Walrus Music Catalog

W A L R U S M U S I C P U B L I S H I N G
YOUR JAZZ SPECIALISTS
www.walrusmusic.com
Featuring New Arrangers:
Stephen Clickard William Hogg
Nicola Corso Ayn Inserto
Jason Covey Felipe Salles
Joe Elefante Ezra Weiss
Now in our 27 th year!
See all of our NEW
Big Band and
Little Big Band
Titles!
1
2012 – 2013
PRINT MUSIC
CATALOG

W A L R U S M U S I C P U B L I S H I N G®
YOUR JAZZ SPECIALISTS
2012 - 2013
www.walrusmusic.com
Easy / Easy Medium Big Band Charts, Page 2
Flexible Big Band Charts, Page 7
Medium / Difficult Big Band Charts, Page 7
Vocal with Big Band Charts, Page 78
Vocal Jazz Ensemble (Choir) Charts, Page 79
Christmas / Holiday Big Band Charts, Page 79
Little Big Band Charts, Page 81
Small Group / Combo Charts, Page 93
Sax Ensemble, Page 96
Trumpet Ensemble, Page 99
Trombone Ensemble, Page 99
Tuba-Euphonium Octet, Page 100
Brass Ensemble, Page 100
Concert Band, Symphonic Band, Page 101
Now in our 27th year!
IMPORTANT:
1. MOST BIG BAND CHARTS ARE SCORED FOR 5, 4, 4 & RHYTHM.
2. PRICES & STOCK AVAILABILITY ARE SUBJECT TO CHANGE
WITHOUT NOTICE.
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YOUR JAZZ SPECIALISTS
* * EASY / EASY MEDIUM * *
BIG BAND CHARTS
A'CUTRIMENTE - BY STEVE KESSLER - 52003 - $53. Here's a suave,
beautiful and extremely playable bossa nova designed to feature your alto sax
soloist and second trumpet. A memorable melody is supported by
sophisticated, yet accessible harmonic motives throughout while still being
geared to the capabilities of developing jazz ensembles. It contains great
material and is fun to play. There are written solos in the solo sections.
Trumpet to high A and trombone to high F. 5, 4, 4, G, P, B, D. Easy-medium.
ALWAYS BACON & EGGS - by Elliot Deutsch – 54754 - $50. A roarin’
shuffle that is actually easier to play than it sounds! This is a 16-bar blues in
Bb that can be opened up for many soloists. Lead trumpet plays up to a
written A. This is a great chart for a good middle school band, or just a good
piece for any ensemble that will come together with little rehearsal. “Always
Bacon & Eggs” is a real crowd pleaser. Although I originally wrote this for a
2
middle school jazz band, I play “Always Bacon & Eggs” with my professional
band. It works because of the strength of the melody, and the crowd always
loves it. 5/4/4/P/B/D. Easy.
APRIL NOCTURNE - By Paul Lopez - 51315 - $53. Beautiful slow
Bolero for full band (8 brass, 5 saxes and rhythm). This chart features Alto sax
solo throughout. Very romantic. Easy - Medium level.
AUTUMN'S DREAMS - By David Baker - 50757 - $48. A wistful, lyrical
ballad. No soloists, all written composition. Sax dbls. 10 brass and tuba. Easymed
level.
BAP-BOO-DAH - by Bill Cunliffe -52091 - $50. G minor. Standard big
band orchestration. Medium swing chart, very tuneful, lead trumpet high
written C. West coast style swing with counterpoint sections ala Shorty
Rogers, leading to a powerful shout chorus. Tenor sax, piano and drum solos.
Coda features group improvising over vamp figures. Optional flute part added.
5,4,4,G,P,B,D,Vibes. Easy medium.
BEAUTIFUL FLOWER - by Albert Alva - 51901 - $48. Easy to play, but
effective bossa nova. Theme is played by flügelhorn and alto. 5, 4, 4, P, B, D.
Easy Medium level.
BEWARE THE MOOSE IN LOVE - by Mike Dana - 55357 - $50. If you
are searching for a great sounding, hip chart for young bands (with “moose” in
the title), search no further. This chart has an infectious groove (hints of
Steely Dan), very easy blowing changes (Dm blues, changes provided for any
soloist), fully notated rhythm parts including piano voicings, and very
manageable brass ranges (trt 1 to top space G, tbn 1 to F). If you are willing to
“go there”, an optional bit of moose-inspired peotry is provided. Your
audience will be talking about this chart long after the concert is over. 5-4-4-4.
Easy.
BIG MAMA DIANE'S ROADHOUSE BLUES - by Neal Finn - 51187 -
$50. Funky shuffle tune based on the 60's hit by Canned Heat, "On the Road
Again." Solos for tenor and piano. Features individual sections as well as full
ensemble.Lead tpt. to C above staff (briefly). No dbls. 5, 4, 4, G, P, B, D.
Easy.
BLUES FOR JOHNNY - By Dave Metzger - 51472 - $50. Easy 12 bar
blues in the Basie vein. Starts softly & builds to solo section. Chart concludes
w/ a swinging shout chorus, modulating up a step for “one more time”. Tenor
solo. 5,4,4,G,P,B,D. Easy Medium.
BLUES FOR MESSIN’ AROUND -By Ron Paley - 51145 - $50. Blues for
Messin’ Around is a medium blues written in the style of Count Basie. It
features a trumpet solo with plunger, and piano. Enjoy! 5/4/4/G,P,B,D.
Trumpet to D and trombone to Bb .Piano part is condensed score. Easy
Medium.
BLUES FOR SAMANTHA, A - by BOB MONTGOMERY - 51500 - $46.
Latin rock chart opens and closes with a gospel-like treatment of the melody
featuring the soloist of your choice. Latin-rock, gospel, blues, it’s all here.
Open solo section for any soloist in the ensemble on blues in “F”. Easy
medium.
BLUES OFF THE WALL - by GORDON GOODWIN - 56152 - $53.
Medium tempo, kinda wild Thad style blues with plenty of challenging
ensemble sections for your band to sink it's teeth into. Features piano, bari and
tenor solo. 5, 4, 4, G, P, B, D. Easy Medium.
BLUES PRINT - By Mark Thome - 55184 - $45. This moderate swing
chart is the blueprint of success for the young jazz band. The catchy melody
of this blues in ‘F’ is first played by unison saxes followed by unison brass. A
tutti ensemble chorus paves the way for the solo sections.Solos:Alto or Tenor,
Trumpet or Trombone.Trumpet range: Top line F. 5,4,4,G,P,B,D. Easy
Medium.
BLUES TO GRAB YOU - by Ladd McIntosh - 50501 - $40. Slow, laidback
gritty blues. Solo: guitar and anyone else. Steaming intensity. Limited
Trpt range. Easy medium.

BLUFF POINT - by John La Barbera – 55009 - - $55. Bluff Point is a
minor blues with a bridge, however the improv is just a 12 bar minor blues. A
tenor sax feature, it can be opened up for piano and guitar. The shout chorus
and ensembles sound larger than their difficulty. The close voicings in the
statements of the melody are tempered by keeping the voicings seperated
among the horns. This makes intonation easy. Dedicated to Fred Baker. Fred
was a great friend, talented musician and band director. It was he who asked
me to write this chart early in my career. Because most of my writing was for
professional big bands, it generally was too hard for H.S. Students. He asked
me to write something more accessible for young musicians and “Bluff Point”
was the result. Trpt 1 to written A above staff. 5/4/4/G/P/B/D. Easy-Medium.
BOB SAGET! - by Mike Dana - 55345 - $50. Once in a while a chart
comes along that just makes you ask "why?" This is that chart. This mediumup
blues swings from start to finish. The sax riff at the beginning will make
you want to sing "Bob Saget" out loud. By the end of the chart, you'll be
doing exactly that. Solos for alto, tenor, or trumpet; moderate brass ranges
(bones to F, lead trumpet occasional Bbs.) Suggested piano voicings and fully
notated bass lines (also with chord symbols) are provided. Go Bob Saget! 5,
4, 4, G, P, B, D. Easy medium.
BOSSA DE PACIFICA - by ROGER NEUMANN - 51552 - $41. A very
pretty tune in a moderate bossa tempo. Features Flugel, Alto & Piano w/lush
ens voicings. Easy-medium.
BOSSA RIO - by John Fedchock - 55277 - $50. John Fedchock's gentle
"Bossa Rio" enables developing bands the chance to experience Fedchock's
signature writing style at the medium-easy level. This engaging chart features
warm ensemble voicings and a solo for tenor saxophone with optional notated
solo lines provided. With repeated rhythms, notated rhythm section parts and
sophisticated sounding ensemble passages, this chart is the perfect change of
pace for young groups. 5,4,4,G,P,B,D. Easy Medium.
BREMIS AMONG US, A - by Neal Finn - 51186 - $50. Commissioned
by Lewis Britton Middle School, Morgan Hill, California. A minor blues with
dark timbres and tight voicings to develop your ensemble. Open for any
soloist on minor blues changes. A good chart for young bands... has a mature
sound. Lead trumpet to A above staff. No doubles. Easy.
BUT OF COURSE - By Greg Yasinitsky - 54528 - $44. Straight ahead
medium tempo blues featuring tenor & trumpet. 5,5,5,G,P,D. Easy-medium.
CARVIN' THE PUNKIN' - BY MIKE DANA - 55352 - $57. This is THE
perfect closer chart for your fall concert! Nothing says Halloween like an uptempo
(half note=92) retro swing spooky chart with Metallica overtones.
Drums: listen to Krupa. Guitar, there's a spot for your distortion pedal too.
Solos are for alto, tenor, trumpet, trombone, piano, or guitar. Brass ranges: Tpt
1 to Bb (once); tbn 1 to G. Notated bass lines (also with changes) and
suggested piano voicings are supplied. (Commissioned by Paul Lucckesi for
the San Joaquin Valley Jazz Festival.) 5, 4, 4, G, P, B, D. Easy-medium.
CASUAL 101 - by DAVE METZGER - 51452 - $51. Bossa-rock chart
incorporates snatches of several familiar tunes & combines them in a way that
is both playable & enjoyable. Solo changes in each section. Easy.
CIRCULARITY - by Joe Riposo - 51545 - $45. This is technically an easy
chart but harmonically a very interesting one to play. It is a great chart to
teach balance, blend and intonation. I would suggest at first playing this chart
in a choral style so that students can hear the chord from the top to the bottom.
Tune each chord from the bottom up. Once you are satisfied with the balance
and intonation move to the next chord. This chart can be used not only as a
great performance piece but also as a Jazz Ensemble warm up piece. Tpt.
range to written G#. 5/4/4/G/P/B/D. Easy.
COLORADO SONG - by RYAN HAINES - 56253 - $47. Beautiful,
medium bossa feature for either bone, flugel, alto or tenor sax. Open choruses
for soloist. Written out comping figures for rhythm section, with chord
changes included. Easy ensemble parts. Lead trumpet to high C.
5,4,4,G,P,B,D, + Solos. Easy medium.
CONCHU'S RUMBA - by Paul McDonald - 56100 - $50. Hip Salsa-style
Rumba featuring Alto sax. Lead Trumpet goes up to Bb. 1/4 note = 130.
Running Time 5:15. 5,4,4,G,P,B,D. Easy.
3
* * * NEW * * * COSTA COAST – by Joe Elefante – 52425 - $50.
Relaxed, slow Bossa Nova. Instrumentation: 5 Reeds, 4 Trombones, 4
Trombones, Piano, Guitar, Bass, Drums Trumpet 1 up to written G above
staff, Trombone 1 up to F above staff Guitar Solo. Easy.
COUNTING UP - By BOB MEYER (Concept Music) - 50600 - $40.
Medium swing for easy-medium level. Trpt range to G, Trbn to F. 5, 3, 3, G,
P, B, D.
CRUISE CONTROL - By JOHN MILLS (Concept Music) - 50601 -
$40. Up-tempo swing for easy-medium level. Trpt to G, Trbn to F. Six
brass. 5, 3, 3, G, P, B, D.
CURB APPEAL - By Jeff Richmond - 54736 - $50. This medium modal
swing chart provides opportunities for directors towork on style and feel while
not overwhelming the students withtechnique concerns. Solos for alto, tenor,
trumpet, and/or trombone. A nice crowd pleaser. Trumpet to E in the
staff.5/4/4, G,P,B,D.Easy Medium.
CUT TO THE CHASE - By Dave Metzger - 51468 - $48. Exciting straight
ahead up tempo chart. Begins with a catchy bass/piano riff underpining the
melody, has a tenor sax solo, and closes with a rousing shout chorus.
5,4,4,G,P,B,D. Easy-med.
DOIN' THE ZOO - BY MIKE DANA - 55350 - $50. "Zoo" is a hard
driving medium-up (mm=156) opener that sounds hip, has an easy solo
section, and will make your young band soung GREAT. The melody is played
by altos and trumpets, with backgrounds added on the repeat. The solo section
has chords cued in Alto 1, Tenor 1, Trumpet 2, guitar, and piano. The solos
are based on D dorian and F dorian-eight bars each. Even young soloists will
feel comfortable on these changes. Notated bass lines (also with changes) and
suggested piano voicings are supplied. 5, 4, 4, G, P, B, D. Easy.
DROP IN THE BUCKET, A - By John Fedchock - 55284 - $50. A Drop In
The Bucket is a medium groove shuffle for developing jazz ensembles with a
simple melody and conservative ranges. Simple blues-like chord changes and
expandable solo space is provided for tenor saxophone with an additional
option for a trumpet solo. The chart spotlights a unison sax melody, an
exciting ensemble chorus and a brief brass soli section. 5,4,4,G,P,B,D.
Trumpet 1 to A above the staff. Easy Medium.
* * * NEW * * * EAGLE SAMBA– by Darin Kamstra – 51932 - $45.
A great introductory Latin chart for first-year jazz ensembles. Named for the
Redlands Middle School Eagles, who premiered the piece. Friendly ranges for
young students; trumpet to D in the staff. Open solo section for any
instruments on ii-V-I in Bb Major, as well as an open solo section for drums
and percussion. 5,4,4,G,P,B,D. Optional parts for flute, clarinet, horn, tuba,
and vibraphone, as well as percussion parts for up to four players. Easy.
EARLY BIRD, THE - by Sherisse Rogers - 54632 - $50. A funky "street
beat" with swing 16ths, tune in a bluesy style. Melody first featured in sax
section, followed by full ensemble repeat of the melody. "B" leads back
variation of "A" section. Rhythm section featured groove section followed by
ensemble variation melody as backgrounds to rhythms section vamp. This
song contains no solos. . 5, 4, 4, G (written part), Vibes, P, B, D. (Midi demo).
Easy/Medium.
EASY GOIN’ - by John Fedchock - 55285 - $50. This is a medium-swing
tune designed especially for big bands with developing abilities. Featurung
alto and trumpet solos, unison lines and recurring rhythms, it’s a surefire
winner for all kinds of programs. As the title suggests, the ensemble should
play with a relaxed attitude and at comfortable volume.Trpt. 1 to G above
staff. 5,4,4,G,P,B,D.Easy Medium.
EPILOGUE - by BILL CUNLIFFE - 52082 - $50. Fairly easy even eighth
note ballad. Piano feature, all written out, but also with changes. Top trumpet
note written Bb. Harmonically sophisticated and moody. 5, 4, 4, G, P, B, D.
Easy-medium.
EVER-CHANGING HORIZONS - by MIKE CROTTY - 50980 - $55.
An unusual “tone-poem-like” piece. Written in an Afro-Cuban 12/8 feel, it
features the drums throughout as the element that ties it all together. It
highlights a great amount of independent non-sectional playing by the
ensembe. In addition to drums, soloists include tenor and/or trumpet and

trombone. This piece is accessible by bands of all skill levels and will
definitely add a change of pace to any programming. Easy medium.
EVERYTHING'S AWRIGHT - by Neal Finn - 51191 - $50. Just a light,
swinging jazz tune with a lot of ensemble writing that will require some
rehearsal time for precision. But not a killer range wise. Lots of accents and
rhythmic tricks that are unexpected. Good showcase for your ensemble's best
playing. Lead tpt. - high C. No doubles. 5,5,4,G,P,B,D. Easy medium.
* * * NEW * * * EXTENDED THEME – by Dirk Fischer – 54922 -
$50.Three salient Blue Notes utilized in a variety of sequences & voicing’s.
Db blues framework for improvising. Nice full voicing for saxes. Soprano
double on Lead alto. High Ebs for first trumpet. Effective performance
opener. Works well at most Groove tempos. MM ¼ note = 120-138.
5/4/4/Tuba/G/P/B/D/Perc. Easy Medium.
FAMILY JEWEL, A - By Ron Paley - 55146 - $56. This is a tender
emotional ballad that features piano. 5/4/4/G,P,B,D. Trumpets D, Trombones
B.Easy Medium.
FAREWELL TO BIRDLAND (Simplied Arrangement) - BY NEAL
FINN - 52201 - $50. The piece was first commissioned by the California
Music Educators Association (CMEA). This is the laid back blues in the style
of Jimmy Giuffre's "Blue Birdland". Two sections open for solos. Requires
tight ensemble work. Key change over the last chorus makes for a poweful
ending. Lead Trumpet: Bb below high C. Open for any soloist. No doubles. 5,
4, 4, G, P, B, D. Easy.
53RD STREET SHLIDE - by MIKE DANA - 55338 - $ 55. This mediumtempo
(mm=128) Bb blues shuffle is a great opener for your young band.
Solo changes are included for alto, tenor, trumpet, a d trombone, and can be
opened up to feature any other soloist. Ranges: trumpet 1 to G, trombone 1 to
F. Notated piano voicings and bass lines are provided, along with chord
symbols. 5,4,4,G,P,B,D. Easy.
FIRST LOVE, LAST KISS - by CAROLE WYLIE - 54080 - $41.
Thoughtful ballad for Flugel solo. Beautiful melody, lush orchestration. Chart
builds effectively. Easy medium.
Funk And Donuts - by CHUCK TUMLINSON - 55303 - $52. A Hip
Hop Shuffle Funk feature for the trumpet section. Features a melody and soli
for the trumpets. This piece was commissioned by the Yorba Linda, Ca.
Middle School for a performance with Bobby Shew. The solo section is open
for any trumpets. The trumpet solis are Medium level, other parts are Easy-
Medium.
GEMS - by KIM RICHMOND - 50412 - $35. An effective & beautiful
tone poem, written w/elegance & style. Majestic arpeggios, a simple &
uncluttered melody & charmingly spun to a delicate conclusion. Vocal choir
parts are included w/the arrangement. Dbls.Easy Med.
* * * NEW * * * GET YOUR BRASS OUTTA HERE - by Tom
Kubis – 55592 - $50. Sax. feature. Minor blues - C minor. Open for saxes.
Minor blues changes. 5/5/4P/B/D. Trpt. 1 to written high A above staff. Easy
Medium,
GIVE AND TAKE - by CHRIS MADSEN - 53084 - $50. A slow,
mysterious ballad feature for texor sax. Good from the emerging/beginning
jazz ensembe with lead trumpet only reaching G above the staff. Tenor plays
melody and has a chance to improvise over some modal, mysterious chords.
Piano voicings are supplied. 7 brass. Easy.
GOODBYE - by DAVE METZGER - 51479 - $48. This emotional 3/4
ballad was written in memory of David’s high school band director, Harvey
Brooks. It is an ensemble chart with a few clarinet or optional tenor sax
melodic (written out) solos. The chord changes are dark and lush, with the
emphasis on color. Trumpet high note - written B. Easy Medium level.
GREASE’S BLUES - by BOB MONTGOMERY - 51505 - $44.
Medium tempo blues written in memory of Chris Woods. Lots of unison
writing in brass and reeds. Features one soloist of your choice through the
main part of the chart with an open solo section on blues in “F.”
5/4/4/G/P/B/D. Easy medium.
4
HIP DUDES - By Richard Percival - 53032 - $50. This fun packed little
shuffle should be great fun for younger players. With fully scored rhythm
section parts and extensive part doubling to cover any weak areas this
enjoyable chart should require minimal rehearsal while providing a lively and
memorable moment in the program. 5,4,4,P,B,D. Trpt 1 to F# on staff with
one high A.Level – Easy.
HIPPOPOTAMUS BLUES - By Darin Kamstra - 51931 - $40. A fun, very
easy-to-play Bb blues that is a great introductory swing tune for young
students. The solo section is open for any instruments, and the piano and bass
parts are fully notated along with chord symbols. If you have been looking for
a swing chart that students with as little as one year of experience on their
instruments can play, then your search is over. 5/4/4/G,P,B,D. Optl flute,
clarinet, horn, tuba, vibes. Trpt. to D on the staff. Easy.
I FEEL IT - By Ron Paley - 55147 - $50. Like “Rapid Deployment”, “I
Feel It” is another mood piece. It opens with a medium 16thy conga feel and
an ostinato bass line. The synth has the melody first, and the flutes join in. It’s
not very long...there are no solos in this particular version (although it
certainly could be, and should be , opened up for solos). It’s designed to create
a mood and then, with the wink of an eye...say...bye. 5/4/4/G/P/B/D/ Trumpet
to E (opt 8vb) and Trombones to G.Easy medium.
I HUNG THE MOON UP THERE JUST FOR YOU - by Don Bower -
56481 - $45. Medium-slow "band ballad" with features in each section.
Changes for guitar, trombone, and alto. No doubles; lead to A5. Easy.
I'LL REMEMBER - By BOB FLORENCE - 50330 - $45. Bossa nova
featuring sax section melody, alto bridge, tenor cadenza. Easy-medium. Some
sax dbls.
IN DYER STRAITS - By Mark Thome - 55180 - $50. This was
commissioned by the Miller Junior High School jazz band directed by
William Dyer. This is a sophisticated, contemporary sounding, mostly modal
chart in a straight- eigth note groove. Things get a little funky before the onechord
open solo section, where it settles back to the original groove. Solos:
alto, tenor, trumpet or trombone. Trumpet range F# top line. 5/4/4/P,B,D,
Optl. vibes.Easy Medium.
* * * NEW * * * IN THE SWING HOUSE - by Mark Thome –
55185 - $50. Your young band will have toes a-tappin' in this up-tempo blues
chart. There are two Bb blues open solo sections to keep the party going.
Written out piano and bass parts. Trumpet range: written G (top of staff)
5,4,4,G,P,B,D. Easy Medium.
INDIAN BINGO - by Albert Alva - 51903 - $45. Haunting bossa nova
with solo section for alto saxophone improvisation. Easy medium.
IT’S MONKEY TIME - by Mike Dana – 55359 - $50. Commissioned by
Paul Lucchesi for the 2011 San Joaquin Jazz Festival. The chart revolves
around the rhythm section groove that starts at the top. The groove continues
at A, then breaks into time at A9, back to the grove at A13. The pattern
continues at B. Horns (as always!) should pay attention to the articulation.The
solo section starts at C. The rhythm section plays sparingly at first & the
drummer should play soloistic time with the soloist. The whole thing should
build through F8, then settle in the opening groove for the recap at G. The
soloist returns 4 before H with some sparse fills behind the rhythm section and
vocals. Yes, vocals & actually more of a chant. At H, the band should enter
softly; after H, these should be very soft, almost a whisper. Next time a
students asks you what time it is, you’ll have an answer! I hope you enjoy
Monkey Time. Tpt. 1 to written G above staff. 5/4/4/G/P/B/D. Easy Medium.
Jamie - by GUS KAMBEITZ - 56356 - $50. Jamie is a great ballad
feature based on the changes "Never Land" from Peter Pan, that works with
either trumpet or flugelhorn. Easy to play, with full background figures.
Range is not a problem. Great for high school bands. Easy medium.
JOURNEY HOME - By JEFF HELMER (Concept Music) - 50602 - $40.
Rock-shuffle. Alto feature. Easy-medium level. Trpt to Ab, Trbn to Gb.
KOTO FOR JAZZ BAND - by CAROLE WYLIE - 54081 - $41.
Haunting ballad with lovely voiced chords. No solos. Limited Trumpett
range. Easy.

LA PENULTIMA - 50516 - $43. Slow hlaf time latin with sensual,
haunting Tenor solo. Bass solo written out. Trpt to high “C”. Doubles. Easy
medium.
LAID BACK - by ROGER NEUMANN - 51557 - $40. Easy swing. It
has unison Trpt section playing a catchy melody. Solos for Tenor & Piano
w/fat ens writing. Easy-medium.
* * * NEW * * * LASSUS TROMBONE – by Dirk Fischer – 54923 -
$53.Henry Fillmore's classic trombone feature. Medium cut time swing. Half
note-96. Trombone unison & section solis. March form, with Dog Fight Trio,
& recap of "A" strain. Easy horn ranges, clarinet improv over trio. Crowd
pleaser. Trpt. 1 to written B above staff. 5/4/4/6/P/B/D. Easy Medium.
LAUREN AMANDA - by Steve Kessler - 52007 - $45. Beautifully melodic
and very approachable, this lush ballad puts the spotlight on your tenor
saxophone soloist in this original tune. A sweet melody and fully scored
backgrounds make this a perfect chart for a young soloist, as well as a great
vehicle for a more experienced player. The fully written solo part is both
lyrical and accessible and will give your young soloist confidence and an
opportunity for exposure. A great chart for young players! Trumpet to top line
F# and Trombone to high E. Highly recommended! 5, 4, 4, G, P, B, D. Easy
medium.
LAZY LEONARD’S BLUES - BY Matt Catingub - 50236 - $62. This
chart is scored for the beginning to intermediate jazz ensemble. Medium
swing blues tune with optional writen solos for alto, trpt & tenor. Sounds great
& easy to play. 7 Brass. Easy - Medium.
* * * NEW * * * LIFE-SHOUT – by Joe Elefante – 52426 - $55.
Medium-up Shuffle/Swing in the Basie tradition. Instrumentation: 5 Reeds, 4
Trombones, 4 Trombones, Piano, Guitar, Bass, Drums. Trumpet 1 up to
written A above staff, Trombone 1 up to A above staff. Trumpet Solo. Easy
medium.
* * * NEW * * * LONDONDERRY AIR – BY Dirk Fischer – 54927
- $50.1855 Irish Melody. Ballad Tempo ¼ note = 90=92. Full, Thick,
Thornhillish ensemble Arr. Alto Sax feature. Buckets or Flugelhorns
recommended. Molto legato throughout. Trpt. I, high C. Easy Medium.
LOS DEDOS de los PIES - by MANUEL ORTEGA - 53040 - $44.
Quick paced latino tour-de-force. Tenor, Trpt, Bone & Guitar solos. Trpt to
High E (briefly). Easy-med.
LOVE WON'T COME - by Paul McDonald - 56101 - $45. Lush, dramatic
ballad. Tenor Sax featue with solo and cadenza to finish. Also features
trombone soli and extended coda passage building to climax. Lead Trumpet
goes to C. 1/4 note = 76. Running Time 4:45. Easy.
LULLABY - by Matt Moresi - 53018 - $55. Straight-eighth 3 feel, mediumslow
tempo. This is a beautiful and happy ballad tune featuring the tenor
saxophone. Flute, 2 clarinets, and bass clarinet are used instead of saxophones
and the parts are simple and fairly easy. Great chart to introduce your sax
players to dubles! Trumpets can double on flugelhorns, but is not required.
Trumpet to a written A above the staff. Fl, Clr, T, Clar, Bass Cl, 4 Tpts, 4
bones, P, B, D. Easy medium.
LULLABYE FOR EJH2 - by Don Bowyer - 51070 - $47. Medium ballad
featuring solo alto (plus full sax section.) Beautiful interplay between the
soloist and the band. No doubles; lead trumpet to B5. Easy medium.
MAMBO PARA ESTUDIO (Mambo Etude) - by Dirk Fischer - 54921 -
$50. Mambo, MM circa 1/2 note=190. Atipico figures for entire ensemble,
open for solos, blowin changes included. Effective and easily accessible. Lead
trpt. High C's & one high D. 5, 5, 4, Baritone Horn, G, P, B, Easy medium.
MARLIES - by Don Bowyer - 51071 - $47. Beautiful ensemble ballad.
Changes in piano and trombone parts. No doubles; lead trumpet to G5. Easy.
MIDNIGHT PASSAGE - by John Fedchock - 55278 - $50. This is a
medium level chart in the modal style with solos for alto and tenor
saxophones. At a medium tempo, the arrangement features moderate brass
ranges, swinging unisons, and ensemble figures, ending with a final full-band
shout chorus. 5,4,4,G,P,B,D. Easy Medium.
5
MINDY'S SONG - BY STEVE KESSLER - 52002 - $55. This lush, warm
yet haunting ballad puts the spotlight squarely on your trombone player, while
allowing the ensemble to relax a bit with the moderate range demands in their
parts. A beautiful ballad for younger groups that will round out your festival
or concert program. Trumpet to optional high C. Trombone to high Bb. 5, 4, 4,
G, P, B, D.Easy-medium.
MIRA - By Bert Ligon - 56300 - $50. This chart begins as a pretty bossa,
shifts to a samba and returns to the bossa theme at the end. Trumpets (opt'l
flugelhorns) have the melody at A and the trombones have it at B. The saxes
take more elaborate turn with the A theme at C. The brass return with the B
theme at D in a new key. The bossa ends over a Eb minor pedal section. F
begins the Samba section in G minor using similar material to the Eb minor
pedal section. The rhythms during the samba section are simple enough for a
high school band to play and interesting enough to make the music exciting.
Open solo section. 5,4,4,G,P,B,D. Easy Medium.
MIRA COSTA - by Mike Dana - 55346 - $50. This is a beautiful
medium tempo (mm=132) bossa that works great for young bands. The
melody is played first by alto/tenor/trumpet/bone (with optional guitar or
vibes.) The soloist (any of the above) can stay in C minor as the changes
move around that key. Easy for brass: lead trumpet stays in the staff.
Consider this one for the middle tune in your festival set. Easy.
MS. HUNTER - by Gus Kambeitz - 56366 - $40. A great 3/4 ballad that
features Alto Sax. This is a great festival showcase for a middle school or
even a smaller school as much of the parts are cross scored. Lead trumpet to
"G" on the top of the treble clef. No doubles. 5, 4, 4, G, P, B, D. Easy
medium.
NANCY'S EYES - BY GUS KAMBEITZ - 56362 - $35. Nancy's Eyes is a
ballad written by Kristen Strom, a bay area jazz legend and former member of
the "Nuclear Whales" sax quintet. This is a great Tenor sax feature with nice
changes for the soloist. Band parts are pretty easy, great mid set chops rest for
your brass secion. Grade 2/3 due to some monor time changes. Easy-medium.
NELSON SHUFFLE, THE - BY CHARLIE RICHARD - 54422 - $55. A
swingin' rock shuffle written to celebrate the career and retirement of long
time great Orange County band director, Wayne Nelson. The melody is for
trumpet, alto and tenor. Later there is a medium hard shout chorus with a key
change. Solo chord changes are in all of the parts and the high note from
trumpet 1 is a written Eb. There are 8 Brass. 5, 4, 4, G, P, B, D. Easy-med.
NICE HAT - by MIKE DANA - 55339 - $55. Here's the perfect chart to
feature your drummer...specifically, your drummer's hi-hat. The Monk-ish
melody has lots of holes for some tasty hat fills. The tempo (mm=140) and
ranges (trumpet to C, trombone to G) are very manageable for high school
players. The solo section, a slightly modified Bb blues, features alto or tenor.
Piano and bass parts contain both notation and chord symbols. Easy-medium.
NIKKI'S DREAM - BY TOM KUBIS - 55573 - $55. This is a cute samba
written for my daughter Nicole. This is a pretty little tune but has a lot of drive
in the ensemble. Trumpet 1 to written nigh Eb. Easy medium.
NOCHE DE LUNES - by Elliot Deutsch – 54757 - $50. Commissioned for
the Caltech Monday Jazz Band, “Noche de Lunes” is a funky cha cha in the
style of late Tito Puente, Poncho Sanchez, and Eddie Palmieri. The strong and
hummable melody is first played by the saxophones and is then echoed back
by the trumpets. The trombones provide driving hits that bring the
arrangement to life. there is solo space for baritone sax and dueling alto solos.
This piece is simple to play, but doesn’t sound simple. This is a frequent
request at my professional big band shows.Lead trumpet plays a written D
above high C. 5/4/4/P/B/D. Easy - Medium.
NOT MY PROBLEM - by Mike Dana - 55356 - $50. Here is a great opener
for developing bands. The chart starts with a half-time swing funk groove,
followed by a quirky but VERY funky melody. Solos can feature anyone in
the band, followed by a drum solo over the groove. The changes are easy, and
a separate chord sheet is included. 5-4-4-4, with optional flute, clarinet, and
vibes parts included. Rhythm parts are notated. Very conservative trumpet
ranges (lead to top space G). Easy.
NOT QUITE SUMMER - by MIKE DANA - 55340 - $55. Your band will
love this medium-up tempo (mm=144) chart based on the changes of
Summertime. A driving bass line supports the melody, played by altos and

trumpet. Solo changes are included for alto, tenor, trumpet, and trombone,
and can be opened up to feature any other soloist. A strong (but very
playable) shout chorus follows. Ranges: trumpet 1 mostly G (one A),
trombone 1 to F. Notated piano voicings and bass lines are provided, along
with chord symbols. Easy-med.
NOW THAT’S AN UNDERSTATEMENT - by Roger Neumann - 51558
- $41. SThis is a swinging blues with solos for Trumpet, Bone, and Piano. A
“Basie” flavor comes through in the sax soli and full ensemble section. Easy
medium.
OMNIUM GATHERUM - By JAMES POLK (Concept Music) - 50603 -
$40. Up-tempo swing for easy-medium level. Trpt range to A, Trbn to Gb. 5,
3, 3, G, P, B, D.
PATHFINDER - By JEFF HELMER (Concept Music) - 50605 - $40.
Minor blues for the easy-medium level. Trpt range to E in staff, Trbn to F.
* * * NEW * * * PLEASE CHECK YOUR 7C AT THE DOOR – by
Tom Kubis – 55591 - $50. Jazz shuffle. Features Trumpet section. Sax. intro.
Trpt. blues chord changes with background. Piano solo. Nice easy chart!
5/5/4/P/B/D. Trpt. 1 to written Ab above staff. Easy Medium.
* * * NEW * * * POMP AND CIRCUMSTANCE – by Dirk Fischer
– 54925 - $35. Bonus, separate short TV Fanfare on first page. Standard BB
instrumentation, plus Tuba. Classic Commencement March. Arranged for BB
with ample rests For horns on repetition. Opens with brief fanfare. As
graduates are finishing their entrance the arrangement segues to last 2nd
ending for climatic finish. Trpt. I high Cs & possible high F on fermata. Alto
I high F. This arrangement has been very usefully employed by Jazz
Ensembles where concert band is absent.5/4/4/Tuba/G/P/B/D. Easy Medium.
PORK CHOP THURSDAY - by MIKE DANA - 55341 - $55. Inspired
by Homer Simpson's favorite day of the week, the VERY playable mediumup
(mm=140) chart really cooks. A bluesy intro sets up the tasty 16-bar
melody, played by altos and tenors. Solos are for alto, tenor, or trumpet.
Ranges are very manageable: F for trumpet, Eb for trombone. Chord voicings
and bass lines are provided. Students and audiences alike are sure to eat this
one up! Easy.
RAINBOW TERRACE - By BOB MEYER (Concept Music) - 50606 -
$40. Ballad for the easy-medium level. Trpt range to A, Trbn to F. 5, 3, 3, G,
P, B, D.
READ ‘EM AND WEEP -by Allen Carter - 50912 - $48. Medium tempo
swing featuring all sections of the band and soloists from each section. Easy
medium.
REPARTEE - by Don Bowyer - 51072 - $50. Swing tune; features vibes
(two mallets.) Band parts go together easily. No doubles; lead trumpet to G#5.
Easy medium.
SATISFACTION GUARANTEED - by NICK LANE - 52029 - $49. A
rockin’ shuffle featuring a trombone/baritone sax duet (optional 2 trombones).
Slow rubato opening into a double time swing groove. 5/4/4/G/P/B/D. Easy.
SEPT. MORN. MARCHE - by Dirk Fischer – 54919 - $50. 6/8 March used
as a spirited Recessional for Commencement Exercises. Dotted Quarter note =
108 Instrumentation; Flute or piccolo, 5 sax’s, ( a,a,t,t,b ) 3 trumpets, 2 tenor
trombones, bass trombone & Tuba, tympani, drums, & bass. Tpt. 1 to G above
the staff. Easy Medium.
SHREVEPORT MAMA - by Don Bowyer - 51073 - $50. This one is a
happy, two-beat dixieland feel for the whole band. Eight-measure solos for
trombone 1, trumpet 2, clarinet, piano, tenor 1, trombone 2, bass, tenor 2,
trumpet 4, alto 1, and drums. Bari doubles on clarinet; lead trumpet to G5.
5,4,4,P,B,D. Easy medium.
SHUFFLE SHACK, THE - by ALLEN CARTER - 50921 - $40. A
medium tempo shuffle for the middle school level jazz ensemble. Optional
solos on numerous parts. Opional written out voicings. First trumpet to G
above the staff. Easy.
SILVERADO - By BOB MEYER (Concept Music) - 50607 - $40.
Mellow fusion for the easy-medium level. Trpt range to B, Trbn to G.
6
SIMPLE DAYS - by RYAN HAINES - 56271 - $50. Pretty, medium bossa,
featuring Tenor 1 (opt'l parts included to feature Trumpet 4 on flugel). Easy
ensemble rhythms & easy solo changes for Alto 1, Tenor 1, Trumpet 3, &
Trombone 1. Trumpet to high A. Lead trombone to G below high Bb. Easy
medium.
SING DAMMIT! - by Dirk Fischer - 54920 - $50. Pop-rock-ballad, vibes
solo (partly improvised). Effective interplay with guitar, vibes, & piano.
Soprano sax lead, stresses melodic, singing ensemble work. Bass part
completely written.Trpt. high B. Easily accessible by young players. Easy
medium.
SITE FOR PSORIASIS, A - by Mike Dana - 55347 - $50. Your band
will be itching to play this medium shuffle. The melody gets under your skin,
and the shout chorus really burns! Listen carefully for cameo appearances by
Wayne Shorter and the Pink Panther. Moderate brass ranges; suggested piano
voicings included. Nothing rash here, just a grooving opener! 5,4,4,G,P,B,D.
Easy medium.
SKYLIGHT - by John Fedchock - 55279 - $60. An easy medium up-tempo
swing chart, featuring moderate brass ranges and reoccuring rhythms along
with a notated solo for tenor saxophone. Rhythm parts are completely notated,
and also include chord changes. A unison sax vs. brass passage leads to the
final shout chorus, bringing the chart to an exciting conclusion. Trumpet
range: A above staff. 5, 4, 4, G, P, B, D. Easy medium.
SNEAKERS FLEXIVEIS - by Don Bowyer - 51074 - $50. Bossa nova bari
feature! Beautiful melody and changes. No doubles; lead trumpet to E6. Easy
medium.
SOUTHWIND - By JEFF HELMER (Concept Music) - 50608 - $40.
Medium bossa for easy-medium level. Trpt range to E in staff, Trbn to F.
* * * NEW * * * ST. CLARES – by Dirk Fischer – 54924 - $30.
Mod. Swing Waltz ¼ note = 108.Program material suggested by my brother
Clare’s exercise in a Passacaglia like structure. Short melodic single voice
patterns superimposed form the harmonic context. EZ ranges. Extended
chordal alterations. Dedicated to St. Clares Annual BBQ of Santa Clarita and
my brother. Trpt. 1 has one A above staff. S/A/T/T/4/4/G/P/B/D. Easy.
SUMMERSPACE - By Bob Montgomery - 51510 - $45. An interesting and
fun chart in 12/8 time based on the chord changes to “Summertime.” It
features any soloist of your choice throughout and opens with a cadenza by
the soloist. Trpt to high C. Easy Medium.
THOSE BIG BABY BLUES - By Greg Yasinitsky - 54534 - $37.
Playable by most school bands, medium blues w/easy rhythms. 5,4,4,G,P,B,D.
Easy.
TIME IS RIGHT - by ROGER NEUMANN - 51565 - $47. An out and
out shuffle. It’s got blues changesw, but extended to a 20 bar chorus. Lots of
swinging ensemble. Solos: Trumpet, Tenor, and Piano. Playable with 4 saxes,
3 trumpets, and 1 bone. Easy medium.
TOO HIP FOR THE ROOM - by MIKE DANA - 55342 - $55. This
relaxed (mm=108), hip (but not too hip!), Basie-style chart is a great vehicle
for teaching your young band how to lay back. This is the perfect middle-ofthe-set
chart. There are short solos for trumpet and either alto or tenor.
Ranges: trumpet 1 to G, trombone 1 to F. Notated piano voicings and bass
lines are provided, along with chord symbols. 5,4,4,G,P,B,D. Easy.
TOO NICE - by ROGER NEUMANN - 51566 - $43. A pleasant straightahead
swinger, with a Basie flavor. It’s ensemble all the way, no solos. A 32
bar sax soli that gives your saxes something to work on. Easy medium.
* * * NEW * * * TROMBODIASIS – by Joe Elefante – 52429 - $50.
Fun Blues Shuffle that features the entire Trombone section. Instrumentation:
5 Reeds, 4 Trombones, 4 Trombones, Guitar, Bass, Drums. Trumpet 1 up to
written Eb at top of staff, Trombone 1 up to A above staff. Trombone 1-4
Solos. Easy Medium.
UP IN THE AIR - by Jeff Richmond – 54739 - $50. Up In The Air is a lush
ballad that has a floating feel and incorporates solo vignettes into the
composition's structure. Solos for trumpet, trombone, alto sax, tenor sax,

and/or piano. No doubles. Trumpet range to written G on top of the staff.
5/4/4/G/P/B/D. Easy Level.
WHAT'S NEXT - by BERT LIGON - 56309 - $48. Modal swing (1/2 note
= 116-120+). Easy to play for beginning band. Solos over F dorian & Ab
mixolydian.Easy medium.
WHAT'S UP - by Joe Riposo - 51535 - $40. This easy blues is perfect for
younger bands. The chart just naturally swings. A great chart to teach jazz
articulation. Sections can be opened for solos if desired. Trpt range is only D
on the staff, and Trombones only go up to an F. Students will have fun with
this chart and sound like pros. 5, 4, 4, P, B, D. Easy.
WHITE MOUNTAIN MOONLIGHT - BY RON PALEY - 51136 - $55.
White Mountain Moonlight is a ballad written in the style of Glen Miller's
"Moonlight Serenade" with Clarinet lead. Like Millennium Jump, it is one of
the songs from the big band musical "Bring 'Em Back!". Would anyone like to
slow dance? Trumpet to A. Trombone to A. Easy-med.
WHITESBORO JAZZ SUITE - by Joe Riposo - 51544 - $50. This
composition has three parts, Jazz Waltz, Ballard and a Soul Funk Jazz Rock
section. Each section offers a lot of excitement and full of energy. Here is
your chance to showcase you Alto, Ten./Sax and Trombone player
improvising on easy chord changes. This suite sounds hard but plays easy.
This composition will make a great opener for any live concert as well as a
guaranteed winner at any festival. 5,4,4,4 (Pno., Bass, Drums and Guitar)
Trpt. range in only high C. Easy Medium.
YA GOT ME - by Don Bowyer - 51075 - $50. Medium swing alto feature,
with an exciting sax soli. Changes for alto and piano. No doubles; lead
trumpet to D6. Easy medium.
YELLOW EYES: A FANTASY - 50537 - $38. Lush ballad for Flugel
solo. Doubles. Easy.
YOU'RE THE TOPS - by Don Bowyer - 56482 - $50. In the style of the
Buena Vista Social Club, this medium-tempo Latin tune features two bari
saxes (alto 2 is optional). Based on a popular children's folk song. No doubles;
lead trumpet to A5. A,T,T,B,B,4,4,G,P,B,D. Easy Medium.
* * FLEXIBLE BIG BAND CHARTS * *
CELEBRATING THE FIFTH - by Roger Newmann - 51554 - $45. A
“bluesy” tune that is not a blues. The interval of the dimished fifth is
prominent in both melody and harmony. The chord progression makes
extenseive use of the “Circle of Fifths,” but in reverse (an interesting
challenge for soloists). Can be played with 3 saxes, 2 trpts, 1 bone, and
rhythm. Easy medium.
COMIN’ THRU! - by ROGER NEWMANN - 51567 - $45. A medium-up
tempo swinger with challenging figures. Solos for trumpet and piano. Will
sound great with only 3 brass (2 trpts and 1 bone), 3 saxes (alto, tenor, and
bari), and 3 rhythm. Medium difficult.
GROUP G - by LADD McINTOSH - 50539 - $40. A latin tune based on
different uses of the Phrygian Mode, it has 3 easy harmonic sections. Can be
played with 6 horns and rhythm. Easy medium.
MORNING LIGHT - by ROGER NEWMANN - 51568 - $45. Very pretty
bossa nova with lush voicings and interesting changes. Flugel and Piano solos.
Will sound great with only 3 brass (2 trpts and 1 bone), 3 saxes, (alto, tenor,
and bari), and 3 rhythm. Medium difficult.
NAZ, THE - by LADD McINTOSH - 50540 - $40. A delightful swing
chart. Easy-to-play minor blues. Superb dialogue between brass and saxes.
Excellent rhythmic study. Can be played with 6 horns and rhythm. Easy
medium.
NILESOLOGY - by BILL CUNLIFFE - 52081 - $55. Bb Blues. Medium
tempo blues chart, playable by as few as six horns. Written out solos. Easy.
7
QUADREEDA - by Ladd McIntosh - 50541 - $40. Alternates three
different styles: Shuffle, Swing, and Latin. This one drives. Excellent study
for anticipated rhythms. Can be played with 6 horns and rhythm. Easy.
REZ-I-DOO - by Ladd McIntosh - 50542 - $40. Very hip funk chart.
Good feel. A bit more challenging than the rest in this series but well within
the limitations of the easy-medium level. Rich, full-voiced chords. Simple
jazz changes. Can be played with 6 horns & rhythm. Easy medium.
SWEETIE PIE - by ROGER NEWMANN - 51569 - $45. Cute tune in a
light rock style. A “bluesy” melody with unusaual changes. Solos for Tenor
and Alto. Through ingenious use of cues and big sounding voicings they will
“sound” with only 3 brass (2 trpts & 1 bone), 3 saxes (alto, tenor, & bari) and
3 rhythm, but still have full, big band voicings with the complete big band.
Medium difficult.
TOTALITY-HAPPINESS - by LADD McINTOSH - 50543 - $40. This
one just swings. Easy to play counterpoint between high voices and low
voices. Great shout chorus. Easy changes. Can be played with 6 horns and
rhythm. Easy medium.
* * MEDIUM / DIFFICULT * *
BIG BAND CHARTS
DAVE AABERG
ANOTHER ANCHOVY - 54777 - $55. A medium-up swing chart based
on advanced chord changes. Another Anchovy features trumpet, trombone,
guitar (opt) stating the medlody, with solos in trumpet and piano and sax soli.
The “big” ending allows the chart to work well as either an opener or closer.
Lead trpt to written F#5.
BOULEVARD BOSSA - 54776 - $53. A beautiful trombone feature
(written and improvised) in an understated bossa nova feel, using moderately
advanced chord changes. The ensemble parts are effective, but easy. Lead trpt
to written D5, solo trombone to Eb4.
FRUIT LOOPS - 54775 - $53. This medium up tempo Latin/swing chart
features soprano sax and trumpet on interesting, but easy chord changes.
PHIL ALLEN
COUSIN RANDY - 52126 - $55. This is a funk tune based on an 8 bar
chordal devise with a "nod" to Randy Brecker. The opening starts with just the
sax section. As the chart builds the rhythm section is added, followed by the
brass. There is an open section to feature the trumpet section (other
instruments could solo) followed by a bass solo. The bass solo has a written
background that leads to an 8 bar drum break. The drum break leads to the
shout chorus and the out chorus. The ending features the drums. Highest
trumpet note is Concert C (High D).5/4/4/P/B/D. Medium Difficult.
GEORGIA GRUMP - 52127 - $55. Fast Swing. A feature for 2 trombones
with a bebop melody based on the changes of Sweet Georgia Brown. Each
trombone has one chorus with just the ryhthm section then a second chorus
with band background. (Each of these section could be opened up in
performance.) This is followed by a chorus of "trading 4's" and a chorus of
blowing together. Half a chorus of shout by the band and then the trombones
(with band background) take the tune out. This has always been fun to play
and the audience always gets into it. Lead trumpet up to concert High C (High
D). 5/4/4/P/B/D/. Medium Difficult.
LUSAKA - 52129 - $55. Bright boogaloo straight 1/8th. (Lusaka is the capital
city of Zambia) This is feature for Alto and Baritone sax. The solo sections
are centered around G7sus (concert) and Bb7. It can get as funky as you want
it. Each soloist has an open chorus and a background that can be cued or used
as the second chorus. The shout chorus is a "call and responce" between saxes

and brass with just drums the first half. Bass enters midway through leading to
a final restatement of the tune. What makes this tune "pop" is the articulation.
The more like Tower of Power, the better. Lead trumpet to concert high Bb
(high C). 5/4/4/P/B/D. Medium Difficult.
NEW DIGS - 52128 - $55. Medium Swing Blues. The tune begins with an
open C Blues section for piano or guitar a la the Basie Band. The melody has
been harmonized with a number of substitutions rather than the standard blues
harmony. First solo is Trombone with a cued background. The background
leads to an interlude that takes the key to F for the Trumpet solo also with a
cued background. There is one chorus of walking bass leading into the shout
chorus and final out chorus. This tune needs a pretty strong lead trumpet.
Highest note is concert high D, trumpet high E. 5/4/4/P/B/D. Medium
Difficult.
THANKS ROB - 52125 - $55. Medium Swing tribute to Rob McConnell
utilizing some of his techniques. Opening features unison trumpets (flugels).
Second chorus is an ensemble chorus where the rhythm section drops out.
This is followed by solo trombone with piano (or guitar) only (bass joins in
halfway through.) Full band backqround for second trombone chorus. Shout
chorus and then final out chorus. The challenge to this piece is balance and
intonation. Highest trumpet note is concert Bb.(High C).5/4/4/P/B/D. Medium
Difficult.
ALBERT ALVA
BLOODY GOOD BLUES - 51904 - $53. Medium blues shuffle featuring
tenor saxophone and trombone. 5,4,4,G,P,B,D. Medium level.
DESERT BLUES - 51902 - $51. Hard swingin’ medium groove shuffle.
Features trombone soli, and open solo section. Medium difficult.
EFFORDLESS - 51900 - $49. Written for Saxophonist Bob Efford. Med
groove in minor key featuring Tenor sax complete with Sax soli with Tenor
lead. Med-diff.
FOR CARL - 51905 - $53. Medium swing original by Louie Bellson written
to feature Carl Saunders on Trumpet, arranged by Albert Alva. Has optional
5th trumept and vibes parts. Medium difficult.
Loroelma - 51906 - $55. Bright jazz waltz composed by Louie Bellson, as
played by his big band. Optional rubato piano intro, and improvised solo
section for flugelhorn. Medium difficult
PIACERE - 51907 - $55. Arranged by Albert Alva. Bright bossa composed
by Louie Bellson, as played by his big band. Great feature for the bari sax, and
guitar, with optional piano solo. Med-diff.
TIM ARMACOST
ANIMATED - 52101 - $50. Modern, pedal oriented, straight ahead Ballad.
This chart is a feature for first tenor. It is a ballad closest in style to the
Coltrane quartet's late versions of Body and Soul and Naima. Rhythm section
concept is most appropriate for college level, but the chart has been performed
by skilled high school ensembles. The Georgia State University Jazz Group
recorded Animated, and chose it as the title track for their CD that
year.Trumpet range to high concert Eb.Soloists: Tenor 1 and Piano.No
doubles.5/4/4P/B/D. Medium Difficult.
BLACK SAND BEACH - 52104 - $55. Arrangement by Michael Abene.
Bright Samba. Joyful, challenging, fun chart. This is the second of two great
arrangements done by Mike Abene for the Netherlands Metropole Orchestra's
recording featuring Tim Armacost's compositions. It is a bright, happy song,
and is orchestrated as a feature for tenor 1. There is a separate tenor 1 part,
and a solo tenor part, so that the chart can be played by the tenor 1 player as
soloist, or with a separate tenor soloist. Can be played by high school
ensembles with reasonably skilled reed doublers, and is appropriate for
college jazz groups. Trumpet range to concert high D. Soloists: Feature for
Tenor 1, or separate Tenor soloist. Doubles:Alto 1 - flute.Alto 2 - soprano.
Tenor 2 - flute. 5 saxes, or 5 saxes + tenor soloist/4/4/G./P/B/D. Medium
Difficult.
8
LONG HAIRED GIRL - 52100 - $55. The chart is a challenging straight
ahead blowing vehicle. Trumpet range is up to high concert E and there are
some options to play lower notes written in at the highest points. Soloists:
Tenor 1 and Trumpet 2. No doubles. 5/4/4/G/P/B/D.Difficult.
PULL - 52103 - $55. Arrangement by Michael Abene. Mysterious,
somewhat melancholy, feature for soprano saxophone. This is a beautiful
arrangement by Michael Abene, originally written for the Netherlands
Metropole Orchestra, featuring a full big band. This is a separate orchestration
for big band + soprano saxophone soloist. The chart is orchestrated so that the
tenor 1 chair can be the soloist, or tenor 1 can play an ensemble part while a
guest soloist plays the dedicated Solo Soprano part. Not a particularly
difficult chart, but the presence of multiple doubles might make for some
difficulty for high school ensembles. Trumpet range to concert high
C.Soloists: long Soprano Saxophone feature, or can be split to include piano
solo.Doubles: Alto 1 - flute. Alto 2 - soprano, flute. Tenor 1 - soprano,
clarinet. Tenor 2 - soprano, clarinet. Trumpets 1-4 - all have flugelhorn in the
parts. 5 saxes, or 5 saxes + Soprano Soloist 4/4/P/B/D/G. Medium Difficult.
TENOR VIBE - 52102 - $52. High Energy, straight 8th, modal composition
in 3/4 time.Tenor Vibe was written for the California Polytechnic High School
Jazz Ensemble, and has proved popular with high school and college bands.
The straight eighth note feel and simple melody are easier for younger
ensembles to play, and the high energy modal approach of the tune gives more
advanced musicians plenty of room to explore. Tenor Vibe was recently
given the honor of being chosen as the title track for the UNC Chapel HIll
Jazz Ensemble's 2010 CD. Trumpet Range to concert high C. Soloists: Tenor
1, Trumpet 4, and can easily be opened up for additional soloists. Doubles:
Tenor 1 - soprano. 5/4/4/P/B/D. Medium.
BILL ARMSTRONG
AIM FOR THE HEART - 51920 - $42. Written for Doc Severinsen, trpt
feature is an excellent vehicle for a good soloist with “high chops”. Medium
fast swing. Difficult.
LULLABY OF BIGFOOT - 51921 - $42. Funk tune receives widespread
airplay on Jazz stations around the world. Tenor & Trpt solos. Medium
Difficult.
SAMBA DE BEACH - 51922 - $42. Receives airplay on several stations. A
hot samba inspired by Chick Corea. Piano solo. Difficult.
SLEEPER, THE - 51923 - $42. A basie rhythm feel with lush harmonies in
the Alf Clausen vein. Beautiful melody featuring Flugel lead over saxes.
Tenor & Flugel solos. Difficult. No score.
SUMMERTIME DOWN SOUTH - 51924 - $42. South of the border that
is. Latin rock. Easy on the chops, but doesn’t sound easy. Bone & Trpt solos.
Medium Difficult. No score.
DAVID BAKER
BROTHER - 50751 - $44. Med tempo blues which builds into an
“outside” sounding lydian section and climaxes with an accapella brass soli.
Alto, Piano, Trpt & Bone solos.
CAHAPHI - 50758 - $46. A mondern-type tune with bitonals and a form that
has straight combined w/Latin. Based loosely on the changes to “Soon”.
Reminiscent of “Birth of the Cool” arrangements. Solos: Trpt & Tenor. No
dbles. 10 brass (incl tuba). Medium Difficult.
FOLKLIKE - 50752 - $45. Up-tempo rock/R & B groove with interesting
changes. Tenor & Bone solos. Small group free-improv for Bone & Trpt.
ROLY POLY - 50755 - $45. Slow 12/8 blues in the style of “After Hours”.
Attractive mixture of laid back 12/8 feel & an aggressive 3/4 swing. A
virtuoso shout chorus in the saxes. Medium Difficult.

SHIMA 13 - 50756 - $45. Medium tempo latin chart with Piano & Alto
solos, and lots of dynamic contrasts.
TRUCKIN' - 50761 - $46. A hard-swinging shuffle. Great shout chorus with
virtuosic saxophone writing. No dbls. 8 brass (no tuba). Solos for Alto &
Trumpet. Medium Difficult.
STAN BANN
FACADE - 55327 - $45. - A straight ahead, slightly modal chart with a strong
melody and a Woody Herman feel. Predominantly sectional voices. Brief solo
space for trumpet and guitar. Medium.
GOOD INTENTIONS - 55325 - $50. - A brisk Latin original with a melody
that will stay with the audience long after the performance. They will leave
humming this one. Features tenor solo, extensive use of flutes (all saxes
double fulte except bari) and harmon mutes. Medium Difficult.
ALAN BAYLOCK
LIFT OF THE FOOT, A - 55130 - $53. A favorite of players and listeners
alike, the chart toggles between a funky hip-hop groove and swing. Tenor sax
and trombone soloists find themselves being kicked by heavy ens chords that
lead them head first into an all out blowing session. 5,4,4,G,P,B,D. Difficult.
CHIAROSCURO - 55131 - $53. - The chart features colorful ensemble and
soli writing over a minor samba feel. The solo section, which develops into a
straight-ahead swing feel, features trumpet and guitar. 5,5,5,G,P,B,D. TRPT 1
To One Double High G. Difficult.
EM UMA SEMANA - 55132 - $53. - was commissioned by the University
of North Texas for the One O’clock Lab Band’s 1993 trip to Lisbon, Portugal.
A colorful ECM/Latin groove features Tenor sax and piano. Flowing melodies
and the use of flutes, multiple trumpet mutes, and flügelhorns make this chart
really stand out. Difficutl.
LATE W/KATE - 55134 - $53. "Late w/Kate" is a medium shuffle blues
with a catchy stop-time melody. There are a lot of full ensemble and soli
passages to feature your band, and the solo sections for Piano (or optional
Vibes), Guitar, Bari Sax stay fresh by moving between F Blues and Eb Blues.
This chart was commissioned by the Montgomery County Senior Honors Jazz
Band, and is sure to become a favorite of the players and audience members
alike. 5,4,4,G,P,B,D, Opt’l Vibes. Medium.
QUOTIENT - 55133 - $53. - Written to feature soprano sax and flügelhorn
solos. This chart is an up-tempo swing chart that demonstrates Baylock’s
organic approach to composition (all material is derived from the opening
melodic interval). 5,4,4,G,P,B,D. Med-diff.
SHAWN BELL
FLOW - 50850 - $55. This straight eigth note piece is reminiscent of music
that has been released on the ECM label. It begins with a rubato section
featuring piano and flugel horn and then falls into a loose bossa. The melody
is offset by Harmon muted trumpets and trombones. This song features tenor
saxophone and trumpet. There is a short saxophone section soli and a section
that changes meter to 7/4. New layers are gradually added to this new groove
until an exciting climax is reached when the melody returns on top of many
other layers. Instrumentation is S/A/T/T/B/4 Tpts/4 Bones/and standard
rhythm section. Trpt. range is D. Difficult.
HARVEST, THE - 50851 - $55. This broken shuffle comes straight out of
the 1950's style of Art Blakey. This is a great feature for trumpet and tenor, as
they state most of the melody and are featured as soloists. The harmony is
fairly simple, staying mostly in F minor, and the blues is an absolute necessity
on this chart. The drums are also featured in a shout section trading with the
entire ensemble.Trumpet range B5. 5 Saxes/4 Tpts4 Bones/G/P/B/D. Medium.
9
SLUMMIN’ - 50852 - $55.This blues is a great introduction to second line
for a high school big band. It alternates between a New Orleans groove and
swing. The melody is a simple riff blues, but the regular blues chords have
been re-harmonized to add interest. Solos are written for tenor, trumpet, and
bass; however, these would be easily flexible given the simple form. The
saxophone section is featured in two choruses of soli, and the entire band is
featured in an ensemble shout section. Trumpet range A5. 5 Saxes/4
Tpts/4Bones/G/P/B/D. Medium Difficult.
THINGS YET UNKNOWN - 50853 - $55. This contemporary swing chart
begins with a powerful statement from the entire ensemble, and then pulls
back to more intimate instrumentation with soprano, trumpet and trombone
stating the melody.Solos are in trumpet and soprano. Each instrument blows
over a Latin (songo) section and a swinging section. The saxophone section is
then featured in a highly motivic and contrapuntal soli/shout. This eventually
leads back to the melody and a drum feature over the songo groove to end the
composition. Instrumentation is S/A/T/T/B/2Tpts/4 Bones/and standard
rhythm section. Tpt. range is C6. Difficult.
CURT BERG
AVON CALLING - 50800 - $70. The composer lives on Avon St. & thus
the title of this samba w/a couple 3/4 bars thrown in to confuse the dancers.
Solos are for Bass, Bari & Drums. There is plenty of intricate ensemble
writing to go around. Some dbls. Difficult.
BE NOT DECEIVED - 50822 - $55. A straight eight ballad with a
haunting melody. Alto sax solo. Medium Difficult.
BLUES OVER EASY - 50801 - $41. Piano sets the groove for this straight
ahead med swing chart. A flowing contrapuntal sax & muted Trpt live leads to
the solo sections for Alto & Trbn. “Basie” inspired riff sets up the screaming
shout ending. Medium.
BUT SO’S YOUR OLD MAN - 50826 - $53. - Perhaps you need a good
funk shuffle with no woodwind doubles that features trumpet and tenor sax.
This one features both instruments on the melody and on solos and should be
playable by most bands. Medium Difficult.
GEEZERS ON PARADE - 50824 - $65. 3/4 time take-off “Old Folks”,
medium slow tempo. Trombone feature. Medium Difficult.
GONE BONEFISHIN’ - 50829 - $55. - This chart is a shuffle featuring -
(guess who) - the Bone section. The writing is quite adventurous in terms of
harmonic and contrapuntal content, & two soloists are featured, as well as the
full section. Dbls: Reeds 1 & 2 = Flute, 3 & 4 = Clar, 5 = Bs. Cl.
KRIS BERG
LIFELONG FRIEND - 55152 - $53. Beautiful original ballad feature for
your lead alto or bari sax soloist. Very reminiscent of the great Kenton
Orchestra ballad style. Eight bars of optional flute dbls in backgrounds. Lush
orchestration plus an exciting climax combine for a sure fire contest piece.
Ranges: Trpt - Eb6: Trbn - Ab4. 10 brass (9 brass if alto if featured). Medium
Difficult.
OVERDRIVE - 55150 - $65. Up tempo swing chart. Features solo space
for Alto and Trumpet. No dbls. Difficult.
SHOW ME THE BLUES - 55151 - $50. Medium tempo blues chart
commissioned by the Missouri Music Educators Association, Central District
Honors Jazz Band. Chart features melody in the trombones and low saxes, a
few chromatic twists in the changes and catchy mix of swing and straight
eighth note figures. Exciting shout chorus leads into drum solo with big band
kicks. Medium difficulty with moderate ranges. Has solo changes for many,
including altos, tenors, trumpets (3,4), trombones (1,2), piano and guitar. No
dbls. Eight brass. Medium.

SHELLY BERG
BLUE GENES - 54550 - $42. 12/8 funk featuring trombones. Exciting
contrapuntal shout. Difficult.
BLUESBERRY JUICE - 54551 - $39. Speedy 12 bar blues. Exciting sax
soli + full brass soli w/o rhythm. Medium Difficult.
C.P. SAMBA - 54563 - $55. As performed by Bill Watrous. Relaxed samba
features trombone or piano. Lovely melody and changes. Fun and challenging
sax soli. Lots of solo space. Medium Difficult.
FOR JR - 54565 - $50. Composed for the 2000 MidWest Clinic, and in
tribute to pioneering jazz educator, J. Richard Dunscomb, “For JR” is
alternatively beautiful and exciting. The style is straight eighth, with a warm
main theme featuring piano, then soprano sax. The orchestration is colorful
and lush. The contrasting section is a 7/4 cascara! The cascara section embues
excitement and climax into the piece, and is also a solo vehicle for alto sax.
Sax doubles. Difficult.
GRAPPLE WITH THE APPLE - 54552 - $53. Tune based on
Honeysuckle Rose. Trio of trpt, tenor, and trombone. Difficult.
MAN TUNA - 54553 - $45. Authentic salsa groove. Unusual montuno
played by the brass section. Difficult.
SKIP TOO, MY LOU - 54557 - $53. Great ensemble writing. Medium
groove swinger featuring the bass. Difficult.
SOLEMN DESTINY - 54558 - $37. Haunting ballad for solo trombone.
Composed for Bill Watrous. Some sax dbls. Medium Difficult.
SPLICE OF NICE - 54559 - $45. Features alto sax & flugelhorn. Nice, easy
feeling funk shuffle. Difficult.
TURN OUT THE STARS - 54561 - $30. Acapella setting of Bill Evans’
timeless ballad. Contrast piece. No Piano or Drums. Medium.
WILL, THE - 54564 - $55. As played by the Bill Watrous Big Band on
Shelly’s new CARS Productions cd, “The Will: A Tribute to Oscar Peterson,”
this is a medium, in-the-pocket, swing tune featuring piano. The sax soli is
challenging, but well worth the effort, and the shout chorus will bring the
audience to it’s feet. There is also a great “trading” section of unison lines for
the trumpets and trombones. The chord progression is a modified “I Got
Rhythm” in Ab. Medium Difficult.
ANDREW BISHOP
FUNERAL MUSIC FOR JOBIM AND PIAZZOLLA - 51825 - $55.
This work was commissioned to celebrate the 25th Anniversary of the Wichita
Jazz Festival and was conceived as a piece that shifts between bossa nova and
tango. Harmonically it mines Chopin's Prelude in E minor, op. 28, no. 4--a
chord progression used by both Jobim and Piazzolla--and the title suggests a
connection to Beethoven. The prevailing texture is contrapuntal in the spirit
of Renaissance vocal music along with several other reworked conventions of
Western concert music. It is conceived and written as a trombone feature, but
additional solo parts are provided for B-flat, E-flat and other concert key
instruments making this an ideal feature for guest artists and soloists ranging
from flugalhorn, guitar, or even violin. The chord changes are fairly simple
but require the soloist to adapt through form and feel shifts. Easy to moderate
ranges for all wind instruments. 5,4,4,P,B,D, Opt’l Vibes. Medium difficult.
MORE THAN SUGAR - 51826 - $55. The title and tempo marking
"apocalyptic rhumba" (medium) are reverence to Cuban music--though it is
composed more in the spirit of John Coltrane and Elvin Jones rather than
traditional guaguanco. The chord changes are fairly straight forward even
though they require the soloist to adapt form and tempo--a layering modal
pyramid for the tenor and drums to drive the soloists to the fine. The ranges
are moderate-to-difficult with some ossia for trumpet 1. 5,4,4,P,B,D, Opt’l
Guitar. Med difficult.
10
DON BOWYER
BAD HAIR DAY BLUES - 51067 - $47. This blues-shuffle features bari
saxophone, trombone, and trumpet. The two-chorus sax soli is challenging but
accessible. No doubles. First trumpet to C# above the staff.
BIG BAD BAGHDAD BLUES - 51076 - $50. Medium swing blues tune
dedicated to an army reserve officer who went to Baghdad in 2003. Lots of
delicious dissonance. Changes for alto and trombone. Exciting three-chorus
stop-time section. No doubles; lead trumpet to C#6. Medium.
BLUESY BALLAD - 54000 - $50. The title says it all on this slow tune with
a 12/8 triplet feel. Guitar is featured with a beautiful melody and a short
improvised solo. Easy licks, but medium difficulty for the slow triplet
feel.Lead trumpet to G5.5/4/4/G,P,B,D, Optl Vibes. Medium.
BUGS AND GAS - 51077 - $50. Exciting blues in a double-time feel,
dedicated to a man who spent his life working with chemical and biological
weapons ("bugs and gas".) Changes for tenor, trombone and trumpet, with a
unison shout section that will leave the audience gasping for air. No doubles;
lead trumpet to B5. Medium difficult.
DEAREST - 51061 - $44. An alto, flugelhorn, or trombone (up to a high D)
feature, this medium-tempo ballad is the perfect vehicle for showing off a
developing soloist. No doubles. First trpt to C above the staff.
DON'T WANNA SAY THE 'NOTHER T - 51078 - $53. Fast swing,
alternating with a funky street beat that gets everyone clapping. Solos for
soprano, tenor, trombone, and piano. Lead sax on soprano, bari doubles flute;
lead trumpet to A5. Medium difficult.
EL AMOR CUBANO - 51065 - $44. Beautiful Latin ballad featuring lead
trombone. No doubles. First trumpet to A above the staff.
FF = FORTISSIMO - 51079 - $53. Fast 3/4 Latin piece in one - this one
really cooks! Trombone changes. No doubles; lead trumpet to E6. Medium
difficult.
FROM THE JOKE OF THE SAME NAME - 54001 - $50. This blues
shuffle tears the roof off! Features every horn section. Three open solo
sections foranyone to blow over. Lead trumpet to E6.5/4/4/P,B,D, Optl.G and
Vibes. Medium.
HEY, WHERE YOU FRUMBA? - 51063 - $48. An exciting Latin tune
featuring lead trumpet and lead trombone. Optional parts for claves and
congas. No doubles. First trumpet to D above the staff (optional high G above
that for last note).
ITCHIN' IN THE KITCHEN - 51064 - $47. This blues-rock tune will leave
your audience screaming for more. Solos for trumpet, trombone, and alto
saxophone. Vocal "rap" for any member of the band, with a vocal chorus by
the entire horn seciton. No doubles. First trumpet to A above the staff.
JAN AT SUNRISE - 56475 - $53. This space-age piece was written for
astronaut Jan Davis, and is designed to portray the experience of spaceflight
and viewing a sunrise from space. Solos for trumpet and piano. Changing time
signatures; no ww doubles; piano doubles on synth; lead trumpet. Medium
difficult.
LEFT OVER VOWELS - 51060 - $47. A medium blues with one bar of
straight eighth notes. Includes two separate open solo choruses with chords for
everyone, and a crowd-leasing stop-time shout chorus with each section
playing a different melody. No doubles. First trpt to Eb above the staff.
LOVING US - 56476 - $50. Beautiful ballad feature for trombone - solo part
to C5. Double-time bridge. No doubles; lead trumpet to C6. Medium.
MAITLAND - 56477 - $53. Inspiring 9/8 gospel arrangement; feature for alto
sax (plus five saxes.) Big finish will leave the audience shouting. No doubles;
lead trumpet to C#6. Med.
MI VIDA - 56478 - $50. Haunting ensemble ballad in an orchestral style.
Changes for flugelhorn solo. No drums (rainstick and triangle instead.) Flute
in one tenor part; lead trumpet to Bb5. Medium difficult.

OLGA'S SONG - 56479 - $53. This up-tempo swing tune, written for pianist
Olga Kern, is a 24-bar chromatic blues. Changes for piano and tenor. No
doubles; lead trumpet to D6. Medium difficult.
SAX A DEUX - 51062 - $44. A beautiful ballad feature for soprano (or alto)
and bari saxes, featuring gorgeous interplay between the soloists over a bed of
lush trombones. Always a crowd favorite. No doubles. First trpt to A above
the staff.
SIBONEY - 51066 - $48. Fast Latin crowd-pleaser with a unison lead for
tenor, trumpet, and trombone. No doubles. First trumpet and solo trumpet to B
above the staff.
SLOW DANCING WITH CINDY - 51068 - $44. This beautiful ballad
features alto saxophone throughout, in a "neo-Kenton" style. No doubles. First
trumpet to C above the staff.
THAT'S MY LIGHT - 56480 - $50. Kenton-style ensemble ballad, with
trombones/tuba opening and lush piano interlude. Ten brass (five trumpets,
four trombones, and tube); tenors double on flute; lead trumpet to F#6.
Medium.
WHEN THE SAINTS GO MARCHING IN - 51069 - $47. A
contemporary New Orleans "street-beat" kicks this old standard into a new
gear. In the style of the Dirty Dozen Brass Band. Clarinet, 4,3,4,P,B,D, and
auxilliary percussion parts for one saxophone and one trumpet. First trumpet
to C above the staff.
CHRIS BRAYMEN
FALL DOWN, GO BOOM BOOM - 55425 - $48. - A medium swing tune
in the Basie style. Features flute, bass clarinet, and vibes with the opening
melody. Blowing changes for tenor sax and trombone. Written for 5,5,5, &
Rhy. Doubles: tenor 1 dbls on flute, bari dbls on bass clarinet. Medium.
IRRELEVANT, INCOMPETENT, AND IMMATERIAL - 55426 -$53. -
A trombone battle in a minor blues! This is a hard driving swing tune that
features two trombonists throughout, with an alto sax solo thrown in for good
measure. Written for 5,5,5, and Rhy. Lead trumpet to high “G”. Difficult.
SALT SHAKER, THE - 55427 - $53. Written for the Jazz Arts of the
Mountainwest Big Band in Salt Lake City, this chart has fiery Brazilian/Latin
groove that alternates between double and single time. There are solos over
changes for the tenor sax and guitar, and the drummer gets to solo over a
“Partido Alto” section in the middle. The melody is carried by trumpet, tenor,
flute, and guitar. Written for 5 saxes (flute in Alto 1), 4 trumpets (lead to high
‘F’), 4 trombones, piano, bass, guitar, and drums. Difficult.
ALLEN CARTER
ABDOMINAL REVENGE OF THE AEROBICISE GODDESSES
(Whipple Works It Out). - 50900 - $52. The Whipple saga continues!
Contemporary funk/fusion feel w/solo openings for Alto, Tenor & Guitar.
5,4,4,G,P,B,D. Medium.
BEWARE THE FLYING QUICHE - 50901 - $60. Up tempo bop
featuring Tenor & Trpt solos. Unison ensemble writing, demanding melodic
line & a tricky sax soli make this chart a challenge. Difficult.
Blues for George - 50923 - $60. This blues with a bridge intertwines a
number of “Gershwin-esque” themes. Solos for tenor and trumpet. Lead also
doubles flute and lead tenor doubles soprano. Some drum solo space at the
end. An up tempo romper to open or close your next set. Medium Difficult.
FRITZ AND FRED - 50904 - $52. - A two Bone feature in the J.J.
Johnson/Kai Winding tradition. Tempo is medium bop and all parts except the
feature parts are super playable. Bone soloists do have to be pretty strong.
(solo parts, med-diff) Medium.
11
HEY THAT'S NO LADY - 50920 - $50. Advanced level up tempo swinger
featuring tenor sax and drums on the changes to Lady Be Good. First trumpet
to high F.
LAMB CHOPS - 50908 - $50. Up tempo swinger on changes to There Will
Never Be Another Ewe. Features Alto & Tenor on a tricky melodic line.
5,4,4,G,P,B,D. Perc. Medium.
MISS PRISS - 50909 - $50. Medium tempo Basie style swing chart that
features Bone & Tenor. Lead alto dbls flute. Medium.
MY DOG HE DON’T LIKE TUNA - 50910 - $44. Slow gutsy swing tune
featuring tricky unison Bone line & Bari solo. Easy blues changes that can be
opened. Medium.
RATINGS SCUFFLE SHUFFLE - 50911 - $52. A medium shuffle tempo
blues with potential openings for several soloists. A fairly demanding sax soli
& tight, swinging, ensemble work throughout. 5,4,4,G,P,B,D. Medium.
SAINT LOUIS BLUES - 50913 - $52. An updated version of W.C.
Handy’s classic. Solos for Tenor, Trombone, and Piano. A somewhat riotous
sax soli. This one roars! Difficult.
SCHIZO - 50924 - $60. This was originally written for a band with two
drummers to feature but there’s an additional part for just one to play the
whole chart. It’s an up tempo modal tune but it’s kind of a blues form and
then there’s that Sus chord half time funk thing on the bridge so it’s really
kind of, well, SCHIZO. Along with drums, there are solos for tenor and guitar.
Lead trumpet to an E. Lead bone to an A. No doubles. Medium Difficult.
SCUTTLEBUTT - 50914 - $50. Medium-up blues featuring Soprano &
Tenor. Trpt to written high C. Medium Difficult.
SQUEEZE THIS MR. WHIPPLE! - 50915 - $52. Medium tempo
roaring funk that is a real crowd pleaser & a favorite for use at festivals.
Medium Difficult.
WHEN THE SAINTS GO MARCHING IN - 50916 - $52. - Another
update of a classic of the jazz literature. A “Steve Gadd-ish” fusion/march
cadence polays under an ethereal opening featuring woodwind doubles and
muted brass. Solos for Alto (or Clarinet?), Trumpet and Piano (unless your
Guitarist dbls on Banjo!). A must- hear for cliche freaks and Accordion lovers
everywhere. Doubles. Difficult.
WHIPPLE’S RETALIATION - 50917 - $44. Whipples back & he’s dark!
Medium tempo funk w/a bridge that’s in 3/4. Solo: Tenor & Guitar. Medium
Difficult.
JOSEPH CARUCCI
DEMENTOR DEMEANOR - 51281 - $55. Dementor Demeaner opens with
a guitar solo over a three measure phrase. The medium swing groove develops
into a challenging saxophone soli then shifts into double time. An eight
measure phrase in C minor is open for solos. Throughout the composition,
elements of atonality and sudden tempo changes help depict the life draining
forces of a "dementor", which was inspired from a character in J. K. Rowling's
Harry Potter series.Trt. to high C. Trbn. to high C. 5/4/4/G/P/B/D. Difficult.
GREY SWANS - 51282 - $55. - After a delicate introduction, the first half of
Grey Swans features an up-beat groove with a trombone solo and syncopated
ensemble section. The second half is a lyrical jazz ballad developing from the
counterpoint between the trombone and baritone saxophone into a harmonic
climax. The ballad is composed in a ten measure cyclical form, and is open for
solos. Optional woodwind doubling parts are available. Alto 1 and Alto 2 -
flute/tenor 1,2, & bari clarinet. Tpt.1 to high D, Trbn. to G. 5/4/4/G/P/B/D.
Medium.
* * * NEW * * * SONG FOR MY POP POP – 51283 - $50.This is a
lyrical jazz ballad featuring a trumpet/flügel horn solo supported by a variety
of different instrumental textures. The melody is first offered by the soloist
accompanied by a tightly-voiced saxophone section. The melody continues to
weave through different meters and time feels climaxing at a double-time
swing shout chorus. Trumpet Range up to High D (D6) Trombone Range up
to G (G4). 5/4/4/G/P/B/D. Medium.

GLEN CASHMAN
BLUES IN THE TUNNEL - 56626 - $55. A modern jazz blues chart
featuring Thad Jones-like saxophone section soli voicings with solos for alto,
trombone, and bass, although other soloists may easily be added. A thundering
shout chorus caps the chart and sets up a return to the rich saxophone
harmony. Lead trumpet to a written high “E”.Medium. 5/4/4/4 no doubles.
Recorded on “Glenn Cashman & the Southland Big Band!”. Medium
Difficult.
BLUES WHILE YOU WAIT - 56630 - $55. Very playable medium modern
sounding blues with an underlying Killer Joe vibe, flexible solo sections and
ample rhythmic interest. Trumpet 1 to written high D. 5/4/4/G/P/B/D.
Medium.
CHERYL - 56627 - $50. Haunting alto saxophone ballad feature; includes a
solospot for piano. Rhythmically sophisticated in places but lead trumpetonly
plays to a high “B” above the staff, trombone 1 to a high “Bb”. 5/4/4/4 no
doubles required but flugels as requested at several points will add warmth.
Recorded on “Glenn Cashman & the Southland Big Band!” Medium Difficult.
COOKIN’ WITH SHORTY & COOP - 56625 - $55. This West Coast Jazz
tribute to trumpeter Shorty Rogers and tenor saxophonist Bob Cooper offers a
contrapuntal opening theme written over Parker blues changes and features
solo sections for bothof these instruments. A bopish unison brass and bass line
sans drums & piano features saxophone commentary, while a powerful
ensemble section highlights your drummer filling and soloing around
percussive ensemble punches. Lead trumpet to a written high “E”. 5/4/4/4 no
doubles. Recorded on “Glenn Cashman & the Southland Big Band!” Medium
Difficult.
LIGHTHOUSE KEEPING MAN, THE - 56628 - $50. Beautiful flugel or
trumpet ballad feature with highly textured voicings and an interesting
harmonic structure. Nice solochorus for piano. Written in honor of the great
Howard Rumsey, the former leader/bassist of the Hermosa Beach, CA based
“Lighthouse All-Stars.” Lead trumpet to a high written “E.” 5/4/4/4 no
doubles required but flugels as requested at several points will contribute to
the lyricism. Recorded on “Glenn Cashman & the Southland Big Band!”.
Medium Difficult.
TROPICALE - 56629 - $55. Medium Latin/Straight Eighth. Melodic solo
trumpet feature for your high-note specialist w/alternate part provided.
Optional written double Bb. Rhythmically challenging in places, solo space
for guitar or piano. An exciting ensemble section builds with interplay
between drums and horns. 5/4/4/G/P/B/D. Difficult.
MATT CATINGUB
AT MICKEY’S PLACE - 50242 - $70. Medium swinger with great
Catingub ensembles. Scored for five saxes, four trumpets, three trombones
and rhythm and can be performed with smaller band with four saxes, three
trumpets, two trombones and rhythm. Trpt 1 to written high F. 5, 4 Trpt, 4
Trbn, P, B, D. Medium difficult.
BABY BEBOPPER - 50234 - $67. This was the nickname given Matt by
the great Thad Jones. This chart showcases the band with some fun ensemble
be-bop and as usual a great Catingub shout chorus. Med - Diff.
BACK TO BASIEQUES - 50202 - $64. Med swing in the style of “Shiny
Stockings.” Flute dbls. Open solo section. No score. 5,5,5,G,P,B,D, Perc.
Medium - Difficult.
BATTLE OF THE BOP BROTHERS - 50203 - $67. The first in the
“Bop Brothers” series. A great two Tenor feature based on “I Got Rhythm”
changes. No score. 5,5,5,G,P,B,D,Perc. Medium - Difficult.
BLOOSZBALL - 50204 - $67. Med-fast adventure in blues. Piano solo, sax
soli, open solo section, dbl-X section. No score. Medium - Difficult.
12
BLUES AND THE ABSCESSED TOOTH - 50205 - $67. Medium fast
stomper. Open solo section and sax soli. No score. 5,5,5,G,P,B,D. Medium -
Difficult.
BOP BROTHERS BEACH PARTY, THE - 50206 - $67. The next chapter.
Up tempo Be Bop chart featuring Alto & Tenor solos. No score. 5,5,5,P,B,D.
Medium - Difficult.
BOP BROTHERS LATIN VACATION, THE - 50243 - $70. The
brothers travel South! Features Alto & Tenor. Fun and crowd pleasing!
Scored for five saxes, four trumpets, three trombones and rhythm and can be
performed with smaller band with four saxes, three trumpets, two trombones
and rhythm. Medium - Difficult.
BOPULARITY - 50207 - $67. Up-tempo be-bop shouter. Starts w/sax soli.
Has open solo section Goes to dbl-X section. 5,5,5,G,P,B,D, Perc. Difficult.
Full score.
CANNERY ROW - 50208 - $67. A fabulous tone poem featuring Alto sax.
A musical picture of Cannery Row past and present. Great concert piece. No
score. Medium - Difficult.
CATNIP - 50209 - $64. A flagwaving closer or opener. Each section has
an open solo section. Dbls. No score. Medium - Difficult.
CORNBEEF AND CABBAGE - 50210 - $64. Slow swing in a Thad Jones
style. Humorous twists. Features two Tenor sax solos.Alto 1 on Sop, Picc;
Alto 2 on Picc. No score. Med - Diff.
DONNA LIEB - 50211 - $67. Sounds like Donna Lee but based on Stella
By Starlight changes. This one is HARD but well worth working up. Features
EVERY section in seperate solis and each trades 8’s & 4’s. A Big Band Tour
De Forece! 5,5,5,G,P,B,D, Perc. Difficult. No socre.
DON’T GET AROUND MULCH ANYMORE (The Retired Gardeners
Song) - 50235 - $67. Another in a series of truly tasteless Catingub titles!
Medium-fast opener with exciting ensembles. Tenor and Drum Solos.
Medium - Difficult.
DOO DAH DAY - 50244 - $70. Good mid-set swinger in a Basie mood, get
your band into a “heartbeat rhythm.” Scored for five saxes, four trumpets,
three trombones and rhythm and can be performed with smaller band with
four saxes, three trumpets, two trombones & rhythm. Med Diff.
18 HOURS IN NY - 50245 - $70. Written for, and performed by the
Yamaha Virtual Big Band with Steve Gadd & Tom Scott. An up-tempo Be
Bop Blues. Great to open up, has a challenging sax soli. Scored for five
saxes, four trumpets, three trombones and rhythm and can be performed with
smaller band with four saxes, three trumpets, two trombones and rhythm.
Medium - Difficult.
EVEN MORE BLUES...(BUT MY ABSCESSED TOOTH IS FINE
NOW...THANKS) - 50212 - $67. Med F blues that swings & builds!
Features Alto sax. 5,5,5,G,P,B,D,Perc. Medium - Difficult. No score.
FREE CRUISE - 50246 - $70. Remeniscent of a Basie chart from the April
In Paris Sessions. Nice smooth shout. Scored for five saxes, four trumpets,
three trombones and rhythm and can be performed with smaller band with
four saxes, three trumpets, two trombones and rhythm. Medium - Difficult.
FREQUENT FLYER, THE - 50247 - $70. Fast challenging swinger, fun
to play ensembles. Scored for five saxes, four trumpets, three trombones and
rhythm and can be performed with smaller band with four saxes, three
trumpets, two trombones and rhythm. Medium - Difficult.
GET ME OUT’TA HERE - 50248 - $70. Written for, and performed by
the Yamaha Virtual Big Band with Steve Gadd & Tom Scott. Up tempo
musical swinger with a classic 60’s big band sound. Scored for five saxes,
four trumpets, three trombones and rhythm and can be performed with smaller
band with four saxes, three trumpets, two trombones and rhythm. Medium -
Difficult.
HAPPY UNDERTAKER, THE - 50213 - $67. An exciting shuffle with an
exciting climactic shout chorus. No score. Medium - Difficult.

HELLO BEAUTIFUL - 50214 - $64. Yet another beautiful but challenging
Alto sax ballad. Pretty and powerful. No score. Med - Difficult.
HIGH ALTOTUDE - 50215 - $64. Features two be-bop Alto players in a
med-fast fun feature. Based on Honeysuckle Rose changes. No score.
5,5,5,G,P,B,D,Perc. Medium - Difficult.
I’M GETTING CEMENT ALL OVER EWE - 50216 - $67. Up tempo
swinger to the chords of a similar title. Great ensembles. 5,5,4,G,P,B,D, Perc.
Medium - Difficult.
INDIAN RIFFS - 50217 - $64. Fast be-bop shouter. Starts w/open drum
solo. Sax soli, Alto solo, open solo section. 5,5,5,G,P,B,D, Perc. Difficult. No
score.
LAZY LEONARD’S BLUES - 50236 - $62. This chart is scored for the
beginning to intermediate jazz ensemble. Medium swing blues tune with
optional writen solos for alto, trpt & tenor. Sounds great & easy to play. 7
brass. Easy - Medium.
LENNY’S SONG - 50237 - $64. Nice medium swinger featuring lead
trumpet melody/jazz and trombone. Groovin’ ensembles round out this great
chart. Good mid-set swinger. 7 Brass. Medium - Difficult.
LOOKING UP OLD FRIENDS - 50218 - $67. This super stomper
features Trpt & Alto in a Cannonball/Nat Adderly tradition. No score.
Medium - Difficult.
LOST IN THE SHUFFLE - 50249 - $70. Written for, and performed by
the Yamaha Virtual Big Band with Steve Gadd & Tom Scott. As the name
implies this is a groovin’ shuffle. Good hard swingin’ ensembles. Scored for
five saxes, four trumpets, three trombones and rhythm and can be performed
with smaller band with four saxes, three trumpets, two trombones and rhythm.
Medium - Difficult.
METAMORPHOSIS - 50238 - $72. A challenging concert piece featuring
impressionistic style writing for jazz ensemble. Very interesting colors and
tempos. Features Alto sax and Trumpet. Saxes dbl on flutes. Medium -
Difficult.
MINOR CASE OF THE BLUES, A - 50200 - $64. Medium fast shouter.
Open solo section. Difficult sax soli. Drum solo. Score included.
5,5,5,G,P,B,D, Perc. Medium - Difficult.
MISS ELLA - Arr by Matt (comp by Albert Alva) - 50233 - $57. Ballad
featuring Bari sax all the way. No dbls. No score. 5,5,5,G,P,B,D, Vibes.
Medium - Difficult.
MISSION TO MONTEREY - 50239 - $72. Looking for that burning sax
section feature? Here is an up tempo romper with great solis and exciting
ensemble passages. Commissioned by the Monterey Jazz Festival.
5,5,5,G,P,B,D, Perc. Medium - Difficult.
MORE BLUES & THE ABSCESSED TOOTH - 50219 - $67. The
sequel to Blues & The Abscessed Tooth. What a stomper. Med to fast swing.
Sax soli, Drum solo & short Piano solo. No score. 5,5,5,G,P,B,D. Medium –
Difficult.
MY MOTHER THE JAZZ SINGER - 50220 - $64. Great chart as
recorded by Louie Bellson. No score. Medium - Difficult.
OCEAN VIEW ROOM - 50250 - $70. Medium fast swinger with great
sax soli. Scored for five saxes, four trumpets, three trombones and rhythm
and can be performed with smaller band with four saxes, three trumpets, two
trombones and rhythm. Medium - Difficult.
PACIFIC GROOVE - 50221 - $67. Straight ahead medium fast swinger
featuring Piano or Guitar and Alto. Commissioned by the Monterey Jazz
Festival. 5,5,5,G,P,B,D. Medium - Difficult.
PRELUDE ‘N BLUES - 50222 - $67. An interesting harmonic, pseudo
symphonic, prelude is followed by a stompin blues swinger. Medium -
Difficult.
13
QUEEN CITY SHUFFLE - 50240 - $67. A great shuffle swinger. Fun
Sax soli and a chance for anyone to blow on the blues. This chart ends in
typically roaring Catingub shout chorus. 8 brass. Medium - Difficult.
SALUTE TO ELVIS COSTELLO, A - 50201 - $64. Medium swing
Basie style. Sax soli, Tenor solo & open solo section. Doubles. Medium -
Difficult. 5, 5, 5, G, P, B, D.
SAMOANA - 50223 - $64. A relaxed swing ballad. Features the Alto sax.
No score. Medium - Difficult.
SANTA CRUZ BLUZ - 50224 - $64. A nice med blues chart that can be
opened up for any soloist with a nice shout chorus. No score. Medium -
Difficult.
SATURNINA - 50241 - $64. Gorgeous ballad that features mainly
ensembles. This chart quietly builds to a soaring ensemble and then settles to a
VERY pretty conclusion. Saxes dbl on flutes. Medium - Difficult.
SCIATICA STOMP - 50225 - $67. Nice swinger, medium tempo.
Features Alto solo. Nice shout chorus and trick ending. 5,5,5,G,P,B,D, Perc.
Medium – Difficult.
SIMPLE PLEASURES - 50227 - $67. A gorgeous Bossa Nova featuring
your great Trombone soloist. Medium - Difficult.
THAD-ISH - 50228 - $67. Medium swingin’ Thad Jones tribute. Starts with
a Piano solo, has sax soli. Doubles. No score. 5,5,5,G,P,B,D. Medium -
Difficult.
THIS ONE’S FOR LOU - 50229 - $64. A wonderfully different and
challenging Alto ballad. Also features a great Bone soli in a dbl x section.
Medium - Difficult.
UMPIRE STRIKES BACK, THE - 50230 - $64. Popular fast opener. Sax
soli, open solo section. Challenging Alto sax feature. No score. 5,5,5,G,P,B,D.
Medium - Difficult.
WALT’S WALTZ - 50251 - $70. Great jazz waltz remeniscent of a 60’s
TV theme. Good ensembles and nice change of pace. Scored for five saxes,
four trumpets, three trombones and rhythm and can be performed with smaller
band with four saxes, three trumpets, two trombones and rhythm. Medium -
Difficult.
WHEN YOU FALL IN LOVE (A LOVE STORY) - 50231 - $64. Ballad
with dbl-x section. Challenging Alto sax feature. No score. 5,5,5,G,P,B,D,
Perc. Medium - Difficult.
YOUR FRIENDLY NEIGHBORHOOD BIG BAND - 50232 - $67.
Tongue-in-cheek craziness. Piano solo, open solo section. Sax doubles. No
score. Medium - Difficult.
DAN CAVANAGH
ALBEQUIRKY - 50579 - $55. Albequirky was written for the 2007 New
Mexico All State Jazz Band. A cross between a tribute to Benny Golson and
Thelonious Monk, this relaxed swingin' chart (q=116) features comfortable
ensemble writing, an interesting tutti line across the horn section, and a great
sax soli. Solo space is provided for piano/guitar and tenor sax (trumpet would
also work). This piece is a nice complement to a program with an up-tempo
chart or two. Lead Trumpet: a few B's above the staff, otherwise G on top of
the staff. 5, 4, 4, G, P, B, D. Medium.
BLACK RATTLE - 50574 - $65. Up-tempo driving ECM feel/free.
Rhodes piano (opt. piano). Woodwind dbls (soprano, clarinet/bass clarinet).
Black Rattle utilizes a "follow the leader" concept. Bass trbn is the first leader:
other instruments begin their parts after the bass bone & try to "catch up."
Trpt takes over & leads the ens through more leader/follower moments. The
tune then counts off into an aggressive, driving melody leading to a modal
trumpet solo. The backgrounds reminisce about earlier material, but end up
pushing towards another leader/follower section featuring your drummer. The
original melody splashes back at the end, leading to a big finish. Difficult.

