life—<br />
will the Monster escape? Or will he meet his maker?<br />
YOUNG FRANKENSTEIN: the Play runs Fridays and Saturdays @ 8pm and Sundays @ 3pm, <strong>Oct</strong>ober 6-29, <strong>2006</strong>.<br />
The Dark Room is at 2263 <strong>Mission</strong> Street, SF, between 18th and 19th. You can pick our brains at 415.401.7987, www.<br />
darkroomsf.com/youngfrankenstein or wsup@darkroomsf.com.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 21
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 22
Manifesti-val<br />
Dance Brigade’s Festival of<br />
Dance and Social Change<br />
Three Weekends from<br />
<strong>Nov</strong>ember 2-20<br />
WHERE: Dance <strong>Mission</strong> Theater<br />
3316 24th Street, San Francisco CA 94110<br />
Across from 24th Street Station BART<br />
FOR RESERVATIONS: Call 415-273-4633<br />
Weekend One: <strong>Nov</strong>ember 2, 8 pm<br />
Subduing the Demons with Splendor<br />
EPI Alumni Showcase<br />
Don’t miss this special evening of 10 works by graduates<br />
of the Experimental Performance Institute, San Francisco’s<br />
next generation of social-change oriented artists and<br />
activists.<br />
Weekend Two: <strong>Nov</strong>ember 9-12, 8 pm<br />
HOW TO DIE<br />
Keith Hennessy with Jules Beckman (Marseilles) and<br />
Seth Eisen<br />
HOW TO DIE offers two metaphoric performance portraits<br />
of all-American despair: Homeless USA is a poignant<br />
performance poem about homeless suicide and American<br />
Tweaker is a colorful spectacle about the spectacle<br />
of crystal meth, barebacking, and AIDS. Performance<br />
Art. Extreme bodies. Innovative interdisciplinary<br />
collaborations. Nudity, Drag, and Digital sound. Political<br />
content remixed with unreal images. Ritual reconfigured<br />
in contemplative interventions on static citizenry.<br />
Thu: pay what you can Fri-Sun: $15<br />
Weekend Three: <strong>Nov</strong>ember 18-19, 8 pm<br />
and <strong>Nov</strong>. 20, 2 and 6 pm<br />
The Outsider Chronicles<br />
Sean Dorsey / Fresh Meat Productions<br />
The Outsider Chronicles<br />
a dance theater journey into the world of the gender<br />
outsider<br />
Fresh Meat Productions presents a special return<br />
engagement of Sean Dorsey’s acclaimed evening-length<br />
dance theater cycle The Outsider Chronicles. These fullbodied,<br />
compelling dances dive headfirst into the world<br />
of the ‘gender outsider’ - revealing aspects of coming out<br />
and living as transgender.<br />
With his signature fusion of modern dance, theater and<br />
storytelling, Dorsey puts a genderbent twist on foiled<br />
first love, lovers’ spats, coming out (or not) to family,<br />
road trips, “til death do us part” and the joys of therapy.<br />
Performed by Sean Dorsey (winner of a <strong>2006</strong> Isadora<br />
Duncan Dance Award), Courtney Moreno and Sonia<br />
Reiter.<br />
TICKETS: $15<br />
Reservations are encouraged: these special return<br />
engagement shows will sell out quickly.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 23
Orbit<br />
(notes from the<br />
edge of forever)<br />
July 13-August 5 <strong>2006</strong><br />
Review by: Lani Asher<br />
Orbit (notes from the edge of forever)<br />
is the latest production from the Erika<br />
Shuch Project (ESP), currently artistsin-residence<br />
at Intersection for the<br />
<strong>Arts</strong>. She combines dance, theater,<br />
and performance and takes you from<br />
the personal to the planetary. The<br />
director wonders about our place<br />
in the universe and asks if there is<br />
anybody else out there.<br />
The stage is set with moveable stacks<br />
of televisions, books, and lamps on<br />
poles that can slide back and forth<br />
across the stage. As the performance<br />
begins the television sets are tuned<br />
to scenes from old sci-fi films such as<br />
Close Encounters Of The Third Kind,<br />
Alien, and Contact. The performers—<br />
three protagonists, a Puck-like<br />
trickster, and a pair of lovers—move<br />
engagingly about on the stage, which<br />
is painted with planetary orbit lines. In<br />
addition, there is a chorus of dancers<br />
who wear gloves on their hands and<br />
dance barefoot; their costumes are<br />
reminiscent of uniforms. In some ways<br />
they function like the invisible actors in Japanese Noh or Bunraku performances that move props or puppets.<br />
The music for Orbit is a mélange of original music, popular songs, live Cabaret music, and the classic song “Blue Moon”, written by<br />
Richard Rogers and Lorenzo Hart in 1934. The lyrics presumably refer to an English idiomatic expression: if something happens<br />
“once in a blue moon” it almost never happens. The lyrics of the song relate a stroke of luck so unlikely that it must have taken place<br />
under a blue moon. The image of a “blue moon” –as it is used in Orbit-- conjures romance, mystery, and the unknown.<br />
The lovers in Orbit seem attracted and repulsed by planetary forces, their own emotions,<br />
and dreams. In one sequence one of the lovers dreams that he is a small puppet lost in a shipwreck, tossed by waves Finally, the<br />
dreamer is rescued by his lover who is costumed as a giant lighthouse. He survives. At the end of the sequence, the lovers converse<br />
about the seduction and abduction of memories that adversely affects our relationships. Old memories become a visible hole in the<br />
story of the two lovers, demonstrated by the filmed drilling of a hole in a book by mysterious gloved hands. In another scene, one of<br />
