Voice - Contemporary Popular

VCE Music Prescribed list of notated solo works: Voice – Contemporary popular 

For use from 1 January 2012. Annual updates are published at www.vcaa.vic.edu.au 

Page 1 of 29 

www.vcaa.vic.edu.au 

Voice – Contemporary popular 

This list may be used to select: 

� a program of works for VCE Music Performance Units 3 and 4 Outcome 1 and end-of-year 

performance examination where the student has selected to perform as a soloist 

� one work that will be used as the starting point for a Focus Area in VCE Music Investigation where 

the student has selected to perform as a soloist. This work must be performed in the Music 

Investigation end-of-year performance examination. 

2012 Update 

� No works have been deleted from this list for 2012. 

� New works and updated information are listed in green. 

� Works to be deleted from 2014 are listed in red. 

� Revised information about program requirements is provided in green on page 2. 

� Please note that for most works on this list the editions are ‘recommended’ editions rather than 

‘required’ editions. Before using an alternative edition students and teachers should check that it is in 

fact an edition of the listed work; that is, it is not a simplified version or an arrangement of the work. 

Editorial changes to the listed edition, such as phrasing or dynamics, are acceptable. 

General information 

All works/arrangements on this list were composed after 1910. 

Study design requirements 

Music Investigation 

Compliance requirements: 

For students who select to perform the end-of-year performance examination as a soloist, the Focus Area 

selected for Unit 3 Outcome 1 must be based on, and, the examination program must include, one work 

selected from either the Prescribed list of notated solo works for the instrument selected or Section A of 

the Prescribed list of group works. 

Other information 

This list must be used in conjunction with information provided in the: 

� Introduction to the VCE Music Prescribed list of notated solo works 

� VCE Music study design, Music Investigation Units 3 and 4 

– Selection of instrument and program 

– Unit 3, Outcome 1 and Outcome 3 

– Unit 4, Outcome 3 

– End-of-year performance examination, description and conditions for students who have selected 

to perform as a soloist 

� Music Investigation examination criteria and sample examination material. 

Music Performance 

Compliance requirements 

For students who select to perform as a soloist for Units 3 and 4 and select Voice – Contemporary popular 

as their instrument, all solo works performed for Units 3 and 4 Outcome 1 and all works performed in the 

end-of-year performance examination must be selected from this list or be approved as alternative works.

The program for the end-of-year Performance examination for Voice – Contemporary popular must 

consist of at least six (6) works from six (6) different categories. The program must include at least: 

� one work from the Vocalise category 

� five (5) other songs each from five (5) other categories 

� two works accompanied by a single instrument such as piano, keyboard, guitar, bass or synthesiser 

� at least one work performed unaccompanied – suitable works are marked with an asterisk. Works that 

are not marked with an asterisk may also be performed unaccompanied 

� no more than three works accompanied by pre-recorded backing track. 

Other information 

This list must be used in conjunction with information provided in the: 

� Introduction to the VCE Music Prescribed list of notated solo works 

� VCE Music 2011-2015 study design, Music Performance Units 3 and 4 

– Selection of instrument and program 



– End-of-year performance examination, description and conditions for students who have selected 

to perform as a soloist 

� Current Music Performance 2011-2015 examination criteria and sample examination material. 

Performance of songs 

� The entire ‘Music Performance: Solo, Voice – Contemporary popular’ performance examination must 

be performed from memory. 

� All works must be performed in a key appropriate to the voice and vocal development of the student. 

This may involve transposing the work from the original key. 

� Songs may be performed by students of either gender. Minor changes may be made to the lyrics to 

accommodate the gender of the vocalist. 

� Sections of songs without voice, such as introductions and instrumental breaks, should be kept to a 

minimum length. These sections may be deleted. 

� Repeat verses are optional. When repeating a verse, students may embellish or ornament the melody 

in a way that is appropriate to the style of the song. 

Choosing a program 

The selected program should provide the student with an opportunity to demonstrate the highest level of 

performance. Care must be taken to choose an appropriate program that ensures the health of the student’s 

developing voice. 

Using the list 

The following information is provided for each song on the list, the composer/arranger, publication details 

for sheet music and, except for Vocalises, a reference recording. Both the notation and the recording may 

be used to develop an interpretation of the song. 

Developing interpretations of songs 

Students should use the examination assessment criteria as a guide when making decisions about how 

they will interpret each work in their program. Other considerations include the following: 

� songs should be interpreted in a way that is consistent with the conventions of the listed style, for 

example, a song listed in the ‘Jazz Ballad’ category should be interpreted as a Jazz Ballad 

� It has been recognised that the notation for many contemporary works is lacking in detail and in many 

cases does not accurately reflect the style of the work. 

� Using the sheet music and reference recording in combination allows students to make decisions 

about how they will interpret specific elements of music. The reference recording should be used as a 

guide in determining the form and style in which the student performs the work. Students should not 

directly copy the recording, but should find their own interpretation of the work. An alternative 

reference recording may be used if the track is identical to that listed. For example, the same recorded 



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track is often found on numerous recordings of the same artist, such as a compilation album. Some 

identical CDs are distributed with different catalogue numbers but have the same CD title. Use the 

catalogue number as a guide for selection. Students may also listen to other recordings of the work to 

enhance their understanding of interpretive possibilities for the song. 

� Improvisation as appropriate to the style the student has chosen for the interpretation may be 

incorporated into the performance of songs. Where a student chooses to incorporate improvisation, the 

original material should be presented first, for example in the first verse followed by improvisation in 

the second verse. The assessment will be based on performance skills demonstrating an understanding 

of styles rather than the nature of the musical ideas arising within the improvised sections. The 

improvised material should embellish the performance rather than demonstrate an open-ended concept 

of improvisation. 

� Works from the Vocalise category must be performed as ‘expressive songs’. Students may use sounds 

(vowels/diphthongs) in the print music or other sounds as appropriate. The vocalise may be 

accompanied by a single instrument or a backing track (without melody line) may be used. 

Performing a vocalise without accompaniment is not recommended. 

Accompaniments 

The accompaniment may be provided live by a single instrument such as piano, guitar, bass, synthesiser, 

or another keyboard. Different works in the program may be accompanied by a different instrument. 

Alternatively, students may use a recorded accompaniment. A maximum of three (3) works may be 

presented with pre-recorded accompaniment. The content of the accompaniment will not be assessed in 

the performance. Students may accompany themselves, for example, using guitar, keyboard/piano or a 

percussion instrument. When they are deciding whether to accompany themselves or not, students should 

consider whether or not their focus as a singer will be disrupted by their focus on performing the 

accompaniment. 

The accompaniment must not include the melody line being performed by the student. Accompanists may 

need to omit this line from the accompaniment provided in sheet music. For backing tracks, it may be 

necessary to use a ‘pan’ function on the play-back equipment to ensure that the melody line cannot be 

heard. Some backing-track CDs offer a choice – one track with the melody line that can be used for 

learning and another without the melody, which should be selected for the performance. 

