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Backwards in High Heels Arizona Theatre Company Play Guide

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GLOSSARY<br />

GLOSSARY<br />

Abott and Costello: A famous comedy duo who worked<br />

extensively <strong>in</strong> radio, fi lm and television <strong>in</strong> the 1940s and 1950s.<br />

Their most famous rout<strong>in</strong>e, “Who’s on First” is perhaps the most<br />

well-known comedy rout<strong>in</strong>e of all time and set the bar for all<br />

comedians that followed.<br />

Bette Davis<br />

<strong>Backwards</strong> <strong>in</strong> <strong>High</strong> <strong>Heels</strong><br />

Comedy duo Abbott & Costello<br />

Bette Davis: An actress well-known for her <strong>in</strong>tense portrayal<br />

of dramatic roles (and her forceful nature both on and offscreen)<br />

made Bette Davis one of the most iconic fi lm stars<br />

of her day. Though G<strong>in</strong>ger Rogers and Bette Davis had very<br />

different onscreen personas for many years, they were good<br />

friends.<br />

Busby Berkeley: A highly <strong>in</strong>fl uential Hollywood movie<br />

director and musical choreographer, Berkeley’s musical<br />

numbers are still some of the most famous screen moments<br />

of all time. He was known for us<strong>in</strong>g shots that looked down<br />

from above on his dancers while they created complex<br />

geometric patterns with their bodies.<br />

Ethel Merman: An actress and s<strong>in</strong>ger who dazzled both<br />

Busby Berkeley<br />

stage and screen with her powerful voice and persona. She<br />

appeared <strong>in</strong> Girl Crazy alongside G<strong>in</strong>ger Rogers <strong>in</strong> 1930,<br />

as well as <strong>in</strong> I Got Rhythm <strong>in</strong> 1930, Anyth<strong>in</strong>g Goes <strong>in</strong> 1936, and There’s No Bus<strong>in</strong>ess Like<br />

Show Bus<strong>in</strong>ess <strong>in</strong> 1954. A star of both the stage and the screen, she has been called "the<br />

undisputed First Lady of the musical comedy stage."<br />

Feathers: A nickname that Fred Astaire used for G<strong>in</strong>ger. It came about on the set of Top Hat,<br />

perhaps their most famous fi lm, made <strong>in</strong> 1935. For the pr<strong>in</strong>cipal number “Cheek to Cheek,”<br />

G<strong>in</strong>ger <strong>in</strong>sisted on wear<strong>in</strong>g a lavish ostrich feather dress. While the dress moved well, it<br />

would scatter feathers when she danced - all across the fl oor, <strong>in</strong> front of the cameras, and <strong>in</strong><br />

Fred’s hair and clothes. Fred Astaire and Hermes Pan jok<strong>in</strong>gly rewrote the lyrics to “Cheek to<br />

Cheek” to say “Feathers, I see feathers…” In the end, Fred apologized to G<strong>in</strong>ger with a gold<br />

feather charm and a note read<strong>in</strong>g “You were right.”<br />

<strong>Arizona</strong> <strong>Theatre</strong> <strong>Company</strong> <strong>Play</strong> <strong>Guide</strong> 19

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