the lovers reaches disembodied hands behind the other. We see into a chest cavity on a video monitor and observe the molecular<br />
makeup of the heart.<br />
In the program notes Erika Shuch gives us three clues about ”the search”. The first clue is that when she was a girl her father looked<br />
for alien life forms and sent signals out to various parts of the universe. In particular, he sent signals to exo-planets (any planet orbiting<br />
a star that is outside our solar system). In her dad’s words, an old military man, trying to see a planet orbiting a star is a little like trying<br />
to see a firefly perched on the rim of a search light. The second clue is that once we send a signal into space we cannot take it back.<br />
It keeps going until it finds something to bounce off or be absorbed by. The third clue is that fact that she sent herself a self addressed<br />
postcard attached to a balloon with a request to please return it to her. The postcard never arrived.<br />
The performance is dreamlike, poetic, visual, and auditory, constantly orbiting around itself much like the central image of constantly<br />
orbiting planets. Erika Shuch and the ESP project send out their message and hope the audience will receive it to bounce it back<br />
to them. The nature of art is similar to this search for other life forms, and the search for love and meaning. It’s nice if sometimes it<br />
bounces back.<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 24
ATA Film &<br />
Video Festival<br />
Program<br />
Announced!<br />
San Francisco, CA Artists Television Access announces the<br />
first ATA Film & Video Festival, showcasing 25 short, original,<br />
independent and underground films by local, national and<br />
international film and video artists. The ATA Film & Video Festival<br />
will screen <strong>Oct</strong>ober 19 & 20, <strong>2006</strong> at Artists Television Access,<br />
992 Valencia Street, San Francisco, CA. Doors will open at<br />
7:30pm, screenings start at 8pm. The public is invited to stay for<br />
the opening night party on Thursday night and for the closing<br />
night party on Friday night, after each screening. Tickets are $7-<br />
$10 sliding scale.<br />
The films in the program range from the politically poignant Ha<br />
Ha Ha America by local filmmaker JD Ligon, an Official Selection<br />
at Sundance <strong>2006</strong>, to Vanessa Woods experimental animation<br />
The Touch, a visual interpretation of Anne Sextons poem of<br />
the same name. The program is arranged into four different<br />
themes which were decided from the final selections: War, Truce,<br />
Quixotic Quips, and GNP.<br />
In addition to the screenings, the work of seven other filmmakers<br />
will be displayed in ATAs Installation Window during the month of <strong>Oct</strong>ober.<br />
Artists’ Television Access is a nonprofit, all-volunteer, artist-run, experimental media arts gallery that has been in operation since<br />
1984. ATA hosts a series of film and video screenings, exhibitions and performances by emerging and established artists and a<br />
weekly cable access television program.<br />
ATA Film & Video Festival Program:<br />
Thursday, <strong>Oct</strong>ober 19, <strong>2006</strong>:<br />
War The Wizard of Oz, part II (Paz Tornero); La guerra (War) (Luiso Berdejo & Jorge C. Dorado); El Soldado Trifaldon (Brigadier<br />
Trifaldon) (Alejandra Egana & Paz Puga); Selective Service System Story (Bill Daniel); Animal, Animal (Tommy Becker).<br />
Truce Spektro Del Tempo (Ilona Berger); Consenting Adults (Neil Ira Needleman); Myth ..7 (Sahar Mozaffar); The Touch (Vanessa<br />
Woods); Bump Past Cut Up Through Windows (Nasturtium) (Paul Clipson); Pump (Sinisa Kukic); You Can’t Get There From Here<br />
(Liss Platt).<br />
Friday, <strong>Oct</strong>ober 20, <strong>2006</strong>:<br />
Quixotic Quips Bars and Tone (Gordon Winiemko); Come Deer Children (Tommy Becker); Pigeons (Tony Benna & David Elliott);<br />
Clean (PJ Raval); Reset (Mack McFarland); G Gordon Liddy (Lucas Ketelle); 3 out of 4 (Stephen Slappe); The Promise of Bio-<br />
Marketing the Human Mind (Carl Diehl); Fulltime (Artur Muradyan); Staring Newscasters (Jesse England).<br />
GNP Suprematist Kapital (Yin-Ju Chen & James T. Hong); The Cost of Free (Astra Price); HA HA HA America (JD Ligon). ATA Film<br />
& Video Festival Installation: <strong>Oct</strong>ober <strong>2006</strong> Sensorial Hack & Petting for pleasure FurReal S(t)imulation (Brenda Jean Grell); Clouds<br />
(Mark OConnell); Interstate (part one) (Cortlund Halperin); Happy Again (Gregg Biermann); (Post-) Cold War Dreamscape (Clark<br />
Buckner); You are not the only one (Dan Gilsdorf); Authority Head Exorcism (Daniel King).<br />
ATA Film & Video Festival Website: http://festival.atasite.org<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 25
Art<br />
Explosion<br />
Studios<br />
& Gallery<br />
Art Studios for<br />
Painting<br />
Clay<br />
Photography<br />
Jewelry and more...<br />
We have a great artist community with over 200 artists<br />
at two locations. The studios have darkrooms, kilns, natural<br />
light, figure drawing and a chance to grow and learn as an<br />
artist. The gallery offers selling exposure and opportunities<br />
to interact with the public.<br />
1-877-ART-EXPL<br />
www.theartexplosion.com<br />
<strong>Mission</strong> <strong>Arts</strong> <strong>Monthly</strong> <strong>Oct</strong>/<strong>Nov</strong> <strong>2006</strong> www.missionarts.org page 26