The notation of accompaniments in some editions is lacking detail and in many cases does not accurately 

reflect the style of the work. The accompanying instrumentalist should provide a suitable accompaniment 

within the style of the composition. The accompanist should present an interpretation of the work that is 

consistent with the interpretation being presented by the singer. The reference recording may assist 

accompanists to develop an appropriate accompaniment for the song. 

Recorded accompaniments may include the sounds of one or more instruments. These may be purchased 

as a pre-recorded backing track or students may present their own pre-recorded accompaniment. Students 

should ensure that all backing tracks are of a high quality, altering the volume to suit the acoustics of the 

room. All backing tracks including click tracks used during the recital performance must be audible to 

assessors. 

Sample programs 

Sample programs are provided as advice only. The works need not be performed in the order listed. 

Sample programs for Voice – Contemporary popular are provided at the end of this list. 



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Voice – Contemporary popular 

Vocalise (compulsory) 



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The program must contain at least one work from this category. Students may use sounds (vowels/diphthongs/words) in the print music or other sounds as appropriate. 

Composer/Arranger Title Publisher 

GEORGE, L and VERTIGAN, S Any of two of the following works to count as ONE work: 

‘Looking Up’, CD 1, Track 2 

‘Don’t Forget to Call’, CD 1, Track 10 

‘Out of the Blue’, CD 1, Track 24 

‘I Got the Looks’, CD 2, Track 1 

or 

‘Evolution’, CD 2 Tracks 39 or 42 

or 

‘What’s More’, CD 2 Track 56 

From The Greatest Ever Improve Your Singing Book … For 

Contemporary Vocalists with CD including backing tracks 

Students may use a different vowel sound to the one used in the sheet 

music when performing these vocalises. 

JENNINGS, Kenneth Sing Legato, Nos 11 and 12 ( To be performed as one work) 

Students are only required to perform these vocalises in one of the keys 

provided in the sheet music. 

PECKHAM, Anne Vocal Workouts for the Contemporary Singer, any one of 

Jazz Ballad Etude (page 98), 

R&B Pentatonic Workout (page 92) 

Latin Vocalise (page 76) 

Encore Music 

Kjos Music 

Berklee Press

Composer/Arranger Title Publisher 

STOLOFF, Bob Blues Scatitudes, any one of: 

Blues 

‘Blues for the Bean’ 

‘Blues for Mr. Hardy’ 

‘Columbo Blues’ 

‘Blues for Mr Mason’ 

Works marked with an asterisk (*) are suitable to be performed unaccompanied 

Title Composer/Songwriter Reference Artist/s and Recording/s Notation 

‘A Sunday Kind of 

Love’ 

BELLE, B, PRIMA, L, 

LEONARD, A and 

RHODES, S 

‘At Last’ GORDON, M and 

WARREN, H 



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Gerard & Sarzin Publishing 

Co 

Etta James, Etta James: Her Best, Geffen Records Digital download, www.musicnotes.com 

Etta James, At Last!, The Verve Music Group Standards Real Book, Chuck Sher 

‘Backwater Blues’ SMITH, B Bessie Smith, Woman’s Trouble Blues, Recall Records 

‘Before You Accuse 

Me’ 

‘Drown in My Own 

Tears’ 

‘Heartbreak Hotel’* PRESLEY, E, 

DURDEN, T and 

AXTON, MB 

George Melly, The Ultimate Melly, Candid Production 

At Last, single sheet, Hal Leonard 

Real Book of Blues, Music Sales 

McDANIEL, E Eric Clapton Unplugged, WEA/Warner Brothers Eric Clapton, Unplugged, Wise Publications, 

CHARLES, R Aretha Franklin, Respect, Warner/BMG Digital download, www.onlinesheetmusic.com/illdrown-in-my-own-tears-p383390.aspx 

Elvis Presley, Number One Hits BMG/RCA 

Jill Johnson, Heartbreak Hotel, Lionheart Records 

100 Greatest Hits, Music Sales


‘I Ain’t Gonna Let You 

Break My Heart Again’ 

‘I’d Rather Drink 

Muddy Water’ 

RAIT, B Nick of Time, Capitol Nick of Time, HL02507958 



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MILLER, E Lou Rawls, Live (Remastered), Blue Note Records Digital download, www.onlinesheetmusic.com/idrather-drink-muddy-water-p291339.aspx 

‘Since I Fell For You’ JOHNSON, B Renee Geyer, It’s a Man’s Man’s World, Mushroom Digital download, www.onlinesheetmusic.com/sincei-fell-for-you-p113276.aspx 

‘Walkin’ Blues’ JOHNSON, R, DIXON, 

W, HOPKINS, L 

‘When Love Comes to 

Town’ 

‘Work Song’ ADDERLEY, N and 

BROWN, O Junior 

‘You Better Watch 

Yourself’ 

Eric Clapton, Unplugged, WEA/Warner Bros. 

Bonnie Raitt, Bonnie Raitt (Remastered), Warner Brothers 

Eric Clapton, Unplugged, Wise Publications, 

AM91067 

Bono and U2 U2 and BB King, Rattle and Hum, Island BB King Anthology, Music Sales 

www.musicnotes.com 

Nina Simone, The Essential Nina Simone, EMI Feeling good, (The Very Best of Nina Simone), Faber 

Music 

GUY, G Eric Clapton, 24 Nights, WEA/Warner Bros 

Dave Thomas with Wallace Coleman, Repossession Blues, 

Blonde on Blonde Direct Ltd. 

or 

The Real Easy Book, Vol. 1 Chuck Sher 

The Concise Eric Clapton Hal Leonard. 306020 

or 

The Busker’s Fake Book

Gospel, R ’n’ B and Soul 

Works marked with an asterisk (*) are suitable to be sung unaccompanied. 


‘Ain’t No Mountain 

High Enough’ 

ASHFORD, N and 

SIMPSON, V 

Diana Ross and the Supremes, The 

Number 1’s, UTV Records, 2004 

Marvin Gaye and Tammi Terrell, 

Marvin Gaye: Gold, Motown/UMG 

‘Ain’t No Sunshine’ WITHERS, Bill The Best of Bill Withers Sony; 2000 

‘Georgia On My 

Mind’* 

Note: Begin with verse 

1 (omitting opening 

bars) 

‘Heading in the Right 

Direction’ 

‘His Eye is on the 

Sparrow’ 

‘I Heard it Through the 

Grapevine’ 

CARMICHAEL, H 

and GORRELL, S 

PUNCH, M and 

PAIGE, G 

GABRIEL, Charles 

Hutchinson 

Eva Cassidy, Time after Time, Blix Street 

Ray Charles, Ultimate Hits Collection, 

Rhino, 1999 

Renee Geyer, Renee Geyer: Best Of, 

Mushroom, B000008813 

Marvin Gaye, Gold, Motown Records 

Lauren Hill, Sister Act 2, Hollywood 

records 

WHITFIELD, Gladys Knight and The Pips 20 th 

Century Masters: Best of Soul volume 2, 

2006, Universal International 

Marvin Gaye, I Heard It Through the 

Grapevine, Motown 



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Single sheet, EMI 

or 

Even More Songs of the Seventies, Hal Leonard 

or 


The Best Fake Book Ever, first or second editions, Hal Leonard 

Audition Songs Australian Idol, Warner Bros. 

