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Emotional modulation of the postauricular reflex

Emotional modulation of the postauricular reflex

Emotional modulation of the postauricular reflex

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Emotion and <strong>the</strong> post-auricular <strong>reflex</strong> 429<br />

Procedure<br />

Participants provided informed written consent and <strong>the</strong>n<br />

completed a biographical form that screened for physical<br />

ailments, medication use, and visual and auditory impairments.<br />

Following electrode attachment, participants were advised <strong>the</strong>y<br />

would be viewing a series <strong>of</strong> pictures and rating <strong>the</strong>ir reactions to<br />

each. They were instructed to watch each picture <strong>the</strong> entire time it<br />

was on <strong>the</strong> screen and disregard occasional noises occurring<br />

through <strong>the</strong> headphones or earphones. Before <strong>the</strong> main picture<br />

series began, participants were given a demonstration <strong>of</strong> <strong>the</strong> Self-<br />

Assessment Manikin (SAM; Lang, 1980) rating procedure, in<br />

which <strong>the</strong>y characterized <strong>the</strong>ir reactions to pictures on dimensions<br />

<strong>of</strong> valence, arousal, and dominance (cf. Lang, 1980), as well<br />

as interest (cf. Levenston et al., 2000). Each <strong>of</strong> <strong>the</strong> 66 pictures was<br />

preceded by a blank screen for 3 s and was <strong>the</strong>n presented for 6 s.<br />

Seven seconds after picture <strong>of</strong>fset, <strong>the</strong> ratings display appeared<br />

and <strong>the</strong> participant completed <strong>the</strong> four ratings. The interval<br />

between completion <strong>of</strong> <strong>the</strong> ratings and <strong>the</strong> onset <strong>of</strong> <strong>the</strong> next<br />

picture ranged between 8 s and 14 s, averaging 11 s.<br />

Data Processing and Analysis<br />

Because <strong>the</strong> post-auricular <strong>reflex</strong> is a ‘‘micro<strong>reflex</strong>’’ with a low<br />

signal-to-noise ratio (cf. Hackley et al., 1987), averaging <strong>of</strong> trials<br />

within condition was required to score <strong>the</strong> <strong>reflex</strong>. For one set <strong>of</strong><br />

analyses, we aggregated <strong>the</strong> rectified post-auricular waveforms<br />

by <strong>the</strong>matic content within picture valence category. Because<br />

<strong>the</strong>re were equivalent numbers <strong>of</strong> human and object pictures<br />

within <strong>the</strong> neutral category, we aggregated across trials within<br />

each <strong>of</strong> <strong>the</strong>se neutral contents, and we also aggregated across<br />

trials for erotic and adventure contents within <strong>the</strong> pleasant<br />

category, and victim and threat contents within <strong>the</strong> unpleasant<br />

category. Each aggregate waveform thus incorporated data for<br />

nine picture trials. A nine-trial aggregate waveform incorporating<br />

data for all ITI probes was also formed. Post-auricular <strong>reflex</strong><br />

peak magnitude was scored from <strong>the</strong>se aggregate waveforms,<br />

along with mean post-auricular muscle activity during <strong>the</strong> preprobe<br />

baseline. Effects <strong>of</strong> picture valence were examined by<br />

collapsing magnitude scores across contents within valence<br />

category. A subsidiary set <strong>of</strong> analyses was performed to examine<br />

effects <strong>of</strong> affective stimulus intensity on post-auricular <strong>reflex</strong><br />

magnitude. For <strong>the</strong>se analyses, we aggregated post-auricular<br />

waveforms by picture intensity level (low, high) within pleasant<br />

and unpleasant valence categories, again yielding aggregate<br />

waveforms consisting <strong>of</strong> nine trials per condition, and extracted<br />

peak magnitude scores from <strong>the</strong>se aggregates.<br />

Using <strong>the</strong> resultant scores, <strong>the</strong> following analyses were<br />

performed:<br />

1. To examine <strong>the</strong> effect <strong>of</strong> visual foreground engagement on<br />

post-auricular <strong>reflex</strong> magnitude, we conducted a one-way<br />

repeated measures ANOVA in which <strong>the</strong> neutral picture<br />

condition was compared against <strong>the</strong> ITI (no-picture) condition.<br />

A parallel one-way ANOVA was conducted to examine<br />

<strong>the</strong> effect <strong>of</strong> foreground engagement on post-auricular<br />

baseline activity.<br />

2. To examine effects <strong>of</strong> picture valence (pleasant, neutral,<br />

unpleasant) and ear recording site (left, right) on <strong>postauricular</strong><br />

magnitude, a 3 2 multivariate ANOVA was<br />

performed with <strong>the</strong>se variables included as within-subjects<br />

factors. Significant main effects were subsequently examined<br />

in terms <strong>of</strong> orthogonal linear (e.g., pleasant vs. unpleasant)<br />

and quadratic (e.g., pleasant/unpleasant vs. neutral) contrasts<br />

(cf. Bradley, Cuthbert, & Lang, 1993; Bonnet et al., 1995;<br />

Moulder et al., 1995). A supplemental one-way MANOVA<br />

was performed to examine effects <strong>of</strong> picture valence on<br />

baseline post-auricular activity.<br />

3. With regard to picture content and intensity, we were<br />

interested in whe<strong>the</strong>r affect-<strong>modulation</strong> effects for <strong>the</strong> <strong>postauricular</strong><br />