CHAOS THEORY - 50573 - $55. Up-tempo Swing. This driving, exciting
piece explores changes from stability to instability and back to stability again.
Quick, explosive motifs in the beginning of the piece give way to a
developing ocatonic (half-whole) melody. A lush trombone solo out of time
gives way to percolating backgrounds that build over time. Solo space for
tenor sax comes next with a much more aggressive character. The piece ends
with a solo contemplative piano drawn from ideas found earlier in the piece.
5,4,4,G,P,B,D. Difficult.
FOUNDATIONS - 50577 - $52. Foundations was written in honor of Dan
Burkholder, the first jazz band director at the Univ of Texas at Arlington. This
ballad is a flugelhorn feature throughout. Starting with a lush introduction
with full ensemble, the solo flugel takes the first statement of the melody. The
saxes take over on the bridge, paving the way for the flugel to round out the
last A section. An interlude precedes the solo section which temporarily
develops into a double-time swing feel on the bridge. The energy quickly
dissipates, ending with lush chords reminiscent of the introduction. Perfect for
your talented trumpet player! Lead Trumpet: E above the staff (with alternate
lower notes.) Medium.
GET 'R' DONE -50586 - $55. Wtih a drum solo out front, this up-tempo
swinger features modal A sections and simple changes on the bridge, serving
as a great introductory chart to faster playing without all the complicated
chord changes that tend to go along with quick charts. Solos can be given to
any musician in the band. Lead trumpet range goes to a Bb on top of the staff.
5,4,4,G,P,B,D. Medium.
GOOD MORNING TO ALL - 50584 - $40. "Good Morning to All" is the
original melody from which "Happy Birthday" comes. Although "Happy
Birthday" is still under copyright, this arrangement of the original melody will
be instantly recognizable to your audience. A soloist part is included for Bb,
Eb, Bass Clef, and concert pitch instruments. This short chart (~3:00) has a
distinctive New Orleans Second Line feel, and is perfect for a celebratory
occasion. A soloist is featured on the melody, and short solo space is provided
for anyone in the band. No doubles. Medium level with Lead trumpet and 2nd
trumpet up to a D above the staff. 5,4,3,P,B,D. Medium.
GOZAR - 50578 - $55. Commissioned by the Westwinds Jazz Orchestra in
Calgary, Gozar is a high-energy chart with a 12/8 Afro-Cuban feel. Starting
with open solo space for percussion or drumset, the bass enters with an
ostinato that sets up the melody. The solo changes are written for trombone,
but the chart lends itself easily to any soloist. After the solo section, the
ensemble returns with a development-type section, followed by a brief return
to the melody. An ostinato pattern rounds out the tune, completed by a
surprising soft ending. Lead Trumpet: E above the staff. Med-difficult to
Difficult.
HAVING BUILT IN DEEPER WATER - 50571 - $55. Medium tempo.
straight eights in 3/4. Woodwind doubles (clarinet/bass clarinet). One of Dan's
most popular (and most performed) pieces! Starting off with pedal point C in
the bass, this lush piece develops organically over time, presenting evolving
representations of the same initial idea. Substantial solo space for the soprano
sax and guitar and a nice overall shape to this piece make it an ideal program
complement to straight-ahead swing pieces. Medium difficult.
JOTMA - 50581 - $55. This chart was commissioned by the Univ of Texas
at Arlington Jazz Orchestra for their performance featuring trumpet player
Ron McCurdy and drummer Adonis Rose at the 2008 Texas Music Educator's
Convention. This chart showcases a medium-uptempo "Caravan"-like latin
groove, with lots of solo space for the drummer as well. A high-energy chart
that works great as a concert opener or closer. Also included are solo parts in
Eb, concert pitch, and bass clef if you would like to feature a different
member of your band. Trpt. to F# above staff. 5,5,4,P,B,D. Medium difficult.
MINEYO (Samba Min) - 50576 - $55. Mineyo (Samba Min) was written by
saxophonist Tim Ishii for his daughter. The arrangement remains faithful to
the playful nature of the original tune, with solo space for anyone in the band.
Beginning with an explosion of energy, the arrangement quickly settles down
into a paired-down treatment of the melody. As the second time through the
melody approaches, the full ensemble joins in the fun. Next comes solos, a
shout section, open solo space for your drummer or percussionist, and a retun
to the melody for an energetic finish. This arrangement works great as a
concert opener or closer! Lead trumpet: E above the staff (once - other than
that it stays at a C or lower.) Med-diff.
14
MISSISSIPPI ECSTASY (IN 3 MOVEMENTS) - 50585 - $60. The
centerpiece of Dan's big band CD, Pulse, this three-movement suite with
narrator features the poetry of acclaimed poet Timothy Young. A metaphor of
a trip to the underworld, the poem examines themes involving myth, descent,
and continuance. The first movement is orchestral in nature and highlights
woodwind doubling work as well as extended piano work. The second
movement showcases out-of-time, textural sounds with an alto solo weaving
its way in and out of the texture. The third and final movement reveals a
driving rhythm in the piano and the bass over which the narrator and band
trade jabs. Movement three also includes a piano and tenor solo, although
those solos may be reassigned. Trumpet plays to a C# above the staff. SOP,
SOP, CLAR, CLAR, CLAR, 4,4,VIBES,P,B,D. Difficult.
NORTH SOUTH - 50575 - $55. Straight eighths, medium tempo.
Commissioned by saxophonist Dave Camwell, this piece features your
soprano soxophonist. Starting with melodic ideas on solo soprano in the lush
key of concert Gb, the band sneaks in to complement. Sweeping dynamic
gestures push the tune into a new key area. but the tune quickly dros back
down. The modal solo section features beautiful backgrounds bubbling up
from the surface, leading towards a dramatic push to the end of the piece. 5
(Sop, sop, alto, ten, bass cl), 4, 4, G, P, B, D. Medium.
PULSE - 50580 - $55. "Pulse" was commissioned by the jazz program at
Virginia Tech. Although this chart is a guitar feature, the solo part will work
well for vibraphone, saxophone, or trumpet as well. This chart starts with a
"pulsing" figure in the brass section and breaks into a funky, rock-influenced
groove, over which the melody statement ensues, giving way into the solo
section. The pulse figure returns near the end of the chart over which a hinting
of the original melody appears. This chart is medium difficult for your band,
but solo part is difficult (q=132). Trumpet to Bb above staff. Medium
difficult.
SPLIT-ROCK - 50570 - $55. Up-tempo swing. This high-energy big
band piece starts off with a full ensemble shout and drops its energy down into
a short piano solo. The band then enters with fragments of the main melody,
using bold dynamic gestures and sharp attacks to highlight drum work. After a
large build-up and statement of the tune, a tenor solo ensues with plenty of
space and well-integrated backgrounds. Next comes an open drum solo after
which the melody returns. This piece ends with a final burst of energy making
it a great closer. Difficult.
TIME OF RECKONING, A - 50583 - $55. Commissioned by the Nova
Jazz Orchestra in St. Paul, MN, "A Time of Reckoning" is a piano feature,
with additional solo space for guitar or vibes. This chart continues the long
tradition of pieces based on the Dies Irae chant, with a hard driving feel in the
rhythm section and great ensemble writing. A great chart for getting your
woodwinds going on doubles, as the parts are not too technical. Woodwinds:
soprano, flute, clarinet, alto, bass clarinet. Trumpets are in flugels, but the
parts will work on trumpet as well. Med up with a two feel (h=116). Trpt to E
above staff. Medium difficult.
TUNNEL VISION - 50582 - $55. "Tunnel Vision" was commissioned by
the Keokuk High School Jazz Program in Keokuk, IA. This chart makes a
great complement to straight-ahead swing tunes with its straight-eighth, crossstick
groove. A nice way to feature your bass trombonist and bassist with a
soli in the second half. Although the chart contains a clarinet and bass clarinet
part, tenor sax and bari parts are included as well. Solo space for trumpet and
trombone. Medium level (q=132-144). Trpt. to D above staff. Medium.
JIM CIFELLI
NOT QUITE BRAZIL - 51040 - $55. Contemporary jazz samba that
offers solo space for baritone sax, flute, trumpeet, piano, and drums. The
chord changes for both the melody and the blowing sections are inspired by
Herbie Hancock’s “Cantaloupe Island.” Half way through the chart the 4/4
samba gives way to a 6/4 groove that accompanies the trumpet and pian solos.
A tutti ensemble section brings the chart full circle back to 4/4 for a reprise of
the melody. 5/4/4/G/P/B/D. Alto 1 dlbs on flute. Trpt 1 to high f#. Medium
Difficult.

PAUL COMBS
ONE FOR KEN - 54040 - $53. Medium to medium-up tempo be-bop blues
in F. Can be played with standard instrumentation. Bass Cl substitute provided
for 4th Bone. Solos for Bari, Trpt, and Soprano, with a little taste for the Piano
in the out going ensemble choruses. Medium.
CONCEPT MUSIC SERIES
ANYTIME GIRL - BY JOHN FREMGEN - 50624 - $55. Moderately uptempo
5/4 swing (180-190 bpm) with rock section. John says, "The key is
getting the rhythm section to feel 5/4 so it's not just 3+2. Billy Kilson,
drummer for Dave Holland, is an excellent example of contemporary jazz
drumming on odd meters." Vibes are optional. Med-difficult.
AUSTRALIAN FANTASY - by James Polk - 50631 - $55. 5 sax, 4 tpt., 4
tbn., guitar piano, bass, drums. Medium tempo swing feel. Tempo: mm=110.
Tpt range: high F#, tbn high Bb. This multi-faceted composition makes for a
great swing groove, suggesting 12/8 with some perfectly placed 2/4 measures.
Intro evokes the busy street sounds of Sydney, where it was written by James
Polk while he was touring with the Ray Charles Orchestra as
condctor/arranger. Featues piano solo and a sax soli that's not difficult but
very effective. Above all, it's a swinging chart. Medium / medium difficult.
CHASING AIR - by John Mills - 50632 - $55. 5 sax, 4 tpt., 4 tbn., guitar
piano, bass, drums. Driving even-eighths, "afro-samba" with strong, uplifting
theme. Tempo: mm=188. Tpt range: D. Soloists: solo changes written for Alto
1, Tenor 1, Tpt. 2, Tbn 1, and Rhy. with ensemble backgrounds. Building
ensemble interlude passabe challenges and features the drummer. The vibe of
this chart is McCoy Tyner + big band. Medium difficult.
COAST TO COAST - By BOB MEYER - 50609 - $45. Med-diff. travelog
through samba, rock, free & straight-ahead sections. Flute & sop dbls.
CONCHEKA - By BOB MEYER - 50610 - $43. Latin jazz/fusion in a
driving 3/4-pass out the percussion! Dbls. Med-diff.
DAVE HOLLAND DOES IT LIKE THIS - BY JOHN FREMGEN -
50625 - $55. Unusual composition written in 4/4+3/8, feels like 11/8. Starts
with a bluesy call and response between trombones and bass. Players should
check out how the Dave Holland Big Band treats odd-meter rhythms. Solos
for trombone, trumpet and/or sax and drums playing over bass figure. 5, 4, 4,
vibes, P, B, D. Med-difficult.
DIVISION OF LABOR - By BOB MEYER - 50611 - $43. Inspired by the
work of McCoy Tyner. One soprano dbl. Med-diff.
DRIVE - by John Fremgen - 50630 - $50. 5 sax, 4tpt., 4 tbn., guitar piano,
bass, drums. Contemporary odd-meter Afro-Cuban. Tempo: mm=124. Tpt
range G (top of staff). Soloists: tenor 1, alto 1, tpt. 4. Sets up with a piano/bass
obstinate-drums play a steady cross-stick pattern throughout the opening
statement. Horn lines in the first section are legato and "floating". The 7/4
Afro-Cuban (quarter note=dotted quarter) features layers of moving lines -
each statement a little louder than the last. Open solos with backgrounds cued.
Med diff.
GUITAFRIKA - by John Fremgen - 50629 - $55. 5 sax, 4tpt., 4 tbn., guitar
piano, bass, drums, opt. marimba. Odd-meter rock, Afro-Cuban. Tempo:
mm=120 (slightly faster during 12/8 section). Tpt range Ab (1st ledger line).
Soloist: alto 1, tenor 1, guitar, drums. Guitar featured throughout, sets groove
in opening 7/4 statement, evolves to call/response with ensemble, then solo.
Backgrounds on cue, solo section can repeat for other soloists. Getting in and
out of the Afro-Cuban section from the 7/4 is a rhythmic challenge. While not
a high lead trumpet part, the brass parts require powerand precision. Difficult.
GURU TALK - BY JOHN FREMGEN - 50626 - $55. An opening freestyle
piano which progresses to set up a groove in the left hand. Tempo should
be aboul 100 wpm.Solo section open, backgrounds on cue. After solo piano
returns with gospel/blues style cadenza that sets up a slightly more up-tempo
section in 7/4. Vibes optional. Med-difficult.
HARDBALL - By BOB MEYER - 50612 - $45. Contemporary fusion
fantasy - from delicate to intense. One soprano dbl. Med-diff.
15
HEIST FLICK - by John Fremgen - 50635 - $55. 5 sax, 4 tpt., 4 tbn.,
piano, bass, drums, opt. vibes. Hip-hop contemporary jazz style. Tempo:
mm=180. Tpt range Bb. Soloists: alto 1, tenor 1, tpt. 2. Contemporary jazz
played over a straight-forward hip-hop feel. Solos are open with all
backgrounds on cue. Includes open solo section of drums and trumpet duo. An
exciting chat that blends musical genres. Medium difficult.
JOURNEY HOME - By JEFF HELMER (Concept Music) - 50602 -
$40. Rock-shuffle. Alto feature. Easy-medium level. Trpt to Ab, Trbn to Gb.
PERFECT LEATHER COAT - BY JOHN FREMGEN - 50627 - $55.
Meant to be performed up-tempo, at least 220 bpm. Style is very
contemporary. Features intricate lines over ostinato type bass figure. Solos are
more free-style over walking bass lines. Potential for group improvisation and
creative rhythm section work. Vibes optional. Med-difficult.
REACTIONS - By JEFF HELMER - 50623 - $43. Chorale-like intro
leads into jazz samba. Solos for Tenor and Piano or Guitar. Features different
themes, stop-time segments. A great chart. Med-diff.
RENEGADE - By BOB MEYER - 50613 - $43. Completely different
arrangement from Series X version. Dbls. Med-diff.
SCENERY FOR TRUMPET - By BOB MEYER - 50614 - $43. Solo
trumpet feature. Orchestrated with a concert band flavor. Dbls. Med-diff.
SCHITZODELPHIA - by John Fremgen - 50628 - $50. 5, 4, 4, p, b, d,
vibes/opt. guitar. Fast modern swing, backbeat rock. Tempo: 136. Tpt range:
G (top of staff). Soloists: alto 1, tenor 1, drums. This piece has many intricate,
fast lines in both saxes and trombones. The beginning should be high-intensity
in the rhythm section. Letter C is half-time rock feel, and the overall feel in
the rhythm section relaxes. Open section for alto/drum duo. Difficult.
SECOND CODE, THE - by Bob Meyer - 50634 - $48. 5, 4, 4., guitar
piano, bass, drums. Straight-ahead 12 bar blues. Tempo: mm=136. Tpt range
high F. Soloists: alto 2, tenor 1, tpt 4, tbn 2. Post bop-blues uses harmonies
featuring raised 9ths. Tenors and trombones state line in unison. Texture gets
fuller as choruses develop into solo section that includes soloist interplay with
ensemble, leading into shout chorus and reprise of melody line. Medium.
SIGNIFY - by John Mills - 50633 - $50. 5 sax, 4 tpt., 4 tbn., guitar piano,
bass, drums. Half-time shuffle-funk, with gospel overtones and lots of
contrapuntual energy. Tempo: mm=200. Tpt range: D. Soloists: Solo changes
written for Alto 1, Tenor 1, Tpt 2, Tbn 2 and Rhy. with ensemble
backgrounds. Rhythm section has contrasting grooves in different passages.
Elements of Yellowjackets-style fusion with some throwback to Jazz
Messengers hard-bop roots. Medium difficult.
SUNDAY - By BOB MEYER - 50615 - $43. An unusual sound and style
for big band. Dbls. Med-diff.
SUSPENSION FOUR - By BOB MEYER - 50616 - $40. Multi-faceted
work built on a sixteen measure bossa nova. One flute dbl. Med-diff.
* * * NICOLA CORSO * * *
* * * NEW * * * DURU DURU SYNDICATE – 52275 - $55. This
interesting chart is based on a traditional motif from Sardinia, incorporating
some Zawinuls flavor here and there... Opening with an evocative
unaccompanied rubato section, it offers two different interpretations of the
musical material: a modal-like afro part, with a piano solo, and a solid shuffle
episode, featuring tenor solo and powerful ensemble followed by key change.
Played by Bohuslän Big Band during the Swedish Jazz Celebration Festival in
2010.Lead trumpet goes up to D. 5/4/4/4 instrumentation with doubles: 1st
alto-soprano, 2nd trumpet / flugelhorn. Medium Difficult.
* * * NEW * * * LIKE LENNY – 52276 - $55. Starting out with a
medium-up swing intro, this piece breaks into an half-time, somewhat Hip-
Hop groove reminiscent of Kenny Garretts vibe. An excerpt from his typical,
creative, charming phrasing has been turned into a saxophone soli section and
some other melodic material has been developed by contrapuntal means.
Solos are scored for piano and tenor sax. Lead trumpet goes up to Db.
5/4/4/4/g/p/b/d instrumentation. No doubles. Difficult.

MIKE CROTTY
AMERICAN GOTHIC - 50978 - $60. Comp Bob Berg / Arr by Mike. This
great contemporary standard by Bob Berg is a powerful feature both for tenor
sax and the entire ensemble. The tune requires a tenor soloist with “fire” and a
strong rhythm section capable of playing a contemporary jazz style. A great
showcase for any band. No doubles. Solo Tenor + 5, 5, 4, G, P, B, D. Medium
difficult.
AMIGOS - 50982 - $65. A medium jazz waltz with a Spanish flavor, it
features flugelhorn and tenor sax, which can be played by soloists in addition
to the ensemble or as part of the standard instrumentation. The time moves
back and forth between 3/4 and 4/4. Inlcudes an interesting "canon" for the
sax section. This is an exciting closer for any conert! Medium difficult.
Trumpet 1 to high D.
... AND GRIEVED WE ALL AT SUMMER'S PASSING (big band) -
50951 - $50. A 3/4 ballad feature for tenor sax (or soprano). The ensemble
acts as a framework to showcase the solo tenor. There is a double time solo
section with very accessible "blowing changes". This piece, with its
melancholy theme and large dynamic shifts within the ensemble, programs
well and requires a minimum of rehearsal time. 5,4,4,G,P,B,D, Opt’l Vibes.
Medium.
...AND GRIEVED WE ALL AT SUMMER'S PASSING (studio
orchestra) - 50984 - $70. The same arrangement as the big band version
with accompanying string section and horns in F. 6 Saxes, 5 Trpts, 2 Horns, 4
Bones, G, P, B, D, Vibes, 2 Violins, Viola, Cello. Top Trumpet note "E".
Medium.
BASS IS LOADED - 50953 - $50. Easy swing blues feature for Bass or
Tuba. Alto sax 1 doubles piccolo. Optional Vibes. Med-diff.
BIRD’S IDEA - 50979 - $60. - Comp Ernie Watts / Arr by Mike. A
medium fast “Bop Style” original by Ernie Watts, recorded on his CD “the
long road home.” This arrangement utilizes lines throughout the ensemble as
well as an exciting shout chorus. It features solos for alto or tenor and
optionally trumpet and piano. (opt’l flute double on alto 1.
BLUES & BEYOND - 50970 - $53. - A harmonic stretch of the blues with a
Coltrane type sound. Theme features tenor sax, bass clarinet (on bari part) and
female voice (opt’l). Extended solos for tenor sax and piano. Medium-difficult
level.
CENTRI-FUSION - 50954 - $57. Challenging half time rock chart with
soprano & tenor solos. Some clever multimeter sections change up but do not
break up the overall groove.
CHANGE IN ELEVATION, A - 50971 - $53. A medium blues feature for
bari sax and trombone. Theme played by bari and trombone amidst a
contrasting “non-blues” texture within the band. Medium level.
CHELSEA'S DANCE - 50955 - $50. Easy Jazz Waltz. Features Alto sax
(or Soprano). Doubles. This is a quiet chart. Medium level.
FRIDAY NIGHT AT THE CADILLAC CLUB - 50976 - $60. - Comp by
Bob Berg/arr by Mike Crotty. Hard drivin’ shuffle! Written in the style of the
Bob Berg recording on the CD “Short Stories”. Solos for tenor sax, guitar, and
trombone (opt). Can be used with 5 or 6 saxes. Trpt to high “F”. 5, 4, 4, G, P,
B, D. Medium level.
IN SEARCH OF THE PHOENIX - 50957 - $65. High powered chart. A
real showcase for the band that can handle the more progressive jazz styles.
Solos on Alto (soprano), Trumpet & Drums. Some sax dbls. Diff.
JOYOUS REUNION - 50969 - $65. Comp. Ernie Watts, Arr. Mike Crotty.
“High energy” jazz samba! This chart is definitely for an ambitious soloist(s).
The arrangement captures much of the same energy as the original recording
by Ernie Watts quartet. The tune is played by tenor sax and trombone, and
the solo(s) are for tenor and optionally trombone. There is a short but difficult
sax soli which is sure to keep the sax section busy for a while!. Optional parts
are included in the event that the sax soloist is in addition to a full band. Alto
1 dbls soproano. Full score included. 5+Solo, Sax,4,4,G,P,B,D. Level: diff.
16
LONELY HEARTS - 50968 - $55. Comp. Ernie Watts, Arr. Mike Crotty.
This beautiful ballad waltz was recorded by Ernie Watts. it features either
tenor or soprano sax. There is an optional section tenor part in the event that
the soloist is in addition to a full band. Doubles: alto 1 - sop & flute; alto 2 -
clarinet; tenor 1 (opt) flute; bari - bass clarinet. Full score included. Meddiff.
LONG ROAD HOME, THE - 50983 - $63. This contemporary latin-funk
piece is a marvelous feature for electric bass. A quiet, rather haunting theme is
played by soprano sax (opt. alto) and high-register bass, and solos for bass
and/or soprano sax. Medium difficult. Trumpet 1 to high E.
NICA’S DREAM - 50960 - $60. Medium Latin “2 feel”. Features solo for
Alto sax. Excellent arrangement of Horace Silvers’ classic tune. Good
ensemble work. Doubles. Diff.
POET, THE - 50966 - $52. Relaxed swing featuring bass trombone and
extensive sax soli. Piano solo. Alto sax 1 dbls soprano. Diff.
REUNION DUES - 50973 - $53. “Foot-stompin’ shuffle.” Great vehicle
for trumpet and bari sax solos. Plenty of ensemble playing! 5,4,4,G,P,B,D.
Medium-difficult.
RIVER OF LIGHT - 50981 - $60. Comp Ernie Watts & Dave Witham /
Arr by Mike. Numerous colors throughout the ensemble paint the backdrop
for this beautiful 6/8 ballad feature for tenor sax. The tune, originally recorded
by Ernie Watts on his CD “the long road home,” is very accessible for soloists
of all skill levels and will surely fill the need for that hard-to-find ballad
feature. Solo Tenor, 5,5,4,G,P,B,D. (opt’l bass clar. on bari./opt’l flute on alto
1).
SNAKES - 50977 - $60. Comp by Bob Berg/arr by Mike Crotty. In the style
similar to the recording on the CD “Short Stories”, this chart offers
challenging ensemble playing as well as solo opportunities for tenor sax and
guitar. Solo tenor sax doubles soprano sax. Can be used with 5 or 6
saxes,4,4,G,P,B,D. Trpt to high “F”. Medium-Diff.
STORM ON WILSON MOUNTAIN - 50986 - $60. A "very intense"
medium-up tempo piece with a straight-eighth feel. This chart has a driving
rhythm requiring a strong drummer. A small horn grouping (tpt/alto/bari/tbn)
presents the theme atop various ensemble colors. Open solo for trumpet (5),
with optional additional solo for piano or guitar. Drum solo fills throughout
ensemble passages. Alto sax 1 doubles soprano. Top Trumpet note "D".
Medium Difficult.
TIMES LINE - 50987 - $60. A fast driving swing arrangement based on a
wonderful Scott Wendholt theme. The challenging theme is played by
trumpet(4th) and tenor sax. Solos are for trumpet, tenor sax, and piano, and
are followed by a dynamic sax soli. This is a great showcase for soloists and
the ensemble! No doubles. Optional 5th tpt. Top Trumpet note "F". Medium
Difficult.
WORDS UNSPOKEN - 50985 - $55. A conversation in a contemporary
jazz style for tuba and jazz ensemble. It can also be performed by bass
trombone within the band. It features numerous colors and unusual lines
throughout the ensemble and would be a "musical" challenge for any group.
Medium difficult. Trumpet 1 to high F (opt).
MARIO CRUZ
MEXICAN JUMPING BEANS - 50775 - $55. Mexican Jumping Beans is
a high energy, latin samba with a fusion edge. It features the first alto, and
first tenor on both the theme and solo section. It also features the
drummer/percussionist on the vamp out. It has an optional coda (which is
pretty sneaky) that features the entire ensemble. Lead trumpet high note is
concert D with an optional high A. Due to it's rhythm complexity it should be
considered moderately advanced, and would be a good high energy "fun"
piece for a concert program. 5/5/4/g/p/b/d.Medium Difficult.
UNDER THE INFLUENCE - 50776 - $55. Under the Influence is an uptempo
"burning" swing tune and was originally commissioned by the TCU
Jazz Band under the direction (and "influence") of Curtis Wilson. The

opening main theme features the brass section in a "psuedo - acapella" brass
chorale and focuses on some tight harmonic voicings, therefore precise
intonation and rhythmic timing should be emphasized. The secondary theme
is a duet with the fifth trumpet and first tenor evolving to an ensemble
interlude that leads to an open tenor solo. After the tenor solo, a rather
demanding saxophone soli followed by a shout chorus resolves to a recap of
the secondary theme duet. Lead trumpet high note is concert D. Due to it's
tight harmonic voicings, technically demanding saxophone work and fast
tempo, it should be considered a moderately advanced piece and is best suited
for a band with a "locked-in" rhythm section.5/5/4/g/p/b/d. Medium Difficult.
BILL CUNLIFFE
AFLUENCIA - 52092 - $53. C minor. Soprano sax, trumpet and
drum/percussion solos. Lead trumpet top note written F, but not rangy. Lovely
6/8 afro latin chart. Medium difficulty, but a few challenging ensemble
rhythms. Alto saxes double on soprano and flute, tenors double on clarinet,
bari doubles on bass clarinet. Beautiful, and easily obtainable lush colors.
Woodwind parts not difficult. Very powerful and exciting coda. Medium.
* * * NEW * * * BLUES FOR DUKE – 52400 - $55.Winner of the
Down Beat Student Award for Best Original Composition, this Ellingtonish
medium slow blues features a piano solo, and can be opened up for many. Not
too hard, top trumpet note written D. Originally scored for woodwinds, this
version requires no doubles.5/4/4/G/P/B/D. Medium.
BONECRUSHER - 52085 - $60. Uptempo mambo chart from Bill Cunliffe
album Imaginacion. Starts in E minor, modulates to Db major. Piano feature,
and dueling trumpets going out. Lots of unison brass writing. Piano part is
challenging, but worth it. Trumpet top note Eb above staff. 5, 4, 4, G, P, B, D.
Medium difficult.
DUNEDIN - 52080 - $65. F major, alternates between Cajun and two beat
jazz feel. Strong swinger, goes into a boogie thing for a while. Trombone
feature in parts. Top trumpet note written E above staff. 5, 4, 4, G, P, B,
D.Med-difficult.
* * * NEW * * * FATBACK BLUES – 52097 - $55. G minor.
Medium-up jazz rock chart. Catchy tune, Alto and bass solos. Top note
written Bb above staff. Medium level.
HAVANA - 52093 - $53. G minor. Medium tempo cha-cha, Alto sax,
trombone and drum/percussion solos. Very tuneful and easy to
conceptionalize. Fiery Santana-ish shout chorus. Lead trumpet has one high
written D, but is below the staff the rest of the time. 5.4.4.P,B,D. Medium.
JOHN BROWN'S BODY (trad.) - 52094 - $53. Bb. Standard big band
orchestration. A powerful and exciting jazz shuffle featuring piano as soloist.
Written for a new recording of the Oscar Peterson Jazz Legacy Big Band
featuring pianist Marian Petrescu. If you like Monty Alexanders' version,
you'll love this chart. Very exciting shout chorus, starts with Thad Jones-like
counterpoint, and then rocks the house. Moderately difficult, high lead
trumpet note written E. 5,4,4,G,P,B,D. Medium difficult.
* * * NEW * * * KENSINGTON GARDENS – 52098 - $50. Eb. Slow
even eighth note ballad. Trumpet/Flugel feature. Pretty tune. Builds to a
harmonically rich finish. Part of "London Suite", written for Buddy Rich. Top
trumpet note written C above staff. Medium level.
NIGHT BLOOD - 52086 - $60. Written for The Buddy Rich band. F major.
Powerful jazz shuffle. Alto and trombone solos. Moderately difficult. Top
trumpet note written G above staff. 5, 4, 4, P, B, D. Med-difficult.
NO EXIT - 52087 - $60. Written for The Buddy Rich band. Ab. Slightly
simplified version of the powerhouse rock chart with a rock 3/4 middle
section. Huge climax. Lots of fun to play. Top trumpet note written E.
Difficult, but not musically, just a challenge for your hot trumpet section!
5,4,4,G,P,B,D. Med-diff.
O.C. - 52095 - $53. Eb. Tribute to Ornette Coleman. Standard orchestration.
Alto and drum feature. Not demanding in terms of ranges, and a tuneful, but
challenging piece of music. A few time changes. Top lead trumpet note
17
written C#. Commissioned by the Empire State Youth Orchestra. Starts of
with an evocative ballad intro with soaring alto over the top. Then the tune,
which is quirky, and rhythmically challenging. The tough rhythms are usually
handled by the whole band, making it a fun and interesting exercise for them.
The coda features a group "free" jam that is very fun for the students.
Difficult.
OXFORD STREET - 52089 - $60. First of three movement suite in the style
of the Bill Reddy/John La Barbera/Buddy Rich suites. First section medium
rock feel (Oxford Street), moderately difficult, top trumpet note written D, but
not high in general. Nice shout chorus. Alto sax solo. Med-difficult.
* * * NEW * * * RARE CONNECTION, A – 52096 - $55. Eb, lovely
open jazz waltz/Weather Report-ish ballad feature for trumpet/flugelhorn in
section. Builds to a powerful coda. Short piano solo. Top trumpet note written
Bb above staff. Medium level.
* * * NEW * * * SAMBA DE MILTON – 52099 - $55. Eb up-tempo
samba, reminiscent of Milton Nascimiento's Vera Cruz. Slow moving
melodies above cooking Brazilian rhythm. Top trumpet note written C above
staff. Solos in tenor sax and trumpet. Medium.
TE WERO NUI - 52083 - $60. Pensive even 8th note chart, harmonically
innovative, but lyrical. Piano and tenor solos. Powerful shout chorus. Top
trumpet note written F at end. Very effective. 5, 4, 4, G, P, B, D. Med-diff.
QUEENSWAY - 52090 - $60. Third movement of the London Suite, written
for and performed by the Buddy Rich band. Trumpet top note written Eb
above staff. Funk chart with alto solo and drum cadenza (of course!) Big
ending! Med-difficult.
WARRIORS, THE - 52084 - $65. Eb. A real scorcher, and one to end a
concert with. Dedicated to Buddy, Woody and Maynard. Uptempo latin
alternating with rock feel. Tenor and lead trumpet solos. Lots of unison
writing. Some tricky metric things, but all in unison. Very effective. Top
trumpet note F above staff. Med-difficult.
YOU GOT IT - 52088 - $60. Written for The Buddy Rich Band. Eb. Written
for and played by Buddy from 1985 through 1987. Uptempo swinger with sax
soli, piano and baritone solos. Very straight forward and effective. Big shout
chorus with, what else, drum solos! Trumpet top note written D. Meddifficult.
MIKE DANA
ABYSSINIA (I'LL BE SEEIN' YA) - 55344 - $55. Here's a medium-up
tempo modal chart that your band (and audience) will really enjoy. A
contemporary head sits on top of an ostinato in open fifths, while the drummer
keeps things energized with Elvin-ish time. Solos for tenor or trumpet; can be
opened up. Very reasonalble brass ranges are used. Suggested piano voicings
and bass lines (also with chord symbols) are provided. 5,4,4,G,P,B,D. Med.
AND NOW YOU KNOW - 55343 - $52. A hauntingly beautiful ballad,
with unusal voicings in an ECM-Vince Mendoza style. Originally a guitar
vehicle, it can also feature vibes or tenor (optional parts are included.) Scored
for 10 brass. Difficult.
AZUCAR - 55355 - $55. Azucar is a Latin chart loosely based on Staney
Turrentine's "Sugar". The melody is played by a trio (trumpet, alto, tenor).
The solo section can feature anyone in the band, and the simple changes and
authentic backgrounds will make them sound great! (a sheet of changes is
included). 5-4-4-4, plus optional Latin percussion, flute, and vibes. Notated
rhythm parts and moderate brass ranges (lead trumpet to high C in the last bar
only). Your band AND audience will enjoy this one. Medium.
BOUNCE HOUSE - 55360 - $50. Bounce House is an up-tempo chart based
on a D minor blues and a recurring bass ostinato. It features your soloist of
choice at C (a separate sheet of changes is provided) and your drummer at D.
Some general ensemble notes: Pay attention to the road map (2nd time only,
3X at C, 4X at D, staggered entrances at C and at D, etc.) Make sure you
know when to play! Background horn kicks at B 2nd X should not overpower
the melody. There are several sudden dynamic changes to catch.The quarter
notes in the ostinato are always played long. Both repeats are good on the DS.

The background for the drum solo at D gets pretty dense.There are a LOT of
independent lines here, so count your part, play confidently, and all will be
well. Coda: nothing radical, but count, and watch the dynamics. Drum solo at
D: you have 4 repeats of a 16 bar phrase to solo over. Start with very busy
time at first, then gradually play more soloistically. Catch the “four-and” kicks
as much as possible. You might even lean towards a half-time rock feel
towards the end. End BIG, but come in soft on the ride 7 before the DS.
Rhythm section: sample piano voicings are included at B and C, but the
pianist should comp with appropriate jazz rhythms. Bass: both written
walking lines and changes are provided at B and C; use whichever you are
most comfortable with. The other parts of the chart should be played as
written. An optional vibes part is included. Trpt. 1 to Bb at the
end.5/4/4/G/P/B/D. Medium.
CONFLUENTIAL - 55335 - $55. This burning contemporary original will
be an audience-pleasing opener or festival chart, and your band will dig it too.
It's a 12 bar (but not a blues) form in C minor. The melody is stated by a trio
of alto, trumpet, and tenor (all are featured on solos as well). An extended
coda with exciting background figures builds behind a drum solo for a
dramatic ending. Trumpet 1 to a D, trombone 1 to an A. Medium-difficult.
DECEMBER - 55353 - $57. December is a Maria Schneider-esque chart
that features tenor (opt. soprano) and trumpet (opt. guitar/vibes). The ethereal
melody floats over a 6/4 even-eighth groove. Solo changes are challenging,
but mature soloists (and rhythm section) will have no problem. Some piano
voicings are provided; bass part is both notated and slashes. This chart will be
a stunning change of pace for a college or strong high school band. Meddifficult.
EL BURRITO PICANTE III: THIS TIME IT'S PERSONAL - 55349 -
$55. The "spicy burrito" returns with a vengeance in this Latin chart that
sounds much harder than it plays. An ominous opening leads into a 12/8 feel
that alternates with a driving Afro-Cuban groove. You'll need auxiliary
percussion for this: congas, timbales, etc. Reasonable brass ranges. Suggested
piano voicings, sample percussion grooves, and notated bass line are
provided. For high school or strong middle school bands, this is THE closer
for your festival set... the "sequel with no equal." 5, 4, 4, P, B, D, Perc.
Medium.
EYE OF THE GEMINI - 55336 - $55. This is a beautiful chart, with a
unique feel. Chart opens with a warm chorale melody, then evolves into an
ethereal, straight-eighth (mm=140) ECM-ish feel. Solo changes are included
for tenor and trumpet, but can easily be played by anyone. The modal solo
section uses only 2 or 3 tonal centers, so younger improvisers should have no
fear. A dramatic development section leads back into the head, and closes
with the chorale. Trumpet to C, trombone to G. Medium.
FARTHER (STILL) - 55337 - $55. This soprano sax feature was composed
in memory of Paul Shaghoian. A huntingly beautiful minor melody in 3/4 is
supported by lush brass and woodwind textures. Scored for 10 brass (inc.
tuba), with some doubling (alto 1/flute, bari/bass clarinet). A mature soprano
soloist and rhythm section, and a strong lead trumpet are a must. Difficult.
MAX BLUES - 55358 - $55. This driving blues shuffle, in the Thad & Mel
style, makes a terrific opener. There are a couple of twists: the chart starts in
Bb, goes to Eb for the solos(based on blues changes, trasposed for any
soloist). to Ab for the shout, then back to Bb for the out chorus. Tpt 1 to hich
C, tbn 1 to G. Slashes in piano and guitar; bass is slashes w/ changes. 5-4-4-4.
Medium.
OTONO - 55351 - $57. Otono (commissioned by Curtis Gaesser for the
Folsom Jazz Festival) is a moody, medium-tempo Latin chart, based on the
changes of another well-known tune about fall foliage. It's an ideal "middleof-the-set"
tune. The solo is in Tenor 1, and can easily be opened up for other
players. The changes are very manageable for intermediate+ players. Sample
voicings are provided for piano. The guitar part can also be played on vibes. If
you have both, have vibes play the lines, and guitar comp on a nylon string.
Nice! Subtle auxiliary percussion (not provided) would also be an effective
touch. Medium.
SORRY ABOUT THAT - 55348 - $55. A great opener: a hard-driving
minor blues shuffle always gets the crowd in the right mood. Your tenor
player has a short bluesy cadenza at the top and again at the end, and is also
featured on the solo section. Tbn 1 to G, tpt 1 to B. Medium.
18
WHAT HAPPENED TO THE GIRL FROM THE "A" TRAIN? - 55354
- $55. Watch what happens when your band plays this medium-up
swing/Latin chart! It's loosely based on not one, not two, but three jazz
standards. It swings so cool and sways so gentle, your audience will say
"ahhh..." Scored for 5/4/4/4, with lead trumpet to D, lead bone to A, no sax
doubles. Solo changes are in tenor 1 and trumpet 2. Piano voicings and bass
lines are provided, along with chord changes. All aboard! Medium level.
JOHN DAVERSA
BARE YOUR SOUL - 54650 - $50. As recorded on John Daversa's "Live at
Catalina's", this is a jazz ballad enabling a sensitive jazz trumpet solo. There is
an a cappella development section for the winds that alludes to classical
sensibilities as well as a lyrical written solo for the lead trumpet which goes
up to written high G. There are some surprising moments in this piece, as the
ensemble plays subito fortissimo stabs, going from extreme soft to extreme
loud. Key: Eb Major. 5,5,4,G,P,B,D. Medium Difficult.
BOUNCE DA NU FUNK - 54651 - $55. This chart is a bouncy, bop-ish
tune set over a 1/2 Time Rock-Funk Shuffle Feel. To begin the chart, the
horns set the groove a cappella, and the rhythm section joins after the first "A"
section. The solo section is built on modal harmony and is open for anyone
that wants to blow. After the solos, there is a unique and playful interplay
between the trumpets and trombones before building toward a lively
saxophone soli in a new key (Eb). It has proven to be a good closer with its
developing sections, twists and turns, and rhythmic groove. Highest note for
lead trumpet is written high F#. Key: A Blues. 5,4,4,G,P,B,D. Difficult.
CHEEKS - 54653 - $55. This bouncy, bop-ish extended blues (28 bars) with
a bridge, was written in memory of jazz icon, Dizzy Gillespie. It features an
alto saxophone solo, however the solos can easily be opened up for other
instruments. The development highlights and ever-expanding unison bop line
that weaves and winds its way across an ostinato rhythmic pattern within the
trombones and rhythm section, before returning to the bridge and out. Highest
note for the lead trumpet is written high C. Key: F Blues. Medium.
DON'T JIVE THE HITMAN - 54654 - $55. As recorded on John
Daversa's "Live at Catalina's", this chart is a swingy, bluesy tune built on a
bass line groove in 7/4. There are solos in the guitar and alto saxophone
before a trumpet solo begins softly and sparsely in a new key (a minor). The
solo is accompanied by a seamlessly steady layering of instruments and
colors, arriving at an intricate and powerful out chorus. It has proven to be a
rousing closer. Highest note for lead trumpet is written high G. Key: F Blues.
5,5,4,G,P,B,D. Difficult.
FAST AND DIRECT - 54655 - $55. This chart is the first movement of a
suite, "A Tribute to Dee Barton". It is desighned to move along at a fast,
exciting pace while providing ample solo space for the solo trumpet and tenor
saxophone. Ensemble sections feature a unison trombone melody and a lively
saxophone soli followed by a boisterous shout chorus. It works well as an
opener. Highest note for lead trumpet is written high F#. Key: g minor.
Difficult.
FUNKY CAMELS - 54652 - $55. This chart is the second movement of a
suite, "A Tribute to Dee Barton", as recorded on John Daversa's "Live at
Catalina's". The groove intends to conjure an image of (very hip) camels
traveling across the desert. There is solo space for tombone and flute.
Ensemble sections feature a quirky trombone soli and playful exchanges
between the saxes and brass. Highest note for lead trumpet is written high G.
Key: F Blues. Difficult.
INTERNAL - 54656 - $55. Internal is based on an ostinato bass figure
composed with bass harmonics in perfect fourths, in 7/4. The consonant
melody produces a meditative sense of ease. The instrumentation includes
muted trumpets and tranquil flutes and clarinets. A solo trumpet improvises
through a steadily building development that explodes in a '70's rock/funk
groove (a la Miles Davis' "In a Silent Way"). There are soli sections for the
trombones and trumpets. Highest note for lead trumpet is written high F#.
Key: D Major. Difficult.
JUNK WAGON - 54657 - $60. This is a progressive, modern jazz
composition containing several meter and feel changes. It is based around a
rhythmic cell in 7/4, however the majority of the tune is a double time "Drums

'n' Bass" 6/4 feel. Though there are many other time signatures visited (12/8,
5/8, 5/4, & 4/4), the meter changes are comfortable and intuitive. After the
substantial introduction, driving 7/4 rock section, and 6/4 melody have been
stated, there is a raucous trumpet solo, followed by a driving guitar solo.
Then, the groove breaks down to a tight R&B groove featuring a bass solo as
flutes and clarinets accoumpany. As the rhythm section goes back to vamping
the 7/4 rock cell, the horns play a conducted slower temp above the chaos.
Eventually, the two tempi sync back together for a rousing finale. Highest
note for lead trumpet is written F#. Key: a minor. Alto/Flute, Alto/Clar,
Tenor/Clar, Tenor/Flute, Bari/Bass Clar, 4,4, Evi or Snyth Solo, G,P, B, D.
Difficult.
MISSING PLATELETS - 54658 - $55. This chart is the final movement of
a suite, "A Tribute to Dee Barton", as recorded on John Daversa's "Live at
Catalina's". The melody utilizes bop and blues sensibilities over a medium-up,
straight-ahead jazz feel. There is solo space for the trumpet and tenor
saxophone as well as a "high note" trumpet solo near the end. The chart
highlights the low brass and includes a driving saxophone soli followed by a
powerful shout chorus. Highest note for lead trumpet is written high F#. Key
C Blues. 5,5,4,G,P,B,D. Medium Difficult.
MOMENTS OF REALITY - 54659 - $50. This is a solemn jazz ballad that
may imply the musical style of Charles Mingus in sections. It features a
written lyrical solo by the trumpet as well as the guitar, however whenever the
guitar plays the melody, the pace is twice as fast. There is no improvisation.
The melody is continually passed around the ensemble, sometimes
rhythmically staggered and with counter melodies. The mood is ominous, yet
optimistic. Highest note for solo trumpet is written Bb (one ledger line above
the staff). Key: Not atonal, but a key does not apply. 5,4,4,G,P,B,D. Medium
Difficult.
MOST OF ALL - 54660 - $50. As recorded on John Daversa's "Live at
Catalina's", Most of All is a lush jazz ballad featuring the bass clarinet. It also
features a written lyrical trumpet solo. Flutes and clarinets tint and shade
throughout, with luscious colorings from the brass. Highest note for lead
trumpet is written F# in the staff. Key: G Major. Fl, Fl, Cl, Cl, Bass Cl,
4,4,G,P,B,D. Medium Difficult.
OMA - 54661 - $55. As recorded on John Daversa's "Live at Catalina's",
Oma is a melodic jazz bossa nova that features a soprano saxophone solo
throughout. It highlights traditional bossa nova accompaniment by the guitar,
as well as sweeping counter melodies and duck tailing lyrical lines within the
horn sections. The ending is a large-scale crescendo and decrescendo, utilizing
steady building and deconstruction of layers, over a four bar vamp that the
soloist improvises over. This is a wonderful improvisational vehicle for an
improvising soprano saxophonist. Highest note for lead trumpet is written
high F. Key: C Major. 5,4,4,G,P,B,D. Medium Difficult.
PENTENTIUM MOTION - 54662 -$57. As recorded on John Daversa's
"Live at Catalina's", this chart features high-energy, bombastic brass along
with some unusual, yet intuitive use of polymeter over a medium jazz ostinato
groove in 5/4. There is ample space for the drums to blow over two conducted
ensemble sections at the beginning and end, and a jazz trumpet solo within the
heart of the chart. The development section begins with a sparse saxophone
soli, before developing into a shout section that features the horns phrasing
4/4 while the rhythm section simultaneously maintains the ostinato groove in
5/4. Highest note for lead trumpet is written high G#. Key: C Blues.
5,5,4,G,P,B,D. Difficult.
SLICK - 54663 - $57. As recorded on John Daversa's "Live at Catalina's",
this chart is a moderate jazz/R&B groove (swing 16ths) with a memorable,
sing-able melody. It features a solo for the flute (which could be played on
alto if preferred) before the ensemble restates the melody and seemingly ends.
However, the R&B groove lightly begins again, as a trumpet solo begins. The
ensemble steadily gains momentum, adding sections, power, and range, until
the chart peaks all over again, but this time at an even higher zenith. Highest
note for lead trumpet is written high Gb. Key: Eb Major. Difficult.
STRAWBERRY MARGARITA - 54664 - $57. This chart is a breezy jazz
samba that features improvisational space and soli work for trumpet, alto
saxophone and guitar. Although it is reverent to traditional jazz sambas, there
is an added interlude in 6/8 and some challenging unison lines for the soli
instruments and saxes. Highest note for lead trumpet is written high F. Key:
Db Major. 5,4,4,G,P,B,D. Difficult.
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YOU THINK YOU'RE FUNNY - 54665 - $55. As recorded on John
Daversa's "Live at Catalina's", this is a traditional jazz blues with a bridge
containing ample opportunities for improvising. After the melody is stated,
there is a raucous seven-chorus saxophone soli that is later accompanied by a
twelve-tone row in the trombones and trumpets, a major second part. After the
sax soli, there is an open solo for Alto 1 with similar accompaniment. Then,
Alto 2 solos over a 1/2 time feel (a la Ornette Coleman) before leading to a
powerful shout chorus returning to regular time. This is followed by a drum
solo that builds over an eight bar vamp, as instruments and musical
components are gradually layered in. This chart enables many soloists an
opportunity to play and stretch out. Highest note for lead trumpet is written
high A. Key: F Blues. 5,4,4,G,P,B,D. Difficult.
ELLIOT DEUTSCH
COFFEE TIME - 54750 - $50. A slow-swinging Count Basie-styled ballad,
and a great feature for a flute soloist (or opt. alto). There is a short, dramatic
shout section. Lead trumpet plays a written C. 5,4,4,P,B,D,Trpt 1 to High C.
Medium.
DROP DOWN & GIVE ME A ZILLION - 54755 - $55. Commissioned by
The Noteables (US Air Force Jazz Band), “Drop Down” is an uptempo bebop
big band tune that, while sounding familiar, is wholly original. This song
features solos for trumpet and guitar (solo changes are also in Tenor 1). The
pinnacle of the arrangement is 36-bar a cappella soli. This is a great piece to
show off the virtuosity of a tight ensemble. Lead trumpet plays up to a written
F# above high C. 5/4/4/P/B/D. Medium - Difficult.
RHYTHM CHALLENGE - 54751 - $57. An up-tempo bebop tune for big
band that features a tenor saxophone and trombone soloist. The tune is based
on the chord changes to "I Got Rhythm", but modulates after each chorus.
There is an exciting a cappella soli. Lead trumpet plays a written double G.
Difficult.
STROLL AT THE BEACH - 54752 - $55. A medium swing, blues chart
that has it all: a soft shout, a loud shout, an a cappella soli, and a key change.
There are two solo sections, both 12 bar blues in Bb. Lead trumpet plays a
written double E (opt. G). 5,4,4,P,B,D. Medium Difficult.
WELCOME TO ZINGTOWN - 54756 - $55. Commissioned for the
Esperanza High School Jazz Band, “Welcome to Zingtown” is a roaring big
band arrangement that is both challenging and crowd-pleasing. The melody,
set to the changes of “How High the Moon,” is played by the sax section (a-la
“Four Brothers.”) There is solo space for a trumpet and a tenor sax. The
chorus long a cappella section is followed by a huge shout chorus. This
arrangement screams and is sure to be one of you favorites. Lead trumpet
plays a written E above high C.5/4/4/P/B/D.
Medium - Difficult.
YEAH... WE'RE SLEEPING TOGETHER - 54753 - $57. An up-tempo
bebop tune for big band, based on the cord changes to "Just Friends" in F.
This is a great feature for a trumpet soloist and has lots of room for saxophone
solos. Lead trumpet plays a written double E (opt. G). Medium Difficult.
DAVE DOLENGEWICZ
DOWNHILL - 51945 - $55. Featuring the Quadruple Time, this chart starts
off slow and "pretty", then kicks it up two notches to a burning straight 8ths
melody and a funky bridge. After the ensuing tenor solo the tempo drops
down to a medium swing for a short time to feature the trumpet before
returning to the fast melody. The chart climaxes by trading between full band
pyramids and the drums and closes with a punchier statement of the melody.
Soloists - Tenor, Trumpet, Drums. 10 brass. Trumpet - High F. Difficult.
LIKE LIKE SOMEONE - 51947 - $55. With its multiple shout sections,
sax soli and mixture of tradition and weirdness, you're sure to fall in like with
this swinger. Like Like Someone is fun for the band and audience alike.
Soloists - Trumpet, Tenor, Guitar, 10 brass, Trumpet - High E. Difficult.
NOT EVEN FLOWERS - 51946 - $50. This haunting ballad is short and
simple. A pensive piano intro unfolds into a melody that blends different
colors as it grows into lush orchestration, florid counterpoint and ends with a

flugelhorn and soprano sax ornamenting three final chords. Soloists - Piano.
10 Brass. Trumpet - High Eb. Wood Wind Doubles - 1 flute, 1 soprano, 2
clarinets, 1 bass clarinet. Medium Difficult.
TOM DOSSETT
ALIEN BLUE - 54465 - $55. Opens with a 12-bar blues piano solo, into a
great theme that will stick with the audience after they've gone, later features a
tenor solo. Lead trumpet up to high Eb. (Premiered by MYJO - Midland
Youth Jazz Orchestra, England.) S, A, T, T, B, 4 Tpts, 4Bones, G, P, B, D.
Medium difficult.
BLACK CRYSTAL - 54450 - $45. Time piece starting in 7/4, a jazz waltz,
then an up tempo samba! Diff. Some sax dbls.
BRAZILIANA - 54466 - $55. Something new and different with a latin-funk
feel that really moves and the rhythm section can really get into, features a
soprano sax solo. Lead trumpet up to high D. (Premiered by MYJO - Midland
Youth Jazz Orchestra, England.)A, A, T, T, B, 4Tpts, 4Bones, G, P, B, D.
Medium difficult.
EYE OF THE SPHINX - 54457 - $46. Good chart to use synth/midi
keyboard and experiment with some new sounds. Eerie intro goes into funk
feel. Sax doubles. Features Synth and Tenor sax solos. Some sax dbls. Meddiff.
FAT, JUICY BURGER - 54462 - $53. Fast, up tempo funk/rock groove
which alternates between half time blues feel. Features a guitar solo and the
trombone section with the 1st trumpet going up to "D". Med-difficult.
FOR DEE - 54468 - $50. A unique, beautiful ballad originally written for a
euphonium solo (can be substituted with trombone) with lush colorful
harmonies and a chart that leaves listeners wanting more. Originally
commissioned by the Illinois Valley Central High School Jazz Band, Dan
Dietrich, director and dedicated to DeLores Brown, music educator for her
outstanding conributions to music education. Premiered at the IMEA's
(Illinois Music Educator's Assn.) All-State Conference. A, A, T, T, B, 4 Tpts,
4 Bones, Euphonium, G, P, B, D. Medium.
GREASE THE WHEEL AND LET’R ROLL BLUES - 54470 - $55. -
Great easy going blues number to let your keyboard player shine. For a
different sound, try a jazz organ. Short opening keyboard solo sets the mood
and later opens up for invividual styling. 1st Trpt. to high C. 5/4/4/G/P/B/D.
Medium Difficult.
NEVER-ENDING ENDING BLUES, THE - 54454 - $45. Driving 12-bar
blues. Tenors-opened up for others. Trbn soli. Some sax dbls. 5,4,4,G,P,B,D,
Alto 1Dbls as Picc, Alto 2, Ten 1&2 Dbl Flute. Medium.
NOTE FOR BILL, A - 54459 - $53. - A tribute to Bill Brown (my fatherin-law,
studio musician in Chicago, NBC staff musican during the ‘50’s, a
great trombone player and arranger. He taught me what music was really
about!). A trombone feature beginning in a beautiful 3/4 ballad that shifts into
a 6/8 Afro-Curban groove to let the soloist open up. Goes back to original
theme to finish out.
ONCE AROUND THE TRACK AT CAMPTOWN - 54469 - $55. This is
a new and innovative twist on the old American folk tune “De Camptown
Races” by Stephen Foster. A great chart that features the bass trombone and
bari sax with a tint of flute and muted trumpet mixed in for extra color.
Moving from a easy-going swing feel into Latin-Rock, where there’s a tenor
sax solo, this change of pace adds to the excitement. Tpt 1 to Bb, Alto 1
doubles on flute entirely.Flute 1, Alto 1,Alto 2, Tenor1-2, Bari, 4 Tpt, 3 Tenor
Tbn, 4 Bass Tbn, 4 rhythm. Medium.
PASSING YOU BY - 54471 - $55. If you want to feature your trombone
section and especially bring attention to your bass trombonist, this chart is the
one to program. A Latin feel, opens up to feature a solo for the lead
tromboneist. Trpt. 1 goes to high D. 5/4/4/G/P/B/D. Medium Difficult.
PATRICIA'S POINT OF VIEW - 54467 - $55. A great medium tempo
blues chart that showcases most of the sections of your band. Open ad lib
section for the trombone players to do their thing plus your drummer can
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show off his stuff near the middle. A double time section changes the pace for
a while coming back to the main theme near the end. 1st Trpt to high C / Alto
Sax doubles on Picc / Alto 2 and Tenors double on Flutes. Medium difficult.
SAMBA DE FEROZ - 54464 - $53. If you want to feature your bass
trombone player with an aggressive fast samba, then this is the chart. Feroz
meaning "fierce" with good section features when the bass bone is resting. 1st
trumpet up to "E". 5, 4, 4, P, B, D, G. Difficult.
SONG FOR RACHEL - 54458 - $45. A very beautiful ballad. Bass
Trombone feature, Med-diff. Sax dbls.
STARSCAPE - 54453 - $45. Lively funk shuffle w/a swing bridge, written
for the Airmen of Note. Med-diff. Some sax dbls. No score.
SUBURBAN SPIN - 54463 - $53. Good swing opener with high energy
featuring alto sax and trumpet solos. 1st trumpet up to high "E". Med-difficult.
THIS DAY GONE BY - 54461 - $50. An up tempo swinger good for
opening a concert. features keyboard solo in beginning, tenor solo and the sax
section.
WALKIN’ WITH OSCAR - 54460 - $53. - Inspired by the piano stylings
of Oscar Peterson. Beginning blues theme, on to feature trpt, alto, tenor & trbn
into double time feel where piano can solo or opt for other solos.
CHUCK DOTAS
DISPERSE - 55169 - $80. Disperse was commissioned by the Western
Albemarle High School Big Band in Charlottesville, VA, and was written to
introduce public school students to the language of composer/percussionist
John Hollenbeck. The vibes, piano, guitar, and bass all utilize extensive
written lines. The drum grooves modulate from a syncopated, funky feel to
straight ahead swing, a smoother "house" beat, and a contemporary swing feel
that features the drummer soloing over ensemble figures. All of the wind
instruments have fairly contrapuntal, independent lines. Saxes: A/A/T/T/B;
flute; five trumpets; four trombones, RS: vibes/p/g/b/d. Lead trumpet: written
C. Solo changes available for alto sax, trumpet, and piano. Medium difficult.
FUNHOUSE - 55168 - $60. Funhouse was written by Bob Brookmeyer for
an extended quartet engagement at The Jazz Standard in New York City. This
arrangement is based on a sketch score provided by Mr. Brookmeyer. The
groove can best be described as Hollenbeckian hip hop against Brookmeyers's
sui generis harmonic palate. Plenty of solo space is given to trumpet (extended
stretches of tonic and altered dominant harmony) and trombone (planing
chords over a tonic pedal and funky drums). The drums are also featured
prominently interacting with simple figures and rhythmic punches in the horns
and rhythm section. Lead trumpet has one F# punch and one sustained E.
Instrumentation: SSTB (an optional alto sax 2 substitute part is included; bari
has some optional bass clarinet doubling); 5 trumpets; 4 trombones; piano,
guitar, bass, drums. Difficult.
MALINKE'S DANCE - 55167 - $55. Malinke's Dance is a funky boogaloo
originally recorded live on a CD of the same name by the Marty Ehrlich
quartet Traveler's Tales. This arrangement develops material from the live
performance into a smoldering big band chart. Solo space over an appealingly
simple chord progression is given to trumpet and tenor sax; lead trumpet
needs a solid, sustained high G at the end of the chart. Instrumentation:
SATB; 4 trumpets; 4 trombones, piano, guitar, bass, drums. Difficult.
PETITE BETE NOIR - 55170 - $55. Petite Bete Noir was commissioned by
Gene Aitken for the Greeley Jazz Festival All-Star Big Band. Written in a
somewahat minimalist style, the piece is based on a four-note cell in the bass
voices whose intervals gradually expand, creating the chord progression for
the melody. The Afro-Cuban groove in the first half of the piece undergoes a
subtle metric modulation to a straight-eighth note 6/4 feel for the ensemble
development. Piano, guitar, and bass parts all utilize extensive written lines;
the ensemble texture is fairly contrapuntal. Saxes: S/A/T/T/B; five trumpets
(some doubling on flugelhorn), four trombones, RS: p/g/b/d. Lead and second
trumpe: written C#. Solos: alto sax and piano. Medium difficult.

SPIN STATES - 55166 - $70. Commissioned by the Lewis Palmer High
School Jazz Orchestra (Monument, CO), Spin States uses the language of Bob
Brookmeyer to present a motive in several different rhythmic contexts (the
title refers to the physics term describing how an elemental particle can
change its characteristics depending on its surroundings.) The ensemble
presents two contrapuntal lines that interact over a medium fast swing groove
in the drums (brushes). The piece evolves through a "broken two" feel, a funkoriented
New Orleans second-line feel, metric modulation into an Afro-Cuban
groove, and a shuffle. A brief written trombone solo (over guitar voicings that
require a good player) gives way to modal blowing in the first tenor sax'; lead
trumpet needs one sustained high F. The piano part has an optional move to
synth organ patch. Instrumentation: SATB; 5 trumpets' 5 trombones; piano,
guita, bass, drums. 5, 5, 5, G, P, B, D. Med-difficult.
STRETCH - 55165 - $65. Stretch was commissioned by the Western
Albemarle High School Jazz Ensemble (Charlottesville, VA), and was written
to introduce good high school or young college bands to the language utilized
by writers such as Maria Schneider in the early 1990s (with a bit of Jim
McNeely thown in). The title refers to the melody, which stretches the
primary melodic interval (a major second) into a phrase that encompasses an
octave plus a half step. Also, the end of the piece utilizes a vamp that stretches
a standard samba phrase into 4 and one-half bars. Both tenor saxophonists get
improvisational space over two contrasting timbral and textural orchestrations,
over slowly changing qualities of tonic chord. The language is tonal
throughout, the texture often pointallistic (alternating with ensemble unison
lines against drum solo fills on brushes) over a medium fast swing groove that
becomes a samba at the end. Lead trumpet is rarely above the staff, going up
to one written B. Instrumentation: AATTB, 5 trumpets, 5 trombones, piano,
guitar, bass, drums, optional flute and vibes. Medium.
* * * JOE ELEFANTE * * *
* * * NEW * * * MY NEW THING – 52428 - $60.Happy, burning,
gospel-flavored swing. Instrumentation: 5 Reeds, 4 Trombones, 4 Trombones,
Piano, Guitar, Bass, Drums. Trumpet 1 up to written double G, Trombone 1
up to C above staff. Tenor Sax, Trombone, Trumpet and Piano Solos.
Difficult.
* * * NEW * * * PHONEY MAHONEY – 52427 - $55. Burning,
screaming, light-hearted Swing Instrumentation: 5 Reeds, 4 Trombones, 4
Trombones, Piano, Bass, Drums. Trumpet 1 up to written F above the staff,
Trombone 1 up to Double-high C. Tenor Sax and Trumpet solos. Difficult.
DAVE ESHELMAN
ALL OR NONE - 51106 - $50. - Up tempo straight ahead jazz chart
utilizing modal A sections with changes for the bridge. Commissioned as the
sightreading chart for the Pacific Coast Collegiate Jazz Festival. Solos for
trumpet or guitar and alto or tenor. Medium Difficult.
Bb BLUES IN F - 51116 - $52. Although this is a 12 bar blues, each chorus
begins in Bb & ends in F. Chart features several “Basieisms”. Solos for alto &
trumpet. Difficult.
CALOR - 51117 - $55. - A warm, haunting melody over soft shifting
voices and tembres. Even eighth jazz feel moves to a light funk at times.
Medium tempo. Features alto flute (opt c fl) & guitar (or flugel). Doubles.
Medium.
DANCE OF THE SCORPION - 51101 - $48. Performed by the late Don
Ellis, chart features Alto, Trpt, Piano. Strong motivic melody is contrasted
w/tone clusters sustained over the octave 6/8 afro/latin rhy. Doubles. Medium
Difficult.
DEA BOP - 51127 - $55. Was written as a commission for the Las Lomas
High School Jazz Ensemble, Norm Dea, director. This is a medium-up tempo
chart in G minor with lots of contrapuntal ideas for each section of the band.
Gradually builds to a boiling climax. After a sax soli there are solos for alto,
trumpet, trombone, a trombonesoli, then a tenor solo. 5,5,5, & rhy. Medium
Difficult.
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FIRM ROOTS - 51114 - $60. This Cedar Walton classic is set in tight horn
voicings over a backbeat pedal for the rhythm section. A tough ensemble
section will challenge advanced level bands, but can be cut without
compromising the chart. Solos for Alto, Trumpet, Trombone, Tenor and
Piano. Medium Difficult.
JAZZ GARDEN, THE - 51104 - $48. A feature ballad for Bone or Flugel
with a double-x “bop” ensemble section. 5,5,4,G,P,B,D. Medium Difficult.
MILAGRO’S JOURNEY - 51128 - $55. The piece is a musical
metaphore for the life journey of a central american woman. It begins with a
single flute (C flute or wood flute in G). A harmonized trio of flute, guitar and
bass clarinet follows, performing written cadenza-like lines together over soft,
sustained winds. The rhythm section establishes an even eighth note medium
tempo beat for melodic statements, followed by a bass clarinet solo. Next is a
guitar solo which develops into a more intense 12/8 feel, followed by the
brassy climax of the chart. The flute returns with the first tempo to perform
the final solo over a playful and stately chorale of brass and woodwind. A
spiritual chart. 5,4,4, and 4 Rhy. Difficult.
ONE IN A MILLION - 51112 - $50. - Written as a solo vehicle for trumpet
sensation Bobby Shew. An up tempo street samba with some rock sections. A
lyrical flugelhorn melody and solo section if followed by a soaring lead
trumpet line also performed by the soloist. Requires strong lead trumpet
player/soloist. Difficult solo. Medium Difficult band.
RALPH’S PIANO WALTZ - 51119 - $52. - Comp John Abercrombie, arr
by Dave. This is a jazz classic jazz waltz with a beautiful, haunting melody
and progression. The tune serves as an improvisors springboard combining
energy and motion with the effectiveness of simplicity and understatement.
This chart is a feature that can be performed by any soloist or combination of
soloists. Comes with bass clef, treble clef, Bb and Eb solo parts.
REMEMBRANCE - 51107 - $53. A med-tempo swing that includes a
“kicking” ensemble section. Features Flugel, Tenor & a written lead Trpt solo.
Easy Doubles. Medium Difficult.
SILICON VALLEY SHUFFLE - 51125 - $47. A medium tempo shuffle
with solos for piano, tenor, and trumpet. Builds to a sustained climax.
Contemporary lines with lots of historical “riff” like material as well. Musical
influences: Woody Herman, Louis Jordan, Michael Brecker, Thad Jones and
Alber Collins. Part 2 of the Jazz Suite San Jose. Can be performed
individually. Medium Difficult.
SUNBEAMS - 51108 - $49. A “burning” up -tempo chart (dedicated to
Horace Silver) that alternates between heavy funk & hard bop. Features Tenor
& Trpt. Difficult.
VIVA COREA - 51111 - $50. A samba in tribute to Chick Corea with a
“Corean” treatment of the rhythm section. Solos: Flute & Flugel. Diff. Dbls.
WE'LL NEVER SAY GOODBYE - 51115 - $53. SThis chart was
commissioned to commemorate the work of tenor giant Stan Getz. The chart
features a solo tenor sax soloist. Solo is followed by an extended ensemble
shout. Difficult.
JOHN FEDCHOCK
BREAKTHROUGH - 55280 - $60. This is a medium-advanced level,
uptempo modal swing chart featuring solos for piano, tenor sax, trumpet and
drums. An exciting opening leads to a theme voiced for the three horns and an
expandable solo section based on a series of minor 7th chords. Building
backgrounds lead to an interlude section featuring a three-horn soli with
exchanges with the ensemble. The shout chorus is followed by an open vamp
for an extended drum solo moving to a final recap of the tune with an energyfilled
ensemble climax. 5,4,4,G,P,B,D. Medium Difficult.
* * * NEW * * * CHOPPER, THE – 55286 - $60. Recorded by John
Fedchock's New York Big Band and dedicated to memory of Woody Herman,
"The Chopper" is a medium-tempo shuffle in the style of Herman's best
swingers. With the spotlight on baritone sax and trombone solos, the chart
also features a saxophone soli with flugelhorn lead (a Herman trademark) and
a rollicking shout chorus in the true Herman tradition. Trpt. 1 written high D
at end. Alto 1 with optional soprano in part. 5/5/4/G/P/B/D. Medium difficult.

GREAT ESCAPE, THE - 55281 - $60. An advanced level, uptempo swing
chart first recorded by Woody Herman on his final Grammy-nominated CD
"Woody's Gold Star". The attention-getting introduction and unison opening
theme lead to flexible, blues-based solo sections for tenor sax and trombone,
including swinging backgrounds as well as high-energy exchanges between
the ensemble and trombone soloist. Things come to a climax with and exciting
shout chorus, an ensemble recap, and a dynamic closing. A perfect concert
opener, or jazz vehicle for some fun "open blowing". 5,4,4,G,P,B,D. Medium
Difficult.
LATIN IMPORT - 55275 - $60. Latin Import is a bright samba featuring
solos by soprano saxophone and piano, as well as showcasing the drums in
exchanges with ensemble and an exciting open solo following the shout
chorus. Energetic rhythms and dynamic ensemble work make this chart an
excellent finale to any program. 5, 4, 5, G, P, B, D. Med-difficult.
NIGHTSHADES - 55282 - $55. Featured on John Fedchock's acclaimed
"New York Big Band" CD, Nightshades is a medium tempo swing chart
featuring piano, tenor sax and trombone solos, with chord changes inspired by
minor blues. A subtle opening by the rhythm section leads to unison thematic
statements and dynamic ensemble choruses, culminating with a powerful
shout followed by a return of the understated opening theme.
5,4,4,G,P,B,D,Trpt 1 to One High E. Medium Difficult.
ON THE EDGE - 55283 - $60. On The Edge is an intense, uptempo blues
recorded by John Fedchock’s New York Big Band.The chart features dense
voicings, rhythmically active figures and expandable solo space for piano,
tenor sax and trombone. A dynamic ensemble out-chorus makes for an
exciting finish. 5/4/5/G/P/B/D. Trpt. 1 to two short dbl. high G’s. Medium
Difficult.
THIRD DEGREE, THE - 55276 - $65. The Third Degree is a hard-driving
showcase with alternating latin & swing feels, powerful ensemble exchanges
and dense, swinging orchestrations. It features solos for trumpet, tenor sax and
trombone. 5, 4, 4, P, B, D. Difficult.
NEAL FINN
BACK IN THE SACK, JACK - 51165 - $53. A "git down" shoutin' blues
in the style of Woody Herman's "Greasy Sack Blues." Some nice dynamic
shadings contrast with a hot shout chorus and plenty of solo space. Has a laid
back blues feel to it. Rhythm and soloists should be familiar with the blues
progression. Solos for Piano, Tenor, Trumpet. Medium difficult.
BIG BAND RAP - 51160 - $46. A unique funk chart w/ some interesting
colors & time changes. Bass instruments introduce the “melody” (actually a
heavy funk bass line) w/ some occasional “Brecker”ish harmonic colors
contrasting it. Bridge changes to a fast “hard bop” feel. Extended tenor and
drum solo. Rhythm section has to read & play rhythms precisely. Leat Trpt to
F. No dbls. Med-diff.
FAREWELL TO BIRDLAND - 51190 - $60. In memory of Maynard
Ferguson. There will be a wealth of trumpet features dedicated to MF's
memory published this year, so here is mine. It is a piece in two sections
based on two different moods associated with Maynard during his "Birdland"
period. The first is a bluesey ballad in the style of "Frame for the Blues". The
second is a laid-back blues in the style of "Blue Birdland". The solo trumpet
part requires at least a G above high C. The soloist shines over the ensemble.
The second section may be opened for more solos. Solo Trumpet Feature - to
G above high C. No doubles. 5, 5, 4, G, P, B, D. Difficult.
FOR NO ONE IN PARTICULAR - 51151 - $43. A very lyrical jazz
ballad featuring tenor. A bit of Kentonish flavor. Trpt sec needs some power.
Diff.
FREEBOP - 51196 - $55. Named for the intense style of jazz Miles was
playing with his quintet in the late 1960’s. An unusual composition for me.
Based on a twelve tone row, this piece is sometimes tonal, sometimes atonal.
Solo improvisation with no chord changes and no holds barred. Ensemble
writing is tricky with many surprises. A good conversation piece for your
concert program. As Duke said, “You may not understand this piece, but
remember...IT’S GOOD FOR YOU.Soprano lead over saxophones. Solos:
22
Tenor, soprano, trombone 1 and 2, guitar (or piano, drums) Vibraphone part
included. 5/5/4 (5th tpt optional), P,B,D,Vibes.Lead Trumpet to High C.
Medium.
GOOD NEW DAYS - 51152 - $42. A new approach to the Basie style.
Melody features flugel lead over tight voiced saxes. A sax soli & powerful
shout chorus bring it home. Guitar, Tenor & Flugel solos. Med.
HATE TO SEE YOU GO - 51192 - $55. Commissioned by Fred Lange at
Davis High School in California. A farewell to his graduating seniors. Piece in
three sections. First is a choral in a rubato style (I've been told it sounds like
"Georgia" but that was not the original intent.) Some exposed passages for
bass trombone. Second section is a swing tune based on "Doxy" changes with
interchangable backgrounds so that anyone may solo. This section is a fast
swing where the drummer trades "threes" with the ensemble. Tricky ensemble
writing. Recap returns to half time swing for a powerful shout chorus and a
last statement of the chorale. Bass trombone is again exposed at the end. Soft
quiet ending based on a "polychord." Lead trumpet - E above high C. Open
for solos. No doubles. Difficult.
HAVE I GOT THE BLUES FOR YOU - 51154 - $43. Dirtiest, ugliest,
greasiest 12/8 blues. Should make you think of K. C. in the ‘30’s. Features
Bone soloist & an Alto solo. Shout chorus should wipe out back wall in your
rehearsal room. Trpt section needs strength. Difficult.
HYMN FOR THE ROAD, A - 55198 - $55. One of my older pieces I still
get requests for. Funky "pop-rock" tune featuring tenor 2 and trombone on
the head. Middle section is a half time funk feel where the trombone soloist
can go absolutely crazy. Get as greasy and funky as you want. A chorale
(that's the "hymn" part of it) leads to a hot shout section and a big build to the
end. Ends with an unusual "plagal" cadence. Solos for tenor 2, trombone and
drums. No doubles. Lead trumpet to high E (optional high G). Difficult.
IF YOU PLEEZE, MR. DEES - 51168 - $50. Dedicated to crazy L.A.
radio personality Rick Dees and it's a lot of fun to play. A really funky shuffle
groove with challenging lines for the horns & a contrasting middle section that
features alto sax. "Crusaders" type statement of the head. Bass line sets the
mood at the top. Lead trumpet octave parts are mostly optional. Solos: Bone,
Alto, and Bass. Med difficult.
INTO THE SHADOWS (MYSTERIOUS STRANGER PART II) -
51182 - $53. Medium swing feel. Modal jazz tune loosely based in minor
blues changes. Sounds different, but it's not hard to blow on. Changes
included for everyone. Not rangy, lead trpt tops out at A above the staff. Sax
soli requires some fingers but playable by most high school level ensembles.
A different kind of piece for your concert program. No doubles. Solos open
for anyone. Medium.
JAZZ TREK SUITE - 51199 - $60. Come on board the "Starship
Ellington" for a futuristic look at big band jazz. A three movement work that
utilizes some unusual sounds and timbres.1) "Beyond Conventional" A
modal tune featuring ensemble writing in polychords, tight voicings and an
extended piano solo. Ensemble plays long sustained voicings over a fast
driving rhythm section 2) "Blues for Spock" A futuristic look at the blues. A
slow tempo and a duet for bari sax and trombone. both get blowing space.
Ensemble section uses "cluster" harmony moving quickly over a relaxed
rhythm section feel. 3) "The Search for Something Else" Begins with drums
playing a free solo with brushes. Head is played by bari sax and string bass.
Solos for tenor 1 and bass with sparse background figures underneath and NO
CHORD CHANGES. Sax section soli is DIFFICULT!! Lead trumpet to high
E. alto 1-2 and tenor 1-2 double flute in the third movement. Difficult.
JOURNEY OF A THOUSAND MILES - 51194 - $57. Contemporary
modal piece with a Herbie Hancock flavor. A few meter changes (6/4 and 5/4)
will keep you honest, although most of the piece is in four. Flugel/guitar or
vibraphone play the head. Soprano sax lead over saxes throughout. Solos for
flugelhorn and soprano. Lead tpt to written high C. Currently being performed
by Mike Vax/Stan Kenton Alumni Jazz Orchestra on east coast tour. Med
Diff.
KEEP ON PLAYING THE BLUES - By NEAL FINN - 51156 - $43.
Extended “Blues”. It’s a sixteen bar blues that features the bones on the
“head”. Figures snap hard, but not high for the trpts. Solos: Alto & Piano.
Trpt range high C#. Med.