Ray Charles, Gold Classics, Wise Publications, AM74998 

Hal Leonard, Play Along Series, Vol. 34 

Great Australian Songbook, Expanded Ed., Music Sales 

Digital download, www.musicnotes.com 

Big Book of Motown, Hal Leonard 311061


‘If You Don’t Know 

Me By Now’ 

‘Precious Lord 

Take My Hand 

‘River Deep – 

Mountain High’ 

‘Signed Sealed 

Delivered’ 

‘Someday We’ll 

All Be Free’ 

‘Something’s Got 

A Hold on Me’ 

‘The Night Time is the 

Right Time’ 

GAMBLE, K and 

HUFF L 

DORSEY, Rev. 

Thomas A 

BARRY, J, 

GREENWICH, E 

and SPECTOR, P 

Harold Melvin, Harold Melvin and The 

Blue Notes, Sony 

Simply Red, It’s Only Love, Warner 

Aretha Franklin, Aretha Gospel, Geffen 

Records 

Tina Turner, Simply the Best, Capitol 

Or 

Jimmy Barnes, Soul Deep, Liberation 

WONDER, S Stevie Wonder, Signed ,Sealed and 

Delivered PGD/Motown 3746 5176 2 

HATHAWAY, D 

and HOWARD, E 

KIRKLAND, L, and 

WOODS, P 

HERMAN, Lou 

‘Stop’ BROWN, S, 

SUTTON, G and 

BRODY, B 

Donny Hathaway, Extension of a Man, 

Atlantic Records 

Etta James, Etta James: Her Best, 

Geffen Records or 

Christina Aguilera, Burlesque, 

soundtrack, Screen Gems 

Aretha Franklin, Respect: Very Best of 

Aretha Franklin, Warner 

Ray Charles, The Birth of Soul, Atlantic 



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The Love Songs Big Book, Alfred 27698 



Best of Stevie Wonder, Hal Leonard 306420 


Digital download, www.sheetmusicplus.com/title/Someday- 

We-ll-All-Be-Free/19410100 

Digital download, 

www.sheetmusicdirect.com/se/ID_No/78358/Product.aspx 

Ray – Music from the motion picture soundtrack, Hal Leonard 

Sam Brown, Stop!, A&M Digital download, www.musicnotes.com


‘Up to the 

Mountain’ (MLK 

Song) 

‘What’s Going On?’ BENSON, R, 

CLEVELAND, A 

and GAYE, M 

‘When a Man Loves a 

Woman’ 

GRIFFIN, Patty Patty Griffin, Live from the Artists Den, 

Artists Den Records 

LEWIS, C and 

WRIGHT, A 

Marvin Gaye, What’s Going On?, 

Motown/UMG 

Percy Sledge, When a Man Loves a 

Woman, Festival AIM 2002 

Bette Midler, The Rose, Atlantic 

Eva Cassidy, Time After Time, Blix 

Street Records 

‘You Send Me’ COOKE, S Sam Cooke, Portrait of a Legend 1951– 

1964, Abcko, B00009N1ZV 

Aretha Franklin, Aretha Now, Atlantic 

Swing 




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What’s Going On, Hal Leonard HL.351385, single sheet 

Single sheet, Warner, Alfred 


‘Basin Street 

Blues’ 

WILLIAMS, S Dean Martin – 100 Greatest Vocal Classics, Classic 

Music International 

Ray Charles, The Genius Hits the Road, Rhino/WEA 

Eva Cassidy, Live at Blues Alley, Blix Street 


Sam Cooke, Portrait of a Legend 1951–1964, Warner Bros. 

Digital download, www.sheetmusicdirect.com 

‘Blue Skies’ BERLIN, I Ella Fitzgerald Gold, Universal Classics & Jazz Blue Skies, Hal Leonard, 5014


‘Don’t Get Around 

Much Anymore’ 

‘How High the 

Moon’ 

‘I’m Beginning to 

See the Light’ 

‘Let’s Get Away 

From it All’* 

‘Lullaby of 

Birdland’ 

ELLINGTON, D and 

RUSSELL, B 

Mose Allison, Mose Allison Sings, Concord 

Nat King Cole, Unforgettable, Capitol 

ELLINGTON, D Pure Ella – The very Best of Ella Fitzgerald, Verve, 

B00000690N 

JAMES, HODGES, 

GEORGE, 

ELLINGTON 

ADAIR, T and 

DENNIS, M 

Sarah Vaughan, Diva, Verve/UMG 

Natalie Cole, Take a Look, WEA/Electra 

Entertainment B000002HCV 



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Ella Fitzgerald, The Best of the Songbooks – The 

Collection, Verve/UMG 


Definitive Jazz Collection, PVG, Hal Leonard 

359571 

All Woman Jazz, PVG, International Music 

Publishers 

Definitive Jazz Collection, PVG, Hal Leonard 

359571 

Big Book of Swing, Hal Leonard 310359 

Frank Sinatra, Come Fly With Me, Capitol The Jazz Music Collection, Warner Bros. 

SHEARING, George Ella Fitzgerald, The Ultimate Ella Fitzgerald, 

Verve/UMG 

‘Moondance’ MORRISON, Van Van Morrison, Moondance, WEA/Warner Bros., 

B000002KHF 

‘Nice Work if You 

Can Get it’ (to be 

performed without 

introduction) 

‘The Frim Fram 

Sauce’ 

GERSHWIN, 

George 

Nancy Wilson and R Lewis, Meant to Be, Narada 

Productions 

Jazz and Blues Greats 100, Music Sales, 

0801714066 

Morrison Anthology, Wise Publications 

Single sheet, Alfred Publishing 

Frank Sinatra, The Frank Sinatra Collection, Capitol The Gershwin Collection, Warner Bros. 

