Summer 2007 - American Institute of Architects

Summer 2007
Committee on Design eNewsletter | |
Redlines
2007 Conference Chair Michael Ross, FAIA, and
Miami Conference Chair Roberto Espejo, AIA
A Note from the Chair
With this issue we inaugurate re: Design,
the COD eNewsletter. It is part of our
attempt to make the COD’s activities
more valuable to more AIA members. We
are especially grateful to Ann Gray, FAIA,
of Balcony Press for sponsoring this
issue. We hope you enjoy this newsletter
and welcome your comments at
elCommuniCODo@mmense.com.
This year we are considering “The
Rejuvenation of American Cities on the
Water.” Our first conference exploring
this theme was in Miami in April, and we
want to thank Roberto Espejo, AIA, and
all of our hosts in Miami for their efforts.
The fall conference, On the Waterfront,
will be held September 27-30
in Minneapolis. Both cities experienced a
boom in the early 20th century and a
decline in the later part of the century,
followed by a total renaissance at the
start of the 21st century. Come
experience the unique architectural expressions of the Minneapolis design community.
—Michael Franklin Ross, FAIA, 2007 COD Chair
Calendar
AIA COD Fall 2007 Conference: On the Waterfront: Renaissance Through
Design Excellence
September 27–30, 2007
Minneapolis
Register online l Conference information
AIA COD Spring 2008 Conference
April 3–6, 2008
Detroit and Cranbrook
AIA COD Fall 2008 Conference
August 31–September 3, 2008 (note new dates)
Copenhagen, Denmark
Designations
News for and about the Committee on Design
2008 AIA COD Design Ideas Competition: Living—out of the car . . .
A challenge to resolve infrastructure, architecture, and product design through ideas
of combining an energy system, garage, and automobile. Look for the entry invitation
this fall.
AIA Honor Awards in San Antonio
http://info.aia.org/nwsltr_cod.cfm?pagename=cod_nwsltr_current[12/7/2010 9:11:09 AM]
Summer 2007
This issue is generously
sponsored by Balcony Press
to celebrate its new
magazine FORM.
In This Issue
Preserving Modern
Architecture
AIA COD 2007 Design
Ideas Competition
April 2007: The
Rejuvenation of American
Cities on the Water

Summer 2007
As a part of its commitment to excellent design, the COD established a process to
seek and support qualified nominees for certain AIA honors. This year the following
successful COD-nominated candidates were celebrated at the AIA 2007 National
Convention in San Antonio:
Architecture Firm Award: Leers Weinzapfel Associates, Boston
Twenty-five Year Award: Vietnam Veterans Memorial, designed by Maya Lin with
Cooper Lecky Architects
Honorary AIA Fellows
David Chipperfield, Hon. FAIA, United Kingdom
Emilio Ambasz, Hon. FAIA, Italy
Francine Houben, Hon. FAIA, The Netherlands
Dominique Perrault, Hon. FAIA, France
Eduardo Souto de Moura, Hon. FAIA, Portugal
Institute Honors for Collaborative Achievement
Bryan Bell, advocate for architecture for indigent communities
Francis D.K. Ching, author
The Directory of African American Architects
Harvard Design Magazine
Thomas S. Hines, architectural historian and educator
Public Architecture, San Francisco
Witold Rybczynski, Hon. FAIA, author
For further information about these and other award winners, see the AIA National
Honor Awards Web page.
Preserving Modern Architecture
As American Modern architecture matures, more and more of it faces the possibility
of demolition to make way for progress or insensitive modification. The AIA
Committee on Design wants to help preserve those works that may have more design
value than historic value.
Read the full article
Fountain of Use: Winners of the AIA COD 2007 Design Ideas Competition
by James Bowen, AIA
The downtown Miami waterfront provided the background for exploring the
meaningful use of water as a component of urban planning—thus the title of the
2007 COD International Design Ideas Competition, "Fountain of Use." The competition
jury announced two winning entries on April 14 following a reception at the
Wolfsonian Museum in Miami:La Nueva Costanera de Miami (The New Miami
Waterfront), designed by Mike Mense, FAIA, with Ron Andersen and PALM (Planting in
the Aquifer for a Livable Miami), designed by Wendy Evans Joseph, FAIA, with with
Jonathan Lee and Farzana Gandhi.