LITTLE MIRACLE, PLEASE, A - 51169 - $49. A pretty bossa nova that
features trumpet or trombone. Count like crazy, the interlude has some mixed
meters. Challanging chord progression but not a long blowing chorus. A good
high school level soloist could handle it. Medium difficult.
MAMBO PARA JOSE - 51163 - $50. - This mambo COOKS!! Features
Trpt-Trbn-Tenor on head. Some tricky “salsa” figures for the piano. Bass
Trombone-Baritone have important lines too. Solo section open for anyone on
montuno pattern. Backgrounds on cue - builds to a hot intensity level. Gets the
audience excited!! Leat Trpt to high C. 5, 5, 5, G, P, B, D. Med-diff.
ME AND MR. B - 51189 - $55. Commissioned by the late baritone
saxophone master, Nick Brignola. A bebop style duet for baritone saxophone
and trombone. Both get to blow on the changes and blow "fours" at each
other. Ensemble work is tricky, but not exceptionally high. Lead Tpt. D above
high C. Solos: Baritone Saxophone, Trombone 1. No Doubles. Difficult.
MENTOR (Originally titled "Tribute") - 51193 - $53. An extended
feature for alto sax based on pretty ballad style melody, followed by a swing
section where the alto leads the section through a difficult soli, and concluding
with a fast jazz samba and a brief re-statement of the original theme. Requires
a strong alto sax soloist. This is my tribute to my first composition mentor and
one of the founders of jazz edcation, Mr. Ladd McIntosh, with whom I studied
jazz as well as "life in general" in Salt Lake City some thirty odd years ago.
For all the knowledge and life lessons he gave me, I dedicate this piece. Lead
tpt - E above high C. No dbls. Diff.
MODABONES - 51183 - $55. Modal tune ala Coltrane's "Impressions"
features trombone section. Trombone 1 and 2 have improv sections.
Trombone 1 blows 16 measure duet with drummer ala Coltrane/Elvin. Lead
tpt tops out at C. Exciting and playable showcase for good trombone players.
Solos for trombone 1 and 2 with no doubles. 5,5,5,G,P,B,D. Medium
difficult.
MONTEREY PENINSULA - 51170 - $50. Composed by Paul Yonemura
and arragned by Neal. A really happy jazz samba with a great (and
challenging) set of changes. Don't let the key scare you (concert A major), this
one lays great. A firey shout chorus spotlights your best ensemble work.
Solos: Piano, Trumpet. Alto 1 doubles soprano. Difficult.
MORE NERKS - 51157 - $43. Straight ahead swing with plenty of blowing
space. Sax soli & brass a cappella leading to shout chorus. 5,5,5,G,P,B,D.
Medium.
MYSTERIOUS STRANGER - 51171 - $48. Jazz waltz with an "All Blues"
flavor. Some poly chords and "dark" voicings give a mysterious feeling. Open
for any soloist (all have changes). Difficult.
MYSTERIOUS STRANGER, THE (The Complete Composition) - 51188
- $60. Here is the piece in its entirety, the full three movement work. First
movement is a jazz waltz with a "cool" period flavor. The second is a modal
blues w/some dark timbres & open for any soloist with interchangeable
backgrounds. The third section is a challenging fast tempo w/a short section in
7/4 time. Original theme retuns at the end. The piece has more depth
compositionally than most works written for this level. So if you are looking
for something that will stretch your players abilities without killing them, this
is a good one for you. Lead Tpt: D above high C (optional F). Solos: 1st &
2nd sections open for anyone, 3rd section tenor 1 $ tpt. 4. No Dbls. Med-diff.
SCARECROW AND MR. FINN - 51158 - $41. Funky chart needs a lot of
rhythmical precision & chops in the brass. Band shouts behind soloist, then
trades fours w/drummer. Altos & Tenors dbl briefly. Bari & Drum solos. Diff.
SING A LOVELY SONG - 51195 - $50. Relaxed jazz ballad groove
written as a tribute to two wonderful jazz composers who passed away in
2008, Bob Florence and Neal Hefti. Features alto saxophone and passages
featuring saxophone section. Lead tpt to Eb above C. No doubles. Requires a
good alto solo. 5,5,5,G,P,B,D. Difficult.
SIZZLER, THE - 51173 - $50. Up tempo closer based on classic Basie tune
"Jumpin' at the Woodside." Some uneven phrases make it tricky. Sax soli and
a wild shout chorus. Solos for Tenor and Alto (they also trade fours). Ends
with "outside" sounding poly chord. Difficult.
23
SLICKSVILLE - 51197 - $55. It's another medium tempo Basie style piece
with a relaxed groove and a cool head played by saxophones with tenor lead.
Good ensemble section ala Frank Foster and a hot shout chorus. Solos for
piano and tenor 1. Lead trumpet to high D. No doubles. Medium.
SO LONG SAMMY - 51174 - $48. Commisioned by Martin Murphy
Middle School, Morgan Hill, California. Dedicated to one of the greatest
entertainers, Sammy Davis Jr. Laid back swing feel muted brass ensemble
with a flute lead on the melody. Shout chorus really roars but very reasonable
in range. Solos: Piano, Alto. Alto 1 dbls flute. Med diff.
SPIRIT OF TRANE - 51175 - $49. Dedicated to the spirit of jazz that never
dies. A smooth jazz ballad that displays the ensemble's control on long
sustained passages. Nice harmonic sequence with changes similar to "Giant
Steps" and a bridge similar to "Naima." Brief shout chorus has a double time
feel. Very reasonable in range for most ensembles. Needs careful attention to
balance and blend to really be effective. Solos: Piano, Trumpet 4. Medium.
SWINGS STILL THE THING - 51176 - $49. A laid back Basie "groove"
in the style of Ernie Wilkins. Full sounding sax soli. Trumpet or trombone
solo, and Piano. Powerful shout chorus. Nothing beats a great swingin' jazz
chart for a big band. Medium difficult.
THEY SAID IT COULDN'T BE DONE - 51177 - $49. 24 measure tune
based on minor blues changes. Great for improv. Solo section is open for any
soloist with interchangeable backgounds. Changes sound hip, but are easy to
blow on. A relaxed swing feel with some nice dynamic shadings. Medium.
TOO MUCH IS NEVER ENOUGH - 51178 - $48. Medium tempo jazz
tune based on "Doxy" changes. Features unison trombone on the "head," a hip
sax soli and some exposed parts for BASS TROMBONE. Solos: Trombones 1
and 2. Altos double flute, Tenors double clarinet. Medium difficult.
TRIP TO NAWLINS', A - 51179 - $55. A contemporary piece in three
sections: 1. Gumbo Down Bourbon Street. Hot shuffle blues featuring tenor
saxophone. 2. Sunday on the Bayou. Quiet reflective ballad featuring
trombone. 3. Big and Easy Does It. Contemporary feel featuring the ensemble
and a drum solo. Med difficult.
TWENTY FIRST CENTURY JIVE - 51180 - $50. Commissioned by SW
Missouri State Univ, Jerry Hoover, director. A medium tempo Basie style
piece based on the changes to classic Basie tune "Jive at Five." Piano states
the head, later saxophones. Solos for Piano, Tenor and Trumpet. Out chorus
has dynamic contrasts building to a high peak. Very exposed lead trumpet
part.5,5,5,G,P,B,D. Difficult.
UNKNOWN DIMENSIONS - 51184 - $53. Unusual modal tune with
atypical phrase cycle. Melody has small 4-horn "band within a band" concept.
Solo section open for any soloist. Piece combines "west-coast coll" subtleties
with just good old big band power during the shout. Modal chord progression
fun to play on and challenging. Lead tpt up to D above staff, and no doubles.
Open for solos. Difficult.
WORTH THE EFFORT - 51181 - $49. The long awaited sequel to Sammy
Nestico's classic "Ya Gotta Try." Up tempo opener. Piano solo starts it off.
Solos for both tenors trading 16 bar phrases and ending up playing together.
Lots of work for the drummer. Roaring shout chorus. Great way to open a jazz
concert or festival set. Solos: Tenor 1 and 2, Piano, Drums. Difficult.
DIRK FISCHER
And Freckles/All Ta' Once - 54900 - $60. Title is a quote from "The Omni
Americans" by Albert Murray. Admittedly program music, and "Freckles" is
the prelude to No. 102 "All Ta' Once. Rubato reed statement followed by
trombone solo to orchestral climax. Descending duet by trombone and
baritone into recap of reeds with false resolution by trombones. Trpt high D,
trom high C. Tenor sax feature in direct segue from "And Freckles" then; ---
"All Ta' Once" (stumble beat idiom) band kicks, then releases tenor and bass
adding layers as it goes. Orchestral development followed by recap and
suspended sentence. Trpt high E. Medium difficult.
BACKUP (reserves) - 54917 - $53. Melodic Big Band ensemble Bossa,
Soprano Sax or Clarinet feature MM 1/2 = 80. Written for solo sop. & 5 sax's,

also works well with only one alto. Flugelhorns & trumpets, Trpt. I high "D"
Trom. I high "AB" Sax Doubles, 6 Saxes, S,A,A,T,T,B, 4 Trpts Double on
Flugels, 4 Trbns., G,P,B, Perc. Medium Difficult.
CALAMUS - 54901 - $50. Baritone saxophone solo. Ballad with 1/2
chorus double time. Trpt. high Db. Medium difficult.
CANTO - 54914 - $45. Solo trombone feature; plus 3 tenors & bass
trombone in the section. Solo trombone high "B" & expect chord changes. Big
Band Bossa, 5 sax's, 4 flugels, trombones & rhythm. Flugel 1 high "C", "B",
& "Bb's". Chart can end in rhythm or with sustained brass section harmonies.
For soloist cadenza. Alto/Sop, A, T, T, B, G, P, B, Perc. Medium difficult.
CONVERSATION - 54916 - $42. Bright, "Show Two," short, easy
framework for Drum Solo (some quartal harmony usage.) Trpt. 1 high "B's" &
"Bb's". Trom. "F" & "F#'s". Opt. Soprano Lead, Alto, 2 Tenors & Baritone. 3
Trumpets, 1 Trombone & Tuba. 4 Rhythm. Medium.
DONDE - 54909 - $55. "Bolero" Latin ballad influenced by Ruebin
DeFuentes and "Los Nortenos". Participate in the audible rhythmic patterns
and subdivision. It'll be good for them. Piano solo open area. Can be
extended. Flugelhorns. Flg. 1 high "Bb". Medium.
DOWN, DOWN, DOWN - 54912 - $50. Dedicated to Jazz Educator R. K.
Downs. Latin-Rock framework for Trombone solo and the Trombone section.
Trom. 1 high "C" Trpt. 1 high "F". Repeatable background for soloists. Scored
for" S, A, A, T, T, B, 5 Trpts, 4 Trbns, optl. 5th bone, Tuba, G, P, B, D,
Conga, Vibes. Medium difficult.
ESCALERA - 54902 - $60. Tenor saxophone feature. Bright samba.
Soloist must dig into chord structure. Currently voiced for lead alto on sax
soli. Some direction indicated. Trpt high F's and G's. Difficult.
ESCALERA NUMERO DOS - 54913 - $60. Big Band Merengue, Gallop,
Tenor solo. Powerful tour de force. Latin articulation, percussion section,
typical Tumbaos written. Trpt 1 high "F's" & "G's" Trom. 1 high "B's" &
"Bb's". Alto/Sop. A, T, T, B, 5 Trpts, 4 Trbns, Tuba, G, P, B, Perc. Difficult.
GHOSTLY CHU - 54915 - $45. Alto Saxophone feature. A written solo &
soli based on remembrances of Chu Berry by the composer. Good full
harmonization ala Dirk. Inst. 5 sax's, 5 Flugelhorn, 3 tenor trombones, bass
trombone & 4 rhythm. High "E's" & "F" for Alto, high "Bb" for Flugel 1, "G"
above the staff for Trom. 1. Ballad with double time figures. Medium
difficult.
HAMILTON ALLEN ESQUIRE - 54908 - $60. Tenor sax feature.
Repleat with 11 1/2 dim to V7 to 1 harmonies. Swing (kinda cool) waltz
development, guitar solo. Rhythm section displays the sequence for the intro.
Tight ensemble work. Trpt. high "Eb's". Medium difficult.
HEAVY CUSSIN' - 54910 - $60. Mambo. Commissioned by Joel Leach
for his CSUN "A" Jazz Ensemble. The title is a play on the University's
acronym (CSUN). Tipico call & response intro. Latin Percussion
Instrumentation: Piccolo, 3 Altos, 2 Tenors, 1 Baritone, 5 Trumpets, 3 Tenor
Trombones, 1 Bass Trombone and Tuba. Bb, Eb, & C blowin' changes
included. Quoting Joel Leach, "clever interplay between sections. Be sure to
catch the changing meters that are so smoothly executed. Trumpet to high
"D's". Medium difficult.
HURRY HOME - 54903 - $50. Slow, full ensemble, one chorus ballad.
Cool beat subdivision practice. Excellent change of pace in limited time
competition. 5 w/opt’l 6,5,5, Tuba,G,P,B,D. Medium.
MAJOR - minor MARCH AND SHOUT - 54918 - $55. 6/8 March. Dotted
quarternote = 108. Used as a spirited Recessional for Commencement
exercises. March transitions to brief 4/4 to cut time swing. Statement and Jazz
tenor solo on Autumn Leaves chord changes to recap of march.
Instrumentation: flute or piccolo, 5 saxes, 4 tpts, 3 tenor & bass trombones,
tympani, guitar, piano, drum set, & bass. Tpt. 1 to high C. Medium Difficult.
OMAHA GATHERING - 54911 - $50. Good Big Band Blues - Funky Riff
utilization, in "Eb" with ample space for solos. Wide voicing for sax's &
ensemble, unisons, swings easily at most moderate tempos. Trpt. 1 high "F" &
"E"... Trom 1 high "Ab". 5 Saxes with optl. 3rd alto. 4 Trpts with optl 5th. 4
Trbns, G, P, B, D. Medium difficult.
24
PLEA FOR DEDUCTIVE - 54904 - $60. Alto sax featured. "Plea" will
stretch everyone. It is not extremely difficult. It is four sets of different
harmonic, melodic and rhythmic materials with connecting bridges between
them and a summary of building blocks for the conclusion. There is form, but
with "jazz cry" throughout. Solo alto high G's and A's. Trpt high F's and F#'s.
Difficult.
PLUCKY - 54905 - $55. Bass feature, written and improvised to Indiana
changes in "F". Some ensemble and sax soli (soprano double). Trpt high E's
and F. MM = 140 - 160. Difficult.
ROCL - 54906 - $50. Lament for trombone section with "chops".
Lyrically written trumpet solo. Tuba or bass saxophone enhances orchestral
depth. Some direction indicated. 1st trombone high Db, 2nd trombone high
Ab. 1st trumpet hight F, 2nd trumpet high D. Difficult.
TONITO - 54907 - $50. Alto sax feature. Blues ballad minor, blues
mambo (or rock) minor, blues jazz four major. Tight ensemble, recap of
theme with orchestral tag. Trpt. high "C". Solo Alto, A, Opt’l 3rd Alto,
T,T,B,4 w/opt’l 5th, 4 w/opt’l 5th Tuba, G,P,B,D, Opt’l Vibes. Medium
difficult.
* * * NEW * * * VOICES – 54926 - $55.Program material. Standard
BB instrumentation W/sop, alto,(alto 2 opt.) T,T & B. VOICES # 1. Legato,
thick ensemble and saxes display utilization of chordal extension and altered
scales. Quarter note = 120.VOICES #2. Heroic but tender waltz features
Baritone sax. Quarter note = 92 Transition to cut time, Allegro. VOICES 3.
Traditional Mambo bell pattern half note= 92 (habanera, clave brass phrasing,
montuno sections for solos).VOICES #4. Return to original tonality for
Transition ( includes: Rubato, Ritard & Soprano Solo) to final montuno. Trpt.
1 to one written high Eb. Medium Difficult.
LOU FISCHER
BASS BALL - 54475 - $45. Contemporary 12/8 funk shuffle. Energy level
is very high. Medium difficut.
CAN YOU FEEL THE RUSH - 54487 - $50. Written to feature pianist
Shelly Berg, this chart is a lovely spacious ballad in three. Strong pianist and
rhythm section needed to pull this off conceptually. Stylistically in the ECM
mode, this is an absolute beauty. Doubles: Alto 1 on flute; Tenor 1 & 2 on
Clarinet; Bari on Bs. Clar/ Opt’l flugelhorn substitute lead part. Opt’l french
horn 1 & 2; synth; and opt’l percussion. Difficult.
D.U. STOMP, THE - 54480 - $40. Twelve bar blues, theme shared by all.
Trpt solo, bass/drums trade. Medium.
I WONDER WHY? - 54488 - $50. A lovely alto ballad feature (with a
flugelhorn leading the sax section plus 4 trumpets). Predominately in a serious
Billy Strayhorn ballad style, there are contemporary dense harmonies with
two brief rubato ensemble passages used as bookends to frame the melodic
material and the solo section. Demanding piece for the alto soloist and the
rhythm section. Doubles: Alto 1 & 2 on flute; Tenor 1 & 2 on clarinet; Bari on
Bs. Clar (opt’l flugelhorn substitute lead part). Difficult.
JESSIE - 54484 - $55. A straight eighth in the style of Metheny/Mangione
that opens with a gospel piano statement. Lots of gospel influence throughout.
Joyous and triumphant, this chart builds to a strong climiactic finish before
life fades away into the heaves. No doubles with optional french horn.
Difficult.
SCINTILLA - 54489 - $55. (...To sparkle) Not too taxing for the rest of the
band, this is a gorgeous platform to showcase your rhythm section and alto
soloist. A bolero was penned for Lou’s wife Mary Ann. Lead trpt D above
staff. Lead bone Aa. 5/4/4/G/P/B/D. Med diff.
SHADES OF WINTER - 54479 - $45. Tone poem for ensemble, style and
harmony reminiscent of Gil Evans. Difficult. Some sax doubles.
TRANSITIONS - 54486 - $55. This chart is an alto feature. Like the title,
the chart begins as a ballad and leads to a slow contemporary straight eighth
groove ala The Crusaders or Joe Sample. Developmentally the chart moves

etween the ballad and bossa-like groove freely taking the listener through
many musical transitions. No doubles. Medium difficult.
WEATHER YOU NEEDN’T - 54485 - $55. Weather Report meets
Monk! Yes, based on the changes to an obvious favorite Monk tune, this chart
features Monkish-like material super-imposed over a Weather Report funk
shuffle ala Mr. Gone. 5/4/4/5. Med-diff.
BOB FLORENCE
AFTERNOON OF A PRAWN - 50322 - $65. Up tempo minor blues that
would be a great opener! Dynamic sax soli. Diff. Some sax dbls. 6, 5, 4, P, B,
D.
APPEARING IN CLEVELAND - 50381 - $135. Composed in honor of
Stan Kenton and based on "snippets" from the Kenton library. Solos:
baritone, guitar and trumpet and written out piano. A great concert closer.
AULD LANG SYNE - 50303 - $40. A touching treatment of a song that
works at any time of the year. An accapella Bone soli states the melody, then
the Bari sax is featured as the rhythm section accompanies w/some lovely
substitution chords. Dbls. 6, 5, 4, P, B, D.
AUTUMN - 50323 - $40. Trombone choir opens, simple/well orchestrated
ballad. Tenor feature. Med level. Some sax dbls. 6, 5, 4, P, B, D.
B B C - 50304 - $95. An exciting calypso-samba written for the BBC in
London. The melody is based on the notes B, B & C. A great closer. Solos
for Bone, Piano & Trpt. 6, 5, 4, P, B, D.
BABBLING BROOK, THE - 50305 - $79. A lovely & subtle jazz waltz
which switches btwn major & minor keys. Tenor, Flugel & Piano solos. Dbls.
Med. 6, 5, 4, P, B, D.
BE BOP CHARLIE - 50324 - $70. Swinger featuring some of the finest
ens writing for big band. Alto 1 Dbls Sop. 6,5,4,P,B,D. Med-diff.
BE BOP TREASURE CHEST, THE - 50343 - $80. Collection of Be Bop
licks/sixteen to be exact, you figure them out! 6,5,4,P,B,D. Diff.
BIG BAND TREASURE CHEST PART I - 50306 - $75. Part I of a two
part suite (but can be performed individually). An interesting modal pedal
point introduction surprisingly breaks into a blues shuffle. Bari, Bone & Trpt
solos.
BIG BAND TREASURE CHEST PART II - 50307 - $78. Part II of a
two part suite (but can be performed individually). An up tempo rhythm
changes flag waiver that features Alto & Tenor solos. Challenging chromatic
lines for sax section. 6, 5, 4, P, B, D.
BIMBOSITY - 50359 - $130. A feature for two clarinets. Sopranos may be
substituted. Some collective between soloists. Half note = 126. Difficult.
BLEUPHORIA - 50325 - $53. Lush & Lovely, ballad feature for your most
forgotten soloist...bari! Med-diff. Some sax dbls. 6, 5, 4, P, B, D.
BODY AND SOUL - 50378 - $70. A great concert piece of this John Green
classic. Half of this medium tempo arrangement is very soft. The other half is
very loud. No doubles. Quarter note = 132. No score. 6,5,4,P,B,D.
CARMELO'S BY THE FREEWAY - 50326 - $75. Swing chart featuring
trpt & tenor on the initial melody. Sax soli. Some sax dbls. 6,5,4,P,B,D.
Medium-Difficult.
Chicago - 50380 - $95. The old 1920's song done as a bright samba and
fast swing (half note = 132). Solos are tenor and trumpet. 6,5,4,P,B,D. No
score. Difficult.
CLAIRE DE LUNE - 50379 - $75. A fast jazz waltz (dotted half = 92)
beginning with a rubato piano solo. Piano then sets tempo. The other solo is a
flugelhorn. Trpt 1 to one high F#. Alto 1 doubles on Soprano. 6,5,4,G,P,B,D.
Medium Difficult.
25
CREEPY CRAWLIES, THE - 50357 - $90. - A mysterioso piece that starts
very lightly and builds to a sholking conclusion with bass, soprano, and
trumpet solos. Doubles: Woodwinds 1-4 on clarinet, Woodwind 5 E flat
contra alto clarinet, contra alto clarinet can be played on the bari. Woodwind 6
bass clarinet. Trumpets = flügelhorns. Quarter note = 126.
CRUNCH, THE - 50308 - $60. This swinging med blues with it’s unusual
voicing and surprising ensemble sections avoids sounding like “just another
blues chart.” Bb, Bass & Contrabass clarinets, flute dbls. Solos for Tenor,
Trpt & Bass.
DOUBLE BARREL BLUES - 50327 - $57. A 16-bar blues that alternates
back & forth between two keys. 6,5,4,P,B,D. Med level.
DUKEISMS - 50382 - $145. Celebrating Duke Ellington's 100th birthday,
this is an extended composition based on "snippets" of familiar
Ellington/Strayhorn themes. Solos: guitar, tenor, alto and written out pianos.
A great concert closer. 6,5,4,G,P,B,D.
EARTH - 50355 - $65. - A slow blues in 12/8 feel with unaccompanied
piano solos. No doubles. Quarter note = 62. 6,5,4,P,B,D. Difficult.
EMILY - 50377 - $97. Comp by Johnny Mercer / Johnny Mandel and arr
by Bob. A real concert piece. Emily goes back and forth from 4/4 to 3/4.
Flugelhorn solo on trumpet 4, trumpet solo on trumpet 5, piano solo at the top.
This piece requires much soft playing. Quarter note = 132. 6,5,4,G,P,B,D.
ETERNAL LICKS AND GROOVES - 50383 - $175. Commissioned by
ASCAP & IAJE and premiered at the IAJE convention in Long Beach, CA on
January 6, 2005. Honoring Count Basie, this is an extended composition
based on "snippets" from the Count Basie library. Solos: guitar, trombone,
tenor, trumpet and drums and written out piano. A great concert closer.
6,5,4,G,P,B,D.
EVELYN - 50360 - $65. A gentle bossa nova featuring 2 altos. Woodwind
doubles are clarinets, bass clarinet and Eb contra alto clarinet. Quarter note =
100. 6,5,4,P,B,D. Difficult.
EVIE - 50328 - $55. 3/4 samba feel. Soprano/flugel have the melody.
Woodwinds & muted brass. 6,5,4,P,B,D. Sax Dbls: Alto 1 = Flute, Picc, Clar;
Alto 2 = Clar, Flute; Tenor 1 = Clar, Flute; Tenor 2 - Clar, Flute; Bari 5 = Eb
Contra Bass Clar; Bari 6 = Bass Clar, Clar. Med-diff.
FLIGHT OF FANCY - 50329 - $75. Great samba feature for drums,
ensemble written around solo fills. Scored fo 5, 5,4,P,B,D. Diff.
FLUFFY - 50390 - $110. Grammy nominated best instrumental composition
for jazz ensemble. A complex piece of extended length. Lots of solo space for
Soprano Sax, Trombone, Trumpet and Drums. Mixed meters of 3/2, 6/4, and
4/4. The arrangement begins with the theme stated by Piano, then Saxes and
Brass leading to a Soprano Sax solo. Next comes the first development section
leading to a trombone solo, more development and a trumpet solo. Next is
more ensemble development that interacts with drums leading to a hard
swinging section in 4/4. Returning to the original feel and restating the
themes, the piece comes to an end with solo space for drums.6,5,5,G,P,B,D.
Alto 1 doubles Soprano. Trumpet 1 one double high G at end. Difficult.
FLY BY KNIGHTS, THE - 50353 - $92. 148-152 = half note. A show
stopper to be played as fast as possible. This piece goes into half time bossa
for alto solo (2nd part). Diff. level.
FUNUPSMANSHIP - 50350 - $105. 132-138 = half note. A good festival
opener or closer, this fast and furious piece features trombone and baritone
sax. Straight ahead feel. 6,5,4,P,B,D. Diff.
G.A.B. - 50309 - $79. Up tempo swing. 1/4 note = 200. Solo changes in
2nd trumpet and 4th trumpet. Diff sax soli. No dbls. Diff.
GEEZERHOOD - 50389 - $55. A rousing, humorous medium swing with
solo space for Trombone. The arrangement starts out with two unaccompanied
Baritone Saxes stating the theme later joined by the rest of the Sax section.
Adding the brass and rhythm section, the ensemble leads to the Trombone
solo followed by a shout chorus, a “Count Basie” like Piano ending, and a
very interesting final chord. 6,5,5,G,P,B,D.. Trumpet 1 to High Db.
6/5/5/G,P,B,D. Tpt 1 to high Db. Difficult.

GRAHAM CRACKER - 50368 - $60. A medium tempo trumpet blues in
B flat feature, starting with cup mute then plunger then open. Woodwinds are
clarinets and bass clarinet switching to saxes. Medium Difficult.
GREEN FLAG - 50348 - $83. - Up tempo samba featuring trombone. No
doubles. Difficult level.
GUIDING STAR - 50386 - $70. A soft, quiet solo feature completely
written out for the baritone saxophone. Woodwinds are 4 clarinets and a bass
clarinet. Difficult.
HOT LICKS - 50349 - $85. - Straight ahead medium swing featuring both
tenor saxes. No doubles. Difficult level.
I'LL REMEMBER - 50330 - $45. Bossa nova featuring sax section
melody, alto bridge, tenor cadenza. Easy-med. Some sax dbls.
IN A SAMBA MODE - 50312 - $115. Another great Samba from Bob.
Features Tenor sax and Piano solos. Diff level.
INDUSTRIAL STRENGTH STOMP, THE - 50344 - $70. Medium
tempo swinger that features great sounding ensemble. Some sax dbls.
6,5,4,P,B,D. Diff.
JEFF N' JEFF - 50331 - $65. Jazz waltz. Two tenors are featured soloists
w/trading choruses. Some sax dbls. 6,5,4,P,B,D. Med.-Diff.
JEWELS - 50332 - $40. Nice, easy (12/8) ballad, trbn feature dedicated to
Julie Andrews. Some sax dbls. 6,5,4,P,B,D. Med level.
JUNKMAIL SPECIAL (THE) - 50366 - $ 125. MM: half note = 120. A
medium bright opener or closer with some written high note trumpet solos.
Other solos inlcude tenor and another trumpet. Difficult.
LEICESTER (LES - TER) LEAPS IN - 50313 - $76. - An up tempo 3/4
version of this familiar jazz line. Soprano solo. 6,5,4,P,B,D.
LIMEHOUSE BLUES - 50367 - $60. MM: quarter note = 88. A different
treatment done slowly and quietly in a 3/4 swing feel. Solos are written out
piano interludes and ad lib piano solo. 6,5,4,P,B,D. Medium level.
LIMITED EDITION EXPRESS - 50388 - $90. LA medium-fast, hard
driving, swinging piece with lots of ensemble and solo space for Trumpet and
Alto Sax. Piano intro followed by the whole ensemble leads to the Saxophone
section stating the theme. The ensemble joins in and sets up a Trumpet solo
with backgrounds leading to the Alto Sax solo also with backgrounds. Next
comes a hard swinging shout chorus to the end. 6,5,5,G,P,B,D. Trumpet 1 to
one High E. Difficult.
LONELY CAROUSEL - 50333 - $40. Slow jazz waltz. Flugelhorn melody
statement, w/wdwd bckgs. Cadenza. 6,5,4,P,B,D. Med level.
LUCI - 50387 - $60. Luci is a Trumpet feature with a light Bossa Nova feel.
The introduction has the soloist play fills with the Drums and later the rest of
the Rhythm section. The Saxophone section introduces the theme.The
Trombone section plays the bridge and Saxes return leading to the extended
Trumpet solo with backgrounds. Next comes an ensemble section that leads to
the restatement of the theme and ending. 6,5,5,G,P,B,D. Alto 1 doubles
Soprano. Trumpet 1 to High D. Difficult.
MAGIC TIME - 50334 - $70. Happy feeling up tempo samba. Exciting
ensemble shout takes it home. 6,5,4,P,B,D. Sax Dbls: Alto 1 = Clar; Alto 2 =
Clar; Tenor 1 = Clar, Flute; Tenor 2 = Clar; Bari 5 = Eb Contra Bass Clar;
Bari 6 = Bass Clar. Diff.
MEANS TO A BEGINNING, A - 50300 - $66. A lush and haunting Bossa
Nova. This chart challenges your band’s ability to balance and play
sensitively. Dbls. 6,5,4,P,B,D, Alto 1Dbls Sop.
MIRROR IMAGE, A - 50373 - $85. A delicate medium slow waltz with a
swing feel dedicated to Duke Ellington and Billy Streyhorn. The melody is
carried by trumpet 4 on flugelhorn and trombone 1. The interludes are
improvised and written ou. Alto 1 doubles on soprano. Trumpets double on
flugels. Lead trumpet to high Eb. Quarter note = 104. Medium difficult.
26
MISBEHAVIN' - 50335 - $75. A jazz waltz that doesn't feel like a waltz.
Complex time feels. Very diff. Some sax dbls.
MR. PADDINGTON - 50314 - $71. An against-the-beat introduction sets
up a lilting waltz featuring an engaging sax soli on the melody. Dbls. Plenty
of solo space for Soprano.
MONDAY NIGHTS - 50356 - $125. - Dedicated to all of the big bands that
perform on Monday night, this medium-up piece is to be played with a small
group in the middle. Solos are bass and trumpet and a short piano interlude.
No doubles. Half note = 104.
NERVE ENDINGS - 50384 - $135. An abrasive medium tempo blues,
written with the title in mind. Solos: trumpet, tenor and written out piano.
NEW YORK INJECTION - 50354 - $150. - A High energy waltz with
tenor and trumpet solos. No doubles. Dotted half note = 84. Difficult.
NIGHT IN WINDSOR, A - 50301 - $70. An up-tempo Trombone feature
written for Rob McConnell. Optional solo parts for Eb & Bb are incl.
6,5,4,P,B,D.
NOBODY'S HUMAN - 50336 - $70. Alto & bari solos. Fine ensemble
writing, appealing to any audience. 6,5,5,P,B,D. Diff.
NOW PLAYING - 50361 - $70. A Flügelhorn/ trumpet feature. The tempo
is slow, then doubles up. Woodwind doubles are flutes, clarinets, bass clarinet
and Eb contra alto clarinet. Quarter note = 60. 6, 5, 4, P, B, D. Difficult.
OCEANOGRAPHY - 50319 - $80. Very up tempo swing (1/4 note = 300
approx) in that great Florence style. Changes are based on How deep is the
Ocean. Solo space for Alto sax and Trumpet. Lots of ensemble writing. No
doubles. Difficult level.
OLD TIMEY 1 - 50391 - $65. This is one of Bob Florence’s first well-known
compositions. It has an “old timey” dixie-ish vocabulary but definitely swings
in a modern style. An easy conception, this chart has a very cool and playable
saxophone soli, plus soft and loud shout choruses.There have been many
requests for this chart over the years, and it is finally available. Solos: tenor
sax, trumpet. 6 saxophone parts available, playable with 5 saxes. The 6th
saxophone is bari with clarinet double. Trumpet 1 to written high D. 5 Tpts,4
Bones,G/P/B/D. Medium.
ONE – 50337A - $70. Part One of One, Two, Three. Up tempo 3/4 swinger!
Lower instruments have the melody. Difficult.
PARTY HEARTY - 50338 - $70. Bright blues, a real showpiece for your
band. Tenor solo, opt bass. 6,5,4,P,B,D. Diff.
PUMPKINETTE - 50339 - $65. Swinger featuring the melody from the
"two" baritone sax parts. Some sax dbls. 6,5,4,P,B,D. Med.
RHYTHM AND BLUES - 50315 - $73. An extremely fast Alto feature
originally written to feature Lanny Morgan that, as its title implies, combines
I Got Rhythm chord changes with blues changes.
RUNNING WITH SCISSORS - 50385 - $135. Running with Scissors was
inspired by a parent, a child: "Don't run with scissors in your hand". This
makes the piece slightly ominous at a bright tempo. Solos are trumpet,
trombone and extended drums. Tempo is half note = 138. 6,5,4,G,P,B,D.
Difficult.
SAILING - 50340 - $65. Fast jazz waltz. Flowing melody w/fast moving
wdwd lines underneath. Some sax dbls. 6, 5, 4, P, B, D. Difficult.
SERENDIPITY 18 - 50362 - $130. A bright opener or closer. Some
collective improvising from tenor, trombone, soprano and trumpet. Other
solos from piano, alto and trombone. This number is high energy. Half note =
132. 6, 5, 4, P, B, D. Difficult.
SILKY - 50316 - $46. A lush and melodic bossa nova featuring Flugel.
The chart also utilizes interesting textural contrasts through the use of flutes &
contra-bass clarinet dbls.

SLIMEHOUSE - 50320 - $65. Medium swing chart. Solo space for Piano.
6,5,4,P,B,D. Med-diff level.
SOARING - 50341 - $65. Light samba featuring flugelhorn & trbn. Simple
& straight-forward. Med level.
SOME BAD AND BEAUTIFUL BLUES - 50374 - $93. A bright blues
with a bridge in a swing feel. The solos are by baritone (6) and trumpet. Lead
trumpet to high Eb. Half note = 120. The piece is long but great for concerts.
Medium difficult.
SONG FOR BARBARA, A - 50302 - $45. A lovely Trombone ballad
feature written for Charlie Loper. Soloist is supported by lush orchestration.
Excellent concert piece. 6, 5, 4, P, B, D.
SOUNDSKETCH, A - 50321 - $53. Tenor sax ballad feature. Intensity &
sensitivity go hand in hand. Med level. Some sax dbls. 6, 5, 4, P, B, D.
SUGAR - 50376 - $80. A hard shuffle with guitar, tenor, and baritone sax
solos. A great closer of this Stanley Turrentine classic. Quarter note = 152. 6,
5, 4, G, P, B, D.
3 “E” MOTIONS part 1 - 50363 - $75. A three part piece built on the note
“E”. Trumpet solo in a harmon mute and a tenor solo. Half note = 112.
Difficult.
3 “E” MOTIONS part 2 - 50364 - $65. A waltz. Baritone solo melody and
flügelhorn solo. Very gentle for most of the way through. Quarter note = 72
(swing 8th notes). Difficult.
3 “E” MOTIONS part 3 - 50365 - $80. The conclusion of 3 “E” motions.
It’s bright and has solos for piano, trumpet and baritone. Drums are important.
The rhythm section on all of the “E” MOTIONS is free. Half note = 132.
Difficult.
TELL YOUR STORY - 50342 - $53. Bossa that features flugelhorn. 6, 5,
4, P, B, D. Medium.
TENORS, ANYONE? - 50351 - $75. 116 = half note. A different kind of
Tenor duet. Both soloists play together at the top. A straight ahead feel. Diff.
level.
THREE - 50337C - $70. Part Three of One, Two, Three. Up tempo.
Exciting full ensemble writing w/lots of motion Difficult,
TRASH CAN CITY - 50345 - $55. Hard driving 12 bar blues shuffle at its
best! Great ensemble shout. Med-diff.
TWO - 50337B - $ 40. Part Two of One, Two, Three. A light, bluesy
sounding tempo "three" w/ensemble melody.Difficult.
WESTLAKE - 50346 - $65. In Bob's usual style, this jazz waltz melody is
shared by everyone. Med level. Some sax dbls.
WHATEVER BUBBLES UP - 50375 - $130. A medium straight 8th note
feel with a muted trumpet, trombone and tenor solo. Alto 1 doubles on
soprano. The beginning of the trombone solo is with guitar only. The
beginning of the tenor solo is with piano only. The piano interludes are written
out. Lead trumpet to high E. Half note = 104. 6,5,4,G,P,B,D. Medium
difficult.
WIDE OPEN SPACES - 50347 - $48. Nice/easy 16-bar minor blues, 12/8
feel. Ens melody, bone solo. Some sax dbls. 6,5,4,P,B,D. Med.-Diff.
WILLIS - 50317 - $99. Great up-tempo swing chart. Can be used as a
concert opener or closer. Written for Bill Holman. Extensive ensemble
writing. Solos for: Trpt, Alto and short Drum solo. No dbls. = 104. Medium
difficult. Difficult.
WILLOWCREST - 50318 - $80. - An exciting 24 bar minor blues in 3/4
time w/an unforgettable shout chorus. Intermittent 5/4 bars have never swung
so hard. Bone & Alto solos. 6, 5, 4, P, B, D.
WITH ALL THE BELLS AND WHISTLES - 50352 - $109. 112 = half
note. A medium tempo samba. The first two choruses feature 6 flutes in
27
unison, (may be played by 3). Features exchanges between band and drums.
Diff. level.
YOUR WAKE UP CALL - 50358 - $130. 138 = half note. This chart is a
great opener or closer for a concert. Contains solos for both tenor saxes, and
two trumpets. Since it was written for Louie Bellson, it has four bar & 8 bar
solos for the drummer throughout the piece.
FRANK FOSTER
BACK TO THE APPLE - 51213 - $55. A medium up-tempo D-flat major
blues (half note = 108) scored for Count Basie (and partially dictated by the
Count himself) around 1060, somewhat imitating the Basie Band style of the
1940’s, with brass fanning hats, etc; Solos for tenor, trumpet, and piano. Easy
to medium level. This chart was recorded by the Count Basie Orch on
Breakfast Dance. 5, 4, 4, G, P, B, D.
BASS IN YO’ FACE - 51214 - $55. From the Count Basie library. A
medium tempo 12-bar blues featuring string bass, of course. The bass soloist
states the melody as written, then gets off following an ensemble chorus. Adlib
solo segments include trading ‘fours’ with the trombones, saxes and
trumpets with some challenging soli figures, especially for the saxes and trpts.
Medium difficult. 5, 4, 4, G, P, B, D.
BILLION DOLLAR BILL - 51237 - $55. A medium-up tempo B-flat blues
featuring 1st tenor sax throughout (originally written to feature tenor sax star
Bill Saxton.) The brief ensemble introduction is followed by unison saxes in
the opening chorus, after which no time is wasted getting to the tenor sax solo
following a four-measure interlude exactly like the intro throwing your soloist
out there for two choruses with rhythm section only. The ensemble interrupts
for a chorus which modulates to E-flat, then the soloist romps for two
choruses in the new key. The 2nd of these is made up of old be-bop "Sippin'
At Bell's" chord changes which can be kinda' slippery, so get your soloist
ready for them. The ensemble shouts it out on the closing chorus, then some
breaks for the soloist, who plays a final2-bar break before the last ensemble
chord. (Soloist may play what's written or elect to improvise on this break,
just so long as what's played is strong and conclusive.) Lead trumpet high 'F',
lead trombone high is A-flat 3. 5, 4, 4, G, P, B, D. Medium difficult.
BLUES IN HOSS’ FLAT (BLUES IN FRANKIE’S FLAT) - 51215 - $58.
A medium shuffle blues (quarter note = 132) in D-flat scored for the Basie
Orch in 1957. This chart was featured in the Jerry Lewis film “The Errand
Boy.” The chart features solos for Tenor (not heard on the original Roulette
Records recording), Trumpet, and Trombone. Medium difficult.. 5, 4, 4, G, P,
B, D. Trpt 1 to High Eb.
BOOZE BROTHERS - 51200 - $57. Medium Blues. 1/4 note = 116. Solo
changes on 2nd Trpt and 2nd Trbn. 5,4,4,G,P,B,D.
CECILIA IS LOVE - 51205 - $65. Starts with a slow ballad-like intro, this
piece breaks into a medium, somewhat Latin-esque groove, and after an eightmeasure
introductory build-up the pretty melody (as lovely as Cecilia herself)
is stated by unison saxes. Flugelhorns come in at the bridge, and later the
flugelhorn soloist resumes the melody over saxophones in five-part harmony
full of bright major tonalities and colorful sus-chords (there isn't a pure
dominant seventh anywhere in the piece). After the end of the extended
opening chorus the flugelhorn soloist shows his or her improvisational
prowess on a challenging set of solo chord changes (truth only; absolutely no
lying or fluffing over tolereated!). The vamp or montuno segment comes at
the tail end of the piece; then the soloist may coast awhile. But then
whoever's winging it has to build up to a climax with ensemble, which may
require standing on both feet and taking a deep breath or two. Optional bari
sax solo. The chart goes out all the way keeping the Latin groove. A nice
little harmonically changing tag finishes it off, interupted by a brusquely
impolite "sudden death" ending (watch it, soloist!).
Medium difficult.
CLANKS - 51230 - $60. 2nd trombone is featured throughout this
arrangement, opening with the melody written out for solo trombone playing
funky using the plunger (ala the late Al Grey), then unison trumpets take over
doing the same thing on the second chorus. After that it's all trombone on this
medium tempo blues, first with the plunger, then open horn after the
modulation from F to B-flat major. Saxes change to doubles on piccolo (or

lead flute)...3 flutes, and bari sax to bass clarinet on the back half of the chart.
Lead trumpet high is F4. If your trombone soloist can handle the plunger, this
should be a nice little 3-plus minute feature. Medium difficult.
COME ON IN - 51231 - $60. A nice groovy medium tempo piece that
swings right along, with solos for 2nd alto sax and 4th trumpet. Based on 'I
Got Rhythm' chord changes, the arrangement contains a few 'boppish' licks in
the melody and solo backgrounds. This is a relatively simple chart that should
be good for dancers who like not-too-fast tempos. Lead trumpet to a D4.
Medium-difficult.
DAYSPRING - 51201 - $46. Medium swing chart. Featuring Trpt, Bone &
Piano solos. Nice ensemble writing. Med-diff.
DID’N YOU - 51232 - $60. With the same harmonic structure as the late
Dizzy Gillespie’s Woody’n You, this song features tenor sax and piano.
Following the intro and opening chorus the ensemble swings for half a chorus,
then introduces the piano solo starting at the bridge. One full chorus of piano
follows, then a sax-measure build up to the tenor sax, which takes over for the
rest of the chorus, then two more. Late in the chart there are some short
written tenor sax solo exchanges with the ensemble. Also at the very end, a
four bar solo break (soloist may play optional written cues, or ad lib own ideas
so long as they take it out aduquate fashion). After the soloist comes in to rest
on a suitable sustained tone, preferably in the upper register, the director gives
a downbeat for the ensemble’s closing chord. Lead trumpet to high G4.
5/4/4/G/P/B/D. Difficult.
DISCOMMOTION - 51217 - $57. A romping B-flat blues written for
Count Basie around 1959. It swings hard at a medium fast empo (quarter note
= 176-180). Solos are for Piano, Tenor, and Trombone. A two-chorus trumpet
section soli follows the piano solo. 5, 4, 4, G, P, B, D. Medium difficult.
DOWN FOR THE COUNT - 51211 - $57. Medium blues. Solos for piano,
trumpet w/harmon, & trombone. As recorded by the Count Basie Orchestra. 5,
4, 4, G, P, B, D. Med-diff level.
EASIN’ IT - 51218 - $55. Another D-flat blues, but this one’s more laid
back (as the title might imply) “In th’ Pocket” tempo (quarter note = 108-
112); the chart starts the same as the one recorded on Roulette Records, Easin’
It Basie—Music from the pen of Frank Foster, but includes additional
ensemble choruses not heard on the original recording. Solos for Tenor,
Trombone, and Trumpet. 5, 4, 4, G, P, B, D. Not a difficult chart.
FOR ALL INTENTS AND PURPOSES - 51202 - $53. After a brassy intro
in 2/4, the chart breaks into a medium fast swing. Although this tune is not a
blues, the Tenor & Bone follow blues in Bb patterns for four choruses apiece.
Exciting “sudden death” ending. 5,5,4,Tuba,Fr Hn,G,P,B,D. Med-diff.
FOS ALARM - 51219 - $57. A medium swing tempo rouser, this chart
features baritone sax. With a one-measure pick-up break at the end of the
intro, the 'big E-flat' states the melody of this B-flat blues, then takes off on its
own for a series of choruses with the rest of the band in hot pursuit. Be
prepared for a chase that lasts all the way to the ending and when it's all over
baritone saxophonist and ensemble will know they've been in a hard-swinging
duel. Just slightly over medium difficulty, this arrangement may be
lengthened somewhat by adding one or two open choruses with just baritone
sax and rhythm (in case the aggressive brass tends to smother the soloist).
The chart may very well liven up the set halfway through, leaving room for a
nice soft ballad or two, then a flag-waving set closer.
FOUR-FIVE-SIX - 51203 - $56. From the Count Basie book of the 60’s,
this straight ahead blues swings with a sax section soli after the head. Trpt &
Tenor solos & two out-choruses of typical Basie ensemble finishing up.
Includes guest tenor solo, but is optional. 5, 5, 4, Tuba, G, P, B, D. Trpt 1 to
High Eb.
GONE AN’ GIT IT Y’ALL - 51216 - $55. This is a kind of knock-downdrag-out
blues in A-flat major that features solos by piano and trombone. In a
medium fast swing tempo (quarter note =160), the chart is somewhat typical
of the so-called New Testament Basie band, where shouting brass and funky
reeds were the order of the day. 5/4/4/G/P/B/D. Medium difficult.
28
HAMPTON STRUT - 51233 - $60. A 16 bar blues that’s just a little too
happy to be bluesy. Strut lopes along with a medium up-tempo swinging
motion with several two-five progressions in it’s harmonic framework. Solos
by trumpet, trombone and tenor sax are enhanced by straight-ahead groove
producing background figures. Lead trumpet to high Eb4. 5/4/4/G/P/B/D.
Medium Difficult.
KATHERINE THE GREAT - 51222 - $55. Your big band has just
shaken the earth off its foundation with one of your monster flag wavers, now
you'd like to cool things down with a somewhat relaxed swinger. Try
Katherine The Great. She's also very danceable. No pyrotechnics: no openended
ensemble trips to never-never land without the rhythm section; just a
nice pretty little piece for your trumpet, tenor sax and piano soloists to groove
on for a few minutes while your audience sits back without having to hold
onto their seats.. Conductor's guide - no score. 5,4,4,G,P,B,D. Medium
difficult.
KING CHARACTER - 51220 - $55. This chart is perfect for the big band
bassist who rarely takes solos. A simple 12-bar blues in F major, the tune
requires neither proof that one is Superman or Superwoman, but merely an
ability to improvise on the blues. Along with bits of interesting ensemble
work, your bassist gets to blow on some straight-out blues changes, walk
some behind a trombone solo, and make the final statement of the melody
with a tag and a slowed down ending. King Character comes close to being
medium difficult, and gets your bassist who rarely solos in & out of the way in
a very few minutes. Be sure to remind your bass-picker not to take the written
promptings throughout the chart personally; they were meant for Earl May.
He's one of those senior citizens who need certain types of guidance from
chorus to chorus.
LADY CAROLYN - 51223 - $53. This lovely ballad is the third movement
of Foster’s Count Basie Remembrance Suite. The lead Trombone is featured
in an entirely written solo, except for a short improv cadenza on the ending.
Also featured is Alto on a written solo on the first bridge, and then an improv
16-measure solo on the second chorus. 5,5,4,G,P,B,D. Medium.
LITTLE CHICAGO FIRE - 51234 - $60. This up-tempo swinger is
dedicated to one of Chicago's finest and one of the world's most fiery tenor
saxophonists, Johnny Griffin. The challenging melody, based mostly on "I
Got Rhythm" chord changes, is written out for two tenor saxophones and two
trumpets, all of which are featured soloists on the chart. The harmonic
variations may be a little tricky for the soloists at first, but a little
concentration and application should get past this aspect. The ensemble blasts
behind the soloists as they go through their paces, then following the first 16
measures of the shout chorus, they take it out with melody from the final
bridge. Lead trumpet to high Db4. Med-diff.
MAJOR BUTTS - 51224 - $55. One of Frank Foster's more ambitious
charts in the context of the so-called 'Basie Tradition,' Major Butts is really
just another medium up-tempo 12 bar blues, but with the added twist of an 'I
Got Rhythm' bridge in long meter played in a jazz samba groove. One full
chorus consists of two 12-bar blues segments followed by the Latinesque 16measure
bridge and then lasts 12-bar blues segment, giving the song an
elongated A-A-B-A form.
The chord changes aren't difficult, and your tenor sax and trumpet
soloists should handle them pretty well. If the band director elects to insert
additional solos it is suggested that all soloists be limited to one full chorus
apiece. The bassist has a written solo-obligato on the ending which may be
ignored in favor of an ad-libbed passage. Who knows, Basie might even have
changed this chart a few times himself, because the element of swing never
gets too far away. Difficult.
NOW THAT SHE’S AWAY - 51206 - $46. This is a ballad featuring trpt or
flugel, with flute & clarinet dbls on saxes. A very meaty big band style tune
of the late 50’s - early 60’s. Med-diff.
ODE TO JOE NEWMAN - 51227 - $53. A somewhat mournful but
haunting ballad dedicated to the late great jazz trumpet stylist, a New Orleans
native who made his name with the bands of Lionel Hampton and Count
Basie. This chart features three of your trumpeters, or all four, whichever you
prefer. There are written and improv solos for the 2nd, 3rd, and 4th chairs,
while the lead player has an eight-measure written solo on the final bridge of
the tune. Chart goes into double time for the improv solos, then returns to
ballad tempo. Easy medium chart.

READY NOW THAT YOU ARE, G.B. - 51235 - $57. Written for and
featuring acclaimed guitarist George Benson with the Count Basie Orchestra,
'Ready Now' takes us on a swinging mildly up-tempo (but not too up)
excursion through some slightly challenging harmonic area. However, it's
still straight-ahead swing, and not too far off the norm for '60s, '70s and '80s
era big band Jazz, and should be fun for your trombne and alto sax soloist-and
of course your jazz guitarist. Lead trumpet to high E4. Mediumdiffucult.
SHINY STOCKINGS - 51207 - $58. The original Foster classic from the
Basie book. Med swing featuring a Trpt solo. Med-diff. 5, 4, 4, G, P, B,
D,Trpt 1 to One High, E at End.
SKULL-DOUG-ERY - 51204 - $55. A challenging unison melody and an
equally challening set of chord changes reminiscent of the "hard-bop" era
characterize this moderately fast tenor sax feature. The solo is on the 2nd
tenor part, but you'd better give it to your star player, as the harmonic
structure calls for NO LYING. The chart also includes a piano solo, and some
fairly nice ensemble work. 5,4,4,G,P,B,D. Medium level.
SIMONE - 51208 - $60. Med blues waltz w/solos for Tenor & Piano. A
deceptively different set of chord changes. Med-diff.
STATE OF THE ART SWING - 51228 - $60. The fourth movement of the
Count Basie Remembrance Suite, is a medium tempo tune whose main
purpose is to swing HARD! No tiptoeing through the tulips on this one,
please! Although it starts off fairly subdued it's supposed to build into a
nuclear explosion near the end. The piece begins with a Basie-ish piano solo
followed by a bass solo, then the saxes enter with a unison melody meant to
sound Ellingtonish. Following the opening ensemble choruses the saxes go
soli for a couple of bluesy choruses, then two interludes eight measures long
introduce successively solos by 1st tenor sax and 4th trumpet. Things heat up
after the solos, as the tension has been building all the while. On the final
shout chorus there's some scream trumpet (switch parts on this section if the
4th trumpet isn't up to it). On the very end, which all but introduces World
War III, trumpet goes up to altissimo A5 several times. Lead trumpet high is
D on top of the second ledler line. This chart is only med-difficult, but get
your drummer to work with the heavy swing backbeat, get some intensity
going with that hard swing feeling, and your audience should be standing on
their heads. 5,4,4,G,P,B,D. Med-difficult.
TOMORROW'S BLUES TODAY - 51225 - $60. "Tomorrow's Blues
Today" is a somewhat different kind of 'blues.' While it employs the normal
12-bar chorus format, it uses minor seventh chords insted of major or
dominant chords in the first eight measures of the 12-bar chorus. Yet, it's not a
minor blues, because it sounds major as a result of the minor 7th substitutions,
which do not resolve to dominant 7th chords in II-V sequences. The only
dominant 7th chord in any chorusm occurs in the 9th and 10th measures, a C7
raised 9th. Solos are for 1st Tenor and 4th Trumpet. Not a difficult chart,
about a '2' or '3', "Tomorrows..." should go down smoothly in a medium swing
tempo (quarterr note = 108). Trpt 1 to double high G. 5, 4, 4, G, P, B, D.
TRANSITION - 51236 - $50. The second movement of the Count Basie
Remembrance Suite (four movements total), this short easy swinger, with its
simply stated melody, is reminescent of the infectious Basie style of the
1940s, featuring solos by tenor sax, trombone and muted trumpet. No one has
to stretch for their limits on this one. Just groove it right along with some
tasty little licks. Some humor may be injected in that the last two soloists
(trombone and trumpet) enter in such a way as to appear to be interrupting the
previous soloist before that person is finished soloing. Looks of surprise,
astonishment or good-natured annoyance by the tenor sax and trombonist
might be in order. A few '4s' are traded by the soloists, then all three take it
out together. The bass walks a six-measure intro (yes, 6 bars), then three
flutes and harmon muted trumpets do the melody accompained by bass
clarinet. Flutes and Bs clar go all the way, as the only saxophone is the tenor
soloist. Lead trumpet to high C4. 5,4,4,G,P,B,D. Medium.
UPTOWN RECOLLECTIONS - 51209 - $52. 1940’s Big Band Sound.
Up-tempo swinger. Featuring Alto, both Tenors & Trpt solos. 5, 5, 4, Tuba,
G, P, B, D.
VICTORIOUS BLUES - 51210 - $57. Med swing. Written for Count
Basie Band. Has great sax soli. Bone, Tenor & Trpt solos. Med-diff.
29
WE BE JAMMIN' - 51212 - $65. Up tempo swing with solos for Piano,
Alto, Trumpet, and Trombone. 5,4,4,G,P,B,D. Med-diff.
WHO, ME? - 51221 - $57. This arrangement is part of Frank Foster's
Vintage Basie Series, compositions performed and/or recorded by Count
Basie and his world famous New Testament orchestra between 1953 and
1960. It's another "straight ahead" blues, for which that band was especially
noted. The full ensemble blasts into the introductory chorus, followed by two
choruses of the 'head' stated alternately by saxes and brass. Next comes a
two-chorus saxophone section soli displaying no pyrotechnics, just simplicity
and swing. A growling muted trumpet solo greases things up for a minute (on
the recording the marvelous Snooky Young played the solo--no one did it
better), backed up by tormbones with a riff that must have been dated some 25
years prior to the recording! Next of course what else but a typical 'Basiestyled'
piano solo, couched in that All-American rhythm section format; you
know the drill. After the piano the soft full ensemble takes over with a 24-bar
build-up to the shout chorus, which is of course punctuated by Young's
screaming open trumpet, and the piece ends with the customary dominant 13th
chord with raised 11th , etc.. 5, 4, 4, G, P, B, D. Medium difficult.
YEAH, RIGHT - 51238 - $55. If your're at all into what might be called
"Funk Jazz", this chart should fill the bill for you. The rhythm section
establishes the groove from the very beginning, with the piano doing the
principal background figure accompanying the jazz-funk melody, which is
taken up by horns at letter A. At letter B the full ensemble does the melody
harmonized, followed by the lead alto sax solo, which is followed by a piano
solo. Of course the band director has the option of inserting additional
soloists, depending on the talents of jazz-funk chops of your individual
players. Following the the piano solo, the full ensemble closes it out with a
rousing statement of the melody. This chart should definitely elicit a positive
response from both your listening and dancing audiences. Lead trpt. high is
altissimo G (concert F4). Lead trombone is high Ab (G#) above the staff.
5/4/4/P/B/D. Medium Difficult.
YO RECUERDO A MI HERMANO TITO (I REMEMBER MY
BROTHER TITO) - 51226 - $55. Dedicated to the memory of Tito Puente.
Yo Recuerdo A Mi Hermano Tito is a Latin-flavored composition somewhere
between a Cha-Cha and a Mambo. It could be called either a fast Cha-Cha or a
slow Mambo. Timbales should be the featured solo instrument, as that was
Tito's specialty 'axe'. There is no part for timbales on the score, but that
shouldnt be a problem for a seasoned timbales player. After an eight-measure
intro reminiscent of that on the Latin standard "Mambo Inn," the ensemble
goes through the opening chorus featuring alternately brass and saxes on the
highly "latin-esque' melody. This is followed by an 8 bars long interludemodulation
from 'F' major to A-flat major leading to the one-chorus piano
solo, which may be played as written or improvised, according to the pianist's
wishes. More ensemble follows the piano solo, after whichthere's a 'montuno'
section in which the piano starts out playing the melody for about eight
measures. Soon the rhythm section gives way to conga drum(s) and timbales
(or trap drummer if no timbales are present.) Either timbales or trap drums
play an extended solo, building in intensity as it goes. This entire section
apprears on the score and parts as an empty four-measures repeated
indefinitely. After timbales or drums have done their thing, the ensemble takes
it out with a shout chorus followed by the ending which is the same as the
introduction. Yo Recuerdo... should make an interesting, fairly exciting
addition to your large jazz ensemble library. 5, 5, 4, G, P, B, D. Medium
difficult.
YOU GOT IT - 51229 - $55. From the Count Basie library. This medium
up-tempo blues features solos by flute, 4th trumpet , 2nd trombone, and 2nd
tenor. It’s a nice set opener to get things started vigorously. Your tenor sax
soloist has to take it out with a flourish on the end, as there’s a four-measure
break for a climaxing cadenza in tempo before the closing chord. The soloist
can’t be ‘laid back,’ so to speak; this has to be with a straight-ahead,
‘slamming’ kind of approach that will get the audience aroused and wanting
more. Medium difficult.

TODD FRONAUER
ALLEGHENY TRAVELER - 51983 - $55. Upbeat samba in F minor and
major. Features tenor sax and a drum break that can be opened up. Trumpet
goes to high D mostly (briefly to an Eb towards the end). 5,4,4,P,B,D, perc
optl.Medium Difficult.
MASTERMIND - 51980 - $55. Medium-slow funk, a la mid-70's Maynard
Ferguson, Mastermind features your strong section leaders. Lead trumpet
plays written melody (soloist should have a solid high E. Higher notes
optional). Jazz solos for lead trombone and lead alto. Nice groove for a solid
rhythm section. No Doubles. 5, 4, 4, P, B, D. Medium Difficult.
MOBIUS SWING - 51981 - $57. Med-fast swinger. First motif is a
misplaced 12-bar blues with a minor 10 bar tag. Bari sax and trumpet ride
over this progression. Horns-and-bass-only chorus gives way to a bass solo
and the second motif, a heavy Vegas-style shout. Plenty of good stuff for your
drummer to dig into. Lead trumpet has a few high Gs, and alto 2 has an
optional piccolo/flute part; neither detail makes or breaks the chart, so play
'em if you got 'em! 5, 4, 4, P, B, D. Medium Difficult.
WHAT LIES AHEAD - 51982 - $50. Plaintive ballad feature for trumpet,
evoking the hope and uncertainty of the future. Plenty of blowing room for
soloist, first in ballad tempo, then a key change in double-time. Ensemble
shout builds in intensity, leading back into the original ballad tempo. Solo part
has written high F's, and trumpet section doubles on flugelhorns. 5, 5, 4, P, B,
D. Medium Difficult.
WHIMSICAL LIZARD - 51984 - $50. Open for blues solos. For reference,
the theme is played by the “sax” section, and the soli after the trombone solo
is supposed to be 5 saxes with a flugelhorn lead. Trumpet goes to high
D...higher notes optional. 5,5,4,P,B,D.Medium.
ANTONIO GARCIA
CHA-CHA CON SABOR - 51003 - $55. A "cha-cha with flavor" in Aminor
at quarter=124, "Sabor" features melodic and rhythmic material for all
in the style of "Oye Como Va". Solos over the AABA form, or use an Aminor
vamp for younger soloist; changes in lead alto, tenor, plus bari, top two
trumpets and trombones, and rhythm. Lead trumpet to concert B; no sax
doubles. Rhythm section is piano, bass, timbales (substitute drum part
included), guiro, and optional congas. Optional "coro" for the entire band to
sing in authentic style! Medium-difficult.
I LIKE BEBOP - 51000 - $55. This chart is uptempo Bb blues with bridge
(though needn't be as uptempo as Rob Parton took it!) Written for the Illinois
All-State Jazz Band and played by all its District Jazz Bands, too. Med Diff.
JUMPIN' AT THE WESTSIDE - 51005 - $55. A soli of trumpet,
trombone, and tenor sax lead the band through this swinging tune based on
"Shiny Stockings" and "Satin Doll" changes, with an optional backbeat funk
section that will get everyone moving. Marked at q = 200, though could be
slower. 5, 4, 4, P/G, B, D. Medium difficult.
LOVED ONE (to Maria) - 51001 - $48. This chart pays tribute to the style
of Neal Hefti's "Lil' Darlin' and is dedicated to his lovely wife. While the
score shows the featured instrument as Trumpet or Flugelhorn 2, parts include
an Alternate Trombone 2 part, which is how Tony recorded it. Med Diff.
MAELSTROM - 51004 - $55. Named after the center of a storm, this funk
chart can be played as such or with shifts into swing or other styles, as the
intent is to be flexibly changing. Half note = 118. Premiered by saxist
Seamus Blake with the Virginia Commonwealth University Jazz Orchestra I.
Solos over one-chord A-sections with a several-chord bridge. Solo changes
available in lead alto, tenor, trombone, and forth trumpet, plus rhythm. Lead
trumpet/trombones ascend to concert Bb; no sax doubles. Medium-difficult.
SOFT SPOT - 51002 - $55. This sassy number offers a barrelhouse
background to the featured plunger tenor trombone, which cavorts from
optional low pedals up to high B. Each horn section gets a brief soli, and the
ensemble whispers or roars at any given moment. Piano tacit. Med-Diff.
30
TIM GILL
AMBIDEXTROSITY - 56603 - $55. Ambidextrosity is a medium-up bop
tune featuring a Three-in-one-esque frontline of Flugel, Bari Sax, and Bass.
There are plenty of intricate ensemble passages and solo space for the three
featured instruments. Bass and Guitar both get good reading workouts during
the ensemble and soli sections. This chart was written for the CSU Fullerton
Jazz I band and premiered at the 2004 West Coast IAJE Conference.Tpt. 1 to
high F. 5/5/5/G/P/B/D. Medium Difficult.
LITTLE “A” - 56600 - $55. This is a funky 7/4 latin romp dedicated to
Tim Gill’s son, Aiden. Based on a 12-bar blues pattern, the weaving melody
gives way to an Alto Solo and an exciting soli section. The shout section is
preceded by a drum solo that layers elements of the ensemble on top of itself.
An axciting opener or closer and a great odd-meter workout! Trumpet range:
Eb (concert).5/5/4/G,P,B,D. Alto Sax 1 doubles Soprano. Difficult.
M-1 Shuffle - 56602 - $55. The M-1 Shuffle is a grooving minor shuffle that
reflects the style of tunes like Bobby Timmons’ ‘Moanin.’ A great solo spot
for 1st trombone to work over some fresh minor chord changes, and soli
sections for each part of the band that show off ensemble work. A perfect
chart for developing jazz ensembles!” 5/4/4/G,P,B,D.Trumpet Range: F# (top
of staff) Medium.
OPENER, THE - 56601 - $55. Here is a straight-ahead, swinging blues with
a bridge. It features plenty of intricate ensemble work, a Tenor Sax solo, and a
breakdown ostinato chorus that shows off the horns. The addition of an
optional B-3 organ creates an exciting textural change-up.5,4,4,P,B,D.
Trumpet 1 to written high Eb. Medium.
DON GOODWIN
BOOGALOO BLUE - 56075 - $57. This is a hard swinging bluesy chart
that has shades of the great Bill Holman. Over a catchy bass riff the melody
gets passed around during the head, and there is plenty of contrapuntal writing
to follow. Solos are written into the piano and lead trombone books, and your
drummer gets a little space as well. Lead trumpet gets up to a written E at one
point, but this could easily be rewritten down. You'll love this exciting new
swing chart! Med-difficult.
... DOMINATES THE FLOWER, YET ... - 56077 - $65. This is an
extremely high energy, quasi-rock funk chart that features the entire band.
There's a melody solo for lead tenor, as well as solo space for guitar, soprano
sax, and trumpet. Indluding an eerie middle section with brass glisses and
colorful melodic timbres followed by a rousing final chorus, this chart would
be a great closer for your concert. 5, 4, 4, G, P, B, D. Difficult.
WALKING BALLAD, A - 56076 - $53. Don't let the title fool you! This
piece begins as a slow understated funk groove, but quickly evolves into much
more. Flugelhorn (Trumpet 4) is featured on the melody and gets some
blowing space. Midway through our straight funk feel changes to swing,
featuring a great sax soli and shout chorus, then returns to funk for a darkly
colored and introspective outro vamp. Check this out! Med-difficult.
GORDON GOODWIN
BACH 2 PART INVENTION IN Dm - 56168 - $70. Grammy nominated
arrangement brings the jazz and classical worlds closer together in this rich
and exciting treatment. Features a clever sax soli, meaty changes for your best
soloists (it is Bach, after all) and a drum solo that interacts with powerful
ensemble hits and phrases. Sax doubles. Difficult. 5, 4, 4, G, P, B, D., Perc.
BACK IN THE DAY - 56180 - $65. Easy-going swing chart, inspired by
Thad Jones, has a bouncy yet rich sax melody that leads to an interchange
between your drummer (on brushes!) and the ensemble. The solo section can
be opened up for any soloist you wish, then the entire band digs into a juicy
development section and shout chorus. This is straight ahead big band fun!
Alto 2 doubles on flute. Lead trpt to high F. 5, 4, 4, G, P, B, D. Medium diff.
CHANCE ENCOUNTERS - 56190 - $65. As recorded by Gordon
Goodwin's Big Phat Band on their Grammy Nominated record "Act Your
Age". Slow, moody swing is a tribute to composer Oliver Nelson and features

lush textures and rich chord changes. Plug in any of your best soloists on the
solo section, then get ready to tackle a difficult flute soli, sure to impress your
audience. A nice change of pace on any concert. WW 1 dbls on Soprano. WW
2-3-4 dbls on Flute. WW 5 dbls on Bass Clarinet. Tpts dbl onFlugelhorn.
Trumpet 1 high note = written C#. Difficult.
CLOSE TO THE EDGE - 56153 - $53. Driving Rock chart. A deceptively
slow and pretty intro explodes into a burning rock beat. Chart builds and
climaxes in a duel between soloists. 5,4,4,G,P,B,D. Medium level.
DISCO PIGS IN SPACE - 56170 - $57. If you're feeling like a little '70's
nostalgia, dial up this challenging opus, where the big band genre meets John
Travolta. Just think, rap music will sound like this someday. 5,4,4,G,P,B,D.
Medium.
EVER BRAVER, EVER STRONGER (AN AMERICAN ELEGY) -
56185 - $40. Orchestral in nature, "An American Elegy" was written in tribute
to the American spirit in the aftermath of the 9/11 terrorist attacks. Features
written out trumpet, flute and clarinet solos and requires sensitive playing by
the enttire band. An emotional and stirring piece. Alto sax 1 & 2 double on
flute. Tenor sax 1 doubles on bass clarinet, trumpets 2-3-4 double on
flugelhorn, acoustic guitar (nylon), acoustic bass. 5, 4, 4, G, P, B, D. Meddifficult.
FOR BILL - 56179 - $57. Written for, and in the sytle of the late pianist Bill
Evans, this jazz waltz pleases with it's lyrical melody and intersting chord
progression. Features a sax soli with soprano lead. Can feature any of your
fine soloists, but a natural for your pianist. 5,4,4,G,P,B,D, Perc. Medium level.
GAME OF INCHES, A - 56184 - $65. Written in a popish latin style, "A
Game of Inches" is a hot, contemporary chart, featuring complex saxophone
lines, crisp brass accents and interesting harmonic movement. Although tenor
soloist Michael Brecker shows his mastery of this style, you can assign any
soloist you wish to blow on this chart. An exciting, multilayered piece of
music! Alto 1 doubles on soprano sax, alto 2 doubles on flute, trumpet 2
doubles on flugelhorn, trumpet 1 to high F#. 5, 4, 4, G, P, B, D, Perc.
Difficult.
GOOBER THE ACCURSED - 56154 - $48. Commissioned by Louis
Bellson Big Band. March feel with a swing section. Features your drummer.
Short tenor solo. Medium level.
GOOGIE BURGERS - 56173 - $49. There used to be a restaurant in
downtown Los Angeles called "Googies" where they, naturally, served
Goodgie Bergers. One of a series of experiences that lead the composer to
vegetarianism, but we digress. Fun, easy swing. Easy Medium.
HOT MONKEY LOVE - 56155 - $57. Based on a swinging rock shuffle,
this crowd pleasing chart builds from a rather simplistic statement of the
melody to an intricate shout chorus. Features an extended alto solo. 5, 4, 4, G,
P, B, D. Medium.
I GOT THE ZZZ'S - 56156 - $48. Originally written for the Bill Watrous
Big Band, this fast swing chart is loosely based on I Got Rhythm but provides
your trombone, paino, soprano, and tenor soloists with more harmonic
freedom that conventional rhythm changes. Difficult sax soli with soprano
lead. Medium Difficult.
I HATE THOSE MEECES TO PIECES - 56174 - $47. Are you old
enough to remember Mr. Jinx's famous catchphrase? Even if you're not, your
band will enjoy this easy blues. Medium.
I REMEMBER - 56175 - $60. The flutes state the melody in this pretty
bossa nova, which demands your best soloist to elegantly negotiate it's
appealing chord changes. Sax doubles. Medium. 5, 4, 4, G, P, B, D., Perc.
IT'LL COUNT IF IT GOES - 56157 - $52. Written in a Count Basie
blues style, this medium-slow swing chart features a sax soli that starts out
laid back and builds into a solo for your jazz trumpeter. An a cappella brass
soli follows that gradually builds as first the saxes and then the rhythm section
join in for a romping shout chorus. Medium. Alto one dbls on flute.
LES IS MORE - 56158 - $47. Trombone feature with a Rock and Roll
groove and a quasi-Latin feel. Demanding chord changes for the Trombone
soloist. Altos double on flute. Medium level.
31
LOOKING FOR ZAPHOID - 56176 - $57. Starts out funky and stays
there. If your alto sax soloist has studied his Dave Sanborn, then this is the
feature for him. 5,4,4,G,P,B,D. Medium difficult.
LOUISVILLE SHUFFLE, THE - 56187 - $65. Louie Prima was totally
cool. He played these awesome shuffle grooves in his band, and this chart is in
tribute to the great sense of fun his music had. The saxes (featuring clarinet
lead) pave the way through out the chart while the brass weigh in with hits
and punches, with the rhythm section swinging away hard. After the open solo
section (your pick of your best soloist-Sam Butera would be nice) the band is
divided into small groups that trade sassy phrases leading to a sax soli. A
rousing shout leads to a final key change as we take it home. 5 Saxes (Alto 1
on Clarinet), 4 Trumpets (Tpt 1 high note=High A, optional), 4 Trombone (trb
4=Bass Trb), Guitar, Piano, Bass, Drums. Med diff.
LOW AND INSIDE - 56159 - $47. Written for Louis Bellson, this swing
shuffle features a straight ahead sax soli, an extended trumpet solo and an
intricate ensemble section featuring interplay among the sections. The chart
climaxes with an open drum solo. Med.
LOW NOTE WEB SITE, THE - 56188 - $60. The elusive bass feature
makes an apperance! On this medium fast swing chart bassed (get it?) on "I
Got Rhythm" changes, your bass player trades with the sax section on the
quirky Thad Jones-ish melody. The open solo section can be used for any
soloist of your choice, but most of the heat goes to the bass player, who also
gets to trade phrases with the brass too. The saxes get a sprightly soli in there
before the entire band romps through the inevitable shout chorus (it is a good
one though!) The bass player gets some final statements in before we close
things out. 5 Saxes (Alto 1 on Soprano Sax), 4 Trumpets (Tpt 1 high
note=High F#), 4 Trombone (trb 4=Bass Trb), Guitar, Piano, Bass, Drums.
Medium difficult.
MAMA LLAMA SAMBA - 56160 - $70. This chart exhibits the rhythmic
excitement a real samba can evoke. Open solos. Sax doubles alto 1 on picc,
alto 2 on flute, ten 1 on soprano & flute. 5,4,4,G,P,B,D,Perc. Difficult level.
Alto 1 on picc, alto 2 on flute, ten 1 on soprano and flute.
MEAN WHAT I KNOW? - 56161 - $47. Medium fast swing piece
features Thad Jones-style ensemble sections with challenging chord changes
for your alto and trumpet soloists. Performed by the Bill Watrous Big Band.
Medium.
Mozart 40th Symphony in Gm - 56172 - $80. The first movement of
Mozart's 40th is adapted for big band in this imaginative arrangement. At
times pretty and lush, and at other times swinging and intense. this chart will
challenge your band in many ways. It featured Eddie Daniels on clarinet, but
it can be adapted easily for any soloist you wish. Changes of tempo and color
abound, and the chart highlights a unison flute soli and a powerful shout
chorus by the full ensemble. Lovers of classical music and jazz alike will find
much to appreciate in this fine chart. 4 tpts (all dbl on flugelhorn) 3 trbs, 1
bass trb, 5 saxes (all dbl on flute, tenor 1 & 2 dbls on clar) piano, bass, guitar,
drums, percusssion. Difficult.
OUT OF COMMISSION - 56162 - $57. Authentic Latin Montuna with big
band! Written in two parts, the second part is a driving samba groove that
builds and builds. With plenty of room for any of your best soloists, this one
will be a welcome additon to the library. Medium level.
* * * NEW * * * OUTBACK BLUES, THE – 56194 - $65.
Commissioned by the Elko High School Jazz Ensemble, Walt Lowell,
director, this is a bluesy shuffle with a quirky twist. The melodies are full of
half-step intervals, which are intended to convey a little edge, so don’t be shy
play ‘em like you mean it! The ensemble also has many dotted eight/sixteenth
note rhythms if you play these nice and tight it will help propel the shuffle
groove. This chart is a great vehicle to feature a number of your best soloists
who can resist blowing on blues in F, even if it is a 16 bar chorus? This chart
is lots of fun, not too difficult and makes for a spirited opener or set closer. No
sax doubles, lead trumpet high note is written F. Lead trombone high note is
A.5 Saxes (A,A,T,T,B),4 Trumpets, 4 Trombone (4th = bass
trombone),p/g/b/d, Percussion (Vibes). Medium difficult.

* * * NEW * * * PRINCIPAL OF THE THING, THE – 56192 -
$70. Commissioned by the West Ranch High School Jazz Ensemble, Bob
Babko, director. How’s your drummer? Really good, you say? This might be
the chart for you! Its got some great solo space for the drummer, plus tons of
juicy ensemble figures for him/her to kick. The title is an homage to the man
who, in many cases, does a great deal to support your schools music program
(so maybe you should buy this chart and pay your respects &hmm?), but
whatever your motivation, the band has plenty to dig into with this fast swing
chart. There is a basic vamp that recurs throughout the chart, and its chromatic
nature is reflected all over the place in the main saxophone melody, in
transitional phrases, in some of the harmonic movement. Bla, bla, it’s so
boring to use words to describe music! You gotta hear it to know it, right? But
if you want a burning drum feature that has a challenging sax soli, powerful
and excited ensemble sections and plenty of solo space for any of your best
soloists, this chart will provide a great set closer with the bonus of being able
to suck up a little to your high school principal. Everybody wins! No sax
doubles, lead trumpet high note is written E. Lead trombone high note is
A.5/4/4/p/g/b/d/optl. Percussion (triangle, vibes, xylo, congas. Medium
Difficult.
QUIET CORNER, THE - 56182 - $67. "The Quiet Corner" sets a gentle
but slightly funky groove full of soft colors and smooth textures, courtesy of
muted brass, flugelhorns, and flutes. The chord changes are lush and rich and
fun to blow on. Medium level. Doubles: Alto 1 on Soprano, Tenor 2 and
Baritone Sax on Flute, Trumpets on Flugelhorns. Trumpet 1 to A above the
staff. 5, 4, 4, G, P, B, D., Perc.
SAMBA FOO FOO - 56151 - $60. There’s nothing like a burning samba to
get your concert off to a roaring start. After the melody is stated by muted
trumpet, saxes and flute, your best soloist can work out on some rich chord
changes. A vigorous sax soli then precedes a rousing shout chorus, which
leads to the exciting conclusion. WW 1 dbls soprano, WW 2 dbls flute. 5, 4, 4,
G, P, B, D. Medium difficult.
SECOND CHANCES - 56177 - $58. A lovely feature for your soprano sax
soloist, with lush textures and a soft 6/4 latin feel. Sax doubles. Medium level.
5, 4, 4, G, P, B, D., Perc.
SO CLOSE AND YET SO FAR - 56181 - $65. Written and recorded for
acclaimed Los Angeles trombonist Andy Martin, this exciting samba pays
tribute to Andy's favorite baseball team, the San Francisco Giants. You don't
have to be a baseball fan to enjoy this chart, but it helps to have a great
trombone soloist in your band, who will feast on some cool chord changes and
exciting latin rhythms. Altos double on flutes, tenors double on clarinets. Lead
trpt to high G. 5,4,4,G,P,B,D, Perc. Medium difficult.
SOME DAY SOON - 56189 - $65. This soft latin tune features gentle
textures and lush harmonies. Muted brass, flute, acoustic guitar, and rich sax
voicings all contribute to the subtle bossa nova mood on this chart. The solo
section is divided for two soloists of your choice, and there is a short sax soli
before we arrive at the peaceful conclusion. 5 Saxes (Alto 1 on Soprano Sax,
Baritone Sax dbls on Flute), 4 Trumpets (All dbl on Flugelhorn), 4 Trombone
(trb 4=Bass Trb), Ac. Guitar (nylon string), Piano, El. Bass, Drums, Perc.
Medium.
START TO LOVE AGAIN - 56178 - $48. Your soprano sax soloist will
enjoy this pretty song, a shuffly rock ballad with a kind of Al Jarreau feel.
Medium level.
SUS CHORD DYNASTY, THE - 56163 - $47. A driving funk tune with
"meaty" changes for any of your best solists to play on. This will get them off
their feet. 5,4,4,G,P,B,D. Medium.
THAD SAID NO - 56171 - $70. This rollicking swing tune commemorates
legendary composer Thad Jones' dislike of clarinet solos. There is plenty of
room for your clarinet (or soprano sax) to stretch out and exchange phrases
with each section. After a climatic shout chorus, your soloist gets an open
cadenza (in which he may attempt to change Thad's mind) and we all come
together for the exciting conclusion. If you have a strong soloist in the front
row, this chart will bring down the house! 4 tpts, 3 trbs, 1 bass trb, 6 saxes
(A-A-T-T-B plus clarinet or sprano sax soloist). Piano, bass, guitar, drums,
optional percussion. Note: Can be played with 4 saxes (A-T-T-B) plus soloist.
Difficult.
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THOLIAN WEB, THE - 56164 - $47. An exciting funk tune that features
tenor sax and guitar but can be opened up to include other solosits as well.
5,4,4G,P,B,D. Medium level.
* * * NEW * * * UM AFORTUNADO (Fortunate One) – 56193 -
$70. This pretty samba displays rich harmonic content and a lyrical melody
that gives it a nice optimistic feel. The chart features a variety of
orchestrational textures trombones with bucket mutes, a
flute/flugelhorn/soprano sax trio, a sax soli with a flugelhorn lead, and a
piano/guitar/vibes soli. The chord changes are fun to improvise on, and the
solo section is structured so that you can assign each solo instrument you
wish. This chart will be a cool breeze in the middle of your set! Trumpet high
note is written B (above staff). Lead trombone high note is Gb. 5 Saxes,
Soprano Sax, Alto sax 2 doubles flute, Tenor sax 1-2,Baritone Sax doubles
bass clarinet,4 Trumpets (all double flugelhorn),4 Trombone (4th = bass
trombone),Piano, Guitar (Ac guitar nylon string),Bass, Drums, Percussion
(shaker, congas, triangle, vibes, mark tree). Medium Difficult.
UNDER THE WIRE - 56186 - $65. "Under The Wire" is a tour de force
written for master clarinetist Eddie Daniels, and if you've ever heard Eddie
play, then you know what you are in for here! The solo clarinet part requires
great dexterity and agility, plus the ability to improvise at a fast tempo. But, if
you have right soloist, this one will bring the house down! 5WW's (WW 2
dbls on flute) plus clarinet solo, 4 tpts, 4 trbs, piano, bass, guitar, drums. As
recorded by Gordon Goodwin's Big Phat Band on "The Phat Pack" (Silverline
Records.) Difficult.
URBAL LUNG COMEDY - 56165 - $57. Written as a piano feature, this
grooving shuffle can easily be adapted to provide any soloist with plenty of
space to stretch out. Humorous interchanges between the soloist and ensemble
make this a sure crowd pleaser. 5,4,4,G,P,B,D, Perc. Medium Difficult.
WAITING FOR THE GROOVE - 56166 - $47. Features strong solo guitar
throughout, starting with a bluesy rubato statement of the theme, followed by
a burning gospel rock groove. Medium level.
WHAT SAMMY SAID - 56183 - $60. A slow Basie-style blues that is
dedicated and inspired by the great Sammy Nestico, this chart starts out slow
but before you know it you are building your way towards a stomping Basie
shout chorus. You can open this chart up for any of your soloists, and there is
plenty of juicy ensemble work to display your band's tightness and ability to
swing. Sammy Nestico rules! Alto 1-2 doubles on flute. Trumpet 1 to high G
(optional to Ab) 5, 4, 4, G, P, B, D. Difficult.
WHO YOU CALLING PREDICTABLE? - 56191 - $70. This chart is
anything but predictable and takes your band and your audience on an exciting
ride, from the opening hip hop feel to the pulsating swing. Bluesy in
character, this chart is filled with twists and turns and is kind of hard to
characterize, except to say it cooks! There's a challenging sax soli and a drum
solo, built into the chart. As with many of Gordon's charts, any one of your
good soloists can blow on this one. As written for the Temple Jazz Orchestra,
directed by Tom Farlie. No sax doubles, Trumpet 1 high note = written F#.
5,5,5,G,P,B,D, Perc. Difficult.
WINDS OF CHANGE - 56167 - $47. Tasty Bossa Nova. Great showcase
for jazz Flugelhorn. He will maneuver his way through some challenging
chord changes en route to a rubato duet with the pianist. Saxes double on
flute. Medium level.
YOU CALL THIS A LIVING? - 56169 - $60. Written for and recorded by
Los Angeles based trumpeter Wayne Bergeron, this staight-ahead bluesy
swinger gives plenty of solo room for your featured trumpet soloist. This chart
has a lot of fun alternating from the keys of Eb and G, keeping the band and
your audience on its toes, aurally speaking! Also features a short sax soli and
a stompin' shout chorus. Alto 1 dbls on soprano, alto 2 dbls on flute. Medium
difficult. 5, 4, 4, P, B, D.
JOHN GUARI
COLLAPSE OF THE MOON - 55100 - $53. A straight eighths bass
trombone feature originally composed for bass trombonist Jeremy Stones.
Harmonic rhythm is slow moving, which gives soloists room to grow their
solo. Solos in Trombone 2 and Guitar. Lead alto is on soprano sax. Trumpet 1

goes to a written F (Concert Eb) above the staff. 5 Trumpets, 5 Trombones, 5
Saxes, Guitar, Piano, Bass, Drums. Medium Difficult.
MERESQUE - 55101 - $57. Pronounced "Murr-esk". A swinger with funk
sendoffs. Unusual head and solo form. Trumpet 5 and Trombone 2 solos.
Trumpet 1 goes to a written G# (Concert F#) above the staff. 5 Trumpets, 5
Trombones, 5 Saxes, Guitar, Piano, Bass, Drums. Medium Difficult.
RIFTS - 55102 - $55. The groove on this chart is a nod to modern drummer
Ahmir "?uestlove" Thompson. It is a neo-soul swinging hip hop groove that
transitions nicely into the straight ahead swing sections. Harmonically, the
head and solo changes float between D-minor and B-minor sonorities. Solos
are for trumpet 4 and guitar. A "horns alone" interlude separates the two solo
sections. Lead alto is on soprano. All saxophones double on flute. Trumpet 1
goes to a written E (Concert D) above the staff. 5 trumpets, 5 trombones, 5
Saxes, Guitar, Piano, Bass, Drums. Medium Difficult.
UNDER SHADOW - 55103 - $50. A guiet straight eighths ballad with a
brief climax. Lots of back and forth sectional counterpoint. Trumpet 1 goes to
a written C# (Concert B) above the staff. Piano solo. 5 Trumpets, 5
Trombones, 5 Saxes, Guitar, Piano, Bass, Drums. Med Diff.
DAVID GUIDI
DOUBLE VISION - 54284 - $65. This is an in-your face high energy feature
for ensembles that wish to showcase the skills of the entire band through
varying time signatures and grooves. Alternating between Afro-Cuban and
swing, Double Vision features the rhythm section and provides solos for
Tenor 1 and Trumpet 2. Alto saxophone 1 doubles on soprano. Trumpets
double on flugel horn. Trumpet 1 to high G. 5, 4, 4, P, B, D. Medium difficult.
HANG, THE -54278 - $60. An up-tempo opener or closer that alternates
between swing and latin, The Hang, features a driving post-bop melody for
the saxophone section. The trumpet section also shares the melody and
combined with the trombone section, provides powerful accents and unison
figures that propel the energy forward throughout. Solo sections feature a
soprano solo over the form and an open tenor solo accompanied by an afrocuban
groove in the rhythm section that allows for harmonic and rhythmic
interplay. Doubles: alto 1 - soprano. Difficult.
HIKE!!!! - 54275 - $65. One of the winning compositions from the 2005
ASCAP Foundation Young Jazz Composer Awards competition, Hike!!! was
premiered at the North Seas Jazz Festival in the Hague. Exciting meter
changes and clever harmonic activity make this piece an excellent concert
opener or closer. Based in part on a modified blues structure that traverses
through several distinct interludes and formal settings, Hike!!! is an adventure
for the serious jazz ensemble. Solo space provided for trumpet, alto, and tenor
saxophone. Trumpet section-harmon mutes, alto 1-flute. Difficult.
HOOKED - 54283 - $55. Inspired by the harmonic and rhythmic
components found in the music of Thelonious Monk, Hooked features the
saxophone section while the brass sections prod and propel with straighteighth
passages that make it fun for both performers and audiences alike. Ideal
for beginning/intermediate bands, solo sections are accessible for young
improvisers, written for tenor 1 and trumpet 2 with chord changes included on
all parts and optional repeats for additional soloists. Trumpet 1 to written C
above the staff. 5, 4, 4, P, B, D. Medium.
JAZZ MIND - 54282 - $55. The title, "Jazz Mind," refers to the thought
process of the jazz musician who is intently focused and yet easily distracted
to new ideas. This dichotomy is represented in Jazz Mind by a lighthearted 'A'
section melody accompanied by a Songo groove in the rhythm section. The
melody is later contrasted with a different mood and with an alternate swingsection
melody at the bridge. Solo sections for Alto 1 and Trumpet 2 (optional
open sections.) Notated rhythm section parts and solo sheets provided for
additional soloists. Lead trumpet: Written D. 5, 4, 4, P, B, D. Medium.
L'HOMME ARME, PART I - AWAKENING - 54279 - $55. This is the
first of three compositions that are based on the nearly 550 year old melody
entitled L'homme arme (The Armed Man). This collection incorporates
compositional techniques from renaissance composers with a contemporary
jazz approach. Each part functions as an independent composition and
unfolds in different time feels and styles. Part I begins as a duet for soprano
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saxophone and piano playing the main theme. They are shortly joined by the
drummer using his hands across the drum set in a bolero style. Subsequent
themes follow and traverse through several time feels and signatures. The
main themes for this movement are first heard in the slower bolero time feel
and are recaptured in various rhythmic settings at a quicker tempo. Solo
sections included are for soprano saxophone and trombone. Doubles: alto 1 -
soprano, alto 2 - flute, tenor 1 - clarinet, baritone saxophone - bass clarinet,
trumpets 1-4 - flugel horn. 5,4,4,P,B,D. Difficult.
L'HOMME ARME, PART II - VOYAGE - 54280 - $55. Part II is a
medium-swing composition in 3/4 that features a linear melody across each
section of the ensemble. The trumpet section doubles on flugel horn and
provides subdued orchestrations throughout that strengthen the relaxed feel of
the chart. Piano and trumpet solos are featured over the form. Doubles:
trumpet - 1-4 flugel horn. Medium difficult.
L'HOMME ARME, PART III - RESURGENCE - 54281 - $60. Part III is
a high-impact feature of the L'homme arme melody set in various
orchestrations. An up-tempo closer in 3/4, a drum solo begins this part
accompanied by an ostinato bass line. The energy stays high throughout
while the melody travels across each section of the ensemble. Interspersed
with various interludes and background figures, solos are included for trumpet
and tenor saxophone and are followed by an open drum solo before a climatic
return to the melody and conclusion. Difficult.
UNCH TOOK A LEAP - 54276 - $55. "Punch Took A Leap" brings a
harmonically and rhythmically fresh sound to literature that is specifically
written for a high school level ensemble. Ideal for intermediate ensembles,
this composition is based on a traditional thirty-two measure AABA form that
features the saxophone section. It also includes exciting interludes between
formal sections over pedal points. This composition is a rare find in that it is
both fun and challenging for students to play while still serving as an excellent
teaching vehicle for a multitude of stylistic techniques. Written solo and
chord changes for Alto 1 provided. Medium.
WINDING ROSE - 54277 - $60. Winding Rose is an exhilarating
composition that consists of clever melodies and an imaginative rhythmic
treatment. Comprised of several tempo an meter changes, this piece begins
with a slow introduction in 4/4 before evolving into 11/4. Exciting rhythms
for full band, lyrical melodies for horn trio and two contrasting solo sections
for trumpet (11/4) and tenor saxophone (4/4) make this work a must for any
serious jazz ensemble. Alto 1-alto sax and flute, Alto 2-alto and soprano sax;
trumpet 2-trpt and flugel, trumpet 2-trpt and flugel, trumpet 3-trpt and fulge,
harmon mute, trumpet 4-trpt and fluge, harmon mute. Difficult.
GERHARD GUTER
* * * NEW * * * BOSSA de Barro – 51968 - $55. This is a very
accessible chart, and the perfect introduction to Brazilian music for your band.
The title owes itself to the influence of Brazilian songwriter João de Barro, cocomposer
of "As Pastorinhas," the definitive Carnival marchinha; a genre of
light-hearted songs related rhythmically to the military march. Following an
introductory sequence that recurs later, "Bossa de Barro" alternates between
two Brazilian styles - each of which have distinct and fully notated bass and
rhythmic patterns. The A-section features a melodic statement in the popular
Bossa Nova style, leading to a trombone statement of the Marcha Rancho
rhythm with saxophone melody during the bridge. Harmonies are
idiomatically Brazilian and a driving transitional section hints at the Afoxê
within its bass line. Stronger saxophone sections will appreciate a soli and
improvised solo changes are notated for guitar and/or trombone 1. A pairing
of harmon muted trumpets with saxophones provides a fresh color for solo
background figures. The optional percussion part provides a good opportunity
and the drummer will have work using sticks, brushes, and mallets. The
composer suggests electric bass, but an acoustic bass can be used just as
effectively. The guitar and piano parts are notated so as to keep players from
getting in the way of each other rhythmically. Tpt. range Bb5.5/4/4/G/P/B/D/
optl perc. (shaker, claves, chimes or belltree, triangle). Medium.
NELSON’S TRANE - 51965 - $55. A convergence of swing and bolero
styles, this composition was originally written for a small jazz group and more
recently adapted for the California State University Long Beach Studio Jazz
Band. The harmony and voicings bear some (intentional) harmonic
resemblance to Oliver Nelson’s classic “Stolen Moments” from his landmark

1961 album Blues and the Abstract Truth. The “Train” reference in the title
owes itself to a melodic quotation of the John Coltrane composition “Naima,”
which occurs during the bridge section. A rhythmic “hook” figure plays an
important role in connecting thematic material. Listen for the guitar and
vibraphone pairing during background figures – a device commonly used in a
similar manner by the late Henry Mancini. Soloists: tenor sax 1 and piano.
Trpt. range: D6. 5/5/5/G/P/B/D/ Perc. Medium Difficult.
SAMBA FOR MY FATHER - 51966 - $55. Written by Gerhard Guter half
a year after losing his father, this piece is a celebration of the joy-filled,
mostly care free life of Kurt Guter. While a ballad might seem a more
conventional dedication, there is no question in the composer’s mind that Kurt
would vastly have preferred a samba – particularly one that transitions into
something a little funkier, as happens during the bridge. Kurt’s love of classic
rock led to the choice for an overdrive guitar solo midway through the piece.
The melody is a celebration of the infectious enthusiasm and simplicity Kurt
exuded throughout his life. Soloists trumpet 4 and guitar. Doubles: flugelhorns
for all trumpets. Tpt. range D6. 5/5/5/G/P/B/D/Perc. Medium.
Zapotaxi II: License Revoked - 51967 - $55. In the words of its moniker,
baritone saxophonist David Zapotocky, This piece was penned [as a tribute to
my] creative driving skills…at the Reno Jazz Festival. The following year –
curiously enough – I wasn’t asked for my services. Too bad! I really wanted
to go off-roading! This chart is a fun piece of funk that features a raucous
baritone sax line. The piece was written in 2003 and features a twisted
melody and alternates between common and 6/8 time. The trumpets are
entrusted with quick mute changes and are colored with the soprano
saxophone during melodic statements. The flexatone makes an optional, rare
big band appearance during the introduction. Soloists tenor sax 1. Doubles:
Soprano1 (alto 1). Tpt. range A6. 5/5/5/G/P/B/D/ Perc. Difficult.
TIM HAGANS
BOO - 55392 - $60. Groove.Alto Sax/Flute 1, Bass Clarinet, Tenor Sax 1,
Tenor Sax 2, Flute 2/Baritone Sax 4 Trumpets and a Solo Trumpet 4
Trombones Piano, Guitar, Bass, Drums.A boogaloo written for two scary
trumpet soloists: Randy Brecker and Tim Hagans . Can be played with one
scary trumpet soloist as well. Groove music at its finest with an exhilarating
shout chorus. Recorded on “The Avatar Sessions The Music of Tim Hagans”
by Tim Hagans/Peter Erskine/Norrbotten Big Band (Fuzzy Music 2010).
Trumpet range - written high G. Medium Difficult.
BUCKEYES - 55391 - $60. Medium Swing .Soprano Sax/Flute, Alto
Sax/Bass Clarinet, Tenor Sax 1, Tenor Sax 2/Clarinet, Baritone Sax 4
Trumpets and a Solo Trumpet 4 Trombone Piano, Bass, Drum .A study in
counterpoint and thematic development combined with modal and throughcomposed
harmonic structures for soloing. Interesting and twisted melodic
lines for all players that pose musical questions and demand amswers.
Features piano, trumpet and drums. A true jazz composition orchestrated for
large ensemble. Recorded on “The Avatar Sessions The Music of Tim
Hagans” by Tim Hagans/Peter Erskine/Norrbotten Big Band (Fuzzy Music
2010).Trumpet range - written high Eb. Medium Difficult.
DRUM ROW - 55386 - $55. Arnold Schoenberg meets Neal Hefti in this
drum feature. A 12-tone row, channeled through the Hagans melodic
language, is used and abused as the drummer trades with the band throughout
the entire piece. Hip humor and consonant atonality are combined for a
wonderful contrast to other drum featurees. 2 Altos, 2 Tenors, 1 Bari, Sax
doubles: Alto 1/Clarinet, Alto 2/Soprano, Tenor 1/Flute, Tenor 2/Flute, Bari.
4 Trumpets, 4 Bones, Piano, Bass, Drums. Medium difficult.
FIRST JAZZ - 55387 - $55. Inspired by the emotions of hearing jazz for the
first time, this piece describes the evergrowing intensity of those emotions
after many years of a life in jazz. Wild alto and trumpet solos are called for as
well as the ensemble's technical prowess that conveys the joy of playing jazz
music. Alto 1, Soprano; Alto 2, Bass Clarinet; Tenor 1, Flute; Tenor 2,
Clarinet; Bari, Flute. 4 Trumpets, 4 Bones, Guitar, Piano, Bass, Drums.
Medium difficult.
GARLICKS - 55385 - $55. Medium swing. Written for Mats Garberg, tenor
soloist with the Norrbotten Big Band (hence the name), Garlicks is a joyous,
quirky romp featuring wild tenor the entire way. The soloist plays a cadenza
to start the piece, states the theme and then blows over two different grooves.
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Interesting lines and ensemble parts for the entire band. Tenor feature. 2
sopranos, 2 tenor (one solo), bari, alternate 2nd alto part provided, 4 trumpets,
4 bones, piano, bass, drums. Medium to difficult.
HERE WITH ME - 55394 - $60. Slow Ballad 2 Alto Saxes, 2 Tenor Saxes,
1 Baritone Sax 4 Trumpets and a Solo Trumpet 4 Trombones Piano, Bass,
Drums. A lush and haunting ballad written for Dave Liebman’s beautiful
soprano sax sound. Can be played by a trumpet soloist as well. An exercise
in beauty that requires incredible balance and exact intonation. Goosebumps
from listeners guaranteed! Recorded on “The Avatar Sessions The Music of
Tim Hagans” by Tim Hagans/Peter Erskine/Norrbotten Big Band (Fuzzy
Music 2010). Trumpet range - written A just above the staff. Medium
Difficult.
HOUSEWIFE FROM NEW JERSEY - 55375 - $60. A boogaloo for big
band. A great chart for rhythm section players to learn the
Sidewinder/Watermelon Man groove. Solos for guitar and second trombone.
A screaming shout chorus makes this chart a perfect closer. Medium difficult.
IMMEDIATE LEFT - 55376 - $60. An up tempo tour de force for big
band with occasional slow slinky swing sections. Alto and trumpet soloists
are featured. Angular melodies based on the Hagans' approach to
improvisation abound. As with many Hagans' charts, the development (in the
form of a early shout chorus) takes place before the main theme is stated.
Challenging rhythmically and melodically for all players. Medium difficult.
LETTERS IN A BOX - 55377 - $60. A medium swing but heavily
orchestrated composition. A moving ensemble where every note is a new
chord. Requires rhythmic accuracy and impeccable intonation. Several
beautiful melodies are presented individually and then combined for the final
ensemble. Interesting and challenging chord progression for piano soloist and
a drum and percussion solo section...unusual on a swing chart. Sopranos or
clarinets doubling on flute. Bari doubling on bass clarinet. Medium difficult.
MENTION THE EXTENSION - 55383 - $55. Medium swing 32-bar
song form. The entire melody is comprised of upper extensions of the chords,
hence the title. A challenging chord progression features bass and tenor
soloists but can be opened up for others. The trumpet section is presented in a
chorus-long soli. A great opener and an interesting contrast to more standard
types of harmonic movement. No doubles. Med difficult.
MISSED THE BALLGAME BLUES - 55382 - $55. Medium swing. One
fat chord introduces a bass solo before the actual intro and head are played. A
puckish melody is developed throughout. This chart also features a small band
soli for mixed instruments that leads to tenor and piano solos. A mighty shout
leads back to the intro, head and out. As with all of Hagans' charts, the lead
lines are derived directly from his distinctive improvisatory melodic language,
giving the players and listeners a unique experience. Soprano and flute on
original score but alternate alto and tenor parts included. Medium difficult. 5,
4, 4, P, B, D.
NOOGALOO - 55378 - $60. A boogaloo in the Sidewinder tradition. Solo
for 1st alto. Trombone section featured throughout starting with an
unaccompanied intro and then a voiced soli after the theme is stated. Sure to
have everyone in the band and audience movin' and groovin'. No doubles.
Medium difficult.
ALT SEANUTS - 55393 - $60. Up Tempo .2 Alto Saxes, 2 Tenor Saxes, 1
Baritone Sax 4 Trumpets and a Solo Trumpet 4 Trombones, Piano, Guitar,
Bass, Drums An altered and twisted version of rhythm changes inspired by
Hagans’ improvised melodic language. Features Solo Trumpet which can be
doubled with a Solo Tenor. Open solos and challenging ensembles. A fresh
and welcome take on the familiar. Recorded on “The Avatar Sessions The
Music of Tim Hagans” by Tim Hagans/Peter Erskine/Norrbotten Big Band
(Fuzzy Music 2010).Trumpet range - written high F#. Medium Difficult.
PASSING GIANTS - 55384 - $53. Ballad. Passing Giants was written in
April of 1984. The deaths of Count Basie, Red Garland and Juan Tizol that
month provoked the realization that so many of the innovators and heroes of
jazz were passing. This arrangement, a trumpet feature, was written for Thad
Jones and the Basie band. Thad, himself, sadly passed before the chart could
be performed. Passing Giants is a lament but also a celebration of life and a
thank you to the giants of jazz. Trumpet feature. 2 altos, 2 tenors, bari, 5
trumpets including soloist, 4 bones, piano, bass, drums. Recorded on Future
North Norrbotten Big Band, Double Time Records. Medium to difficult.