RICARDEL, J Diana Krall, The Very Best of Diana Krall, Verve 

Music Group 

The Frim Fram Sauce, Amsco/Hal Leonard

Jazz Ballad 



‘Angel Eyes’* BRENT, E and 

DENNIS, M 

‘Bewitched, 

Bothered and 

Bewildered’ 

‘Blame It On My 

Youth’ 

‘Cry Me a River’ 

RODGERS, R and 

HART, L 

‘God Bless the Child’ HERZOG, A Junior and 

HOLIDAY, B 

‘Lost in the Stars’ WEIL, K and 

ANDERSON, M 

‘Lover Man’ DAVIS, M, RAMIREZ, 

A and SHERMAN 



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Frank Sinatra, Sings for Only the Lonely, Capitol 

Ella Fitzgerald, Verve Unmixed, Vol. 2, Verve /UMG 

Ella Fitzgerald, Ella Fitzgerald Sings the Rodgers and 

Hart Songbook, Verve 

Rufus Wainwright, Rufus Does Judy, 

Geffen/Dreamworks 


Classic Jazz Standards, Hal Leonard 310310 


www.onlinesheetmusic.com/bewitched-botheredand-bewildered-p111811.aspx 

HEYMAN, E Kurt Elling, Flirting with Twilight, Blue Note Records www.sheetmusicplus.com/title/Blame-It-On-My- 

Youth/19576792 

HAMILTON, Arthur Patti Austin, The Real Me, Qwest Records Definitive Jazz Collection, PVG, Hal Leonard 

359571 

Billie Holiday, God Bless the Child, MCA Special 

Products 767520254 2 

Patti Austin, Best of Patti Austin, Sony, B0000028S8 

Tony Bennett, 50 Years – The Artistry of Tony Bennett, 

Sony/BMG 

Linda Ronstadt, What’s New, WEA International 

Sarah Vaughan, Jazz After Dark, Union Square Music 

The Jazz Standard: Songs of the Fifties, arranged for 

PVG, Hal Leonard 359571 

Single sheet copy, Hal Leonard, 357202 

20th Century Broadway Hal Leonard 310693 

Lady Sings the Blues, Music Sales


‘My Funny Valentine’* RODGERS, R and 

HART, L 

‘My Romance’ RODGERS, R and 

HART, L 

‘Orange Blossoms in 

Summertime’ 

LUNDY, Curtis and 

ELLING, Kurt 



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Chet Baker, Best of Chet Baker Sings: Blue Notes 

Records, B000005HFH 

Ella Fitzgerald, Ella Fitzgerald Gold, Universal Classics 

and Jazz 

Rachelle Ferrell, First Instrument, Somethin’ Else Records 

Emma Pask, Emma, Warner 

James Taylor, That’s Why I’m Here, Sony 

Ella Fitzgerald Sings the Rodgers and Hart Songbook, 

Verve 


150 of the Most Beautiful Songs Ever, Hal Leonard 

360735 

The New Real Book, C and Vocal Version, Vol. 1, 

Sher Music, ISBN 0-9614701-4-3, page 229 

150 of Most Beautiful Songs Ever, third edition, Hal 

Leonard 

Kurt Elling, Flirting with Twilight, Blue Note Records Sing Jazz: Leadsheets for 76 Jazz Vocals, Hal 

Leonard 

‘Round Midnight’ WILLIAMS, Cootie Round Midnight, Linda Ronstadt, Sony, B00005B58W 

‘The Beauty of All 

Things’ 

Julie London, The Ultimate Collection, EMI 

ELLING, Kurt Kurt Elling, The Messenger, Blue Note Records, 

B000005H6S 

‘Watch What Happens’ LEGRAND, M Frank Sinatra, My Way, WEA/Warner 

Carmen McRae, The Art of Carmen McRae, Atlantic 

100 Jazz and Blues Greats, Music Sales, 0801714066 

All Jazz Real Book, C edition, Sher Music, Hal 

Leonard 

The New Real Book, Vol 1, C and Vocal Version, 

Sher Music, p. 390

Latin 



‘Carnival’ (Theme 

from Black Orpheus), 

also known as ‘Manha 

De Carnaval’ (‘A Day 

in the Life of a Fool’) 

BONFA, L Astrud Gilberto, Silver Collection, Polygram, 

B0000046W3 

Haia, Soya Productions 

Adam Lopez, Till the End of Time, Australian 

Broadcasting Corporation (English) 



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The New Real Book, Vol. 2, C and Vocal Version, 

Sher Music 

‘Corner of the Earth’ KAY, J and HARRIS, R Jamiroquai, A Funk Odyssey, Sony Digital download, www.musicnotes.com 

‘Desafinado’ JOBIM, Antonio Carlos Joao Gilberto, Getz/Gilberto, Verve 

Gal Costa, Gal Costa Canta Tom Jobim, BMG Brasil 

Essential Audition Songs for Female Vocalists: Jazz 

Standards, Faber 

May be sung in English or Portuguese or a 

combination of both languages. 

‘Mas Que Nada’ BEN, Jorge Elza Soares, Blue Note Trip 2: Sunset/Sunrise, EMI Digital download, www.musicnotes.com 

‘One Note Samba’ JOBIM, Antonio Carlos Antonio C Jobim, Herbie Mann and Joao Gilberto, 

Recorded in Rio de Janiero, Atlantic 

Joao Battista, Bossa Lounge Club, Zip Music (Portuguese) 

The Jazz Source Book Vol. 1, Amsco Publications 

The Jobim Collection, Hal Leonard 312477 

‘Quizas Quizas Quizas’ FARRES, Oswaldo Doris Day, Perhaps, Perhaps, Perhaps, Replay Records Digital download, www.musicnotes.com 

‘Shaker Song’ BECKENSTEIN, J, 

LASLEY, D and 

WILLIS, A 

Manhattan Transfer, Extensions, WEA/Atlantic, 7567 

19258 2 or Ultradisc, 1755 578 2 

‘Sway’ (Quien Sera) RUIZ, Pablo Beltran Michael Bublé, Michael Bublé, Reprise/WEA, 

B000088E6D 

Ben E King, Spanish Harlem, Atlantic 

The New Real Fake Book, The C and Vocal Version, 

Vol. 1 Sher Music, ISBN 0-9614701-4-3, page 315 

Come Fly With Me, PVG, International Music 

Publishers


‘The Look of Love’ BACHARACH, Burt Dionne Warwick, Dionne Warwick’s Greatest Motion 

Picture Hits, Rhino 



Page 14 of 29 

Dusty Springfield, The Universal Masters, Classic Dusty 

Springfield, Mercury Records 

‘Watch What Happens’ LEGRAND, M Frank Sinatra, My Way – WEA/Warner Bros, 

B000002K9T 

Carmen McRae, The Art of Carmen McRae, Atlantic 

Records 

‘Wave’ JOBIM, Antonio Carlos Gal Costa, Gal Costa Canta Tom Jobim (original 

language), BMG Brasil 

Contemporary Ballad 


Nancy Wilson, The Very Best of Nancy Wilson – The Jazz 

and Blues Sessions, Capitol 


‘Don’t Dream it’s 

Over’ 

