Hyperion - Nietzsche Circle

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Volume • VI • • • • • Issue • 1 • • • • • March • 2011 B o a r d • o f • A d v i s o r s 1 Hyperion Dr. Christa Davis Acampora Cem Aydogan Dr. Babette Babich Dr. Nicholas Birns Dr. Arno Böhler Dr. Tony Brinkley Dr. Thomas Brobjer Mark Daniel Cohen Dr. Véronique Fóti Dr. Terri J. Gordon Dr. Jennifer Anna Gosetti-Ferencei Dr. Susanne Granzer Pierre Hadot Dr. Lawrence Hatab Dr. Horst Hutter Dr. David Kilpatrick Joseph Kosuth Donald Kuspit Dr. Laurence Lampert Vanessa Lemm Linda Lewett Paul S. Loeb Dr. James Luchte Tali Makell Dr. Benjamin Moritz Hermann Nitsch Dr. Kelly Oliver Lance Olsen Dr. Graham Parkes Keith Ansell-Pearson Dr. Philip Pothen Dr. Timothy Quigley Prof. Alan Rosenberg Dr. Ofelia Schutte Dr. Gary Shapiro Dr. Walter Sokel Dr. Stefan Lorenz Sorgner Dr. Joan Stambaugh Mark Strand Dr. Yunus Tuncel Dr. Gianni Vattimo Paul van Tongeren Kim White Colin Wilson Patrick Wotling Dr. Irvin Yalom John Bell Young Gérard Zuchetto
Volume • VI • • • • • Issue • 1 • • • • • March • 2011 P u b l i s h e r : N i e t z s c h e C i r c l e , L t d . Senior Editor: Rainer J. Hanshe Senior Editor: Mark Daniel Cohen PDF Design: Mark Daniel Cohen Logo Design: Liliana Orbach Advertising & Donations: Katie Creasy (Donations can be made at http://nietzschecircle.com) Nietzsche Circle Website Design: Hasan Yildiz ( h t t p : / / d e s i g n k i l l s m e . c o m ) Nietzsche Circle Event Poster Design: Doerthe Fitschen-Rath Letters to the editors are welcome and should be emailed to hyperion-future@nietzschecircle.com. Hyperion is published quarterly by Nietzsche Circle, Ltd. P.O. Box 575, New York, NY 10011, U.S.A. Website: http://nietzschecircle.com. For advertising inquiries, e-mail Andre Okawara: ncinfo@nietzschecircle.com. Contents © 2011 by Nietzsche Circle, Ltd. and each respective author. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission in writing from Nietzsche Circle, Ltd. After one year, all rights revert to the respective authors. If any work originally published by the Nietzsche Circle is republished in any format, acknowledgement must be noted as following and a direct link to our site must be included in legible font in a conspicuous place: “Author/Editor, title, year of publication, volume, issue, page numbers, originally published by Hyperion. Reproduced with permission of the Nietzsche Circle, Ltd.” Hyperion—Volume VI, issue 1, March 2011 2
Page 1: Volume • VI • • • • • I
Page 5 and 6: Volume • VI • • • • • I
Page 7 and 8: Volume • VI • • • • • I
Page 13 and 14: Hyperion—Volume VI, issue 1, Marc
Page 15 and 16: editions of his works—both books
Page 17 and 18: he died, but the BBC revoked the fu
Page 19 and 20: element of homophobia that has dist
Page 21 and 22: last are finally able to see the st
Page 23 and 24: picaresque and the plays of Marivau
Page 25 and 26: supposedly occurs into another dime
Page 27 and 28: For info on Toovey: http://www.boos
Page 33 and 34: address, a second, etc; he meets a
Page 35 and 36: as a picaresque novel, with a few p
Page 37 and 38: OTHER CLUES So far, this analysis h
Page 39 and 40: eader knows by now that “substanc
Page 41 and 42: language of the dead father, the la
Page 45 and 46: ‘They just let go’: James Purdy
Page 47 and 48: “ Those things he painted of Negr
Page 49 and 50: As a summary of human motives—or
Page 51 and 52: human foreign to me.”’ 17 Still
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They [the critics] don’t see why
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The theatricality of conversation i
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for a while Fenton watched this tal
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substantial study which Purdy’s d
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NOTES 1 T. S. Eliot, ‘Introductio
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James Purdy Storyteller of the Unho
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from war did not originate with Pur
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Missing in Action The Nephew opens
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the activities and townspeople with
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Baird, Alma found the words with wh
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The prostitutes, bastards, and impo
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The ritualized relationship between
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who aspired to reclaim experiences
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imagined worlds. It helps us notice
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we view Purdy’s family poetics as
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in terms of what arouses and inspir
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As in most of Purdy’s fiction, th
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yearning propelling Malcolm through
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is a handsome playboy who runs from
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obtains from seeing his father nake
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NOTES The author thanks various rea
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99 Hyperion—James Purdy’s Via N
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When I have taught James Purdy’s
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Dionysius argued that our human sen
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105 Hyperion—James Purdy’s Via
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one. In fact I felt then I was goin
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109 Hyperion—James Purdy’s Via
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aversion toward Garnet begins to tr
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“ 113 Hyperion—James Purdy’s
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miracle of love, which comes in the
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NOTES 1 Jerome Charyn, Introduction
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Book publishers and conference plan
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125 Hyperion—James Purdy: An Inte
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MCP. Some of them are long though,
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with stars of silver on it. Has tha
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MCP. Like “Mr. Evening” for ins
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Genet, but not really—because I d
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MCP. Did you feel they were differe
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‘Impossibly Narrow Rooms’ by Ke
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novel and for anchoring language it
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that the backwoods mountain village
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signifier and signified fail to eme
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known there to men who love men,”
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only able to comprehend this relati
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produce a referent for Roy’s body
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Previous Page: Photo of Richard Hun
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in both the U.S. and Europe. In con
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involved developing poems out of Pu
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music is just as surprising as the
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169 Hyperion—Ready All the Time L
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171 Hyperion—Ready All the Time L
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his incisive observations of the wo
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Q: Would you literally work on them
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in the future? A: I have at least f
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text with musical variation. “Wat
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and Book Culture, neither had any c
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NOTES 1 I refer to the monographs b
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33 John Greenleaf Whittier (Decembe
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189 Hyperion—Master of Ceremonies
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stolen the jewels. 195 Hyperion—M
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In The Hollow of His Hands by Fulya
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NOVELS Malcolm. New York: Farrar, S
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POEMS An Oyster is a Wealthy Beast.
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211 Hyperion—James Purdy: Bibliog
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Danish translation of Cabot Wright
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SPAIN | CUBA | MEXICO “No me llam
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GERMANY “Weiss Nicht Warum: Eine.
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Weales, Gerald. “No Face and No E
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Pease, Donald. “False Starts and
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The collection consists of manuscri
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JAMES PURDY by Stathis Orphanos, ph
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233 Hyperion—Kate Simon, photogra
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235 Hyperion—Call for Papers Call
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HYPERION Volume • VI • • •
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