SPA Concepts: Optical Effects in SPA Products 8-2008 - Eckart
SPA Concepts: Optical Effects in SPA Products 8-2008 - Eckart
SPA Concepts: Optical Effects in SPA Products 8-2008 - Eckart
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COSMETICS<br />
<strong>SPA</strong> CONCEPTS<br />
K. Ste<strong>in</strong>bach, U. Schmidt*<br />
<strong>SPA</strong> <strong>Concepts</strong>:<br />
<strong>Optical</strong> <strong>Effects</strong> <strong>in</strong> <strong>SPA</strong> <strong>Products</strong><br />
Keywords: optical effects, pearlescent pigments, <strong>SPA</strong><br />
� Introduction<br />
For some time, the market segment of<br />
<strong>SPA</strong> products experiences a fast growth.<br />
For <strong>in</strong>stance, the number of new products<br />
launched on the market claim<strong>in</strong>g<br />
»well-be<strong>in</strong>g« or »<strong>SPA</strong>« <strong>in</strong>creased from 2006<br />
to 2007 about 100%. This trend which is<br />
ma<strong>in</strong>ly seen among the product categories<br />
of sk<strong>in</strong> care and bath & soap products,<br />
does not only lead to a ris<strong>in</strong>g number<br />
of <strong>SPA</strong> related claims, but also to a<br />
ris<strong>in</strong>g number of Spa related product<br />
l<strong>in</strong>es.<br />
� Color Perception and Market<strong>in</strong>g<br />
From a market<strong>in</strong>g po<strong>in</strong>t of view, the visual<br />
appearance of a product is one of<br />
the essential parameters to catch the<br />
consumers first attention. Consequently<br />
it also has strong impact on the potential<br />
sales of the product. Follow<strong>in</strong>g the<br />
motto »there is never a second chance to<br />
create a first impression«, cosmetic products<br />
have to conv<strong>in</strong>ce by their visual appearance<br />
<strong>in</strong> order to trigger customer <strong>in</strong>terest.<br />
Talk<strong>in</strong>g about the acceptance or<br />
rejection of a product concept, other parameters<br />
like the texture and smell of a<br />
product are follow<strong>in</strong>g only on the second<br />
and third place <strong>in</strong> regards to their<br />
importance. For eye catch<strong>in</strong>g purpose,<br />
there are different options to modify the<br />
optical appearance of a cosmetic product,<br />
either by the outer packag<strong>in</strong>g (type,<br />
shape, color, label etc.) or by the <strong>in</strong>ner<br />
design of the product like the color, op-<br />
tical additives like peel<strong>in</strong>g beads and the<br />
use of effect pigments. Especially the <strong>in</strong>ner<br />
product design can have tremendous<br />
<strong>in</strong>fluence on the credibility of the product<br />
claims, as shown <strong>in</strong> previous fundamental<br />
studies (2). Accord<strong>in</strong>g to these<br />
studies for example, a dis<strong>in</strong>fect<strong>in</strong>g mouthwash<br />
colored <strong>in</strong> red or yellow could never<br />
conv<strong>in</strong>ce a consumer of its effective action,<br />
whereas a blue dis<strong>in</strong>fect<strong>in</strong>g mouthwash<br />
would be seriously conv<strong>in</strong>c<strong>in</strong>g.<br />
Abstract<br />
� <strong>Optical</strong> <strong>Effects</strong> achieved by<br />
Pearlescent Pigments<br />
The optical effect of transparent pearlescent<br />
pigments orig<strong>in</strong>ates from a multiple<br />
light refraction on th<strong>in</strong> metal oxide<br />
layers (3). Depend<strong>in</strong>g on the composition<br />
and type of the used metal oxides, various<br />
color and gloss effects can be created.<br />
The most important group of pearlescent<br />
pigments, the <strong>in</strong>terference pigments,<br />
The color perception of the human eye was already <strong>in</strong>vestigated by the<br />
famous german poet, Johann Wolfgang von Goethe <strong>in</strong> 1810. Accord<strong>in</strong>g<br />
to his studies, colors have a psychological effect on human be<strong>in</strong>gs and<br />
<strong>in</strong>fluence their emotions (1). Nowadays, these f<strong>in</strong>d<strong>in</strong>gs can help to modify<br />
the optical appearance of modern cosmetics, <strong>in</strong> such a way that consumers<br />
are emotionally attracted by these products.<br />
The segment of <strong>SPA</strong> products is predest<strong>in</strong>ed for a more detailed analysis of<br />
optical effects and their relation to the texture and the smell of cosmetic<br />
products, especially <strong>in</strong> regards to product claims. In this particular segment<br />
one can f<strong>in</strong>d very emotional product claims which rises extremely the expectations<br />
of the consumers.<br />
The <strong>SPA</strong> concepts showcase the great potential of optical effects to emphasize<br />
emotional product claims <strong>in</strong> a visible way, by means of different cosmetic<br />
applications rang<strong>in</strong>g from facial cleaners to facial peel<strong>in</strong>gs and massage<br />
oils.<br />
2 SOFW-Journal | 134 | 8-<strong>2008</strong>