FINN, N Crowded House, Crowded House: Recurring Dream – The 

very best of Crowded House, EMD/Capitol, B000002U5B 

Sarah Blasko, She Will Have Her Way – The Songs of Neil 

and Tim Finn, EMI International, B000B668TA 


Digital download, www.onlinesheetmusic.com 

The New Real Book, C and Vocal Version, Vol. 1, 

Sher Music, ISBN 0-9614701-4-3, page 390 

The Jazz Source Book Vol. 1, Wise Publications 

or 

Antonio Carlos Jobim: Anthology, Hal Leonard 

312477 

Crowded House: Recurring Dream – The Very Best 

of Crowded House, IMP 

‘Fire and Rain’ TAYLOR, J James Taylor, Greatest Hits, Warner Digital download, www.musicnotes.com 

‘Grateful’ BUCCHINO, J Michael Feinstein on Grateful – The Songs of John 

Bucchino, RCA Victor 

Grateful – The Songs of John Bucchino, Hal Leonard


‘Hallelujah’ COHEN, Leonard Jeff Buckley, Grace, Sony, B0002594BG 



Page 15 of 29 

kd lang, Hymns of the 49th Parallel, Nonesuch Records 


Essential Leonard Cohen, Wise Publications 

‘Home Again’ KING, Carole Carole King, Tapestry, Sony B00007LVBN Tapestry, Hal Leonard 

‘I Hope I Never’ FINN, N Split Enz, History Never Repeats: the Best of Split Enz, 

Festival Records, B0000ST07E 

‘Imagine’ LENNON, J John Lennon, Imagine, Capitol, B0000457L2 

‘Natural Woman’ (You 

Make Me Feel)* 

‘Never Dreamed You 

Leave in Summer’ 

‘Please Don’t Ask 

Me’* 

‘She’s Leaving 

Home’* 

KING, C, GOFFIN, G 

and WEXLER, J 

Eva Cassidy, Imagine, Blix Street Records 

Great Australian Songbook, Music Sales 

Single sheet, HL00354091 

Carole King, Tapestry, Sony, 7464 34946 2 Ladies of Soul, IMP. 

WONDER, S Stevie Wonder, Greatest Hits, Vol. 2, Motown 

B000009QLX 

GOBLE, G John Farnham, Full House, BMG International, 

B00000G5W1 

LENNON, J and 

McCARTNEY, P 

Gretchen Barretto, Unexpected, Star Recording 

The Beatles, Sgt. Pepper’s Lonely Hearts Club Band, 

EMD/Capitol, B000002UAU 

Stevie Wonder, 33 Songs, Wise Publications, 

Warner/Chappell 

Stevie Wonder: The Stevie Wonder Anthology, Hal 

Leonard 306447 

Digital download, www.sheetmusicdirect.com 

Beatles Complete Scores, Hal Leonard 673228 

‘Tenterfield Saddler’* ALLEN, P Peter Allen, At His Best, PGD/A&M, B000002GIG Great Australian Songbook, Music Sales 

‘The Man with the 

Child in His Eyes’ 

BUSH, K Kate Bush, Whole Story, Toshiba EMI, B000BD3620 

Tina Arena, Songs of Love and Loss, EMI 

‘The Sound of White’ HIGGINS, Missy Missy Higgins, The Sound of White, Eleven – A Music 

Company 

Kate Bush Complete, International Music Publishers 

The Sound Of White, PVG Folio, 

www.missyhiggins.com/store


‘Up on the Roof’ GOFFIN, G and 

KING, C 

‘Whenever I Fall at 

your Feet’ 



Page 16 of 29 

James Taylor, Flag, Columbia/Legacy Digital download, www.musicnotes.com 

FINN, N Clare Bowditch, She Will Have Her Way, Capitol, EMI Digital download, www.musicnotes.com 


‘Wuthering Heights’ BUSH, K Kate Bush, Whole Story, Toshiba EMI, B000BD3620 Kate Bush Complete, International Music Publishers 

‘Yesterday’ LENNON, J and 

McCARTNEY, P 

The Beatles, Beatles 1, Capitol 

Paul McCartney, Back in the World, MPL 

Communications 

Eva Cassidy, American Tune, Blix Street Records 

‘You’ve Got a Friend’ KING, C Carole King, Tapestry, Sony 

Rock/Pop 


James Taylor, One Man Band, StarCon LLC 


‘Beautiful 

Disaster’ 

JOHNSON, 

Rebecca and 

WILDER, Matthew 

‘Best of You’ MENDEL Nate, 

SHIFFLET, 

Christopher, GROHL, 

David, HAWKINS, 

Taylor 

Kelly Clarkson, Breakaway, 19 

Recordings Limited 

Foo Fighters, In Your Honour, Roswell 

Records 

‘Yesterday’, single sheet, Hal Leonard HL.355735 

Tapestry, Hal Leonard 

Breakaway, Hal Leonard HL.306731 

Foo Fighters In Your Honour, Album Songbook – Guitar Tab, Hal Leonard


‘Bring me to Life’ EVANESCENCE Evanescence, Fallen, Wind-Up, 

B000089RVX 



Page 17 of 29 

Single sheet, Warner Bros. 

‘Bubbly’ CAILLAT, Coby Bubbly, EP, Universal Records Single sheet, Cherry Lane Music 

‘Catch My Disease’ LEE, Ben Catch My Disease, EP, Inertia 

Recordings 

‘Crazy Little 

Thing Called 

Love’ 

MERCURY, 

Freddie 

‘Don’t Speak’ STEFANI, Eric and 

STEFANI, Gwen 

‘Drop in the 

Ocean’ 

‘Drops of 

Jupiter’ 

‘Even When 

I’m Sleeping’ 

‘Every Breath 

You Take’ 

Queen, Greatest Hits Volume 2, 

Hollywood Records, 162042, 

B000000OF6 

No Doubt, No Doubt: The Singles 

(1992–2003), Interscope Records 

The Great Australian Songbook, Music Sales 

Best of Queen, Hal Leonard 

308244 

Digital download, www.musicroom.com.au 

POPE, Ron Ron Pope, Daylight, Ron Pope Digital download, musicnotes.com 

TRAIN Train, Drops of Jupiter, Sony, 

69888, B000059Z82 

LEONARDO’S 

BRIDE 

‘Fly’ SHANKS, John and 

DIOGUARDI Kara 

‘He Won’t Go’ ADKINS, A and 

EPWORTH P 

352318 

Single sheet, Hal Leonard 

Bootmen, RCA, B00004ZDYP Great Australian Songbook, Music Sales 

STING The Police, Ghost in the Machine, 

PGD/A&M B000002G3U 

Hilary Duff, Hilary Duff, Hollywood 

Records 

Very Best of Sting and the Police, Music Sales 

Single sheet, Warners 

Adele, 21, XL Digital download, www.musicnotes.com 

www.vcaa.vic.edu.au


‘Hide and Seek’ HEAP, Imogen Songs for Tibet, The Art of Peace 

Foundation 

‘Hollywood’s 

Not America 

‘If You’re 

Gone’ 