REASON TO BELIEVE - 55389 - $60. A burning minor blues original by
Peter Erskine and arranged for the Norrbotten Big Band by Tim Hagans. Solo
spots for trumpet and piano can be opened up for other soloists as well.
Challenging ensemble sections that provide a sense of accomplishment for the
musician at chart's end also leave the audience cheering and gleeful from the
rollercoaster ride. 1st trumpet to written E. Soprano, 2 Tenors, Bass Clarinet,
Baritone, 8 brass, G, P, B, D. Medium Difficult. Reason to Believe and the
entire Erskine/Hagans/NBB collaboration is presented on "Worth The Wait"
CD.
ROLLIN' WITH VON OHLEN - 55381 - $60. An up tempo rhythm
changes chart written for and recorded by John Von Ohlen and the Blue Wisp
Big Band. Features a wild sax soli with soprano lead (alternate alto included.)
Solos for trombone, piano, and trumpet but can be easily opened up for other
soloists. The shout chorus is an exciting exchange between band and
drummer. The chart ends in a half-time romp with humor and joy. Medium
difficult.
SPACE DOZEN - 55379 - $60. This piece asks the following question:
"Can the blues be played without actually playing the blues progression?"
There is an emotional progression that lies beneath the chord progression.
The theoretical chords merely describe the emotional content. For example,
during the solos in Space Dozen, the soloist is asked to play over the emotion
in the fourth bar that leads to the fifth bar rather than thinking V7 of IV to
IV7...the emotion found in the rhythm section must play an abstract emotional
progression. Great for emphasizing that being able to make the changes is
only a start. One must also understand the emotional impact of each note
choice. To avoid tonality, the piece is baed on a 12-tone row. Ensemble
sections are based on the row but are surprisingly consonant. A 12-tone shout
chorus leads the way back to a full ensemble unison statement of the theme.
A concept from Hagans' small group experiments expanded for big band.
Solos for alto and trumpet but can be opened up for any musician. No
doubles. Medium difficult.
TWIST AND OUT - 55380 - $60. Up-tempo swing. Feature for
trumpet/tenor duo in front of band. An examination of the vertical and
horizontal aspects and powers of the three basic blues chords: 17, IV7 and V7.
An open form contrapuntal ensemble section follows the presentation of the
fragmented theme by the duo. Solos are open each of the above mentioned
chords giving the soloist a chance to explore the meaning of the blues. After a
piano solo, the band states the theme (for the first time as a 12-bar blues) in
unison and then in constant structure to bring the blues to a boil. Medium
difficult. 5, 4, 4, P, B, D.
WORTH THE WAIT - 55390 - $60. Penned and punned by Peter Erskine,
based on the standard Just In Time. Worth The Wait reflects arranger Tim
Hagans affection and reverence for the composing and trumpet playing of
Thad Jones. Humor, counterpoint, ear-twisting melodic turns, a tip-toed drum
solo and a rousing, joyous shout chorus make Worth The Wait a smileinducing
8 minute adventure.1st trumpet - one short F and a 2 second Eb.
Soprano, Alto, 2 Tenors, Baritone, 8 Brass, G, P, B, D. Medium Difficult.
Available on "Worth The Wait" CD.
YOU SHOULD SEE MY OFFICE - 55388 - $55. The up tempo opening
statement, featuring 6-part counterpoint, tests the listener's limits of
comprehension. After examination of the individual melodies, thematic
expansion and development, not to mention wild solos, the opening theme is
repeated and becomes surprisingly consonant and logical. An exercise in
uncovering secrets through enhanced melodic enlightenment. The chart also
requires the performers to balance and to be aware of dynamics and of their
sonic surroundings. Tenor soloist, in a slow bluesy section is featured as well
as the drummer. 2 Altos, 2 Tenors, 1 Bari, 4 Trumpets, 4 Bones, Guitar,
Piano, Bass, Drums. Med diff.
RYAN HAINES
AMERICA THE BEAUTIFUL - 56273 - $38. A wonderful big band
approach to this patriotic song. Begins with a fuly voiced chorale with
trumpets in flugels. The remainder of the piece uses a "contemporary" straight
8th note feel, featuring Tenor 1 (or an optional female vocal soloist) as well as
a trombone soli setting of the melody. A big, full enseemble finish makes this
the perfect "closer". 5,4,4,G,P,B,D. Medum difficult.
35
BACK TO THE BLUES - 56250 - $49. Bb blues shuffle. Lots of full
ensemble. Vamp at beginning for guitar or piano solo. Open blues choruses in
the middle, followed by a 12-bar canon for the entire ensemble. Difficult.
BEACH ASSIGNMENT - 56251 - $49. Trombone section feature in a
Caribbean feel. Solos for all 3 tenor bones. Opt'l steel drum patch for piano.
Great, rhythmic unison soli for whole band. 5,4,4,G,P, Opt’l Steel Drum, B,D.
Difficult.
BLAINE STREET - 56252 - $53. 8th note funk ensemble feature, with
solos for lead alto (on soprano sax) and tenor sax2. Challenging unison line
for the piano and electric bass. Very intense piece, with a strong melody.
Difficult. = 104. 5.4.4.P,B,D. Medium difficult.
BOTTOM END SHUFFLE - 56274 - $55 . Very entertaining feature for
Bari Sax and Bass Trombone. Bb blues solo for bari and written out stop
choruses for bass bone. Performed frequently by the USAF Band of the
Rockies Falconairs Jazz Ensemble. 5,4,4,G,P,B,D. Medium.
DUFFEL-BAG BLUES - 56269 - $48. Medium swing ensemble feature
with Eb-blues changes for all. Melody in saxes and bone 1. Lead trumpet to
Ab below high C and lead trombone to Gb below high Bb. Good, hard
swinging band. Written out comping figures for rhythm secion. Easy med.
GOOD-BYE FOR NOW - 56254 - $50. Beautiful, contemporary, 8th note
feel, featuring solo flugel and trombone. Good changes for soloists. Nice,
thick, full ensemble sections. 5,4,4,G,P,B,D. Medium Difficult.
GOODNIGHT STORY - 56275 - $45. Beautiful ballad feature for either
solo trombone (bone 5) or in place of bone 1. Optional solo tenor sax part
included (can be used in place of tenor 1). Solo bone has opt lower division to
avoid playing high 'D', if necessary. Lead trumpet opt lower division to stay
below written high 'C', if necessary. Medium.
LIKE LIGHTNING - 56255 - $50. Fast swing, sax section feature. Begins
with an open drum solo, in tempo. Lots of fast unison and soli lines for the sax
section. Solo changes in both the tenor 1 and bari. 5,4,4,P,B,D. Difficult.
LIKE THUNDER - 56256 - $50. Very developed piece, featuring lead alto
and bone 1. Alternates between a 12/8 feel and fast samba. Lots of full
ensemble writing. Very intense. Difficult.
LOOK FOR THE SILVER LINING - 56283 - $55. Exciting feature for
trombone or tenor sax (as either a guest soloist with the band or as Trombone
1 or Tenor 1). Begins with the soloist playing over a full ensemble rubato
chorale and moves quickly to up-tempo swing. Solo section is followed by a
drum solo with horn kicks and then a sax section soli before the big full
ensemble close. Great opener or closer! Tpt. to written high D.
5,(optl.6),4,4(optl.5),G,P,B,D. Medium.
NEW HORIZONS - 56276 - $57. Light, medium-fast samba feature for
either solo trombone (bone 5) or in place of bone 1. Optional solo tenor sax
part included (can also be used in place of tenor 1). Open solo section for
extra blowing time with the soloist or others. Optional lower division on lead
trumpet to stay below written C#, if necessary. Medium.
NO HARM NO FOUL - 56257 - $40. Fast swing feature for 1st and 2nd
bone. Nice, tight ensemble writing, with a burning sax soli. Open solo
choruses for bone solos. Difficult. 5, 4, 4, P, B, D.
PAN FRIED DOODLES - 56277 - $59. Up-tempo (opt very fast) swing
feature for either solo trombone (bone 5) or in place of bone 1. Optional solo
tenor sax part inlcuded (can also be used in place of tenor 1). Open solo
section for other soloists. Lots of full ensemble playing. 32 bar sax section soli
(opt lead line doubled by bone solo). Trading section between ensemble and
drum solo. Optional lower division on lead trumpet to stay below written C# if
necessary. Medium.
PEOPLE AND PLACES - 56280 - $57. Exciting and impressive full band
feature. Begins as an open drum solo with brass/sax chorale underneath that
builds to a fast swing feel. Extended solo time for lead bone and tenor sax 1
(with stop time for bone solo intro). The solos are followed by challenging
unison lines for the saxophones who are eventually joined by the bones and
trumpets in a build to a spectacular close. Difficult. = 104. Medium difficult.

PROBLEM WITH THE SUN, A - 56279 - $55. Exciting 4-trumpet
section feature using an Afro-Cuban 12/8 feel. Thick ensemble writing with
solo time for both 3rd and 4th trumpet. Some alternate lower division options
for lead trumpet included. 5,4,4,G,P,B,D. Medium-difficult.
REUNION, THE - 56258 - $44. Beautiful, contemporary, 8th note feel.
Flugel solo for trumpet 2 and soaring solo for lead trumpet. Opens with a
piano or guitar solo. Lots of pretty, full ensemble writing. 5,4,4,G,P,B,D, Trpt
1 to High F with Opt'l Dbl High A. Difficult.
RIDING THE BAVARIAN SIDECAR - 56270 - $52. Wonderfully unique
and entertaining piece utilizing a New Orleans street-beat underpinning to
feature the entire ensembe. The introduction features the trombone section in
an acapella version of the melody. Open solos on Bb-blues changes. Optional
section after the solos as well as an optional closing tag feature a humorous,
German waltz feel with the tenors and altos on Bb clarinets and the Bari on
bass clarinet. Medium. 5, 4, 4, P, B, D.
SABRINA'S THEME - 56259 - $48. Beautiful, contemporary 12/8 feel,
featuring solo bone and tenor sax. 4 flugels with saxes on unison flutes at
beginning. Solos begin with a semi-free feel that can be opened up. Unison
trumpet soli over a bass bone and bari vamp figure. Great melody. Solo bone
to high Eb. Medium Difficult.
SLUSHPUMP CENTRAL - 56260 - $40. Up-tempo, swing, Bb-blues
trombone section feature. Commissioned by the Las Vegas High School Jazz
band. Two open solo sections. Lead trumpet to high C. Lead bone to high Bb.
Trombone acapella section. Easy Medium.
STAR SPANGLED BANNER - 56272 - $32. This fresh & exciting setting
of the National Anthem is currently performed by the U.S. Air Force
Falconaires jazz ensemble. Arranged in Bb, an optional vocal solo part is
included as well as written out parts for the entire rhythm section.
5,4,4,G,P,B,D, Opt’l Vocal. Medium.
SWING LOW SWEET CHARIOT - 56284 - $55. Very entertaining
medium-tempo jazz waltz setting which features tenor sax or trombone (as
either a guest soloist with the band or as Tenor 1 or Trombone 1). Soloist
alternates with full ensemble writing and gives each section of the group a
chance to shine. Tpt. To written high D with optional double high G.
5/4/4/G/P/B/D. Medium Difficult.
SWING OPEN - 56261 - $48. Up-tempo Db Blues. Open solo choruses.
Lots of full ensemble writing. Drum solo trading 4's with entire ens.
5,4,4,G,P,B,D. Diff.
THERE'S A LETTER FROM HOME - 56262 - $35. Very pretty, and
unique piece for big band. Brass and saxes acapella throughout, with drums on
sus cymbal. A 4-minute jazz chorale, conductor not a necessity. 5,4,4,D.
Medium Difficult.
THICKER THAN WATER - 56281 - $70. High-energy composition
written for 2 big bands, minus percussion. (Each big band consists of 4 trpts, 4
bones, and 5 saxes. Piano and bass can be doubled if desired.) This unique and
exciting piece is orchestrated in an up-tempo accapella chorale setting over a
piano/bass ostenato, with back and forth trading between the various sections
and spectacular 8-trumpet cascdes as it builds constantly towards a dramatic
close. Medium.
TIERRASANTA - 56263 - $53. Fast, phrygian samba feature for 2nd
bone, lead alto and trumpet 3. Intro has the brass and saxes acapella. Lots of
ensemble playing in this piece. Lines for bass bone, bari sax and bass.
5,4,4,P,B,D. Difficult.
TO THE SKY - 56264 - $50. Fast swing, opener-styled piece, featuring
multiple soloists and lots of full ensemble sections. Fast, unison sax lines and
sax soli's. Drum solo, interspersed with horn kicks. Diff. 5, 4, 4, G, P, B, D.
UNDERGROUND - 56265 - $55. Funk shuffle, based on sharp 9's and
diminished harmony. Thick ensemble writing and a challenging bass bone
part. Open solo section, with changes for tenor sax, trumpet and bone.
Challenging bone soli, utilizing stacked perfect 4th interval harmonization.
5,4,4,P,B,D. Difficult.
36
WALTZ OF THE FLOWERS - 56282 - $55. Composer - Pytor Iilych
Tchaikovsky. Unique and creative approach to this classic piece using an uptempo
jazz waltz with solo changes included for trumpet, tenor sax and
trombone). Introduction is a brief acapella horn section chorale. Thick, full
ensemble writing throughout and a big finish. Very entertaining.
5,4,4,G,P,B,D. Trpt. 1 to high F. Medium.
WEDNESDAY'S FRIEND - 56266 - $53. Beautiful jazz waltz feature for
lead bone. Lots of blowing time for the soloist, interspersed with both
contrapuntal horn writing and full ensemble settings. Solo bone to high C.
5,4,4,G,P,B,D. Medium Difficult.
WILDCAT SHUFFLE - 56267 - $44. Medium shuffle, ensemble piece.
Melody in bones 1-2 and tenors 1-2. Figures for bass bone and bari sax. Open
choruses for all on 16-bar, easy, blues-styled changes. Lead trumpet to A
below high C. Easy Medium level.
WITHOUT YOU - 56278 - $57. Beautiful and haunting feature for either
solo trombone (bone 5) or in place of bone 1. Optional solo tenor sax part (can
be used in place of tenor 1) and solo flugel part (can be used in place of
trumpet 3) included. Medium tempo, can be played either with a straight 8th
"commercial" feel or as a simple bossa. Open solo section for extra blowing
time with the soloist or others. Optional lower division on lead trumpet to stay
below written C# and lead trombone to stay below A, if necessary. Medium.
YVONNE - 56268 - $38. Beautiful ballad feature for either flugel or lead
bone. No improv necessary. First section is just the soloist over piano
(rubato). The middle of the piece utilizes some acapella moments and very
pretty ensemble writing. Trumpets on flugels. 5,4,4,P,B,D. Medium Difficult.
MATT HARRIS
CHOP SUEY - 51250 - $51. Great funk chart. Features Tenor and Drum
solos. Medium difficult. One flute double.
ROMPE CABEZA’S - 51252 - $55. - The literal translation of the Spanish
phrase is “twisted head.” This Latin songo original by Matt features very
rhythmic salsa figures with an original displaced montuna for the piano. Solos
for Trpt 3 and Tenor 1. 5/4/4/G/P/B/D. Difficult.
SPRING SEASON - 51251 - $51. This chart is dedicated to Ray Wright.
Loose samba with straight 16th feel. Piano and Tenor solos. Doubles: One
flute, one clarinet, and one bass clarinet. Medium difficult.
STEVE HAWK
GROUND ZERO - 51850 - $55. Composed by Steve Reyes. This is a
concert jazz piece that features a dramatic opening, leading to the main theme,
which is in 5/4. The middle section of the tune, which features alto sax, offers
solo space for alto, trumpet, and piano, and is in a 4/4 medium swing feel.
Optional french horn parts add to the dramatic effect. 5/5/4/G/P/B/D/Perc.
Medium difficult.
LES HOOPER
LONG INTERMISSION - 53000 - $55. An exciting piece with driving
rhythms on a meter layout of 4, 4, 4, and 3 giving the effect of a missing beat
every 4 measures. Handclapping on 2 and 4 for the 4/4 measures and 2 & 3
for the 3/4 measure will give this piece an infectious quality. Solos will be
played over a singular basic mode, thereby freeing him up to concentrate on
the odd meter. No doubles. 5/4/4/G/P/B/D, Medium difficult.
NOT SO FAST - 53001 - $55. A tenacious jazz peice with an infectious 4
bar ostinoto bass line that glues everything together leaving freedom for the
horn lines that hover overhead. Not too rangy although there are 1 or 2 high
Ds written for 1st trumpet and there are no doubles. The title indicates that
there is a “perfect” tempo for this=195. Medium difficult.

TONY HYDE
LEAP OF FAITH - 56650 - $55. Style: Straight 8th 5/4 Meter / Tempo:
quarter= 132 / /Scored for: 4 trumpets, 4 trombones, 5 saxes (doubling flutes
and clarinets), alternate parts provided with no doublings, guitar, piano, bass,
drums.This piece features a 5/4 meter in two differing tempos with a recurring
melody. It is rhythmically and harmonically adventurous with solo space for
drums, guitar, bari sax, alto sax and tenor sax. Reasonable brass ranges. Lead
trumpet to written B above the staff. Medium Difficult.
SOUTH BEACH SAMBA - 56651 - $55. Style: Latin samba / Tempo: half
note = 120/ Scored for 4 trumpets, 4 trombones, 5 saxes (no doubling),guitar,
bass, drums, piano.An exciting and very playable up tempo samba with a nice
melody and rhythmic hits sure to please audiences and players. Reasonable
brass ranges (lead trumpet to high E) and accessible rhythms. No doubling
necessary. Solos for tenor sax and guitar.Medium.
STORM WARNING - 56652 - $50. Style: straight 8th fusion and bossa
ballad./ Tempo: quarter= 1/ Scored for: 4 trumpets, 4 trombones, 5 saxes (with
flute, clarinet doubling), alternates parts provided with no doubling, guitar,
bass, piano, drums.Here’s the “perfect storm” tone poem for your ensemble.
Tells the story through music. Many interesting effects used to achieve the
drama, tension and then release to the calm of a melodically rich bossa
ending. Solos for two trumpets, alto sax and drums. Lead trumpet to written D
above the staff.Medium Difficult.
* * * AYN INSERTO * * *
* * * NEW * * * EARLY SUNDAY MORNING - 52301 - $55. Early
Sunday Morning is a ballad commissioned by the Commission Project for
Foxboro High School. It is an even 8th-note, gentle ballad with a flugelhorn
solo as well as an open piano solo. It opens with a lush chorale followed by
the flugel melody. Lead trumpet goes up to a high Db just above the staff.
Flugelhorn and Piano Solos 3 trumpets with flugels, 1 flugel, 4 trombones
Soprano Sax, Alto Sax, Clarinet, Tenor Sax, Bari Sax. Soprano Sax with Flute
double Tenor Sax with Clarinet double Alternate parts that have no doubles
for Soprano Sax, Tenor Sax 1 (alternate to Clarinet) and Tenor Sax 2
(alternate to Tenor Sax with Clarinet). 5//4/4/g/p/b/d. Medium Difficult.
* * * NEW * * * VINIFERA – 52300 - $55. Vinifera a 2008
IAJE/ASCAP commission honoring legendary saxophonist and former leader
of the Count Basie Band, Frank Foster. It is an even 8th-note, medium-up tune
that has a modern jazz feel. Lead trumpet goes up to a high C just above the
staff. Trumpets 2 and 3 go up to a high Bb above the staff. Tenor Sax Solo.
5/4/4/p/b/d/g. Alto Sax with Clarinet double. Tenor Sax 1 with Clarinet
double. Alternate parts that have no doubles for Alto Sax and Tenor Sax 1.
There is no alternate part for the Soprano Sax. Difficult.
DAVID JONES
CALLE CALIENTE - 56501 - $55. This was originally planned as a jazz
fingering etude for solo alto sax. It just grew and grew... Sounding a bit like a
minor-key "Donna Lee", this chart takes structural inspiration from a favorite
version of "Green Dolphin". The difference in this chart is that the swing &
Latin grooves do not alternate in a predictable pattern. The first 8 is delivered
by acapella lead alto (accompanied only by stop-time drum accents) and the
groove stays in samba time throughout 3 1/2 choruses before breaking into
swing time. From that point on, the swing gradually gains preeminence over
the Latin feel before winning out completely. The first melody chorus builds
in complexity to launch the lead alto into a solo (accompanied only by the
rhythm section for the first chorus.) The alto gets another solo chorus with
samba-type backgrounds building up throughout. The beginning of the fourth
chorus sounds like a tutti-unison recap of the melody but it is really a halfchorus
of traded fours between the band and the drummer. On the bridge of
this chorus, the sax section rips into a swing soli, initiating the alternation of
swing/samba that continues to the end. After solos from piano (or vibes) and
fluegel, the chart closes in a reversal of the opening chorus. As the title
implies, this is a hot one. It is not long but will require some shedding. Ranges
are very resonable. Lead trumpet D optional vibes and guitar. Difficult.
37
DI-LITHIUM BUES - 56507 - $58. This chart is a fierce, mid-tempo, funk
steamroller. It never varies from the basic groove or from the 12-bar blues
structure. However, a simple harmonic device (sliding up and down a
semitone on each chord) imparts a slightly Middle Eastern flavor. Only "sus4"
chords are used which enhances the modal quality. The drummer sets the
groove for the opening chorus chords only. Next, the quirky 16th-note melody
is stated by tenor and trombone. This melody is then restated a couple octaves
higher by saxes, trumpet and vibes. After this, there is an open solo section
which is provided with three different backgrounds that can be played in any
order. One of these backgrounds introduces a snaky countermelody which
echoes the semitone motion in the chords and becomes more important later.
The tenor solo follows the open section. Accompanied at first by only rhythm,
the soloist is joined by trills from low saxes and bones and then by some
funky brass backgrounds interspersed with the countermelody mentioned
earlier. The guitar solo is next with the backgrounds eventually becoming
wilder and more abandoned. The drum solo caps this progression
accompanied by simple, accented punches from the whole band. The closing
choruses reverse the motion of the opening music (high melody, low melody,
chords alone) with the last chord being the unresolved "b2" (or supertonic). A
highly individual tratment of the blues that will show off your soloists and
ensemble in good measure. Trumpet to high C. Alto/Sop, A, T, T, B, 4, 4,
Vibes, G, P, B, D. Medium difficult.
GUAJIRAKERE - 56508 - $53. This simple guajira stays largely withing
the traditional I-IV-V harmonic framework associated with this Cuban dance
form. The unique character of this chart is created by attractive melodies,
subtle orchestrational shadings and ever-changing interludes. Two cup-muted
trombones introduce an arpeggiated figure accompanied only by a guiro.
Then, along with the drumset, the real bass line begins (played on tuba or
bass). Over this gentle-but-steady motor, a cup-muted trumpet sings a simple
tune. Eight bars later, flutes and saxes join forces for a short bridge. The
melody of the second chorus is stated by flute and muted trumpet in octaves
with a fuller underpinning. This builds to another bridge which leads into the
flugelhorn solo. The soloist plays 8 bars with the rhythm section before saxes
and brass are layered into the mix. This time, the bridge is slightly extended
(by way of a brief chorale for saxes and low brass) and modulates one wholestep
down to set up a full-throated melody chorus, the only real tutti in the
piece. Another extended bridge, more mysterious than the previous one,
modulates back up to the original key for a flute solo. This solo section can be
played more aggressively by the rhythm section (conjunto-style) and there are
lots of cheeky, interlocking background figures for the band. One final
variation of the bridge leads into a brief recap of the opening which fragments
and fades to a quiet close. Trumpet high C. Flute, Alto/Fl, T, T, B, 4, 4, Optl
Tuba, Vibes, G, P, B, D. Medium difficult.
#358 BUS - 56500 - $55. This is a light-hearted, hard-swinging tribute to a
couple of my favorite tunes. The A section fits a new, original, chromatic
melody on to "A Train" changes. The bridge introduces a contrasting riffbased
motive over the first five chords of "Giant Steps" (only one chord per
bar, though .. don't wanna get too nuts.) It flies! (It is not beyond a good high
school band, however.) After one melody chorus, there is open space for solos
(changes are in all parts.) The final solo (trumpet) comes with 2 choruses of
backgrounds. Lots of inventive and fun quoting here is meant to suggest a
great head arrangement. The trumpet solo leads into 4-bar trades with the
drums. After an organic shout chorus it heads home. This tune is not that hard,
uses NO doublings, and has reasonable brass ranges (lead trpt. has a couple of
brief "D's", well prepared.) It would be a great festival chart (every section
gets a workout and flexible solos) or concert closer. Medium difficult.
PIKE STREET SHUFFLE - 56503 - $55. This Bb shuffle/swing/blues is a
tribute to the late, great Ernie Wilkins. It makes a nice opener and you can add
some rhythm choruses up front if desired. Saxes jump right out of the starting
gate with a basic blues riff over a medium-fast shuffle groove. Brasses first
comment on the sax idea before they take over the lead. The second chorus is
a slightly fuller orchestration of the first which leads into a tenor solo. The
solo section can be opened up as needed: it is 12-bar blues (with a couple of
ear-catching substitutions) but the rhythm section switches from shuffle to a
straight-ahead swing feel. There are two more solo choruses with back
grounds that fragment and pass around the opening riff building to another
restatement of the theme. This time the entire brass secion shouts the melody
while the saxes take a supporting role. At the end of this melody chorus there
is a half-step modulation (Bb-B) leading into a phat, boppish, 2-chorus sax
soli. The modulation is only a teaser, though as the first chorus winds its way
back to Bb over the first 4 bars using an old Fats Navarro rhythm-changes
substitution. The second chorus actually does stay in the key of B throughout

(the saxes will need to shed a bit here but the tempo is not that fast... a good
high-school band should be able to cut it.) At the end of the sax soli another
modulation gets us back to Bb for the trombone solo (again, this section can
be opened up.) A chorus of backgrounds builds to the shout chorus: octave
brass riffs are echoed by the saxes in 5-part harmony this is followed by a
slightly altered version of the opening chorus which is capped by a "surprise"
ending (apologies to Diz!) Lead trpt. C (D opt). Optional vibes, guitar.
5,4,4,G,P,B,D. Medium difficult.
GUS KAMBEITZ
CASA LOZANO - 56354 - $55. This is a fun Latin chart for all ages.
Although it is written as a rhumba, it works as a bossa or as a mambo. The
solo section is easy to blow over or you can turn it into a percussion feature.
This chart has many doublings and is great for younger bands, or groups
without full big band instrumentation. Medium.
EXOTIC LANDSCAPE - 56359 - $55. This is a 'blowing' tune, with
minimal tutti sections. Features for bone 1, tpt 5, ten 1. A great modern Blue
note feel makes this easy to program for any concert. Medium-difficult.
KATIE - 56351 - $45. A slow bossa with a featured soloist that can be Flute,
Alto Flute, Or Alto Sax. The changes are complex and challenging to solo
over. The tutti sections and backgrounds should be soft, lush and at times
delicate. It will be a challenge getting the soloist over the band, especially the
flutes, but the sound quality is worth it. This piece comes with an extra set of
woodwind parts that calls for woodwind doubling. (altos-flute/clarinet, tenor
2-clarinet, Bari-Bass clarinet). Med.
NARROWS, THE - 56368 - $50. The narrows is a tune written to depict an
11 mile hike up a river in Zion zzzpark. The hike is strenuous ans “slippery”
and so is the melody. The A sections are 11 bars long, but the solos are typical
12-bar blues. The tutti sections are difficult - but playable. tune has blowing
space for many different players. The tune should be played as fast as
comfortable.5,5,5,G,P,B,D. Trpt. 1 to high D. Medium Difficult.
ON THE DL - 56360 - $55. Commissioned by the West Valley Jazz
Orchestra for their performance with Dave Liebman, this piece is a jazz waltz
in the style of "Alice in Wonderland", but with a more modal feel. Solo space
(changes) for ALL woodwind. Sop, Flute, Cl, Alto, Bass Cl, 4, 4, G, P, B, D.
This piece is a nice change up for concerts since it is meant to be mainly soft.
Lead trumpet to high E.
PARTY HARDY - 56352 - $55. This mambo features an extended solo for
soprano sax and drum solo as well. The drum solo could easily be opened up
for a percussion break down. The tutti sections are exciting and easily played,
as is the sax soli. This piece also features your Bass Trombone, Bari Sax, and
Bass player on a unison line that builds into a short shout chorus. This piece is
an excellent closer with as loud unison ending. Grade: 3. 5,5,4,G,P,B,D.
SA FA - 56367 - $50. Commissioned by the San Jose Jazz Society, is a
feature for Baritone Saxophone and Flugel horn. This tune swings with a 50’s
vibe, and should not be too fast. Interesting modal sections break up the
formal structure giving soloists a chance to play off of each other. Alto 1
doubles on Flute. Changes are challenging. Trumpet 1 to High A, but can be
played down, making E the highest note. 5,5,5,G,P,B,D. Medium Difficult.
SUMPTHIN TO PLAY ON - 56369 - $55. Is a longer form tunes that
alternates between Swing and Latin, with solo space for Guitar, Trumpet,
Flute and Tenor sax. Changes can be a bit tricky, but for better soloists, this is
a tune to really stretch out on. Sax soli is not too difficult - Trumpet 1 to high
e - flat - Medium Difficult.
THURSDAY NIGHTS AT THE SMOKEHOUSE - 56355 - $55. This
chart is a medium swing that works well with high school ensembles. While
the changes may look difficult, soloing will be surprisingly easy. The chart
begins with open solos, and has an open blues in the middle for even more
blowing. There are short features for saxes, bones and trumpets. Medium.
38
PHIL KELLY
BABY DAHL - 53053 - $60. Easy ensemble piece featuring flügels
(optional) over saxes in a cluster voicing rminiscent of Al Belleto’s
“Relaxin’”. Easy mid register shout chorus - open solo backgrounds.
5,4,4,P,B,D. Med.
B D BUNZ - 56400 - $60. An easy walking sassy Quincy Jones type theme
featuring flugelhorns and altos in a two part exposition accompanied later by
trombone punches. Solo spaces with backgrounds for tpt/ten. Easy ensemble
builds to a screaming shout chorus, finally leading into a piano solo and recap
of the theme. Tpt 1 to D. All tpts double flugels. 5,4,4,P,B,D. Medium.
BALLET OF THE BOUNCING BEAGLES - 56412 - $60. A cheerful
loping big 2 shuffle featuring fluegels/ altos lead. Melody is based on an
extended length chorus form in sixteen bar AABA. Solo for ten/tpt and piano.
Ensemble chorus does have a few high Fs for tpt 1, but basically lays a bit
lower. 5,4,4,G,P,B,D. Medium-difficult.
BELLA LUCE (for Conte) - 53059 - $60. A haunting ballad written by
drummer Joe LaBarbera as a tribute to the late Conte Candoli/ Trumpet
feature (with optional space for piano) plus three flugels/three bones/ and tuba
opt. Bass Bone. Not difficult technically, but careful attention to intonation is
critical. Woodwind doubles: clar 1/clar3-flt 2/clar 2/clar 4-flt 1/Bass clar.
Features optional string parts. Medium difficult.
BLEULONIUS - 56401 - $60. An original slow blues with a 12/8 feel based
on a theme composed of "monkish" sixth leaps that ascend and descend in a
somewhat acerbic manner. After developing into an entwined twisting
contrapuntal second chorus, there is solo space with backgrounds for tpt and
tenor leading to an exsemble chous. Tpt 1 has several Ebs. 5,4,4,P,B,D.
Medium-difficult.
CAMELTOE WALTZ - 56402 - $60. An offbeat funk oriented piece in 3/4
time alternating with a 4/4 B section featuring a snaky chromatic funky blues
line introduced by a group of 4 horns and then developed by the entire band.
May require work reading the 16th note funk based notation and some
superimposed 3/16 crossrhythms in the cadences. Ensemble based on a stoptime
statement/response in the brass with snaky overlaying sax lines. A
challenging offbeat chart! Tpt to D. Electric keys/bs/gtr recommended.
Difficult.
CONVERGENCE ZONE - 56403 - $60. A challenging original that will
really give your band something to shoot for. A semi "out" tpt/ten neo bop
line based on the G diminished scaled and ascending half diminished changes
proceeds into a contrapuntal treatment of the main theme. Open solos with
big bands for tpt/tenor lead to a challenging sax soli and piano solo, leading
into some fairly dissonant ensemble work culminating in a big ensemble with
drum fills finale. A really big show piece for the entire ensemble. Tpt 1 has a
couple Ebs and many Ds. Soprano sax doubles on alto 1. Difficult.
CORNISH CHORD, THE - 56413 - $60. This is probably the most
"outside" chart I've ever written. This is designed for bands that like to deal
with very experimental material and would require some work. An angular
melody by unison brass morphs into a repeating b interlude followed by some
atonal contrapuntal work by the ensemble - sans rhythm section! The
ensemble choruses are voiced with bitonal triads. Very difficult but
challenging if your band likes Brookmeyer / McNeely type stuff!
COUSIN BUBBA LUVS EWE - 53056 - $60. Medium cut time funk / hip -
hop feel with different 20 bar chorus structure. (chart is written in "big two"
cut time to avoid problems with reading sixteenth note funk rhythms).
Trumpets / Altos have melody with Tenors / Bone counter lines. Easy solo
backgrounds to be cued as desired. Two shout choruses..the 1st emphasizing
two part & octave structures, the 2nd ensemble style. 5,4,4,G,P,B,D. Med.
DAMP BROWN PLACES- 53058 - $65. An energetic tip of the hat to one
of my all-time favorite arranges, Bill Holman. A sort of Roman a Clef of
"Camptown Races" with lots of linear interest as well as a screaming shout
chorus that recurs with variations several times. The intro features some "out"
voicings accompanied by some New Orleans "second line" drumming, lots of
solo space and a great showcase for the drummer at the finish. Lead tpt to high
F. 5,4,4,P,B,D. Medium difficult.

ESTOS FRIJOLES CAUSA ME FALTA PASAR A LOS VIENTOS -
56414 - $60. An exciting 12/8 afro cuban nanigo reminiscent of Kentons
"Cuban Fire." Again, the piece is based on a series of sequential nonfunctional
harmonies with a semi "outside" melodic line presented by the trumpets and
saxes ((later in counterpoint) this offers a real showcase for any band with a
great brass section and access to extra latin percussion. Lead tpt goes to high
G sharp. 5,4,4,G,P,B,D,Perc. Difficult.
EWE DOO ON BUBBAS SHOUX - 56417 - $60. The "Bubba" saga
continues with a happy med. tempo "N ' Awlins Second Line" feel from the
drums and a bo-diddley type rhythm feel. Happy funky melody stated by the
tpts and saxes. Ensemble stop time break sets up the solo sections ( Tenor 1,
Bone 1, and Tpt 4 ) in straight swing followed by an ensemble chorus before
returning to the "second line" feel. Lead tpt to F#. 5,4,4,G,P,B,D. Med Diff.
GREAT AMERICAN SHUFFLE - 53054 - $60. An easy paced loping
shuffle featuring contrapuntal trombones and saxes. Solo spaces for tenor and
trumpet. Mid register shout chorus uses restrainted dynamics for the most
part. Fun to play. 5, 4, 4, G, P, B, D. Med diff.
I 8 DA WHOLE / HALF THING - 56409 - $60. Funky hip-hop style
Brecker Bros. type line reminiscent of Freedom Jazz Dance with a strut feel B
section. Solo sections feature more dimished scale vamps followed by a cal
and response section over a drum/percussion breakdown. Requires ensemble
able to deal with Tower of Power type 8/16 notation. Diff.
JEANNINE - 56404 - $65. A swinging uptempo version of the old Duke
Pearson jazz standard that features the trombone section on the theme...solo
background for tenor, tpt, (possibly trombone) leading to an exciting ensemble
shout chorus. Tpt 1 has a couple Ebs, generally lays around C. 5,4,4,P,B,D.
Medium-difficult.
JUST JUAN BEATOV STOMP - 56407 - $60. A tongue in cheek
funk/latin excercise written in 7/8 (to keep everyone's toes tapping a bit
spasmodically) based upon extended and slightly altered blues type changes.
Features a fairly challenging ensemble shout chorus (lead tpt has a couple
high Gs) but since the song is largely two line counterpoint, a lot of cuing is
included to afford some brass rests to save chops. Requires ensemble able to
deal with Tower of Power type 8/16 notation. A fun but Challenging chart!
(Tower of Power meets Don Ellis.. and wins two out of three falls... :0)
Difficult.
LIMEHOUSE BLUES - 56415 - $60. A new twist on the old standard -
normally played as an uptempo number, this is a slowed down basie style
walking tempo (ala shiny stockings) chart featuring plunger muted brass.
Careful attention to the dynamics by the ensemble are the key to the success
of this chart. Solo and a quiet to loud shout chorus. First tpt up to D.
5,4,4,G,P,B,D. Medium difficult.
MERCY, MERCY, MERCY - 56405 - $65. A new treatment of the old Joe
Zawinul favorite that features various two part tpt/sax voicings that build to an
exciting shout chorus featuring some 16th based funk rhythms that might
require some rehearsal. Open solos with backgrounds. Tpt 1 has several high
Ebs. Electric keyboard suggested. 5,4,4,P,B,D. Med-diff.
NOTE - O - RIOTY - 56418 - $60. Opens with a med. up piano / bass /
drums expostion of the harmonic framework based upon a series of non
functional first inversion chords, followed by an exposition of the main theme
(first by the altos and tpt - later split into two parts echoing each other) and
accompanied by a gradually building brass ensemble. Solos ( ten 1 and tpt 4 )
begin with a semi "free" section that gradually gains momentum into an
intense jazz feel. Exciting ensemble follows with recap of the main theme and
a coda with ensemble shots and drum breaks. Lead tpt extends to high F.
5,4,4,G,P,B,D. Difficult.
O.T.B.S. - 53050 - $37. Unison sax melody accented by tight brass punches.
12 bar blues. 5,4,4,G,P,B,D. Med level.
PLAY TONIC, BUDZ! - 56416 - $60. Obviously a contrfact based on "just
friends" - fairly up tempo happy feeling straight ahead chart featuring linear
counterpoint between tens/bones and tpts/altos. Solo for ten, tpt, bone
followed by a challenging sax soli and an exciting shout chorus. Lead tpt to
F#. 5,4,4,P,B,D. Medium difficult.
39
PLEADING DIM CAP - 56408 - $60. Medium up tempo jazz feel with
contrapuntal Holmani-esque lines further exploring the possibilities of the
diminished scale both for the ensemble and soloists. Ensemble shout chorus
with lots of space for the drummer to shine as well. Challenging straight
ahead type chart. 5, 4, 4, P, B, D. Medium difficult.
RAINSHADOW - 56406 - $60. A haunting slow bossa nova featuring soft
flugelhorns and woodwind colors with a Gil Evansish brass chorale type
bridge. Solos on flute (and guitar or piano). Requires 2 c flutes, 2 Bb
clarinets, and bass clarinet along with 4 flugels, 4 bones in buckets and 3
rhythm. Medium.
REFRIGERATOR, THE - 53055 - $60. Up tempo Gospel inflected Funk
featuring basically unison and two part horn lines ala Tower of Power.
Rhythm feel may take some work (especially the Richard Tee type piano
feel). Good chart for developing idiomatic funk based horn phrasing. Medium
difficult. 5, 4, 4, G, P, B, D.
SUBZTATOOT SHUFFLE - 53042 - $60. Medium tempo modal shuffle
featuring a snaky blues sax line over plunger trombone figures which develop
in a contrapuntal fashion when the trumpets enter. Fairly dissonant shout
chorus utilizing Gerald Wilson type eight part harmony. Solo spaces for bari
sax and trumpet (brass background uses plungers). A good concert opener.
Lead trumpet to high e. 5,4,4,P,B,D. Medium difficult.
SWEET GEORGIA UPSIDE DOWN - 53051 - $60. An exciting medium
swing chart written for the NBC Orchestra. No Dbls,5,4,4,G,P,B,D,Trpt 1 -
Dbl High G. Med-diff.
TOP FUEL PETE VS THE TRAV - SKI - 56419 - $60. Fairly up tempo
ensemble double blues featuring an old fashioned sax duel between the first
tenor and second alto. Stop time ensemble follows the solos leading to a
screaming shout chorus. Great concert closer. Tpt to high Gb. 5,4,4,G,P,B,D.
Difficult.
WALTZ FOR THOSE WHO'VE PASSED - 56411 - $60. Dedicated to the
passing of Bob Florence, Bill Finnegan, and Frank Mantooth. A moderate jazz
waltz based on some more "outside" non functional harmonies. Melody is
introduced by harmon tpt and flute (double on tenor 2 part) based by a fully
harmonized version with flugel lead. Solo space for tpt and flute. Very
restrained ensemble chorus (flugels and bucket mute bones) still using outside
non functional harmony. The challenge here is to play with good intonation
and solo over offbeat changes. Medium difficult.
YADA YADA - 53057 - $60. Easy going Basie-esque take on "Jada"
changes...featuring both concerted ensemble and some contrapuntal sections
as well as solo backgrounds for trumpet, tenor and anyone else who wants to
play. Lead trumpet to high E. 5,4,4,G,P,B,D. Medium.
ZIP CODE 2005 - 56410 - $60. An updated re-write of "Zip City" with
some new added materials including an extended ending. A real barn burner
double blues of a closer for a concert. (Lead tpt ends on band tune.) Trpt
range: High A. 5, 4, 4, P, B, D. Medium.
STEVE KESSLER
BLUES FOR BARNEY - 52001 - $55. Here's a swing chart that features
every section in your band. It has great rhythmic energy, is fun to play and
showcases your choice of soloists. The rousing Basie-like finish guarantees an
enthusiastic response from the audience. Medium.
BOSSA EN CASA - 52005 - $55. Here's a happy bossa for your band to
work on. Your lead trombone gets the opportunity to play a sweet melody and
later take a solo over some fun chord changes. This tune has a relaxed, Latin
feel! This bossa nova has an infectious melody and gives all players exposure
within the safety of their sections. It's also the perfect vehicle to showcase
your budding trombone and piano soloist in a style that is accessible and
provides a great change of pace for any performance. It includes an open solo
section with scales provided and is playable with reduced instrumentation.
This great feature will add spice to your performances. Whether teaching or
performing, this chart has a lot to offer young jazz groups! Trumpet to
optional High D and trombone to high A. 5, 4, 4, G, P, B, D. Medium.

ESTEBAN - 52008 - $55. Here's a SWING/LATIN original chart for players
that is sure to delight audiences and players alike. This arrangement has a
great solo section and plenty of full ensemble and sectional solis that give it
great variety. It has great rhythmic energy and is very playable. There's an
undeniably energetic undercurrent in this work that will solidify the
ensemble's concept of syncopation, an all important characteristic of this style
of music. There is a nice sax soli which leads to an all out shout chorus.
Trumpet to high D. Trombone to high A. This one will be an outstanding
learning and performance experience for your jazz ensemble. Medium.
GOOD EXPOSURE - 52006 - $55. Here's a fiery Latin original for younger
players that will be fun to play and teach. This chart has a great solo section
and plenty of full ensemble and sectional solis that give it great variety. It has
great rhythmic energy and is very playable. There's an undeniably energetic
undercurrent in this fine work that will solidify the ensemble's concept of
syncopation, an all important characterisitic of Latin music. There is a nice
sax soli which leads to an all out shout chorus. Trumpet to optional high C.
Trombone to high G. This one will be an outstanding learning and
performance experience! 5, 4, 4, G, P, B, D. Medium.
JUST PLAIN SAMBA - 52004 - $55. Looking to introduce the samba feel
to your jazz band? This chart features a fun duo between the trombone and
trumpet. The eighth note syncopation in the samba reinforces important
rhythmic concepts making this an excellent tune from which to teach. It's a
powerful chart that let's your band cut loose! Trumpet to high A and trombone
to high G. Medium.
MAXIMUM FLAVOR POTENTIAL - 52009 - $55. This light, fun, happy
original bossa will make a great addition to your library. The tune has plenty
unison, ensemble and some nice counterpoint to make it interesting. It
includes an open solo section over pretty chord changes for the soloists of
your choice. Rhythm section parts are clearly and fully notated to give young
players a clear vision of what they should be playing. A very appealing choice
for any young jazz band performance. Trumpet to High A. Trombone to High
G.5/4/4/G/P/B/D. Medium.
WOULD YA! WOULD YA! - 52000 - $55. This Latin tune is fun to play
and works well as an opener or closer. This tune highlights the interplay
between the first trombone and first tenor saxophone. Though the piece
generates a lot of excitement, it won't overtax your brass section. It has great
rhythmic energy and is very playable. There is a nice sax soli which leads to
an all out shout chorus. Trumpet to optional high C. Trombone to high G.
Medium.
YAHAFTA - 52010. - $55. Looking for a fun, up-tempo tune for yourjazz
band? Well, Yahafta get this chart. This impressive barnburner for medium
bands is chock full of energy that really shouts. Trumpet to High C. Trombone
to High Gb. 5/4/4/G/P/B/D. Medium.
MICHAEL KOCOUR
DONNIE'S TEMPO - 52040 - $55. Medium swinger with obvious
references to the work of Thad Jones. While written solos for piano and
flugelhorn are included with the chord changes, the solo section may be
opened up for other instrumentalists in the band. This chart was written for the
Texas All-State Jazz Band. 5, 4, 4, G, P, B, D. Medium difficult.
UN CALOR SECO (A DRY HEAT) - 52041 - $60. Written for the
Missouri All-State Jazz Band, this high-energy mambo chart features soloists
from the saxophone and trumpet sections. Careful research went into the
creation of the rhythm section parts to insure an authentic Afro-Cuban groove.
Lead trumpet goes up to high D with optional high E at the end.
5,4,4,P,B,D,Timbales, Optional Parts: Vibes, Guitar, Auxiliary Percussion.
Medium Difficult.
TOM KUBIS
AFTER THE BALL WAS OVER - 55581 - $55. Jazz waltz featuring the
trumpet from The American Classic Songbook. Solos: Trumpet, Baritone Sax.
Key: F major. Trumpet 1 highest note: written high E. 5,4,4,P, B, D. Medium.
40
AFTER YOU'VE GONE - 55549 - $55. This is a trumpet feature based on
the great old standard. Up tempo all the way with plenty of room to solo for
the jazz trumpet player!
AIN’T IT WONDERFUL - 50101 - $58. Up tempo swing. Open solo
section. Title sound familiar?
ALEXANDERS BIG TIME BAND - 50102 - $58. Great up tempo swing
chart with similar title. 5, 4, 4, G, P, B, D.
ALICE BLUE GOWN - 55557 - $55. Features flugels over bones, which
leads into a solo section with 3 soloists, and a shout chorus and out, including
a brief saxophone soli. Medium swing. Solos: trumpet, tenor sax. Trumpet 1
highest note: high E. Medium.
ALL WE NEED IS RON! -55505 - $53. Written for the great Ron Stout -
Jazz trumpet player for the Woody Herman orchestra. Starts out as a balladthen
jumps into an up tempo swing feel. Great be-bop changes to blow on!
AMERICA THE BEAUTIFUL - 55587 - $40. Perfect feature for the
trumpet in your band with a double high G (Concert F). If he or she doesn’t,
any chord note will work on the end. The tenor (can be played on soprano) has
a little instrumental solo in the middle. Slow Swing. Key Bb
major.5,4,4,P,B,D. Medium.
A-TISKET A-TASKET - 55569 - $55. Up tempo burner featuring the 2
tenors. Key: Bb major. Trumpet highest note high D. 5, 4, 4, P, B, D.
Medium.
ATLANTIC SNOW FALL - 55506 - $48. A full and rich ballad for the
baritone sax. Drops into a slight double time feel at the end. 5,4,4,P,B,D.
BAHIA YODEL - 50178 - $55. Comp by Steve Allen & Arr by Tom, is a
cooking latin jazz piece featuring solos: trumpet & alto sax. This chart is
becoming a standard for Steve & is requested by most of the bands he works
with. As usual there is plenty of hard cookin’ ens stuff for all to play!
BALLAD FOR G AND E - 55525 - $52. A contemporary minor rock feel
featuring the 2 altos in the band. Great for featuring the 2 as they play solos
and also swap back and forth. Trumpet plays a high F 8th note. 6, 4, 4, P, B,
D. Medium difficult.
BALLAD ONE - Comp by GERRY SCHROEDER arr by TOM - 50170
- $51. This is a moody 16th ballad for the first tenor player who could also
play this on soprano sax. Chart has a full dynamic range & is a great vehicle
for that good tenor player who aspires to be the next Michael Brecker. Meddiff.
Trpt to B.
BALLIN' THE JACK - 55580 - $55. Starts with flugels over trombones,
leading into solo section from The American Classic Songbook featuring a
lovely trombone solo. Following that is a difficult saxophone soli, followed by
a big shout chorus. Solos: Trombone. Key: Bb major. Trumpet 1 highest note:
written high E. 5, 4, 5, P, B, D. Medium.
BEFORE YOU LEFT - 50104 - $49. Up tempo swing that starts with a sax
soli. Great as an opener or closer. Features Tenor sax. No score.
5,4,4,P,B,D.
BENNY'S IN HEAVEN - 55572 - $55. This is a very cool tune to feature
the lead alto with that great sound! Slow swing. Lower trumpet range
available. Trumpet 1 highest note is written high F. 5,4,4,P,B,D. Medium.
* * * NEW * * * BEST IS ALL THE TIME, THE – 55593 - $55.
Ballad, Bossa, light rock. Trombone solo. Pretty melody (in minor). Not
difficult for brass. Light ensemble. Trpt. 1 to one High D. 5/5/5/P/B/D..
Medium.
BEST PART OF ME IS YOU - 50158 - $49. Jazz ballad. Very pretty flugel
feature. A great feature for that trpt player with that great sound. Trpt high
"C". Med-diff.
BIG D’S OVERNIGHT SPECIAL - 50105 - $50. A heartily swinging
piece which seems never to stop building. Perfect opener. Piano solo. No
score.

BIG ED’S MONDAY NIGHT BLUES - 50106 - $49. Is exactly that - A
blues. The chart swings heartly featuring a Trpt solo. No score.
BILL BAILEY - 50148 - $67. Up tempo swing. Yup! it’s the old standard.
Its got it all - from an acappella ens to a dixieland band & a killer shout
section. Solo changes in each sec. 5, 4, 4, G, P, B, D. Diff.
BLUEST BLUES - 50179 - $53. Comp by Steve Allen arr by Tom Kubis.
Steve penned this 12/8ish down and dirty blues as a trombone feature.
Features both the lead bone & the bone section.
BOOGIE MAN - 55550 - $55. Med. driving rock. Fusion. Features tenor
sax. 5,4,4,P,B,D. Med.
BOOKE ENDS - 55507 - $53. This is a cool blues chart featuring the Bass
and the trombone with the melody. The blowing section is open for anybody
to play ending with lots of cool ensemble at the end.
BRAZILLIAN DANCE OF THE FLUGEL HORN - 55558 - $55.
Medium to up samba with a pretty melody statement in the flugel horns. Very
catchy melody if I do say so myself. Samba. Features: trumpet section. Solos:
flugel horn, alto sax. Trumpet 1 highest note: double high G. Difficult.
BRECKER BRAC - 50109 - $43. Funk. Will need some work, but the time
spent will be worth it. Tenor solo. No score. 5, 4, 4, Rhythm.
BUCKET BRIGADE! - 55559 - $55. Based on one of my old favorite
tunes. This starts with buckets. Plenty of ensemble room in this one! Up
Swing. Solos: trumpet, trombone, tenor sax. Trumpet 1 highest note: high C.
Medium.
BY THE LIGHT OF THE SILVERY HARVEST MOON - 55541 - $55.
Medium swing. Great for the audience with the 2 old great classics. Done
with flugels and bucket bones with a tenor solo in the middle! Tenor sax solo.
Trumpet 1 highest note is high D. Medium level.
CAUGHT IN THE MOMENT - 55522 - $50. Pretty flugel feature in the
latin Bossa vein. Perfect for the lyrical trumpet player in your section. Starts
with the Head and goes into a solo section. Then to the last ensemble with a
short sax soli. 5,4,4,P,B,D. Medium.
CERTAIN NIGHTS I HAVE THE BLUES - 50180 - $53. Comp by Steve
Allen & Arr by Tom. Steve penned this slow bluesy piece featuring the sax
section on the head and giving room for the tenor player to air out his (or her)
grief. The exiting 12/8 shout section will get them off their feet!
CHINESE SAMBA, THE - 50149 - $55. Samba-what else? Starts off w/
two unison sections (that should wake everybody up) into a solo section w/
chord changes in every section. Based on the old early Jazz standard “China
Boy”. 5,4,4,G,P,B,D.
CHITTLINS - 55503 - $55. - comp by Steve Allen, arr by Tom. It’s fast, it’s
rhythm changes. This is a fun one. Written for trumpetuer Louise Baranger.
Play it as fast as you can! This can be opened up for anyone to play solos on.
Advanced level.
CHUCK’S OVERNIGHT FUNK MACHINE - 55517 - $55. Written for
Los Alimitos High School under the directorship of Chuck Wackerman. This
is FUNKAAAAAY! Lots of Breckerish and Tower of Power kind of stuff. A
good high school band will funk out on this one. Open drum solo at end sets
this one off! 5,4,4,P,B,D,Vibes. Medium difficult.
COLD SEPTEMBER MORNING - 50195 - $55. - comp by Steve Allen,
arr by Tom Kubis. WOW! - What a nice ballad! This is the alto feature you
have been looking for! This is a jazz ballad with lots of nice pad backgrounds
that are easy on the ear. Advanced level. 5, 4, 4, G, P, B, D.
COOL FUSION SAMBA - 55578 - $55. Grusinish samba with a very
catchy melody give the soprano and trumpet room to solo. Exciting shout
chorus on this one. Key: Bb major. Written high Eb. Difficult.
CRAZY, BUT... - 55571 - $55. Up swing featuring 2 altos with a fast bop
line and plenty of great ensemble! Trumpet 1 highest note is written high Eb.
5, 5, 5, P, B, D. Difficult.
41
DAT DA DUT DUH! - 55560 - $55. Strait ahead blues shuffle with trumpet
and tenor solos. Great opener - gets your attention right away! Shuffle. Solos:
trumpet, tenor sax. Trumpet 1 highest note: high F. Medium.
DO I HEAR FOUR - 50110 - $49. It’s a swinging band feature with some
great ensemble writing. Features a trpt solo. No score.
* * * NEW * * * DOES ANYBODY OUT THERE STILL
BOOGALOO – 55594 - $55. Tribute to the great music of the 60's and 70's.
Blues format. FUN. Rockin' & Sockem' melody. Open solos. Trpt. 1 to high C
with optional 8VA. 5/5/5/P/B/D. Medium difficult.
DOWN BY THE OLD MILL STREAM - 55542 - $55. Medium swing.
Starts out with the flugels over bucket bones and and builds from there.
Room for the trumpet to stretch out! Big shout! Trumpet solo. Trumpet 1
highest note is high E. Medium.
DOWNTOWN CLOWN - Comp by STEVE ALLEN arr by TOM KUBIS
- 50167 - $55. - This is a very catchy and pleasing tune Steve has penned
here. This medium swing chart has a great little bounce to it. Opening with a
statement by flute and harmon trpt moves into solid ens throughout. 4th tprt
solo. Dbls. (advanced-high D in trpt 1).
DOWNTOWN STRUTTER'S BALL, THE - 55583 - $55. Based on the
old dixieland standard featuring a dixie band from The American Classic
Songbook. Features: Trumpet. Solos: Trombone, Alto Sax, Tenor Sax. Key:
Bb major. Trumpet 1 to written high E. Alto 1 Dbl. clarinet. 5, 4, 4, P, B, D.
Medium.
EARLY AUTUMN - 50150 - $55. Starts out with a tenor ballad section
with brass (flugs) reharmonization of this great tune. As the ballad section
finishes, the tenor takes a written up-tempo break ala Super Sax & then
weaves his way through the great changes of this tune with a lot of hardhitting
ensemble behind him (or her!) The tempo drops back into an ensemble
ballad & closes w/a tenor cadenza & band ending. Difficult.
EVERYBODY HAS THE BLUES - 55508 - $55. Comp by Steve Allen
Arr by Tom. Another in the line of the Steve Allen/Tom Kubis series. Steve
created this hip pop tune. This is a very catchy little song with the melody
stated by the trpts w/ lots of great ensemble stuff. A very exciting chart!
EVERYBODY LOVE'S MY BABY'S - 50160 - $53. Up tempo burner.
This is a hard chart and packs quite a wallop! A great shout chorus. Trpt to
"D".
EVERYTHING MUST CHANGE - 50111 - $45. Nice ballad. Features
Alto sax solo. Conductors sketch. 5, 4, 4, P, B, D.
EXACTLY LIKE THIS - 50112 - $57. Med swing. Great Kubis chart.
Open solo section. Conductor sketch. 5, 4, 4, G, P, B, D.
EXTREME WEST COASTING - 55526 - $55. Up tempo "cool school"
kinda chart. More of a linear feel with counterpoint unisons on threat 50' bag!
Solos available in all sections. Trumpet 1 to high F. Medium difficult.
FAHN AND ANDY - 50173 - $53. - Written for 2 very fine Southern
California trombone players Mike Fahn and Andy Martin. This is a very fast
chart featuring 2 bones with a very cool be bop type head. If you have 2 good
soloists in the bone section you have wanted to show off, this is the chart for
you!. Diff level. Trpt to D.
FAST CARS AND CRAZY WOMEN! - 50181 - $55. Comp by Steve
Allen and Arr by Tom Kubis. This is a burner that features the Tenor player
and has a lot of room to feature the drummer! This cooks from beginning to
the end a great set closer! 5,4,4,P,B,D.
FLY ME TO THE MOON - 50151 - $65. Med up-swinger that starts out
w/a hip hop groove (very cool!). After the first chorus w/the melody presented
by the flugel horns, chart goes into regular swing handing the melody off to
the sax section. Solo section is open then goes into a sparkling (yes sparkling!)
2 chorus ensemble. Difficult. Trpt to high D. 5,4,4,P,B,D.
FRANKIE AND JOHNNY AND A TROMBONE GUY - 50191 - $55.
This shuffle features the 3rd bone player playing the old familiar Frankie and
Johnny. Chart starts with a cool vamp to set up the bone player playing the

melody on plunger mute. There is plenty of soli stuff with the bone section &
a burning shout section. Medium-difficult.
GENTLE BREEZE - 50100 - $51. Samba. Composed by George Graham
& arr by Tom. Features Trumpet (but of course). Requires strong lead Trpt.
Dbls. Diff.
* * * NEW * * * GRIMEY YET SLIMEY BLUES – 55585 - $55.
Funk, Rock. Laid Back lines between Trpts and Saxes. Big ensemble. Open
solo. Dissonant chords. Intense. Tribute to John Prince at Long Beach State.
Trpt. to High Eb. 5/5/5/P/B/D/ optl vibes. Medium Difficult.
GUNNAWANNA SAMBA - 55577 - $55. This is a pretty chart but with a
lot of exciting ensemble. Features: Trumpet. Key: G minor. Trumpet 1 highest
note: written High double A. 5,4,4,(Opt'l 5th Trn, P,B,D. Medium.
HAPPY TUESDAY - 55502 - $55. - comp by Steve Allen, arr by Tom
Kubis. This is a piano feature in a Jazz waltz style (featuring the great Jack
Riedling on my band). This gives plenty of jazz space to the pianist and also
gives room for the band to cook too! Advnaced.
HEY JEFF - 50159 - $49. Jazz blues shuffle. Features the 4th trpt player.
Plenty of great ensemble. Trpt to high "D"
HONEY’S BUCKLED HOSE - 50114 - $49. Up tempo swing. Changes
based on similar title (?). Conductor sketch.
HOSPITAL BLUES - 55551 - $55. Very pretty slow ballad for the flugel
and trumpet jazz player. This part has a few high notes. 5, 4, 4, P, B, D.
I AIN'T GOT NOBODY - 55533 - $55. Medium swing. The familiar
standard with lots of exciting dynamics. This has a tenor sax solo. Starts with
the flugels and bones in buckets. Tenor sax solo. Trumpet 1 highest note is
high E. Medium level.
I CAN’T BELIEVE YOUR IN-LAWS WITH ME - 50115 - $49.
Medium swing with an open solo section. Flute dbls.
I JUST FLEW IN FROM CHICAGO - AND BOY ARE MY ARMS
TIRED - 50116 - $49. Blues shuffle. Features a Trombone solo. No score.
IF I HAD IT TO DO ALL OVER AGAIN I'D SHUFFLE - 55552 - $55.
Crankin' shuffle chart with solo changes in saxes and bones.
I'M ALWAYS CHASING RAINBOWS - 55537 - $55. Quarter note = 120
to 130. The chart will work for concerts as well as for dance gigs. The chart
starts with flugels and bones in buckets. Has blowing changes on the 4th
Trumpet part. Lead trumpet up to concert D. Has an 8 bar sax soli. 5, 4, 4, P,
B, D. Medium.
I’M GONNA TELL - 50182 - $55. Comp by Steve Allen and Arr by Tom
Kubis. A great set opener! This tune is very gospelish in nature and kicks
A___! Tenor has the solos or it can be opened up. Shout section is a ball!
5,5,5,P,B,D.
I’M KINDA CRAZY - 50183 - $55. Comp by Steve Allen and Arr by Tom
Kubis. Features the bone section on this up tempo swing chart-this is another
cooker! Solo section set up to feature bones. The shout features extremes in
dynamics. Another great set closer! 5,5,4,G,P,B,D.
IMAGINE WHAT A CHANGE WILL DO - 50117 - $49. Written by
Carol Jolin & arr by Tom. Beautiful ballad featuring Trombone.
5,4,4,G,P,B,D.
IN A MELLOW ROSE ROOM TONE - 55534 - $55. Medium swing.
This great old standard starting with the trumpets on flugels or buckets and the
bones in buckets. A difficult sax soli in the middle. Features trumpet solo.
Trumpet 1 highest note is high E. Medium level.
IN MEMORY OF BIX - Comp by STEVE ALLEN arr by TOM - 50168
- $55. - As you all know, Steve Allen is a fan & writer of all musical styles.
As a tribute to the great trumpeter Bix Biederbecke, Steve penned this great
and melodic tune. This 4th trpt feature plays a “Bix-like” melody line with a
current big band background. This arr is fastly becoming a standard for trpt
repertoire. Trpt to high D. med-diff.
42
IN THE GOOD OLD SUMMERTIME - 55543 - $55. The great old
standard-perfect for those summer concerts! This is a shuffle with a tenor
solo and a very cool sax soli! Trumpet 1 highest note is high E. Medium
level.
IN THE WINTER IN THE SUMMER - 50197 - $55. - comp by Steve
Allen, arr by Tom Kubis. I liked this jazz waltz so much I bought the
company! - no wait, thats something else. I did feature myself on this one
thank you. This features the soprano sax all the way through but also has
plenty of ensemble to work through. Advanced level.
INDIANA BACK HOME AGAIN IN INDIANA - 55540 - $55. Medium
swing. No, not Donna Lee-Indiana! This one is a challenge though. Bucket
bones, flugels and a difficult but swingin' sax soli and the cool shout!
Features the sax section. Solos for trumpet, trombone, and tenor sax.
Trumpet 1 highest note is high E. 5,4,4,P,B,D. Difficult level.
IS IT YOU - 55518 - $53. Nice lay back kinda Sandborn alto ballad with a
half time funk feel. Easy changes for him or her to blow on (kinda Dorian).
Like Kinda 2 Kinda 3, this is a great vehicle to mellow things out and not put
alot of high stuff in the brass! Lead trpt up to Bb. Medium.
IS THAT A BASS (OR ARE YOU JUST GLAD TO SEE ME) - 55576 -
$55. This is a cool samba chart featuring the bass and soprano saxopone. This
is a hard one with a bone soli in the middle. Features bass. Key: Bb major.
Trumpet 1 highest note: written high Eb. 5,4,5,P,B,D. Medium.
I'VE BEEN WORKING ON THE RAILROAD - 55544 - $55. The
American classic songbook. The head is soft brass with a bone solo in the
middle with a tough sax soli and a cool shout! Why did I do it? Cause it's
there! Features trombone solo. Trumpet 1 highest note is high D. Medium
level.
I’VE GOT TO GET ANOTHER BABY! - 50184 - $53. Comp by Steve
Allen and Arr by Tom Kubis. This is a medium swing Basie-ish chart that
opens up with the bone section. Solo section is open for anyone to play. The
shout section feature extremes in dynamics and has intensity that won’t stop.
All this ends with the bone section. This is a fun one to play.
JADA - 55531 - $55. Quarter note = 120 to 130. The chart will work for
concerts as well as for dance gigs. The chart starts with flugels and bones in
buckets. Starts a cappella with some cool changes. Has blowing changes on
the 4th Trumpet part. Lead trumpet up to concert D. 16 bar sax soli. 5, 4, 4, P,
B, D. Medium.
JOHNSON RAG - 55582 - $55. Medium swing featuring Bari and trumpet
from The American Classic Songbook. Solos: Trumpet, Baritone Sax. Key:
Bb major. Trumpet 1 highest note: written Dbl. high G. 5, 4, 4, P, B, D.
Medium
JUMP, JOHN - 50196 - $55. - comp by Steve Allen, arr by Tom. Steve
wrote a cute little tune that features the trombones and the bass player in a
Thadish kind of unison line. This is a medium swing tune with a power-house
ensemble towards the end and finally ends with the Bass. Advanced level.
JUMPY BLUES - 50190 - $55. - comp by Steve Allen, arr by Tom Kubis.
Hard kickin’ jazz blues shuffle with plenty of room for the jazz tenor to solo.
5, 4, 4, P, B, D. Advanced.
JUST A PRETTY LITTLE THING - 50163 - $51. A pretty Flugel
feature in the bossa style. Great feature for the Trpt player w/that great sound.
5, 4, 4, G, P, B, D.
JUST MONKING AROUND - 55561 - $55. Very Monkish swing jazz tune
featuring the trumpet and tenor sax. Medium swing. Features: trumpet. Solos:
trumpet, tenor sax. Trumpet 1 highest note: double high G. Medium.
JUST PERHAPS - 55585 - $55. Mournful Latin bossa with plenty of room to
feature the flugel or trumpet player with the warm sound. Solos: Flugel Horn.
Key: G major. Trumpet 1 highest note: High D. 5, 4, 4, P, B, D. Medium.

KEEP SWINGIN’ - 55501 - $55. - comp by Steve Allen, arr by Tom Kubis.
Guess what -it swings it’s fanny off (if an arrangement had a fanny). This
starts with unison saxes and leads way to a trumpet solo then plenty of
ensemble. This puppy kicks b_____t! 5,4,4,P,B,D. Advanced level.
KEY LIME PIE - 55509 - $55. Comp Steve Allen Arr by Tom. Another in
the line of the Steve Allen/Tom Kubis series. This is a clever little latin tune
penned by Steve Allen. Features the tenor sax on the melody. This is a very
tasty tune! Lots of rich Backgrounds.
KINDA TWO KINDA THREE - 55510 - $51. This chart has been a big
hit with all the bands that have played it. This is a very cool latin ballad
trumpet feature. Medium level chart.
LADY, YOUR COW'S ON FIRE - 50119 - $49. Jazz Shuffle. Alto on sop.
Nice ensemble & shout chorus, bone soli. Features bone solo. No score.
5,4,4,P,B,D.
LAST GREAT GEORGIA EXTRAVAGANZA - 50120 - $52. Big,
brassy & blustering swing which seems never to stop bldg. Some dbls. Goes
fr swing to 4 bar Dixie feel to swing. Piano & Bari solos. No score.
5,4.4,P.B,D.
LE JAZZ HOT - 50192 - $55. - comp by Steve Allen, arr by Tom Kubis.
Medium to up jazz swing starting with a very challenging sax line. Lot’s of
meaty ensemble leaving room for the trumpet to stretch his wings (providing
he has wings KFC). This is one of my favorite charts I did for Steve! This is a
cooker Advanced level.
LET GEORGE DO IT - 50121 - $51. A medium tempo blues shuffle
written for George Graham. Piano solo in the middle of chart sets up a
resounding shout chorus with lead Trumpet solo over the band.
LET’S DO IT - 50174 - $53. - Funk rock head that alternates into up swing.
This chart is a great mesh of rock horns and cookin’ big band. Diff level. Lots
of funk syncopations. Trpt to D.
LET’S HAVE SOME SAMBA! - 55511 - $53. i’s a samba (duh!) This
starts w/ a very cool little melody stated by the Flügs. It has an open solo
section for all those who wish to play. This one will keep your toes a tappin’!.
* * * NEW * * * LIGHT STILL LINGERS, THE – 55596 - $55.
Flute solo. Jazz waltz/ballad. Tenor 1 doubles on flute with optional tenor
1.Trpt. 1 to G above staff. Trpts on flugels. 5/4/4/P/B/D. Medium
* * * NEW * * * LINE FOR LEVY – 55590 - $55. 12/8 Feel and
Samba too! A tribute to Hank Levy. Starts out with trpt. and alto solo. Solo
changes in tenor 1, trumpet 4, and bone 3. Open solo changes with
backgrounds. Very difficult sax line. Trpt. 1 to written high D. Great sax soli
modulates into roaring chorus followed by an open drum solo. Difficult.
MacFUNKY - 50175 - $53. - Is a very funky 16th groove that stays funk all
the way through. Great closer or opener or just something to let the rockers
blow on!. Trpt to D. No score. Difficult.
MAKE YOUR DREAMS COME TRUE - 50122 - $49. Bossa Rock.
Great ensemble writing. Solos: Tenor & Bone . Doubles. No score.
5,4,4,P,B,D.
MAMA USED TO DO THE CHA CHA - 50198 - $55. - comp by Steve
Allen, arr by Tom Kubis. This is more a jazz latin feel then a cha cha. This
starts out with a small group playing the cute melody and works into some
powerful backgrounds and ensembles. Advanced level.
MARABA - 55562 - $55. This is a hard driving samba chart on the difficult
side but well worth the effort, very Mangioneish. Features alto sax. Solos for
trumpet and alto sax. Key: C minor. Trumpet 1 highest note: high E flat.
Difficult.
MARIE’S SHUFFLE - 50162 - $60. Jazz shuffle based on the old Glen
Miller tune. Starts w/an accapella section with lots of ensemble all over the
place. Chord changes in each section. 5,4,4,P,B,D.
MEAN TO ME - 50123 - $52. Easy swing of this classic standard. Solo
space for Trumpet and Piano. Nice sax soli. 5,4,4,P,B,D.
43
MIDNIGHT WALTZ - 55512 - $55. Comp Steve Allen arr by Tom.
Another in the line of the Steve Allen/Tom Kubis series.l This lovely tune
penned by the Great Seve allen features the trumpet on a sweet 3/4 jazz waltz.
Lots of great solo space and ensemble!
* * * NEW * * * MY SALSA VALENTINE – 55597 - $55. Up tempo
Samba. Latin. Features saxes. Open solos. Alto/Bari chord changes.
Challenging ensemble. Cool chart! Trpt. 1 to High D. 5/5/5/P/B/D/ opt’l
vibes. Medium Difficult.
NITE VISIONS - 55575 - $55. Another driving samba featuring the alto and
the trumpet. Bridge of the tune kinda like Killer Joe. Key: Bb major. Trumpet
1 highest note is written high double G. A, A, T, T, B, P, B, D. 4 trpts, 4
bones, optl. 5th bone. Medium.
NO GREATER BE-BOP - 50164 - $57. Very up-swing starts out with a
three piece be-bop group who play the head & solos before the big band joins
in. Again lots of ensemble & plenty of places to blow. 5, 4, 4, G, P, B, D.
NO 3 WAYS ABOUT IT - 55563 - $55. This is just the right ballad to
feature your alto player with the cool sound. Nice melodic chart with punncy
ensemble at the end. Bossa. Features: alto sax. Solos: alto sax. Trumpet 1
highest note: high E. Medium.
NOT NECESSARILY THE BLUES - Comp by GERRY SCHROEDER
arr by TOM - 50171 - $55. This tune is a slow, rock, bluesy, knock down
drag ‘em out kinda thing you would expect a good down and dirty blues to be.
Starts out in major and goes into a 16th feel minor section with plenty of room
for all soloists to perform.
NOT TONIGHT, I’VE GOT A HEADACHE - 50124 - $49. Up tempo
flag waiver based loosely on a (over) requested Glenn Miller “classic”. Open
solos.
OH THAT FACE - 50193 - $55. - comp by Steve Allen, arr by Tom Kubis.
A very cool melody in an up tempo Jazz waltz style. This starts by featuring
the flügels and also features a bone solo (played by the great Andy Martin on
the CD) and has lots of good solid ensemble throughout. This is a nice change
of pace for a jazz concert. Advanced.
* * * NEW * * * OMAGE TO BUD – 55601 - $55. A bow to Bud
Shank. Alto jazz ballad with double changes. Features Alto 1. Sax soli. Diff.
for lead Alto but worth the challenge. Trpt. 1 A above staff. 5/4/4/P/B/D.
Medium Difficult.
ON PURPLE PORPOISE PARKWAY - 50125 - $60. Your Alto, Soprano
& Tenor players will get a chance to trade fours on “some familiar tune”
You’ll figure it out. 5, 4, 4, G, P, B, D. Great Samba-swing.
ONCE IN A WHILE - 55532 - $55. Quarter note = 120 to 130. The chart
will work for concerts as well as for dance gigs. The chart starts with flugels
and bones in buckets. Has blowing changes on the 4th trumpet part. Lead
trumpet to concert C. 16 bar sax soli. Med.
PAIN FOR WAYNE - 50154 - $53. Funk high trpt feature-Maynardian in
concept. This is a great vehicle for the trumpet player with a high "G". diff. 5,
4, 4, P, B, D.
PATITUCCI ON THE BACK - 50126 - $46. Bossa nova written for John
Patitucci. Features Bass solo (naturally). dbls. No score
PAYIN’ YOUR DUES - 55504. - $55. - comp by Steve Allen, arr by Tom
Kubis. Featuring the bone section, this minor up swing tune has a lot of
personality. Saxes are featured in the “Super Sax” style (but you won’t find
this on any Super Sax CD, no sir! This chart is another cooker! Difficult.
PEANUT FACE - 50157 - $55. Very cool samba w/a short funk sec. in the
middle. It's not an easy chart but it is guaranteed to keep the feet tappin.
PEG 'O MY HEART - 55545 - $55. Medium swing. Starts out with a cool
little combo playing the melody then a big ensemble. Great way to hear this
one! Solos features the trumpet and tenor sax. Trumpet 1 highest note is high
D. Medium level.

PLACE TITLE HERE! - 55519 - $55. Up tempo jazz burner in a minor
mode-very west coast jazz! Starts out featuring the trumpets in a be-bop kinda
line with the rest of the band coming in halfway. Lots of room for soloists in
the middle with a bebopy kinda ensemble twords the end. Very cool school
chart to play and blow on! Trpt to high D. Medium difficult. No score.
PLAY BY PLAY - 50166 - $51. Up-swing. There is one purpose for this
straight ahead jazz tune “Swing hard and fast!” This starts w/a burning sax
soli into an extended solo section. The rousing shout section takes it out with
a bang. 5, 4, 4, G, P, B, D.
PLAY IT NICE - 50165 - $51. Pretty bossa featuring Flugelhorn. This
tune is pretty quiet throughout but does have some hot ensemble writing. No
dbls. Med-diff.
* * * NEW * * * PLEASE NO SAXTING – 55598 - $55. Jazz waltz.
Great melody. Alto 1 on Soprano. Soprano lead. Features sax section. Not
easy. Changes 4th trumpet. Lengthy sax soli at letter K. Bass solo. Trpt. 1 to
one High C. 5/5/5/P/B/D/ optl vibes. Medium difficult.
PLEASE TALK ABOUT ME WHEN I RETURN - 50176 - $55. -
Medium swing chart with a lot of ensemble all the way through. Based on the
changes of another dixie tune with approximately the same name. Nice spot
for the tenor to play the solo. Diff. Trpt to D.
POOR BUTTERFLY - 55535 - $55. Medium swing. This great old
standard starting with the trumpets on flugels or buckets and the bones in
buckets. Two dynamic shout coruses at the end. Features a tenor sax solo.
Trumpet 1 highest note is high D. Medium level.
PREHEAT & BURN - 50127 - $51. Swing chart. Sax soli intro flowing to a
trpt & an alto solo. Great as an opener or closer. No score. Some dbls.
PRETTY BABY - 55539 - $55. Medium swing. This great standard with a
bit of a twist. Still in the Basie style. Features the trumpet solo. Flugel and
bucket bones at the top. Tumpet 1 highest note is high D. Medium.
PRETTY GIRL IS LIKE A MELODY, A - 55529 - $55. Medium swing.
This great old standard starting with the trumpets on flugels or buckets and the
bones in buckets. Features solo on the 4th trumpet part. Trumpet 1 highest
note is high D. 5,4,4,P,B,D. Medium level.
RED RIVER VALLEY - 55538 - $55. Medium swing. You won't be able
to stop singing it...Red River Valley in the Basie style! This one has a bone
solo and lots of ensemble. Features a trombone solo. Trumpet 1 highest note
is high E. 5,4,4,P,B,D. Medium level.
RHYTHM MACHINE - 50128 - $49. Medium Jazz Shuffle. This is a
solid concert opener or closer. Nice sax soli. Tenor sax solo. No score.
ST. LOUIS BLUES - 50161 - $53.This is a clever version of the old
standard with plenty of ensemble and sax soli and trpt solos. No score. 5, 4, 4,
G, P, B, D. Difficult.
SAMBA DE ELSE - 50185 - $55. Comp by Steve Allen and Arr by Tom
Kubis. Guess what? it’s a samba! This tune starts with soprano and flugel lead
in a rather quiet fashion and builds to a shout section featuring the trumpets.
The open middle section features anyone who wants to blow!
SAMBA DEES GODDA DO IT - 50130 - $58. Nice samba with great
changes. Open solo section. 5, 4, 4, G, P, B, D. Conductor sketch.
SAMBA FOR THE COMMON MAN - 55553 - $55. Samba. Starts out
with the flugel section playing the head. This has room for the alto and bone
to play solos. You will be humming this tune! Features the trumpet section.
Medium.
SAX TEST - 50131 - $49. What a great jazz shuffle. All saxes solo. Has a
cappella sax soli, ensemble shout takes it out. Alto 1 dbls on sop.
SAY THAT AGAIN - 50186 - $53. Comp by Steve Allen and Arr by Tom
Kubis. Medium swing chart in a relaxed east coast feel featuring the bari and
4th trumpet on this very cool melody. Plenty of the usual Kubis shout stuff
towards the end and this all ends back with the Bari & 4th trpt again.
44
SHUFFLE TILL YOU DROP - 55520 - $55. Hey it’s a shuffle! No
question about what this one’s doing! This starts out with the bones in unison
and burns till the end. If you got a good bone section this one will fly for ya!
Lots a solo room and a killer ensemble. Trpt does get an Eb above staff but
only for a stab. No score. Medium.
SILVERWARE SAMBA - 55586 - $55. A peppy little samba that starts
with the flugel and soprano sax. Driving ensemble at the end. Solos: Trumpet,
Alto Sax. Key: F major. Trumpet 1 highest note: high Eb. 5, 4, 5, P, B, D.
Optional 5th trpt. Alto 1 dbs on soprano. Alto 2 dbs on flute. Medium.
SINCE YOU PUT IT THAT WAY -55554 - $55. This is a nice way to
feature the bone player who has the pretty sound. This chart is quiet at the
top, but there is quite a bit of powerful ensemble at the end. Bossa. Features
trombone. Medium.
SKIPPING ALONG A RAINBOW - 55513 - $55. Comp by Steve Allen
arr by Tom. Another in the line of the Steve Allen/Tom Kubis series. This is
not easy! This features the bone section with some great soli stuff in a medium
up swing style.
SLAUSON CUTOFF - 50132 - $49. Blues all the way. What a chart.
Starts w/a sax soli. Ensemble shout. Tenor solo. Soprano dbl. No score. 5, 4,
4, P, B, D.
* * * NEW * * * SLAUSON EAST – 55589 - $55. Blues shuffle.
Each section gets a chance to play acapella, stating with the saxes, rhythm,
trombone, rhythm, Trpt. Open solos on blues changes with band backgrounds.
Swap 4's with sax and drums, etc. Finishes with a flourish! 5/4/4/P/B/D. Trpt
1 to written high F. Ending has optional double high G. Medium Difficult.
SLIDE RULES - 55579 - $55. Up swing. This is the chart to feature your
bone section! Plenty of room for all the bones to solo and plenty of soli stuff.
A A, T, T, B, 4 Tpts with optional 5th, 4 bones, P, B, D. Key: F major.
Trumpet 1 highest note: D above staff.
SLIGHTLY OFF THE GROUND - 50133 - $60. Up tempo swing. Has all
the goodies: sax soli, a cappella brass soli & Bone solos. 5,4,4,G,P,B,D.
SMILES - 55530 - $55. Quarter note = 120 to 130. The chart will work for
concerts as well as for dance gigs. The chart starts with flugels and bones in
buckets. Has blowing changes on the tenor sax part. Lead trumpet to concert
D. Medium.
SMILING OVER YOU - 50134 - $49. Nice Bossa-nova. A change of pace
for the concert. Features Bone solo. No score.
SNAKE WAS ON HIS WAY TO A GIG!, THE - 55521 - $55. Up-tempo
trombone feature in a minor key. This is a difficult chart but if you have a
bone section that's good this will be a good one. Starts with a unison head
followed immediatly by a bone soli-last note of the soli is an 8th note D but
that could be played down an octave and the A below will work for the lead
part.
* * * NEW * * * SNAPPY YET SNIPPY – 55602 - $55. Jazz shuffle.
Blues changes. Open solo section with backgrounds. Solo changes in Bari,
Trpt. 4. Nice bluesy ensemble. Trpt. 1 to written high C. 5/5/5/P/B/D/optl
vibes. Medium Difficult.
SO WHO’S SORRY - 50135 - $49. What a great swing. From start to
finish, you’ll bring the crowd down. Featuring a Tenor sax solo. No score.
SOME OF THESE DAYS - 50152 - $53. Starts with a wacky kinda
dixieland version of this old tune featuring the Alto sax (opt soprano sax) and
a plungered trombone with the trpts in harmons acting as the banjo. The
drums pick up the tempo into a speedy straight ahead burner with lots of great
ens. Solo section in the middle is open. Difficult.
SOMETHING MYSTERIOUS - 50199 - $55. - comp by Steve Allen, arr
by Tom Kubis. This is a pretty flügel ballad (featuring Stan Martin-formerly
with Pancho Sanchez). Sax doubles. This is a very haunting solo and
arrangement. Again, another great ballad change of pace! Advanced level.

SONG FOR MY FATHER - 55528 - $57. This is the great Horace Silver
latin standard. This chart features the lead alto and 4th trumpet. They get the
melody and then each get a chance to solo. Lots of cool ensemble at the end!
5, 4, 4, P, B, D. Medium difficult. Trumpet to high Eb.
SPACE AVAILABLE - $50136 - $49. Swing at it’s best. Has all the
‘goodies”, ensemble, shout chorus, Tenor sax solo. Some dbls. No score.
SPEAK LOW - 55527 - $57. This is the great standard in a Latin groove
featuring the Alto sax with changes for the Trombone to solo as well. Plenty
of room for the Alto player with the "cool" sound to show off! 5, 4, 4, P, B, D.
Medium difficult.
STAR SPANGLED BANNER - 55523 - $32. Soprano sax feature of the
National Anthem. 5, 4, 4, P, B, D. Medium level.
STEELY SHUFFLE-WOW! - Comp by GERRY SCHROEDER arr by
TOM KUBIS - 50172 - $55. - You gotta get this one (one of my favorites).
Gerry penned this high spirited rock shuffle and this one cooks from
beginning to end. This kinda Steely Dan’ish chart uses the traditional rock
horn styles and has plenty of room for all to solo. Diff level. Trpt to D.
STEP THIS WAY SIR - Comp by STEVE ALLEN arr by TOM KUBIS
- 50169 - $55. - A lively medium up swing that has a classic jazz feel along
with the hard swinging big band sound Kubis is known for. 4th trpt solo.
(advanced high D in Trpt 1). 5,4,4,P,B,D.
STEVE’S 5,000TH HIT! - 50187 - $53. Comp by Steve Allen arr by Tom.
This bossa was written by Steve recently on the thirtyith anniversary of the
tonight show as his 5,000th song! The alto gets a nod on the solo section. This
very subdued melody gives way to a full shout chorus but still holds to a very
kick back kind of chart!
STREET STRUT - 50188 - $53. Comp by Steve Allen & arr by Tom. Med
cookin rock tune that starts w/ a small horn trio behind some accapella funky
bone riff w/ plenty of baritone funk stuff (Sounds tasty huh!). Solo section
open for anybody. Lot’s of great ens & sax soli stuff. Each bridge section
moves into fast swing feel. This is a very cool chart.
SULTRY SAMBA - 50194 - $55. - comp by Steve Allen, arr by Tom. Hey it
is a sultry samba! Steve Allen’s sambas are always something special. This is
a very pretty melody introduced by the soprano sax and flügelhorn. Both these
guys get a chance to solo. This starts nice and subtle and builds to the end.
Again this is a nice latin change of pace. Advanced level.
SUMMER DOWN IN SAVANNA - 55514 - $55. Comp by Steve Allen arr
by Tom. Another in the line of the Steve Allen/Tom Kubis series. This is a
very classy lead alto ballad. Lots of warm lush backgrounds on this one. A
great way to show off the alto.
12TH STREET RAG - 50155 - $55. An up swing feature for the 2 tenors. A
great vehicle to show off the soloists. Trpt high "D". Difficult.
TAKE ME OUT TO THE BALL GAME - 55546 - $55. Up swing. This
great old standard in Bb cooks right along with the saxes taking the melody
followed by an accapella ensemble. Solos in each section and a modulation to
C for the shout! Solos features trumpet, trombone and tenor sax. Trumpet 1
highest note is high E. Difficult level.
TAKING THE “A” STUFF - 50153 - $60. Med up tempo chart based on
some tune about “A” train - This is a difficult chart with alot of ens. Solo
section has solo chords for each section. Trpt to high "D". No Dbls. Diff.
THAT BASIE BEAT - 55515 - $55. Comp by Steve Allen arr by Tom.
Another in the line of the Steve Allen/Tom Kubis series. I like this one to
open up a set with. Steve created this in the Basie style medium swing feel.
This chart kicks b_tt!
THAT SAME OLD FEELING - 50138 - $49. Bossa Nova featuring Tenor
sax solo. Doubles required. No score.
THAT WORM FEEDING - 55567 - $55. Layed back ballad in the Nestico
style. Bucket mutes are used here. Places for the Tenor sax and Piano to shine!
Slow swing. Features: Tenor sax. Trumpet 1 highest note: high Bb. Medium.
45
THEME IN SEARCH OF A SPY MOVIE - 55568 - $55. This is kinda
your Pink Panther of charts. Tenor and trumpet have the head with bucket
mute backgrounds. Lots of spy enemble! Key: G minor. Trumpet highest note
high E. 5, 5, 5, P, B, D. Medium.
THEME WITHOUT A MOVIE - 50139 - $40. A very romantic ballad
featuring flugelhorn solo. 5, 4, 4, P, B, D. All 5 Saxes Double on Flute.
THOSE DOWNTOWN COMPTON BLUES - 55555 - $55. Slow swing.
This is a hard driving shuffle chart that starts with the bones and tenors.
Trumpet and basso solos in the middle with a heavy hitting shout. Features
trumpet and bass solos. Medium.
* * * NEW * * * TO PUT IT IN A NICE WAY - 55599 - $55. Nice
feature for trombone section. Medium swing 1/4note= 140. Has the feel of
Killer Joe. 4 part harmony.32 bar tune. Changes in 3 Trbn. Short brass solo.
Trpt. 1 to high D. 5/5/5/P/B/D/ optl. vibes. Medium Difficult.
TOOT TOOT THIS - 50177 - $55. - Up tempo jazz chart with a lot of hard
swinging ensemble. This is based on the dixieland tune with a similar name.
This is a great chart for the advanced group having plenty of open places for
soloists.
* * * NEW * * * TOSTADA FOR TWO – 55600 - $55. Up Sambaish.
Open solo section. Changes in 4th Trpt, 3rd Trbn, Bari. Can open drum
solo. Nice cookin' Samba. Trpt. 1 to High D. 5/5/5/P/B/D/ optl. vibes.
Medium Difficult.
TWO SAMBA TO GO - 55564 - $55. Up Samba featuring the 2 altos.
There are never enough features for the 2 altos in the big band. This one is a
really fun driving minor samba. Samba. Features: alto sax. Solos: alto sax.
Trumpet 1 highest note: high E. 5, 4 +opt 5th, 4, P, B, D. Difficult.
VILLAGE DANCE - 50141 - $45. Fusion-Samba featuring Trpt, Bone &
Tenor solos. No score. 5,4,4,G,P,B,D.
WE’RE NOT JUST DELIVERING PIZZA ANYMORE - 55588 - $50.
Yup, you guessed it from the title; this has to be a Trombone section feature.
Commissioned by the Yorba Linda Middle School Jazzband, this high
energetic shuffle will sure get your toes tappin’. Tom delivers an instant
classic once again with a memorable melody, exciting brass pops and plenty
of call and response opportunities. Your students are sure to enjoy this chart.
Trumpet to A5. 5/4/4/P/B/D. Medium.
WHEN I HEAR HAPPY MUSIC - 55516 - $55. Comp by Steve Allen arr
by Tom. Another in the line of the Steve Allen/Tom Kubis series. This is an
up swing tune with lots a gusto. This is a great opener or closer. This is one of
Steve’s favorites to get the attention of the audience.
WHEN IRISH EYES ARE SMILING - 55584 - $55. Medium slow swing
in the style of When You're Smiling from The American Classic Songbook.
Solos: Trumpet, Tenor Sax. Key: F major. Trumpet 1 highest note: written
high E. 5, 4, 4, P, B, D. Medium.
WHEN YOU’RE SMILING - 50142 - $60. Medium swing. As recorded
by the Tom Kubis Big Band. 5, 4, 4, G, P, B, D.
WHICH CRAFT? - 50143 - $58. Medium swing based on the changes to a
familiar standard. Tenor solo. 5, 4, 4, G, P, B, D.
WHISPERING - 55556 - $55. The old classic up tempo standard in the
original key of Eb, starts out with the trumpet voiced over the saxophones
leading into a solo section with bone trumpet and alto solos available followed
by a killer ensemble then a restatement of the trumpet over sax melody. High
D is the high trumpet note. Great way to show your band where Groovin'
High came from! Medium difficult.
WHISPERS - 55565 - $55. Bouncey jazz minor melody with the bari sax
and trumpet. Solos are the bari and trumpet. Cool shout section at end!
Medium swing. Trumpet 1 highest note is: high F. Medium.
WHISPOLOGY - 50156 - $53. Based on whispering changes. This is an up
tempo burner opening with the saxes. Solo section open for anyone-even you!
Trpt high "D". Difficult.