<strong>reflex</strong> would be tied to specific contents or to<br />

pictures <strong>of</strong> high intensity. We addressed <strong>the</strong>se questions by<br />

performing two sets <strong>of</strong> planned contrasts using one-way<br />

ANOVAs. One involved comparisons <strong>of</strong> affective contents<br />

within each valence against each o<strong>the</strong>r, and <strong>the</strong> o<strong>the</strong>r entailed<br />

contrasts <strong>of</strong> pleasant and unpleasant pictures <strong>of</strong> each intensity<br />

(low, high) against each o<strong>the</strong>r.<br />

An a level <strong>of</strong> .05 was used as <strong>the</strong> criterion for significance in all<br />

statistical tests.<br />

Results<br />

Picture Foreground versus ITI<br />

Post-auricular <strong>reflex</strong> magnitudes were smaller during neutral<br />

pictures compared with ITIs, Ms(SDs) 5 6.64 (6.18) mVand 7.98<br />

(5.71) mV, respectively, F(1,23) 5 4.65, p 5 .04, Z 2 5 .17. There was<br />

also a trend for baseline post-auricular EMG activity during neutral<br />

pictures to be smaller than during ITIs, Ms(SDs) 5 0.74 (0.32) mV<br />

and 0.84 (0.36) mV, respectively, F(1,23) 5 2.92, p 5 .10, Z 2 5 .11.<br />

Picture Valence<br />

Figure 1 displays grand average waveforms for <strong>the</strong> post-auricular<br />

<strong>reflex</strong> by picture valence, with average <strong>reflex</strong> magnitudes depicted<br />

in <strong>the</strong> inset bar graph. A significant main effect <strong>of</strong> picture valence<br />

was found for post-auricular <strong>reflex</strong> magnitude, F(2,22) 5 4.16,<br />

p 5 .03, Z 2 5 .27. 4 As shown in Figure 1, <strong>the</strong> post-auricular <strong>reflex</strong><br />

was larger during pleasant pictures than unpleasant pictures,<br />

linear Valence F(1,23) 5 8.50, p 5 .01, Z 2 5 .27. Follow-up<br />

paired t tests showed that post-auricular magnitudes tended to<br />

be greater during pleasant than neutral pictures, t(23) 5 1.94,<br />

p 5 .07, whereas post-auricular magnitudes during neutral and<br />

unpleasant pictures did not differ, t(23) 5 1.11, p 5 .28. No main<br />

effect <strong>of</strong> ear recording site (right vs. left) was found,<br />

F(1,23) 5 1.00, p 5 .33, Z 2 5 .04, and <strong>the</strong> Ear Valence interaction<br />

was not significant, F(2,22) 5 0.31, p 5 .74, Z 2 5 .01.<br />

As fur<strong>the</strong>r evidence <strong>of</strong> <strong>the</strong> consistency <strong>of</strong> <strong>the</strong> post-auricular<br />

valence <strong>modulation</strong> effect, 75% (18/24; 95% confidence interval<br />

5 55%–88%) <strong>of</strong> participants showed numerically greater<br />

post-auricular <strong>reflex</strong> magnitudes during pleasant compared with<br />

unpleasant pictures, and 71% (17/24; 95% confidence interval<br />

5 51%–85%) showed numerically greater post-auricular<br />

<strong>reflex</strong> magnitudes during pleasant versus neutral pictures. Both<br />

proportions significantly exceeded chance, according to formulae<br />

provided by Newcombe (1998).<br />

The MANOVA with picture valence as <strong>the</strong> within-subjects<br />

factor and mean pre-probe baseline post-auricular EMG activity<br />

4 A supplementary analysis was performed in which picture trials were<br />

subdivided into three sequential blocks, and post-auricular waveforms<br />

were aggregated by valence (pleasant, neutral, unpleasant) within each<br />

block. As in <strong>the</strong> primary MANOVA, this analysis yielded a significant<br />

valence main effect, and also a significant main effect for block,<br />

F(2,22) 5 6.77, p 5 .011, Z 2 5 .338, but no Block Valence interaction,<br />

F(4,20) 5 0.95, p 5 .441, Z 2 5 .040. Thus, while <strong>the</strong> magnitude <strong>of</strong> <strong>the</strong><br />

post-auricular <strong>reflex</strong> declined over <strong>the</strong> session, <strong>the</strong> emotional <strong>modulation</strong><br />

<strong>of</strong> <strong>the</strong> post-auricular <strong>reflex</strong> remained constantFconsistent with <strong>the</strong><br />

findings <strong>of</strong> Bradley et al. (1993) for <strong>the</strong> startle blink <strong>reflex</strong>.

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