CHRISTY, L, 

SPOCK, S, 

EDWARDS, G and 

ALQUAISI, F 



Page 18 of 29 


Feras, Hollywood’s Not America Digital download, www.musicnotes.com 

MATCHBOX 20 Matchbox 20, If You’re Gone, CD 

single, WEA International, 

B00004ZEFB 

Budget Books Pop Rock, HL310835 

‘I’m With You’ LAVIGNE, Avril Avril Lavigne, Let Go, Arista Single sheet, Alfred 

‘In a Little 

While’ 

U2 U2, All That You Can’t Leave 

Behind, Universal-Island Records 

‘In This Life’ GOODREM, Delta Delta Goodrem, In This Life – 

single, Sony BMG Entertainment 

(Australia) 

‘Jericho’ DUFF, Hilary Hilary Duff, Hilary Duff, Hollywood 

Records 

‘Just a Girl’ STEFANI, Gwen and 

DUMONT, Tom 

No Doubt, No Doubt: The Singles 


‘Learn to Fly’ FOO FIGHTERS Foo Fighters, There is Nothing Left to 

Lose, Roswell Records 

U2, All that You Can’t Leave Behind, Guitar tab and lyrics, Wise 

Publications 

Delta, Wise Publications 

Hilary Duff, Hal Leonard, 306696 


Classic Rock of the ‘90s: Alternative, Modern and Unplugged, Alfred 

Single sheet, PVG, Hal Leonard 352095 

‘Lego House’ SHERRAN, E Ed Sherran, Lego House, Warner Digital download, www.sheetmusicdirect.com 

‘Like a Stone’ AUDIOSLAVE Audioslave, Audioslave, Sony Music Inc 

and Interscope Records 

Audioslave, Guitar Recorded Versions, Guitar and Voice, Hal Leonard 

690609


‘Love Song’ BAREILLES, Sarah Sarah Bareilles, Little Voice, Sony BMG 

Music Entertainment 

‘More than Words’ EXTREME Extreme, The Best of Extreme – An 

Accidental Collication of Atoms, A&M 

Records 

‘Moves Like 

Jagger’ 

LEVINE, B, LEVINE, 

A, MALIKE, A and 

SCHUSTER, J 

Maroon 5, Moves Like Jagger, 

A&M/Octone 

‘No Such Thing’ MAYER, John John Mayer, Room for Squares, Sony 

Music Entertainment 

‘Not Over You’ DEGRAW, Gavin Gavin Degraw, Not Over You, RCA, 

single 

‘One Angry Dwarf’ BEN FOLDS FIVE Ben Folds, Whatever and Ever Amen, 

Sony BMG Music Entertainment 

‘Paranoid Android’ RADIOHEAD Radiohead, Paranoid Android, CD1 – 

EP, EMI Records 

‘Passenger’ POWDERFINGER Powderfinger, Internationalist, 

Polygram International, 

B00000G6O0 

‘Peachy’ HIGGINS, Missy Missy Higgins, Peachy, EP, Eleven: A 

Music Company 

‘Prospekt’s March’ BUCKLAND, J, 

CHAMPION, W, 

MARTIN, C and 

BERRYMAN, G 



Page 19 of 29 

Little Voice, Cherry Lane Music 250 1136 

More Than Words, Hal Leonard, digital download 


Single sheet, Hal Leonard 2500543 

Digital Sheet Music, Hal Leonard 


OK Computer, Guitar tab and voice, Alfred 2501136 

The Little Black Aussie Song Book, Wise Publications 

On a Clear Night, Sasha Music Publishing 

Coldplay, Viva La Vida (March edition) Prospekt’s March, Hal Leonard 

www.vcaa.vic.edu.au


‘Save Tonight’ CHERRY, Eagle-eye Eagle-Eye Cherry, Desireless, 

Superstudio/Diesel Music AB 

‘So Beautiful’ MURRAY, Pete Pete Murray, Feeler, Sony Music 

Entertainment 



Page 20 of 29 

Essential Acoustic Playlist, Faber 

‘Stand by Me’ OASIS Oasis, Be Here Now, Sony, B000002C25 Stand by Me, Music Sales 

‘Sunday Morning’ NO DOUBT No Doubt, No Doubt: The Singles 


‘The Horses’ RICKIE LEE JONES Rickie Lee Jones, Flying Cowboys, 

Geffen Records 

‘This Ain’t 

Goodbye’ 

MONAHAN, P and 

TEDDERM R 

‘Under the Bridge’ RED HOT CHILLI 

PEPPERS 

‘Wish You Were 

Here’ 

WATERS, Roger and 

GILMOUR, Dave 

‘You and Me Song’ THE 

WANNADIES 

‘You Were Meant 

for Me’ 

The Little Black Aussie Songbook, Wise Publications 

No Doubt: The Singles, 10992-2003, Warner 

The Best of Rickie Lee Jones, Cherry Lane Music 


Train, Save Me San Francisco, Sony Digital download, www.sheetmusicdirect.com/se/ID_No/76175/Product.aspx 

Red Hot Chilli Peppers, Red Hot Chilli 

Peppers – A Tribute, Going for a Song 

Wish You Were Here, Pink Floyd, 

Digital remaster 2011 

The Wannadies, Be A Girl, MNW 

Records Group AB, licensed to 

Indolent Records 

JEWEL ‘You Were Meant for Me’, CD single, 

WEA International, 282522, 

B000005JXX 

Single sheet, Hal Leonard 

HL. 351204 

Wish You Were Here, Pink Floyd, Amsco Publications 

Beautiful: 40 Timeless Love Songs, Wise Publications 

More Songs of the 90s PVG, Hal Leonard, 310430

Country 


Title Composer/Arranger/Performer CD Anthology and Publisher 

‘Bird on a Wire’ COHEN, L Leonard Cohen, Songs from a Room, Sony Music 

Entertainment 



Page 21 of 29 

Jennifer Warnes, Famous Blue Raincoat, BMG 

Willie Nelson, Tower of Song, A&M 

‘Desperado’ HENLEY, D and FREY, G Linda Ronstadt, Greatest Hits, Vol 1, WEA 

International 

‘How’s the World 

Treating You’ 

‘I Am a Man of 

Constant Sorrows’ 

KRAUSS, Alison Alison Krauss, A Hundred Miles or More, 

Rounder Records 

CARTER, Stanley Alison Krauss, Alison Krauss and Union Station – 

Live, Rounder 

‘I’ll Fly Away’ BRUMLEY, Albert Alison Krauss, O Brother Where Art Thou? 