WHO CAN I TURN TO? - 50144 - $60. Another great classic standard. 5,
4, 4, G, P, B, D.
WHO'S TO SAY - by Tom Kubis - 55574 - $50. A bossa chart to feature
the alto player with the good sound. Plenty of melody and solo space. Key is
Eb major. Trumpet 1 highest note is written high D. A, A, T, T, B, P, B, D. 4
trpts, 4 bones, optl. 5th bone. Medium.
YANKEE DOODLE BOY - 55547 - $55. Up swing. This one is great for
those summer concerts or just feeling patriotic. It is an up tempo swing with a
little hip hop section at the end of each chorus. Solos for trumpet, trombone,
and tenor sax. Tumpet 1 highest note is high E. Medium level.
YOU CAN COUNT ON IT - 55566 - $55. Up tempo swing. Piano solo
with open solo section. Lead Trumpet to high written high C. Opt'l Vibes.
Medium.
YOU MAKE ME FEEL SO VERY HAPPY - 50147 - $51. Med blues
shuffle w/ Tenor solo (optl open solos). Lead Alto may be played on Sopr.
YOU MADE ME LOVE YOU - 55536 - $55. Quarter note = 120 to 130.
The chart will work for concerts as well as for dance gigs. The chart starts
with flugels and bones in buckets. Has blowing changes on the 4th trumpet
part. Lead trumpet to concert D. 8 bar sax soli. Medium.
YOU'RE A GRAND OLD FLAG - 55548 - $55. Up swing. Good one to
open up a set. Fast and cookin'! Room for solos in each section. A lot of fun!
Trumpet, trombone and tenor sax solos. Trumpet 1 highest note is high E.
Medium level.
YOU’VE GOT TO HAVE THE BLUES SOMETIMES - 55500 - $55. -
comp by Steve Allen, arr by Tom Kubis. This medium down swinger is
remenisent of that old Jimmy Smith organ minor blues kind of thang! 5, 4, 4,
P, B, D. This is a battle royal of the two tenors-this is another down and dirty
kind of thing! Advance.
ZAMBA - 50189 - $55. Comp by Steve Allen and Arr by Tom Kubis.
Zamba is a samba. Flute, soprano and flügel open this relaxed piece with lots
of nice flügel lines on the bridge. Open solo section for everyone. Unison
bebop lines introduce the big shout section and it all comes back to the small
group in the end. 6, 5, 5, P, B, D.
GERALD KUHN
BIG BAD BERT - 55450 - $55. Moderate walking swing, it's an original
feature in the Stan Kenton-Gene Rowland 1960's style. There are solos for the
guitar and 1st trombone. Next comes a trombone soli. Then a bass solo leads
to the key change and the full ensemble statement. 1st trumpet has a fat lip
trill lead on high E. Inspired by Kenton's Adventures in Blues album, No
doubles. Medium.
BIORHYTHM BLUES - 55451 - $55. Not really a blues, this original
work is a moderately up-beat swing shuffle that primarily features the sax
section. It has solos for 1st tenor sax, 2nd alto sax, and a sax soli section. Lead
trumpet tops out on a high E. There is an original high G in the third trumpet
voice. Great up-beat tune! No doubles. Medium.
BLUE BIRD - 55452 - $50. This a slow, bluesy feature, with a solo for the
2nd alto sax. It is in an arch form; i.e. A-B-C-B-A, with the solo in the middle
section. Has a nice piano-guitar George Shearing-style background section.
Requires a solid bass trombone player, and a drummer that knows how to kick
the brass, ala the Kenton style. Lead trumpet up to high E. No doubles.
Medium level.
JERRY'S JUMP - 55453 - $50. This is an original danceable up-beat riff
tune in the style of Kenton's late 40's-early 50's band. Plenty of unison
melodic lines. Solos for piano, 2nd trombone, 2nd tenor sax, and a small,
scream solo part for 3rd trumpet. A fun piece to play, and for the dancers, too.
No doubles. Medium level.
TAM'S TUNE - 55454 - $55. An original up-beat jazz waltz. Opening
statement played by the lead trombone, with ad lib solos for 1st trombone and
1st tenor sax. Flugel section features a build up to the final, exciting shout
46
chorus. It looks fairly easy to play, but it is a really difficult work to pull off.
Not for insecure musicians, this is an exciting work in the style of Buddy
Rich's Preach and Teach. No Doubles. Difficult level.
JOHN La BARBERA
CLOTH OF SILVER THREADS OF BLUE - 55002 - $65. This chart is
dedicated to Horace Silver & Blue Mitchell. Written in a small group within a
big band, it contains all of the elements of Horace's style. Solos for piano &
trumpet. 5,4,4,G,P,B,D. No Doubles. Difficult.
DANCING MEN - 55008 - $55. This Buddy Rich classic originally arranged
by Paul Lavender has been newly upgraded by its composer John LaBarbera
allowing this grade 3 chart to play more like the original recording. An
optional soprano sax part replaces Alto 1 in keeping with the original.
Needless to say, it is an ideal vehicle for drums with plenty of breaks and an
open solo. Part of the Sherlock Series by La Barbera, (“Tiger Of San Pedro”,
“Watson’s Walk”, “Chase on the Moors”, etc.)”Dancing Men” evokes a flavor
of the Highlands combined with a powerful jazz/rock feel. Electric bass and
keyboard should be first choice and don’t hesitate to include an open bass solo
before or with the open drum solo at 57. 5,4,4,G,P,B,D. Trumpet to G above
the staff. Medium.
ESPERANZA - 55007 - $65. This is an exciting, med-up tempo jazz samba
featuring tenor sax which culminates with a long vamp secton in the shout. It
was originally recorded by Diva on their CD "Something's Coming". There is
an optional Fr. Hn part included and lead trumpet range of F above high C.
Form AABA (16-16-16-16) Key Eb, modulates to Ab for the last shout.
Electric bass and keyboard work best. Difficult.
HIGHLAND CROSSING - 55003 - $65. This chart is a soprano feature
with a straight eights bed that builds to a high point for lead trumpet solo.
Modal changes with rich textured backgrounds. It evokes a Scottish Highland
flavor with an implied 3 against 4 melody. Solos for Soprano Sax and
Trumpet. Sax doubles: Alto on Soprano. Difficult.
OVER F - 55004 - $65. As you might discern from the title, Over F is
inspired by the Brazilian Frevo and uses a lot of F pedal with some F sharps
thrown in for a little harmonic crunch. John has included some of the energy
and joy of a Carnival coupled with a more conventional samba. Solos for
Soprano Sax, Drums, and Percussion. Sax doubles: Alto on Soprano. 5, 4, 4,
G, P, B, D. Difficult.
YOURS OR MINE OR BLUES - 55006 - $65. One of Pat La Barbera's
newest compositions that is a cross between a C minor and an F minor blues
with a couple of extra bars thrown in for good measure. Arranged by John.
Solos for Trumpet, Trombone, and Tenor sax. 5, 4, 4, G, P, B, D. No
Doubles. Difficult.
ZIN ZAK - 55005 - $65. Joseph Zynczak was a close friend and publishing
attorney of John's for over thirty years. The chart reflects the energy with
which he tackled the business at hand. He was as relentless in his challenge to
legal opponents as this chart is on the trumpets. A true friend will be missed.
Solos for Alto, Trombone, and Piano. 5,4,4,G,P,B,D, Alto 1 Dbls Flute, Alto 2
Dbls Soprano. Difficult.
DAVE LALAMA
BLUES FOR ... - 51804 - $55. Blues For... is a medium shuffle blues in G
that features an opening bass solo with a subsequent alto sax solo, sax soli and
syncopated ensemble shout chorus that solidifies the groove. 5-4-4-4 (Lead
trpt. E6) Diff.
FLASHBACK - 51801 - $57. Flashback is a medum swing bebop tune that
features the saxes on an AABA form with the trumpets taking over the B
section. The arrangements has 2 sections of improvisation (all parts have the
chord changes) 5-4-4-4 (Lead trpt. Bb5.) Med-difficult.
NO EVIDENCE - 51803 - $60. No Evidence is a medium, Monkish swing
tune based on There is No Greater Love, that features tenor sax and piano. An
emsemble "Pittsburgh March" (ala Erroll Garner) is thrown in for good
measure. 5-4-4-4 (Lead trpt. C6) Difficult+.

THIRD BASS - 51800 - $60. Third Base is a medium calypso (think St.
Thomas) that features the "low" instruments on the head (Bari, TB 4 and
Bass), a blues tune in thirds. An ensemble unison/octave soli sets up the solos
for any instrument to improvise on the blues (all parts have the chord
changes). Backgrounds for both brass and saxes are interchangeable to work
separately or together. The ensemble soli returns in retrograde form to set up a
drum solo with added backgrounds leading into the recap and coda. It is a
good chart for teaching improv, scales in thirds and the calypso feel. 5-4-4-4
(Lead trpt. C6).Med difficult.
TWO FOR TWO - 51802 - $55. Two For Two is a medium swing tune
based on Tea For Two that features alto and trpt soloists playing the head and
improve. 5-4-4-4 (Lead Tb. C5, lead trpt. F6). Diff+.
NICK LANE
AN INSIDE JOKE - 52020 - $45. Med tempo funk. Alto & Trpt feature
w/hard hitting brass licks & lots of room for bass slaps. Med-diff.
BONEHEADS - 52026 - $53. This medium swing burner features your
Trombone section on unison melody with blues changes and plenty of ens
work for all sections. Solo over blues changes for all sections w/ plenty of
groove space for your rhythm sec. Med level. Trpt range to D.
BOO BOO’S FUNKADELIC LOUNGE - 52027 - $49. A retro boogaloo
groove based on blues in F. Lots of 60’s references with new millenium
sensibilities. Easy range and rhythms but with some hip harmonies. For full
big band, but written to sound good with just 2 trpts, 2 trbns & 3 saxes.
FOR THE LAST TIME - 52025 - $48. Bluesy Trombone ballad in swing
style with easy ensemble backing.....lots of independent lines for backing
instruments. Flugelhorns/muted trpts throughout w/ easy range requirements.
Trpt to B, opt D, Solo Trbn to C with blowing in G minor. Nice easy feature
for your aspiring trbn soloist.
GIVE IT UP - 52021 - $45. Fast, hard-hitting, but easy R & B flavored
opener to feature Alto, Tenor & Electric Guitar. Med-diff level....move over
Aretha!
HUGHES STREET DUDES - 52022 - $45. Medium 16 bar blues w/a
contemporary Hip-Hop groove & “Steely-Dan” flavored bridge. Plunger
Trpt/Bone solos & open blues for all with easy range & tight horn licks. Meddiff.
I’M GOIN’ HOME - 52023 - $44. Also from Nick’s album, this pretty
“Groove” ballad feature for Bone has a mellow ensemble & unison flute lines.
Conductor’s part.
SATISFACTION GUARANTEED - 52029 - $49. A rockin’ shuffle
featuring a trombone/baritone sax duet. (opt. for 2 trombones). Slow rubato
opening into a double time swing groove. Easy level for young bands who are
looking to groove! Written for 5,4,4,4.
SIR GIRTH - 52024 - $45. High energy rock shuffle commissioned by the
Tokyo Union Jazz Orch, starts w/a ripping horn ensemble soli. Heavy rock
guitar & athletic bass groove make this a challenging feature for an aggressive
rhythm section. Tenor & Guitar solos. Conductor’s part.
TAKE THAT! - 52028 - $50. Here's a contemporary screamer written for
trumpeter Wayne Bergeron. Features the trumpet section with optional "up the
octave" solo parts. Energetic contemporary rhythms and harmonies give your
rhythm section plenty to think about while the ensemble sections will keep
your horn players honest. Difficult.
SCOTT LAVENDER
AMAZING MR. BIG DUDE, THE - 54102 - $53. A rollicking good time
for the whole family (instrumentally speaking), this is a combination funk
shuffle-swing chart with lots of space for blowing. No doubles required but
difficult ensemble work and a stop-time contrapuntal section should make this
one lots of fun. Difficult.
47
BLUES FOR LIZZY B - 54105 - $49. A medium tempo swing chart that
features flugel and soprano sax on the head. The band enters gradually and the
2nd chorus is a roaring Thad-style soli. Solos are for flugel and bone with
plenty of other fun.
CHICKEN LIPS - 54100 - $45. Out of control, funk madness with lots of
blowing for everyone, especially the saxes! Soli sections for trpts and bones
ensures no sleeping on the stand (or in the audience) during this tune. No
doubles. 5/4/4/G/P/B/D. Difficult.
DICK’S VAN DYKE (or Richard’s Goatee’) - 54103 - $51. - A rollicking
up tempo bop fest with a melodic motive that might be recognizable to Rob
and Laura Petrie. This tune, based on “Another You” changes. Features
challenging section work for everyone. 1st alto on soprano. Difficult.
FLOYD - 54101 - $48. A tuneful nod to Mayberry’s favorite barber, in that
hard to find funky, “swing-16th” feel. Diatonic, yet challenging with both
brass and sax sections featured. Open solo for Alto sax. Flute-clarinet doubles.
Difficult.
MERRY-GO-ROUND - 54106 - $51. Medium tempo samba featuring a
simple, gentle melody. Some fun contrapuntal ensemble work leads to solos.
Nice section for the bones to show off and a good “Latin” workout for the cats
in the rhythm section. This is the one your audience will go home humming!
Medium difficult. No doubles.
PRIME TIME - 54104 - $51. - Nice rock shuffle featuring sax exposition
with Earth, Wind & Fire - like horn riffs. Plenty of space for solos with
interesting contrapuntal variations and big shout chorus. Strong rhythm chart
with good use of guitar. No doubles. Medium difficult.
DOUG LEIBINGER
HELIOSPHERE - 56675 - $55. Up-tempo swinger - the Jazz Messengers
meet Jim McNeely! Features front line of Trumpet 2, Bone 1, and Tenor 1
versus the rest of the band – each has a dedicated solo section - finishes with a
frenetic shout chorus. Challenging tune but a burner! 5-4-4.G,P,B,D. Lead
trumpet to high D#. No doubles.Difficult.
RASALGETHI - 56676 - $50. Medium tempo Thad-inspired contrafact on
“Stella by Starlight” changes. Features 2nd trombone playing melody in
tandem with tenors and improvised solo chorus. Second solo is optional; can
be piano or guitar. Challenging sax soli followed by a short shout – easy
finish. Performed by the Illinois Wesleyan Jazz Ensemble directed by Tom
Streeter at the 2008 College Music Society “Two Greats” Conference.
5,4,(optl. 5),4,G,P,B,D, Optl. vibes.. Lead trumpet to high D. Optional vibes
and trumpet 5 parts included. No doubles.Medium Difficult.
ROMP - 56679 - $55. Romp is a medium-tempo bluesy waltz in Bb. Features
full chorus of bass solo with backgrounds after the head statement - easy
changes, but your bass player must be a strong soloist. Saxophones follow
with a burning half-chorus soli with brass hits leading into a tenor solo.
Exciting shout is followed by restatement of the B and A material with an
extension -short drum solo at end - easy finish. Lead tpt. to written Eb; lead
bone to Bb. 5/4/4/4. Medium Difficult.
VACA FRITA - 56677 - $50. A great introduction to salsa for the high
school or young college ensemble. This tune is best played as a traditional
Afro-Cuban groove with drum set, timbales, and congas, but it can be played
effectively with drum set alone. Rhythm section parts are written out, but may
be improvised. An optional vibes part is included. The open solo sections are
written for Alto 1 & Trombone 1, but could be adapted to any instrument. 5-4-
4, vibes, G,P,B,D.. Lead trumpet only to A. No doubles.Medium.
ZOE - 56678 - $50. Medium-slow swinger inspired by Sammy Nestico’s
“Scott’s Place.” Basie-style piano intro is written out. 16-bar piano solo leads
into a soft tutti with dynamic “surprises.” Powerful shout chorus wraps it up.
A great opener. 5-4-4, G,P,B,D.. Lead trumpet to high C.. Optional flute in
alto 2 part.Medium.

HANK LEVY
ABOVO - 54725 - $53. Medium Latin in 7/4. Open solos in the mid section
to climax in 13/4 slow rock. Then close like beginning. Diff level.
BREAD AND WATROUS - 54726 - $53. A Samba written for Bill
Watrous book. Of course a Trombone feature throughout the chart. Optional
Trumpet solo to give Trombone a rest. Medium fast tempo. Diff.
COMIN’ ON STRONG - 54727 - $53. Dbl-x feel Funk. An exciting hard
driving funk chart featuring Tenor & Trpt solos and ensemble playing. Diff.
DOWN HOME COOKIN’ - 54728 - $53. Dbl-x feel Funk. A med tempo
hay shaker featuring Trpt, Guitar, Alto builds to a huge climax making you
feel like putting money in the collection plate. Hard funk swinger. Med-diff.
ENTER STAGE LEFT - 54729 - $53. A straight ahead shuffle in 5/4.
Features Tenor solo, a soft shout, a double time Sax soli & big climax. Diff
LATINTENSITY - 54730 - $53. A dbl-x feel Samba in 4/4 shifting to 12/8;
a very strong production chart featuring solos by Tenor, Guitar or Piano and
Trpt. Also extended Percussion solo to climax. Diff level.
DAVID LIEBMAN SERIES
* * * NEW * * * ANUBIS – 51712 - $60. Composed by David
Liebman; arranged by Scott Reeves. Featured on Lieb's big band recording
"As Always". This arrangement centers around a 5/4 world music. Trpt. 1 has
one A above staff. S/A/T/T/4/4/G/P/B/D. Ostinato figure with multiple
soloists embedded in a wide variety of colorful background textures and
rubato unison melodies played over the prevailing vamp. The highest lead
trumpet note is written E (D concert).5/4/4/P/B/D/G. Medium difficult.
AS ALWAYS - 54351 - $65. This beautifully haunting Liebman original is a
slow/moody jazz waltz, as arranged for Dave (soprano sax feature) by Pete
McGuinness. Much employment of mutes & woodwind doubles helps create
certain orchestral colors reminiscent of Gil Evans and Maria Schneider.
Doubles: altos 1+2: flute; tenors 1+2: clarinet; bari sax: bass clarinet. Tenor 2
may play soprano solo part, if no extra tenor player available. There may be
some mixed meter and a few unusual chords. Medium-difficult.
BEYOND THE LINE - 51702 - $65. Arr by Vince Mendoza. This is a
lyrical composition in an eighth note featuring Bb soprano sax with
challenging chord changes of all types throughout the long form of the tune.
Altos and Tenors on Flute, Bari on Bass Clar., 5,4,G,P,B,D. Med.
BRITE PIECE, A - 51710 - $60. David Liebman Series. Comp. by David;
arr. by Andrew Rathbun. Originally recorded with Elvin Jones and featured on
Lieb’s Big Band recording As Always, this arrangement features a variety of
challenging chord cycles and some odd meter passages with one main soloist
in front. 5,4,4,G,P,B,D. Medium Difficult.
CARISSIMA - 51709 - $60. Arr by Henrik Frisk. A slow eight note quasi
ballad with five sections of four bar polychord harmonies. This arrangement
features an array of contemporary colors and nuanced orchestrations. Solos:
Soprano (or tenor or trumpet), piano or guitar. Bari dbls on flute. Recorded on
"Beyond the Line". Davie Liebman Big Band on Omnitone. 5,4,4,G,P,B,D.
Difficult level.
DONE WITH RESTRAINT - 51700 - $58. Arr by Jim McNeely. Very
representative of 20th centrury contemporary harmony. This arragement
features the soloist weaving in and out of a variety of dissonant harmonies and
subtle dynamic changes set in a rubato fashion. There is group woodwind
improvisation as well as featured piano and bass and a synthesizer part, which
if necessary can be combined with piano. No score. Difficult level.
FRACAS - 51707 - $55. Arr by Alan Baylock. With a fusion sixteenth
note intense rhythmic underpinning and intricate unison lines, this features the
soloist playing freely over the rhythm section as well as the entire band
improvising together creating a frenzied and chaotic "fracas". Other soloists
can easily be added. 5,4,4,G,P,B,D. Difficult.
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HIROSHIMA MEMORIAL - 51704 - $55. Arr by Ed Sarath. A
programmatic piece depicting the use of the atomic bomb ending World War
II. It involves a bit of rubato and question and answer episodes between the
various wind sections with the soloist involved in the rubato give and take.
There is a slow "Elvinish" feeling jazz vamp for the soloist and band to build
intensity for the ending. Difficult level.
NEW BREED - 51708 - $85. Arr by Scott Reeves. Medium tempo jazz. A
straight-ahead chord changes jazz tune with an ostinato bridge. Solos:
Soprano sax and piano. It features the sax section playing part of Liebman's
original solo recorded with drummer Elvin Jones in the early 1970's.
Doubles: alto 1 on soprano sax. 5,4,4,G,P,B,D. Medium level.
OFF A BIRD - 51706 - $65. Arr by Ed Summerlin. Celebrating Charlie
Parker, this straight-ahead jazz composition is in a "time, no changes" format
with plenty of room for the soloist to develop in any direction desired, offset
by band interludes. Soprano Sax Soloist, 5,4,4,G,P,B,D. Medium.
PABLO'S STORY - 51705 - $85. Arr by Bill Warfield. One of Liebman's
most popular pieces, this deceptively simple sixteen bar Latin feeling
composition is dedicated to the great artist Pablo Picasso. The arrangement
delves deeply into a variety of colors and harmonies, also featuring drums and
optional Latin percussion with challenging sax ensemble work. Difficult.
* * * NEW * * * PAPOOSE – 51711 - $60.Arranged by J.C. Sanford.
This waltz includes a good deal of counterpoint and alongside the main
soloist, there is a major trombone solo also. The arrangement is episodic with
a dramatic arc of tension and release sections and a sophisticated use of
harmony. Recorded on "Guided Dream" Brussels Big Band featuring Dave
Liebman. Tpt. 1 to one high dbl. G#. Alto 1 dbls. Sop., Flute. Alto 2 dbls.
Flute. Bari dbls. Bass Clar. Solo soprano. 5/4/4/G/P/B/D. Difficult.
* * * NEW * * * STANDOFF –Composed by Dave Liebman.
Arranged by Arnon Palty – 51713 - $50. This expressive medium level
ballad features sopranos saxophone but can be used with any lead instrument
(range might be altered) in a standard big band format. The composition itself
is rich in color, dark textures and dense harmonies, sounding much like a tone
poem. It is dedicated to the present conflict in the Middle East. Trpt. to one
written high D. Sop/A/A/T/T/B/4 Trpt/ 4 Bones/G/P/B/D. Medium.
* * * NEW * * * TOMORROW’S EXPECTATIONS – Composed
by Dave Liebman, Arranged by Arnon Palty – 51714 - $50. This chart is
medium level for a standard big band orchestration with a melodic and
dramatic melodic line in a ballad feel. The leading theme is carried throughout
the arrangement which features a prominent bass figure. Any lead instrument
can be featured (with possible range changes).Trpt. to written high C with one
high C#. Sop/A/A/T/T/B/ 4 Trpts/ 4 Bones/G/P/B/D. Medium.
* * * NEW * * * TURN IT AROUND - by Dave Liebman – 51715 -
$55.As recorded by the Dave Liebman Big Band on As Always. Alternating
between fast street-beat march and odd meter rock, this bluesy tune purposely
turns the beat around. Utilizing the altissimo register, soprano sax (or tenor) is
the featured soloist, with some solo space for drums and guitar. 1st trumpet
reaches high D, 1st trombone high C. Instrumentation is 5/4/4/4 (synth instead
of piano), no Wood Wind doubles. A bit of a challenge for all. Medium
difficult
WHEN TO LOVE - 51701 - $60. Arr by Vince Mendoza. A waltz in a 2
over 3 feel with an odd metered contrasting vamp section. This features
soprano or tenor saxophone and alto sax soloist trading over different solo
sections. The piece begins languorously in a rubato fashion and builds to a
climatic ensemble over the vamp. Difficult.
BERT LIGON
ASH - 56310 - $50. Ballad, then swing. Alto featured on pretty ballad that
shifts to swing and then back to ballad. 5,4,4,4. Medium.
BACKBONE - 56313 - $55. Swing funk or swunk chart. 5-4-4-4. Anybody
can solo using C minor pentatonic or C minor blues scale. Everyone has
interesting melodic material. Solo sections for trombones, saxophones,
trumpets and tutti. Crowds love this anywhere in the program. Med-diff.

BEHIND THE DOOR - 56311 - $60. 5-4-4-4. Tenor doubles flute, baritone
has optional bass clarinet part. Medium samba commissioned by the Warner
Robins Air Force Reserve Jazz Ensemble. Lots of linear interplay with solo
space for tenor sax. Difficult.
BLUE MESA - 56303 - $52. Samba in C minor (tempo 116-120+). Fast
samba that gets exciting without being too difficult. Open space for Alto 1 &
Trombone 1. Med.
BOOKENDS - 56312 - $55. 5-4-4-4, opt’l string parts based on familiar
chord changes. Medium swing chart. Begins with unison lines, and builds
using canonic techniques. Solo section with backgrounds. Lots of interesting
ensemble textures & thematic development. Medium.
CABAÑA CUBANO - 56304 - $52. Samba in C minor (tempo 116-120+).
Hot samba a bit more difficult than Blue Mesa. Lots of solo space. 5, 4, 4, G,
P, B, D. Medium difficult.
EBO'S GAZEBO - 56305 - $52. Medium swing (tempo 1/2 note = 96-104).
Medium swing with challenging changes for Alto 1 and Trombone 1.
Interesting polyrhythmic section at H as interlude between solos.
I'LL GO RHYTHMS - 56306 - $52. Samba in C minor (tempo 116-120+).
Written over changes similar to Autumn Leaves with extension. Challenging
rhythms and unison figures. Room for any number of solos. Medium difficult.
LA CALLE DOCE (12th Street) - 56307 - $52. Samba in F minor (tempo
116-120+). Samba with lots of ensemble and solo sections. Counterpoint at C,
big hook at B. Transition sections that make the audience listen carefully.
Hook returns at the end. Play this one last and the audience will leave singing
letter J. 5,4,4,G,P,B,D. Medium difficult.
MR. T.J. - 56308 - $50. Medium swing (tempo 168). Written over 'rhythm'
changes in Eb as a tribute to Thad Jones. Lots of ensemble sections and solos.
5,4,4,G,P,B,D. Medium.
OPEN SECRET - 56314 - $55. Jazz waltz. Tenor 1 may double on flute.
Melodic material for all players. Modal chord changes are not intimidating for
younger players, and still challenging for experienced players. Backgrounds
cued as needed on solo section. Perfect change of pace for the program.
5,4,4,4, optional string parts (Violin 1, 2 Viola, Cello) for standard
instrumentation with optional string parts. Medium.
PORTRAIT of the JAZZ ARTIST in RESIDENCE - 56301 - $50.
Shuffle. 1/4 note = 144. Piano solo out front. Themes are introduced at A & B
and creatively spread throughout the band. An ensemble section begins at C
which includes short sax soli. Solo space is at E with backgrounds provided.
The main themes return at F again divided among the sections of the band
build to the ending. 5,4,4,G,P,B,D. Medium.
TWO ALTOS - 56302 - $50. Blues in F. Swing: medium to up tempo. The
tenors always get more solo space it seems than the alto players. Bert wrote
this for his alto saxophone players so they would have some serious space to
show their stuff. It's a blues featuring the two altos with the melody and solo
space. Solo space with backgrounds is provided for each soloist. There is an
ensemble section as an interlude between the two soloists. It's all straight
ahead and fun. 5,4,4G,P,B,D. Medium difficult.
WASHINGTON SQUARE - 56315 - $60. Is a funky chart that will wake
up the crowd and the band. A great closer! a Few sections shift to a samba feel
(B,F, & J). The rhythms may look tricky, but they are quite natural and the
band will memorize them quickly. Alto 1 and Trumpet 4 have changes at E;
Tenor 1 and Trombone 1 have changes at G. Let the guitar play one with
overdrive. 5,4,4,4. Med-diff.
AARON LINGTON
AKAMA - 54387 - $55. This is a blazing uptempo composition featuring
improvised solos for alto saxophone and guitar. This chart is a great vehicle
for showing off your band’s skill at navigating the modern bebop style. A
virtuosic melody is presented by alto sax, trumpet, and guitar, punctuated by
aggressive brass hits. After the solos, the sax section plays a soli followed by a
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tuneful shout chorus and a recap of the melody. This arrangement was
commissioned by Ted Newton and the Moreau Catholic High School Jazz
Ensemble. No doubles are required of the saxophones. Top note for lead
trumpet is a written high D, and the top note for lead trombone is a written
high Bb. 5/4/4/G,P,B,D. Medium Difficult.
ASKEW - 54378 - $60. Up-tempo swinger loosely based on the chord
changes of the jazz standard "What's New?" It was recorded by the
University of North Texas One O'clock Lab Band on their album Lab 2002,
and was awarded "Best Jazz Arrangement" in the 2003 Downbeat magazine
Student Music Awards. In addition, it was the 2003 winner of the Sammy
Nestico jazz composition competition, sponsored by the USAF Airmen of
Note. Improvised solos are written for second alto saxophone and baritone
saxophone. Baritone saxophone doubles on bass clarinet. Top note for lead
trumpet is a written G3, and top note for lead trombone is a written C2.
Baritone saxophone doubles on bass clarinet. Number of brass: 10. 5, 5, 5, G,
P, B, D. Med difficult.
BLACK WIDOW, THE - 54375 - $57. This dark, modal-flavored medium
swinger was recorded by the University of North Texas One O'clock Lab
Band on their album Lab 2003, and was awarded an honorable mention in the
2003 ASCAP Young Jazz Composer Awards. An extremely tuneful melody
is stated over colorful chord changes by a trio of baritone saxophone, trumpet
and trombone. Solos are written for baritone saxophone and trombone and
interweaving counterpoint lines are incorporated throughout the chart. Second
alto doubles on a brief, simple flute part. Top note for lead trumpet is a
written F#3, and top note for lead trombone is a written B1. Second alto
doubles on flute. Med-diff.
CAPE BRETON - 54380 - $55. "Cape Breton" is a ballad featuring solo
flugelhorn. A spacious and floating introduction leads into a beautiful and
lyrical melody played by flugelhorn and enor saxophone. Light background
figures behind the flugelhorn solo build into a Kenton-style climatic shout
section, allowing your lead trumpet player to demonstrate his/her lyrical
capabilities above the staff. This composition was commissioned by the late
Maynard Ferguson and his Big Bop Nouveau. Alto and tenor saxophones
double on simple clarinet parts and baritone saxophone doubles on bass
clarinet. Top note for lead trumpet is a written Eb3 and top note for lead
trombone is a written Bb2. Med-difficult.
CERTAIN AMOUNT OF INDISCRETIONS, A - 54384 - $60. This is an
aggressive, uptempo composition featuring improvised solos for tenor
saxophone and trumpet. Composed by trumpeter Ken Edwards and Maynard
Ferguson's last drummer/music director Stockton Helbing, "Indiscretions"
shows off your band's skill at playing over a driving straight-eight 7/4 groove.
A tuneful melody is passed around the band, leading into solos by the first
tenor saxophonist and fourth trumpeter, divided by a funky interlude. After
the solos, the ensemble plays an exciting shout section with conservative brass
leads followed by a brief recap of the melody. No doubles are required of the
saxophones. Top note for lead trumpet is a written high Eb, and top note for
lead trombone is written high Bb. 5 Saxes, 4 Trpts, 4 Bones, G, P, B, D. No
Doubles. Medium-Difficult.
COBBLESTONE ROAD - 54376 - $57. This pensive and brooding
contemporary-style chart was commissioned by the USAF Airmen of Note
and was recorded by the University of North Texas One O'clock Lab Band on
their album Lab 2004. Within this medium-swinger, the melody is featured in
trumpet and tenor saxophone, both of which also have improvised solos.
Portions of the chart alternate between 4/4 and 3/4 time signature. In addition,
the middle of the composition switches from a swing feel to a straight-eighth
ECM feel. First alto doubles on a brief, simple flute part. Top note for lead
trumpet is a written E3, and top note for lead trombone is a written C2. Alto 1
doubles on flute. Medium-difficult.
DIFFUSION - 54381 - $65. "Diffusion" is a medium swing tune featuring
improvised solos for tenor saxophone and trumpet. Textural brass chords
progress into the melody presented by trumpet and tenor saxophone. The
bridge features a unique chord sequence in which minor chords descend by
major thirds, giving the soloists challenging yet exciting changes on which
they can improvise. This composition was commissioned by the late Maynard
Ferguson. First alto saxophone doubles on a brief and accessible flute part.
Top note for lead trumpet is a written G#3, and top note for lead trombone is a
written C2. 5,5,5,G,P,B,D. Med-difficult.

510 SAMBA - 54385 - $55. This is a bright samba written in2-3 rhunba clave
with solo space for alto saxophone, althought the solo section is easily opened
up to feature multiple soloists. It features a catchy melody played by alto sax,
trumpet, and trombone and the whole ensemble gets to sink their teeth into
some aggressive a cappella unison lines. This composition was commissioned
by Ted Newton and the Moreau Catholic High School Jazz Ensemble. No
doubles are required of the saxophones. Top note for lead trumpet is a written
high C, and top note for lead trombone is a written high Bb.5-4-4-G,P,B,D,
Medium Difficult.
EMERGENCE - 54392 - $55. Written for trombonist Andy Martin and the
San Jose State University Jazz Orchestra,Emergence is a beautiful, lyrical
ballad that features your trombone soloist. The melody ispresented primarily
in the upper range of the trombone solo, backed by beautiful, lush scoring and
a colorful chord progression. An optional flugelhorn solo part is included that
can substitute for the trombone solo Top note for lead trumpet is a written
high E, and top note for the solo lead trombone is a written high Db.
5/5/5/g/p/b/d.Medium Difficult.
EVENSONG - 54388 - $55. Evensong is beautiful and pensive ballad in 3/4
featuring baritone saxophone and flugelhorn. After a statement of the lyrical
melody from bari and flugel, ample solo space is given to baritone saxophone
to display his/her skills at navigating the changes of a modern ballad. After a
brief interlude, the trumpet soloist solos over a double time section in 4/4. The
ensemble returns for a tutti in the original 3/4 ballad style followed by a recap
of the melody from the soloists. This composition was commissioned by Brian
Kendrick and the Delta College Night Jazz Band. Alto and tenor saxophones
double on a brief and simple clarinet part. Top note for lead trumpet is a
written high D, and top note for lead trombone is a written hig A.
5/4/4/g/p/b/d.Medium Difficult.
IDYLWILD - 54389 - $44. Featuring a tuneful and aggressive melody
played by alto sax, trumpet and guitar, Idylwild alternates between traditional
swing and a modern funky hip-hop feel. Ample solo space for lead alto is
followed by a powerful shout section and brief recapitulation. This is a fun
chart that really lets your lead alto player show his/her stuff! This composition
was commissioned by Ted Newtonand the Moreau Catholic High School Jazz
Ensemble. No doubles are required of the saxophones. Top note for lead
trumpet is a written high D, and top note for lead trombone is a written high
G. 5/4/4/Vibes/P/B/D. Medium Difficult.
MAMBO DIABLO - 54390 - $55. Mambo Diablo is an up-tempo mambo
written in 2-3 son clave with solo space for tenor saxophone and trumpet.
Over an extended form and non-typical changes, your band will get get their
hands dirty working up a modern Latin jazz chart that offers some unique
challenges. This composition was commissioned by Greg Brown and the
Northgate High School Jazz Band. No doubles are required of the saxophones.
Top note for lead trumpet is a written high D, and top note for lead trombone
is a written high Bb. 5/4/4/G/P/B/D. Medium Difficult.
* * * NEW * * * MISSION DIGS – 54395 - $55. This grooving
shuffle features your saxophone section and gives your soloists plenty of room
to stretch out on the blues. This composition was commissioned by Ted
Newton and the Moreau Catholic High School Jazz Ensemble. Alto
saxophone 1 plays soprano saxophone throughout. Top note for lead trumpet
is a written high Bb, and top note for lead trombone is a written high Ab.
Solos open for anyone. 5/4/4/P/B/D/Vibes. Medium.
ORION - 54379 - $60. Jazz waltz that features baritone saxophone,
trumpet, and guitar on a memorable, Kenny Wheeler-type melody. It was
recorded by the University of North Texas One O'clock Lab Band on their
album Lab 2004. Improvised solos are written for bass and baritone
saxophone. The chart alternates between 4/4 and 3/4 time signatures as a
major part of the formal structure. Saxophones have no doubles. Top note for
lead trumpet is a written F3, and top note for lead trombone is a written C2.
No doubles. Number of brass:10. Medium Difficult.
* * * NEW * * * PASSACAGLIA IN C MINOR – 54393 - $60. This
arrangement of Bach's Passacaglia in C Minor was written by Aaron Lington
for a special concert with the Monterey Next Generation Jazz Orchestra and
tenor soloist, Joe Lovano. The arrangement was commissioned by The
Monterey Next Generation Jazz Festival and the Carmel Bach Festival. Bachs
ground bass was used as the primary motive for this arrangement and one of
the melodic variations from the original organ work is re-harmonized and set
in a modern jazz context for the tenor soloist. Moving the traditional meter of
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the passacaglia from three into four and setting the melody into a Kentonballad
style allows the tenor soloist to really stretch on some beautiful changes
backed by lush chords and countermelodies. The piece is written in such a
way that your first tenor sax player can leave out the tenor 1 part and play the
solo part with no negative impact on the arrangement. Bari doubles on an
optional, brief bass clarinet part. Top note for lead trumpet is a written high D,
and the top note for lead trombone is a written high Bb.Bari doubles on bass
clarinet. Tenor sax solo. 5 trumpets and 5 trombones/5/G/P/B/D. Medium
difficult.
PEPPER AARONS - 54383 - $60. This is a medium-up swing tune featuring
improvised solos for baritone saxophone and trumpet. Composed by trumpeter
Paul Tynan and arranged by Aaron Lington, "Pepper Aarons" attempts to fuse
the melodic style of Pepper Adams within a modern harmonic framework. A
catchy melody underscored by a deceptive chord progression is played by
baritone saxophone, trumpet and guitar. The head is followed by a saxophone
soli and a trombone soli which leads into solo space for baritone saxophone
and trumpet. After the soloists, the ensemble plays an exciting shout section
followed by a brief recap of the melody. This composition was one of the
winning compositions in the 2007 San jose Jazz Society's Composers
Competition. Aaron Lington was commissioned by the San Jose Jazz Society
to write this arrangement. No doubles are required of the saxophones. Top
note for lead trumpet is a written high C, and top note for lead trombone is a
written high C. AATTB, 4 trpts, 4 bones, G, P, B, D. Medium.
POINT ACON I - 54386 - $50. Point Aconi through-composed ballad that
owes a great deal of its inspiration from Thad’s chart “To You” . The chart
begins with a plaintive trumpet solo and gradually progresses into a full
ensemble chorale. After exploring a number of treatments of the melody, the
baritone saxophone is featured over a gradually building rhythm section that
climaxes into an exuberant statement from the full ensemble.This composition
was commissioned by Noe Marmolejo and the University of Houston School
of Music specifically for a concert at the 2010 Colorado Music Educator’s
Conference. Alto sax 1 doubles on soprano sax, and trumpets double on
flugelhorn. Top note for lead trumpet is a written high D, and top note for lead
trombone is a written high Ab. 5-4-4, G.P,B,D, Medium Difficult.
SPINNER - 54391 - $55. Spinner is a technical tour de force that will
demonstrate the skills of your saxophone section. A modern bebop melody is
played in fast unisons and Supersax style solis by your saxophones, giving
them an opportunity to display their dexterity. The solo section of Spinner is
easily opened up to feature sax soloists, and some call-and-response lines
between the brass and saxophones set up the shout section. This composition
was commissioned by Ted Newton and the Moreau Catholic High School Jazz
Ensemble. No doubles are required of the saxophones. Top note for lead
trumpet is a written high B, and top note for lead trombone is a written high
G. 5/4/4/vIBES/p/b/d/. Medium Difficult.
* * * NEW * * * 'SUP – 54394 - $55. A super fun and super funky
groove sets up a hip melody for tenor sax, alto sax, trumpet, and guitar. Plenty
of solo space available for tenor and trumpet, and your brass section can really
shine during the shout section. This composition was commissioned by Ted
Newton and the Moreau Catholic High School Jazz Ensemble. No doubles are
required of the saxophones. Top note for lead trumpet is a written high C, and
top note for lead trombone is a written high Ab. Nodoubles.5/4/4/G/P/B/D.
Medium Difficult.
SYNDICATE, THE - 54382 - $65. "The Syndicate" is a medium swing tune
featuring improvised solos for second trombone and guitar. A dark and moody
introduction leads into a tuneful melody played by trumpet, trombone, and
guitar. Muted brass backgrounds behind the trombone solo progress into the
guitar solo followed by a powerful shout chorus. This composition was
commissioned by the University of Houston Moores School of Music
specifically for a concert featuring trombonist Conrad Herwig. First alto
saxophone doubles on flute and baritone saxophone doubles on bass clarinet.
Top note for lead trumpet is a written E3, and top note for lead trombone is a
written B2. Med-difficult.
TRANSLUCENCE - 54377 - $57. This beautiful, Kenton-style ballad
features tenor saxophone on a lyrical, haunting melody accompanied by lushly
scored brass. This composition was recorded by the University of North
Texas One O'clock Lab Band on their album Lab 2003. Trumpets double on
flugelhorn, and saxophones have traditional woodwind doubles. Top note for
lead trumpet is a written D#3, and top note for lead trombone is a written Bb1.
Doubles: reed 1 utilizes alto saxophone and clarinet; reed 2 utilizes alto

saxophone, clarinet and flute; reed 3 utilizes tenor saxophone and clarinet;
reed 5 utilizes baritone saxophone and bass clarinet. Features solo for tenor
saxophone. Medium Difficult.
BRUCE LOFGREN
AMIGOS! - 54875 - $45. - This is a short, fun piece in the Tex-Mex style
which makes a great break tune or something to change the mood. One
piccolo for sax part. Medium.
AFTER BURNER - 54881 - $48. - This is a very exciting, boiling-energy
funk-fusion piece which challenges the whole band but features tenor sax and
drums. Med-difficult.
CARRY ON - 54878 - $49. - Easy-medium 3/4 time in jazz-pop style. Nice
melody and changes with Tenor sax feature. One sax part is piccolo.
HEART OF THE NIGHT - 54883 - $60. - Looking for a great closer? This
piece has an evocative, atmospheric introductory statement in half-time which
turns into a blistering jazz-rock-samba show-stopper that roars right on out.
Flute doubles on sax parts. Scored for 4 saxes, 3 trps, 3 trns, 5 rhythm (incl.
vibes). No. score. Diff.
IN THE SPRING - 54884 - $48. - Moving jazz waltz with nice chord
changes and a tinge of melancholy. Great flute feature which shows off the
whole band in extended ensemble passages. Flute or clarinet doubles for all
sax parts. Scored for 4 saxes, 3 trps, 3 trns, 5 rhythm (incl. vibes). Meddifficult.
MEET US AT THE BACK DOOR - 54885 - $51. - Medium-tempo,
driving 12/8 blues (16 bar form). This is a solo vehicle for alto sax which
builds intensity through background patterns by the horns and rhythm. Strong
ending. Med-diff.
MIDNIGHT MANHATTAN - 54886 - $48. - Evocative and haunting
minor melody forms the basis for this suite-length piece which features the
trumpet-flügelhorn soloist. Plenty of ensemble work for the whole band. Flute
or clarinet doubles for all sax parts. Scored for 4 saxes, 3 trps, 3 trns, 5 rhythm
(incl. vibes). Difficult.
SEVEN CITIES OF CYBOLA - 54887 - $51. - Exciting high-energy jazzfusion
piece with some challenging lines for the horns and guitar. Solo vehicle
for tenor sax and guitar (optional). Some parts are difficult.
THREE DAY SUCKERS - 54879 - $51. - Funk fusion piece which was
featured by Buddy Rich on his album “Big Band Machine”. Formerly
published. Solo vehicle for soprano sax. 5, 4, 4, G, P, B, D. Some parts
difficult.
PAUL LOPEZ
APRIL NOCTURNE - 51315 - $53. Beautiful slow Bolero for full band (8
brass, 5 saxes and rhythm). This chart features Alto sax solo throughout. Very
romantic. Easy - Medium level.
AS THE CITY SLEEPS - 51308 - $49. Beautiful contemporary groove
ballad. Features Trpt & Piano. Flute dbls. Med-diff. Composed by Billy
Mitchell & arr. by Paul.
CHA CHA CHOCOLATE -51310 - $53. A sweet new original with a
surprising harmonic concept. Chart tastefully contains intriguing lines, making
this chart truly interesting and delicious! Very popular rhythm for dancers.
Opens up for everybody to solo. Flute doubles. A must for any book. Medium
slow tempo. Medium difficult.
CHA CHA IN G - 51316 - $53. Old style Cha Cha. Very danceable. Nice
groove. Interesting “Riff (mona)” section. Can be opened up for solos.
5,4,4,G,P,B,D,Perc, Trpt 1 to High E. Medium level.
DAZZLE - 51313 - $53. Swinging latin jazz-salsal. Features Trombone
section & Tenor solo. Background for solo section can be used independently
as additional "Riff" section. No Dbls. 5,4,4,G,P,B,D, Perc. Med-diff.
51
FLOREANDO - 51300 - $51. Hot Latin Jazz-Salsa chart. Easy to open for
solos. Features Tenor solo & interesting clave changes in the rhythm sec. 5, 4,
4, G, P, B, D. Alto 1 Dbls. Flute. Med-diff.
GUAJIRA BLUES - 51311 - $53. A wonderfully different and clever
mixture of a Guajira style with a blues form. Chart opens up for plenty of
soloing.Flute doubles. Medium tempo. Interesting last chorus. Med diff.
GUARACHA VARIATIONS - 51312 - $53. Here's an interesting medium
tempo tune in the Guaracha style with a Latin Jazz feeling. Rhythm very
popular with dancers. Open section for solos with accompanying
backgrounds. Medium difficult.
IT COULD ONLY BE YOU - 51301 - $51. Pauls rendition of Billy
Mitchells tune is captured in the contemporary latin feel. Solos: Piano &
Flute. Dbls. 5,4,4,G,P,B,D.
LOVE IN THE REDWOODS - 51302 - $51. Latin rendition of Billy
Mitchells tune. Solo: Trumpet. 5,4,4,G,P,B,D.
MAMBO DI PAULO - 51303 - $51. Hard swinging Latin Jazz-Salsa.
Good changes for blowing & easy to open. Features Trpt & Tenor solos.
Exciting out chorus. 5, 4, 4, G, P, B, D. Med-diff.
MI COLUMPIO - 51317 - $53. Swinging big band version of little big
band arrangement. Good swinging authentic latin jazz. Open section for solos.
Background for solos and can be used for additional riff section. Medium
difficult.
PAUL’S SALSA - 51314 - $49. Swinging Latin Jazz Salsa. Easy to play.
Features Tenor solo. Nice tight ensemble sound. Medium. No doubles.
REASON FOR BRIZEN - 51319 - $53. Swinging big band Latin Jazz uptempo
original with a touch of "avant guard" concept. Features good sax soli
and an interesting ensemble chorus. Open section for solos with backgrounds.
Riff (mona) section very catchy. Exciting out chorus. Medium difficult.
SERENGETI - 51304 - $52. Another chart by Paul of Billy Mittchells tune.
Solos: Tenor sax, Trumpet & Conga. Conga part can be performed by your
drummer.
SOLA NACI - 51305 - $51. Hot salsa w/ plenty of ensemble work. Vocal in
Spanish or solo part can be done by opt’l soloist. Hot ens sections. One Flute
dbl. 5,4,4,P,B,D.
STUDY IN SALSA MINOR, A - 51320 - $55. A bright swinging Latin
Jazz original written in minor. No doubles. Plenty of room for soloist to play
JAZZ against authentic Latin Rhythms...Nice melodic theme for saxes and
swinging out chorus for full ensemble. The middle of the chart has interesting
variations of the beginning theme. Medium difficult.
SWINGERS SCENE, THE - 51318 - $53. Old style swinging mambo with
a touch of “NEW STYLE” latin jazz. Features tenor solo. Easy to open for
other soloists. Swinging out chorus with surprise ending. No Score. Medium
difficult.
SYLVIA - 51306 - $49. Med slow latin style Bolero for full band. Features
Alto throughout. Nice romantic mood. 5,4,4,P,B,D. Med-diff.
UNO MAS - 51307 - $53. Exciting authentic Latin Jazz-Salsa chart.
Medium bright tempo. Easy to open & features Tenor solo. Interesting
rhythm parts. 5, 4, 4, G, P, B, D, Perc. Medium-difficult.
YO SOY RITMO - 51321 - $55. A lively rhythmic "Latin Jazz"
composition written in 3/4 time with a 6/8 latin feel offering a new concept in
"Latin Jazz" improvisation. Open for solos and for rhythm improvisation.
Medium difficult.

EARL MacDONALD
BAD DREAM - 51028 - $50. This humorous piece, based loosely on the
harmony of "You Stepped Out Of A Dream", was written for use with the
many high school honor bands and all-state jazz groups MacDonald conducts.
Medium-up tempo. Swing. No doubles (5,4,4,4). Features alto sax, piano,
drums. Some conducting required. Medium difficult.
BU WHO? - 51025 - $55. A tribute to Art Blakey (Buhainna). A hardboppin'
chart which alternates between swing and Afro-Curban feels. Medium
up tempo. Reminiscent of the Art Blakey & the Jazz Messengers. Features
drums, trumpet, trombone, and piano. Alto 1 dbls flute, tenor 1 dbls soprano.
Difficult.
CHARACTER DEFECT - 51030 - $55. Hints of Romanticism are evoked
by this contemplative, stirring piano feature. Vetted within the BMI Jazz
Composer's Workshop, this piece calls for woodwind doublings (3 flutes & 2
clarinets), fluegel horns, and a hefty bag of brass mutes. Med-diff.
FRIDAY NIGHT AT THE CADILLAC CLUB - 51026 - $55. As
performed by the USAF Airmen of Note and Maynard Ferguson & Big Bop
Nouveau. Winner of the Sammy Nestico Award. High-energy shuffle
composed by Bob Berg and arr by Ferguson's former musical director, Earl
MacDonald. Features guitar, B-3 organ (or keyboard) and drums. Optional
parts for guest soloists included. 5,4,4,G,P,B,D. Difficult.
JANA'S SONG - 51029 - $65. Selected as a finalist for the 2007 BMI /
Charlie Parker Jazz Composition Award, this gorgeous jazz waltz was
originally written as a surprise for his wife on their wedding day. Lush
sonorities are achieved with woodwind doubles and muted brass. Alto sax,
trombone, flugelhorn and drum set are featured. The original sextet version
was recorded by the Earl MacDonald 6 and features saxophonist Dick Oatts.
Medium difficult.
MEASURING UP - 51031 - $55. Written just prior to the birth of his first
child, MacDonald captures the anxiety and trepidation associated with "the
pre-fatherhood jitters." His creepy melodic material and pensive harmonic
settings are underpinned by the drum style of contemporary, underground,
electronic dance music. Woodwinds required. Solos for guitar, soprano sax,
tenor sax, and drum set. The lead trumpet goes to Eb above the staff. Here is a
breakdown for the woodwinds: Reed 1: Soprano sax & flute; Reed 2: Alto sax
& flute; Reed 3: Tenor sax & clarinet; Reed 4: Tenor sax & clarinet; Reed 5:
Bari sax (throughout). 4.4.G.P.B.D. Selected as a finalist for the ArtEZ
International Composition Contest in the Netherlands and premiered by the
Millenium Jazz Orchestra. Difficult.
MR. SUNSHINE - 51027 - $55. Commissioned and programmed by
USAF Airmen Of Note. Features flugelhorn and tenor sax. Woodwinds: flute,
clarinet, soprano sax, tenor sax, bari sax. Contemporary, straight eighths
groove. Medium Difficult.
SORTED SORT OF FELLOW - 51032 - $55. A swinging, medium-up,
Eb rhythm changes chart with an “Eternal Triangle” bridge. Solos for
trumpet, trombone and piano. Includes a fun, meaty sax soli. Manageable
brass ranges, with lead trumpet going to C. Commissioned for the 2009
Central Massachusetts District Jazz Band. No woodwind doubles.
5,4,4,P,B,D, Medium Difficult.
CHRISTOPHER MADSEN
BELOVEANCE - 53082 - $55. A moderate bossa with a challenging dense
chord progression. Lead trumpet to high F with solos in piano and trombone
2. A good study in theme and variations. Alto 1 doubling to flute, alto 2, tenor
1 and tenor 2 doubling to clarinet and baritone doubling to bass clarinet.
Good for the medium-level college to professional big band. Medium
difficult.
I'LL BE YOURS - 53081 - $55. A medium-slow tempo swinger
(quarter=100) with lush chords and a pretty melody. Solos in piano and
trombone 2 with a brief sax soli. A good chart for the high-level high school
band which gives trumpet 1 good lead practice while not playing above a high
D. Voicings supplied for piano. 5, 4, 4, P, B, D. Medium difficult.
52
REFLECTIONS - 53085 - $55. This medium-up swinging chart is
reminiscent of Bob Bookmeyer's early writing for big band. The chart
containes tenor and trombone solos that can be opened up as well as some
extreme register work by lead trumpet and bass trombone. A high-energy
chart that wows audiences. Medium difficult.
SPRING AND FALL - 53086 - $55. This ethereal and reflective chart hints
at Afro-Cuban 12/8 grooves but is more reminiscent of Pat Metheny or Lyle
Mays than Dizzy Gillespie. Lots of color and texture make it easy on the ears
and perfect for the high school or lower level college jazz ensemble. No
doubling, lead trumpet to high D. Extended solo written for guitar. Voicings
and bass lines are provided for rhythm instruments. 5,4,4,G,P,B,D. Med diff.
JOHN MAHONEY
AIR PADDLE - 52068 - $53. - An up tempo Bb blues with a bridge
commissioned by the Airmen of Note. The chart includes a difficult sax soli,
flexible improvised solo sections with backgrounds, and lots of traditional big
band shouting. Challenging but fun, it would make a good opener or closer.
Lead trumpet to written high G.
ANOTHER ONE OF THOSE THINGS - 52060 - $52. Med up burning
chart based on Cole Porter’s “Just One of Those Things”. Can be opened for
solos. An exciting contrapuntal section minus the rhy section leads to a sax
soli. Med-diff.
ANTICIPATING COLORADO - 52069 - $53. - This begins and ends with
a 4 trombone chorale, with the rest of the chart being in a modern, somewhat
subtle, 2-beat and 4/4 swing feel. Improvised solos for alto and trombone on
cycle type changes and moderate brass ranges make this quite playable &
moderately difficult. Commissioned by Airmen of Note.
BARELY IN TIME - 52076 - $57. A medium up tempo original in 5 flats
based on an old standard with a similiar title. Solos are for piano (or guitar)
and trumpet 2 (or trombone2). There are 3 contrapuntal choruses in front
where everyone gets a piece of the action, a sax soli and a slow burn tutti out
chorus that builds to the end. Trumpet 1 to written Eb, trombone 1 to high Cb.
BASIE BLUE - 52077 - $55. A medium tempo blues in Eb, featuring
trumpet 2 and bari sax on the melody and lots of solo space. There are a
couple of choruses of horn counterpoint without the rhythm section, and
several roaring shout choruses. A bridge interlude takes over at the end for
more soloing and ensemble passages. Trumpet 1 to written high F, trombone
1 to high B.
BLUES FOR BILL EVANS - 52061 - $52. Med tempo “Blues for Alice”
type progression with 16 bar contrasting bridge. Solo: Tenor w/ opt’l Trpt
&/or Bone solos. Chart concludes w/challenging sax & brass solis, & a
modulation to A major for the metrically shifting ending. Med-diff.
CARLOS NAVARRO - 52064 - $48. Quick-moving bossa nova features a
small group of muted Trpt, Bone, Alto & Piano. Flexible solo section follows
for any number of soloists. Next, a full chorus sax soli to the climatic out
chorus. Med diff.
CHANGE OF HEART - 52073 - $53. Begins as a balad, double times to a
jazz waltz, and settles into a jazz samba. Features tenor or optional solo flute
on very difficult chord changes. Flute doubles in Alto 1 & 2, flugels in all
trumpets. Lots of nice counterpoint and a powerful shout chorus subside into
the short ballad ending. Leat tpt to written Eb. Difficult.
DAVE’S SAMBA - 52062 - $52. Front line of Tenor, Alto & Flugel. Any
or all may solo plus Piano has opt’l solo. 5,4,4,G,P,B,D. Diff.
ELLA'S HAPPENING - 52067 - $58. Based on "It Could Happend to You",
the chart alternates between bossa nova and swing feels, and the keys of Eb
and G. A sax soli chorus proceeds solos by trumpet or trombone, and alto or
tenor, each with 2 choruses of backgrounds. A bass/bari/bass trombone unison
chorus separates the solos, with 2 choruses of counterpoint and shout
completing the arrangement. Challenging for all, the Trumpet 1 goes to
written G#, Trombone 1 to high C. 5,4,4,4. G,P,B,D. Difficult.

IN FROM SOMEWHERE - 52071 - $55. A medium swing piece
employing some 12-tone melodic and harmonic techniques, but based on the
standard tune "Out Of Nowhere". Soloists (tpt, or trn and soprano or tenor)
should be comfortable going somewhat "outside" on this. Lead tpt to written
D, lead tbn to Db. A cooled down shout chorus with tricky sax unison lines
comes before the recapitulation. Medium difficult.
MEAN CHILD - 52063 - $45. Slow blues in 12/8 features an Alto soloist &
a plunger-muted Trpt soloist. Dissonant “Thadish” voicings, triplet cross
rhythms, dbl-x sections & a sax soli w/baritone lead all contribute to an
Ellington flavored chart. Medium-difficult.
NO CARES - 52070 - $53. - An up tempo swinger on the chord changes of
“Who Cares?” A somewhat challenging Trombone - Baritone Sax - Bass
unison soli on the second chorus leads into a flexible improvised solo section
with backgrounds, followed by a piano solo. An optional drum solo based on
the melody may serve as an introduction, if desired. The last chorus shouts all
the way. Medium difficult chart, with lead trumpet up to a written high F.
RABBAI’S BLUES - 52065 - $45. Med slow “Basie” groove. Short solos
for Tenor, Alto & Trpt. Med.
RIBOLOGY - 52078 - $55. Loosely based on "Struttin With Some
Barbecue" the chart has an open solo chorus followed by a background chorus
designed for a trumpet solo. A canon fills the next chorus followed by a shout
chorus. Trumpet 1 up to written E, and Trombone 1 up to high C. 5,4,4,4. G,
P, B, D. Medium difficult.
SHEWBOSSA - 52066 - $45. Designed to showcase your flugel or bone.
Written for Bobby Shew. Interesting changes & pretty bossa w/dbl x samba
vamp. 5,4,4,G,P,B,D, + Solo Horn. Medium.
SHUFFLEBONE - 52074 - $53. This is a medium tempo AABA bluesy
shuffle in F minor that features the top three trombones on solos and the entire
section in an "a capella" soli. The 3rd trombone solo is cued in one of the
tenor parts, just in case, and the bassist gets some solo space, as well. Lead tbn
to high D with an opt'l Eb. Lead tpt to written D. 5,4,4,G,P,B,D. Medium.
THOUSAND ISLAND DRESSIN' - 52075 - $57. A medium up tempo in a
12 bar form that's almost a blues. Features trumpet or trombone solo
exchanges with sax solis and alto or tenor solo eschanges with brass solis plus
a string of exciting contrapuntal and shout choruses before the recapitulation
and surprise ending. The solo chord changes require mature soloists. Lead tpt
to written high G. Medium difficult.
UNSPOKEN REQUESTS - 52072 - $49. A 3/4 ballad features solo
trombone. A fifth tpt part could replace section 1st trombone. Lots of tension
in this one built off of melodic minor lines and harmonies. Solo trombone to
high C. Leat tpt to written E. Easy medium.
FRANK MANTOOTH
SAGE OF DuPAGE, THE - 55001 - $55. Sage of DuPage is a samba
feature for gifted alto and trumpet soloists. The chart is fairly demanding for
the ensemble and does not attempt to avoid unconventional tonal centers (e.g.
Cb Major). Despite the challenge, however, the rewards of a successful
performance are great. Difficult.
STUDS OF WAR, THE - 55000 - $55. This chart was commissioned by the
USAF “Airmen of Note” to challenge their trumpet section. Obviously, this is
not a chart for those with a fear of ledger lines. Blowing changes appear for
Trumbone 1 and Guitar. This creams from downbeat to the cutoff. Difficult.
MARK MARKUS
A.L.B. - 55825 - $50. Do you have a strong lead alto and lead trumpet
player? This is a ballad which features the lead alto sax with lyrical and
poignant minor/major chord changes. Nice double time section and a lengthy
sax soli in the middle gives way to a powerful and emotional ending.
Challenging trumpet and sax parts. 5 saxes, 5 Trumpets, 4 Bones, Rhythm.
Saxes double on flute.Trpt. 1 to high F. Level: Medium-Difficult
53
MEDIUM BASIE SWING - 55826 - $50. This is the title track from the
album released by the Los Angeles Jazz Workshop on AM-PM records. As
the title suggests, this is a medium swing tempo in the style of Basie. Nice a
capella trombone soli, catchy melody and classic shout chorus make this an
effective and fun big band chart.Trpt. 1 to high double Dbl. A#.
5,5,5,G,P,B,D.. Level: Medium
ROB McCONNELL
BACK BEAT, THE - 51372 - $70. Comp by Horace Silver and Arr by Rob.
Medium swing. Chart features Trumpet, Tenor, and Piano solos. Two saxes
double on flute. Difficult level.
BLUE TAG - 51373 - $65. Medium blues. Blues with a tag. Featuring
Trombone, Tenor, and Trumpet. Medium-difficult. No doubles.
CLARINET IS BLACK & BLUE, THE - 51374 - $60. Five clarinet
feature. Slow blues like tune. ABC format. Some flute dbls on 2nd Tenor.
COUNTLESS BLUES, THE - 55260 - $70. Comp and Arr by Rick Wilkins
for the Boss Brass. Slow, wonderful feeling blues. Features Guitar and
Trumpet. 5, 5, 2, FR Horn, Trob, G, P, B, D. Medium-difficult.
DAYS GONE BY - 51359 - $70. Comp by Don Thompson & arr by Rob.
Tenor feature with ballad and dbl x back to ballad feel. Short Piano solo in the
middle. Saxes double on flutes. 5,4,4,2FH,G,P,B,D,Perc.
EVEN CANADIANS GET THE BLUES - 51376 - $85. Very fast chart
featuring Trumpet and Tenor. AABC format. Very, very difficult (per Rob).
Alto 1 doubles on Soprano.
4 B.C. - 51366 - $60. - Starts with rubato intro. This medium tempo chart
features Tenor and Trombone solos. Flute doubles on both Alto1 and Tenor 2,
Alto 2 on Clarinet, Bari on Bass Clarinet. Difficult sax soli. This chart
requires mature band. Difficult level.
4,679,385th BLUES IN Bb, THE - 51351 - $60. A groove/blues chart over
dbl x time rock. In the original form. Recorded on “Again Vol I.”
HEY! - 51358 - $60. 12/8 feel with a 2nd Trombone solo during shuffle
feel. Dbl x unison shout. Sop, A,T,T,B,5,4,2 Fr. Hn.,G,P,B,D, Vibes.
IT’S HARD TO FIND ONE - 51352 - $86. Excellent & very difficult jazz
waltz. Once again available in the original form. 5,4,5,2 FH,G,P,B,D.
JUST TELL ME YES OR NO - 51367 - $51. Ballad featuring Trombone.
Doubles on all saxes. Alto 1 on Flute, Alto 2 on Clar, Tenor 1 on Flute, Tenor
2 on Clar, Bari on Bass Clar. 5, 5, 2 Fr Horn, 4 Bone, G, P, B, D.
LOVE OF MY LIFE - 51360 - $70. Comp by Roger Kellaway and arr by
Rob. Ballad with dbl x feel. Featuring Flugel solo. Sax dbls.
MY MAN BILL - 51353 - $73. A great swinger. A tribute to Basie. Once
again available in the original form. Fl,Cl,Cl,Cl,Bass Cl,5,4,2 Fr. Hn.,
G,P,B,D, Vibes.
NIGHTFALL - 51370 - $43. - Composed by Gene Puerling and arranged by
Rob. Rubato intro leads to delicate ensemble writing without the rhythm
section. The rhythm section is tacit throughout. All saxes must double. 5,5, 2
Fr. Hn., No Rhy. Medium level.
RIFFS I HAVE KNOWN - 51368 - $75. Up tempo Blues. Solos for Alto 2
with open solo section. Great sax soli. Sax dbls. Difficult.
RUNAWAY HORMONES - 51354 - $70. Samba. Soprano and Trpt solos.
Another great McConnell chart once again available in the original form. “As
recorded on “Big Band Jazz Vol l.”. Dbls. 5, 5, 4, 2 Fr Horn, G, P, B, D. diff.
START WITH MRS. BEANHART - 51355 - $93. Up-tempo be-bop
chart. Once again available in the original form. 5, 4, 2 Fr. Horn, G, R, B, D.

STEREO BLUE - 51361 - $80. Straight ahead 4 with solos for Tenor and
Soprano. Alto dbls on Soprano.
STROLLIN' - 51364 - $70. Comp by Horace Silver and Arr by Rob. Easy
swing feel. Guitar solo.Alto dbls on Soprano. Includes conductor sketch.
THAT’S RIGHT - 51356 - $75. Rock chart. Quarter note = 138. Solos for
Tenor sax, Soprano sax & Trombone. Soprano & Flute dbl. Diff.
T.O. TWO - 51369 - $60. - Medium easy swing chart. Solos for Trombone
and Trumpet 5. Alto 1 and 2 double on Flute, Tenor 1 & 2 double on Clarinet,
Bari sax dbls on Bass Clarinet.
TRADITIONAL PEACE - 51362 - $90. Comp & arr by Rob. Slow four to
a Samba feel. Solos for: Flugel, Guitar. Sax dbls.
TRIBUTE TO ART FERN, A - 51350 - $70. One of the most requested
McConnell charts. A classic. Med-blues. Sax & Brass soli. Solos: Tenor &
Bone. 5, 5, 2 Fr horn, 5, G, P, B, D. Available in the original form.
WALTZ I BLEW FOR YOU, THE - 51357 - $95. Jazz Waltz. Features
Tenor and Trpt solos. Once again available in the original form. 5, 5, 4, 2 Fr.
Horn, G, P, B, D., Perc. Diff.
WALTZ YOU KNEW WAS BLUE, THE - 51371 - $80. Jazz waltz. Chart
features Trumpet and Tenor solos. No doubles. 5, 5, 4, 2 Fr Horn, G, P, B, D.
Difficult level.
WHO ASKED - 51363 - $70. Comp and Arr by Rick Wilkins for the Boss
Brass. Straight ahead four. Solos for: Bass, Trpt, Alto & short Drum solo. Sax
dbls. 5, 5, 4, 2 Fr Horn, G, P, B, D, Perc.
WINTER IN WINNIPEG - 51365 - $65. A "comfortable swing" chart
with solos for Soprano and Piano. Alto dbls on Soprano. 5, 4, 4, 2 Fr Horn, G,
P, B, D, Perc.
PAUL McDONALD
BOSSEVEN - 56102 - $53. Bossa in 7/4. Trombone featured in written and
improvised solo. Sweet sounding ensemble passage followed by key change.
Lead Trumpet goes up to A. 1/4 note = 86. Medium.
COP THEME - 56103 - $55. Exciting Medium Samba/Swing. Great Alto
Sax Feature and also features Trumpet solo. Strong Sax soli. Lead Trumpet
goes up to an optional high F. 1/2 note = 115. Difficult.
CRUSH THE WEAK - 56104 - $55. Fast, modern big band swing. Features
long tenor sax solo. Breakdown has Baritone Sax playing bass line for section
ensemble work. Huge drum solo to finish. Lead Trumpet goes up to an
optional high B. 1/4 note = 232. Difficult.
DIM AND BLUE - 56105 - $55. Medium altered blues written for and
recorded by the BBC Radio Big Band in the late 1980s. Features Piano,
Trumpet and Trombone solos. Lead Trumpet goes up to an optional high E.
Swing. 1/4 note = 138. 5,4,4,G,P,B,D. Medium.
FORGET ABOUT THE PAST - 56106 - $53. Slow Basie type Blues.
Trumpet and Trombone duet with solos for each. Also features l'istesso 12/8
section for ensemble and big ensemble section building to end. Lead Trumpet
goes up to Bb. 1/4 note = 86. Medium.
PABLO'S MONTUNO - 56107 - $55. Rock Samba. "Santana" style latin.
Starts with written Piano solo and also features Trumpet solo. Long dynamic
ensemble passage to close. Crowd pleaser. Lead Trumpet goes up to C. 1/4
note = 165. Medium.
SINK OR SWING - 56109 - $55. Med-up swing on altered blue line.
Features Baritone Sax, Piano and Trumpet solos. Lead trumpet goes up to
writen high D.. 1/4 note = 156.5,4,4,G,P,B,D. Medium.
THROWAWAY BLUES - 56108 - $55. Bebop style fast swing. Tenor Sax
and Trumpet duet and solos. Lead Trumpet goes up to an Db. 1/4 note = 220.
5.4.4.G,.P,B,D. Medium.
54
YOU ARE HERE - 56110 - $50. Gentle, easy Reggae with swing 8’s. ¼
note = 140. Piano intro followed by alto/trombone/trumpet trio. Long
trombone solo and long ensemble section to close. 5,4,4,G,P,B,D. Trpt. 1 to
high D. Medium.
PETE MCGUINNESS
AS ALWAYS - 54351 - $65. This beautifully haunting Liebman original is a
slow/moody jazz waltz, as arranged for Dave (soprano sax feature) and his big
band by Pete. Much employment of mutes and woodwind doubles helps create
certain orchestral colors reminiscent of Gil Evans and Maria Schneider.
Doubles: Altos 1 & 2 on flute; Tenors 1 & @ on clarient; bari on bass clarinet.
Tenor 2 may play soprano solo part, if no extra tenor player is available. There
may be some mixed meter and a few unusual chords. Med diff.
OUT OF THE FRYING PAN - 54350 - $65. This midium up tempo
swinger is based on an extended modal blues structure, and features many
challenging and exciting ensemble passages. Solos are scored for soprano sax
and trumpet, but can easily be opened up for other soloists. Doubles: alto 1 on
soprano. Lead trpt to one high D and high Eb concert, plus a few tricky
ensemble figures. Difficult.
LADD McINTOSH
BULBOUS GARLIC BLUES - 50502 - $48. A mixture of the old and new.
This chart has a challenging, modern melodic line, while the backgrounds are
highly suggestive of the old “boogie-woogie” style. Open solo section. Med.
BUMPS - 50503 - $46. Old time shuffle. Bluesy, rompin’, stompin’ chart.
Open solo section. Medium.
COYOTE WOMAN BLUES - 50504 - $48. Straight ahead, no-nonsense
blues. Audience will know your band came to play when they hear this chart.
It grabs from the opening sax notes and just doesn’t let go. Trumpet, Tenor,
and Piano solos. Reminiscent of Jimmy Smith’s great organ style. Very hip
challenges. Excellent sax soli. 5/5/4/G/P/B/D. Medium.
DENDROLOGICAL PROJECT - 50544 - $47. Alto sax feature. Written
for Phil Woods. Fiery latin. Doubles. Easy clarinet doubles. Medium.
DIRTY FORK - 50505 - $43. Fun Rock chart. Quirky, animated melody in
unison saxes. Brass may be played down an octave at end by younger player
bands. Excellent rhythmic study for sax players. Medium.
EL CERTO GORDO - 50506 - $48. Rousing demanding Samba. Much
color. Powerful brass. Excellent rhythm drills for entire band. A strong and
challenging latin chart. Doubles. Diff.
EVIL OF TWO LESSERS, THE - 50508 - $48. Title is the answer to the
joke definition of “Country-Rock.” But this chart ain’t country and it certainly
isn’t rock, though it does have some of the hippest country licks you’re going
to hear. Excellent “old-timey” changes that make this chart a blast for your
soloists to blow on. Great shout chorus. Solos: Tenor and Guitar.
5/5/4/G/P/B/D. Medium.
FUGU EXPRESS, THE - 50510 - $48. Powerhouse chart. Medium bright
tempo. Alternates latin and swing. Challenging line and another great chord
progression from Ladd. Fugu (foogoo) is the blowfish delicacy highly prized
in Japan. If not cleaned properly it is deadly. Ladd says, “If not rehearsed
properly, this chart can be deadly!” This chart builds excitement. Open solo
section. Medium difficult.
FUNKY PIEDMONT KITCHEN - 50511 - $38. Rough and tumble piece
that speaks of the stark, ridiculously inadequate kitchen in which Ladd
prepared a sumptuous meal. The setting was idyllic; the kitchen was FUNKY.
Explosive. Solos: Bari sax or Guitar. No doubles. Medium.
GOODBYE, GRANT - 50548 - $35. Part of The Last Mesa Suite.
Haunting ballad for soprano sax and piano. Mostly written out with minimal
improvisation. Rest of the band plays only at the end of the piece. Excellent
change of pace chart. Medium difficult.

GURU - 50512 - $44. Latin funk. Ladd’s personal favorite as a closer a la
Chick Corea. Solos: Soprano sax and Bari. Doubles. Medium difficult.
LA MUJER CON OSOS DE GRACIOSOS - 50515 - $48. Wonderful
latin chart. In Ladd’s inimitable style. Features Flugel or Alto solos (comes
with both parts). Excellent latin rhythms and some real fun lines and exquisite
lush voicings. Medium.
LATE NIGHT AT THE L.Q. - 50517 - $47. Rock. Pure rock. This Ladd
McIntosh chart will certainly get your audience off.
LEAN ‘N LECHEROUS - 50518 - $46. Nasty funk. Good unison
dialogue. Haunting Alto and Guitar line. Solos for Tenor and Guitar. Nice full
unison lines in low brass and reeds. Med.
LEGACY - 50549 - $65. Part of The Last Mesa Suite. Muscular, straight
ahead driving up-tempo chart. This one roars from the first bar. Solos: Tenor,
Piano, and Bone. Band shouts! Just when the chart seems to end, there is a
short, soulfl trumpet solo played over lush-voiced sustained chords and then
the chart explodesto the quick ending. A dramatic climax to one of the best
suites ever from McIntosh. Medium difficult.
LITTLE FLANNIE’S DOOZITS - 50519 - $46. Rollicking shuffle.
Challenging brass solo. Classic ending. Solos: Tenor, Bone, and Guitar.
Medium.
MINI-Q - 50521 - $47. Companion piece to “Queef Mobile.” Joyful bluesy
romper. Excellent emodic line. Easy changes. Medium.
MOONRISE - 50522 - $44. Ballad for Tenor sax solo. Evocative and lush
with a uniquely beautiful melody. Horn parts are easy; solo part is mediu.
Piano voicings written our. 5/4/4/G/P/B./D/Perc. Medium.
RAOUL at the ZEPP CLUB - 50528 - $46. Contemporary song form in a
‘Pop’ latin style. Repetitive hook is fun to work out and gives this chart real
energy. Some beautiful Alto solo and Guitar spots. Opt’l doubles. Medium.
RIDE THE NIGHT BEAST - 50545 - $51. A surging, powerful chart with
a decided funk flavor. Ladd took a “Tower of Power” lick and wove this chart
around it. Has an exciting melodic line and some great dialogue between the
band and percussion/drums. Excellent brass writing. Up tempo...but not too
much. Very exciting.
RUGGED COAST - 50530 - $44. Ladd evokes the breath-taking Northern
California coast in this stunning work. Alto solo. Lush chords that seem to just
hover. Some doubles. Medium.
SUITE MESA II - 50532 - $65. Three movements: Latin, Alto sax ballad,
and flag waver. Solos: Alto and Piano. Doubles. Medium difficult.
SWAMI LADD’S K-A WONTONS - 50533 - $47. Laid back funk. Great
changes. Open solo section. Doubles. Medium.
TACO TEE SHIRT - 50546 - $60. Part of The Last Mesa Suite. Very
melodic Latin chart. This one really grooves. Trumpet solo with lovely
haunting ensemble background. Excellent counterpoint between trombone and
trumpets. Fun to play. Medium difficult.
UNCLE CARBUNCLE, DEFUNCT DEBUNKER - 50534 - $48. 323
measures of spirited music. Not too difficult. Solos: Tenor, Bone, and your
choice of any other sax. Medium.
YA’ GOT TO SPAZ-MOTIZE YER FUNK - 50536 - $47. Three kinds of
funk. End has animated unison sax line, bone punches and stacatto trpt blasts
added in layers, building to powerul climax. Alto and Guitar solos. Medium.
DEAN MCNEILL
C.K.U.A. - 50725 - $55. C.K.U.A. is named after a radio station in Alberta,
Canada which has been a huge supporter of the arts, jazz in particular, for
many years. This composition alternates between a 12/8 Afro-Cuban and
broken swing groove. It features the sax section and solos for lead tenor and
guitar. The composition explores a somewhat non-conventional approach to
55
big band formal structure and is largely based on 3 note motive.
Instrumentation includes 10 brass, 5 saxes ( 2 altos, 2 tenors, 1 bari,
pno,bass,guitar,drums). C.K.U.A. has a challenging sax soli. Lead trumpet to
written "E". The first tenor sax player will note ( ) markings in the solo
section. These markings indicate that the soloist should improvise inside these
bracketed sections, only on the second time through these repeated sections. A
guitar with a somewhat overdriven sound ( i..e. John Scholfield sound
concept) works very well for the composition. Medium Difficult.
DAZE - 50728 - $53. This is a wonderful medium up swing minor blues
composition which employs a few interesting metric modulations ( i.e. tempo
changes). The sax soli is very interesting, the solo changes are straight
forward in nature ( i.e. "C" minor blues), the shout chorus is exciting and in
general, the tune is a very exciting set closer or set opener. Instrumentation:
Standard big band ( i.e. 2 altos, 2 tenors, 1 bari, 4 trumpets, 4 trombones,
guitar (optional), piano, bass drums). Alto 1 may also be played on Soprano
sax (part included). The top lead trumpet note is a written D. A fairly secure
drummer would be a great asset to this tune. Although the tempo changes are
non-standard in nature, these tempo changes are in fact fairly straight-forward
to put together. Medium Difficult.
FOR SONNY - 50731 - $55. This is a wonderful medium tempo composition
that alternates between 3/4 swing and 9/8 afro-Cuban. Arranged by Canadian
composer/arranger Dean McNeill this piece features either a solo guitarist or
solo trombonist throughout as well as a wonderful tutti horn ensemble section.
This tutti section works very well with or without rhythm section
accompaniment. For Sonny was composed by acclaimed Canadian jazz
guitarist Mike Rud who dedicated the piece to Canadian jazz guitar legend
Sonny Greenwich. 5, 4 , 4, g (opt’l), p, b, d, plus either the solo guitar or solo
trombone. Top lead trumpet note is written 'D'. Chord changes are fairly
'straight ahead' and wonderful to improvise over. Medium difficult.
GRATTITUDE - 50729 - $55. An off-beat groovy modern/contemporary
4/4 composition featuring a duo-solo between trumpet 2 (on flugel horn) and
alto 1. The piece also has a piano solo and an interesting development section.
The piece begins with an unaccompanied horn choral soli ( i.e. with flugels,
trombones, and saxes) then leads into a groovy rhythm section vamp before
embarking on the head, solos, development section, etc. Top lead trumpet note
is 'D'. This high-energy piece is very melodic in nature is an ideal set closer or
opener. Instrumentation: Standard big band ( i.e. 2 altos, 2 tenors, 1 bari, 4
trumpets, 4 trombones, guitar, piano, bass drums) works well for this piece
however a few substitute and optional parts are included which include:
Soprano sax part ( i.e. substitution for Alto 1). Soprano sax/Alto 1part
combined ( i.e. using both instruments at various parts in the chart). Trumpet 5
part (optional). Vibes part (optional). Medium Difficult.
THREADS - 50726 - $53. This is a medium tempo, contemporary sounding
original composition featuring lead tenor throughout. It alternates between a
broken swing and straight 1/8th note groove. The straight 1/8th note groove
can be played a number of different ways. The composer suggests either a
Bossa Nova or (preferably) a looser straight eighth note groove ( ala Miles
Davis' composition '81'). Overall, the chart relies strongly on the featured
tenor sax soloist, however ensemble parts briefly showcase each section of the
ensemble with accompanying parts manageable by a medium-advanced level
group. Instrumentation includes 8 brass, standard sax section (2 altos, 2
tenors, 1 bari, piano, bass, guitar, drums). Lead trumpet range includes a
written 'C#' with an optional 'F'. Medium Difficult.
VASQUEZ - 50730 - $55. A wonderful straight 1/8th note contemporary
composition which starts with an unaccompanied sax soli, employs a few very
interesting metric modulations ( i.e. tempo changes), alternates between 3/4
and 4/4, and, in general, is influenced by the music of Kenny Wheeler.
Instrumentation: Standard big band ( i.e. 2 altos, 2 tenors, 1 bari, 4 trumpets, 4
trombones, guitar (optional), piano, bass drums). Optional vibes part is
included. Improvised solo is in the alto sax 1 part and the top lead trumpet
note is a written 'G'. Although the tempo changes are non-standard in nature,
after listening to the demo audio recording, the tempo changes are in fact
fairly straight-forward to put together in a limited number of rehearsals. The
piece was composed for and dedicated to, trumpeter Dr. Raymon Vasquez,
one of the composer's dearest friends. No Doubles. Medium Difficult.
WHEELER DEALER - 50727 - $55. This is an exciting, modern 3/4
(broken swing) written in tribute to Kenny Wheeler. The chart explores
unusual harmonic progressions and features the ensemble and solo space for
guitar and/or piano. A guitar with a somewhat overdriven sound works very

well ( i.e. John Scolfield sound concept). Although the score indicates that the
chart is to be played very fast, note that the chart will work at somewhat
slower tempos. All down beat quarter notes are to be played very legatto
unless otherwise marked. Instrumentation: 10 brass, 5 saxes, ( 1 sop, 1 alto, 2
tenor, 1 bari, pno, bass, guitar, drums). (Alternate alto sax part provided for
sop sax however soprano is recommended). Lead trumpet written to 'E' with
optional written 'G'. The horn choral at both letter 'A' and letter 'O' is to be
conducted rubato, completely out of time with respect to the rhythm section
who should continue to play at the quarter note = 244 tempo. As a result the
horns and the rhythm section will then line up (meaning they will all start
playing together again, in time) at measures 14 and 214. Difficult.
CHRIS McQUEEN
FOE DESTROYER - 50561 - $55. An aggressive, driving straight-eighths
chart that features guitar and alto 1 (solos in both), and the drums toward the
end. The arrangement centers around modern harmony, rich textures, and an
exciting rhythmic motif. Of particular interest is the bombastic trumpet soli
with no rhythm section, as well as the funky sax/guitar soli. 5/5/5/G/P/B/D.
No doubles. Trpt high notes are mostly B and C’s with a couple of D’s and
E’s. Recorded by UNT One O’clock Lab Band. Medium difficult.
DON MENZA
ACID TRUTH - 51425 - $65. Another great chart from Don. 5, 4, 3, G, P,
B, D. Medium difficult. (7 brass - 4 trpts & 3 bones).
ANOTHER WHO - 51422 - $60. Features Tenor sax and Bass.
BEULAH WITCH - 51423 - $65. Classic slow rock chart. 1/4 note=90.
Guitar and drum solos with open solo section. Changes are in alto 1, tenor 2,
trpt 3, guitar, and piano. Lead trpt to written F#. 5,5,5,G,P,B,D. Difficult
level.
BLUES FOR UNCOMMON KIDS - 51400 - $65. Great Menza blues
chart. A must for every book now available. 5,5,5,G,P,B,D.
BONES ALONE - 51424 - $60. - Features the Trombone section. No score.
5, 5, 5, G, P, B, D.
BROADBOTTOM - 51421 - $60. Feature for Bass Trombone, Bass Bass
Clarinet.
BURNIN’ - 51401 - $65. Just as the title indicates, this chart burns. 5, 5, 5,
G, P, B, D.
DIZZYLAND - 51402 - $65. Another great Menza chart now available. 5,
5, 5, G, P, B, D.
FAVIANA - 51417 - $60. Feature for Guitar and Tenor.
GROOVE BLUES - 51403 - $63. What a great classic. A must for every
book. 5, 5, 5, G, P, B, D.
ROOVIN' HARD - 51429 - $73. No descripton needed. One of the all time
greatest charts recorded by the Buddy Rich Big Band. 5, 5, 5, G, P, B, D.
Medium difficult.
NEW SPANISH BOOTS - 51405 - $63. A classic Menza chart.
NOTE-WALKER - 51406 - $60. Up tempo flute feature. Med-diff.
PADDLIN MADELINE - 51407 - $60. One on Don Menza’s favorite
charts.
PLACE, THE - 51420 - $60. Features Tenor and Guitar. Woodwinds
double.
REBEL ROUSERS - 51415 - $63. Medium up shuffle. Solos for Guitar &
Trumpet with opt’l Tenor sax solo. Great sax soli with a roaring shout chorus.
Difficult. No doubles.
56
RED MEN’S REVENGE - 51408 - $63. Very up tempo swing chart.
Changes are based on Cherokee. Solo space for Tenor sax, Trombone and
Drums. 5,5,5,P,B,D.
RED SNAPPER - 51433 - $70. Comp by Bobby Shew, arr by Don. Very
up tempo chart. 1/2 note = 100. Open solo section. Changes are in Alto 1,
Tenor 2, Trpt 5, and Trbn 2. Great shout chorus. 10 brass. 5, 5, 5, P, B,
D.Difficult level.
ROSE TATTOO - 51409 - $60. Med swing. 1/4 note = 120. Features Tenor
solo. Dbls: Flutes and 1 bass Clar. Difficult.
ROYAL - 51427 - $60. - Dedicated to Marshall Royal. Ballad featuring
Alto.
SAMBA DE ROLLINS - 51410 - $63. Fast Samba. Features Tenor sax,
Soprano sax and Drums. Two Soprano dbls. 5,4,3,P,B,D. Difficult.
SAMBANDREA SWING - 51411 - $79. This great drum feature was
recorded by Louie Bellson and Explosion. 5.5.5.G.P.B,D,Perc.
SAMBIANA - 51416 - $60. Fast samba, features Trpt or Trbn (your
choice). Opens with drum solo. Not extremely difficult but watch out for the
shout chorus.
SHUFFLE BROTHERS - 51412 - $63. Nice shuffle by Don. Solo space
for Piano, Trumpet & Trombone. 5,5,5,G,P,B,D. Difficult.
TENOR TIME - 51413 - $63. Nice Tenor feature. A must for every library.
5, 5, 5, G, P, B, D .
TIME CHECK - 51431 - $73. No description needed. As recorded excatly
by the Buddy Rich Orchestra. 5, 5, 5, G, P, B, D.Medium difficult.
TIME TO LEAVE - 51432 - $60. Medium fast swing. Solos for Guitar,
Tenor sax, and Piano. Solo Tenor, 5, 4, 4, G, P, B, D. Medium difficult.
T.N.T. - 51419 - $60. Features Tenor and Guitar solos. Can be opened for
solos at bar 43. 5, 4, 4, G, P, B, D.
TONAWANDA FATS - 51414 - $63. Another great chart from Don
Menza.
WHERE DID SUMMER GO - 51418 - $60. Features Tenor solo.
CHRIS MERZ
BEAUTIFUL ONE, THE - 54301 - $55. A lyrical jazz waltz in the ECM
style, featuring flugelhorn soloist. The harmony is influenced by Wayne
Shorter. Running time is approx. 6 minutes. Solos for Tenor 1, Trpt 2, Trbn 1,
Guitar, or Piano. 5, 5, 4, G, P, B, D,Trpt 1 To High C#. Medium.
BLUE IN A RED STATE - 54302 - $60. Commissioned by the
Massachusetts chapter of IAJE for the Massachusetts All-State Jazz Band.
Written in the slippery shuflle style of Steely Dan, this piece has lots of
engaging ensemble passages. Open solo space for any instrument (changes
appear in Alto 1, Trpt 2, Trbn 1, and Rhtym section parts). Running time is
approx. 6 minutes. 5,5,4,G,P,B,D. Medium.
HOWLING FANTODS - 54306 - $55. Commissioned for the Waukee
(Iowa) High School Jazz Ensemble I, this piece is written on Monk’s
Epistrophy changes. The groove is a modified baion feel with occasional
swing. Piano and Vibes (optional) carry the melody at the start, although
Rhodes piano is really the optimal color. The solo section is written for piano,
but could be opened up for anyone in the band. An exciting development
section leads to a rhythm section breakdown section upon which is built 3
layers of counterpoint. A short piano solo interjection leads us back to a
partial recap of the tune with a brief coda section. Modest brass ranges (lead
trumpet touches D once; lead trombone to A).Soloist - piano (or anyone).
Doubles - none.5,4,4,G,P,B,D, Optl. vibes. Medium.