Read the full article
COD Meets in Miami for the
Rejuvenation of American Cities
on the Water
by Eduardo Quintero
The 2007 AIA COD conference in
Miami, held April 12–15, 2007, was
enthusiastic, diverse, provocative,
and a whole lot of fun. The
Rejuvenation of American Cities on
the Water, was carefully planned to
explore the exciting developments
along Miami’s several waterfronts."
Most of the talks and tours focused
on this exciting, already commenced
transformation, which promises to
secure Miami’s role as the gateway
to the Americas.
Conference attendees enjoyed a rich and
insightful walking tour of Miami Beach,
highlighting its Art Deco architecture.
Population and geography could both significantly drive Miami’s architectural
resolution. Newly termed during our conference as "geo-fabulous,” this tropically hot
topic of a city was explored by the attendees and rediscovered as possibly one of the
most important emerging cities in the world in terms of social infrastructure and
architectural growth.
Read the full report
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Summer 2007
Do You Remember?
Peter Lizon, FAIA, has agreed to prepare a history of the COD. You can help. What is
the most memorable presentation you remember from past COD events? Who made
the presentation, when, and where? What made it memorable? Please send your
answers to eLcommuniCODo@mmense.com.
Links
World Architecture News
Sarasota Architectural Foundation
Design Journal
BuildingGreen
DOCOMOMO
Imagine Miami
Houston Mod
AIA Online Publications
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Preserving Modern Architecture
Committee on Design eNewsletter | |
Preserving Modern Architecture
As American Modern architecture matures, more and more of it
faces the possibility of demolition to make way for progress or
insensitive modification. The COD wants to help preserve those
works that may have more design value than historic value.
Americans are all for saving architecture that’s older than your
great-grandmother and looks like it. Newer architecture, that might
remind you more of your punk cousin, doesn’t receive the same
affection. Probably every generation has had a similar experience,
but ours feels unique because of the apparently drastic divide
between 2,000 years of architecture, detailed in a historical manner,
and the last hundred years or so when much of that detail was
stripped away.
Architecture is different from arts and crafts because older buildings
can’t be moved (well, almost never) to make room for the new. It’s
much easier to preserve vintage arts and crafts objects. For
buildings that’s much harder, and often harmful to the surrounding
environment. Adaptive reuse may be impossible to accomplish
without destroying the building’s character.
Nonetheless, why is it that history seems a more legitimate reason
to preserve than architectural value? We don’t burn Aristotle’s
books, even though most of his truths are thoroughly discredited.
It’s our job as architects to make sure the public knows what’s at
stake when it proposes to tear down a fine work of architecture, or
even the work of a fine architect. It’s our job as architects to know
about the important work in our community and to react when that
work is threatened.
In Baltimore, the Morris A.
Mechanic Theater, by John M.
Johansen, FAIA, shown at the left,
is not immediately threatened, but
some local architects are seeking
landmark status for it in hopes of
avoiding such a threat in the
future. Said Michael Murphy, AIA, a
member of Baltimore’s Commission
for Historical and Architectural
Preservation, "I think there is a national epidemic going on that
requires concerted action before much of the best work of the '60s
and '70s is lost. My message to the AIA Committee on Design is
'Help!'”
Paul Rudolph’s Riverview High School in Sarasota, Fla., is
http://info.aia.org/nwsltr_cod.cfm?pagename=cod_a_200708_mod_arc_prsv[12/7/2010 9:16:04 AM]
Summer 2007
This issue is generously
sponsored by Balcony Press
to celebrate its new
magazine FORM.
In This Issue
Preserving Modern
Architecture
AIA COD 2007 Design
Ideas Competition
April 2007: The
Rejuvenation of American
Cities on the Water

Preserving Modern Architecture
threatened with demolition to make room for a parking lot. The
Sarasota Architectural Foundation has won a reprieve until March
2008 to find a viable design and financial alternative that meets the
property owner’s objectives and preserves the work. They are
presently advertising a competition to find that alternative. Click
here for more Information on the competition. Statements of
qualifications are due September 14, 2007.
The organization Houston Mod is active in the appreciation and
preservation of Modern design in Houston and throughout Texas.
The COD sees the stewardship of Modern architecture as an
important part of its mission. If you know of Modern work that is
threatened, please contact eLcommuniCODo@mmense.com. The
AIA HRC Historic Structures Advocacy Team is also interested in
these issues.
Site Map | Privacy | Contact
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} else {
target.style.display = "none";
}
}
}
The web site you are accessing has experienced
an unexpected error.Please contact the website administrator.