Mercury 


Leonard Cohen Collection, Amsco 

Publications, or The Concise Leonard Cohen 

Music Sales AM037167 

Single sheet, Warner Bros Or The New Eagles 

Complete, Warner Bros 

Busk It! Country Fake Book, Music Sales 

Single sheet, Hal Leonard 352483 

Selections from O Brother, Where Art Thou?, 

PVG, Hal Leonard 

‘If I Die Young’ THE BAND PERRY If I Die Young, single Digital download, www.musicnotes.com 

‘Jolene’* PARTON, D Dolly Parton, Best There Is, BMG Special 

product, B00000JCEU 

Legends of Country Music, Warner Bros., Or 

Country Music’s Greatest Songs, Hal Leonard 

504110 or Dolly Parton, single sheet copy, 

EMI 

‘Landslide’ FLEETWOOD MAC Dixie Chicks, Home, Sony Music Entertainment Digital download, www.sheetmusicdirect.com 

‘Mean’ SWIFT, Taylor Taylor Swift, Speak Now Digital download, www.musicnotes.com 

‘Oh Atlanta’ RALPHS, Mick Alison Krauss, Now That I’ve Found You, 

Rounder 

Now That I’ve Found You, Alfred AP.PG9642


‘Somebody Like You’ URBAN, Keith Keith Urban, Keith Urban Greatest Hits, Capitol 

Records, Nashville 



Page 22 of 29 


Keith Urban Greatest Hits, Cherry Lane Music 

‘The Captain’ CHAMBERS, Kasey Kasey Chambers, The Captain, EMI The Captain, single sheet, Music Sales 

‘The Dance’ BROOKS, Garth The Dance – A Tribute to Garth Brooks, Okla-Nash- 

Vegas 

‘The Song 

Remembers When’ 

‘When I Think About 

Angels’ 

‘When You Say 

Nothing at All’ 

TAYLOR, J Trisha Yearwood, Trisha Yearwood: The Song 

Remembers When CD, Universal Special Products 

DEAN, R, TILLIS, S and 

O’NEAL, J 

SCHULTZ, D and 

OVERSTREET, P 


The Ultimate Country Fake Book, 4th edition 

or single sheet digital download from 

www.musicroom.com.au 

Jamie O’Neal, Shiver, Mercury Records Digital download, www.musicnotes.com 

Alison Krauss & Union Station, Now That I’ve 

Found You: A Collection, Rounder / Umgd, 

B0000002ME 

More Songs of the Nineties, Hal Leonard 310430 

‘Where I Come From’ KERNAGHAN, Lee Lee Kernaghan, The New Bush, Mirabi Cool Country Guys, Alfred 

‘Witchita Lineman’ WEBB, Jimmy Sheila Southern, Didn’t We, the Jimmy Webb 

Songbook 

www.justsheetmusic.com/sheet-music/jimmywebb-wichita-lineman/

Folk 



‘All My Trials 

Soon Be Over’ 

‘Blowin’ in the 

Wind’ 

‘Chelsea 

Morning’* 

TRADITIONAL. ARR. 

BAEZ, Joan 



Page 23 of 29 


Joan Baez, Vanguard All American Folk, Creative Concepts/Hal 

Leonard 

DYLAN, Bob Bob Dylan, Essential Bob Dylan, Sbme Import, 

B00006830PB00004Z3TS 

MITCHELL, J Joni Mitchell, Clouds, WEA/Warner Bros, 

B000002K0JB000002K0J 

or 

Joni Mitchell, Hits, WEA/Warner Bros, 7599 

46326 2, 9362 46326 2 

‘Fast Car’ CHAPMAN, T Tracy Chapman, Tracy Chapman, WEA/ Elektra 

B000002H5I 

‘Homeward 

Bound’ 

‘Like a Rolling 

Stone’ 

‘Love Will Come 

to You’ 

SIMON, P Simon & Garfunkel, Greatest Hits, SONY 

B0000024YL 

DYLAN, Bob Bob Dylan, Essential Bob Dylan, Sbme Import, 

B00006830PB00004Z3TS 

INDIGO GIRLS Indigo Girls, Rites of Passage, SONY 

B00004Z3TS 

‘Moon Shadow’* STEVENS, C Cat Stevens, Greatest Hits, A&M 

B0004YNGKB0004YNGK or The Very Best of 

Cat Stevens, Island 840 148-2 

The Definitive Bob Dylan Songbook, AMSCO, 

AM978923 

The Very Best of Joni Mitchell, Warner Bros* 

or 

Joni Mitchell: Hits, Warner Bros 

or 

Joni Mitchell: The New Best of Joni Mitchell, 

Wise Publications 

Tracy Chapman, Hal Leonard, 356378 

Folk Songs for Solo Singers Vol. 1, Alfred 

Publishing, AP.4952 

The Definitive Bob Dylan Songbook, AMSCO, 

AM978923 

Indigo Girls, Rites of Passage, HL308148 

Songs of Cat Stevens, Wise Publications 

AM32954


‘Scarborough 

Fair/Canticle’* 

‘Slumber my 

Darling’* 

TRADITIONAL Simon & Garfunkel, Parsley, Sage, Rosemary & 

Thyme, SONY B00005NKKXB00005NKKX 



Page 24 of 29 

or 

Simon & Garfunkel, Greatest Hits, SONY 

B0000024YL 

or 

Hayley Westenra, Celtic Treasure, Decca 

FOSTER, Stephen Heartland: An Appalachian Anthology, Sony 

BMG 


Paul Simon, Anthology Album, Music Sales 


www.traditionalmusic.co.uk/foster-songs/ 

‘The Circle Game’ MITCHELL, J Joni Mitchell, Joni Mitchell Hits, Warner Ladies of the Canyon, Siquomb Publishing 

‘The Water is 

Wide’ 

TRADITIONAL Enchantment, Charlotte Church, Sony 

B00005RGNH 

‘Zebra’ BUTLER, John John Butler Trio, Sunrise Over Sea, Jarrah 

Records 

The Joan Baez Songbook, Amsco Publications 

From The Greatest Ever Improve Your Singing 

Book … For Contemporary Vocalists with CD 

including backing tracks 

The John Butler Trio Songbook, Volume 1, 

Wise Publications

Music Theatre and Film 


Composer/Arranger/Performer Title Film/Show/Anthology and Publisher CD 

ASHMAN, H, MENCKEN, 

A and RICE, T 

ANDERSSON, B and 

ULVAEUS, B 

‘If I Can’t Love 

Her’ 

‘Home’ 

‘Heaven Help My 

Heart’ 

‘Anthem’ ballad 

BACHARACH, Burt ‘Promises, 

Promises’ 

BROWN, J Robert ‘I’m Not Afraid of 

Anything’ 

‘Stars and the 

Moon’ 

‘A Part of That’ 

‘Still Hurting’ 

COLEMAN, Cy ‘Funny’ 

‘You Gotta Look 

Out for Yourself’ 