INCIDENT @ PERKINS - 54309 - $60. Incident @ Perkins depicts, in the
hard bop style, what can happen if you forget to ask for a plastic fork to go
with your to go order of pie: sweet, sweet petty theft! This chart is full of
parallel fifths, so theory police, get out your red pencils. Seriously, this chart
is a big band romp in the hard bop tradition. Inspired by real-life events, the
tune is somewhat Brecker-ish in nature. The piece climaxes in a tug-of-war
between the ensemble and the drummer. Who will win? It doesn’t matter,
because everyone gets pie. This MOAJE commission was funded by Martha
Stitzel in memory of her father Matt Betton, co-founder of the National
Association of Jazz Educators, and her mother Betty Betton, Administrative
Assistant. Soloist: scored for Alto 1,tenor 1,trumpet 2,trombone 1, or rhythm.
Also space for the drummer. Tpt. to written D. 5/5/4/G/Vibes/P/B/D.
Medium.
KOOBISM - 54304 - $60. Commissioned for UNI president Bob Koob's
farewell celebration. Koobism is a straigt ahead swinger in the hard bop style.
The A section of the 32-bar theme is based on Coltrane's Resolution, and the
bridge features major harmonies rising by major thirds, ala Giant Steps.
Introductory and interlude material brings to mind Chick Corea's Three
Quartets album. Lots of contrapuntal writing, as well as an interesting
saxophone soli and a traditional ensemble tutti near the end. Soloists: alto,
piano, drums (could be opened up for any instrument.) Doubles: none.
5,5,4,G,P,B,D. Med-difficult.
PAGAN PIE - 54308 - $55. Is it an unholy dessert? Maybe, but the title
actually refers to the short-lived outfield combination of Angel Pagan and
Felix Pie, active with the Chicago Cubs for a brief time. This straight ahead
swinger was commissioned by Michael Prichard for the Bishop Heelan High
School jazz band, Sioux City, Iowa. A happy sounding piece, this tune is
mostly in either C or A flat major, making the improvisation accessible to
developing players. Harmonic variety is achieved through clever use of
diatonic passing chords and moving basslines, including an obvious tip of the
hat to the Jackson Five. The saxophones get a lot of love in this one, including
melodic material, a chorus-long soli, and some unison interjections in the
shout chorus. Brass ranges are comfortable for high school or college
musicians (lead trumpet to D, trombone 1 to A). Bass lines are written out,
with chord symbols included. Piano part includes sample voicings
throughout.soloists—changes appear in alto 1, trumpet 2, trombone 1, and
piano. A vamp section features tenor 1.Doubles—none. 5,4,4,G,P,B,D.Vibes..
A vamp section features tenor 1. Medium.
QUIET NOW - 54307 - $50. Not quite a ballad, not really a jazz waltz, this
haunting piece features soprano saxophone throughout. The modal harmonies
are of long duration, challenging the melodic invention of your soloist as well
as your rhythm section’s ability to create and sustain a mood. Very reasonable
brass ranges—lead trumpet to D flat, trombone I to A.Soloist - soprano sax.
Doubles Alto 1 on soprano throughout: Bari doubles bass clarinet (optional);
all trumpets double flugelhorn.5,4,4,P,B.D..Medium Difficult.
THANK YOU VERY PLEASE - 54305 - $60. This uplifting piece was
written to honor one of the greatest jazz drummers of South Africa, Lulu
Gontsana. Even eighths. The introduction is built on major seventh chords
over a driving beat, which opens up at the start of the theme. It spaces out
even further in the bridge before returning to the intro material, this time with
a saxophone melody attached. Solo backgrounds are all derived from the
thematic material, adding to the tightness of structure. Slight formal
deviations occur in the solo sections, guaranteed to keep the soloist and
listeners on their toes. Ensemble development follows, ending in a partial
recap of the theme (reorchestrated). Finally, the introduction returns, this time
stacking up 4 layers of counterpoint! A rousing finish to an energetic chart.
Soloists - trombone 1, trumpet 4. DOUBLES NONE. 5,4,4,G,P,B,D. Lead
Trpt. to high F. Lead Trbn. to Bb.Medium-Difficult
UNLIKELY EVENT, THE - 54300 - $60. Straight eighth notes in the
ECM style. This multi-section piece in 6/4 time features tenor saxophone
over modal changes and electric guitar (solid body) or soprano saxophone
over pedal point and slash harmony (with a Led Zeppelin-inspired feel!). Two
themes alternate throughout the course of this work; the first features the
motive of rising and falling sixths, while the other has a Pat Metheny flavor.
Running time is approximately 10 minutes. Solos for tenor sax, guitar or
soprano sax. Doubles: lead soprano saxophone; alto 2/flute; tenor 2/clarinet;
trumpets on flugelhorn. Brass-5 trumpets, 4 trombones. Difficult.
57
DAVE METZGER
BACK IN THE SACK - 51450 - $48. This med swing chart is not just
another med swing chart! It begins w/a relaxed ens chorus, picks up
momentum during a Trpt solo & ends w/a driving shout chorus. Med.
BANG THAT WALL, HARVEY - 51451 - $48. Med tempo, 16 bar blues
shuffle written in a Thad Jones style. Tenor solo & sax soli. 5,4,(opt'l
5th)4,G,P,B,D.
BOLIVIA - 51469 - $57. Cedar Walton classic that will challenge all
sections of your band. Solos are for Tenor sax and Piano, with Alto 1 doubling
on Soprano. There are several ensemble passages, as well as a brief but
familiar latin section. This exciting chart will give your group a rewarding
workout. Sop, A,T,T,B,4,4,P,B,D.
BOYZ OF ‘THE HOOD’ - 51471 - $48. A medium-up swing chart that
opens with a mp unison muted trumpet line supported by a unison muted
trombone and bass counterline. After a grand pause comes a fortissimo shout
chorus that strikes from out of nowhere. A trumpet solo is followed by a sax
soli, of which the last 8 bars are a half time hip hop shuffle. A blazing shout
chorus finishes off the chart. Level 4.
CRASH AND BURN - 51453 - $53. Up tempo chart sizzles w/excitement.
Piano, Tenor & Trpt solos. Diff.
FIRST LIGHT - 51473 - $48. Here is a beautiful lush ballad that features
your jazz trumpet soloist. It begins with an a capella statement of the melody
by the band, which is followed by the entrance of the soloist. Chart has several
dramatic rallentandos and a modulation leading into an eight bar tutti
ensemble section. Chart concludes with suspended pedal vamp that arrives at
a solo cadenza & final statement of the melodic motif. Med.
FREE BEER - 51455 - $48. Exciting up tempo adventure. Starts out w/a
strong melody & ends w/a cooking shout chorus to test your ens. Solo for
Bone & alternate changes for Trpt. 5, 4, 4, P, B, D.Med level.
GREAZY RIDER - 51456 - $51. Greazy shuffle that grooves. Includes a
tenor solo. Alto 1 dbls on soprano. Med-diff.
GREENSLEEVES - Arr by Dave - 51474 - $48. A tasteful jazz waltz
treatment featuring your pianist (optional solo parts are included for
Trumpet/Flügel, Alto sax, and Trombone which work equally well). This
chart works anytime during the year, as well as on your Winter/Christmas
concert (subtitled “What Child Is This”).
HASTA LA VISTA, BABY! - 51475 - $48. Alternating between latin and
swing in a manner reminiscent of “Green Dolphin Street”, this chart is in the
reach of almost any group (grade 2+). It features a strong melody, a trombone
solo (can be guitar or piano), a drum solo, and a fun a capella horn section.
LICKED CLEAN - 51470 - $48. Up tempo swing shuffle that transforms
into a half time funk shuffle for the middle part of the chart ant then back to
swing again for the shout chorus. A bass/piano/bari hook recurs throughout
the chart, as well as suitably greazy melody line. The funk shuffle section
features a unison trombone/bass/bari line, eventually answered by the
trumpets/upper saxes. Greazy alto sax solo. Level 4.
LONG SUMMER NIGHTS - 51459 - $48. This lush ballad features your
Alto soloist. It is very playable, yet still offers a challenge to even the most
experienced bands. Very pretty. 5,4,4,P,B,D. Med.
MAKIN’ BACON - 51467 - $48. The sequel to “Mr. Beautiful Walks His
Pet Pig” is finally here! This shuffle romps from start to finish and provides
your band with a challange without being overwhelming. The solo space
features your Tenor and is followed by a frollicking sax soli. The entire
ensemble finishes out the chart w/a roaring shout chorus. 5,4,4,P,B,D. Meddiff.
MAS O MENOS - 51480 - $48. If you’re looking for some Salsa to spice
up your library you should check this chart out. It opens with a recurring sax
pad underpinned by an interesting bass/bari sax/piano line which leads into a
bold statement of the melody. There is space for a trombone solo, which is
followed by a layered entrance shout chorus. A short sax soli on the bridge

gives way to one last statement of the sax pad motif. The chart ends full force
with a dramatic ensemble climax. Trpt high note - written high G. Med-diff.
MR. BEAUTIFUL WALKS HIS PET PIG - 51460 - $48. If you like
shuffles, this chart’s for you. There is blowing space for Tenor & Trpt and
also an interesting a cappella chorus. Med-diff.
MORAZAN - 51481 - $51. Up tempo Samba, with tenor sax and flugelhorn
solos. Difficult.
PATHETIQUE - 51462 - $48. Beethoven never sounded so good. Chart
transforms the familiar piano sonata into a beautiful bossa ballad. Piano is
featured (naturally). Med.
PAYIN’ THOSE BASS PLAYIN DUES BLUES - 51463 - $48. Med blues
chart that really cooks. Solo: Baritone (op’ll Alto) &, of course, Bass. Med.
REMEMBRANCE - 51482 - $48. Ballad featuring the trombone section.
Medium.
SAMBA DE HELP ME - 51476 - $48. A burning up tempo latin chart that
will challenge any group. It opens with a gritty melody that builds up to a
tenor solo. It also features a bass solo (optional tacet), open drum solo, short
sax soli, and finishes with a roaring ensemble passage. Diff.
THREE SHADES OF TWILIGHT (SUITE) - 51478 - $60. - It’s
three•three•three charts in one! This extended suite (performance time approx
11 minutes) consists of three sections which are related by melodic and
harmonic material. Shade (part) 1 is an up shuffle, Shade 2 is a ballad
featuring Alto Sax, and Shade 3 is an up tempo straight ahead burner. The
overall feel of the piece can best be described as “gritty”. One of the nice
things about this chart is that each section can be pulled out of the suite and be
performed on its own, truly making this a versatile investment. Solos: Trpt,
Alto sax, Trbn, & Drums. This chart is challenging to professional bands, yet
it is within the reach of moderately strong high schools. Grade 4+. Trpt
written high E.
TOE BE OR NOT TOE BE - 51477 - $48. An up tempo feature for your
trombone solosit. It burns right from the get go, with the soloist blowing over
the full ensemble introduction. The chart ends with a hard driving blow for the
band, leading up to a series of breaks for the solosit. If you’ve got a trombone
to feature, buy this chart!. Level 4.
WOULD YOU LIKE FRIES WITH THAT? - 51466 - $51. Up tempo
swinger. Features solo trombone as performed by Alex Iles with the Fullerton
Jazz Workshop, Kevin Mayse, Director. No dbls. Med-diff. - Q. What’s the
first question a trombone player asks when he gets to work? - A. “Would you
like fries with that?”
ROB MIDDLETON
DIGITAL LIFE - 54325 - $65. Digital Life is based on two funk grooves;
one medium-fast reminiscent of Weather Report, and the other half time. The
main theme is played in unison by soprano sax, tenor sax and harmon-muted
trpt. Modal tenor sax and trpt solos are followed by a lengthy band tutti made
up of dense chords against the drums and a sparse written bass line. The piece
builds to a thunderous climactic vamp. Solos for tenor sax and trpt. Doubles:
alto 1 on soprano and flute; alto 2 on flute. Lead trpt to high D. Med diff.
NIGHT SHIFT, THE - 54326 - $65. This chart reflects the moods of the
city late at night. The piece has a dark, film noir sound, with prominent
trombones and flugels, often accompanied only by drums and bass. The piece
is based on the blues song-form, using both 12 and 24 bar choruses with a
swing feel at a medium-slow tempo. There are solos for alto sax, bone, and
bass. Doubles: Altos on flute; tenors on clarinet; and bari on bass clarinet.
Lead trpt to high F#. Medium difficult.
58
JAMES MILEY
ALMOST THERE (In memory of Paul Shaghoian) - 51608 - $60. Part
one of "Almost There". (Commissioned in honor of Gil Evans by IAJE and
the Herb Aplert Foundation) After an ethereal opening over a pedal G. Be
prepared to move through fast straight-8 and swing grooves in mixed meters
with extended solo space for soprano saxophone, electric bass, and guitar.
The piece climaxes with a heavy distorted electric guitar solo over a funky
weather report/tribal tech inspired groove and closes with a richly orchestrated
recap of the opeining over an angular harmonic ostinato in the bass.
Woodwind doubles includes 2nd alto/flute, 1st tenor/soprano, 2nd
tenor/clarinet, and bari sax/bass clarinet. Guitar part is written for both
acoustic and electric, the percussion part features extensive passages for
vibraphone. Diff.
ART OF DARKNESS, THE - 51600 - $60. The chart that won James the
prestigious IAJE/Gil Evans Fellowship, "Darkness" is a straight 8 cut-time
funk extravanganza with extended solo space for tenor, drums, guitar/pano,
and trumpet. The piece moves from cut-time funk to open-ended weather
report-esque (think Jaco) solo sections, a drum feature supported by wildly
angular unison rhythm lines, a laid-back guitar/piano solo for a bit of a
breather, and finally conclueds with an unexpected swing/metal romp to the
end. Requires a sophisticated rhythm section, a strong guitarist with a love of
melody and a knack for power chords, and advanced soloists all around. Alto
1 doubles soprano. 5,4,4,G,P,B,D. Difficult.
BEAUTIFUL COMEDIAN, THE - 51616 - $55. Kneebody meets big
band. There is simply no adequate way to describe this chart and do it any sort
of justice, so you're probably better off just listening to the recording online. If
you've ever wondered what happens when you take a tune by one of the most
inventive, creative, freewheeling contemporary improvisational music groups
out there and arrange it for a large jazz ensemble, then you're in the right
place. Solo space for tenor, trumpet, or piano/guitar. Alto II doubles clarinet,
Bari Sax doubles bass clarinet. Your drummer will love this tune. Trpt C# 6
(two octaves + 1/2 step above middle C). 5, 4, 4, Vibes, 6, P, Rhodes, B, D.
Difficult.
BELLY - 51605 - $55. Another treatment of a Ron Miles tune. This chart
begins with an intensely chromatic contrapuntal layering effect that builds to a
frenzy before breaking into a laid-back medium swing groove with Basie-style
hits in the brass. The solo section (for trumpet) is wide open with no chord
changes and non-pitched graphic notation of background figures, ultimately
climaxing in a fevered free-for-all with everyone improvising together before
closing with a delicate ballad statement based on the original melody.
5,5,4,G,P,B,D. Medium- Difficult.
DUDE ABIDES, THE - 51614 - $55. "The Dude Abides" was
commissioned by the California Band Directors Association for the 2007
IAJE/CBDA California All State High School Jazz Band. If you like your jazz
with a healthy dose of distorted guitar, angular ostinati and an overabundance
of minor9 chords, or if you simply enjoy strange pieces with wild dynamic
ranges, textural free sections and complex rhythmic counterpoint, this one's
for you. Beginning with a heavy metal-inspired ostinato in the bass and piano
underneath a floating long-tone melody accompanied by minimalistic riffs in
the vibes and guitar, this piece eventually snakes through a muted-brass brush
solo in the drums, a quasi-afro-cuban 12/8-ish tenor solo and some wellplaced
collective improvisation in the winds, culminating in a gentle straight 8
waltz featuring the same melody from the heavy beginning. Solo space for
tenor & piano, with room for upright bass and drums. Alto I doubles flute,
Alto II and Tenor II double clarinet, Bari doubles Bass Clarinet. 5, 4, 4, G, P,
B, D. Difficult.
FOOL ME ONCE - 51601 - $55. Fun medium-tempo minor blues swinger
in the vein of Killer Joe, but with a decidedly tongue-in-cheek melody and a
funky, chromatic bari sax, bass bone, and bass melodic feature before the
recap. Includes a short sax soli, three random measures of 3/4, and a brief
homage to 80's rockers The Police in the coda. Changes for Alto, Trumpet,
Trombone. Medium level.
GET IT? - 51602 - $55. Fast swing with a repeating 5-bar cut-time ostinato
in the bass and a mildly demented call and response melody in the trumpets
and saxes. This is a great high-energy festival chart with plenty of solo space
for tenor, trombone, and drums. 5,4,4,G,P,B,D. Medium difficult.

IN YOUR VOICE - 51606 - $60. Arranged for saxophonist/ composer
Peter Epstein's appearance at the 2004 Central Coast Jazz Festival, this modal
alto feature takes some unexpected turns in the middle and sets up a natural
sounding groove in 13. Fun metric madness for your drummer and some
expansive chromatic chord changes for the alto soloist. Woodwind doubles
include alto I/flute, tenor II/clarinet. Solo Alto, + 5,4,4,G,P,B,D. Medium
difficult.
LOOSE FITTING GENES - 51613 - $55. Commissioned by the Monterey
Jazz Festival for the 2007 Next Generation Jazz Festival, this chart falls in that
small space between Ornette Coleman and Radiohead, with a bevy of oddmetered
phrases, several certified "dominant-free" solo sections and far too
many hemiolas to count. After an aggressive Ornette-inspired unison riff in
the horns, the tune takes a major left turn with a creepy bass ostinato
underneath a crunchy ascending melodic line. Though the tune stays in 4/4
throughout (a remarkable first for Miley), many of the phrases involve oddly
accented passages and/or seven or nine bar lengths. This is one great fun for
the rhythm section and has some flexible solo space for alto, tenor, trumpet,
tbone, drums and/or piano/guitar. 5,4,4,G,P,B,D. Med-difficult.
MOST DEFINITELY, BOB! - 51610 - $55 . A fun half-time blues with
plenty of solo space to go around. The chart begins with an unaccompanied
bass solo leading into a repeated groove-based line in the bass and piano that
kicks off the full band's entrance. The rhythm section drops into double-time
for the solos, beginning with a traditional blues in F that moves the soloist
towards an extended pedal point conclusion before the shifty tune from the
head returns in half-time. As an added bonus, like all good jazz charts, this
one includes a quote from '80s rockers The Police in the last eight bars. Solos
for bass, alto trumpet and/or guitar/piano. Medium.
MY CRUEL HEART - 51611 - $55. If you have a deep, abiding love for
'70s funk, Bitches Brew-era, Miles Davis, heavy metal, bossa nova, Igor
Stravinsky, Charles Ives, and late '90s aggro-pop, this might just be the tune
for you. This arrangement of a Ron Miles original begins with a funky 4/4
drum groove that burrows beneath a rubato conducted chorale with the solo
trumpet (or alto) and woodwinds. The rest of the winds enter in 3/4 while the
drums continue in 4/4, leading into an open solo section for trumpet that
makes the rounds through several different grooves and a series of complex
chord progressions. After a rousing recap of the initial groove, the chart ends
in a slow 3/4 with the solo trumpet and woodwinds taking the melody out.
5,5,4,G,P,B,D. Difficult.
POINT OF YOU - 51607 - $55. This cut-time swing/quasi-hip hop funk
chart has a catchy angular melody and fun changes for soloists (piano/guitar,
tenor, or trombone). There's also an extended open percussion break to
feature your drummer and percussionist(s). Think '80s-era Mike Stern with a
little swing thrown in for good measure and it makes a left turn into a straight-
8 Latin percussion groove. Woodwind doubles include alto I/flute. Medium
difficult.
REMINDS ME OF... - 51612 - $55. A colorful, multi-faceted composition
commissioned by the Monterey Jazz Festival for the 2006 Next Generation
Festival sight reading competition, this medium-up swing chart features
unusual phrase lengths, extensive cross-sectional orchestration, chromatic
melodic figures, displaced rhythmic motives, and plenty of solo space for
tenor, trumpet, trombone, drums and piano/guitar. Following a boisterous,
angular opening section, the chart opens up into a 1960's "Blue Note-esque"
melodic small group tune (think Wayne Shorter meets Lyle Lovett), then
makes a left turn into a heavily tweaked 24-bar minor blues for solo changes
and emerges on the other side with a second line-inspired break before the
recap. Brass ranges are moderate throughout, though the chromatic nature of
the lines makes the parts challenging enough for even the best high school and
college bands. No woodwind doubles. 5,4,4,G,P,B,D. Medium difficult.
SID THE SQUID - 51603 - $55. Lengthy (9+ minutes) Ballad/waltz written
in honor of my cat's favorite toy, Sid the Squid - a weathered, well-loved sixlegged
sea creature made of foam, fur, leather, and dirt that gets "hunted"
around house in the wee hours of the morning. This piece sounds kind of like
that. After a slow introduction alternating 7/4 and 6/4, the chart moves into a
free-form waltz based on a repeating three-bar progression derived from an Eb
augmented triad, followed by open-ended solos for any combination of
bari/alto, Trombone, guitar, trumpet, and drums. The "big tune" from the
introduction finally returns superimposed over the changes at the end of the
solo section to round out the piece. Alto 1 and II double flute, tenor 1
doubles clarinet, bari doubles bass clarinet. Medium difficult.
59
SOUTH OF EVERYWHERE - 51615 - $55. Arranged for the Jonathan
Kreisberg Trio's appearance with the Virginia Tech Jazz Ensemble in 2008,
this chart is a great feature for your rhythm section, with extended solo space
for guitar (or alto/tenor), piano (or bass) and drums. The piece is written in a
fast straight - 8 5/4 groove and relies heavily on angular melodic lines, oodles
of counterpoint and funky rhythmic hemiolas throughout--you'll need a strong
drummer to make sure everyone hangs together and wind players who aren't
intimidated by gratuitous accidentals. First solo (guitar or tenor) is
entirelymodal, so break out your happy lydian top-hat and have a good time!
The arrangement sticks fairly close to Kreisberg's original form with the
exception of a drum solo and 'shout' chorus (in 5, of course) after the second
solo to open things up before the return to the head. This is definitely one high
energy char and would make a perfect opener or closer for any concert
program. No doubles. Medium difficult.
STILL SMALL VOICE - 51604 - $45. (comp by Ron Miles, arr by
James). Quiet arrangement of a Ron Miles ballad written for his appearance at
the Central Coast Jazz Festival in 2003. This chart is intended as
flugel/trumpet feature, but can be done by trombone or guitar as well. Ron has
a wonderfully individual voice as a composer, and his unique sense of
harmony, phrasing and metrical structure is preserved in this chart. Alto 1
doubles flute, tenor II, & bari double clarinet. Easy-to-moderate ranges for all
wind instruments, though the solo flugel line requires a fairly advanced
player with a solid low end and good knowledge of chord changes. Medium
level.
TAKE THE WHEEL - 51617 - $57. Commissioned by Curtis Gaesser and
the Folsom High School Jazz Ensemble, this composition is an extended
concert piece with several substantial ensemble passages, an abundance of
contrapuntal writing in the horns and plenty solo space for guitar/piano,
tenor/trumpet, trombone and drums. Beginning with an atmospheric ostinato
in the bass and sparse horn writing reminiscent of Wayne Shorter's sextet
recordings from the mid-1960s, this ten minute work takes all kinds of twists
and turns before the final bar, including a quote from Johnny Cash and one of
the weirder, wilder big band 'shout' sections on public record ( Like I've
always said: Who needs eight bar phrases when you can just as easily get
there in seven?). If you like hanging with the McNeely/Schneider/Mendoza
crowd, you'll be perfectly at home with this one. Requires an advanced
rhythm section and advanced soloists all around. Alto II doubles flute, Bari
Sax doubles bass clarinet (altenate parts provided for no doubles).
5,4,4,G,P,B,D,Trpt. D6 ( two octaves + whole step above middle C). Difficult.
WITH YOU AND WITHOUT (In memory of Paul Shaghoian) - 51609 -
$50. Part two of "Almost There". (Commissioned in Honor of Gil Evans by
IAJE and the Herb Alpert Foundation and premiered by soloist Tim Ries with
the Fresno Jazz Composers Orchestra at the 2005 IAJE Conference in Long
Beach, CA.) Begins with a Coltrane-inspired free jam between the drums and
tenor soloist leading into a moody medium swing groove, and following a
laid-back piano solo, morphs into a lengthy open improvisation for your tenor
player and the rhythm section (works best with a 5-string electric bass--lots of
low B action going on). Look out for all the quotes of jazz standards thrown
in throughout the recap in tribute to the memory of the great Shaghoian. The
piece wraps up with a metric modulation into the return of the material from
Part one and one final ensemble quote before the delicate vibe/guitar
conclusion. Woodwind doubles include 2nd alto/flute, 1st tenor/soprano, 2nd
tenor/clarinet, and bari sax/bass clarinet. Guitar part is written for both
acoustic and electric. The percussion part features extensive passages for
vibraphone. Diff.
W. ROY MITCHELL
AN ACCIDENT WAITING TO HAPPEN - 54972 - $52. Sizzling bop
chart sounding much like its title. Features Alto, Trumpet, Bass, and Drum
solos. No doubles. Great opener or closer. Medium.
BACK HOME AGAIN IN INDIANA - 54971 - $51. Up tempo treatment
of the anthem from the Hoosier State. A great opener. Medium difficult.
ELEVENTH HEAVEN - 54973 - $49. Medium latin utilizing eleventh
chords. Features Alto solo and an open a capella shout for the horn section.
No doubles. Medium.

MY OLD KENTUCKY HOME - 54970 - $51. High spirited flag waving
version of the theme from the “Bluegrass.” Chart features Alto, Trumpet
solos. Medium difficult. No doubles.
P.M. - 54974 - $45. Contemporary Alto feature ballad fusing jazz and pop
harmonies. No doubles. Medium.
BOB MONTGOMERY
ATTYA’ BABE - 51501 - $44. Swinging chart based on the changes of
“All the Things You Are.” Open solo for anyone in the band. Short “quotes”
of famous jazz tunes throughout. Medium difficult.
BEE-N-DUBYA - 51502 - $44. If you have a rhythm section and soloist
capable of playing rhythm changes at an up tempo (300+), you will want to
include this in your next concert. The horn parts are easy, and not too high for
brass, but the fast tempo makes the chart very exciting. Solo parts are included
for all instruments. Medium difficult.
BLUES FOR A TWO WATTLED CASSOWARY - 51503 - $40. A fun
blues chart in the style of James Brown band, with a twist - eleven bars in
11/8 with the twelfth in 12/8. An open section provides solo space for any
solist in your band on Bb blues. Flute doubles. Medium.
GOT EYES FOR YOU - 51504 - $44. Beautiful bossa nova with an open
solo section. Very pretty changes and great solo vehicle for your soloist.
Medium.
INNER REFLECTIONS - 51508 - $44. Here’s an exciting latin chart based
on the chord changes to “Love for Sale.” The opening theme is introduced as
a bossa nova and the chart moves to a x-time samba feel for the iimprovised
solo. A very exciting solo vehicle for the soloist of your choice. Lead trumpet
to high Eb. Medium difficult.
SCARF DANCE - 51506 - $44. Medium tempo blues shuffle that can
feature as many soolists as you wish. A capella secdtion, soloist trades fours
with the sax section, trumpet section, and the bone section. Medium difficult.
SHADOW DANCER - 51509 - $45. A contemporary blues feature solo
spots for Tenor, Trumpet, and Drums. This is a difficult chart because of the
dissonance and richly voiced layers of sound. It is a driving chart that creates
a lot of energy, and the audience response makes it welll worth the rehearsal
time required. Trumpet to F above high C.
THOUGHTS OF MIDNIGHT - 51507 - $44. SBeautiful ballad setting for
an original melody based upon the chord changes to “Round Midnight.” This
is a feature throughout for the soloist of your choice. Medium difficult.
MATT MORESI
FROM A PRAYER - 53016 - $60. Rock feel, medium tempo.
Commissioned by trumpeter John Adler and the Virginia Tech Jazz Ensemble,
this piece features trumpet throughout. Starting with a short chorale, the piece
quickly moves into a driving, deep, and dirty rock groove. After the trumpet
states a simple melody, it moves into an extended modal solo section with
plenty of room to strecth out. The piece builds to an exciting climax featuring
a free section for the band to improvise over before returning to the beginning
chorale and building to the end. Soprano sax replaces Alto 1. Great chart to
feature a guest artist! S, A, T, T, B, 5 Tpts, 4 Bones, P, B, D. Length: 10 min.
Medium.
HYSTERIA - 53017 - $55. Up-tempo swing. It's a barn burner! Written
using augmented scales and quick rhythmic pops throughout, this fast, driving
chart will make and exciting end to your concert. Solos for Bari and Soprano
saxophones. Lead trumpet to a written high F sharp above the staff. S, S, T, T,
B, 4 Tpts, 4 bones, G,P, B, D. Difficult.
PAINFUL EAGERNESS OF HOPE, THE - 53015 - $65. Tired of the
same old big band charts? Do you love minimalist music? Looking for
something completely different??? If so, then this is the chart for you! Written
in a quasi-John Adams/Steve Reich -esque style, this song starts slow and
dark and gradually builds to a huge, bright climax. Think of it as a crescendo
60
of color, from dark to light. A longer piece (~9:00) which is quite a challenge,
but well worth the effort. S, A, FL, T, BS CL, 5 Tpts, 4 Bones, P, V, Mariba,
B, D. Difficult.
ROGER NEUMANN
BAKER’S DOZEN - 51550 - $41. Title comes from the fact that this is a
13-bar tune. This chart will work at various tempos but is most effective fast.
Many swinging ens sections w/solos for Tenor, Trpt & Bass. Med.
BLUES FOR OSCAR - 51551 - $50. Composed in memory of the 1988
Academy awards (yes, that Oscar). This chart is a med tempo swinging blues
that features the sections individually several times and spots for the entire
ensemble. Solos for Bone, Tenor, Trpt, Piano, Bass & Drums. Needs 5 Trpts.
Med-diff.
INSTANT HEAT - 51574 - $51. - This is a roaring up-tempo swinger that
starts with the “shout chorus,” which repeats at the end. Solos for: Trpts,
Trbns, Alto, Tenor, Bari, and Piano. There is plenty of ensemble work (high
lead trpt !), including sax solis. Very diff.
INSTANT REPLAY - 51572 - $58. An up-tempo, swinging blues, in which
the melody is passed back and forth and repeated by trps. and saxes. (The
"Instant Replay!") Toward the end, the tempo changes back and forth from the
"up" tempo to "half-time". ("Instant Replay" in "Slow Motion!") Open solo
spots for trpt, trbn, saxophone and piano. Difficult.
ON THE ROCKS - 51560 - $50. Exciting Jazz-Rock piece with a hint of a
latin feel. Requires strong brass section. Solos for Trpt, Tenor & Alto.
Soprano opt’l.
SAME THING-ONLY DIFFERENT, THE - 51561 - $50. Pleasant chart
in easy-med tempo Basie groove. Features Flute & muted Trpt on melody &
solos. Lots of relaxed swinging ens work. Med.
STOP THOSE BLUES! - 51570 - $50. A hard swinging up-tempo blues,
with solos for trpt, trbn, tenor, piano and bass. Lots of swinging ensemble
(strong, high brass) and "Ellingtonish" saxes. Difficult.
SWEDEN IN THE RAIN - 51571 - $65. A very pretty, moderate-tempo
jazz waltz, with solos for soprano sax (opt. alto part included), flugelhorn,
piano & bass. This one's great for dynamics, with muted brass and brushes
part of the time. Opt'l flute part. Med level.
3/4 OF THE TIME - 51563 - $50. Relaxed med-tempo jazz waltz.
Features Trpt & Tenor on melody & solos with plenty of swinging ens work.
High brass. 5, 5, 4, G, P, B, D. Diff.
TWO VIEWS - 51576 - $51. - This could be called “Two Views Of The
Blues.” It combines two styles of “blues,” starting with a “straight-8ths funk”
section, then going to a double-time “swing” section. This pattern repeats
during the solos for alto and trpt, who play an opening and closing duet. Piano
solo. Med-diff.
MATT OLSON
VORTEX - 55776 - $60. Vortex is a medium swing composition for jazz
ensemble, and is designed for the advanced jazz ensemble. It is intended to
have a loose, ECM-like rhythm section feel. The chord progression is tricky
for the trumpet and tenor saxophone soloists. There is some light flute
doubling in both of the alto saxophone parts. Trumpet range is to G5,
trombone to A#4, and the piece calls for 5 trumpets and 5 trombones. Meddifficult.
MILES OSLAND
GEET DAT, HUUUH! ! - 53060 - $48. Modern funk! ! A challenging lead
Alto showcase w/opt’l altissimo. The rest of the band really gets to blow,
also. Opt’l keyboard, Percussion 1 & 2 parts are included. Dbls. Diff

ONE FOR WAYNE - 53061 - $48. A beautiful Tenor feature in the style of
a Wayne Shorter ballad. An altered and bitonal progression give your soloist
& rhy section a workout. Premiered by Bob Mintzer & the Univ of Kentucky
Jazz Ens. Dbls. Med-diff. (opt’l Tuba, French horns & Vibes incl)
CHUCK OWEN
DUETS - 55240 - $65. This extended work was composed for dance but
works beautifully as a serious concert piece. The dirge-like opening (haunting
for its superimposition of dark, ominous brass with simple folk-like motives)
moves into a lilting, but edgy western-swing feel where the simple, angular,
main theme is finally exposed. After solos by guitar (optional violin) and alto
sax, a dormant, but ever-present, 12/8 groove overwhelms all else and
relentlessly turns its way to the dramatic climax. (Optional violin, cello, and
percussion, WW doubles.) Medium difficult.
E TICKET - 55241 - $70. Fun, excitement, and the best ride in the land -
that's what an E Ticket used to get ya'. Well, guess what...it still does!
Written for the amazing talents of Ingrid Jensen; this piece features the
trumpet soloist in a variety of settings and grooves while still leaving room for
a rollicking tenor sax and optional violin solo. It's fast-paced, twisting, and
"drenched in a crossing-the-heartland feel". The'll want to ride again!
(Optional violin, some WW doubles.) Alto 1 Dbls Sop,Alto 2 Dbls, Flute,Trpt
1 To High F. 5,4,4,G,P,B,D. Medium difficult.
GATE'S GATE, A - 55233 - $70. Part 2 of Red Beans & Ricely Yours
(Commissioned in honor of Louis Armstrong by ASCAP and IAJE and
premiered by the Jazz Surge at the 2001 IAJE Conference in New York.) This
piece tries to unabashedly capture the sheer joy and power of "Louis' playing
and personality. A double-time groove, alternating between a folkish straighteight
feel (almost a samba!) and swing, drives the piece while an ebullient,
shout-like refrain opens and closes the chart. Solos are for trumpet (what
else!) and guitar - but the dixie group found in Struttin' makes a brief
reappearance as the piece powers up for its shout to the finish! A great closer!
Difficult. Opt'l Gt 2 and Perc. Doubles.
GIFT AWAITS, THE - 55230 - $63. - The most striking aspect of this
beautiful, contemporary jazz waltz is how intimate a big band can be made to
sound. Guitar and tenor sax are given a great deal of the melody as well as
extended solo statements. While often quietly reflective, the piece culminates
in a very powerful, positive, and triumphant manner. They will walk away
humming this one!! Woodwind doubles and a mature rhythm section required.
GLIB - 55242 - $65. Chuck initially composed this catchy little ditty for
four horns and rhythm. The funky-N' Awlins groove was so much fun the big
band arrangement was sure to follow. Solos (scored for tenor sax and organ
but easily opened up for othrs) are over rhythm changes with an extended
bridge. Coltraneish subs, however, are provided for those who like their
gumbo spicy! (Optional violin, optional Hammond B-3.) Medium diff.
HOW CAN YOU LOSE - 55243 - $55. This is the one being recorded by
the Army Jazz Ambassadors as part of a tribute to Benny Carter. Medium
difficult.
I DON'T HEAR NOTHIN' - 55234 - $57. Trumpet and Soprano sax
featured soloists (Tim Hagans/Mike Smith) get to exorcize all of their demons
in this medium swing, but absolutely burning take on "I Hear A Rhapsody"
changes. Angular motifs, disjunct punches, and a kind of funky, improvised
ostinato Bb give way to a surprisingly tuneful melody. After plenty of
blowing the melody returns in a very majestic fashion only to finally give way
to the now frenetic ostinato. Edgy, loose, and LOTS of fun! Solos for Trpt &
Sop Sax. Opt'l Perc. 5, 4, 4, G, P, B, D, Perc.
KICKIN' AND SCREAMIN' - 55235 - $63. If you're ready to party a bit -
this chart's for you! The festivities begin as the second-line feel (with a funk
shuffle twist) is served up by the winds as well as rhythm before the very
catchy riff-oriented head crashes the joint. Solos are scored for tenor,
trombone, and trumpet although the solo sections (along with background
figures) open up easily to play with. In fact, the more you play with this chart
- the more fun it is! After modulating to an up-tempo swing feel for the final
solo, brief sax soli, and shout - the half time party groove re-emerges and all
hell is bustin' loose!! 5,4,4,G,P,B,D, + Opt'l Guitar II and Perc.
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MADCAP - 55238 - $63. The title should be a bit of a clue for what's in
store! A disjunct rhythm section vamp over a burning swing feel (at least as
burning as you can play it) is the "foundation" that's dedicdedly out of plumb;
but, nevertheless, must support the angular melody and laser-like brass
punches that constitute the head. The solos for guitar and tenor (also cued for
trpt) that follow seem something of a relief at first but give the soloists plenty
of opportunity to blaze away! THEN comes the "Madcap section"!! This is
where almost everything that has gone on previously in the chart (head, vamp,
punches, background figures, & solos) returns - only on top of a drum solo!! If
any of this makes any sense to you - THIS IS YOUR TYPE OF CHART! If
not, see "Cute - Hefti, Neil". Alto 2 dbls fl. 5,4,4,G,P,B,D.
MAGIC LIGHT - 55236 - $47. A lovely, 3/4 ballad featuring guitar (John
Abercrombie) that tries to capture the late afternoon/early evening skies in
Tuscany. The pensive "A" section stated in the guitar is contrasted by a
delicate woodwind bridge before the guitar begins to solo. The chart builds to
a maestoso recap of the theme in the brass before dissolving into the
"twinklng" woodwinds and muted brass. Doubles are vital - brief solo for alto
sax as well. Opt'l Perc and Synth.
MO’ MOLEIDS - 55231 - $58. - For those of you who just couldn’t get
enough Moleids, here’s the long awaited sequel!!! This driving hip-hop/funk
composition actually has little in common with its sister chart other than a
sense of adventure, playfulness, and.....POWER11 Plus another unison Moeid
lick (this one’s a little easier than last time but no less fun)! Solos are for
guitar and tenor with an improvisational quarter of tenor 2, baritone sax,
trombone, and muted trumpet starting things off. Altos double soprano and
flute while bari. doubles bs. clar. Two kybd parts are included along with a
percussion part. 5,4,4,G,P,B,D,Perc.
OFF FLOW - 55244 - $63. Dave Liebman commissioned this for his NY
Big Band, but we just recorded it with his permission for the new Surge CD as
well. He performed it recently with Univ. of Miami - so imagine he will
continue to use it in clinics. Medium difficult.
STRUTTIN' - 55237 - $65. Part 1 of Red Beans & Ricely Yours
(Commissioned in honor of Louis Armstrong by ASCAP and IAJE and
premiered by the Jazz Surge at the 2001 IAJE Conference in New York.) If
you can imagine what blues-tinged New Orleans hip-hop/funk might sound
like...well, you're well on your way to capturing the esssence of this chart.
After a wistful rubato opening, the groove emerges gradually before the head
(suggested very loosely by Louis' "Struttin' with Some Bar-B-Que") is stated.
All the while, however, a little dixie-like front line pokes its head up from
time to time to comment on the state of affairs. Generous solos are given to
tenor and trombone before the groove departs much as it arrived. Opt'l Gtr 2
and Perc. Doubles. Alto 1 Sop, Alto 2 Flute, Ten 1&2 Clar,Bari-Bass
Clar,Trpt 1 to High C. 5,4,4,G,P,B,D. Difficult.
SURGE - 55232 - $58. - This up-tempo, hard-swinging, contemporary
minor blues was written to get them “on their feet”! It does that with surprises
(shocks might be a better word!), a catchy melody, comfortable opportunities
for creative and dynamic solos, and a lot of powerful writing. Solos are scored
for piano, trombone, tenor sax, and drums but it’s a minor blues so.....do what
you will!!! Requires strong, confident players. 5,4,4,G,P,B,D,Perc.
TARWATHI - 55239 - $60. This is a beautiful and compeling concert
offering. From it's initial chorale-like setting, the wistful, folksy main theme
gives way to a hypnotic afro/cajun 12/8 groove; a solid, medium swing feel;
and a sinister half-time funk segment before returning in triumphant and
majestic fashion at the end. Extended solos are given to the tenor and guitar
(trpt on the CD). But trombone (with plunger) and guitar (this time on solid
body) have an opportunity to steal the spotlight with their short, over-the-top
solos toward the end. While a challenge for even the mature band to play; the
listener is not similarly stretched - engaged throughout by the unique colors,
captivating grooves, and tuneful melodies. Opt'l Grt 2, Perc., doubles,
5,4,4,G,P,B,D, Perc.

RON PALEY
BLUESIS - 51140 - $65. Buesis is a somewhat mischievous medium up
tempo blues that features piano, bass, and drums. However, it really can
feature anyone. After the heat it weaves its way through a series of twists and
turns, through a band unison line, and arrives at a half time funk feel section
only to be put to bed by a growling trumpet. Trumpet C, trombone A.. Meddifficult.
BLUES FOR WPG - 51143 - $55. This is a fast blues that features Tenor,
Trumpet, and piano. With lots of textural variations, it leaps out of the starting
gate and never stops. Trumpet D, Trombone C. Medium Difficult.
BOULEVARD EAST SUITE - 51131 - $55. This is an exciting 12/8
clavinety latin/jazz piece that has trumpet and synth solos. The opening 12/8
section segues into a driving straight ahead shuffle with an extended tutti
unison line before going into a 16thy latin/funk feel for the trumpet solo. Have
fun! 5/4/4/G,P,B,D. Trumpet to E and Trombone to D (optl 8vb) Medium
Difficult.
CRUISIN’ - 51132 - $55. Cruisin’ could be described “Hot Phrygian Funk”!
This is an energetic chart!... that features trumpet. 5/4/4/G/P/B/D. Trumpet to
D and trombones to C. Medium Difficult.
HINTERVISIONS - 51133 - $55. Hintervisions is a medium up modal latin
piece featuring piano (or guitar), and flugelhorn. It has a variety of moods -
ranging from open spacey sections to driving salsa! 5/4/4/G/P/B/D.Trumpet
G# (opt. 8vb),Trombones B.Medium Difficult
MAHAVITAL - 51134 - $55. Mahavital is a driving, or perhaps i should say
a “driven”. 12/8 piece written in the style of the John McLaughlin and the
Mahavishnu Orchestra. It is especially influenced by their “Inner Mounting
Flame” album.It features guitar throughtout and culminates in a wide open
cadenza! 5/4/4/G,P,B,D. Trumpet G# (opt 8vb) Trombones A. Medium
Difficult.
MFYXTPLYX - 51148 - $45. This is an exciting drum feature. After the
band unison line it’s all drums!...until the outhead is played. The chart also
has an alto solo. However, as you will hear, the recording only has a drum
solo. 5/4/4/G/P/B/D. Trumpet Bb. Trombones B. Medium Difficult.
MILLENNIUM JUMP - 51135 - $65. Millennium Jump is a blues written in
a swing era style. The featured instruments are piano, tenor sax, and
trombone, but bass trombone has the final word. Written "under the influence"
of the "One O'clock Jump", "In The Mood" and "Woodchoppers Ball", it is
one of the songs from a big band musical called "Bring 'Em Back!" in which a
musician is transported back in time to the big band era. Trpt to high G (opt 8
vG). Trombone to B. 5, 4, 3, Tuba, G, P, B, D. Med-diff.
ON BEING HERE - 51141 - $70. A lively, highly energetic samba featuring
flute, drums, and a rythmically spoken vocal. It begins with an intense band
unison followed by a piano figure that sets up the melody, played first by the
piano, and then doubled by the flute. There are plenty of dynamic variations,
especially on the band unisons, making for some "roller coaster-like rides."
The drums alternate with the vocal in a series of pointillistic outbursts
designed to keep the listenenr's ears "on their toes." The purpose of the vocal
is to focus our attention "on being here!" Enjoy! Trumpet to D and trombone
range is to B. 5, 4, 4, G, P, B, D. Alto 2 dbls flute, vocal is optl. Medium
difficult.
RAPID DEPLOYMENT - 51149 - $55. It could be categorized as a medium
tempo 8thy mood piece. It has one of my favorite sounds in the whole world:
solo and soli trombone glisses! It features Alto. 5/4/4/G/P/B/D. Trumpet to C
and Trombone to Ab. Medium Difficult.
REO-NATAL - 56700 - $55. Reo-Natal is Big Band Drum ‘n Bass! - with a
driving bass figure off the top. It features alto in a half time funk feel section
followed by a band unison. It comes to a conclusion with guitar and synth
riffing between bass lines. 5/4/4/G,P,B,D. Trumpets to F and Trombones to
Bb. Medium Difficult.
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ROB'S TUNE - 51144 - $50. This is a ballad....a trombone feature written
for Rob McConnell. It has a solo piano intro and lots of dynamic gradations,
resulting in an emotionally charged chart. Trumpet D, Trombone B. Medium
Difficult.
RUNNIN’ WITH A FULL TANK - 56701 - $55. Runnin’ With A full Tank
is a medium tempo funk tune that begins with the opening octinato bass line
which anchors the “A” section of the song. However, it soon evolves into a
driving double time rock feel that features two trombones duelling it out to the
bitter end... This is followed by a percussion solo which brings us back to the
outhead, but not before a call and response vocal section between a vocal
soloist ( band member?) and the band (and/or audience) that gets everybody
vocally riffing on the title “Runnin’ On A Full Tank”. It finishes with a funky
unexpected pointillistic figure that caps the piece. 5/4/4/G,P,B,D. Trumpets to
D and Trombones to C. Medium Difficult.
SILVER HEIGHTS - 56702 - $55. Just as ReoNatal is Big Band Drum ‘n
Bass, Silver Heights is driving big band rock! After a big brass opening, the
feel is set up by a rhodes figure. There is lots sectional interplay, with the
melody being passed back and forth between the sections. After a big build
leading into a guitar solo, it ends the way it started....Rockin!This song is
named after, and in Winnipeg where my big band rehearsed for 30 years!......
(gasp!)5/4/4/G,P,B,D. Trumpets to D and Trombones to C. Med/Diff.
STAND UP OR STAND BACK! - 56703 - $55. This is a happy go lucky
half time swing funk feel featuring trombone, and later on, an Acappella synth
solo with echoplex. 5/4/4/G/P/B/D. Trumpet to E and Trombone to B.
Medium Difficult.
STOPPIN' TIME - 51139 - $55. Stoppin' Time (a.k.a. Swing Swing Swing)
is also from (you guessed it) the musical "Bring 'Em Back!". It is written in
the style of Benny Goodman's "Sing Sing Sing". It has 5 clarinets and features
one of them in the open solo section. In the story, this is the song that is
played immediately after the musician arrives in the past. Trumpet C#,
trombone G. Med-difficult.
SWISS BOOGIE - 56704 - $55. Swiss Boogie is a driving bluesy shuffle
that features Tenor and Guitar. 5/4/4/G,P,B,D. Trumpet to C and Trombone to
Bb. Medium.
THIS HEARTBEAT'S FOR YOU - 51142 - $53. An uplifting, hand
clapping, and, dare I say it ...heartbeating rock piece for big band in which the
kick drum acts as a heartbeat. In certain sections of the song the audience can
be invited to clap along with the "heartbeat". There are solos for guitar, alto
sax, and drums and these can be opened up or the piece can be played as a
shor 3 minute concert piece. The title is a double entendre: it reads as "this
heartbeat is for you", but it sounds like "this heart beats for you." Get those
heartbeats going! Trumpet to C and the trombone range is to Bb. 5, 4, 4, G, B,
D. Alto 2 dbls on flute. Medium.
TRANSFORMATIONS - 56705 - $55. Transformations is an “outside”
blues - featuring trumpet, piano and drums. It starts off fast, is transformed
into a ballad with a lyrical melody, and then back !.. to a blistering uptempo,
quasi atonal blues... but not before going through an 8 bar andante interlude
featuring flutes and bassoon. (Baritone will be fine). But, of course, it has to
end the way it started - and it does! 5/4/4/G,P,B,D. Trumpets to D and
Trombones to C. Medium Difficult.
RICHARD PERCIVAL
HODGE - 53029 - $60. Written as a tribute to the great lead alto player
Johnny Hodges, this chart uses the conventional harmonic and rhythmic
language of the era. Basically a blues with a bridge "Hodge" develops in a
conventional manner with space for two soloists and a rousing shout chorus to
set up the last statement of the head. With even a young rhythm section,
"Hodge" should set up a great "laid-back" groove and be a great deal of fun to
play. All sections of the band get to play an integral part with the rhythm
section and saxes features. Written for 2 altos, 2 tenors, baritone, 4 trumpets,
4 trombones, piano, acoustic bass, drums and optional guitar. This piece
should be an enjoyable addition to the repertoire of all bands ranging from
high school bands, of a reasonable standard, to professional outfits. Meddifficult.

PAQUITO - 53030 - $65. Named in honor of the legendary Paquito
D'Rivera, this composition is built around the rhythms, excitement and energy
of Afro Cuban music. The piece begins with a rock influenced cha cha cha
feel. After the 48 measure statement of the theme there is room for the lead
alto player to stretch out on an extended solo. The intensity builds through a
band shout chorus into a transition to a funk/guiro mid section featuring an
extended solo which is a tour de force for the trombones and trumpets. The
original feel then returns restating the theme and allowing for an extended
"conversation" between the two soloists before the piece ends in a powerful
coda. "Paquito" offers an opportunity to showcase all sections of the band
including the rhythm section. The energy generated by the band makes it a
great favorite with audiences and an exciting challenge for the players. The
piece would benefit from the inclusion of conga drums and guitar but will still
be effective without if the drummer has stamina and a knowledge of the Afro
Cuban style. The central section of the piece would also benefit from being
played on an electric bass utilizing the "thumb" or "slap" style. Because of the
demands placed on the lead trumpet, lead trombone and the rhythm section
this piece would be most suitble for a more advanced band with some
experience of the style. Soloists: alto/tenor sax. No doubles. 5,4,4,G,P,B,D,
Congas. Difficult-advanced.
SANCTUARY - 53033 - $50. This beautiful ballad will be a great feature for
the lead alto player – especially if he/she favours a contemporary, popular
playing style. Scored to be easily mastered by the ensemble this piece should
involve minimal rehearsal while providing an outstanding moment of beauty
in any program.Scored for Alto saxophone,A,T,T,B;4,4,Elec piano, elect bass,
drums. Trpt. 1 to high B. Medium.
SLICK - 53031 - $60. While designed originally with less experienced
players in mind (fully scored rhythm section parts/ limited trumpet range/
extensive part doubling) this chart would make an exhilarating addition to any
band repertoire. Based on classic R & B feel it gives the rhythm section a
chance to prove their worth. With soloing space (over simple changes) for
guitar and/or saxophone and pumping ensemble choruses it should provide as
much fun and excitement for the listener as the players. Trumpet 1 written Db
above staff. 5 saxes (a, a, t, t, b), 4 Trumpets, 4 Trombones, Elec. Piano, Elec.
Guitar, Elec. Bass, Drums. Medium.
GLENN PICKETT
AMAZING GRACE - 54085 - $55. Here's a proven arrangement for Jazz
Band of what just might be America's most beloved song. Written to feature
your soloist, it works for either a singer, tenor sax, or alto sax player who can
improvise in a bluesey, New Orleans style. After the reflective, rebato intro, it
locks into a 12/8 groove that builds to a blazing triumphant ending. Amazing
Grace works great as a closer for a patriotic or any program, bringing the
audience to its feet! Key: F to G. Medium difficult.
STAR SPANGLED BANNER, THE - 54086 - $45. It's our beloved
National Anthem, by everyone except those that are called upon to sing it.
Yet, here's an arrangement that works with band alone, add a vocal soloist or
even a choir.The music helps propel the meaning of the lyrics to your
audience, allowing your audience to hear the song again, rather than simply
wait for the high note at the end. Beginning with reflection, it morphs into a
rock feel during the rockets red glare. Ending with a traditional feel, after you
own it, you'll want to open every concert with it. Key: Bb. Medium.
TIM PRICE
ALL THINGS AGAIN - 54853 - $51. - A multi-directional arrangement on
the changes to All the Things You Are. Includes trumpet and piano solos, a
sax soli, and an a capella brass soli, all followed by two massive shout
choruses. 5,4,4,P,B,D. Grade 6.
BOPSILVER - 54854 - $51. - Medium swing chart with trumpet and
trombone solos (optional open), sax soli, and big shout chorus. Lots of two
and four feel fun for the rhythm section. Grade 5.
CHEEKS - 54861 - $55. High energy. Straight 8ths. Lots of contrasts in
dynamics. Modal changes. Loosely based on melodies from the Irving Berlin
classic. Bari sax, Bass Bone, and Electric Bass often linked. Drummer needs
63
to incorporate a lot of kicks into busy part. Many surprise twists and turns.
Solos: Tenor, Trumpet, optional Guitar, and Piano. Difficult.
CHORALE FOR THE MILLENIUM - 54863 - $52. “A Capella” style
scoring with piano and piano trio interludes. Trumpet double on flugelhorn.
Medium difficult.
ESCHEW OBFUSCATION - 54867 - $54. Medium fast. Straight 8ths
alternating with swing. Solo changes for piano, trumpet, and soprano sax.
Trumpet 1 to written high E. Medium difficult.
FACING FACETS - 54859 - $51. Fast altered blues. Terse head, introduced
by lead alto, is contrased with “Freddie Freeloader” chordal accompaniment
figures. Solos over altered blues changes for guitar (optional piano) and tenor
sax. Contrasing ensemble interludes and a shout chorus with a surprise ending
make this a great opener. Top trumpet written F above the staff. Do doubles.
Medium difficult.
FUNNIN' TENORS - 54869 - $55. Shuffle, featuring dueling tenors. Do
doubles. Soli passage for bari, bass, and piano. Premiered at the “Live Music
Awareness” event in San Francisco. Medium difficult.
GONE FISCHIN' - 54870 - $55. Medium slow bossa. Five clarinets
throughout. 4Bb soprano + 1 bass clarinet, brass in buckets. Add vibes for
even more interesting colors. Trumpet and piano solos. Leisurely paced,
harmonically challenging. This piece is dedicated to Clare Fischer, and hints
at only a few of the harmonic and formal innovations he has brought to jazz.
Trumpet 1 goes to written A above staff. Medium difficult.
GREEN DAUPHINE - 54865 - $52. Alternating 12/8 and swing feels,
based on the changes to On Green Dolphin Street. Trombone and Alto sax
solos. Lead trumpet to written high E. Medium difficult.
IN LIKE FLYNN - 54852 - $51. Medium swing. Inspired by Lee Konitz,
this original is based on the changes to I Remember April. Solos for alto,
tenor, trumpet, bone, and piano, as well as more chances for others in your
band to blow. The Tristano-like melody sneaks in at the bridge and the last A
section features some very interesting Scottish influences...before it’s over,
everyone gets in the “thickened line” of it all. Difficult
KERRY - 54864 - $53. Flugelhorn feature. Tempos: Ballad, medium swing,
and fast swing. Meaty sax soli. Medium difficult.
MELODY FOR A MEMORY - 54862 - $53. A medium slow bossa,
featuring a strong Bari sax soloist. Challenging chromatic changes. Sax
doubles: Alto 1 on Flute, Alto 2 on clarinet, Tenor 1 on flute, Tenor 2 on
clarinet. Trumpets on flugels. Medium difficult.
MIDNIGHT TODAY - 54860 - $48. 3/4 ballad. Flugelhorn feature.
Commissioned by the Fresno City College Jazz Ensemble. All woodwinds
double on flute. Top trumpet to written high C. Medium difficult.
OPUS DUE (pronounced “doo-a”). - 54858 - $57. Fast samba. After a
head that features a lot of band-within-a-band scoring, trumpet 4 gets the first
solo. Open solo space at the bridge. After a tutti interjection comes the tenor
solo which in turn sets up a shout that begins subito paino for the ensemble.
The ensuing sax soli over the bridge sets up the big ending. Trumpet to
written high F#. No doubles. 5,4,4,G,P,B,D. Difficult.
OPUS UNO - 54851 - $51. A high energy samba that features a lengthy and
harmonically-chellenging solo for your show-off in the lead alto chair.
Written for CSU Fresno Jazz Band. The long form and shifting harmonic
sands of this one give it a difficulty level of 5. Lead trumpet to high F#, and it
should be noted that the lead Bone needs to feel pretty good about high C’s
(not the vitamin kind!).
PASS THE SALZ - 54855 - $51. A salsa “cha-cha” features trumpet and
bari sax solos (both optionally open), a fun mambo section, and a false
recapitulation with written trombone 2 solo. Woodwind doubles: 2 flutes and
3 clarinets. Medium.
PM BLUES - 54872 - $55. This is a fast blues with a bridge. Lots of
blowing for tenor sax, trombone, trumpet, and guitar/piano soloists. Trumpet 1
to written D3. Medium difficult.

SACRE BLUE (Apologies to I.S.) - 54866 - $50. Novelty jump swing tune
that uses themes from a well-known early Twentieth Century work. Extended
tenor solo and drum solo. Lead trumpet to written high D. Medium difficult.
SHUFFLAWFULOW - 54850 - $51. A shuffle written for and priemered
by the CSU Fresno Jazz Band. It features solos for alto and tenor sax, as well
as a finger-twisting soli that features your bari sax, piano, and bass players.
Trumpet to written C#. Difficult.
* * * NEW * * * SQUAX – 54872 - $55. A medium tempo blues/fast
rhythm changes hybrid (for better fuel efficiency). Solos, in order, are Bone 2,
Tenor 1, Trumpet 2 and Piano (at the Da Capo). Recorded by the Fresno State
Jazz Band A in 1980, Dr. Lawrence Sutherland, sole (soul)? Proprietor,
presiding. Angular lines, tempo changes, modulations, trumpet 1 tops out at
written G6. But it's nice to for the bass drum to have the final word. No
doubles, except time-wise. Difficult
SUMMER STROLL - 54856 - $48. A ballad for big band featuring piano
and harmon trumpet soloists. Woodwind doubles, trumpet and flugelhorn
doubles and some striking trombone writing. Medium difficult.
UNTITLED - 54857 - $52. - Medium fast swing. The head of this chart
features the saxes and brass in sustained textures and sudden dynamic
contrasts. A prominent role is played by upright bass. There are challenging
solos over an unusal chord progression for guitar and tenor sax. Optional solo
changes are included for Alto 1 and Piano. Contrasting ensemble interludes
and a shout chorus with a suprise ending have made this a great “set-up” chart
for closers. Trumpet to written high D#. Do doubles. Medium difficult.
WALTZ-IN - 54868 - $54. Medium jazz waltz. Doubles: flute 1 & 2,
clarinet 1 & 2, bass clarinet, flugels. Flugel and tenor solos. Medium difficult.
DAVE RASMUSSEN
FALL FOLIAGE - 56575 - $55. Medium tempo chart begins with a
bass/piano rhythmic figure that sets up a tenor/trumpet bop line of the melody.
A decrescendo interlude introduces solos from both tenor and trumpet. The
interlude reappears to introduce a five-part trumpet soli leading to a guitar
solo. The chart concludes with the original theme and rhythmic line. Scored
for 5, 5, 4, 4. Difficult.
FINE WINE, A - 56576 - $53. A medium-groove, laid-back kind of chart
that features some lush brass voicings. Opens with a rubato piano chorus with
the rest of the rhythm section joining for the 2nd chorus. Winds have a flute
soli leading into solos by muted trumpet and flute. Scored for a 5, 5, 5, 4
configuration; all saxes double on flute or clarinet. A tricky half-note triplet
figure sets up the final chord, everyone has to count. Medium Difficulty.
FOREVER - 56577 - $50. Written for a 5,5,5,4 configuration. A slow
(t=56), soft ballad that features a very quiet brass section on this original
melody. Solos for muted trumpet and flute lead into a Kentonish ensemble
passage. The chart ends with a short trumpet/soprano duet with a series of
very quiet ensemble chords. Chart requires excellent listening, balance and
intonation. A disciplined challenge for all horns in playing softly and in tune.
Medium Difficult.
POT 'O GOLD - 56578 - $50. An up-tempo chart based on the chord
changes to popular ballad, the chart starts off with solos from trombone and
tenor. A unison bop line for all horns follows leading into the theme as stated
by the saxes. The tempo changes to half-time for the ensemble which
introduces a short classical motive by the trumpets. A guitar solo follows in a
medium groove, changing ot double time in the middle. The esnsemble
finishes with the theme, a drum solo and a short alto/tenor line at the end.
Scored for a 5, 5, 4, 4, configuration. Medium Difficult.
ST. PATTY'S GIG - 56579 - $50. Easy, mid-tempo medley based on the
chord changes of three popular Irish songs. Solos feature trombone, tenor,
clarinet (soprano). Originally written for a St. Patrick's Day celebration, this
chart is a swinging way for your band to celebrate the holiday. Lead trumpet
to high G, Sax doubles: soprano or clarinet, flute (Alto 2). Sax soli for five
sopranos, clarinets or combination. Medium Difficult.
64
STARS AND STRIPES FOREVER - 56580 - $55. Sousa's stirring march
in a rousing, up-tempo big band romp. The chart starts with a jazz march drum
intro, leading into the main theme with alternating brass and sax lines.
Trumpets have some challenging bop unis counterpoint to the saxes unis
statement of the theme. Solos by trumpet and tenor are followed by the
famous trombone unis line. Instead of a decelerando, a single drum rim shot
introduces the final theme in a half-time jazz march. A rubato ending with an
extract from Grand Old Flag provides a subdued finish for this flag-waver.
Arranged for a 5, 5, 5, 4 configuration. Medium Difficult.
WOODS MEETING - 56581 - $55. This is an up-tempo blues that features
solis for trumpet, trombones and saxes. The sax soli is from a Phil Woods
solo, while the trumpet soli is from a Tom Harrell solo. The trombone soli
lead is doubled on bass. Plenty of blowing space for alto, tenor, trumpet,
trombone and guitar. Arranged for a 5, 5, 5, 4 configuration. Medium
Difficult.
CHARLIE RICHARD
DOWNPOUR - 54410 - $55. Comp Jeff Ellwood/arr. Charlie Richard -
Written for the Riverside Community College Jazz Ensemble 1 and performed
at the IAJE 2002 National Conference. This is a bop feature for tenor sax and
trumpet. The two do the melody, improvisations, and a tortuous soli. The
saxes double on flute. Medium difficult.
FINAL APPROACH - 54411 - $55. A medium, slow samba that explores
colors and is a feature for the flugelhorn. Saxes also have flute parts. Medium
level. (8 brass).
GROOVE ASSAI - 54412 - $55. A medium groove alto feature that should
be played with conviction, much like Jackie MacClean. There is a mediumhard
trombone soli and some good riff-like shout sections so the drummer can
bash. Medium level. (8 brass). Written for the Southern California School
Band and Orch Assoc High School Jazz All-Stars.
HAWK'S OUT, THE - 54413 - $55. An extended and demanding solo
trumpet feature. Soloist plays extended jazz and written melodies up to double
A. Stylistically from contemporary "legit" ballad with swing interpretation, to
an up swing and Latin. Saxes have clarinet and flute doubles. Medium
difficult. (9 brass).
MINOR COMPLAINT, A - 54423 - $55. An exciting bop over a minor
blues form featuring solis for the saxophone, trombone and trumpet sections.
The sections also trade back and forth. There is solo space for players in each
section throughout the chart. The piece concludes with an exciting
development to a shout that flirts for a moment with a samba until it finds its
way home. 5 saxes, 8 brass, gtr, piano, bass and drums. High note in 1st
trumpet is a written F. Difficult.
SLIDE FRACTURE, A ( With Minor Confusions) - 54414 - $55.
Commissioned by Riverside Community College. Medium swing minor blues
in the Kenton tradition that features 1st and 4th trombones in duet and
blowing. Medium difficult. (9 brass).
SUITE FOR JAZZ ORCHESTRA, PART I "WALTZ FOR ONE" -
54419 - $55. This is a solo vehicle for an alto saxophonist that is not part of
the sax section in somewhat of a concerto format, including cadenzas. It's in a
medium 3/4 groove and has plenty of improvisaion space. This was inspired
by the Michel Legrand/Phil Woods collaborations. The top note for the lead
trumpet is a concert Eb. Medium level.
SUITE FOR JAZZ ORCHESTRA, PART II "BALLAD FOR TWO" -
54420 - $40. This is a solo vehicle for an alto saxophonist that is not part of
the sax section in somewhat of a concerto format, including cadenzas. It's a
traditional ballad, one section is just the piano and solo alto and it builds from
there. There is plenty of improvisation space for the alto soloist and the
pianist can be included. This was inspired by the Michel Legrand/Phil Woods
collaborations. The top note for the lead trumpet is a concert E. Difficult
level.

SUITE FOR JAZZ ORCHESTRA, PART III "KEEPING TRACK OF
TWENTY" - 54421 - $65. This is a solo vehicle for an alto saxophonist that
is not part of the sax section in somewhat of a concerto format. This was
inspired by the fast Latin music of Metheny and Mayse with the shifting
meters, but it's not as hard as it sounds! There is plenty of improvisation
space for the alto soloist and the pianist can be included. The top note for the
lead trumpet is a concert Eb with an optional G at the end. This is a very
complete piece of music on its own, going through many changes of texture,
density, color and volume, with a very exciting ending. Difficult level.
SUMMER FESTIVAL - 54415 - $65. An extended Latin work. Features
extended piano solo both written and improvised, and a challenging sax soli.
Solo changes are optional for many players. Altos have easy flute doubles.
Begins and end with an orchestral treatment. Medium difficult. (8 brass).
TECH-SUS BOP - 54416 - $55. Fast swing in the hard bop tradition and is a
tenor-trumpet feature. The melody and the blowing are by trumpet and tenor.
There is an exciting but challenging trumpet soli. 5, 4, 4, P, B, D. Medium
difficult. (8 brass).
TOO SOON - 54424 - $50. An emotional ballad feature for trumpet /
flugelhorn written to remember Mechelle Hawk. The soloist plays the melody
on flugelhorn over lightly but colorfully scored backgrounds, then improvises
over the changes in single and double time. Later the soloist switches to
trumpet and soars over the ensemble for an exciting climax. Written for 5
saxes, 8 brass, gtr, piano, bass and drums. Solo trumpet high note is a written
E with an option for a double A. Medium.
TURNING CORNERS - 54417 - $50. A colorful, moody ballad in Db
minor, this chart features lead alto. Soloist is featured throughout and
improvises over double time section (swing). Saxes double on simple flute
parts. Medium difficult. (8 brass).
Y KNOT - 54418 - $55. Fast swing in the hard bop tradition and is a tenortrumpet
feature. Bop lines written throughout the band but melody and
blowing by trumpet and tenor. Medium difficult. (8 brass).
JEFF RICHMOND
AFTER THE RAIN - 54741 - $50. After the Rain is a beautiful ballad with
an outstretched melody that blurs bar lines and floats, leaving the listener
suspended in a dreamy soundscape. An advanced tenor sax soloist will really
dig into the open modal solo space. Doubles include soprano sax, flute, as
well as flugelhorns in all trumpet parts. Trumpet range to written double F#.
5/4/4/G/P/B/D. Medium Difficult.
ALONE IN THE SHADE - 54743 - $55. Alone in the Shade is a long-form
modern big band composition with a very exciting energy which integrates
rock fusion and 180 bpm half-time feel eighth-note melodies. Angular lines
and quick interjections permeate the texture and solos for tenor sax and
distortion guitar allow plenty of room for an advanced soloist to really open
up. This chart makes a perfect concert closer or opener for strong bands. Alto
1 doubles on soprano sax. Trumpet range to written double G. 5/4/4/G/P/B/D.
Difficult.
BOOKFACE - 54740 - $55. BookFace captures the oddities of social media
networks by utilizing odd meter's and angular lines in a modern funky context.
BookFace presents plenty of challenges for any ensemble and is sure to please
an audience. Solos include drums, soprano sax (alto 1 part), and guitar.
Doubles include flugelhorns in the trumpets and soprano sax in the Alto 1
part. Trumpet range to written F# above high C. 5/4/4/G/P/B/D. Difficult.
FUSE BOX - 54737 - $55. A great fusion tenor sax feature with a hard
hitting groove and a fun melody. Audiences will leave with this tune stuck in
their heads. Solo for tenor sax. Trumpet range to high C. No woodwind
doubles.5/4/4,G,P,B,D.Medium.
GONE TILL NOVEMBER - 54742 - $55. Gone Till November is a modern
open-form big band composition which was written for the University of
Nebraska jazz program. Doubles for soprano sax (in the Alto 1 book), Solos
include trumpet and soprano sax. Trumpet range to written above high C.
5/4/4/G/P/B/D. Difficult.
65
IKEBANA - 54731 - $53. The Japanese art of flower arrangement, Ikebana,
is a straight-eighths 3/4 chart which combines great grooves and great melody.
College and advanced high school bands will love the challenges and rewards
of this exciting chart. Trumpet range up to written F6 and solo space for
flugelhorn and bari sax. Medium Difficult.
KENDO - 54732 - $55. The Japenese martial art of sword fighting, Kendo,
is an in-your-face up-tempo swing chart with half-time funk sections for
soloing. It is the perfect show opener/closer for advanced college and
professional bands. Trumpet range up to written Ab6 and solo space for Alto
1, Alto 2, and Tenor 1. Medium Difficult.
MINIMAL EFFORT - 54733 - $70. Takes merges the minimalist movement
with a Latin-influenced big band chart that is both fun to play and fun to hear.
College and advanced high school bands will find that this chart is a real show
stopper. Trumpet range up to written F6 and solo space for trumpet, tenor sax,
and trombone. Medium Difficult.
NOLA - 54738 - $55. A real tribute to New Orleans, this “second line” chart
is sure to get your audience up and dancing. It would be a great opener or
closer for a concert. Solos for trumpet, trombone, and alto. Trumpet range to
high C and no woodwind doubles.5/4/4,G,P,B,D.Medium.
TECHNO TRON - 54734 - $70. This is a reference to nightclub music, it is
a straight-eighths chart with angular unison lines and harsh dissonances and
room for synthesized sound effects during the opening drum solo. Advanced
college and professional bands will love this crowd pleasing chart. Bluesy
solo sections for overdriven guitar, trombone, trumpet, and drums. Trumpet
range up to written G#6. Medium Difficult.
WHERE THE DAY TAKES ME - 54735 - $62. A flashy Latin tinged tune
with a catchy melody. College and advanced high school bands will love the
challenges and rewards of this crowd pleasing chart. Trumpet range up to
written F6 and solo space for tenor sax and trombone. Medium Difficult.
KIM RICHMOND
ALL TOGETHER - 50400 - $41. Great opener or closer. Modal in nature,
tests most of the elements, from the Sax soli and polyphonic lines to hardhitting
ens passages. Med-diff.
AUGUSTANA - 50438 - $60. The style is “African” Latin, 6 beats of
triplets, taken in a slow three. Although this piece can be performed without
extra percussion, it is greatly enhanced by them. Several Cascara or bell
patterns and a conga pattern are shown at the end of the drum & percussion
parts. Other rhythm instruments can be used as well (shaker, guiro, etc.).
Theme has a soaring melodic quality over the churning rhythm. The middle
section is exactly half time (in 4/4). Trumpet is featured w/ solo melodic
statements throughout. Ad lib solo is written for WW 3 (tenor sax), w/
changes cued in for WW 1 (sopr sx), WW 2 (alto), tpt 3, trb 2 and guitar.
Woodwind doubles: WW 1 on soprano sax. Optional parts for French horns,
tuba. Med - Diff.
BACK A TAD - 50401 - $70. Straight ahead swinger. Saxes & Guitar state
the theme, a soli for Tenors w/Trbns, & solo space w/bckgs. Re-cap in new
key leads to a roaring shout & tag ending. Dbls. Diff.
BB - 50450 - $85. This up-tempo jazz piece starts with a tutti which spins off
into a division of the ensemble into unisons which spell a main motif for the
piece. The middle section of the head has the soloist (to come), trumpet and
the 2 altos, improvising simaultaneously. During the development section, the
two altos trade 8s, the 2s over two choruses. The trumpet solos by himself
over a rhythm ositinato. The saxes are featured on a substantial soli section
before the piece builds to a climax, recapping the main theme. A roaring
finish concludes. Solos: Both altos, trumpet. WW 1- soprano saxophone,
alternate alto part provided. Optional parts for French horns (alternate parts
for Tpt 5-6 provided), tuba and percussion (mallets and hand-percussion).
Trpt. high note is C#. 5,4,2 FH,4,TUBA, G,P,B,D,Perc. Medium Difficult.
BELIEVE IN SPRING FANTASY - 50402 - $130. This chart is based on
the beautiful Michel LeGrand melody w/ a similar title. The piece can
optionally start with piano solo alone (written out) stating the melody. Saxes
drift in over a medium slow swing stating the melody in augmentation. This

gives way to a faster rhythm which leads to an alto solo over harmonic pedals.
A middle ens section (slower 12/8 feel) spins out thematic motivic
development, followed by the faster swing tempo. Trpt solo over the song
changes lead to a dramatic shout chorus. Ending is in a slow tempo, lush &
full. Solos: alto, trpt. 2 sets of woodwind parts are provided. One w/no dbls,
another with 1 alto/flute, 2 alto/oboe (can be flute), 3 tenor/clarinet, 4 tenor
clarinet, 5.bari/bass clar. The two versions should not be mixed. Difficult.
BIG MAMA LOUISE - 50403 - $44. Altered blues, this funky shuffle
features the sax section & full ens, w/extreme dynamic changes. Medium.
BIG POCKET - 50443 - $100. This is straight down the middle basic jazz
swing, at a comfortable middle tempo waling groove (120). Lots of ensemble,
shout choruses, loud and soft. Written in a basic Thad Jones style, the
beginning theme is light muted brass and saxes with flute on top. The solo
section is a slightly extended blues featuring tenor sax and trombone. A meaty
sax soli is followed by a soft ensemble shout which then builds extensively to
a long full-blown tutti. If you life basic "in the pocket" stuff, you'll like this
one. Alto 1 dbls flute. Opt'l parts for French horns, tuba, and percussion.
BIG SUR, THE - 50404 - $85. Written for Kenton Band. Starts w/fanfare
& dirge which builds to a latin 6/8. Open solo section for drums. Finale
features strong Bones & high Trpts, leading band to roaring finish. Tenor,
Trpt & Drum solos. 5,4, 2 Fr Hns, 4,G,P,B,D, 2 Perc., Opt’l Trpt 5 & 6 For Fr
Hns.
BRAIN TROUBLE - 50430 - $85. A fantastic ensemble intro leads to a
hauntingly unusual sinuous melody line on this Latin chart. Middle section is
a 4-part fugue leading to an exciting & extensive traditional Cuban salsa solo
segment, culminating in a majestic shout chorus before leading back to the
original mood. Solos: Trbn, Latin perc (opt’l). Latin drum & percussion
patterns included. Dbls: Fl, Picc, Fl, Clar, Clar. Opt’l parts for French horns,
tuba, Latin & mallet percussion. Diff.
CHESTER’S WAY - 50405 - $39. Ballad. Chord progression of this Bone
feature may be recognized as Beatles hit. Chart moves to heavy latin tempo.
Middle section is fast swing. Med.
CHIC-A-BRAC - 50406 - $50. Med up-tempo swinger inspired by Chick
Corea (with a bit of Gil Evans influence). Melody is stated by small ens
before it’s turned over to full band. Solos: Ten, Trpt, drums and opt’l Bone.
5,4,4,Tuba,2 FH, G,P,B,D,Perc.
CLEAR COMMAND - 50433 - $90. - Written as a commission for the
USAF Airmen of Note, this rapid moving “straight-8th swing” composition is
spun out from a 4-note motif. The piece starts with an strong ostinato and
fanfarish section, moving through a lengthy introduction of angular unison
lines and development before reaching a full melodic statement by unison
trombones. After the solo section and a recapitulation of the theme, there is a
magnificently massive coda that builds and swells to a triumphant finish.
Solos: trumpet, cued for tenor sax, bari sax, trb. 2. WW dbls: 1 alto sopr & fl.
2. alto fl. 3. tenor fl. 4. tenor fl. 5. bari sax . Opt’l parts for French horns, tuba,
Latin & mallet perc.
CLOUD FIELDS - 50449 - $60. This short composition (2pages) has a
sweeping angular melodic line intially stated in the low instruments over a
Latin (Bolero) rhythm. The melody works its way upward through different
sections, and after its full statement, gives way to an impressionistic interlude.
A more dramatic restatement of the theme follows a short and light "cool"
tenor saxopnone solo. The tune ends softly with a surprising but understated
chord change. Solos: tenor sax. Two versions of woodwind parts provided: 1)
Doubles: 1. Alto sax/flute; 2. Alto sax/flute; 3. Tenor sax/clarinet; 4. Tenor
sax/clarinet; 5. Bari sax/bass clarinet (this version is preferred). 2) All saxes,
no doubles. Optional parts for French horns (alternate parts for Tpt 5-6
provided), tuba, and percussion (mallets and hand-percussion.) 5, 5, 4, Tuba,
Perc, G, P, B, D.
CONTINUED OBSCURITY - 50435 - $65. A slow, conducted intro
builds to the expansively dynamic main theme constructed on parallel 5ths
over medium-tempo driving drums (either in 12/8 or even-8ths) and floating
bass. After a short piano solo interlude, a second ensemble section with
shifting tonalities leads to the solo section. Solos: alto sax, trumpet (chords for
trb/tenor) No WW dbls; extra flute part included. Optional parts for French
horns, tuba, Latin and mallet perc. Flute, 5, 4, Fr. Horn, 4, Tuba, G, P, B, D,
Perc. Med.
66
FALL ASCENDING - 50442 - $85. This composition is drawn basically
from one 2-measure melodic/rhythmic figure. The rhythm is even-eighths
with the melodic lines, often sequential developement of the main motif,
combining the instrumental sections and weaving over harmonic pedals. Solos
for Alto, Tenor, Trumpet, Trombone, and Guitar. Sax doubles. Opt'l parts for
French honrs, Tuba, and Percussion. Medium Difficult.
FANTASIA for Alto Sax & Jazz Orchestra - 50408 - $75. Three
movement suite that can be performed independantly. Alto saxophone feature.
Sold as entire suite only. Mov I (Ballade): Entire suite is derived from the
Ballade theme. Involving constantly shifting colors, this mvt demonstrates the
ballad artistry of the solosit. Mov II (Latino): Short written solo cadenza.
Changes to a latin rhythm vamp for improv. Mambo section next features
high brass over roaring ensemble. Soloist again over montuno, to a screaming
climax. Mov III (Scherzo): Final movement. Up-tempo swinging line played
by Alto & Guitar, over a loose ensemble. After ample room to stretch out, a
return is made to the Ballade. Dbls. Diff.
FRANZ - 50411 - $55. Latin bass line, drums march funk rhythm set
entrancing mood. Contemporary harmonies. Solos for Piano and Trpt.
HORIZON UNDER - 50446 - $75. This is a powerful piece with a strong
theme initially stated in the middle low instruments. The even-eighth style is
neither Latin nor rock but has a driving distinctive rhythmic pattern in the
drums. After an intro with floating rhythm over which are fanfarish trumpets,
the driving beat and motivic theme is established in trombones, baritone,
guitar and French horn (optional). Orchestral in color and dramatic in shape,
the melodic section opens to a trumpet solo, followed by alto (or soprano) and
tenor saxophone solos (trading). The easy solo changes are few and modal.
Solos: trumpet, alto sax (or soprano), tenor sax. Woodwind doubles: 2 sets of
woodwind parts are provided. One with no doubles, another (preferred) with
1. flute/soprano, 2. flute/alto, 3. tenor/clarinet, 4. tenor/clarinet, 5. bari. The
two versions can be mixed. Mutes: Tpts-Straights, Cups, Harmons (no
trombone mutes needed.) Optional parts for French horns (alternate parts for
flugelhorns or top 5-6 provided), tuba, and percussion (mallets and handpercussion).
Medium difficult.
HUFF - 50455 - $60. This composition is a trumpet feature written for jazz
stylist Steve Huffsteter. Its tempo is medium-slow swing with soloist playing
the tuneful melody. Solo section is double-time swing with plenty of room to
improvise. Ensemble shout chorus follows back in original time feel. Solo
cadenza on the end. No woodwind doubles. Solo trumpet part is in place of
Trumpet 4.Optional parts for French horns (alternate parts for Tpt 5-6
provided), tuba, and percussion (mallets and hand-percussion). Tpt. to D. 5
W.W., 4 tpt,4 bone/G/P/B/D. Optl. 2 Fr. horn, tuba, 2 perc. Medium.
IMAGE, BLUES & LIKENESS - 50413 - $70. Three part suite ideal for
featuring all of your soloists. Part I is swing ensemble, introducing each
section. Part II, a medium blues, varying backgrounds, ending in a Drum solo.
Part III is a mirror image of Part I. Opt'l cuts are indicated. The blues section
can be played independently. Sold as a set. Dbls. Med Difficult.
INDIAN SUMMER - 50445 - $65. This swinger starts with trombone
melody and rhythm. An ensemble chorus leads to solo space, then an optional
sax soli. A soft shout chorus builds to a loud one, which precedes a recap of
the main theme as it began. Solos: Tenor sax. Woodwind doubles: none.
Medium difficult
LIGHT AT THE END - 50451 - $65. This is a commission for the Southern
California School Band and Orchestra Association's All-star big band. The
rhythm section is important in this medium up-tempo swing piece, especially
at the beginning, where the piano and bass have some ensemble passages to
play together. After a substantial fanfarish-like intro, the theme is introduced
over a rhythm ostinato. A secondary theme is stated by the trombones, but this
gives way to a Latin section with a quasi-salsa feel. Both tenors solo over the
Latin feel, after which there is further ensemble development leading to a
exciting last statement of the main theme. Solos: both tenor saxes. No
doubles. Optional parts for French horns (alternate parts for Tpt 5-6 provided),
tuba, and percussion (mallets and hand-percussion). Trumpet high C# (one
final note E natural). Medium Difficult.

MELON BELLS - 50415 - $53. Up tempo swinger. Written to feature Mel
Lewis & Louie Bellson. A drawn out version of the melody line set the stage
for some driving rhythm, followed by a whole chorus of full ensemble
w/drums playing fills. Drum & Tenor solos.
MONTAGE - 50453 - $75. This up-tempo swinger starts with a upwardly
cascading fourths in the saxophone followed by mixed timbre ensemble
passages playing snippets of melodic content. After a brief half-time section,
and when the melodic line solidifies, the sections state the unifying motif
without combining.Following ad lib solos by tenor and trumpet on fairly easy
changes, there is more ensemble thematic statement and development which
builds to a roaring finish. WW 1 & 2flutes, WW 3 & 4CLARINETS.
Alternate saxophone parts provided. Cup mutes needed in brass. Optional
parts for French horn (alternate parts for Tpt 5-6 provided), tuba, and
percussion (mallets and hand percussion). Tpt 1 highest note is D.Medium
Difficult.
MOTION TO ADJOURN - 50456 - $80. This is a medium swing ensemble
chart that starts light and soft with a jaunty theme passed around the sections.
This is contrasted with a “chorale” section, still in time, before returning to the
“jaunty-ness.” After the solo section the ensemble passages are quirky and
interestingly engaging, drawing on all the previous thematic material. No
woodwind doubles. Solos: changes for guitar, tenor, trumpet 4, trombone 2.
Trumpet high note D. Optional parts for French horns (alternate parts for Tpt
5-6 provided), tuba, and percussion (mallets and hand-percussion). 5 W.W.,4
tpt,4 bone/G/P/B/D. Optl. 2 FR. horn, tuba, 2 perc. Medium Difficult.
NICE - 50416 - $39. A soft bucket-muted brass sound characterizes this
gentle waltz. Subtle shadings & close voicings challenge the players ability to
play softly & maintain intonation. Med.
OLD ACQUAINTANCES - 50417 - $72. Down home gospel features
unison ens, solo bckgd & a small 3 horn grp. Blossoms into a lengthy tutti
shout chorus, to preaching Alto solo over full ens. Level 5.
PASSAGES - 50431 - $68. This exciting up-tempo free-swinging chart
makes good use of a blend of saxes, flugelhorns, muted (& open) trpts &
trbns. Solo section is modal with a recurring vamp pattern underneath. Solos:
Tenor sax & Trpt. No WW dbls. Opt’l parts for French horns, Tuba, Latin &
mallet percussion. 5, 5, Fr Horn, 4, Tuba, G, P, B, D, Perc. Diff.
PEACE OF CHANGE - 50448 - $75. This major piece begins with a
lengthy introduction in 9/8 (in a fanfare-ish manner), changing to 3/4 that at
first features trumpets, then the entire ensemble and develops into a lyrical but
still rhythmic theme. The main melodic statement occurs with melded
instruments (2 altos, 2 trumpets, 1 trombone) over a Latin bass pattern. The
solo section goes into double time, but later alternates between double time
and the Latin half-time. After the solo section more ensemble development
occurs before a return to the main thematic material that builds to a
flourishing dramatic finish. Solos: trumpet; chord changes cued for alto, tenor,
bari, trombone and guitar. No doubles. Optional parts for French horns
(alternate parts for Tpt 5-6 provided), tuba, and percussion (mallets and handpercussion).
Also provided: optional 1st woodwind part for soprano
sax/flute/piccolo (optionsl). Level?
POETRY - 50447 - $50. Ballad. This is a colorful tone-piece, slow in
tempo, and orchestral in nature. Starting in piano, then progressing to
woodwinds, finally reinforced in the brass, the intricate and angularly
dramatic theme, constantly shifting in color and texture, spins out in an
attractively harmonic fashion. No high trumpet range. No solos. No doubles.
Optional parts for French horns (alternate parts for flugelhorns or tpt 5-6
provided), tuba, and percussion (mallets and hand-percussion). Medium.
RANGE - 50439 - $70. This chart presents a rubato dramatic introduction
before the piano pattern establishes the mood of the piece (even-eigths, but
not Rock). The orchestra is divided into several different color layers as it
spins out the melody line. The second section has concerted tutti with jutting
sporadic chords underpinning a drum solo. A wild transition leads to the solo
section (a 40-bar repeated section). Solos: bari sax, trpt, trbn (cued for tenor
& gtr). No woodwind doubles. Optional parts for French horns, tuba, latin and
mallet percussion. Medium - Difficult.
SMOOTH-TONGUED VILLAINY - 50452 - $80. Even with a seriously
evil title, this has some beautiful moments. If you include timpani in your
ensemble, this can be an outstanding feature (2 timps possible, better with 3),
67
but it's all cued in other parts. A syncopated rhythmic pattern characterizes
much of the beginning with some delicious dissonances. The ad lib solos are
for 1st and 2nd trombones, trading eights, ending a dual cadenza. Following
is a second thematic second leading to the opening feel (with a little variation)
and the main motif, transformed. A big finish climaxes. Piano is important in
this piece. WW 1-soprano saxophone, alternate alto part provided. Optional
parts for French horns (alternate parts for Tpt 5-6 provided), tuba, and
percussion (mallets and hand-percussion). Medium Difficult.
SOFT FEELINGS - 50423 - $45. The impressionistic images created by this
piece will captivate any audience. Piano soloist has an opportunity to express
himself, followed by the orchestra w/a multitude of colors & sound. Dbls.
Diff.
3 REFRACTIONS - 50434 - $80. Starting with a piano arpeggio pattern,
this symphonic-styled tone-poem features a series of unison lines from each
section that builds from simple to dramatic. A middle section has a calypso
mood which leads to solos and a recap of the dramatic build. Solos: piano,
trumpet (chords for trb/tenor) 4 sets of WW parts: 1. Mixed WWs (2 fls, oboe,
clar, bsn)/saxes; 2. All saxes; 3. 4 flutes/saxes, b. clar or bari; 4. 5 Saxes + 2
flutes. Opt'l parts for French horns, tuba, Latin and mallet percussion.
TRAINS - 50436 - $90. - The main section starts with a written piano Latin
vamp pattern. The theme, stated by octave brass, is a 24-bar blues. The solo
section is followed by ensemble development of unison and octave lines, a
brief sax soli and drum solo section. The rhythm section style is straight-8th
swing drums over a Latin bass pattern. The lengthy (2-1/2 minute) “Prologue”
section is a rubato dramatic tone poem and may be used as a separate
orchestral-styled composition, or as an intro to this or any other piece. Solos:
changes for alto (or soprano), tenor, bari, trpt, trbn, gtr. WW dbls: 2 sets of
WW parts (flutes only used on “Prologue”). Opt’l parts for French horns,
tuba, Latin and mallet percussion.
TRIBUTARIES - 50425 - $75. Three part suite that features three soloists:
Trpt, Alto or Tenor & Trbn. Sold as entire suite only. Part I: Maestoso
opening sets up the main theme in a med 16th rock feel. Dbl x samba/rock for
2nd theme and solo section.Part II: Based on a hypnotic succession of four
chords for solos. Bckg ensemble builds to a climactic statement, and segues to
the final theme.Part III: Rhythm establishes the mood & the soloists state this
funk version of the theme. Soloists then trade 4/s & 8’s. Majestic ultimate recap
of the theme leads to the cadenza for the soloists. Dramatic conclusion.
Dbls. Diff.
TRUMP CARD 1 - 50437 - $65. This piece, formerly known as the Trump
Card Suite, is now the a movement of that Suite featuring trumpet soloists.
This first movement spotlights the trumpet soloist with a strong high register.
It starts with a slow steamy swing, the soloist leading off with melody over
full ensemble. The main section is Latin, with the solo trumpet introducing
each phrase which is then taken up by the different sections, overlaying one
over another. This gives way to a full compelling samba melody over which
the soloist can stretch out. The middle section can be more trumpet solo, or
feature the drums and percussion. The full samba eventually returns and the
piece ends with the slower swing, the soloist accentuating high notes with a
flourish over a triumphal ending. No woodwind doubles. Trumpet soloist high
note: D, optional high F. Optional parts for French horns, tuba, Latin and
mallet percussion.
TRUMP CARD II - 50440 - $80. This second movement of The Trump
Card Suite features duo jazz trumpets in an up-tempo line over the ensemble.
A spritely melodic line is followed by the two soloists alternately trading 8bar
ad lib solos. The main solo section is largely over one tonal center while
the ensemble provides dramatic punctuations. There is plenty of spaces for the
jazz trumpet soloists to blow (in two spots they improvise together), and they
are interspersed with ensemble sections. No doubles. Opt'l parts for French
horns, tuba, Latin & mallet percussion. Med - Diff.
TRUMP CARD III - 50444 - $70. The third movement of the Trump Card
Suite is sub-titled "Davey," and is a pretty ethereal, but at the same time
expressive, melody over light orchestral-type underpinnings and harmonic
pedals. There is amply opportunity for the soloist to play melody and also
improvisationally stretch out (easy chord changes) when the piece progresses
to an aggressive double-time swing. This is one for your lyrical trumpet
soloist. Solos: Trumpet. No doubles. Optional parts for French horns, tuba,
and percussion. Originally written for Dave Scott.