The following
information is meant for the website developer for debugging purposes.
Error Occurred
While Processing Request
Variable GETLINK is undefined.
 
Resources:
Enable Robust Exception Information to provide greater detail about the source of errors. In
the Administrator, click Debugging & Logging > Debugging Settings, and select the Robust
Exception Information option.
Check the ColdFusion

AIA COD 2007 Design Ideas Competition
Committee on Design eNewsletter | |
AIA COD 2007 Design Ideas Competition
Fountain of Use Winners
James Bowen, AIA
Fountain of Use, the 2007 COD International Design Ideas
Competition, announced two winning entries on April 14 following a
reception at the Wolfsonian Museum, Miami Beach. Mike Mense,
FAIA, with Ron Andersen and Wendy Joseph Evans, FAIA, with
Jonathan Lee and Farzana Gandhi were recognized for their ideas
illustrating the responsible use of water within a developing urban
waterfront. The competition site along the downtown Miami
waterfront provided the background for exploring the meaningful
use of water as a component of urban planning.
The competition jurors were Julie Sinclair Eakin, executive editor of
CITE: The Architecture and Design Review of Houston; Raymond
Jungles, FASLA, a Miami landscape architect; Peter Magyar,
founding director and professor of the Florida Atlantic University
School of Architecture; and Chad Oppenheim, AIA, founding
principal and lead designer at Oppenheim Architecture + Design,
Miami.
Mense’s submission, titled La Nueva Costanera de Miami (The New
Miami Waterfront), explored a myriad of ideas organized along a
canal that displaced Biscayne Boulevard. The jury commented,
“Exuberance and wit characterize the Mywater concept, and it
ultimately proved irresistible among a few other entries that also
made a canal of Biscayne Boulevard. The vision proposed here is
one we would actually enjoy experiencing—a return of wildlife to its
habitat, for instance, together with the recognition of and respect
for the site’s urban bones.”
Evans's very different approach created an idea of a desalination
system devised as a series of palm-like elements, programmed to
clarify the aquifer below the site and Biscayne Bay. The jury
commented, “Notably, PALM (Planting in the Aquifer for a Livable
Miami) was the only project that specifically mentioned
sustainability in its description. The designers’ original approach to
thinking about the city’s (and specifically this site’s) future won us
over. They identified a genuine need, and in proposing this
desalinization initiative, interpreted the competition’s program
challenges in a meaningful way. The technology is appealing in its
simplicity—we felt that some version of the idea could actually be
made to work.”
James Bowen, AIA, was this year's COD competition coordinator.
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Summer 2007
This issue is generously
sponsored by Balcony Press
to celebrate its new
magazine FORM.
In This Issue
Preserving Modern
Architecture
AIA COD 2007 Design
Ideas Competition
April 2007: The
Rejuvenation of American
Cities on the Water
©2009 The American Institute of Architects, All Rights Reserved.

April 2007: The Rejuvenation of American Cities on the Water
Committee on Design eNewsletter | |
April 2007: The Rejuvenation of American Cities on the Water
April 12–15, 2007
The Standard Hotel
Miami
The 2007 AIA COD conference in Miami was enthusiastic, diverse, provocative, and a whole lot of fun. The
marathon of organized events carried the zeitgeist of Miami, full of optimism, excitement, and progress
while also discussing Miami’s current challenges. This energy was apparent in the dedication of the several
tour guides who donated their services, the creative range of restaurant choices and diverse dishes, and
most, by the incredible development in downtown Miami.
The conference, The Rejuvenation of American Cities on the Water, was carefully planned to explore the
exciting developments along Miami’s several waterfronts. The physical indication of this transformation is
the number of condominium towers and construction cranes that overpopulate the skyline. But the catalyst
of this development is found closer to the ground and is intended for the benefit of all. The private and
public sector have teamed up to transform the city from “Tropi-cool” to “Tropi-cultural” through the
marketing and construction of various art and culture facilities nestled among the various city parks and
urban corridors. Most of the talks and tours focused on this exciting, already commenced transformation,
which promises to secure Miami’s role as the gateway to the Americas. The profound four-day discourse
among panelists and participants illustrated that this “Capital City of the Americas” also has its serious
pressure points. In addition to Miami’s population diversity, the group experienced first hand the
metropolis’ range of geographical conditions, including the Florida Keys to the south, the Everglades to the
west, Biscayne Bay, the Miami River, and the Atlantic Ocean. Population and geography could both
significantly drive Miami’s architectural resolution. Newly termed during our conference as “Geo-Fabulous,”
this tropically hot topic of a city was explored by the attendees and rediscovered as possibly one of the
most important emerging cities in the world in terms of social infrastructure and architectural growth.