‘You Can Always 

Count on Me’ 



Page 25 of 29 

Beauty and the Beast Vocal Selections, Hal 

Leonard 312511 

Chess, Chess Selections, Wise Publications 

or 

Hal Leonard 123037 

Original Broadway Cast, Disney, 

B00000DT8E 

1986 London Concept Cast, Decca 

BroadwayB000002GLR 

Anthology Burt Bacharach, Warner Bros Promises, Promises, Dionne Warwick, 

Rhino Handout, BOOOIMMGKY 

Songs for A New World, Hal Leonard 

313188 

FLAHERTY, Stephen ‘I Was Here’ The Glorious Ones: Vocal Selections, Alfred 

Music Publishing, AP. 29165 


1996 Original New York Cast, RCA, Victor 

Broadway, B000003G5U 

The Last 5 years, Hal Leonard, 313206 2002 Off Broadway Cast, Ghostlight 

City of Angels, Warner Bros 1990 Original Broadway Cast, Sony, 

B00000272K 

The Glorious Ones (The Lincoln Center 

Theater Production), Marc Kudisch & 

Company




Page 26 of 29 


FLAHERTY, Stephen ‘Waiting for Life’ Once on this Island, Alfred Publishing. 1990 Original Broadway Cast, RCA, Victor 

Broadway, B000003F2N 

FLAHERTY, Stephen ‘Times Like This’ Lucky Stiff, www.musicnotes.com/sheetmusic/ Lucky Stiff, The York Theatre Production, 

JAY Productions, 

HACKADY, H and 

GROSSMAN, L 

HAMMERSTEIN, O and 

ROMBERG, S 

‘The World 

According to 

Snoopy’ 

‘Softly as in a 

Morning Sunrise’ 

from The New 

Moon 

LARSON, Jonathon ‘Take Me or Leave 

Me’ 

‘One Song Glory’ 

‘Out Tonight’ 

LLOYD WEBBER, A ‘One Rock ’n’ Roll 

Too Many’ 

LLOYD WEBBER, A ‘Rum Tum 

Tugger’ 

LOPEZ, R and MARX, J ‘There’s a Fine, 

Fine Line’ 

‘Purpose’ 

LOPEZ, R and MARX, J ‘The More You 

Ruv Someone’ 

Snoopy, Hal Leonard 312382 Snoopy Cast Recording, That’s 

Entertainment 

The Music of Sigmund Romberg, Alfred 

Or 


Rent, EMI 

or 

The Big Book of Broadway, third edition, PVG 

311658 

The New Moon, Whitehorse Inn and The 

Girlfriend, Hallmark Essential Operetta 

1996 Original Broadway Cast, Dreamworks, 

B00000SALT 

Starlight Express Starlight Express, Original Cast Recording, 

The Really Useful Group 

Cats, Hal Leonard 359465 Cats 1981 Original London Cast, Polydor 

Avenue Q, PVG, Hal Leonard 313269 Avenue Q 2003 Original Broadway Cast, 

RCA Victor Broadway 

Avenue Q, PVG, Hal Leonard 313269 Avenue Q 2003 Original Broadway Cast, 

RCA Victor Broadway


MENKEN, A ‘Dentist!’ Little Shop of Horrors, Broadway Cast, DRG 

Records 

MORRISON, G and 

LAMBERT, L 

SCHONBERG, C-M ‘Why God’ 

‘Show Off’ The Drowsy Chaperone, PVG, Hal Leonard 

313361 

‘Now that I’ve 

Seen Her’ 

SCHWARTZ, S ‘The Spark of 

Creation’ 

‘Stranger to the 

Rain’ 

SCHWARTZ, S ‘Bless the Lord’ 

‘Alas for You’ 

SCHWARTZ, S ‘Popular’ 

‘Dancing Through 

Life’ 

‘For Good’ 

SONDHEIM, S ‘I Know Things 

Now’ 

or 

‘Anyone Can 

Whistle’ 



Page 27 of 29 



The Drowsy Chaperone (Original Broadway 

Cast Recording), Sh-K-Boom Records 

Miss Saigon, Wise Publications 1989 London Cast, Decca USB0000000RS 

Children of Eden selections, IMP Children of Eden, Cast Recording, RCA, 

Victor Broadway B0000060P3 

Godspell, Hal Leonard 359902 Godspell, Cast Recording, Arista 1971 

Wicked, Piano Vocal Selections, Hal Leonard, 

313267 

Wicked 2003 Original Broadway Cast, 

Decca Broadway 

Into the Woods, Warner Bros. 1987 Original Broadway Cast, RCA, 

BOOOOO2WAB


SONDHEIM, S ‘Everybody Says 

Don’t’ 

STYNE, J. and 

SONDHEIM, S 

‘All I Need is the 

Girl’ 

WILDHORN, F ‘Someone Like 

You’ 

Sample programs 

No 1 

‘This is the 

Moment’ 

‘In His Eyes’ 



Page 28 of 29 

Everyone Can Whistle, Vocal Selections, Hal 

Leonard, 312010 

Gypsy: Vocal Selections, Alfred Music Publishing 

AP.30405 

Category Work Composer/Performer 

Vocalise ‘What’s More’ George & Vertigan 

Blues ‘At Last’ Gordon & Warren 


Mandy Patinkin Sings Sondheim, Nonesuch 

Records or 

Broadway Cast Recording, Sony BMG, 

(Harry Guardino) 

Gypsy 2008 Broadway Revival, Time Life 

Entertainment 

Jekyll and Hyde, Cherry Lane 1997 Original Broadway Cast, 

Atlantic/WEA, B000002JC2 

Swing ‘I’m Beginning to See the Light’ James, Hodges, George & Ellington 

Folk ‘The Water is Wide’ (unaccompanied) Traditional 

Rock/Pop ‘Don’t Speak’ Stefani & Stefani 

Music Theatre ‘Home’ from Beauty and the Beast Ashman, Mencken & Rice

No 2 


Vocalise ‘Looking Up’ and ‘Don’t Forget to Call’ George & Vertigan 

Blues ‘Work Song’ Adderley & Brown 

Soul ‘Ain’t No Mountain High Enough’ Ashford & Simpson 

Swing ‘Moondance’ Morrison 

Jazz Ballad ‘Angel Eyes’ Brent & Dennis 

Latin ‘One Note Samba’ (unaccompanied) Jobim 

No 3 


Vocalise ‘Evolution’ George & Vertigan 

Blues ‘Heartbreak Hotel’ (unaccompanied) Presley, Durden & Axton 

Soul ‘You Send Me’ Cooke 

Latin ‘Shaker Song’ Beckenstein, Lasley & Willis 

Contemporary 

Ballad 

‘Yesterday’ Lennon & McCartney 

Country ‘Bird on a Wire’ Cohen 



Page 29 of 29 

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