VARIATIONS - 50432 - $65. - This chart is a tribute to (and quasiimitation
of) the Bill Russo mid-fifties era pieces for the Stan Kenton Orch.
Starting with a double-time ensemble section, the piece features a strong
trombone solo melody (at ballad tempo) for the main statement of the theme.
The variations showcase more concerted ensemble double-time and a short
alto sax ad lib solo passage, then concludes with screaming 1st trumpet over a
wall-of-sound tutti. Solos: Trb. melody, alto sax, 1st tpt high note written Eb -
F optional. WW dbls: optional flutes on WW 1 & 2 Optional parts for French
horns, tuba, Latin and mallet percussion.
VIRIDIAN - 50441 - $80. The bass line pattern provides the foundation for
this Latin flavored piece, perhaps evoking images (with its exotic melodic
line, featuring cup-muted trumpets against woodwinds) of "South Seas"
locales. The title is the term for a shade of green. The half-time and doubletime
do not signal a change in feel, which stays basically the same throughout.
At some spots, the drums changes to more of a march-like beat, hopefully
with a syncopated jazz approach. Solos: Trb 2 (cued for alto sax, tenor sax);
guitar (cued for tpt 3) 2 sets of Woodwind parts: Version 1 (preferred
version): 1.-alto sax/clarinet/flute; 2.-alto sax/clarinet; 3.-tenor sax/clarinet. 4.tenor
sax/clarinet 5.-baritone sax/bass clarinet. Version 2 is saxophones only.
Tpt mutes are strongly suggested to accomplish the proper sound of the piece
(tpt 1: cup and Harmon; tpt 2: cup; tpt 3: cup and straight; tpt 4: cup and
straight). Trbs need no mutes. Medium - Difficult.
WIND CHIMES - 50427 - $60. Jazz-rock fusion that turns into a samba.
Samba provides chord patterns for solos. Linear-styled ensemble chorus. Only
double is soprano saxophone on WW1. A,A,T,T,B,4 Trpts,2 FH,4
Trbns,Tuba,2 Perc,G,P,B,D. Trpt.1 to one Dbl. High G. Medium Difficult.
YOU’LL NEVER KNOW - 50429 - $60. An unusual melody line
w/unique modern changes puts out an exciting, joyful mood. Legato start,
w/high wdwds & mellow brass, it soon breaks into hard rock, and dbl x swing
for the soloists. Dbls. Medium.
ZIPPITY ALTERED - 50454 - $65. This is based on the Disney tune of a
similar name but is a driving up-tempo jazz chart. Featuring some collective
improvisational moments in the head, it also has some simultaneous soloing
by two players in the solo section. The melodic paraphrase and alterations are
surprisingly delightful, and soloists are supported well. No woodwind
doubles. Solos: trumpet, tenor, piano (changes for alto 1, bari, guitar,
trombone 3) Optional parts for French horns (alternate parts for Tpt 5-6
provided), tuba, and percussion (mallets and hand-percussion). Tpt. altered B.
5 W.W.,4 tpt,4 bone,G/P/B/D. Optl. 2 Fr. Horn, Tuba, 2 perc. Medium
Difficult.
JOE RIPOSO
BLUE GOODBYE, A - 51539 - $45. A slow ballad that goes into a double
time swing and returns to a ballad for the ending. This medium level chart is a
tenor saxophone feature surrounded by rich harmonies and a lot of colorful
musical lines. Instrumentation: 5 saxes, 4 Trpts., 4 bones, P, B, D. Medium.
COOL STRUT - 51542 - $55. Written to depict the personality of Dr. John
Coggiola, co director of the Morton Schiff Jazz Ensemble. This medium
tempo swinger is masterfully scored to swing hard and pack a punch right
from its initial opening statement. It is a straight-ahead jazz chart that never
once lets go of the sense of swing throughout. Chord changes are provided for
a Tenor Sax and Trpt. Solo. These solo sections can be opened for additional
solos. The piano part is written with chord voicings & chord symbols and a
walking bass line is written along with chord symbols in the bass part. Trpt. 1
to written C above staff. 5,4,4,P,B,D. Medium.
KILLER WHO? - 51540 - $55. Killer Who? is written with the Killer Joe
flavor. This medium level swing chart is perfect for high school bands. The
chart swings by just playing the figures. A great chart to teach jazz
improvisation. An instruction sheet is included which suggests the approach to
teach and learn how to improvise on the chords of this tune. Sections can be
opened giving any one in the band the opportunity to improvise. (Trpt. range
is only high D and T'bones only go up to high G). Students will have fun with
this chart and learn to be confident improvisors. Killer Who? is a great chart
to open your concert with or play at a jazz festival to show off your student's
new improvisational skills. 5,4,4,G,P,B,D. Medium.
68
NEW TIMES - 51541 - $50. This is a medium up tempo jazz chart. It is
scored for 5 SXS, 4 TRPTS, 4 T'BONES, and Piano, Bass and Drums. This
chart offers a lot of ensemble playing. It swings easy making it perfect for
younger bands. This chart gives the 3rd Trumpet and Tenor Sax the
opportunity to improvise solos but sections can be opened to allow any one in
the band to improvise additional solos. New Times is a great chart to teach
jazz improvisation and articulation. Trpt to written High D. Medium.
PUT IT IN YOUR POCKET - 51536 - $50. This is a moderately bright
swing chart. The range for Trpts is E above the staff and for trombones it is
Ab above the staff. It has open sections for solos. Rhythm section parts
include chords voicing and slashes. Standard instrumentation. 5, 4, 4, P, B, D.
It is a great festival / concert opener. This chart is a hard driving swing chart
with a lot of excitement. Medium difficult.
RILEY'S DOODLIN' BLUES - 51543 - $53. Joe Riposo has hit the mark
in providing a medium up tempo blues that is playable by any bands. It sounds
hard but plays easy. The brass ranges are very moderate and the rest of the
parts playable. This chart creates lots of excitement, which the band members
will love. Improvisational solos sections for Trombone and Alto. These
sections can be opened for additional solos. Riley's Doodlin'' Blues is a great
vehicle for developing and showcasing an ensemble's abitity to shape a
melodic line and bring out nuance and blend. Trpt. 1 to written D above staff.
Medium.
SONG FOR MY BROTHER - 51537 - $48. A medium level ballad that
goes into a Bosa Nova tempo. This chart features piano as a solo instrument.
This beautifully lyrical ballad / Bossa Nova will provide contrast in your
programming. Great vehicle which allows your pianist to be as creative as he
wishes. 5, 4, 4, P, B, D. Medium.
* * * NEW * * * THROUGH A CHILDS EYES – 51546 - $55. A
Tribute to Sal Nestico. This composition was commissioned by the Mellon
CNY Humanities Corridor and College of Arts & Science of Syracuse
University. Through A Childs Eyes is a medium difficult level jazz ensemble
chart playable by any good high school or college jazz ensemble. This is a fun
chart to play. Because of its high energy level it sounds more difficult than it
is. It is harmonically an excellent chart to teach line direction and balance.
This chart will give you a standing ovation at each concert. It starts as a ballad
with a haunting melodic line and soon after progresses into a hard driving
swing section featuring solos by Alto Saxophone, Trombone and Trumpet.
The chart closes as it began as a slow ballad. Standard instrumentation (5,4,4,
p, b, d, g) The 1st trumpet goes up to a high D above the staff in one phrase
and up to a high A in the ending phrase.1st Trombone goes up to a high A
above the staff in one phrase. Level: Medium Difficult.
TONGUE TRIPPER - 51538 - $55. A hard driving straight ahead swinging
chart. Great ensemble work and lots of room for solos. Trumpet is only scored
up to high D making the chart playable by any high school or college jazz
ensembe. 5, 4, 4, G, P, B, D. Medium difficult.
SHERISSE ROGERS
CHACAGLIATU - 54625 - $60. Based on a modified Brazilian Maracatu
3/4 rhythm, Chacagliatu is a sometimes harmonically tense, groove oriented
piece. With an optional female vocal part to add an extra color, it makes use
of the various alternative colors available in the big band. Solos for soprano
sax (if no vocal), trumpet 2, trombone 1. Doubles: soprano sax, flutes,
clarinets, bass clarinet, flugelhorns. 5, 4, 4, G, P, B, D, Perc, Voice. Difficult.
FOR ONES LOST - 54626 - $60. A gentle straight eight note style piece.
Features an optional male syllable vocal part doubled with soprano and
flugelhorn. Starts off with a gentle brass choral and moves to a moderate
tempo straight 8ths piece. It progresses to a funk solo for the tenor sax and
closes out with a rock influences ensemble section. Solo features tenor sax 1.
Doubles: soprano, flutes, clarinets, bass clarinet, and flugelhorns. 5, 4, 4, G,
P, B, D, Voice. Difficult.
FUNNY YOU SHOULD ASK - 54633 - $60. A relaxed samba tune in 7/4.
Melody featured in Alto and Tenor Sax, Trumpet 1 and guitar (written guitar
part). This piece also has an vibraphone part. The ensemble is featured with
first saxophone solo then full ensemble. Guitar and vibraphone have melody

at end. 2 Altos, 2 Tenors, Baritone sax, 4 Trumpets, 4 Trombones, Guitar
(written part), Vibraphone, Piano, Bass, Drums. (Midi demo). Medium.
INTROSPECTIVE MOMENTS - 54630 - $55. A grooving straight
8th/bossa-ish style tune. Starting off with an ensemble choral, it features a
wordless female voice as an added color to the melody played by the guitar
and trombone 1. It features piano and guitar solos over the changes of the
tune. The ensemble features a screaming lead trumpet over the ensemble
"shout" chorus and the tune ends with a rubato vocal and piano duo. Soprano
sax, alto, 2 tenors, baritone. 4,4,G,P,B,D. Chart has been recorded by the
California State Univ Northridge Jazz "A" Band. Medium.
SLEIGHT OF HAND - 54627 - $60. A modern style aggressive feeling
mixed meter swing chart that moves to various straight eighth feels as the
piece progressive. It features a funky piano solo, gentle flugelhorn solo and a
tense mixed meter solo for alto 1. Solo parts for piano, flugelhorn and alto 1.
Doubles: flutes, clarinets, and flugelhorn. 5, 4, 4, G, P, B, D. Difficult.
TELL ME YOUR SECRET - 54631 - $55. A moderately slow, straight
8ths that alternates 6/5 and 5/4 bars. Beginning with a guitar solo, it features a
gentle melody played by the soprano and tenor saxes. The featured soloist is
the tenor saxophone over a delicate vamp. The tune then goes on to a "rock
out", growing ensemble section. The melody is brought back in to close out
the piece. Soprano sax/flute, alto 2/flute, tenor 1, tenor 2/clarinet baritone sax.
Medium difficult.
WAITING - 54628 - $55. A gentle, moderately slow straight 8ths tune in
3/4. The tune begins with a guitar soloist who is also one of the featured
soloists. The melody is played by guitar, tenor 1 and trumpet in harmon mute.
In addition to the guitar soloist there is also a solo for tenor 1. The tenor solos
over layered, building backgrounds and it ends with the melody. Standard
saxophone section. 4 trumpets, 4 trombones, G, P, B, D. Chart has been
recorded by the California State Univ Northridge Jazz "A" Band. Medium.
XANADU - 54629 - $60. A jazzy samba tune. The flugelhorn is the featured
horn on the melody the first time and then is later joined by the ensemble. The
first soloist is the alto saxophone, who solos over the changes of the tune. The
second soloist is the tenor saxophone who solos over a funk/samba style
vamp. The ensemble is featured in cluster-voicing style treatment of the
melody and the tune ends with the tenor solo continued over the samba
groove. Alto 1/flute, alto 2, 2 tenors, baritone sax. 4 trumpets, 4 trombones, G,
P, B, D. Chart has been recorded by the California State Univ Northridge Jazz
"A" Band. Medium.
* * * FELIPE SALLES * * *
* * * NEW * * * JOURNEY, THE – 52350 - $65. Based on an Afro
Cuban Rumba, this piece is a journey that combines jazz harmonies and Latin
rhythms throughout the dialogue of melodic motives and shapes. The Journey
is a Joe Henderson -influenced, groove-oriented and rhythm-driven work that
combines counterpoint textures with the use of theme and variations. It
features the tenor saxophone, drums and percussion as soloists. Arranged for
the standard big band, optional parts with woodwind doubles are also
available but not necessary. Instrumentation: 2 altos, 2 tenors, baritone sax, 4
trumpets, 4 trombones, guitar, piano, bass, drums, percussion. Optional
doubles: flute, piccolo and soprano sax. The highest note on the trumpet is a
concert C above the staff. Medium – Difficult
* * * NEW * * * MAGISTER JOSEPH – 52351 - $65.This is a suite
in three movements composed in homage of the great late Joe Henderson. The
first movement is in 15/8 based on an African groove, the second movement is
a Brazilian Maracatu in 3/4, and the third movement is a Salsa in 5/4 that goes
back to the original African 15/8.It features the tenor saxophone, piano,
trumpet and trombone as soloists. Arranged for the standard big band,
optional parts with woodwind doubles are also available but not necessary.
Instrumentation: 2 altos, 2 tenors, baritone sax, 4 trumpets, 4 trombones,
guitar, piano, bass, drums. Optional doubles: flute, clarinet, bass clarinet,
flugelhorn and soprano sax. The highest note on the trumpet is a concert D
above the staff. Difficult
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CARL SAUNDERS SERIES
AN APPLE FOR CHRISTA - by Herbie Phillips (Carl Saunders Series) -
50879 - $57. This arrangement was writen for Christa McAuliff, the school
teacher that lost her life in the Challenger tragedy. This up tempo piece
features trumpet, alto and trombone. This chart features an exciting out chorus
with off beat rhythmic figures which are challenging and fun. 5,5,4,P,B,D.
Medium difficult.
BABY BLUES - by Carl Saunders arr Mike Barone (Carl Saunders
Series) - 50883 - $63. This Carl Saunders original was written to con-note
how a baby would conceve the blues. The trumpet is featured through out and
has hip backgrounds and swinging ensemble. Medium difficult.
COMPILATION - by Herbie Phillips (Carl Saunders Series) - 50887 -
$65. An up tempo romp through "rhythm changes". Featuring solos from
every section in the band with hard cooking backgrounds. It can also be
opened up for more solos if you wish. This arrangement builds up to an
exciting out chorus and has a hip ending. 5, 5, 4, P, B, D. Medium difficult.
DEARLY BEFUDDLED - by John Hall (Carl Saunders Series) - 50882 -
$65. This is a colorfull arrangement with a latin feel. Features trumpet and
tenor on an interesting melody and changes. It has a lot of full ensemble
passages and builds up to an exciting ending. 5,5,4,P,B,D. Medium difficult.
HIGH VOLTAGE - 50875 - $70. (comp Carl, arr Jason Stock). This chart
is a challenging piece of music. It is written for 10 brass but can be played
with 8. It has many tempo changes. It goes from a 6/8 feel to an up-tempo
Swing to a slow Latin feel. Tenor, Trumpet, and Drum solos. Lead Trumpet to
high G. S,A,T,T,B,5,5,G,P,B,D. This is a professional level chart. Difficult.
I'M ALL FOR YOU - by by Carl Saunders arr Jackson Stock (Carl
Saunders Series) - 50880 - $70. An original tune written on the changes to
Body and Soul. Features alto and trumpet on the theme and the solos. This is
an interesting arrangement, it has a balance of small band and big band
writing which works it's way to an ending that features cadenza's from both
the trumpet and the alto. 5,5,4,P,B,D. Medium difficult.
NEVER ALWAYS - by Carl Saunders arr Jackson Stock (Carl Saunders
Series) - 50881 - $65. This chart goes in and out of latin and swing. Features
trumpet and alto> Enjoyable to play and listen to. Medium difficult.
PERCEPTIVE HINDSIGHT - by Herbie Phillips (Carl Saunders Series)
- 50876 - $67. The trumpet and tenor are featured stating the theme and on
the solos. This is a colorful arrangement, it builds up to a classic big band
shout chorus and finishes with a very climactic ending. This chart is fun to
play and listen to. 5,5,4,P,B,D. Medium difficult.
SOME BONES OF CONTENTION - by Herbie Phillips (Carl Saunders
Series) - 50877 - $58. This happy and up beat theme is stated by the
trombones and features two trombones on the solos. After the solos they play
8s, 4s, 2's, and then play together. The band plays a full ensemble then ends
with a double cadenza as both trombones end in the upper register.
5,5,4,P,B,D. Trpt 1 To High F. Medium difficult.
STRIKE OUT THE BAND - by Herbie Phillips (Carl Saunders Series) -
50878 - $58. The theme is stated by the low register instruments, Bass
Trombone, Baritone Sax, Bass, Piano. The solos are written for trumpet and
tenor. This arrangement like fine wine is full bodied and has a nice bouquet. 5,
5, 4, P, B, D. Medium difficult.
CHRISTOPHER SCHMITZ
TRANSFORMATION - 55800 - $57. A modal composition in a fast swing
feel. This piece was selected Winner of the Sammy Nestico Award for new
jazz composition. The work transforms during its course from a linear texture
toward vertical sonorities. A challenging trumpet soli appears toward the
middle. Solos are in Alto 1 and Trumpet 2. No sax doubles. Lead trumpet to
high D. 5/4/4/G/P/B/D. Medium difficult.

DON SEBESKY
ALCAZAR - 55757 - $47. If you’re looking for a rock chart with a Spanish
flavor, this is it! Besides, you have the option of adding a flute, clarinet, and
flugelhorn to give your group that winning and different sound. Difficult.
BLUE MOAN - 55751 - $48. -Here’s a ballad featuring your tenor sax
player in both slow and fast passages. Written for the Maynard Ferguson
band, this one has all the spirit needed for great jazz effects. Difficult.
BLUES FOR BELA - 55758 - $47. - Another chart recorded by Doc
Severinsen based on the themes of Bela Bartok. This clever adaptation will
make your band a festival winner. 5/4/4/G/P/B/D/Perc. Medium difficult.
CAPTAIN ARCADE’S VIDEO PARADE - 55759 - $45. - A video game
fantasy scored as a jazz/rock march. If you want something different, this is
the one. 5/4/4/G/P/B/D/Perc. Medium difficult.
HANDEL WITH CARE - 55750 - $47. - Originally recorded by Doc
Severinsen, this chart shouts Handel’s Hallelujah with a lot of surprises. A
great show opener. Medium difficult.
HAPPY FEET - 55752 - $45. - Toes will be tapping when playing this
jazz/rock tune. The chart moves along with a happy feel that’s fun to play and
definitely one that will leave your audience singing. Medium difficult.
HOME COOKIN’ - 55753 - $45. - This chart cooks from beginning to end
with plenty of opportunity for soloists (either reading or improvising) to
swing. Medium difficult.
SOFT CELL - 55754 - $45. - A nice relaxed rock style with close-voiced
ensemble in the introduction and clusters at the end. You have the option of
“opening up” this arrangement for additional solos. Medium difficult.
SONG FOR CYMBALINE - 55755 - $45. - This arrangement features the
alto sax in a ballad and swing combination. Recorded by Maynard Ferguson
band, the lyrical theme will become one of your favorites. 5/5/4/G/P/B/D.
Medium difficult.
SUNFLOWERS - 55756 - $45. - The unique blend between girls’ voice
(optional) and flute will introduce another color that will set your band apart
from the others. 5/4/4/G/P/B/D/Perc. Medium difficult.
JOEY SELLERS
CANDLELIGHT - 54825 - $49. - This relaxed chart is in the “Lil’ Darlin’”
genre. Muted trpt and piano solos.
BOB SENNETT
BLUES, BOOZE, & TATOOS - 51657 - $55. A swinging modified blues.
Extensive ensemble chorus' around tenor and trombone solos. Medium
difficult.
BLUES FOR ZOE - 51650 - $52. Blues with modified changes using
unis. Trombones stating melody. Alto and trbn solos with ensemble lead ins.
Swinging out chorus. 5,4,4,3-4. No doubles. Medium difficult.
CHILI WITH CHEESE - 51651 - $52. Medium tempo latin with
interesting changes and swing on bridge. Alto doubles on soprano. Trpt solo,
unis reeds with brass punches in out chorus. 5,4,4,3-4. No doubles. Medium
difficult.
DARK CLUSTERS - 51659 - $55. An ethereal sounding composition that
employs cluster voicing in the reeds and close voicing in brass. There is a
Tenor solo, part written, part improvised, with a building brass background
leading to a climax which immediately reverts to quiet, cluster voicing again.
Trumpets double on Flugelhorns. Big Band. 5,4,4,4. Full score included.
Medium difficult.
70
DID I SAY THAT? - 51652 - $52. Medium swing tune with conventional
AABA form. Tenor solo with reed, tbn, and ensemble background. Medium
difficult.
DON'T LEAVE NOW - 51658 - $55. Lush ballad featuring the trombone
section. Lead Trombone solo. Pretty changes and lush voicings. Trumpets on
Flugelhorns. Medium level.
HOLY FRIJOLES! - 51653 - $55. Medium tempo Latin. Trombone solo
with extensive background. Exciting out chorus. 5,4,4,3-4. No doubles.
Medium difficult.
I REMEMBER BRYCE - 51654 - $50. A lush ballad featuring the
trombone section and lead bone solo. Very pretty changes and large ensemble
ending. 5 reeds, 4 trpts, 4 tbns, 3-4 rhythm. Trumpets double on flug.
Medium difficult.
MINOR MATTERS - 51656 - $55. Features trumpet-tenor. Ensemble
backgrounds and out chorus compliment soloists. No doubles. Mediumdiffiuclt.
NO SNOOZE BLUES - 51660 - $57. A straight ahead medium blues.
Features Tenor and Trumpet solos as well as a bop style reed soli. There is a
3-6-2-5 extension after the exciting out chorus. 5 reeds, 4 tbns, 4tpts, 4
rhythm. Medium.
SPEED BUMP - 51661 - $55. This is an original big band chart
(5/4/4/G/P/B/D) featuring alto and trombone solos. It is medium tempo swing
and has an interesting interlude between solos. Tpt. 1 to written high C#.
Medium Difficult.
WHAT? - 51655 - $52. Straight ahead medium blues. Tenor solo over
interesting background. 5,4,4,3-4. No doubles. Medium difficult.
FREDERICK "DAVE" SNIDER
BASICALLY LONG JOHN - 55684 - $55. An exciting medium swing
guitar feature based on G blues. What did you expect, E blues? You must have
a guitarist who is willing to put it on the line. This is a chance for them to step
up to the plate and make it happen !!!
The introduction begins with the traditional guitar solo and rhythm
section over an open 12-bar blues vamp. The soloist should not go over the
top right away, but must still be exciting, since the main solo will happen later
on in the chart. The melody is played next by the guitar in a "Herb Ellis" style,
followed by stopped-time horn section under the guitar solo.
This is followed by a challenging tutti section. Now it is time for
the guitarist to show-off their stuff with an open solo section including horn
backgrounds played on cue. There is a challenging sax soli and two choruses
of a tutti section. The second chorus modulates to A-flat from the original key
of G. The recapitulation modulates back to G with guitar playing the melody.
After the recap, there is a guitar cadenza. Trumpet highest note C5---Two
octaves above middle C. 5,4,4,G,Vibes,P,B,D. Medium Difficult.
BASS ON TOP WHERE PAUL LIKES IT - 55676 - $55. This is a
medium blues swing chart in the key of F, dedicated to the late great bassist
Paul Chambers. This chart features the bass player with an optional cadenza
at the beginning followed by a blues solo. The bass is also featured on the
melody; shared with the solo trumpet. There is a challenging sax soli and tutti
section with open solo sections. The lead trumpet plays a few passages going
up to the high concert B natural. This chart is a great feature and challenge for
any bass player and college or pro bands. Scored for 5,4,4, and rhythm, with
optional guitar, no doubles. Medium difficult.
BEE’S BOPPIN’ - 55686 - $60. Bee’s Boppin’ is an exciting and
challenging up tempo (240+=BPM) big band chart based on rhythm changes.
Dave originally wrote and dedicated this chart to his lovely wife, Denise, a
trombonist who has been working on rhythm changes. This chart challenges
the entire saxophone section with solos, two separate soli’s, and a tutti section.
Solos featured are piano, drums, and two tenors, and there is space to feature
additional soloists if desired. The chart begins with a piano solo followed by
a traditional Kansas City riff melody in the saxophones, with backgrounds,
melodies, and fills in the brass. Immediately following the head there is a
very challenging saxophone soli followed by solos with the tenors and piano.

After the solos there is a stop-time sax soli with the string bass and piano
leading into the shout chorus then back to the head and out. This chart, while
being very challenging for the band, has been proven to be a real crowd
pleaser is a definite opener or closer for any jazz concert. Style: Hard-Bop
(240+=BPM)Trumpet highest note F5 – concert E flat two octaves and a third
above middle C. 5, 4, 4, G, P, B, D. Medium Difficult.
CRACKIN’ - 55687 - $57. Crackin’is an exciting and challenging mediumtempo
shuffle (132+=BPM) for big band, based on the jazz blues progression,
in B-flat, featuring the jazz organ (a synthesizer that has an organ sound/patch
will work), tenor sax, and electric bass. This chart challenges the entire
saxophone and brass section with soli, and tutti sections. Featured solos are
organ, tenor, and the electric bass. The concept of this chart is based on the
raw sound of the jazz blues shuffle with the screaming Leslie speakers that are
usually hooked up to the Hammond B-3 organ. If your group does not have
an organ or synthesizer there is the option of having the electric guitar used
instead. I have done both and it works well either way. The organ starts with
a screaming organ solo in a hard-hitting shuffle groove with backgrounds and
fills from the brass and the woodwinds. Immediately following the organ solo
a very challenging saxophone soli enters in stop time, followed by the brass
doing the same thing as the saxophones into the solo section. A shout chorus
follows the solos and the piece ends with a vamp for the organ. Trumpet
highest note E Flat 5.5/4/4/ G/organor electric piano or acoustic piano
synthesizer/electric bass/D. Medium Difficult.
DENISE - 55682 - $55. Denise is a great sounding ballad dedicated to my
beautiful wife Denise. It is a flugel horn feature. It switches back and forth
from ballad feels, doble time half time feels, to swing feels throughout the
chart. There is also a great sax soli in a double time feel. Soloist: flugel horn
feature. Trumpet highest note C5 (two octaves above middle C). 5, 4, 4, piano,
bass, & drums (guitar opti'l). No doubles. Med-difficult.
DOUGHNUT MAN, THE - 55680 - $57. This is a great chart with several
different sections in a hard bop feel, a funk groove and a funk/swing feel.
There is a funk tenor solo section and a cookin' swing (hard bop) trumpet solo
section, with a challenging tutti section. There is lots of room for solos. This
chart is a great first-set closer or opener for the second set. Soloist: trumpet
and tenor saxophone. Trumpet highest note D5 (two octaves and a major
second above middle C). 4 trumpets, 4 trombones (the fourth being a bass
trombone), 2 altos, 2 tenors, 1 baritone sax. Rhythm: piano, bass, and drums
(guitar optional). No doubles. Med-difficult.
HIGH GRADING - 55681 - $57. This chart has a great Killer Joe type
groove and a very beautiful melody. There is a great sax soli and a
challenging tutti section. This chart is a great first-set closer or opener of a
second set. Soloist: Trumpet and tenor saxophone. Trumpet highest note C5
(two octaves above middle C). 4 trumpets, 4 trombones, (the fourth being a
bass trombone), 2 altos, 2 tenors, 1 baritone sax. Rhythm: piano, bass, and
drums (guitar optional). No doubles. Med-difficult.
IN A HURRY - 55685 - $60. A jazz composition by bassist Christian
McBride, this is a fantastic melodic and technically challenging string bass
feature. The melody, played on bass, has sophisticated blues lines over a G
blues progression. Don't let the fact that this is a blues fool you because the
challenging part of this composition is that the melody is played with the bow,
or as I call it the "stick of pain (SOP)." It requires good technical facility and
will be a challenge for any serious jazz bassist. The tempo is also quite brisk
although it can be taken slower to ensure a good performance.
There is also a challenging sax soli and tutti section. Additional
solos can be done by anyone in the band. My arrangement has been a crowdpleaser
whenever it has been performed. It is a great opener for the second
half of a jazz concert. Soloist: String bass feature with additional solos from
the band. Trumpet highest note D5 -- (concert D). Instrumentation: Four
trumpets, four trombones, (the fourth being a bass trombone). Two altos, two
tenors, one baritone sax. Rhythm section: optional guitar, optional vibes,
piano, bass, and drums. No doubles. Difficult.
JP - 55678 - $55. This is a great contemporary R&B chart in the key of B
flat, dedicated to the late great electric bassist Jaco Pastorius. The bass player
should play electric bass. The bass part is written but it can be improvised
since there are chords above the written line. The tempo is 96 bmp for the
quarter note. This chart has a very nice and funky melody with a tenor solo
with challenging rhythmic riffs and backgrounds throughout the first half of
the chart. The second half of the chart changes feel from an R&B feel to a
double time swing feel with a trumpet solo and a challenging sax soli/tutti
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section. There is a drum solo in swing time which goes back to the original
R&B feel to the head, followed with a tag in double time swing feel with
battling sax and trumpet solos. The highest note for the lead trumpet is concert
high D flat. This chart is a definite opener of closer and is a great challenge
for any college or pro band. Scored for 5 saxes, 5 trumpets (5th is optional), 4
trombones, P,B,D, with optional guitar. No doubles.Difficult.
LITTLE TASTE OF FUNK, A - 55677 - $55. This is a great
contemporary funk chart, dedicated to the great electric bassist Larry Graham.
The bass player must play electric bass (NOT STRING BASS). The bass part
is written but it can be improvised since chord changes are provided. The
tempo is 90 bmp for the quarter note. This chart is very high energy from the
beginning to the end. There are challenging rhythmic and melodic riffs and
backgrounds throughout the chart in all sections. The chart starts in G minor
with a tenor solo. There is a drum solo/groove with horn backgrounds used as
a transition and modulation to the key of concert E for a trumpet solo. The
highest note for the lead trumpet is concert high D. This chart is a definite
opener or closer and is a great challenge for any college or pro band. Scored
for 5 saxes, 5 trumpets (5th is optional), 4 trombones, piano, bass, and drums,
with optional guitar. No doubles. Difficult.
OPENER, THE - 55683 - $57. The Opener, written by James Morrison, an
Australian jazz trumpet virtuoso, is an up tempo "rhythm changes" trumpet
feature with a short 16 bar drum solo. May be opened for other solos. It is an
exciting chart and a definite crowd pleaser. By the name of the title you can
tell it was written as an opener for any jazz concert who has a hot trumpet
soloist. When I heard it, it was originally a small group chart, so I asked James
Morrison if I could arrange it for big band, so here it is. The chart has no
melody but uses a call and response setting with horns playing a two bar riff
and the trumpet soloist responding with a two bar fill, repeated several times
over rhythm changes. This is really an exciting chart so it requires the trumpet
soloist to have good high chops and a good imagination for improvisation.
Soloist: 2nd trumpet, drum solo (other soloist can be added). Trumpet highest
note Eb5 (two octaves and a minor 3rd above middle C). 5, 4, 4, P, B, D
(guitar optional). No doubles. Med-dificult.
SEVEN FOR SCOTT - 55679 - $55. This is a up blues swing chart that
features the tenor sax. The chart has no melody so it requires the tenor player
to be a good soloist with a good musical imagination. The introduction is a
slow, thick, gospel feel with the tenor whaling over the top, followed by a
cadenza into seven choruses of blues with horn riff backgrounds. There is a
challenging sax soli and tutti section. This chart is a definite challenge for any
tenor player and is a real crowd pleaser. Medium diff (for the band), difficult
(tenor soloist).
THINKIN' 'BOUT MAYNARD - 55675 - $55. This is a medium blues
swing chart in the key G, dedicated to the great trumpet player Maynard
Ferguson. Scored for 5 saxes, 4 trumpets, 4 trombones, and rhythm, no
doubles. There is an optional bass solo cadenza at the beginning followed by a
piano solo into a great melody in a blues riff style. There is a challenging sax
soli section. Solo sections are open. There is a drum solo with horn
backgrounds. The trumpet section is not written in the high register as in
Maynard's band, and the highest note for the lead trumpet is concert G
throughtout the chart with one high D in the last measure. This is a good
closer for the first set. Medium difficult.
* * * JOHN STERLING * * *
* * * NEW * * * ONLYEST MONK – 52325 - $55. A medium tempo
swing tune; this fun and upbeat chart is dedicated to, and inspired by, the late
pianist Thelonious Monk. This chart features a piano melody and a sax Soli.
Solos for piano, trumpet, guitar and drums are included. Top lead trumpet
note is one written high E; top lead trombone is a G. 5/4/4/G/P/B/D. Medium.
GEORGE STONE
BASS-ICALLY TWO OF A KIND - 51750 - $60. Unique chart featuring
an acoustic & an electric bass together, as well as a jazz & a rock groove.
Scored w/an opt’l guitar part to cover one of the bass parts. Dbls. Med.
D-BOP - 51756 - $60. Bright swing, unison bop line for alto, tenor, bari,
trumpet & guitar. Fun changes for tenor sax & trumpet solos. Challenging

development section for the whole ensemble and sax soli/ensemble shout at
the end. This is a great chart for festival and concert use. Lead trumpet is
written high E, no doubles. 5,5,4,G,P,B,D. Difficult.
EARLY MONDAY MORNING REHEARSAL BLUES, THE - 51751 -
$57. Medium rock shuffle w/Soprano lead. Open solo section for any
instrument and an extensive sax soli. Medium.
I’M OUT, ME TOO, I WIN - 51752 - $56. Medium swing. 1/4 note =
144. Great ensemble writing. Solo changes on 1st Tenor sax and 1st
Trombone. Nice shout chorus. Flute dbls. Opt’l percussion. Diff.
JUST ONE OF THOSE THINGS - 51758 - $60. This is a bright tempo
swinger featuring solos for both alto sax and guitar, and a lead trumpet note of
written high D. It is very suitable as a festival or concert opener due to its
intensity and approximate lenght of 3 minutes. 5 saxes, 4 trumpets, 4
trombones, guitar, piano, bass, durms. Medium Difficult.
LA SAMBA PRIMERA - 51753 - $63. Medium Samba that features
Flugelhorn solo. Dbls - Flute & Soprano. Scored for 5, 5, 4, g, p, b, d.
Medium level.
SHUFFLE SCUFFLE - 51754 - $66. Straight-ahead, hard-swinging
shuffle w/solos for Alto & Tenor. Sop lead on extensive sax soli. Med-diff.
SPEAK LOW - 51755 - $60. This is a samba/mambo which features both
trombone and trumpet solos. A distinctive bolero section offers a refreshing
style change for a soprano sax soloist. Scored for 5 saxes (dbl on soprano), 4
trumpets, 4 trombones, guitar, piano, bass, drums and vibes. This chart is a
fresh-sounding stylistic addition to a concert and/or festival set. Lead trumpet
note is written B below high C, making this arrangement very accessible to
bands of all performance levels.
STRAIGHT AHEAD - 51757 - $60. As the title suggests, it is a straight
ahead swinger from start to finish. There is a unique rhythm section intro
(with optional flute) followed by the band's statement of the melody and a
large sax soli. Solos are designated for any rhythm instrument plus alto sax,
tenor sax and trumpet. Following the solo section is an open rhythm section
improvisation which can be constructed however you wish. Lastly, a three
part contrapuntal section builds to a strong shout section all the way to the
end. You will really enjoy this new, fresh and exciting composition. The high
notes (optional) are high concert Eb and F. Scored for 5, 5, 5, g, p, b, and d.
Medium difficult.
ROB STONEBACK
BEAST WITHIN, THE - 50700 - $55. A drum feature ala Sing, Sing, Sing
that starts with an open trombone with plunger solo in conversation with the
drummer on tom-toms. This also features a tenor solo. Lead alto must double
on soprano. Trumpet to high G, trombone to high C. 5/4/4/4. Medium
Difficult. Recorded on Rob's Caught in the Web CD.
CAUGHT IN THE WEB - Professional Version - 50701 - $55. This is a
medium blues shuffle with solos for trombone and alto after brief introductory
piano solo. An exciting but short trumpet soli occurs in the middle of the chart
and requires a powerful lead player. Trumpet to high F# and Trombone to
high C. 5/4/4/4. Medium Difficult. Recorded on Rob's Caught in the Web
CD.
CAUGHT IN THE WEB - Scholastic Version - 50702 - $53. This version
maintains all the excitement and solo space of the original but brings the
trumpet range down to D#. Medium Difficult.
ELEMENTARY, MY DEAR WATSON - Professional Version - 50703 -
$53. A medium blues shuffle originally composed to feature Clarence Watson
but can feature any competent trombonist who can play the blues. Straightahead
shuffle with a nice soft ensemble soli in the middle; it also has a solo on
the Alto 2 part. The Alto 1 has an optional flute double. One chorus of screech
trumpet over the ensemble. Trumpet 1 to high G, Trombone 1 to high Bb,
Trombone Solo to high Bb. Medium Difficult.
ELEMENTARY, MY DEAR WATSON - Scholastic Version - 50704 -
$51. Everything the professional version has but with more moderate ranges.
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There is no flute double on the Alto 1, and Trumpet 1 goes to high D. Medium
Difficult.
G WIZ - 50705 - $50. A medium swinger devoted to displaying the chops of
your lead trumpet player, who must play a number of high G's. It also features
a jazz trumpet solo and a jazz tenor solo. Trombone to high C. 5/4/4/4.
Medium Difficult. Recorded on Rob's Caught in the Web CD.
MAD TO THE BONE - 50706 - $55. Written originally for Bill Watrous,
this shows off the trombone section with an additional featured soloist. The
form is a standard Bb blues with a cycle of fifths bridge (ala rhythm changes).
Trumpet to high Eb with an optional double Bb. Screach trumpet solo is
written on Trumpet 2. Short piano and bass solos are included. Trombone
goes to high E (Ouch!) 5/4/4/4. All the trombones must improvise on a blues
form. You must use five trombones. Difficult. Recorded on Rob's Mad to the
Bone.
ROAD APPLE - 50707 - $53. This is a slow swing in the 1940's tradition,
dedicated to anyone who's ever marched in a parade behind horses. Solos are
for trumpet, alto, piano, and bass. Trumpet to high F and trombone to high C.
5/4/4/4. Medium Difficult. Recorded on Rob's Caught in the Web CD.
SWEETFACE - Professional Version - 50708 -$57. Composed by Bill
Watrous and arranged by Rob Stoneback, this trombone feature is a lovely
bossa nova Bill wrote for his wife, Mary Ann. The soloist must play the
melody and also improvise on the changes. Also includes a guitar solo. All
saxes double on flute, and trumpets double on flugelhorn. Trumpet to high F
and Trombone 1 to high C. Trombone solo goes to high D. 5/4/4/4. Medium
Difficult. Recorded on Rob's Mad to the Bone.
SWEETFACE - Scholastic Version - 50709 - $55. Maintains the beauty of
the original but brings the trumpet range down to D & eliminates the flute
doubles in the saxophones. Med.
RUSSELL THOMAS, JR.
BLUES GROOVE - 54201 - $52. A hard driving up tempo Blues that
feature an open piano solo with a funky bass line at the beginning with a great
brass section background. The opening melody is played by the saxes. The
ensemble shout section is a "groove" machine. Solos - tenor saxophone,
trumpet and trombone. No doubles. 5,4,4,G,P,B,D. Med-difficult.
INCOGNITO - 54203 - $55. A modal composition with a soulful swing.
Introduction - rhytm section with tenor saxophone solo. Swinging modal
voicings in the brass section. A soul stirring shout chorus for full ensemble.
Solo section open for any soloist. Drum solo. A groove that will remind you
of “Miles”. Lead trumpet up tp E. above the staff. No doubles. 5/4/4/G,P,B,D.
Medium difficult.
SHOUT, THE - 54204 - $57. Medium tempo swing – a great sax soli with
solos for tenor saxophone, trombone and drums. A fantastic call and response
section between the saxes and brass. Your band will enjoy playing this
soulful blues. An exciting chart for your big band. Tpt. to Eb.5,4,4, P,B,D,G.
Medium difficult.
TIGER DEN BLUES - 54200 - $50. A slow 12/8 feel down-to-earth "B.B.
King" style blues. Great solo vehicle for a blues guitarist. A strong ensemble
shout chorus that will bring down the house. It is very playable. Solos -
guitar, tenor saxophone and trombone (or just open it up). No dbls, 10 brass -
including tuba, optional. Med.
WHATPRESSIONS - 54202 - $57. This exciting chart is based on the
changes to So What/Impressions. This is a high energy up tempo swinging
modal chart with great horn lines and dynamite ensemble shout chorus. The
chart has a climactic half-time section that features the saxophone and brass
sections communicating with each other. This is an exciting chart suitable for
concert and festival performances. Solo changes: 3rd trumpet and lead tenor
sax. Also feature a good workout for your drummer! A must for your music
library! Trpt to written dbl high G. 5, 5, 5, G, P, B, D. Medium difficult.

MARK THOME
ALL THE THINGS YOU AIN’T - 55181 - $55. Based on the chord
progression to “All The Things You Are” (surprise) in juxtaposition. It starts
off with an exciting up-tempo Latin introduction which gives way to the
trumpet/alto duo laying down the up-tempo swing bop lines.Solos: trumpet,
alto. Trumpet range D above staff. 5/5/4/G,P,B,D. Difficult
* * * NEW * * * ENTERTAINER CHA CHA, THE – 55186 -
$55.This Scott Joplin classic arranged as a cha cha will be sure to entertain the
audience where they might actually start to dance the cha cha. The piano is
featured in numerous spots throughout the chart.5,4,4,4,G,Pn.,Bass and Drums
parts written out. Tpt.1 - D above staff. Medium.
THROUGH THE DOOR - 55182 - $55. After a short Gil Evans inspired
introduction Through The Door settles into a contemporary, modal straight
eigth note groove with brief moments of swing separating the “A” sections.
There is an interesting use of instrumental groupings and colors mixing open
and muted brass with flugel, flute, and saxes. Solo: trombone, flugel. Trumpet
range G above staff. Flute, Alto, Tenor, Tenor, Bari (optl Bass Cl)
4/4/G,P,B,D. Medium Difficult.
TUNNEL - 55183 - $50. Tunnel is a musical impression of a solitary ride,
late at night through a tunnel in the center of a big city. A straight-eigth note
piano ostinato sets the course for the reflective melody that is first introduced
by a single trumpet, joined later by the bari an octave lower. Solo background
figures suggest tunnel lights and occasional traffic passing by. Solos: piano,
trumpet. Trumpet range A above the staff. 5/4/4/G,P,B,D. Medium difficult.
MIKE TOMARO
FANCY THAT - 54500 - $60. Jazz waltz featuring flugelhorn & bari sax
(opt tenor). Med level. Sax doubles: all flute and some clarinet.
OTHERS BROTHERS - 54503 - $60. Commissioned by the Ultraphonic
Jazz Orchestra, this fusion samba grabs you from the introduction and never
lets go! Written in the style of the Brecker Brothers, the chart features
extended solo space for trumpet and tenor as well as plenty of "in your face"
ensemble writing. S,A,T,T,B,5,5,G,P,B,D. Difficult.
SWEET SORROW - 54501 - $45. Alto sax feature. Easy funk groove with
very smooth melody line. Med level. Some sax dbls.
TO NO AVAIL - 54502 - $55. Written for Steve Houghton, this
composition features the drummer in both delicate, color painting solo
situations as well as more powerful ones. There is extensive use of woodwind
doublings and brass mutings for color and flugelhorn solo space as well. This
chart runs the dynamic and emotional gamut. Sop/Flute, Alto/Flute, Ten/Clar,
Ten/Clar/Bari/Bass Clar, 5,4,G,P,B,D. Difficult.
CHUCK TUMLINSON
GET A LIFE - 55301 - $53. Hard swinging Art Blakey styled med tempo F
minor blues. Solos for trumpet & trombone and / or alto. Med-diff.
O COME, O COME, EMMANUEL - 62508 - $53. This haunting melody
is given a modern polychordal and mixed meter treatment. Lead alto doubles
on soprano (w. optional english horn), other saxes double on flute and
clarinet. Solos for soprano (lead) sax and piano. Diff.
PAYBACK - 55304 - $52. A Medium-Up shuffle on a familiar 16 bar tune
by Sonny Rollins. It features some nice modern trumpet and saxophone
ensemble figures over a catchy vamp with a Thad Jones inspired shout
section. The solo section is open with a separate sheet of provided changes.
This piece was performed by the Southern California School Band and
Orchestra Association Honor Band in 2003. Medium.
RANCHAND - 55307 - $50. Commissioned by the Bernardo Yorba Linda
Middle School to feature their drummer, Mark Tumlinson. A C minor blues
with an open section for solos plus an extended drum solo. Medium up to up
tempo. Medium.
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SPLENDID - 55308 - $53. This is a medium to medium-up tempo swing
for younger bands based on the changes to a sweet tune. Brass ranges are very
reasonable with some interesting amount of rhythmic challenge and hemiola
along with use of pedal point. Lead trumpet has one written high C. Solos are
on Piano and Trumpet 2, but could be played by anyone. 5,4,4,G,P,B,D.
Medium.
STELLAR - 55302 - $55. Medium up swing chart based on the chord
changes to a similarly titled standard. Features exciting ensembles and solos
for trumpet and tenor. Diff.
TENOR TANTRUM - 55305 - $55. This an up-tempo burner to feature
your tenor saxes. (optional parts can make it one alto and one tenor.) It was
written to feature the great Pete Christlieb and Kansas City's Bill Caldwell.
This is a Rhythm changes tune with the altered bridge from "Eternal
Triangle." After the solos, the solists trade 8s,4s, and 2s giving way to a band
shout and ending with a montuno exchange by the soloists. Medium difficult.
WHERE ARE THE CHANGES? - 55306 - $52. You actually don't have
to look too hard for the changes on this straight ahead blues tune as they are
in every part (well, except for the drums). Includes a fun, rollicking sax soli
and a kicking shout section. This is a fun one designed for opening to allow
anyone to solo. Medium.
PAUL TYNAN
OGHAM STONE, THE - 56751 - $55. A Colourful ECM Style
composition written for the De Anza College Eight O'clock Daddios Directed
by Steve Tyler.The Ogham Stone starts as a dark melodic setting with melody
played by Trumpet and Baritone Saxophone. Morphing into an aggressive
Afro-cuban styled section that leads into a horn coral before a return to the
atempo. The Ogham Stone features Trumpet and Baritone soloists. Lead
trumpet range is High G.5/4/4/P/B/D. Difficult.
OTHER SIDE OF THE CIRCLE, THE - 56752 - $50. Written
specifically for the Boise State University Jazz Ensemble. Commissioned by
Dr. Marcus Wolfe for the band’s 2011 Gene Harris Jazz Festival performance,
this haunting ballad delves into the reaches of the soul leaving the listener
feeling pensively hopeful. This accessible, but sophisticated harmonic journey
is a definite pleaser. Lead trumpet to High C. AATTB, 8 Brass, G,P,B,D.
Medium.
WISHFUL THINKING - 56750 - $55. A modern Jazz Swinger
commissioned by The University of Saskatchewan Jazz Ensemble. This
melodic chart features solos for Trumpet and Guitar and includes a
memorable saxophone soli. This arrangement of Wishful Thinking was
recording on the The University of Saskatchewan Jazz Ensemble “Bumper
Crop V”.Lead Trumpet note is a written high D. 5,4,4,G,P,B,D. Medium
Difficult.
GARY URWIN
COLORES DEL FUEGO - 54020 - $55. Latin "cooker" featuring a catchy
flowing melody, and a Chase-like four-trumpet solo section ending with all
four soloing together. Also an alto solo, rhythm section interlude and lead
trumpet solo over the out chorus. Solo sections alternate between a Latin
groove and double time swing. Modulates from Ebm to Gm, lead trumpet to F
with optional A's. Medium Difficult. Featured on the composer's album
"Living in the Moment"..
KINDRED SPIRITS - 54021 - $55. Catchy blues tune featuring sectional
soli writing showcasing all sections. Trombone and tenor featured on opening
melody and improvised solos, also an a cappella chorus without rhythm
section, and two great shout choruses with lead trumpet solo over the out
chorus. Modulates from Bb to Db to G to Ab, lead trumpet to F# with optional
double C. Title track from the composer's album "Kindred Spirits" featuring
Bill Watrous and Pete Christlieb. Medium.

RODRIGO VILLANUEVA
EL NIÑO - 51876 - $60. Even 8ths contemporary chart in 11/4 (6/6 + 5/4)
in the style of the Dave Holland’s Big Band, with solo sections for piano and
flugel horn in 7/4 and 4/4 broken ECM. El Nino is a very challenging and
exciting chart for the full ensemble, especially for the rhythm section, which
should make the primary 11/4 groove feel as 4/4. 5/5/5/G/P/B/D with optional
vibes. Lead trumpet to concert E. Medium difficult.
KEEP TRYIN' - 51875 - $55. Medium ECM chart in 6/4 written to feature
soprano sax and guitar solos. This chart demonstrates Villanueva’s motivic
development in the big band setting. The send-off, the Phrygian polyphonic
interlude, and the overall chart’s development are derived from the main
thematic ideas. Challenging and exciting chart for the sax and rhythm
sections. Doubles: Alto 1 on soprano. Optional Vibes. Lead trumpet to concert
Db. Difficult.
CHRIS WALDEN
COUNT THE STARS - 55850 - $50. Medium-tempo Basie-like, melody
featuring muted trumpet and flute. Scored for 5,4,4,g,p,b, and d. Medium.
FILM NOIR SUITE - Part I - 55851 - $55. Med up tempo, long intro
movie-score like, featuring trombone solo. Scored for 5,4,4,g,p,b, and d.
Difficult.
FILM NOIR SUITE - Part II - 55852 - $55. Slow, long intro without
rhythm, movie-score like, flugelhorn solo. Scored for 5,4,4,g,p,b, and d. Med
difficult.
FILM NOIR SUITE - Part III - 55853 - $55. Ultra fast intro, then going
into half time blues, open for any solo over blues changes. Scored for
5,4,4,g,p,b, and d. Medium difficult.
HOME OF MY HEART - 55854 - $60. Slow jazz-waltz featuring a
flugelhorn melody, then going into 4/4 bossa featuring tenor sax solo, ending
in 3/4 again. 5,5,4,G,P,B,D. Medium difficult.
HOT WHEELS JUMPIN' HIGH - 55855 - $50. Up-tempo 40's swing
featuring guitar melody and solo (Brian-Setzer-like). 5,4,4,G,P,B,D. Medium
difficult.
IN THE DOGHOUSE - 55856 - $60. Medium-up tempo. The intro
illustrates funnily an argument between husband and wife. Then theme and
solos played by flugelhorn and alto sax. Scored for 5,4,4,g,p,b, and d. Medium
difficult.
MR. J - 55857 - $60. Up-tempo be-bop, featuring trombone and trumpet
solo. Scored for 5,4,4,g,p,b, and d. Medium difficult.
NITE CLUB SWING - 55858 - $60. Up-tempo 40's swing in minor
featuring guitar solo (Brian-Setzer-like). Medium difficult.
NO BOUNDS - 55867 - $55. Piano-feature in medum even-eights tempo
with a touch of Pat Metheny feel. After a 32-bar intro comes the 34-bar theme
featuring piano. Then a 20-bar soft band tutti and a piano solo. After that a
second band tutti that builds to a loud climax. The arrangement ends with a
fragment of the theme with piano in half time. Scored for 5,4,4,g,p,b, and d.
Med-difficult.
NO BOUNDS (with strings version) - 55869 - $65. Piano-feature in
medium even-eights tempo with a touch of Pat Metheny feel. After a 32-bar
intro comes the 34-bar theme featuring piano. Then a 20-bar soft band tutti
and a piano solo. After that a second band tutti that builds to a loud climax.
The arrangement ends with a fragment of the theme with piano in half time.
As recorded on album of same name. Scored for 5, 4, 4, g, p, b, and d.
Vibraphone, Harp, Violin 1, Violin 2, Viola, Violoncello, Contrabasso. Horn
1, Horn 2, Horn 3, Horn 4. Soprano Sax / Flute, Alto Sax / Alto Flute, Tenor
Sax 1 / Clarinet, Tenor Sax 2, Baritone Sax / Bass-Clar. Medium difficult.
PARALLEL LIVES - 55868 - $60. 16 bar blues in 5/4 featuring a tenor sax
solo, big band tutti in 4/4 and a short drum solo. Trpt to written high E. 5, 4, 4,
G, P, B, D. Diff.
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REMEMBER TOMMY - 55859 - $50. Medium tempo easy swing
featuring trombone melody (Tommy-Dorsey-like). Scored for 5,4,4,g,p,b, and
d. Medium.
SHORT PENCIL - 55860 - $55. Medium tempo swing, features the band
all the way, no solos. Scored for 5,4,4,g,p,b, and d. Medium.
START GROOVIN' - 55861 - $55. Medium tempo blues, melody with
saxes, featuring alto sax and trumpet solos. Brass solo in between without
rhythm. Medium difficult.
TAKE YOUR TIME - 55862 - $55. Easy-going, smooth jazz, featuring
tenor sax melody and solo. Scored for Tenor, 2 flute, 2 clar, 4 flugel, 4
bones,g,p,b, and d. Medium.
THIS BAND IS BOUNCIN' - 55863 - $60. Medium-up tempo boogie,
featuring tenor sax solo. Scored for 5,4,4,g,p,b, and d. Medium difficult.
THIS IS NOT 4 U - 55864 - $60. Jazz-Rock (Brecker-Bros.-like) features
trumpet and guitar solo. Scored for 5,4,4,g,p,b, and d. Difficult.
TICINO - 55865 - $60. Long contemporary jazz piece (10 min) starts out
medium tempo with flugelhorn and tenor sax melody and solos, then a slow
jazz waltz featuring flugelhorn and finishing with a fast jazz-samba featuring
a tenor sax solo. 5,5,4,G,P,B,D. Difficult.
TRY HARDER - 55866 - $60. Up-tempo be-bop on the changes of "There
Is No Greater Love." Theme played by the whole band followed by an alto
sax solo, band tutti, and trumpet solo. Scored for Sop-flute; Alto-alto flute;
Ten-clair; Ten; Bari-bass clar,4,4,g,p,b, and d. Medium difficult.
BOB WASHUT
AREÑAS - 55073 - $55. Commissioned by Eric Schmitz, for the University
of Rochester (NY) Jazz Ensemble, Arenas is an exciting, hard-driving, Afro-
Cuban chart cast in a modal harmonic framework. In addition to an
unaccompanied (free) piano solo, "blowing" space is allocated to tenor and
alto saxophones. Lead trpt. extends to a written E above staff. 5,5,4,G,P,B,D.
Medium difficult.
BASSO URNESTO - 55062 - $52. A burning, Afro-Cuban chart. Solo
changes are in alto 1, flugelhorn (trpt 5), piano and guitar parts, with
backgrounds cued. Middle section is an additive rhythmic layering over a
cowbell/shekere groove that builds to the out-head. Lead trumpet extends
briefly to a written hihg F# above the staff, but is generally very playable. No
sax doubles.
BIRD CLUES - 55051 - $55. Commissioned by the Southeast Iowa
Bandmasters Association for the SEIBA Honors Jazz Ensemble, "Bird Clues"
is a 24-bar "bird blues" bop vehicle that moves back and forth from F to
Db (12 bars each). Solo trumpet is featured on the melody, the blowing
section, and playing lead over a sax soli. Optional soloists may include piano
and/or guitar. Other features include: 1) a unison passage for the brass section
and bass; and 2) the drummer soloing while integrating band figures.
Instrumentation: 5 saxes, 5 trumpets, 4 trombones, and 4 rhythm (p-g-b-d); no
woodwind doubles. Lead trumpet extends to a written Eb above the staff.
Medium Difficult.
CUBANEANDO - 55060 - $55. Commissioned by Phil Wise and the
Missouri Southern Univ Jazz orchestra. A jazz mambo showcasing a
challenging trumpet soli that alternates with a very singable band "coro".
Features tenor sax, trumpet, and guitar or piano solos. No woodwind doubles.
Trumpet 1 to written F above the staff and trombone 1 to high C above staff.
Auxiliary percussion (congas) optional but highly desirable. Scored for 5,4,4,
tuba, g,p,b, and d. Medium difficult.
ELEGY FOR HOLLY - 55052 - $55. Commissioned by the Pella (IA)
High School Jazz Band, "Elegy for Holly" is a poignant vehicle for solo
soprano saxophone. Reminiscent of Oliver Nelson's "I Hope in Time a
Change Will Come", this chart has a slow 12/8, minor-bluesy "vibe" that
alternates with sections in a brighter major tonality. Instrumentation: 6 saxes,

4 trumpets, 4 trombones, and 4 rhythm (p-g-b-d); no woodwind doubles. Lead
trumpet extends only to a written Bb above the staff. Medium Difficult.
4th D - 55070 - $53. A challenging, contemporary modal swing
composition, 4th D(imension) is inspired by a book entitled Bold New World.
A highly contrapuntal texture is created by the canonic introduction and the 4voice
fugato that serves as a development secction. Open for solos (alto and
tenor saxes, trumpet, or piano/guitar) including a drum solo over a vamp.
Lead trpt extends to a written Eb. above staff. 5,5,4,G,P,B,D. Med diff.
FAIRY TALE - 55065 - $50. Commissioned by Jim Oatts and the Des
Moines Big Band. This is a contemporary jazz waltz that features bass, piano
(or guitar), and tenor saxophone soloists. No woodwind doubles. Lead
trumpet range to written E above the staff. Grade 5.
HELIOLATRY - 55067 - $50. A nice “blowing” vehicle on the chord
changes to Miles Davis’ Solar, this chart can be opened up to feature any
number of soloists (changes are in all parts, with cued backgrounds). An
extensive saxophone soli is one of the highlights. No woodwind doubles. Lead
trumpet to written Eb above the staff. 5,4,4,G,P,B,D. Grade 5.
KATHERINE ANN - 55050 - $55. A feature for guitar (and/or piano and
vibes), this chart is a tuneful, quasi-Latin composition inspired by the Pat
Metheny Group. A contrasting middle section moves to a half-time vamp that
features a written melody played high on the neck of the electric bass. The
vamp builds dramatically to a return to the original groove. Lead trpt extends
to a written D above staff; no woodwind doubles. Medium difficult.
LEAP OF FAITH - 55071 - $53. A modal composition in a fast swing feel.
This arrangement was commissioned by its composer, saxophonist Dick
Oatts, for a performance by a German radio band. Solo changes are in alto 1,
tenor 1-2, trumpet 5, piano, and guitar parts and a drum solo over a vamp is
also featured. Meaty tutti ensemble passages permeate the chart. Lead
trumpet extends to a written E above staff. 5,5,5,G,P,B,D. Medium-difficult.
MAMBO GALANTE - 55066 - $50. Commissioned by Bobby Shew. This
exciting chart is a bravura trumpet feature loosely based on the chord changes
to Speak Low. A variety of rhythmic feels, including son montuno (mambo),
samba, and Afro-Cuban 6/8, provides effective contrast. Although auxiliary
percussion is desirable, this chart is playable with drum set only. No
woodwind doubles. 5,5,4,G,P,B,D, Opt'l Perc. Grade 6.
MEDICINE MAN - 55053 - $55. Commissioned by the family of the late
Dr. Ed Ceilley for the University of Northern Iowa Jazz Band One, "Medicine
Man" is cast in a even 8th, "ECM-ish" groove ala Jack DeJohnette. Featured
soloists are alto sax (quasi-Kenny Garrett) and piano. A short middle section
featues some very playable woodwind doubles (altos on flute, tenors on
clarinet and bari on bass clarinet). There are no real technical challenges, just
a musical ones: vibraphone and guitar are essential colors. Instrumentation: 5
saxes (w/dbls.), 4, 4, and 5 rhythm (v-p-g-b-d). Lead trumpet to Eb above the
staff. Medium Difficult.
OF COURAGE AND SPIRIT - 55069 - $52. - A soulful, gospel-tinged
feature for alto saxophone, this chart was written as a tribute to Tom Capps, a
former student who succumbed to cancer. No doubles or difficult/technical
problems, just a poignantly expressive vehicle. 5,4,4,G,P,B,D. Grade 4.
ONLINE - 55068 - $60. - Commissioned by the Augustana (IL) College
Jazz Ensemble, Online is a miniature suite in four movements: Introduction:
Log-on, (I) The Information Hi-way, (II) Cyberspace, (III) Chat-Rooms, and
(IV) E-mail Special. Various aspects of free improvisation are utilized in the
first three movements. E-mail Special is a modified blues that can be opended
up to feature any soloist in the band. Technical problems and range difficulties
have been avoided in the interest of focusing on conceptual (improvisational)
developement. An effective programmatic piece, Online provides a welcome
addition to the literature for the school jazz ensemble. Grade 4.
SAGE, THE - 55064 - $49. An beautiful ECM-ish (8/8) ballad that features
tenor saxophone. Lots of colors are created by combinations of woodwinds,
muted brass and guitar. (Sax dbls: Alto 1-flute; alto 2 and tenor 2-clarinet; and
bari sax-bass clarinet.) The chart concludes with a soulful vamp. Medium
difficult. Dedicated to Grant Wolf.
SIEMPRE EN ALGO - 55061 - $50. Commissioned by Al Naylor for the
Linn-Mar Jazz ensemble. An authentic Latin jazz compostion (son Montuno)
75
inspired by the Cal Tjader/Eddie Palmieri collaborations. Features guitar and
piano solos. No woodwind doubles. Trumpet 1 to written Eb above the staff
and trombone 1 to B above the staff. Auxiliary percussion (congas) optional
but highly desirable. Medium difficult.
SERENGETI - 55063 - $55. (Mark Levine/arr: Bob Washut) - A "McCoy
Tyner meets Eddie Palmieri" minor blues set in a burning rumba guaguanco
groove. Solo changes are in all parts, with backgrounds cued. After the solo
sections, the ensemble exchanges 8's with the drummer for two choruses. Alto
sax 1 and tenor sax 1 both double soprano sax. Optional congas and hand
percussion (chekere, cow bell, and claves) will lend authenticity. Lead
trumpet extends briefly to a written high G above the staff. 5,4,4,G,P,B,D,
Perc. Originally recorded by Mark Levine's Latin Tinge group (title track).
SHININ' - 55072 - $55. A contrafact on "My Shining Hour" changes
Shinin' featuring the piano trio within the big band. The chart is a medium
swinger. The pianist, bassist, and drummer all get solo space and plenty of
ensemble work is included as well. Lead trumpet extends to a written D
above staff. Medium.
JIM WEISHEIT
GET UP AND GO - 56775 - $55. Bright swing flag waver. Solo: Ten. Sax.
Interesting mixed ensemble orchestration. Tpt. 1 top note High "C". Scored
for 5/4/4/& rhythm. No doubles. Medium Difficult.
* * * EZRA WEISS * * *
* * * NEW * * * CRAZY LUCKY – 52254 - $55. Swingin' chart in the
tradition of Thad Jones/Mel Lewis. Modern harmonic variation on a 12-bar
blues. Features tenor saxophone and a gospel-influenced trombone solo. Lead
trpt to high F. 5,4,4,G,P,B,D. Recorded by the Rob Scheps Big Band with
special guest Greg Gisbert. Medium.
* * * NEW * * * JESSIE’S SONG – 52252 - $55.After a beautiful
rubato brass introduction, this straight-eighth note style piece unfolds with
strong melodic development. It features a piano solo and a tenor saxophone
solo over a Brazilian partido alto groove. The piece includes a very sensitive
section in the middle, and a dramatic ending with the trumpets, trombones,
and saxes playing in a round. Lead trpt to high C. 5 (sattb), 4,4,G,P,B,D.
Recorded by the Rob Scheps Big Band on Ezra Weiss: Our Path to This
Moment. Medium.
* * * NEW * * * KUNLANGETA – 52251 - $55. A dramatic straight
eight note style piece with strong compositional development, modern
harmony, and extensive ensemble playing. After the main melodic content is
introduced, this piece features an extended trombone solo. This leads to a
climactic interlude, followed by a cathartic closing. Recorded by the Portland
State University Big Band. Alto 1 doubles on flute. Lead trpt to high F.
5,4,4,G,P,B,D. Medium Difficult.
* * * NEW * * * PROMISE, THE - 52253 - $50. This dramatic ballad
features the lead alto on the melody and an extended double-time solo, painted
with a wide range of textures and moods. Also features piano. Lead trpt to
high C#. 5,4,4,G,P,B,D. Recorded by the Rob Scheps Big Band on Ezra
Weiss: Our Path to This Moment. Medium.
DAVE WELLS
STRUTIN’ HAPPY - 55727 - $60. A slow swinger at MM - 110 that
features the 1st trombone, a piano with 2 choruses each and an interlude in
between where upon the ensemble settles into a swingin building groove until
the end. Medium difficult.
SWEET & SASSY - 55728 - $60. A loose feeling 32 bar melody featuring
the baritone sax and or trumpet 4.
TO BLUES OR NOT TO BLUES - 55725 - $60. A flag waving opener or
closer featuring a jazz baritone solo along with 1st trombone doing both adlib
and short written solo. There is an abundance of high driving brass and fast
moving unison sax lines interspersed with tasty disonances. Difficult.

RON WESTRAY
MAYBE LATER - 56550 - $55. From the Lincoln Center Jazz Orchestra,
"Swing Dance Tour" of 2000. Swing Tempo; approx. 140-145 bpm to the 1/4
note. Swing chart with a modern harmonic appeal, flanked by traditional
vocabulary. Solos (as assigned by leader). Maximum trumpet range is C; wih
8 va opt. on segment of out chorus. Reed parts require fast, clean execution at
times. No doubles. Done well, this is a very exciting chart! Difficult.
MR. PERSONALITY - 56551 - $55. From the Lincoln Center Jazz
Orchestra, "Swing Dance Tour" of 2000. Swing Tempo; approx. 140-145 bpm
to the 1/4 note. Requires an "Ellington Feel". Solos (as assigned by leader).
Modal changes as assigned. Maximum trumpet range is high B. Doubles
throughout (two clarinets or sop. sax.) Lyrics for vocalist (vocals are opt.) "A
real crowd pleaser and musician's favorite." Medium difficult.
TWITT-TWOO...YOU HOO!! - 56552 - $55. Shuffle / swing chart with
Tpt., Gtr., and Bone solo. The chart is fairly demanding for the reed section at
times. Approx. 140-145 bpm to the 1/4 note. Demands swing style similar to
Thad Jones/Basie. Blues based changes with some ii7 V7 harmonic motion in
places. Tpt. range is high E in lead (can be played 8vb if need be.) No doubles
in reeds. A real "crowd pleaser" and "musician's favorite." Med diff.
YOU ARE OUT OF SIGHT - 56553 - $55. From the Lincoln Center Jazz
Orchestra, "Swing Dance Tour" of 2000. Swing Tempo; approx. 140-145 bpm
to the 1/4 note. Requires a Dameronesque feel. Includes lyrics for male
vocalist (optional). Solos (as assigned by leader). "Heady" yet traditional
changes. Maximum trumpet range is high C#. Includes an even 8th feel on the
interlude between solos. No doubles. A real "crowd pleaser" and "musician's
favorite." Medium difficult.
STEVE WIEST
CERULEAN 12 - 55977 - $60. A straight-ahead chromatic-blues piece from
the Steve Wiest Big Band Libray. Based on a 12- tone row with underlaying
chromatic changes, solos are written for trombone (or treble clef instrument)
as well as an opional open section for other soloists. Solo trombone (or treble
instrument) plays over an exciting shout chorus that modulates twice until the
lead trumpet nails a high G. Rhythm section must be able to comp
chromatically and play a bit "out". 5 saxes, 8 brass, plus solo trombone and
treble clef parts. Difficult.
DON’T GIVE UP HOPE - 55986 - $60. (All proceeds from this chart will
be given to the Red Cross to help relief efforts in Japan). Dedicated to the
people of Japan. This programmatic work has four sections. 1. To represent
the Earthquake of March 11, 2011; an introduction using a kumoi scale first as
a solo flute section, then featuring all of the band as the energy builds. 2. A
beautiful interlude representing everyday life in Japan utilizing the traditional
Itsuki Lullaby. 3. A multichordal fantasy that reflects the building of the
Tsunami wave followed by unusual chords in the brass that reflect the tripledisaster
of nuclear radiation. 4. An ending section featuring a recomposed
Itsuki melody in major. The piece ends in two keys at once in a hopeful
gesture of healing along with sorrow. Lead trumpet goes up to a 2 ledger line
space written high Eb. 5 saxes (doubles: flute, clarinet and bass clarinet), 10
brass, plus piano, bass, guitar, and drums. Medium Difficult.
EXCALIBUR - 55975 - $60. Exciting programmatic piece from the Steve
Wiest Big Band library. Based on the changes to "Con Alma" the groove
alternates between up-tempo swing and Afro-Cuban jazz. Solo sections for
trombone (or treble clef instrument) soprano sax and drums. Optional double
C scream parts for lead trumpet, written two ledger line C#s. Also includes a
sax soli with soprano and trombone lead. 5 saxes, 8 brass, plus solo trombone,
and treble clef parts. G,P,B,D. Difficult.
FULTON FILES, THE - 55987 - $60. Commissioned by Jesse Wollery for
The Denton High School Lab Band 1 in Denton, Texas. This is a combination
modern straight ahead and funky cross-stick groove piece. Solos for trombone
1 and alto 1. The send off to the alto solo features a full band soli with a
texture reminiscent of Michael Brecker’s EWI voicings. A great closer or
opener for a festival or concert! 5 saxes, 8 brass, plus piano, bass, guitar, and
drums. Tpt. 1 is a written two ledger line D.Medium Difficult.
76
ICE-NINE - 55980 - $60. Gramy nominated best instrumental composition
for jazz ensemble 2009. Up-tempo, exciting rocked-out composition from the
University of North Texas library. Recorded on "Lab 2009" the piece is based
on a difficult chromatic line that is a programmatic representation of the
doomsday weapon found in Kurt Vonnegut's novel: "Cat's Cradle". Solo
sections for trombone, tenor sax, guitar and drums. Lead trumpet written up to
a 4 ledger line-space written high Ab. Also includes an amazing funky
trombone/bari sax soli. 5 saxes, 10 brass, plus piano, bass, guitar, and drums.
Difficult.
IT HAPPENED ON COOPER STREET - 55984 - $60. Medium-tempo
piece built around the very funky “drums-n-bass” groove. This ultra-hip
groove (also known as “breakbeat”) grew out of the James Brown- influenced
Rave scene and then morphed into a modern jazz offshoot. Commissioned by
the University of Texas at Arlington Jazz Orchestra directed by Tim Ishii,
Cooper Street is a tour de force of funky grooves mixed with a pastel
interlude. Solo section for tenor sax and drums. Some mixed-meter
throughout. Lead trumpet written up to a 4 ledger line written high G.
Includes a strong ending that makes this a perfect set
closer.5,5,5,G,P,B,D.Difficult.
LAST THEME SONG, THE - 55988 - $70. Recorded by the One O’Clock
Lab Band on Lab 2011, this piece is an homage to the Cop Show theme song
genre of the 1970s and the vanishing art of the TV theme song in general! The
groove alternates between super-funky and Afro-Cuban. The first part of the
chart leads up to a fast jazz waltz that features tenor 1 (recorded version
features a guitar solo and can easily be added). A cameo solo by piano takes
place during the jazz waltz as well as a shining moment for lead trumpet. The
piece ends with an epic build up that is cinematic in dramatic quality. The
Lead trumpet goes up to a 4 ledger line written high G. Five saxes, ten brass,
plus piano, bass, guitar, and drums. Written to be the perfect closer for any
set! Difficult.
NEW CYDONIA - 55985 - $60. This piece is a definite change-of-pace for
any group looking to program something different! Recorded on The
University of North Texas Grammy-Nominated One O’Clock Lab Band’s
“Lab 2010” CD, New Cydonia asks the programmatic question: “What would
jazz have sounded like if it had developed on Mars?” With exotic extended
techniques in the rhythm section, woodwind doubles and even a didgeridoo
double (in D) for second trombone, New Cydonia moves back and forth
between an otherworldly texture and a “broken ECM bossa” groove. Solo
sections for trombone and flugal. Lead trumpet written up to a 4 ledger linespace
written high A. Also includes a demanding woodwind soli with guitar
doubling the lead. 5 saxes, 10 brass, plus piano, bass, guitar, and drums.
Woodwind doubles: Flute 1, soprano, clarinet, flute 2, and bass clarinet.
Trombone 2 includes didgeridoo in “D”. Difficult.
PUDDIN’ TIME - 55982 - $60. Description: Based on the original
composition by Brad Leali from his CD “Priority Soul”, this is a medium
tempo shuffle that features alto sax. Arranged for the University of North
Texas Three O’Clock Lab Band under the direction of Brad Leali, Puddin’
Time begins with a rubato Gospel-style opening section and then moves into a
driving shuffle that carries the piece to an exciting conclusion. Lead trumpet
written up to a 3 ledger line-space written high F#. 5,5,5,G,P,B,D..Difficult.
NIGHT IN PIDRUID, A - 55978 - $60. An exciting straight ahead modern
jazz piece from the Steve Wiest Big Band library. The groove alternates
between broken swing and New Orleans "second line street beat". Solo
sections for trombone (or treble clef instrument) tenor sax and drums.
Multiple themes (with the main theme featuring trombone and tenor) that are
programmatically based on the novel "Valentines Castle" by Robert
Silverberg. Written high A with optional scream Ds for lead trumpet. 5 saxes,
8 brass, plus solo trombone and treble clef parts. Difficult.
ONCE AND FUTURE GROOVE, THE - 55976 - $60. A swinging Basiegroove
type piece from the Steve Wiest Big Band library. Based on the
changes to "You Stepped Out of A Dream" the main melody and solos are
written for trombone (or treble clef instrument) and bari sax. Solo sections for
trombone (or treble clef instrument) soprano sax and drums. Written high G
for lead trumpet. Features an exciting Thad Jones/Bob Mintzer style quarter
note based soli for all of the horn sections. Flute double in second tenor. 5
saxes, 8 brass, plus solo trombone and treble clef parts. Difficult.

SILVER SPIN, THE - 55979 - $50. A beautiful ballad from the Steve Wiest
Big Band library. With a chord progression that is a tip-of-the-hat to Coltrane,
Brookmeyer, and Thad Jones, solo trombone (or treble instrument) is featured
throughout. After the solo section, the ensemble is highlighted in a
"Vanguard-Style" shout chorus followed by a gospel-tinged ending. 5 saxes, 8
brass, plus solo trombone and treble clef parts. Difficult.
SPIRALS - 55981 - $60. Medium-up tempo, straight-ahead chart from the
University of North Texas library. Recorded on "Lab 2008" the piece
develops a "spiraling line" throughout a series of modal changes. Solo
sections for trombone and drums. Lead trumpet written up to a 4 ledger line
written high G. Also includes an exciting Bill Homan-like shout chorus. 5
saxes, 10 brass, plus piano, bass, guitar, and drums. Difficult.
WES’ SIDE STORY - 55983 - $60. Description: Medium tempo straight
ahead guitar feature in the style of Wes Montgomery. Written for the
University of North Texas Award-Winning Two O’Clock Lab Band directed
by Jay Saunders. Features a sax soli with guitar and alto 1 doubled. Lead
trumpet written up to a 4 ledger line written high G. Also includes an exciting
double shout chorus and surprise ending.5,5,5,G,P,B,D..Difficult.
ERNIE WILKINS
BALLAD FOR PAUL (Almost Big Band) - 54402 - $46. Ballad.Solos for
Tenor 1 and Tenor 2. Difficult ensemble section. Requires mature band to
make it sound right. No dbls. Trpt to written high "D". Difficult. Scored for
Alto, two Tenors, Bari, 3 Trpts, 2 Trbns & Rhy.
BIG BAD BAND (FULL BIG BAND) - 54403 - $51. Bright swing tempo.
Intro features open Piano solo. Solos for Trpt and an open Tenor battle. Trpt
to written high "Double G". No dbls. Diff.
BLUES ALL DAY, BLUES ALL NIGHT (FULL BIG BAND) - 54404 -
$51. Slow blues opening with Piano solo into double time feel band soli.
French horn solo and Bb solo changes included.Trpt to written high "F". No
dbls. Written for full band and French horn and Tuba. Med-diff.
BLUES FOR BIG "E" (FULL BIG BAND) - 54405 - $51. Slow blues.
Features Piano solo, Guitar solo and an open solo section. Trpt to written high
"D". No dbls. Med level.
KANSAS CITY SHOUT (FULL BIG BAND) - 54407 - $53. A bonafied
Basie chart. Medium tempo swing. Features Piano solo. Trpt to written high
"F". No dbls. 7 brass. Med-diff.
RICK WILKINS
COUNTLESS BLUES, THE - 55260 - $70. Comp and Arr by Rick
Wilkins for the Boss Brass. Slow, wonderful feeling blues. Features Guitar
and Trumpet. 5,5,2 FH, 4,G,P,B,D. Medium-difficult.
WHO ASKED - 51363 - $70. Comp and Arr by Rick Wilkins for the Boss
Brass. Straight ahead four. Solos for: Bass, Trpt, Alto & short Drum solo. Sax
dbls.
HENRY WILL
BIG APPLE OBEREK - 55625 - $55. In 3/8 time. Features a written
clarinet solo all the way with big band background. 1st alto doubles clar.
Also a trp soli. 5,4,4,P,B,D. Medium.
JUST DO IT! - 55626 - $55. Big band light swing. Sax unison and soli.
Brass and sax counterpoint unison. Solos included: trpt-sax-trom and piano,
ensemble chorus. Great for high school band. 5,4,4,P,B,D. Medium.
LET ME PLAY FOR YOU - 55627 - $35. Big band ballad. Beautiful
melody. Clarinet lead reed section. Trom soli and ensemble. 1st alto doubles
clarinet, and bari doubles for alto. Great for high school bands. 5,4,4,P,B,D.
Medium.
77
LOVER'S WALTZ - 55628 - $55. Medley of Polish waltes done big band
style. Harmon trpts - sax soli-trom. Unison ensemble, some clarinet lead reed
section. 1st alto doubles clar & bari doubles alto. Medium..
MIDNIGHT WALTZ - 55629 - $55. Big band sound medley of Polish
waltzes. Tombone solo-harmon trpts - sax soli-ensemble. Medium.
MY SON WALTZ - 55630 - $55. Trumpet solo opening. 3 Part vocal in F
high note D, 5,4,4,P,B,D. Great wedding song. Medium.
NEW BEER BARREL POLKA - 55631 - $55. Straight forward swinging
big band chart of traditional polka. 1st alto doubles clarinet and bari doubles
alto. Features sax soli, piano solo and ensemble. 5,4,4,P,B,D. Medium.
NEW PENNSYLVANIA POLKA - 55632 - $55. Straight forward big band
chart of the traditional polka. Drum solo-ensemble-clarinet, lead trio. 1st alto
doubles calrinet and bari doubles alto. 5,4,4,P,B,D. Medium.
POLKA DANCING - 55633 - $55. Big band ensemble-trombone 3 Part
soli-vocal in F, 5,4,4,P,B,D. High note C. Medium.
POLKA GLORY - 55634 - $55. Big band sound med. of traditional polkas.
Ensemble-sax soli. Trpt screech note high C optional. Medium.
POLKA MOOD - 55635 - $55. Big band sound with moving sax solo-brass
ensemble. Trom. soli and unison and full ensemble. Medium.
POLKA SPIRIT - 55636 - $55. Features big band ensemble - sax soli -
trombone soli. Medium level.
POLKA SWING - 55637 - $55. Big band sound featuring a bari sax riff,
trombone soli, clarinet solo and ensemble. 1st alto doubles clarinet and bari
doubles alto. Medium.
PRINCESS HELEN POLKA - 55638 - $55. Traditional Helen polka. Big
band treatment. Some trumpet. Triple tonguing. Brass soli-sax soli. 1st alto
doubles clarinet and bari double alto. 5,4,4,P,B,D. Medium.
UP TOWN OBEREK - 55639 - $55. In 3/8 time. Sax soli-trumpet solitrumpet
solo. 5,4,4,P,B,D. Medium-difficult level.
CURT WILSON
FROG LIPS - 51080 - $52. An up-tempo straight ahead blues "flag waver"
for big bands. This chart cooks from beginning to end including a "smoking"
sax soli. Solos for tenor, trumpet, trombone and bass. Chart is easily opened
up for additional solos. High trumpet note is D - trombone Bb. Scored for
5,4,4,g,p,b, and d. Med diff.
INSTANT REPLAY - 51082 - $55. Starts with slow/moody intro. Solo
piano has written solo followed by written flugelhorn solo over lush trombone
chords. Drums set-up new medium fast swing tempo and we're off with a
minor-key tune that eventually goes to major-key. Solo spots for muted
trumpet (or flugel) and trombone. Also has a nice sax soli and trombone soli.
Lead trpt to high D (opt "F") and lead trbn to high Cb. Lots of intensity in this
chart. Difficult.
JUST A CLOSER WALK WITH THEE - 51081 - $50. (traditional)
Written originally as a clarinet feature, but can be played by any solo
instrument. Starts with lush trombone hymn-like chorale than goes into a
medium swing tempo. Solo space also for piano or guitar. Trumpet to high
D, trombone to G. Optional 5th trumpet and 5th trombone parts. Medium
level.
LITE TOUCH, A - 51084 - $50. Beautiful medium slow swing ballad
featuring your lead alto. Alto only improvises on last two fermata chords.
Eight bar piano solo (written or ad-lib) Nice sax soli and soft ensemble
passage ala Basie with a kickn' shout-chorus. Short double-time section
towards the end of piece. Lead trumpet has three brief (eighth notes) high D's.
Lead trombone to "A". 5, 4, 4, G, P, B, D. Medium to medium difficult.

SABRE DANCE - 51083 - $55. Russia meets the big-band! A unique
blend of quasi-Latin/rock and cut-time "show-biz" feel. Great shout section
with swing/jazz feel. Some use of mixed-meter (including 10/8) extended
drum solo ends the piece. A real flag-waver. Top 1st trumpet note is high D
with optional E. Top 1st trombone note is high A. Medium difficult.
* * * NEW * * * WALRUS BLUES – 51084 - $55. Straight-ahead
medium up-tempo (quarter = 152) burner. Solos for bass (some written),
tenor, and trumpet. High lead trumpet note is high D with a couple of very
optional double G's. Lead trombone to high Bb a couple of timers. Contains
an a-cappella horns chorus without rhythm section. Great shout section that
keeps building. Cool ending with a 2- bar quote of the Beatles I AM A
WALRUS! 5/4/4/G/P/B/D. Medium difficult.
MICHAEL WOODS
GITCH YO BOTOX OUTTA MY FACE - 52151 - $55. The work begins
with a soli statement for the trumpets and then the saxes and then the
trombones. The theme is not cast in the form of the blues but the solo section
evolves into the blues.The backgrounds in the open solo sections are optional.
The feel of the work is that of a black church shuffle. The piece is supposed to
be fun and be played with a sense of swagger. The highest note for the
trumpets is a D on top of the second ledger line. 5/4/4/P/B/D. Medium
Difficult.
LORD HAVE MERCY - 52150 - $55. The chart can best be called a driving
funky rock feel. The tune is meant to be both happy and yet reflective. There
is a little bit of a black church feel in the groove to this tune. Portions of the
solo section work off of a two chord groove, but then the solo sections are also
multi-layered. there is a funky little break down section after the solos are
over and before going back to the D.S. The Quarter note = 108. The high note
for the trumpet is the last note on a 3rd line E. 5/4/4/P/B/D. Medium Difficult.
PHIL WOODS
E’TOILE - 54060 - $48. Groovy funky blues featuring Tenor, Trpt & Bass
solos. Diff level.
LAST PAGE, THE - 54061 - $48. Alto feature, starts med slow, then to
med fast 5/4 stretto ensemble, jazz in 4/4 coda slow melody super imposed on
5/4 motif.
RANDI - 54062 - $48. Pretty ballad for the sax section with a double x feel
section. 5,4,4,G,P,B,D. Medium level.
SAMBA DU BOIS - 54063 - $48. Straight ahead samba with a middle
swing section returning to a samba. Alto solo. No dbls. Scored for 5,4,4,g,p,b,
& d. Medium.
GREG YASINITSKY
AFTER EIGHT - 54525 - $42. Funk shuffle fusion tune (swing 16ths),
featuring a hip groove. Med-diff.
AN EVENING AT CLUB COUGAR - 54536 - $55. Amedium-up tempo
swinger. The chart has a retro-swing sound to it with a catchy melody, fun
sax soli and a roaring shout chorus. Solos are included for tenor saxophone
and trumpet 2 (ad lib or as written). Suggesed piano voicings are included
and the bass line is written out with chords cued. This is an exciting, fun
chart, suitable for concert and festival performances. Top lead trumpet note is
a written C; top lead trombone note is a G. Medium-difficult.
HANGIN' HIGH ON THE FLAT-FIVE - 54537 - $55. This hard
swinging, shuffle blues was commissioned by a consortium of directors from
the American Band College. The chart features a funky melody, trumpet
section soli and a roaring shout chorus with a big ending. Solo changes are
included on all parts. The piano part includes suggested voicings and the bass
part is written out with chords cued. This chart provides a great way to
highlight your trumpet section and is ideal for concert or festival
performances. Lead trumpet note is a written F for the last note only,
78
otherwise the highest note is a wirtten D' top lead trombone note is a Bb for
the last note only otherwise the highest note is a G. Difficult.
HOT TO TROT - 54529 - $55. Begins funk, moves to dbl x swing, returns
to funk. Tricky ensemble. Diff level.
ZOOT SUIT - 54535 - $53. The bass is the prominent featured instrument in
this 12-bar blues. Diff level.
* * VOCAL WITH BIG BAND CHARTS * *
AMAZING GRACE - by GLENN PICKETT - 54085 - $55. Here's a
proven arrangement for Jazz Band of what just might be America's most
beloved song. Written to feature your soloist, it works for either a male singer,
tenor sax, or alto sax player who can improvise in a bluesey, New Orleans
style. After the reflective, rebato intro, it locks into a 12/8 groove that builds
to a blazing triumphant ending. Amazing Grace works great as a closer for a
patriotic or any program, bringing the audience to its feet! Key: F to G.
5,5,4,G,P,B,D. Med difficult.
BABY IT’S YOU - by Matt Catingub - 62000 - $60. Medium fast pop
jazz tune is for a male vocal in the key of F. No score.
DONDE (Arr. F) - by Dirk Fischer - 62003 - $55. Vocal arrangement of
Dirk's lovely latin bolero. Spanish lyrics by Barbara Ransom. Instrumental
version on George Stone plays the music of S.R.Dirk Fischer CD.
Flugelhorns, easy range. Vocal "A" below middle "C" to high Db. Easy
medium.
INVISIBLE GIRL - BY RON PALEY - 51138 - $57. Also from the
musical "Bring 'Em Back!", Invisible Girl is an emotional ballad featuring a
female vocalist and alto sax. A musician tranported back in time to the big
band era meets and falls in love with a wonderful singer. She sings this song
to him. Lyrics are by Ron Paley and Alexander Marchall. Trumpet G#,
trombone to A. Easy-med.
JAZZ IS - by Ron Paley - 62009 - $53. This is a funk/rap tune with a rap
about jazz! The lyrics are replete with names of jazz icons and musical quotes
to match. It features alto and flute. Turmpet E, Trombone A. 5,4,4,G,P,B,D.
Medium.
JUST A CLOSER WALK WITH THEE - by JIM BARNETT - 62004 -
$55. Commissioned by the "Late Great Pearly Gate Jammin' Swing Band",
this is a "full-on" pure Basie-type chart for Vocal solo, 5 saxes, 4 trumpets, 4
trombones, and full rhythm. Starts simple with just voice and bass and builds
to a traditional Basie blow chorus with big ending! Scored in Bb/C/Db. Easy
medium.
MUSIC FOR AWHILE - by Don Bowyer - 62010 - $50. This big band
funk setting of Henry Purcell’s 300-year-old baroque classic provides the
missing link for your next concert. Features baritone or alto vocalist, with
solos for alto sax, trumpet,and piano. Lead trumpet to C6.5/4/4/P,B,D, Optl. G
and Vibes. Medium.
MY HEART IS THERE WITH YOU - by Rob Stoneback - 62008 - $50.
A ballad for your male baritone singer, this song evokes all the great romance
of the 1940s. A short flugelhorn introduction is later followed by a brief tenor
solo. All saxes double on flutes, and all trumpets double on flugelhorns.
Trumpet to high D and trombone to high C. 5/4/4/4. Med.
PLEDGE OF LOVE - by Tony Hyde - 62011 - $50. Style: ballad with
double time swing middle section/ Tempo: quarter =80/ scored for: 4
trumpets, 4 trombones, 5 saxes (flute and clarinet doublings) alternate parts
provided with no doubling, female vocal, guitar, piano, bass, drums. Here’s a
chance to feature that special singer and “hot” tenor player in a romantic
original piece designed as a “duet” with band accompaniment. Double time
middle section features the tenor. Vocalist returns with tenor to ballad tempo
for interesting ending. Reasonable ranges ; lead trumpet to written C above
the staff. Vocal (alto-soprano) to 4th line Db. Great change of pace piece for
any program. Easy Medium.