The four-day conference began on Thursday with a warm welcome from Miami’s Mayor Manny Diaz. First
elected in 2001, and then reelected to a second term in 2005, Mayor Diaz has led Miami towards a
visionary rebirth of prosperity and opportunity. A torrential morning rain had become a beautiful afternoon
when the mayor greeted the AIA conference on his private terrace at the Miami City Hall. This building is a
former Pan-American Airways terminal from which “snow birds” shuttled to the Keys and Cuba in the
1920s and ‘30s.
Overlooking the bay and the Coconut Grove Coral Reef Yacht Club, the mayor pointed out the dynamic
changes to the city in his talk, The Past, Present, and Future of Miami. In just a few minutes, the mayor
accomplished the difficult task of laying out his gigantic plans for the city, which include the complete
overhaul of the City’s zoning code, named “Miami 21”; the creation of an art and culture campus on
Biscayne Bay; and an ambitious sustainability program to make Miami responsibly “green.” The mayor was
accompanied by Elizabeth Plater-Zyberk, dean of architecture at the University of Miami. Plater-Zyberk, as
a partner of the office of Duany Plater-Zyberk (DPZ), is responsible for the Miami 21 program. This
program’s goal is to revise the city’s zoning codes and regulations so as to support higher density and
greater sustainability. At the end of the ceremony, Michael Ross, FAIA, presented a proclamation from the
AIA COD to Mayor Diaz, recognizing his continuous political commitment to Miami’s architecture and
design.
To take advantage of the spectacular sunset from a water’s view perspective, the conference mobilized to
Bayside Marketplace to board the Nautical Queen for a boat tour of Miami’s coast, led by history professor
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Summer 2007
This issue is generously
sponsored by Balcony Press
to celebrate its new
magazine FORM.
In This Issue
Preserving Modern
Architecture
AIA COD 2007 Design
Ideas Competition
April 2007: The
Rejuvenation of American
Cities on the Water

April 2007: The Rejuvenation of American Cities on the Water
Paul George. Aboard this spacious boat, the conference attendees were privileged with panoramic views of
the Miami area from Biscayne Bay and an inside look on downtown and Brickell Avenue from the Miami
River. Aided by continuous refreshments, George offered an insightful overview of the downtown’s history
and today’s urban riverfront renewal. During a short pause between Biscayne Bay and Government Cut,
the attendees were presented with a distant view of some of the upcoming tour venues, including Ten
Museum Park (TMP), a condominium tour by Oppenheim Studio, and the Carnival Center for the
Performing Arts by Pelli Clarke Pelli Architects (PCPA). The boat then took everyone back to the dock at
the conference hotel, The Standard, passing by various man-made islands, where many of today’s
celebrities have homes, a tradition that dates back to the days of Al Capone.
Friday, the second day of the conference, was dedicated to touring some of the
most distinguished contemporary construction in Miami. The selected buildings
encompassed the variety of typologies going up in the city today. The first stop was
the recently completed Federal Courthouse, by Arquitectonica, in downtown Miami.
Laurinda Spear, a partner in Arquitectonica, led the tour with help from other staff
members, offering an enthusiastic insight into the challenges and satisfactions of
designing General Services Administration buildings in Miami. The courthouse is
located at the termination point of the Miami Dade College main pedestrian walk and
its iconic figure has redefined the downtown area. The building is the home of 16
court rooms, individually designed for each judge, and a large number of carefully
detailed gathering spaces. The building is fully covered with Italian limestone of
different tones, laid out in a rhythmic pattern that extends onto the floors and
ceilings as well. Incorporated into the design of the courthouse is the work of more
than 100 artists. Among them is Maya Lin, recent recipient of the AIA Twenty-five
Year Award for the Vietnam Veterans Memorial, who designed the contoured east lawn of this building.
The second stop was the residential condominium project TMP, the most prominent
example of the new residential towers on Biscayne Bay north of downtown. Chad
Oppenheim, codeveloper and architect of the building, led the tour. The building
serves as an example of the impact architecture can have on the value of
condominiums, even in a highly commoditized real estate market. TMP broke all
records when it entered the market. In eight days, all units were sold at
unprecedented levels, with prices more than 50 percent higher than those of
neighboring buildings. This success is partially attributed to Oppenheim’s sensibility
and ability to capture the desired lifestyle in Miami through residential units uniquely
open and connected to the local context. In addition, the building is the setting of 18
meticulously designed private pools, its own in-house spa, Clinique La Prairie, streetlevel
restaurants, offices, and retail spaces.
The group next visited the Espirito Santo Building, designed by Kohn Pedersen Fox.
The project manager, Senior Associate Principal Peter Gross and Design Partner in Charge William Louie,
FAIA, led the conference attendees through various spaces of this spectacular mixed-use tower. Located
on Brickell Avenue, the building has become an icon in the city due to its unique and inviting carved-out
parabolic west façade. The building houses the American headquarters of the Portuguese Espirito Santo
Bank and the Conrad Hotel and Residences. Louie explained some of the extensive provisions creatively
incorporated in order to withstand the potential floods and hurricanes of Miami. The building features a
naturally ventilated atrium with a glass-bottomed pool that serves as a massive skylight for the building
vehicular drop-off below, and a multilevel hotel atrium on the 25th floor with an intricately detailed curtain
wall and louver system that overlooks Biscayne Bay.
The conference then convened for the annual AIA COD business meeting in the historic Freedom Tower on
Biscayne Boulevard. Built in 1920 and formerly known as the Miami News Tower, the Freedom Tower
became a refuge for Cuban immigrants in 1959. It served as a sort of Ellis Island and Statue of Liberty as
the Immigration and Naturalization Services and Red Cross rented the building for many years and
processed hundreds of thousands of these immigrants. Building developer David Martin of Terra Group
welcomed the group with a brief history of the building and his personal association with it. Roberto Espejo
pointed out the creativity of BFA seniors from the New World School of the Arts, who were enjoying their
first exhibit in the newly renovated gallery space. Attendees then discussed the merits of many candidates
for the AIA Gold Medal, the AIA Firm Award, the AIA Twenty-five Year Award, and Honorary Fellowship.
The fourth and final stop was the Carnival Center of the Performing
Arts, designed by PCPA. PCPA Senior Associate and local conference
chair Roberto Espejo, leading the tour, passionately described the
urban and acoustical significance of the building. The walk-through
started at the Thompson Plaza for the Arts, located between the Ziff
Ballet Opera House and the Knight Concert Hall. With a brick-andmortar
cost of around $360 million, the Carnival Center is the largest
private/public partnership in the United States. As an urban design
element, it is the pioneer and catalyst of the current wave of
development in the immediate area. Together with theater planners
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April 2007: The Rejuvenation of American Cities on the Water
Fisher Dachs and ARTEC Consultants guiding the acoustics, PCPA designed a 2,500 seat ballet/opera
house with unprecedented theatrical capabilities, including one of the largest stages and highest fly lofts in
the United States. On the opposite side of Biscayne Boulevard is a 2,200-seat concert hall with infinite
acoustic flexibility and a warm, rich maple interior. This hall features a 128,000-pound movable acoustic
canopy which can lower to adapt to the sound of a soloist, for example, or raise to best fit the sound of a
large orchestra. In addition, 84 electronically operated doors weighing between five and 12 tons each
surround the hall and can be opened up onto a huge reverberation chamber that can prolong the life of
sound for up to nine seconds. By the end of the tour, it became clear why the building has become an
international destination and a strong testament of the city’s commitment to its cultural and artistic
mission.
On Saturday, the third day of the conference, the attendees met at the
Miami Art Museum (MAM) to participate in a discussion of the
transformation of downtown Miami’s Bicentennial Park. The distinguished
panel of speakers included Terence Riley, chief curator of MAM; Gillian
Thomas, president of the Miami Museum of Science (MMS); Alex Cooper,
principal of Cooper Robertson; Timothy Schmand, of the Bay Front Trust;
and Michael Spring, of the Miami Dade Cultural Affairs Council. Riley
started by introducing Cooper, who presented the park master plan for
the newly-named Museum Park. Because the master plan includes the
new sites for the MAM and MMS, Riley then continued with a talk that
described the selection process used to choose the architect of the new MAM. The finalists included
Mansilla y Tullon, Renzo Piano, Tadao Ando, and Zaha Hadid, among many other internationally renowned
architects. The selection committee was looking for an architectural office with vast experience and a track
record of innovation, which led them to award the Swiss architectural office of Herzog & de Meuron with
the commission. Following Riley, Thomas introduced the conference attendees to the programmatic
features of the future MMS, which include a planetarium, aquarium, and a science theater.
The two museums will sit next to each other in Museum Park and will complete the campus of cultural
institutions of downtown Miami. Together with the American Airlines Arena and the Carnival Center of the
Performing Arts, Museum Park promises to realize the city’s waterfront renewal and create an acropolis of
modern cultural institutions.
After a rich and insightful walking tour of Miami Beach’s Art Deco architecture, led by
Allan Shuman of the University of Miami and other guides, the conference met for
cocktails at the Wolfsonian. In the lobby of this magnificent museum that holds some
most interesting artifacts of American and European origin, the attendees enjoyed
wine and hors d'œuvres before starting the evening presentation. During a relaxed
and sometimes comical presentation, the winners of the 2007 Ideas Competition
were introduced and the legendary Members Slide Show was presented. Attendees
showed their works to each other during a fast-paced hour-long presentation. As a
final bonus, Minneapolis Conference Chair Tim Carl of HGA made a brief slide
presentation, giving a glimpse of the Part 2 of this exciting conference series.
Registration for this conference is now open.
On Sunday morning, at the end of the conference, the attendees participated in a
panel that included some of the most distinguished architects in the community.
Plater-Zyberk moderated a panel that included Trenton Baughn of Zyscovich Architects, Chad Oppenheim
of Oppenheim Architects, Jean-Francois LeJeune of the University of Miami, Roberto Espejo of PCPA,
Bernardo Fort-Brescia of Arquitectonica, Terence Riley of the MAM, and Daniella Levine of Imagine Miami.
During a breezy morning at Sardinia Ristorante the group covered a range of topics which emphasized the
exciting prospects and the difficult challenges that Miami is facing today.
Oppenheim opened with a positive outlook of Miami as the city of opportunity and optimism, where there
is a spirit of continuous possibility. He described the city as a place that is constantly looking forward and
searching for ways of improvement; a dynamic place that makes everyone feel at home. Fort-Brescia
introduced some of the challenges the city is encountering, such as the privatization of the waterfront and
the resulting mobilization of the middle class farther away from downtown. He also noted that the city is
reaching its natural boundaries and will be forced to become denser as the population grows.
The candid discussion continued with Baughn, involved in the new Master Plan for downtown Miami, who
offered a more general perspective by noting that many cities in the United States are still struggling to
promote their decaying downtowns with any type of development. He pointed out that Miami, on the other
hand, is successfully on its way to renew its downtown, and although the concentration of residential
development might be unbalanced, the area is evolving in the right direction. Riley used his opportunity to
remind the conference that historically, density has been perceived as unhealthy and unsustainable, a
notion which is still embedded in the minds of most Americans.
The conference took a more social approach with the anecdotes provided by Espejo, who explained that
Miami is constantly receiving recurrent waves of immigration from Latin America. He points out that
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April 2007: The Rejuvenation of American Cities on the Water
although most of these immigrants initially perceive Miami as a transient location, most immerse into the
city and come to see it as their new hometown. Levine elaborated on Roberto’s comments with many
solutions her group is advocating in order to provide a platform in which to sponsor the integration of
people from all economic status.
LeJeune closed the panel with a global perspective. He noted that the problems Miami is facing are similar
to those from other towns such as Vancouver or Philadelphia, where developers, for example, are also
dictating the growth of the city. He concluded by urging architects to become participants in the
improvements of their hometowns. After various rounds of applause in appreciation of the panelists’ time
and energy, the AIA COD presented a prize to Plater-Zyberk and Espejo who distinguished themselves
with their generous dedication to the AIA COD Conference in Miami.
See you in Minneapolis!
Eduardo Quintero obtained a BArch from the University of Arkansas and an MArch from Cornell University.
Since the beginning of 2007 he has been a project architect at Oppenheim Architecture & Design. Previous
to that he worked with PCPA since 2001. He arrived in Miami in 2004 as project architect for PCPA’s
construction administration of the Knight Concert Hall of the Carnival Center of the Performing Arts.
Quintero was invited to volunteer as scribe for this conference by his good friend and colleague Espejo,
with whom he worked on the Carnival Center.
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