SLEEP, MY LITTLE ONE, SLEEP - by Don Bowyer - 62007 - $50.
Beautiful ballad lullabye for soprano voice and big band, with an optional
four-part backup choir. No doubles; lead trumpet to E6. 5,4,4,G,P,B,D.
Medium difficult.
STAR SPANGLED BANNER, THE - by Ryan Haines - 56272 - $32.
This fresh & exciting setting of the National Anthem is currently performed
by the U.S. Air Force Falconaires jazz ensemble. Arranged in Bb, an optional
vocal solo part is included as well as written out parts for the entire rhythm
section. 5,4,4,G,P,B,D, Opt’l Vocal. Medium.
STAR SPANGLED BANNER, THE - by Glenn Pickett - 54086 - $45.
It's our beloved National Anthem, by everyone except those that are called
upon to sing it. Yet, here's an arrangement that works with band alone, add a
vocal soloist or even a choir.The music helps propel the meaning of the lyrics
to your audience, allowing your audience to hear the song again, rather than
simply wait for the high note at the end. Beginning with reflection, it morphs
into a rock feel during the rockets red glare. Ending with a traditional feel,
after you own it, you'll want to open every concert with it. Key: Bb. Medium.
SUENOS TROPICALES - by Don Bowyer - 62012 - $50. Alto, tenor,
guitar, and vocalist (no lyrics) are featured on this high-energy salsa tune that
gets the audience dancing. Lead trumpet to C6. 5/4/4/PG,P,B,D Optl. Vibes.
Easy Medium.
THIS LOVE - by Matt Catingub - 62001 - $60. A pop / jazz ballad for a
female vocal in the key of G. No score.
TOGETHER WE CAN LOVE - by Matt Catingub - 62002 - $60.
Medium slow pop / jazz tune for a male / female duet in the key of C. No
score.
WHAT IS LIFE - BY RON PALEY - 51137 - $57. What Is Life is a vocal
tune that is also from the musical "Bring 'Em Back!". It is a medium tempo
jazz waltz whose contemplative an introspective lyrics deal with the
awareness of being alive. It features flugelhorn and a fugal (not flugel) ending.
Lyrics are by Ron Paley. Trumpet to A, trombone to G. 5,4,4,G,P,B,D. Easymed.
* * VOCAL JAZZ ENSEMBLE (VOCAL
JAZZ CHOIR) * *
ISLAND DANCE - by Gus Kambeitz - 62200 - $40. SATB (16) parts with
rhythm section. Best Vocal Jazz Composition—Lionel Hampton Jazz Festival,
2000. Island Dance is an easy Samba in 2 with an extended scat solo section
that could be played by an instrumentalist. Performance suggestions: Voice
parts should be delicate, keep the rhythmic feel light and additional percussion
could be added (shaker and conga's) and the drum solo extended. Easy
medium.
* * * CHRISTMAS / HOLIDAY BIG BAND
CHARTS * * *
ADESTE FIDELES (Oh Come All Ye Faithful) - By DAVE AABERG -
62507 - $55. A driving shuffle groove a la Killer Joe makes this traditional
Christmas tune really come to life. Features alto sax and keyboard solos in
high-energy settings. Also has a brief “out” section. Lead trpt to wriiten G5.
5,5,4,Piano/Organ,B,D.
AULD LANG SYNE - by TOM KUBIS - 62519 - $40. I love to feature my
great trumpet players and this is no exception. This starts out as a pretty rock
ballad and ends on a high note so to speak. Again the lead trumpet player can
play the really high stuff down an octave. This is a great chart to bring in the
new year! Scored for 5,4,4,p,b, and d. Advanced.
AULD LANG SYNE - by Bob Florence - 50303 - $40. A touching
treatment of a song that works at any time of the year. An accapella Bone soli
states the melody, then the Bari sax is featured as the rhythm section
accompanies w/some lovely substitution chords. Scored for 6,5,4,p,b, and d.
Dbls.
79
AWAY IN A MANGER - by TOM KUBIS - 62525 - $55. Hold on to your
elfs! An up tempo jazz waltz featuring the tenor sax or soprano sax. Scored
for 5,4,4,p,b, and d.
AWAY IN A MANGER - by Rob McConnell - 62528 - $30. This brass
only arrangement by Rob is written for 4 trpts, 4 trbns, and 2 horns. This is a
different melody from the version already in the catalog. It is in a traditional
style brass chorale. The chords are lush and rich. No rhythm or sax parts.
French horn parts are necessary. Score included. Medium - Difficult.
BETHLEHEM and JOY - by Rob McConnell - 62529 - $48. O Little
Town of Bethlehem begins with a rubato chorale with flügel lead. 4 flutes and
2nd tenor has clarinet double. First time through is a cappella. Second verse is
a trombone solo with piano accompaniment for 12 bars. The whole chart has
no other rhythm section. Joy to the World has trpt lead. Straight forward a
cappella is cut time. Broadens into 4 at the end. 5, 4, 4, and piano. Score
included. Medium - Difficult.
CHRISTMAS BELLS ARE RINGING - by Tom Kubis - 62540 - $55. Up
tempo 3/4 version of the great classic. Trumpet over saxophones on the head.
Features tenor sax on soprano. Key: F major. Trumpet 1 highest note: high E.
5, 4, 4, P, B, D. Medium.
CHRISTMAS TREE MAMBO - by Mark Thome - 62550 - $50. Add
some spice to your next holiday concert with a mambo treatment of the
traditional holiday holiday classic, O Christmas Tree. No solos. Trumpet
range G top of staff. 5/4/4/G,P,B,D. Pn, bass and drum parts written out. Easy
Medium.
DECK THE HALLS - by TOM KUBIS - 62526 - $55. This is yet another
Samba full of the Christmas spirit. Scored for 5,4,4,p,b, and d.
DECK THE HALLS - By Mike Crotty - 62503 - $60. Slow Bluesy feel.
Duet for Bass Trombone and Bass. Solo for Trombone 3. Alto sax 1, Tenor
sax 1 & 2 double Clarinet.Scored for 5,4,4,g,p,b, and d.
DEK DA HAULS - by Dave Dolengewicz - 62520 - $53. A classic
Christmas tune? Dek Da Hauls is an enjoyable up-tempo adaptation of the
christmas standard we've all grown tired of. Played over chromatically
moving suspended chords with a side of odd meters and phrases and garnished
with many Holman-esque layered textures, this chart is a quick and delicious
way to spice any winter holiday concert. Soloists - Baritone, Trombone, 8
brass. Trumpet - High C#. 5,4,4,G,P,B,D. Difficult.
DING DONG MERRILY ON HIGH - By Tom Kubis - 62527 - $55. Starts
with 2 brass quartets dueling and lots of very cool ensemble, with a tenor sax
solo, It dings and dongs its way through a fun, bouncy tune. Trumpet 1
highest note is double high G. 5,4,4,P,B,D. Difficult
DREIDEL SAMBA - By Darin Kamstra - 51930 - $50. The traditional
Hanukah song Dreidel, Dreidel, Dreidel meets Brazil! Lead tenor and
trombone state the melody at the beginning. The first solo section is open for
saxophones or rhythm; the second is open for trumpet or trombone. After the
solos, the melody is stated in a four-voice fugue, a shout chorus, and a
montuno figure that builds to the end. Scored for 5,4,4,g,p,b, and d. No
doubles, and reasonable brass ranges (lead trumpet to C). Trumpet range: C.
Medium.
FUM, FUM, FUM - by Tom Kubis - 62541 - $55. Fun, samba version of
the great Christmas standard that keeps you excited and leaves room for
audience participation in singing "Fum, Fum, Fum!" Key: Bb major. Trumpet
1 highest note: high F. 5, 4, 4, P, B, D. Difficult.
GOD REST YE MERRY GENTLEMEN - By Mike Crotty - 62501 -
$53. Up tempo jazz 3/4 featuring Flugelhorn solo. Alto sax 1 doubles clarinet
and soprano. Alto 2 doubles flute. Tenor sax 1 doubles flute. Tenor 2 doubles
clarinet. Bari sax doubles bass clarinet. Scored for 5,4,4,g,p,b, and d.
GOD REST YE MERRY TROMBONES - by TOM KUBIS - 62518 -
$55. Wow! This one will warm up the old yule log! This up tempo jazz chart
featurs the bone section and a lot of great ensemble. Advanced level. Scored
for 5,4,4,p,b, and d.

GOOD KING SAUERKRAUT - by Ladd McIntosh - 62537 - $65. This is
the hippest version of the old Christmas carol, "Good King Wenceslas" that
you will ever play. Sort of whacky, but driving and exciting chart in 3/4 time.
Demanding but playable sax parts. Tsax jazz solo. Challenging contrapuntal
interplay between trumpets, trombones and saxes add to the excitement. This
charts roars! Fun for all. Medium-difficult (except for sax parts).
GOOD KING WENCESLAS (And His Merry Band) -by MIKE
CROTTY - 62513 - $55. A swinging up-tempo version of a familiar old
Christmas tune. This often humorous arrangement features a trumpet and bari
duet playing the head, a trumpet solo, and lots of ensemble playing with drum
solos interspersed throughout. An exciting challenge for any band! Scored for
5,4,4,g,p,b, and d with opt'l 5th trumpet. Med-diff level.
GREENSLEEVES - By Dave Metzger - 51474 - $48. Tasteful jazz waltz
treatment featuring your pianist (optional solo parts are included for
Trumpet/Flügel, Alto sax, & Trbn which work equally well). Chart works
anytime during the year, as well as on your Winter/Christmas concert
(subtitled “What Child Is This”). Scored for 5,4,4,g,p,b, and d.
HANUKKAH MEDLEY - by Mark Thome - 62547 - $58. This will be a
perfect addition to your next holiday concert. It is made up of five traditional
Hanukkah melodies, each based on different rhythms used in Jewish music,
including a fast swing version of “I Have A Little Dreydl” No solos. Trumpet
range B above staff (optl. E above staff). Alto/flute, Alto/flute, Tenor/clarinet,
Tenor/clarinet, Bari, 4//4/G,P,B,D. Includes Opt’l Sax Doubles.
HARK THE HERALD - by TOM KUBIS - 62517 - $55. This is a pretty
rock ballad that features the lead trumpet. The real high trumpet stuff at the
end may be played down an octave. Scored for 5,4,4,p,b, and d. Advanced.
* * * NEW * * * HAVA NAGILA – by Mark Thome - 55187 - $58.
Arranged in the style of Tommy Dorsey's 'Song Of India' with sections of
hard-driving, back-beat swing. Tpt. Solo Cl. (alternate Sop. or Alto),
A,T,T,B,4,4,4.G/P/B/D. Tpt. 1 - One E above staff, four D's above staff and
various other notes. Medium Difficult.
HERE WE COME A WASSELING! - by TOM KUBIS - 62533 - $53.
Look out-we’ve never Wasseled like this before! This one is difficult. Very
good high school or very good college with lots of meter changes but wow
what a burner! Tenor feature. High Trpt F. Very fast 3/4 jazz in a 1 feel! Well
worth the effort! Scored for 5,4,4,p,b, and d.
IT CAME UPON A MIDNIGHT CLEAR - by TOM KUBIS - 62521 -
$55. This is a solo Flügelhorn 3/4 ballad nicely reharmonized with lush
chords and backgrounds. A bit on the bluesy side!. 5,4,4,P,B,D.
IT CAME UPON A MIDNIGHT CLEAR - By STEVE HEROLD -
62511 - $55. Medium swing. A “Basie” style medium swing that features the
full ensemble. Solos are for Flute (on Tenor 1) & Trombone. Tenor 1 dbls on
flute. Medium-difficult. Lead trumpet is demanding in out chorus.
5,5,4,P,B,D.
JINGLE BELLS - by Tom Kubis - 62534 - $52. Bass trombone feature on
this old Christmas standard. This is a medium swing version featuring the bass
bone all the way through the chart. The ensemble and bass bone trade off
throughout the chart. Lead trumpet to high E. Scored for 5,4,4,p,b, and d.
Medium.
JINGLE BELLS - By Mike Crotty - 62500 - $60. A humorous funk
version of this Christmas favorite. It features EVI Wind controler (a substitute
Bb part is also included which can be played on Trumpet or Soprano), and
Electric bass. Alto sax 1 doubles piccolo, Tenor 1 doubles flute.Scored for
5,4,4,g,p,b, and d.
JOY TO THE WORLD - by John Mahoney - 62544 - $55. Medium swing.
Features Bari Sax and Trombone 2 on solos and four bar exchanges, with a
nice mid-register shout chorus. The most difficult part is a contrapuntal
section with four saxes pitted against trumpets 2, 3, and 4. Trumpet 1 to
written high G, Trombone 1 to high C. 5/4/4/4. Medium difficult.
JOY TO THE WORLD -by TOM KUBIS - 62522 - $55. A rousing
Samba and a great tune to open a Christmas concert with! Tenor 1 doubles on
Soprano. Scored for 5,4,4,p,b, and d.
80
LO, HOW A ROSE E'ER BLOOMING - by John Mahoney - 62545 -
$55. This begins with a chorale version of the hymn shared by brass and
saxes. The remainder of this expansive chart is cast in a 5/4 bolero, and
features Tenor Sax and Trumpet 2 on solos. Counting is tricky, and soloists
must be strong. Trumpet 1 to written C#, Trombone 1 to high B. 5/4/4/4.
Percussion could be added. Medium difficult.
O CHRISTMAS TREE - by TOM KUBIS - 62514 - $55. This medium
swing chart starts out with the piano and moves into a harmon trumpet solo.
As always, plenty of great ensemble to get you into that great yule spirit!
Hurry, not a lot of shopping days left! Advanced level. Scored for 5,4,4,p,b,
and d.
O CHRISTMAS TREE - By STEVE HEROLD - 62510 - $53. Ballad.
This is a feature for the String Bass. Time shifts from 3/4 to 4/4 and back.
Horn and rhythm parts are easy. Sax dbls, 2 flutes, 2 clarinets, 1 oboe
(includes an optional Soprano sax part that substitutes for the oboe).
5.4.4,PBD.
O COME ALL YE FAITHFUL/O LITTLE TOWN OF BETHLEHEM -
by TOM KUBIS - 62523 - $55. A two trumpet feature playing these two
great Christmas Standards in a ballad style. Scored for 5,4,4,p,b, and d.
O COME, EMMANUEL - by John Mahoney - 62538 - $55. The sung
intro leads into a stretched out modal, straight 8th note treatment of this
familiar carol. There are two solos for your choice of trombone 1 or trumpet 2
and tenor 1 or alto 2. Demanding trumpet parts, with trumpet 1 to written
high F#, trombone 1 and 2 to high B. 5,4,4,G,P,B,D.
O COME, O COME, EMMANUEL -By CHUCK TUMLINSON - 62508
- $53. This haunting melody is given a modern polychordal and mixed meter
treatment. Lead alto doubles on soprano (w. optional english horn), other
saxes double on flute and clarinet. Solos for soprano (lead) sax and piano.
5.4.4.G,P,B,D.
O HOLY NIGHT - by TOM KUBIS - 62524 - $55. This is a high note
first trumpet feature. A very thrilling and exciting vehicle for the lead trumpet
-High parts may be played down an octave. Scored for 5,4,4,p,b, and d.
O HOLY NIGHT - By Mike Crotty - 62502 - $60. Progressive jazz waltz
with extensive Trombone solo. The opening and closing feature a "free" Piano
solo. Alto sax dbls Clarinet and Soprano. Tenor 1 dbls Flute. Bari dbls Bass
Clarinet.
O LITTLE TOWN OF BETHLEHEM - by John Mahoney - 62543 - $55.
A medium tempo jazz waltz features the trombones on the melody, followed
by a soli for that section. Soprano sax and Trumpet 2 are featured on solos,
and there is a sax soli, as well. The shout chorus features a soli for the bass
instruments, continuing into a mysterious, elongated bridge. SATTB saxes
thru out. Trumpet 1 to written high F, Trombone 1 to high C. Difficult for the
basses and medium difficult for the rest of the band. 5/4/4/4. Difficult.
SILENT NIGHT - By Mike Crotty - 62504 - $53. Ballad feature for
Flugelhorn w/dbl x solo section. Alto sax 1 & 2 dbl Clarinet. Tenor 1 dbls
Flute & Clarinet. Tenor 2 dbls Clarinet. Bari dbls Bass Clarinet.Scored for
5,4,4,g,p,b, and d.
SILENT NIGHT - by TOM KUBIS - 62515 - $55. This powerful and pretty
ballad features the lead trumpet player. The extreme high notes on the solo
part towards the end may be played down an octave. Scored for 5,4,4,p,b, and
d. Advance level.
SILENT NIGHT - by John Mahoney - 62546 - $53. A 6/4 Gospel ballad
features the brass (flugelhorns suggested) on the nicely harmonized melody,
with a fun bass trombone part throughout. Piano solos over the second chorus,
and saxes wait until the third chorus for their soli entrance and the climax of
the chart. Trumpet 1 to written high D, Trombone 1 to high C. 5/4/4/4.
Medium difficult.
SILENT and MIDNIGHT - by Rob McConnell - 62530 - $65. It Came
Upon A Midnight Clear begins this big band arrangement with a cappella
brass, later joined by 4 flutes and a bass clarinet. Written out lead in Alto 2.
Silent Night is where the rhythm section joins in iwth a jazz waltz feel. Guitar
has solo fills and a solo section. 5, 4, 4, 2 horns, g,p,b, and d. Medium -
Difficult.

TIJUANA JINGLE BELLS - by Mark Thome - 62549 - $50. This version
of Jingle Bells will be a fun holiday favorite, especially for the Tijuana Brass
fans. No solos, Trumpet range G# top of staff. 5,4,4,G,P,B,D. Easy Medium.
WE THREE KINGS - by TOM KUBIS - 62516 - $55. Hear the battle
between Pete Christlieb and me-Pete wins hands down (or hands in any
position). This is a hard and fast Jazz waltz. Scored for 5,4,4,p,b, and d.
Advanced level.
WE THREE KINGS - By Mike Crotty - 62506 - $53. Straight-ahead 3/4
featuring the ensemble. Solos are for Guitar & Trombone. Alto 1 dbls
Soprano, Clarinet, and Piccolo. Alto 2 dbls Clarinet. Tenor 1 dbls Flute &
Alto Flute. Tenor 2 dbls Clarinet. Bari dbls Bass Clarinet.
WE THREE KINGS - by Todd Fronauer - 62548 - $50. Brisk jazz waltz
version of the Christmas standard. Solos for trumpet, trombone, and a sax soli.
Trumpet goes to high E.5,4,4,P,B,D.
WE WISH YOU A MERRY CHRISTMAS - by Tom Kubis - 62542 -
$55. Bluezy Waltz of this classic featuring tenor sax & piano intro. Wanna
feature the tenor sax. Key: F major. Trumpet 1 highest note: high E. 5, 4, 4, P,
B, D. Medium.
WHAT CHILD IS THIS - by Tom Kubis - 62539 - $55. 3/4 version of the
classic featuring the trombone. This is a different, textural, stylish version.
Solos: Trombone. Key: Eb major. Trumpet 1 highest note: G just above staff.
Alto 1 on soprano and flute. 5, 4, 4, P, B, D. Medium.
WHAT CHILD IS THIS (GREENSLEEVES) - By Mike Crotty - 62505 -
$60. Tremendous feature for Guitar. Rubato opening and closing for one or
two Guitars. Tempo changes from "easy groove" to "jazz waltz". Solos are for
Guitar and Alto sax. No dbls. 5,4,4,G,P,B,D.
WHAT CHILD IS THIS? (GREENSLEEVES) - By STEVE HEROLD -
62512 - $55. This is a very fast swing. The tempo should be somewhere
around light-speed, in other words, as fast as possible. Arrangement centers
around the Alto and Tenor soloists. Each soloist gets an extended section by
themselves, then they trade 16’s, 8’s, etc. Solo section can be easily altered to
feature only one soloist. Difficult - while horn parts are fairly easy, the tempo
makes this a difficult chart. Strong soloists and rhy section a must.
* * * LITTLE BIG BAND CHARTS * * *
Scored for A, T, B, 2 Trpts, 1 Bone & Rhythm unless otherwise indicated
AFTER THE BALL IS OVER - by Jim Weisheit - 60261 - $35. Great
arrangement of this pretty waltz classic. Tune recorded by Nat King Cole.
Open section for all to solo. Trpt 1, Tope note F# (Top of staff) Scored for:
A/T/B, 2 Tpts, 1 Bone, P/G/B/D. Complete transposed score. Medium.
AFTER YOU’VE GONE - by Frederick “Dave” Snider - 60211 - $35.
Composed by Turner Layton, Lyrics by Henry Creamer, Arranged by
Frederick “Dave” Snider. AFTER YOU’VE GONE, written almost one
hundred years ago, has been performed and recorded by the most important
blues and jazz musicians from the 1920s through the turn of the century.
Even today it is still a standard played by some of the most famous jazz
musicians. I have arranged this chart for a mini-big band (LBB) in a Latin
groove instead of the traditional swing style. Even though it is Latin it still
swings hard and the chord changes are great for soloing. It features the
trumpet and sax but can feature anyone else in the group. It has a challenging
stop-time tutti section with a drum solo. This is a great chart and will
challenge everyone in the band, and the audience will love it. Style: Latin.
Instrumentation: 2trpts, 1trbn, A, T, B, G, piano (electric or fender), electric
bass, and drums. Lead trumpet is a written C - two octaves above middle C.
Medium Difficult.
AL DENTE - by Milton Kleeb - 60212 - $35. Medium bright swinger. Open
with 16 bars piano followed by unison sax line with brass punch figures. Solos
by tenor and trumpet precedes 16 bar sax soli. A soft ensemble a cappella
bridge leads to bass solo. Some soft ensemble playing building to a shout
section and back to opening unison sax line with extended ending. Trpt -
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written to C above staff. Trbn - concert B above staff.A/T/T/B/2trpts/1
trbn/P,B/D. Medium.
ALEXANDER’S RAGTIME BAND- by Ryan Haines - 60213 - $35.
Words and music by Irving Berlin & Alfred Newman, arranged by Ryan
Haines) – Up-tempo swing featuring the full ensemble in this high-energy
piece. Open solo section. Thick ensemble writing.A/T/B/2Trpts/1
Bone/P,B,D.Trpt 1 to high D. Level: Medium
ALICE BLUE GOWN – by Dave Dolengewicz - 60214 - $35. Classic old
standard arranged as a swinging waltz. Solos for Trumpet and Tenor who end
up trading fours before the shout chorus. Scored for Alto, Tenor, Bari, 2
Trumpets, Trombone, Piano, Bass and Drums with an Optional Guitar part.
Trpt to a written high C.Medium.
ALICIA - By JOHN TREANOR (Concept Music) - 60000 - $30. True
jazz/rock fusion, full of surprises.
ALLIGATOR ALLEY - by Jim Weisheit - 60235 - $35. A quick trip thru
the Everglades inspired this bright swing composition. Tenor sax solo,
interesting ensemble. 1st tpt. to High C at the end of the alley. A/T/B/
2tpt/1bone/G/P/B/D. Medium Difficult.
* * * NEW * * * ALWAYS AND A DAY – by Stephen Clickard –
60293 - $35.Begins in a Basie ballad style, which transitions into a jazz waltz.
It has a challenging soli and an exciting transition back to a heavy 12/8 swing
for the recap. There is solo space for alto, tenor, and piano. Scored for Alto,
Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, Drums and Guitar. Lead
Trumpet written to D above staff. Advanced.
AMERICAN PATROL, THE - by Jim Weisheit - 60257 - $35. Swinging
arrangement of the classic tune recorded by Glen Miller. Open section for all
to solo. Tpt. 1 to G. Scored A/T/B/2Tpt/1Bone/P/B/G/D. Complete transposed
score. Medium Difficult.
AMERICA THE BEAUTIFUL - by Ryan Haines - 60141 - $30. A
wonderful little big band approach to this patriotic song. Begins with a fully
voiced chorale with trumpets in flugels. The remainder of the piece uses a
"contemporary" straight 8th note feel, featuring Tenor Sax on the melody as
well as an improv chorus. A big, full ensemble finish makes this the perfect
"closer." Lead trumpet to high "D". A,T,B, 2 Trpts, 1 Bone, P,B,D. Medium.
ANDREA - by Steve Kessler - 60158 - $25. The lush harmonies and
haunting melody create a showcase for your little big band. Reminiscent of an
Italian love song, the flowing melody and rich voicing create a perfect mood
for your entire ensemble. If you are looking for that slow, change of pace song
for your program, look no further. Each instrument gets a nice representation
in this pretty ballad. Trumpet to Bb and Trombone to F.
A/T/B/2Tpt/1Bone/G/P/B/D. Medium.
ANOTHER PLACE, ANOTHER TIME - By BETO (Concept Music) -
60001 - $30. Lush contemporary ballad. Cross cued to provide full bckgrd
for each soloist.
ANTICIPATION - by Jeff Richmond - 60215 - $35. This original tune
features a nice up-tempo contemporary groove, a great melody, and plenty of
space for a good tenor sax soloist. Trumpet range to high C, no wind doubles,
and optional guitar partA,T,B,2 Trpts, 1 Bone, P,B,D.Gtr optl..Advanced.
ANVIL CHORUS - by Frederick "Dave" Snider - 60195 - $33. Anvil
Chorus is a straight-ahead hard swingin' chart (quarter note=240) rescored for
mini-big band. Anvil Chorus was originally written by Giuseppe Verdi in
1853 as part of his opera La Traviata. During WWII arranger Jerry Grey
penned it for Glenn Miller's Army Air Corps Band as a featue for drummer
Ray McKinley. Anvil Chorus has everything you want in a chart: excitement,
a fast-grooving tempo, lots of solos including the drums, a soli and tutti
section, and a feel that makes you want to get up and dance. This chart is an
excellent opener or closer. I have played this chart for over 25 years and it is
one of those charts that is a crowd pleaser wherever and whenever you play it.
Soloists: Trumpet, piano, tenor sax, and drums (and optional solos from the
band if desired by the director). Instrumentations: 2 trpts, 1 bone, A, T, B, P,
B, G, and D. No doubles. Difficult.

APRIL SHOWERS - by Jim Weisheit - 60259 - $35. Great medium-swing
tempo arrangement of this favorite standard tune. Recorded by: Al Jolson and
Mel Torme. Open section for all to solo. Tpt.1, top note F # on staffScored
for: A/T/B, 2Tpts. 1 Bone, P/G/B/Drs. Complete transposed score. Medium
Difficult.
ARTSCAPE - by Bob Meyer - 60092 - $34. Memorial tribute to Art Farmer
features flügelhorn, writing inspired by Benny Golson. Medium swing groove.
Medium difficult.
AS IT WERE - By JOEY SELLERS - 60076 - $39. - A twelve tone row
sustains this slow 3/4 melody. Much maturity is required of the rhythm
section and soloists as the piece gradually transforms into a sustained roar.
Dbls. 11 piece (three saxes, two trpts, three trbns, rhy).
ATRIUM - By TOM KUBIS - 60070 - $30. As in “Taking the Atrium”
fame. Up swing, plenty of room for all soloists and a big ensemble (What
more do you want?) Lead Trpt has high C’s. Certainly not enough for a
mutiny on the high C’s! Scored for A,T, B, 2 trpts, 1 bone, p,b, d.
AULD LANG SYNE - by Jim Weisheit - 60115 - $25. Happy New Year!
For the traditional Guy Lombardo sound...direct the saxes to use extra wide
vibrato. Tpt. 1 top note G. Scored for A/T/B/2 Tpts/1 Bone/Rhythm. Medium.
* * * NEW * * * AVALON – by Mark Thome – 60281 - $35. This
popular 1920's tune receives an updated treatment in a fast swing style.
Trumpet and Tenor solos. Trumpet 1 to written B above staff.
A/T/B/Tpt1,2/Tbn/G/P/B/D no doubles. Medium difficult.
AVON CALLING - by CURT BERG - 60021 - $31. Essentially the same
as the big band version but for little big band. Solos in Bass, Bari Sax &
Drums. Some dbls. No score. Difficult.
BACK HOME AGAIN IN INDIANA -by Dave Dolengewicz - 60216 -
$35. Brisk swinging rendition of a classic standard. Alto and trumpet solos
and a shout that trades between the horns and the drums. Scored for Alto,
Tenor, Bari, 2 Trumpets, Trombone, Piano, Bass and Drums with an Optional
Guitar part. Trpt. 1 to high D.Medium.
BACK TO THERE - By BOB MEYER (CONCEPT MUSIC ) - 60072 -
$32. - 12/8 “East Coast” swing feel (written in 4/4). Modal harmonies,
exciting moments of tension and release. Solos can be open or structured. Med
to med-diff level.
BACKUP - by Dirk Fischer - 60178 - $30. Nonet orchestration of Dirk's
Bossa. Original recording by brother Clare's clarinet choir on "Family Affair"
CD. Full big band arrangement also available. Plenty of improv space on
"Lover Come Back To Me" chord changes. Scored for A-S / T, B, 2 Flugels,
Trbn, and 3 rhythm. Flg. 1 to A above staff. Medium Difficult.
BAILEY STREET - by Glenn Cashman - 60258 - $35. Cool and relaxed
medium straight-ahead, very reasonable ranges and flexible solo section.
Trumpet 1 to written high D. Scored for Alto, Tenor, Bari, 2 Trumpets,
Trombone, Piano, Bass and Drums with optional Guitar part. Medium.
BALANCING ACT - by Jeff Richmond - 60254 - $33. Balancing Act is an
upbeat 12/8 Afro-Cuban feel chart with a great memorable melody and plenty
of solo space for a featured tenor sax. Solos include tenor sax and drums. No
doubles. Trumpet range to written C above the staff. A/T/B/2 Tpt/1
Bone/G/P/B/D.Medium.
BEING WITH YOU - By GORDON GOODWIN - 60022 - $35.
Featured Bone solo, pretty bossa nova w/challenging chord changes & plenty
of space for the soloist to stretch out. Alto & tenor dbl on flute. No score.
Scored for A, T, B, 2 Trpts, 2 Trbns, & Rhy.
BEYOND THE VOICES - by Mike Crotty - 60201 - $32. In celebration of
the style of trumpeter Tom Harrell, a beautiful bossa nova feature for
flugelhorn. Blowing changes are for flugel and keyboard. Originally written
for electronic keyboard with a "vibes-like" sound, the part can also be played
on acoustic piano. A, T, B, 2Trpts, 1 Bone, P, B, D, & Opt'l Guitar. Medium.
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BILL BAILEY - by Ryan Haines - 60217 - $35. Words and music by
Hughie Cannon, arranged by Ryan Haines – Full ensemble feature over Bb
blues changes. Can be performed anywhere from medium to fast swing. Open
solo section. Great opener!Trpt. 1 to high C. A,T,B, 2 Trpts, 1 Bone P,B,D.
Level: Medium.
* * * NEW * * * BITTER LEAF – by Dirk Fischer – 60284 - $35.
Jazz waltz 1/4 note=120. Nonet version of Dirk's sax quintet arrangement.
Blowin' changes on all parts. Flugelhorns. Easy Medium.
* * * NEW * * * BLUE BELGER – by Dirk Fischer – 60285 - $35.
Cool style. Intro, one chorus AABA melody designed with two measures of
augmented 7th chordal & scale experience. Dedicated to Dirk's first live
trumpet icon, Emanuel Lemial Belger. Changes not ordinary, yet accessible.
Easy ranges. Blowin' changes on all parts. MM 1/4 not=126. Medium
difficult.
BLUES, BOOZE, AND TATOOS - by Bob Sennett - 60126 - $34.
Swinging blues chart. Extensive ensemble chorus' around alto and
piano/guitar solos. A,T,B, 2 trpts, tbn, 3 rhythm. No doubles and no score.
Medium-difficult.
BLUES FOR A PURPOSE - By TOM KUBIS - 60024 - $30. Blues
shuffle. Open solo section. Scored for A,T, B, 2 trpts, 1 bone, p,b, and d.
Medium. Score included.
BLUES FOR C.J. - By BOB MEYER (Concept Music) - 60002 - $30.
Med tempo groove blues, with a few surprises.
BLUES IN HOSS' FLAT (BLUES IN FRANKIE'S FLAT) - by Frederick
"Dave" Snider - 60179 - $35. This is a medium shuffle blues (quarter
note=132) in D-flat, originally scored by Frank Foster for the Basie Orchestra.
It has now been reduced for a little big band--- (2tpt, 1t-bone, 3saxes, and
rhythm section, p-b-d-g). There are a few things that must be pointed out. The
lead tpt lines and most of the other lead lines are still in tact. There are some
trombone and sax section parts that are rescored in the piano and guitar parts.
All Mr. Foster's expression, dynamic marks, etc. are all the same. Don't get
scared by a few of these changes because this chart still swings like crazy and
is a definite crowd-pleaser even in this new format. Trumpet Highest note
Eflat5. Featured soloists---trumpet, trombone, tenor sax, and piano.
Instrumentation: two trumpets, one trombone, one alto, one tenor, one
baritone. Rhythm: piano, bass, drums, and guitar. No Doubles. Medium
Difficult.
BLUES IN OVERDRIVE, THE - by Frederick “Dave” Snider - 60218 -
$35. The Blues in Overdrive is just what it says and means, the blues played at
a very challenging tempo, 270+= BPM, in a hard-bop style for mini-big band
(LBB). Every section of the band is challenged both with written parts and
solos over the blues at a very fast tempo. Featured solos are drums, trumpet,
alto, and tenor, all who play a great Kansas City riff style on the head. Then it
is open for solos. When the rhythm section keeps the tempo on the burning
edge, it is very rewarding for all the musicians and the audience. I have used
this chart in my band for over two years and it has been received
enthusiastically by players and listeners. It is a great chart and can be used
and an opener of closer. Medium/Difficult. Hard-Bop. Instrumentation: 2trpts,
1trbn, A, T, B, G, P, B, D. Lead trumpet is a written A, a major 13t. Medium
Difficult.
BOSSA MINOR - by Bob Sennett - 60117 - $33. Very pretty bossa nova
featuring tenor solo. Lush voicings. Trpts. double on fluget. Scored for A, T,
B, 2 trpts, 1 bone, rhythm. No score. Medium difficult.
BOOZE, BLUES AND WORN OUT SHOES - By MIKE CROTTY -
60025 - $39. Med up blues w/solos for Trpt, Alto, Bone & Piano.
Challenging ens playing w/ever changing “colors”. Alto & Tenor dbl flute.
Bari dbls Bass Clarinet. Diff.
BOULEVARD, THE - By GARY LINDSAY (Concept Music) - 60003 -
$36. Hard swinging, straight ahead modern jazz.
* * * NEW * * * BOX & BURN – BY Milt Kleeb – 60301 - $35. A
medium tempo blues in Basie style. Unison tenor head followed by solo space
with some BG's and a spirited, challenging ensemble. Trpt. range: written Eb.
A/T/T/B/2 Trpt/1 Bone/P/B/D. Hear it on the Milt Kleeb dectet cd
"Something If Nothing Else" on Pony Boy Records. Medium Difficult.

BRAZIL - By Fred Forney - 60066 - $25. Medium slow bossa with the
most beautiful melody you've ever heard. Contemporary scoring. Easy solo
changes with cued backgrounds. Scored for A,T, B, 2 trpts, 1 bone, p,b, and d.
BRAZIL MOMENTO - By BOB MEYER - 60004 - $30. Classic bossa
nova, inspired by Jobim (11 piece requires extra bone or tenor).
BREAKFAST WINE - By RANDY ALDCROFT - 60052 - $48. 1/2 time
extended melody with comfortable changes for Trpt & open solos. Scored for
2 Trpts, Tenor Bone, Bass Bone (w/Baritone sax substitute), Soprano sax,
Tenor sax & 4 Rhythms. Medium.
BUCKET O’ FISH - by Jeff Richmond - 60255 - $35. Bucket O' Fish is a
Bluegrass inspired fusion chart with a lot of solo room for tenor sax. With a
half-time feel and a fast moving melody, Bucket O' Fish makes for the perfect
show stopping conclusion to any concert. No doubles required. Trumpet range
to written high C. A/T/B/2 Tpt/1 Bone/G/P/B/D. Difficult.
BUGLE CALL RAG - by Jim Weisheit - 60247 - $35. Up tempo swinging
arrangement of this big band classic. Tune recorded by: Benny Goodman,
Buddy Rich, and Glen Miller. Open section for all to solo (with background).
Big ensemble. Trt. 1 topn note "E". Scored for: A/T/B/2 Tpt/1 Bone/P/G/B/D.
Complete transposed score. Medium Difficult.
BUGS AND GAS - by Don Bowyer - 60160 - $30. Exciting blues in a
double-time, dedicated to a man who spent his life working with chemical and
biological weapons ("bugs and gas".) The unison shout section will leave the
audience gasping for air. Six horns: alto, tenor, bari, 2 trumpets, trombone,
and rhythm. Medium difficult.
BULLET TRANE - by Jim Cifelli - 60134 - $35. Inspired by Coltrane's
"Countdown" this up tempo burner features solo space for tenor sax, trumpet
and drums as well as an optional collective improv section to close the chart.
Trumpet range: C#6. Difficult. (2 Trp., 1 Trb. A,T,B, rhythm).
CALLE SIN SALIDA - by Don Bowyer - 60180 - $32. Fast mambo with
band shout section (literally). Exciting chart! Lead trumpet to E6. Six horns:
alto, tenor, bari, 2 trumpets, trombone, and rhythm. Medium.
CAMPTOWN RACES - by Jim Weisheit - 60241 - $35. Great swinging
arrangement of the Stephen Foster classic. Lots of substitution chords for
harmonic interest. Sax soli, big ensemble, open section (with background) for
all to solo. Tpt. 1 top note "G" top of staff. Scored for
A/T/B/2Tpts/1Bone/P/G/B/D. Complete transposed score. Medium Difficult.
CANADIAN BACON - By JOEY SELLERS - 60075 - $48. - The sparce
and unusualy orchestrated beginnings of this medium-up piece give way to a
swiftly moving modal excursion. Dbls. 11 piece (three saxes, two trpts, three
trbns, rhy).
* * * NEW * * * CANTO – by Dirk Fischer – 60264 - $35. Bossa
Nova. Nonet versionof big band trombone feature. Challenging chord changes
& range for trombone. (high B's) Performed by Bob McChesney on "Coming
Of Age" cd by George Stone Orchestra on Sea Breeze Jazz. Medium Difficult.
CAPTAIN CHERRIO - By TOM KUBIS - 60026 - $30. Another great
blues shuffle. Nice ensemble writing. Features bari solo. Scored for A,T, B, 2
trpts, 1 bone, p,b, and d. Med. Score included.
* * * NEW * * * CAROL OF THE BELLS – by Mark Thome –
60279 - $35. Up-tempo swing in the style of Miles Davis' Milestones. Piano
and Trumpet solos. Trumpet 1 to written G (top of staff) A/T/B/Tpt1, 2/Tbn/
G/P/B/D. No doubles. Medium.
CARSON’S CHOICE - by Bob Meyer - 60093 - $34. Feature for trombone
/ baritone sax duo. Moderately bright, straght-ahead jazz based on “rhythm”
type changes. Medium difficult.
CHANTING (for Staples) - by Paul Tynan - 60207 - $37. Movement 5 of
The Story of Langston. Chanting (for Staples) is a mellow composition with a
song like melody played by a trio of soprano, trombone, and bass clarinet.
This accessible, but sophisticated harmonic journey is a definite pleaser. Top
trumpet note high C. Soloists: Bass, Trombone, and Piano. Doubles: Alto
plays soprano throughout, Baritone plays bass clarinet throughout, Trumpet 2
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plays flugelhorn throughout. Number of Brass: 2 Trumpets,
1Trombone.Medium Difficult. Recorded by Paul Tynan and Aaron Lington
on their record Bi-coastal Collective: Chapter One.
CHICAGO– by Dave Dolengewicz - 60219 - $35. Borrowing sounds from
Goodman to Mingus, this forward looking arrangement honors the past by
acknowledging traditions. Open solo section and fills scattered throughout the
band. Scored for Alto, Tenor, Bari, 2 Trumpets, Trombone, Piano, Bass and
Drums with an Optional Guitar part.Trpt. is a written D. Medium Difficult.
* * * NEW * * * CHINATOWN, MY CHINATOWN – by Jim
Weisheit – 60270 - $35. Great bright swing standard. Recorded by Louis
Armstrong, The Mills Brothers and The Dukes Of Dixieland. Open section for
all to solo. Tpt.1 top note F# top of staff. Scored fir A/T/B/2Tpts/1
Bone/P/G/B/D. Complete transposed score. Medium.
CHLOE’S DELIGHT - by BOB MEYER (Concept Music ) - 60077 -
$32. - Lyrical jazz waltz weaves through several key centers. Solo section
backgrounds cross-cued for choice of soloists. Scored for A,T, B, 2 trpts, 1
bone, g,p,b, and d. Med to med-diff level.
CHRISTMAS THIS YEAR (O CHRISTMAS TREE, WHAT CHILD IS
THIS?, SILENT NIGHT) - by Bob Meyer - 60094 - $34. Seasonal
favorites portrayed through a variety of tempos and moods, textures and
colors. Orchestrated to give every player some attention. Medium difficult.
CINOTON - by Dirk Fischer - 60170 - $33. Nonet, "Cool Swing,"
Composed for good improvisers. As title implies ie; no keyed tonal center.
(No Tonic) "That don't stop it from swingin'" (The theoretical does not
prohibit a groove.) 2 trpts. Or flugels. 1 trom. Alto, Tenor, Baritone & 3
rhythm. Medium difficult.
CODE 106 - By Bob Meyer - 60147 - $33. Medium tempo blues (136 bpm).
Eb blues opens with rhythm section chorus. Melody line has 12/8 feel,
highlights 7th#9 harmonies. Soloist section (in all parts) includes dialog with
ensemble leading into shout chorus. Med.
* * * NEW * * * COFFEE FLAVORED KISSES – by Dirk Fischer –
60289 - $30. EZ Swing VOCAL chart. MM ¼ note = 138 Lively arrangement
of Dirk's suggestive, but not risqué song. Originally performed by Betty
Jordan with the Little John Beecher Orch. Sparkling ensemble section with
brief Alto solo. EZ ranges for all horns. Perfect opening chart for presentation
of your singer-singsress. Trpt. 1 to written Bb above staff. Easy Medium.
COFFEE TIME - by Elliot Deutsch - 60181 - $28. A slow-swinging Count
Basie-style ballad, and a great feature for a flute soloist (or opt. alto). There is
a short, dramatic shout section. Lead trumpet plays a written C.
Instrumentation: alto, tenor, bari trumpet 1, trumpet 2, trombone, piano, bass,
drums. Medium.
CONCHEKA - by Bob Meyer - 60036 - $35. Majestic intro leads into highenergy
Afro/Latin 3/4 setting. Modal solo sections and cross-cued
backgrounds build into powerful ensemble section. 1/4 note = 160. (This is a
completely new and different arrangement from the full-size band version).
Scored for A,T, B, 2 trpts, 1 bone, g,p,b, and d.
CURLY - by BOB MEYER (Concept Music ) - 60079 - $32. - Straightahead
groove, 1/4 note = 144. Strong melody line, rich ensemble textures.
Various solo soptions available. Med-diff.
DENISE - by Gerald Kuhn - 60108 - $34. A moderate Latin tune that
features the tenor and bari saxes, and trumpet 2. Trumpet 1 doubles between
flugel and guiro, the alto sax doubles on shakers, and the trumbone doubles on
claves. The Latin instruments are not essential but help add to the feel. The
piano should be a Fender Rhodes sound (if your keyboard player has a synth)
and the bass can be either electric or accoustic. There is an open solo section
for the featured horns. Catchy tune. A,T,B,2 Trpts,1Bone, P,B,D. Medium
DESCARGA DE FRESA - by Don Bowyer - 60182 - $23. Slow Cuban
son feel, allowing everyone to stretch out. Lead trumpet to B5. Six horns: alto,
tenor, bari, 2 trumpets, trombone, and rhythm. Medium.
DEVIL’S ADVOCATE - By RICK LAWN (Concept Music) - 60005 -
$36. Up-tempo w/intricate lines & hot ensemble passages. Trpt & Tenor
solo.

D.O.A. - by Milton Kleeb - 60220 - $35. Medium bright swinger. In both
“2” and “4” feel. 64 bar chords in AABA format. Ensemble 1st chorus starts
soft and builds. Tenor solo, with back grounds follows. Changes go thru
different keys - 1.E,Eb,Gb,D,A.Next ashort sax soli and a swinging ensemble
into piano solo, followed by more ensemble with tenor to end. A great tenor
feature. Trpt written Bb above staff. Trbn concert Ab above staff.
A/T/T/B/2tpts,1 trbn/P/B/D. Medium.
* * * NEW * * * DO YOU KNOW WHO YOU SPOKE WITH ? –
by Jason Covey – 60044 - $35. Dedicated to the telephone customer service
experience, this mini big band original is written in a driving swing style at
quarter = 192. Inspired by the power and precision of the Big Bop Nouveauera
bands of Maynard Ferguson, this advanced chart features challenging
ensemble passages, dense harmonies, extreme dynamic contrast, an open solo
section, and a full-ensemble stop-time soli chorus. Scored for A,T,B, 2 Tpts, 1
Bone and P,B,D. Lead trumpet range to high D. A perfect choice for the
program opener or as a blowing vehicle for multiple soloists. Difficult.
DOGBONE SHUFFLE - by Gerald Kuhn - 60109 - $34. An origianl
rock-shuffle that features the bari sax and the trombone. It's a nice, up-beat
tune that's fun to play and dance to. The tune sounds best if the keyboard is a
rock organ and the bass is an electric, but can sound good if played by
standard accoustic instruments. No doubles. Medium
DONDE - by Dirk Fischer - 60171 - $30. Bolero, Latin Ballad, Alto Sax
feature Alto, Tenor/SOP, Baritone Sax's. 2 Flugelhorns, Trombone & 3
Rhythm. Complete arrangement for Nonet of Dirk's tune. "Nice n' full."
Medium.
DON'T WANNA SAY THE 'NOTHER T - by Don Bowyer - 60161 - $30.
Fast swing, alternating with a funky street beat that gets everyone clapping.
Six horns: soprano, tenor, bari, 2 trumpets, trombone, and rhythm. Medium
difficult.
DOODLE BUG DANDY - by Jim Weisheit - 60236 - $35. Opens with a
mixed ensemble counterpoint in a 2-beat feel, then explodes into a swinging 4
groove. Sax soli, big ensemble, open section for all to solo. 1st tpt. top note A
above the staff. Scored for A,T,B, 2 Tpts, 1 Bone, Rhythm.Medium Difficult.
* * * NEW * * * DOWN BY THE RIVERSIDE – by Jim Weisheit –
60267 - $35. Bright swinging arrangement of this Gospel favorite. Tune
recorded by The Dukes of Dixieland, Louis Armstrong and Elvis Presley.
Open section for all to solo. Big ensemble. Tpt.1 top note F# (top of staff).
Scored for A/T/B/2Tpt/1Bone/P/G/B/D. Complete transposed score. Medium.
DOWN THE MIDDLE TO WORTHY - By GORDON GOODWIN -
60027 - $35. Fast swing chart inspired by the Laker’s James Worthy. Based
on changes to Sweet Georgia Brown.Open solo section & smoldering shout
chorus that builds to either a ferocious slam dunk or short drum solo. Soprano/
tenor/bari double on flute. Scored for S ,T, B, 2 trpts, 1 bone, p,b, and d.
DUB'S LAMENT - by Paul Tynan - 60205 - $32. Movement 3 of The
Story of Langston. A melancholy straight eighths song that tells the story of
one person's search. A pop like singable melody played by tenor and guitar
creates leads to full ensemble figures and plenty of solo space. Trumpet top
note is high E. Soloists: Tenor, Guitar, Drums. No Doubles. Number of Brass:
Two Trumpets, One Trombone. Medium difficult. Recorded by Paul Tynan
and Aaron Lington on their record Bi-coastal Collective: Chapter One.
EBONY RAIN - by ROBERT “BETO” SKILES (Concept Music) -
60091 - $32. Ballad. 1/4 note = 76. Easy-Medium. Feature for alto (or opt
flügelhorn). Beto’s Ellington-esque tribute to altoist Johnny Hodges. Scored
for A,T, B, 2 trpts, 1 bone, g,p,b, and d.
ECCLESIASTES - By JOEY SELLERS - 60074 - $48. - Dry and
seemingly modal, this medium swing piece displays a wide variety of color &
texture. Independence of line and dbls offset blowing sections for trombone &
tenor with another optional open section. Featuring trbn & tenor. 11 piece (3
saxes, 2 trpts, 3 trbns, rhy).
EL AMOR CUBANO - by Don Bowyer - 60162 - $27. Beautiful Latin
ballad featuring trombone. Six horns: alto, tenor, bari, 2 trumpets, trombone,
and rhythm. Medium.
84
ELISE - by Bob Meyer - 60113 - $32. Tenor feature built on slow 3/4
ballad. Strong melody, interesting changes. Medium
* * * NEW * * * EMINENT DOMAIN – by Milt Kleeb – 60003 -
$35. Sort of a "Sidewinder" feel-a-like or quasi boog-a-loo! Opens with a
statement by bass followed by unison trumpet and alto. Lots of room for
solos. Next, a swing "4" section consisting of an acapella unison followed by
an energetic ensemble and return to original funk. Trpt. range written E (with
optional G). A/T/T/B/2 Tpts/1Bone/P/B/D. Hear it on the Milt Kleeb dectet cd
"Something If Nothing Else" on Pony Boy Records. Medium Difficult.
ENCHILADA FROM ENSENATA, THE - by Bob Sennett - 60173 - $34.
A medium tempo Latin tune with an AABA form. After the first chorus there
is a 24 bar interlude preceding a tenor sax solol. Exciting out chorus. Scored
for A, T, B, 2 Tpts, 1 Tbn, Guit., Piano [optional], Bass and Drums. Score
included. Medium.
ENERGIZER, THE - by Dave Rasmussen - 60221 - $35. Based on the
chord changes to a popular spring holiday song, this chart begins with a verse
played by solo (rubato) guitar. From there, the arrangement is an all up-tempo
swinger in ¾. A bari solo is followed by a stop-time soli for the horns and
rhythm that is tricky to play. A trombone solo leads to a reprise of the main
theme, a drum solo and out. Trpt. to C. Medium-difficult.
ENTERTAINER, THE - by Jim Weisheit - 60081 - $32. Scott Joplin
classic, made popular in the movie "The Sting". Alto sax feature, Tpt. 1 top
mote "A". Scored for A/T/B/2 Tpts./1 Bone/Rhythm. Medium Difficult.
* * * NEW * * * ERUZA – by Dirk Fischer – 60283 - $30. Ballad MM
¼ note = 70.Ballad with short double time statement. Something challenging
for bass & baritone to smooth out. Relaxed melodic & harmonic devises,
horns Molto Legato. Nine member Jazz Chamber Group. EZ ranges. Flugels
preferred. Soprano, Tenor & Baritone saxes. Mostly Metzo Forte ( tenderly ).
Medium difficult.
EVEN FLOW - by Jeff Richmond - 60222 - $35. This medium up-tempo
swing waltz is sure to please a crowd. The melody is beautiful and the
intricacies of the head open up for a solo section with very achievable chord
changes for developing soloists. Fun to hear and fun to play. Solos for anyone.
Trumpet range to G on top of the staff, no wind doubles, and optional guitar
part.A,T,B,2 Trpts, 1 Bone, Gtr. optl. Medium.
EVIL MANTRAS - (LIBERTINE INCLINATIONS) - By JOEY
SELLERS - 60071 - $70. - This very difficult composition alternates
between a 5/2 motif and moving swing. It features extended trpt, alto, and
trombone solos. Dbls. The “shout” is notated in opposing meters. Not for the
weak hearted. 11 piece (three saxes, two trpts, three trbns, rhy).
EXTENTIONS - By BOB MEYER (Concept Music) - 60082 - $36.
Medium level. Not just a “head and solos”, this multi-themed composition
moves through different tempos, styles and moods. Solo sections designed for
flexibility.
5 ALARM FIRE, THE - By TOM KUBIS - 60028 - $30. Up tempo jazz.
Solos for Alto, Tenor and Drums. Scored for A,T, B, 2 trpts, 1 bone, p,b, and
d. Includes score. Medium.
FAR AND NEAR - by Jim Cifelli - 60133 - $35. A lush opening chorale
gives way to a contemporary medium Samba groove. Soprano sax is featured
throughout on the engaging melody. The chart evolves into a modal solo
section followed by a shout chorus which leads back to the original theme.
Solo's for soprano sax, trombone and guitar or piano. Trumpet range: Eb6.
Scored for S, T, B, 2 trpts, 1 bone,g,p,b, and d. Medium difficult.
FATS’ ENDING - by Dirk Fisher - 60265 - $35. Bop line to “It Could
Happen To You” changes. Line is stated by tenor sax & trumpet adding horns
compliment as it progresses. Fats’ Ending is quote from Navarro - Powell
recording of “Fats.” Circa 1047-48. Lead trpt high B & C. Bb, Eb & C
“Blowin’ Changes” provided. Medium.
FEELING ABOUT TODAY, A - By Paul Combs - 60151 -$34. A nonet
WITH VOCAL chart of this beguiling Lydia Fortune song, set as a medium
tempo bossa with a sop. sax solo and some space for the singer in the coda.
Solo changes challenging for inexperienced player. Alto voice (F below

middle C to 3rd line Bb), S, T, B, 2 Tpts (1 to A above staff, II to 4th line D),
Tbn, 3 Rhy. Easy medium.
FEW GOOD MEN, A - by Gordon Goodwin - 60056 - $35. Drum
cadence leads off this funky rock march. Solo section is followed by acapella
horn soli into a powerfull shout chorus. No Score. Scored for A,T, B, 2 trpts, 1
bone, p,b, and d. Medium.
FF= FORTISSIMO - by Don Bowyer - 60183 - $32. Fast 3/4 Latin piece
in one - this one really cooks! Lead trumpet to E6. Six horns: alto, tenor, bari,
2 trumpets, trombone, and rhythm. Medium Difficult.
FIFTEEN TO LIFE - By Curt Berg - 60069 - $32. Chart based on a 15
beat ostinato pattern, over which different metric schemes are superimposed.
There is also a secondary theme in 5/4 time. The rhythmic feel is always
straight eights, sometimes getting into a Latin funk vein, at other times light
rock. Diff. Alto on Soprano.
FIRE FLY - by George Masso - 60198 - $35. The 3rd movement of Themes
and Variations, a three movement jazz suite. Bossa/Samba. The rhythm intro
establishes a bossa/samba feeling. The opening theme (letters A B and C) is
mostly unison. It is not necessary for every horn to be playing, except for
measures 7 and 8 in letter A and measures 7 and 8 in letter B. Letters D and E
are the first variation (ensemble). Letters F and G are open for solos. Letter F
includes an optional background on cue. Trpt to written B above staff. A, T,
B, 1 trpt, bone, G, P, B, D. Medium difficult.
FIRST SIGHT - by Jim Cifelli - 60132 - $35. A lyrical jazz ballad that
draws on Coltrane influenced harmony and features the alto sax throughout.
Baritone doubles on Bass clarinet. Trumpet range: C#6. Medium easy. (2
Trp., 1 Trb. A,T,B/bass clar, rhythm).
FOCAL POINT - by Jim Cifelli - 60130 - $35. This medium tempo chart
features an engaging melody that moves between swing and Latin grooves
and is full of unexpected harmonic twists and turns. Solo space is provided
for tenor sax, trombone and trumpet. An interactive ensemble passage
follows the solo section before the chart works its way back to a new
orchestration of the opening theme. Trumpet range: D6. Medium difficult.
(2 Trp., 1 Trb. A,T,B, Rhythm).
FOR ALL WE KNOW - by Rob McConnell - 60107 - $36. Slow tempo in
the beginning. Tempo changes to cut time. Features Alto sax solo. Trumpets
double on flugel. Scored for 2 Trumpets, 2 Trombones, Alto, 2 Tenors, and
Rhythm. No score. Medium level.
FOR BILL - By Gordon Goodwin - 60029 - $39. Delicate jazz waltz
written for Bill Evans. Some dbls. Med. No score.
FOR CANDACE - by Milt Kleeb - 60223 - $30. Medium jazz ballad. A
lush, soft ensemble leading to a flugel solo. A bass solo with woodwind
background and piano solo follows. Ending with ensemble and flugel. A quiet
beauty! Tpt written B above staff. Trbn concert A above staff. A/cl, T/fl, T/cl,
B/Bscl,2 tpts, 1 trbn,P,B,D. Medium.
FORCE OF NATURE - By John Mills - 60149 - $34. Samba feel in 3/4 -
quarter note - 112 with sixteenth note pulse. Very fully scored - includes solos
for tenor, guitar and/or piano. Combination of modern jazz and Brazilian
influence. Great variety of textures for only six wind voices. Med.
FOURTH LETTER, THE - by Paul Tynan - 60204 - $33. Movement 2 of
The Story of Langston. Modal and aggressive, this chart moves from active to
quasi-hip hop and features solos for Flugelhorn and Baritone. The A sections
are very rhythmic with interplay throughout the horns while the bridge
contains an extremely tuneful melody. The top trumpet note is a written high
E. Doubles: Second trumpet plays flugel horn throughout. Number of Brass:
Two trumpets, one trombone. Medium difficult. Recorded by Paul Tynan and
Aaron Lington on their record Bi-coastal Collective: Chapter One.
* * * NEW * * * FRANK FULLER’S WALTZ – by Paul Combs –
60291 - $30.In memory of a favorite drummer, and master of the jazz waltz.
Ensembles are medium easy, chord changes a bit challenging. It is a feature
for the drummer, with solo changes provided in all the parts for flexibility of
programming. S, T, B, 2 Tpts,1 Bone, P/B/D/ optl G. Trpt. 1 has one G3
above staff. Easy Medium.
85
FREE FLIGHT - By Mike Crotty - 60030 - $38. Up tempo modal tune.
Features solos for Guitar and Tenor sax. Alto doubles Flute/Bari doubles Bass
Clarinet. A,T,B,2Trpts, 1 Trbn,P,B,D, Opt'l Gtr. Diffiuclt.
FRIDAY NIGHT AT THE CADILLAC CLUB - by Frederick “Dave”
Snider - 60224 - $35. This is is a medium up-tempo (190=BPM) New York
four-on-the- floor shuffle. First recorded in 1987 by Bob Berg and his combo,
it has become a contemporary standard played all over the world and recorded
by many jazz greats. It is a 12-bar blues that was expanded to a 24-bar blues
progression with lots of chord substitutions. I have arranged this chart to
feature the tenor sax. The melody is very challenging and it has a great sax
soli. Also, there is a solo for the piano. It would be in the best interest of the
chart to use some type of electronic keyboard or maybe even organ. Electric
bass should be used instead of the string bass and it would be great to have an
electric guitarist. Solos can be expanded to other players if so
desired.Instrumentation: 2trpts, 1trbn, 1alto, 1tenor, 1 bari, guitar, piano
(electric or fender), electric bass, and drums.Lead trumpet is a written A flat a
minor 13th above middle C . Medium Difficult.
GAUNTLET, THE - by Aaron Lington - 60184 - $33. This is a fast jazz
waltz featuring improvised solos for piano and alto saxophone. A lyrical
melody is presented by trumpet and alto, followed by several interesting
development sections which lead to a memorable full ensemble statement.
This composition was recorded by Aaron Lington and Paul Tynan on their
album Bicoastal Collective: Chapter One (OA2 Records 22051) and is
dedicated to the members of the 2003-04 UNT 1 O'clock Lab Band. No
doubles. Top note for lead trumpet is a C above the staff, and top note for lead
trombone is a Bb above the staff. A, T, B, 2 Tpts, 1 Bone, G, P, B, & D.
Medium Difficult.
* * * NEW * * * GENTLE BREEZE – by Stephen Clickard – 60294
- $35. This is a lovely bossa nova with lots of energy. It contains an extended
ensemble soli and has solo space for trumpet and piano. Scored for Alto,
Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, Drums and Guitar. Lead
Trumpet written to D above staff. Medium Advanced.
GIFT FROM ANTONIO CARLOS, A - By Bob Meyer - 60146 - $33.
Medium bossa (112 bpm). This Jobim tribute features a lyrical melody and
textures inspired by Claus Ogerman's orchestral collaborations with Jobim.
Solo changes written in all parts, backgrounds are cross-cued. Medium.
GLEAMING EYES - by Bob Meyer - 60095 - $32. Lovely ballad - lyrical
and harmonic, with a bossa solo section. Backgrounds are cross-cued to
provide flexible solo possibilites. Medium difficult.
GO - by Jim Cifelli - 60135 - $35. This chart lives up to its name. An
uptempo minor blues with more than a few twists and turns. "GO" provides
solo space for trumpet, tenor sax, guitar (or piano) and drums. Medium
difficult. (2 Trp., 1 Trb., A,T,B/bass clar, rhythm).
GO TELL IT ON THE MOUNTAIN - by Jim Weisheit - 60244 - $35.
Great swinging arrangement of this favorite Gospel tune. Open section (with
background) for all to solo. Big ensemble. Tpt. 1 top note G. Scored for
A/T/B/2 Tpt/1 Bone/G/P/B/D. Complete transposed score. Medium Difficult.
GOLDEN HEARTS - By Fred Forney - 60068 - $35. An exciting
contemporary fusion chart. Lots of sus chords over bass notes. Open solos,
cued backgrounds. Scored for A,T, B, 2 trpts, 1 bone, g,b,d with opt'l tuba,
horn and synth II.
GOSPEL SHUFFLE - by Bob Sennett - 60118 - $34. Medium shuffle
with 16-8-16 form. Tenor solo. Complete with "Amen" ending. Scored for
A, T, B, 2 trpts, 1 bone, rhythm. No score. Medium difficult. Includes score.
GROOVIN' HARD - by Frederick "Dave" Snider - 60175 - $40. The
chart Groovin' Hard, as many people have said needs no description.
Furthermore, it is considered by many as one of the greatest charts ever
recorded by the Buddy Rich Big Band. But, since it has been rescored for little
big band some sort of description is warranted. The famous sax soli is now
done by two trumpets and three saxes. There are some trombone and sax
section parts rescored in the piano part. There is an option to have the piano
part played on an electronic keyboard that has an organ patch/ sound. Featured
soloists --- bone, drums, bass, and an optional trumpet. Don't get scared by all
these changes because this chart has been played at many jazz festivals and is
still a definite crowd-pleaser even in this new format. Scored for A, T, B, 2

Trpts, 1 Bone P, B, D and optional Guitar. Trumpet hightest note G5.
Difficult.
* * * NEW * * * HABANERA – by Mark Thome – 60280 - $35. This
slow swing arrangement of Bizet's aria from the opera Carmen will be too
tempting to pass. Especially when you discover there is a double time section
with open solos for all. Trumpet 1 to written G (top of staff
A/T/B/Tpt1,2/Tbn/G/P/B/D. No doubles. Medium difficult.
HEY, WHERE YOU FRUMBA? - by Don Bowyer - 60185 - $32. Fast
Cuban-style rumba. Lead trumpet to D6 (optional G6). Six horns: alto, tenor,
bari, 2 trumpets, trombone, and rhythm. Medium Difficult.
HINT OF TANGERINE, A - By Tom Kubis - 60060 - $30. Based on
some tune w/a tangerine in it. This up swing tune starts w/the saxes and has
the brass kick in the solo section where all can play. Scored for A,T, B, 2
trpts, 1 bone, p,b, and d. Includes score.
HOLY FRIJOLES! - by Bob Sennett - 60127 - $34. Medium tempo Latin.
Trombone solo with extensive backgound. Exciting out chorus. A,T,B, 2
tpts, tbrn, 3 rhythm. No doubles. No score. Medium-difficult.
HOME ON THE RANGE - by Dave Dolengewicz - 60225 - $35. Bone
feature ballad waltz. Lush backgrounds provide an ideal canvas to showcase
your trombonists full sound and a swinging double time solo section
showcases his chops. Scored for Alto, Tenor, Bari, 2 Trumpets, Trombone,
Piano, Bass and Drums with an Optional Guitar part. Trpt. 1 to high
D.Medium Difficult.
HORACE TOCATTA - By Phil Kelly - 60143 - $35. Bright song/swing
chart based on a snaky Horace Silver type line based on rhythm changes (with
a different bridge) starting a "St Thomas" feel and then going to swing on the
bridge. (Solos are all swing.) Ensemble fours with drummer before the recap.
Scored for A,T,T,B, 2 trpts, 1 bone, p,b, and d. Med-diff.
HORTOISE AND THE TARE - by Steve Kessler - 60186 - $30. Style:
FUNK. This tune utilizes a variety of rhythmic figures commonly used in rock
and funk charts. Although loaded with great learning material, the piece is
simply fun to play and will leave bands and audiences bopping their heads and
tapping their feet! This chart is a happy, fun tune with a funky, infectious
groove. Will that Hortoise ever catch that Tare!! Trumpet to High C;
Trombone to High Bb. (Little Big Band - Alto, Tenor, Bari, 2 Trumpets,
Trombone, Piano, Bass, Drums & Guitar). Medium.
HOVER-SPEED - By JOHN MILLS -(Concept Music) - 60006 - $35.
Up-tempo modern swing feel - a real big band sound.
* * * NEW * * * I AIN’T GOT NOBODY – by Jim Weisheir – 60268
- $35. Great swinging chart on this favorite standard. Tune recorded by Louis
Armstrong and Louie Prima. Sparkling saxes and big ensemble. Open section
for all to solo. Tpt.1 top note "A" above the staff. Scored for
A/T/B/2TPTS/1Bone/P/G/B/D. Complete transposed score. Medium.
* * * NEW * * * I SEE YOU IN AUGUST – by Dirk Fischer – 60290
- $33. Rock-Latin ( Guajira?) MM ¼ note = 116. Strict rock-latin straight
eighths. ( Memphis Beat, Law & Order, bell or woodblock for the Guajira )
Mostly Molto Legato, thick Harmonic ensemble. Syncopated but legato.
Piano & trpt. II solo. EZ horn ranges. Tpt. 1 to one written C above staff.
A/T/B/2 tpt/1 bone/P/B/D. Medium Difficult.
* * * NEW * * * I SOMETIMES THINK – by Stephen Clickard –
60295 - $35.This chart has a modern jazz feel that transitions into a minor
blues for the solo section. Interesting melody is scored for tenor, trumpet and
guitar and with nice counter lines that make this chart a unique addition for
your concert. Solos are in the tenor sax and piano or guitar. Scored for Alto,
Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, Drums and Guitar. Lead
Trumpet to written C above staff. Medium Advanced.
I’M ALWAYS CHASING RAINBOWS - by Jim Weisheit -60245. $35.
Great big band classic, recorded by Benny Goodman and Harry James,
arranged for Little big band. Melody originated from Chopin composition
"Fantasie Impromtu". Terrific swinging arrangement with open section for all
to solo. Big ensemble, Tpt. 1 top note "A". Scored for A/T/B/2Tpts/1Bone
/G/P/B/D. Complete transposed score. Medium Difficult.
86
* * * NEW * * * I’M NO CLARK KENT, BABY – by Tom Dossett –
60306 - $35.Little Big Band (A,T, B, 2 Trpts, Trombone, Piano, Bass, Drums)
Trpt 1 to high D.Great number to let your bass player shine with all sorts of
funk. goes into double time swing feel towards the end. featured solos: tenor
sax, piano, drums. Medium Difficult.
IN A SALSA MODE - By Paul Lopez - 60063 - $30. Bright latin jazzsalsa.
Authentic salsa style with definite jazz influence. Flexible for
streatching out solos and background section. Background for solo section can
be used independently as additional "Riff" (mona) section. Medium-difficult.
No dbls.
IN THE MOMENT -by Bob Meyer - 60023 - $35. Medium tempo (1/4
note = 124), "loose" straight 8th note feel. Strong tension/release melody line
in a rich harmonic setting that creates a dramatic mood. Features soprano sax
lead (playable on alto). Scored for S, T, B, 2 Trpts, 1 Trbn, & Rhythm.
IN YOUR MELLOPHONE By Tom Kubis - 60061 - $30. Sound
familiar? This med swing tune does not require a mellowphone so you won’t
have to rent one to buy the chart. Great tune to solo on and has lots of
ensemble to keep even the most hardened mellowphone player awake. A,T,B,
2 Trpts, 1 Bone, P,B,D.
ISLA MUJERES - By Fred Forney - 60067 - $33. Roaring salsa with a
challenging ensemble section in the style of Chick Corea. Goes back and forth
from Mambo to Samba.
ITCHIN' IN THE KITCHEN - by Don Bowyer - 60163 - $30. This bluesrock
tune will leave your audience screaming for more. Vocal "rap" for any
member of the band, with a vocal chorus by the entire horn section. Six horns:
alto, tenor, bari, 2 trumpets, trombone, and rhythm. Medium.
I’VE BEEN WORKING ON THE RAILROAD - by Jim Weisheit –
60240 - $35.. Swinging arrangement of this great American folk tune. Open
section for all to solo...with background. Tpt. 1 top note "F" top of staff.
Scored for A/T/B/2Tpt/1Bone/G/P/B/D. Complete transposed score. Medium
Difficult.
JADA - by Jim Weisheit - 60234 - $35. Great medium swing treatment of
this catchy favorite tune. Open section with chords for all to solo. Big
ensemble! 1st trumpet G top of staff. Scored for a/t/b,2tpts., 1 bone & rhythm.
Medium.
JAY-GALE - By JOEY SELLERS - 60073 - $39. - This easy going waltz
features flugel-horn blowing and has room for a bass solo as well. Delicacy
and dbls are required for development sections. 11 piece. Alto, Soprano,
Tenor, Flute, Bari/Bass, Clarinet, 2Trpts, 3 Trbns, P,B,D.
JEANIE WITH THE LIGHT BROWN HAIR - by Dave Dolengewicz -
60253 - $35. Relaxed cool swing. Solos for Tenor and Trumpet. Scored for
Alto, Tenor, Bari, 2 Trumpets, Trombone, Piano, Bass and Drums with an
Optional Guitar part. Tpt. to high C. Medium.
JELLY BEANS - by Bob Sennett - 60174 - $34. Jelly Beans is a light and
airy swing tune in standard AABA form. It features both trumpet and
Guitar/Piano solos with extensive backgrounds. It's a little big band chart
scored for A, T, B, 2 Tpts, Tbn, and Rhythm section. Score included.
Medium.
* * * NEW * * * JESUS LOVES ME – by Jim Weisheit – 60116 -
$30.Sparkling, Swinging arrangement of one of the most popular Hymns
around the World. Sung by Whitney Houston in the Film THE
BODYGUARD.S olos for: Tpt. and Tenor Sax. Tpt. 1 top note G . Scored for:
A/T/B, 2tpts. 1Bone, P/G/B/Drs. Complete Transposed Score. Medium.
* * * NEW * * * JINGLE BELLS – by Mark Thome – 60278 - $35.
Moderate swing tempo version of this holiday favorite. I know, another
arrangement of Jingle Bells. But I haven't done one for Little Big Band yet.
Happy Holidays. Open solo sections. Trumpet 1 to written G (top of
staff)A/T/B/Tpt1,2/Tbn/G/P/B/D.No doubles. Medium.
JOANN - by Joe Riposo - 60157 - $30. A Bossa Nova chart scored to be
played by a Little Big Band. It starts as a Bossa and goes in to a swing at the
bridge and returns to the Bossa feel. Sections can be opened giving any one in
the band the opportunity to improvise. Solos have melodic background figures

complimenting the soloist's lines. Students will have fun with this chart and
learn to be competent improvisers using a lot of II, V, I chord changes. This
little big band chart offers a lot of ensemble playing giving it a truly big band
sound. A, T, B, 2 Tprt, Trbn, P, B, D. Trpt 1 to written Ab just above the staff.
Medium.
JOHN BROWN’S BODY - by Jim Weisheit - 60145 - $35. Classic
American tune with a great modern swing treatment. Open section for all to
solo. Tpt. 1 top note "F". Scored forA/T/B/2Tpts/1Bone/Rhythm. Has
complete transposed score. Medium Difficult.
* * * NEW * * * JOSHUA FOUGHT THE BATTLE OF JERICO –
by Jim Weisheit - 60302 - $35. Sparkling, swinging chart on this Gospel
classic. Recorded by Elvis Presley. Open section for all to solo. Tpt. 1 top note
B. Scored for A/T/B/2 Tpts/1 Bone/G/P/B/D. Complete transposed score.
Medium.
JUNE BUG - by George Masso - 60197 - $32. The 2nd movement of
Themes and Variations, a three movement jazz suite. Rock Ballad. Electric
bass would be preferred. The opening theme features alto sax. Letter B is the
first variation, stated by the ensemble. Letter C is open for solos. Also, it
includes an optional background on cue. The alto sax should be featured on
the last improvised solo, since letter D features it, and the D.S. goes back to
letter A. Trpt to written F# on staff. Although not indicated in the score, the
alto sax could fill in on the very last measure. A, T, B, 1 trpt, bone, G, P, B, D.
Medium.
JUNE’S TUNE - By George Masso - 60210 - $35. Swing style. 1st rumpet
range up to B natural. Letter C is open for solos. Measures C1 thru 5 are a
send-off for the first soloist. It can be played or not for subsequent soloists.
Optional solo background at measures C9 thru 16. A,T,B, 2 Trpts, 1 Bone,
piano, bass, & drums. Medium.
JUS CHILIN' - by Joe Riposo - 60152 - $30. Jus Chilin' is a medium
straight-ahead swing chart. Trumpet range - all notes on the staff. This chart
has a written ten/Sx. Solo with written chords. Pno is written with chord
voicing and chord. Bass lines written with chords. Excellent training chart
with a big band sound. Nice ensemble writing. With full score. A, T, B, 2
Trpt., 2 Trom, P, B, D. Easy.
JUST A CLOSER WALK WITH THEE - by Jim Weisheit - 60237 - $35.
Opens with a Gospel flavored, harmonized sax soli. Then moves into a toetapping
New Orleans style second line ensemble. Open section for all to solo.
Big ensemble. 1st tpt. top note F top of staff. Scored for A/T/B, 2 tpts, 1 bone,
rhythm. Medium Difficult.
JUST LOOKIN' - by Don Bowyer - $60164 - 30. A tribute to Mingus, this
medium almost-blues is full of surprises. Opens with bass solo, then trombone
solo, before the first head. Six horns: alto, tenor, bari, 2 trumpets, trombone,
and rhythm. Medium.
LA CUMPARSITA - by Ryan Haines - 60260 - $35. Composed by Gerardo
Matos Rodriguez, arranged by Rayn Haines. The introduction spotlights the
rhythm section using the traditional Tango fee. A quick transition moves to an
up-temp swing featuring the full ensemble in this high-energy piece. Open
solo section. Thick ensemble writing. A/T/B/, 2 Trpts, 1 Bone, P/B/D. Trpt 1
to opt’l high E. Medium.
* * * NEW * * * LA NINO – by Mile Kleeb – 60303 - $35. Medium
tempo Latin/Swing 116/120. Opens with unison flugels with contrapuntal
back ground. Followed by trumpet solo leading to a swing "4" section with
short tenor solo. Finishes in original Latin mode. Trumpet range written Bb.
A/T/T/B/2Tpts/1 Bone/P/B/D. Hear it on the Milt Kleeb dectet cd "Something
If Nothing Else" on Pony Boy Records. Medium difficult.
* * * NEW * * * LA ROSITA – by Dirk Fischer – 60282 - $35.
Tango, well orchestrated. Nonet arrangement for traditional ballroom dancing.
EZ ranges for all horns. Chart is from Dirk's casual gig library. Easy medium.
LADY BUG - by George Masso - 60196 - $35. 1st movement of Themes
and Variations, A three movement jazz suite. Swing Style. The opening
theme (letters A and B) and the first variation (letters C and D) are stated by
the ensemble. Letters E and F are open for solos. Letter F also includes an
optional background on cue. On the very last three measures the piano solo
would be better out of tempo. This should not be a problem since the other
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instruments are sustained. Trpt to written A above staff. A, T, B, 1 trpt, bone,
G, P, B, D. Medium difficult.
LADY “C” GOOD - By Tom Kubis - 60031 - $30. Up tempo swing chart
based on changes from a similar title (Can you guess?). A,T,B,2 Trpts,1 Bone,
P, B, D.
LAGUNA STOMP - by Fred Forney - 60096 - $34. Written in the style of
the Charles Mingus big band. A little avant garde and Ellington mixed
together with lots of blues implications. Shout chorus, open solos with
backgrounds. No doubles. A,T,B, 2Trpts, 1 Bone, G,P,B,D. Medium difficult.
LAST TRAIN TO HARLEM - by Mike Crotty - 60200 - $35. A hard
driving swing chart with colors reminiscent of the Ellington Orchestra. Low
thematic lines played by bari sax and trombone lead to a "kicking" ensemble
soli. Solos are for any horn (changes are indicated on all horn parts for
flexibility in programming) and bass. A, T, B, 2 Trpts, 1 Bone, P, B, D, &
Opt'l Guitar. Medium difficult.
* * * NEW * * * LEANING ON THE EVERLASTING ARMS – by
Jim Weisheit – 60042 - $35. Swinging arrangement of this Gospel Classic.
Tune featured in the 2010 film TRUE GRIT. Tenor sax ad-lib. Tpt.1 top note
"B" .Scored for A/T/B/2Tpts/1Bone/ P/B/G/Drs. Complete Transposed Score.
Medium
LIGHT FLIGHT - By BOB MEYER (Concept Music) - 60007 - $30.
Smooth and mellow alto sax feature, inspired by Spyro Gyra
LILACS AND LANDMINES - by John Guari - 60187 - $30. A straight
ahead E-minor blues with a little something extra. Imitative counterpoint in
the intro and head. Overall solo form is two choruses of blues, a sus-chord
focused bridge, and a final chorus of blues. Alto and Tenor solo changes.
Trumpet 1 goes to a written C# (Concert B) above the staff. Alto, Tenor, Bari,
2 Trumpets, Trombone, Piano, Bass, Drum. Medium.
LIMEHOUSE BLUES - By Phil Kelly - 60144 - $35. Slow Basie-ish feel
with plungers on tpts (optional). Solos with optional BG figures lead to a
roaring shout chorus. Scored for A,2 Tenors,B, 2 trpts, 1 bone, p,b, and d.
Medium.
LIMEHOUSE BLUES - by Jim Weisheit - 60246 - $35. Bright swinging
arrangement of this classic big band favorite. Tune recorded by Stan Kenton
and Glen Miller. Open section for all to solo. Big ensemble. Tpt. 1 top note
"G". Scored for A/T/B/2 Tpts/1 Bone/P/G/B/D.Complete transposed score.
Medium Difficult.
* * * NEW * * * LITTLE BROWN JUG – by Frederick “Dave”
Snider – 60292 - $35. Little Brown Jug was originally a folk song composed
by Joseph Eastburn Winner in 1869. It was a drinking song and at that time
made references to many alcoholic beverages. It was also very popular during
the American Prohibition years. Glenn Miller recorded this song in 1939 as
an instrumental swing chart which became a huge hit for him while becoming
one of the best known charts of the big band era.
I have updated this chart stylistically and while it has two swings
sections, it incorporates a very funky hip-hop groove. The chart opens with
the piano soloing on the blues, a la Basie in the key of F, and then modulating
to Little Brown Jug's original key of D-Flat like Count Basie's One O'clock
Jump. When it modulates, after the piano solo, to D-flat the hip-hop/funk
groove kicks in and the bass and drums set-up a solid groove (pocket) for the
band. The bass line is written out but can be altered if the bassist has slap
groove experience. The chart continues in a hip-hop style during the head and
most of the solos. The drummer takes the last solo at letter M in a hip-hop
groove but transitions back to the traditional Glenn Miller swing style during
the solo right before the shout chorus at letter N. The shout chorus is played
in the traditional Miller band style until the end.
This chart is just as much a crowd-pleaser today as when it was
first performed in 1939 by the Glenn Miller band. The nice thing about this
chart is that it is up-dated using some of today's current hip-hop/funk styles
the same way Miller up-dated it from a drinking folk song to swing back in
1939. Soloists: Piano, 2nd trumpet, tenor saxophone, and drums. Trumpet
highest written note E-flat 5, two octaves above middle C. And it is the only
one throughout the entire chart. Horns: Two trumpets, one trombone, one
alto, one tenor, one baritone sax. Rhythm section: piano, electric bass, and
drums (guitar optional). No doubles

LITTLE LINDA - by Frederick "Dave" Snider - 60193 - $35. Feature for
Flugelhorn, Alto, Sax and Drums. This is an extremely fun and exciting Latin
chart (half note=108). Originally Little Linda was written for the group Spyro
Gyra in 1979 by their keyboardist Jeremy Wall. My version features the
flugelhorn and alto sax playing the melody with solos including a drum solo at
the beginning and an extended solo after the flugelhorn and alto solo. There is
an optional electric bass and piano solo. I played this arrangement in Europe
and the United States for almost 20 years and it is without a doubt a real
crowd-pleaser wherever it is played---period!!! It has a catchy melody which
is a well-crafted and very beautiful with a great set of chord changes. Little
Linda can be used as a closer for the first half of a concert, an opener for the
second half of a concert, or as a filler. For this chart to really work there must
be soloists who are experienced or will commit to practicing and learning their
parts. This is so important because this chart has no soli or tutti, so the soloists
must carry the chart. This chart can be a very rewarding experience for any
soloist who accepts the challenge. Trumpet highest note Eflat5.
Instrumentation: 2 trumpets, 1 bone, A, T, B, P, B, G, and D. No doubles.
Medium.
LITTLE SUNSHINE, A - by Jim Weisheit - 60155 - $35. Medium swing
tempo. Sax soli and sparkling ensemble. Solos: Tpt., Tenor. Scored for A, T,
B, 2 Tpts, 1 Bone & Rhy. Medium.
LORELEI'S ROSE - by John Sterling - 60168 - $35. This is a slow swing
composition in Bb major written for an eleven-piece ensemble. The
instrumentation also includes alto, tenor, and baritone saxopones, two
trumpets, trombone, guitar, piano, acoustic base, drums and opt'l vibes. In a
group of this size, individual performers are exposed and it becomes easier for
the composer to highlight each individual musician in the band. Lead Trpt to
high B. Trpt range: top lead trpt. note is a concert C, two octaves above
middle C. Difficult.
LOW TIDE - by Mike Crotty - 60032 - $30. Progressively straight ahead
swing. Features open solo for Bass. Alto dbls Soprano. Medium difficult.
LURE OF THE UNDERGROUND, THE - by Aaron Lington - 60188 -
$28. This is a beautiful jazz ballad featuring tenor saxophone throughout its
entirety. A Lyrical melody uniquely suited for tenor saxophone sets the tone
for this lovely showcase for your tenor soloist. The ensemble builds out of the
sax solo into a compelling full ensemble statement that brings this
composition to a rewarding peak. This composition was recorded by Aaron
Lington and Paul Tynan on their album Bicoastal Collective: Chapter One
(OA2 Records 22051). No Doubles. Top note for lead trumpet is a C above
the staff, and top note for lead trombone is a G above the staff. A, T, B, 2
Tpts, 1 Bone, G, P, B, & D. Medium.
MAGOO’S BLUES - By PAUL McKEE (Concept Music) - 60008 - $35.
Blues shuffle. Medium difficult level.
MALUCANUS GOOKUM - by Dirk Fischer - 60169 - $30. Nonet, "Cool"
ensemble, 32 bars, plus Fine tag, with "Blowin' Changes" on all parts. Lead
Trumpet, "G#" medium "c minor". 2 trpts., trom, alto, ten., bari, 3 rhythm.
Medium.
MAMA LLAMA SAMBA - By Gordon Goodwin - 60033 - $45. Burning
samba will push your band & audience to the limit. Definitely not for the
squeamish. Dbls. Scored for A,T, B, 2 trpts, 1 bone, g,p,b, and d. Difficult. No
score.
MAMBO ESTUDIO - by Dirk Fischer - 60238 - $35. Mambo, MM circa
1/2 note =88-92. Atipico figures for entire ensemble. Open for solos, blowin'
changes included. A/T/B/2tpts/1 bone/B/D/P. Lead trumpet high B & Bb's.
Also a C part. Easy Medium.
* * * NEW * * * MAPLE LEAF RAG – by Jim Weisheir – 60275 -
$35. Excellent orchestration of one of the most famous Ragtime pieces written
by Scott Joplin, the King Of Ragtime. No ad-lib solos. Tpt.1 top note "G" top
of staff. Scored for A/T/B/2Tpt/1Bone/P/G/B/D. Complete transposed score.
Medium.
MARCH OF THE PARIAHS - by Aaron Lington - 60189 - $32. This is a
modern ECM-style composition that features baritone saxophone and trumpet
in a moody and pensive setting. A tuneful melody comprised of wide intervals
sets the stage for your trumpeter and baritone saxophonist to stretch their
improvisational chops. Following the trumpet solo, the ensemble plays a tight-
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knit tutti interlude that leads into the bari solo, followed by a lyrical shout
section. This composition was recorded by Aaron Lington and Paul Tynan on
their album Bicoastal Collective: Chapter One (OA2 Records 22051). Tenor
saxophone doubles on a brief flute part. Baritone saxophone doubles on bass
clarinet. Top note for lead trumpet is a B above the staff, and top note for lead
trombone is an A above the staff. A, T, B, 2 Tpts, 1 Bone, G, P, B, & D.
Medium Difficult.
MARGIE - by Jim Weisheit - 60250 - $35. Great swinging arrangement of
this favorite classic tune. Recorded by Bix Beiderbecke and Fats Domino.
Open section for all to solo. Big Ensemble. Tpt.1 top note G. Scored for
A/T/B/2 Tpts/1 Bone/G/G/B/D. Complete transposed score. Medium
Difficult.
McCOY’S MOOD - By PAUL RINZLER - 60034 - $32. In the style of
McCoy Tyner. Solos: Piano, Guitar, Alto or Tenor. Unison bass line for Bari,
Bass & Piano in B section. Med-diff.
MEET ME AT THE CARNIVAL - By GORDON GOODWIN - 60035 -
$33. A buoyant samba ala “St. Thomas”. An open drum solo leads back to
the head. Bari dbls on flute. Med. Scored for S,T,B, 2 tpts, 1 tbn, & Rhy. No
score.
* * * NEW * * * MEMPHIS BLUES – by Jim Weisheit – 60271 -
$35. Written by W.C. Handy "The Father Of The Blues". Recorded by Harry
James and Nat King Cole. Great down home feeling arrangement. Open
section for all to solo. Tpt. 1 top note "A" top of staff. Scored for A/T/B/2
Tpts/1Bone/P/G/B/D. Complete transposed score. Medium.
MERCURY - By BOB MEYER (Concept Music) - 60009 - $30. Two
movements, fusion and bossa. Reed 1 requires soprano, flute.
MI COLUMPIO - By PAUL LOPEZ - 60083 - $32. - Swingin authentic
latin jazz. Open section for solos. Background for solos can be used for
additional riff section. Med-diff. No doubles.
MIAMI WISE - By BOB MEYER (Concept Music) - 60010 - $30.
Exciting latin sounds & driving rhythms.
* * * NEW * * * MINOR DISTRACTION – by Milt Kleeb – 60304 -
$35. Jazz waltz. 1/4note=132. Medium tempo minor blues in both 3/4 and 4/4
time. Bass sets the pattern followed by piano, unison saxes, brass and piano
and tenor solos in 3/4 time. 4/4 time show cases trumpet and alto solos plus an
energetic ensemble. A bass and drum chases leads into original 3/4 pattern to
finish. Trumpet range written C#. A/T/T/B/2 Trpts/1 Bone/ P.B/D. Hear it on
the Milt Kleeb CD Something If Nothing Else on Pony Boy Records. Medium
difficult.
MISCHA FISCHA - by Dirk Fischer - 60172 - $34. This and Mate "
Cinoton," were originally composed for the Little John Beecher Orch. 1958 n'
1959. NONET, cool jazz [1/4 note = 156]. Background for solos on cue. Good
tight ensemble section. Lead trpt. High "Bb" & "C" [Eb minor - G]. A,T,B, 2
Trpts, 1 Bone, Gtr, Piano, Drums. Medium.
* * * NEW * * * MITTENS – by Dirk Fischer – 60298 - $35. Rhythm
options; Plays well as Swing, Coolish, Rock or Latin MM ¼ note = 152
Legato unison Flugelhorns opening W/change to trpts. Piano & Tenor Solos.
Composition based on altered scales. Utilizes Tonic Scale with Augmented
4th ( +11 ) and the Dominant 7th Scale in Sus W/9th altered. It is easily
accessible with a little scale study. Trpt. 1, one high D Good thick ensemble.
Medium Difficult.
* * * NEW * * * MODENA – by Dirk Fischer – 60307 - $30.Legato
cool style Ballad. MM ¼ note = 92.Another soaring Alto Saxophone melody
from Dirk. Alto, high Es and Ebs. Flugelhorns lead ensemble in full voiced
support. Flugel I, high A. A/T/B/ 2 Tpts/ 1 Bone/P/B/D. Easy Medium.
MONDAY’S DANCE - By IRA SULLIVAN (Concept Music) - 60011 -
$35. A beautiful jazz waltz by one of the masters.
MOOSE IS LOOSE,THE - by Bob Sennett - 60128 - $34. Medium swing
"Blues with Bridge". Open chorus with background on last tenor solo.
Exciting ensemble out chorus. No doubles. No score. A, T, B, 2 trumpets,
trombone, 3 rhythm. Medium-difficult.

MOSCOW BEAT BLUES - (Paul Combs) by Bob Pilkington - 60122 -
$34. Dark, moody blues inspired by the incarceration of journalist Nicholas
Daniloff by the Soviet government in the 1980s. Originally scored for six
brass, this version is for A/S, T, B, and 2 tpts, bone and rhythm. An alto only
part is included.
* * * NEW * * * MY MELANCHOLY BABY – by Jim Weisheit –
60266 - $35. All time classic tune, recorded by : Frank Sinatra, Dizzy
Gillespie, and Glen Miller. Swinging re-orchestrated version of the
arrangement Jim wrote for Tex Beneke! Sax soli, big ensemble, open section
for all to solo. Tpt.1 top note G, top of staff. Complete transposed score.
Scored for A/T/B/2Tpr/1Bone/G/P/B/D. Medium.
MY OLD KENTUCKY HOME - By DAVID HENDERSON - 60078 -
$32. High spirited flag waving version of the theme from the “Bluegrass”.
Chart features Alto, Trumpet solos. Medium difficult. No doubles.
NASTY GEORGIA GREEN - by Bob Sennett - 60119 - $34. Up tempo
swinger based on "you know what" changes. Open chorus' with background
on last tenor solo. Ensemble out chorus. Fun chart. Scored for A, T, B, 2
trpts, 1 bone, rhythm. Medium difficult. Score included.
NEMESIS BLUES - By RANDY ALDCROFT - 60053 - $35. A16 bar
blues featuring a Piano solo & Baritone solo. Scored for 2 Trpts, Tenor Bone,
Bass Bone (w/Bari sax substitute), Sopr, Tenor & 4 Rhythm. Medium.
NEW AWAKENING - by Mike Crotty - 60037 - $30. Mod. fast
progressively straight ahead swing. Features solos for Tenor & Trpt. Difficult
changes. Heavy ensemble playing. A/Flute,T,B/Bass,Clarinet, 2Trpts,1
Bone,G,P,B,D. Opt'l Vibes. Med diff.
NEW START, A - By DAN HIGGINS - 60019 - $33. Med up swing
begins w/an opening statement from the ensemble & then a flowing melody
played by Alto & Trpts. A,T,B, 2 Trpts, 1 Bone, G,P,B,D. Medium. Score
included.
NIGHT RUN - by Mike Crotty - 60038 - $30. Progressive up tempo swing
& latin. Features Tenor & Piano solos. Diff changes. Med diff.
NO FOOLIN' - by Cliff Weeks - 60123 - $34. Medium up-swinger
featuring trumpet and alto sax. Scored for A, T, Ba, 2 tpts, bone and rhythm.
NO NAME GAME - by Tim Gill - 60251 - $35. No-Name Game is a
cooking shuffle in Ab based on a 16-bar blues pattern. Features solo space for
Alto and Trumpet 2 to stretch out, with an exciting shout chorus. A great
opener with a solid groove and a few surprises.Tpt. 1 to written high E.
A/T/B/2Tpt/1 Bone/G/P/B/D. Medium.
NO PLACE LIKE DOWN HOME - By MIKE CROTTY - 60039 - $40.
Slow funky rock. Challenging lines for Bass & Piano. Solo: Bari sax . Meddiff.
NO REST FOR ALICE - by Todd Fronauer - 60226 - $35. Minor-themed
jazz waltz. Trumpet handles melody and shares solo space with piano. Band
shout features a relative major “second theme,” only to return to the original
theme for the close. Trumpet goes to high C#.scored a/t/b/2 tp/1 tb/ p/b/d.
NOBODY KNOWS THE TROUBLE I’VE SEEN - by Ryan Haines -
60227 - $35. Bari sax feature on a smooth bossa in C. Open solo section with
chords included for bari, trombone, and trumpet.A,T,B, 2 Trpts, 1 Bone,
P,B,D. Trpt. 1 to high C# with optl. high E. Medium.
* * * NEW * * * O CHRISTMAS TREE ( O TANNENBAUM) – by
Jim Weisheit – 60273 - $35. Holiday favorite, German folk tune. Recorded
by Stan Kenton and Nat King Cole. Great medium swing treatment as
featured in the film A Charlie Brown Christmas. Open section for all to solo.
Tpt.1 top note "G" above the staff. Scored for A/T/B/2Tpt/1Bone/P/G/B/D.
Complete transposed score. Medium.
OFF TO BUFFALO - By DAN HIGGINS - 60040 - $36. Rousing med
shuffle. Piano begins w/a rubato gospel-type intro, then saxes take the unison
head while the brass answer with punches. Alto begins soloing w/preachertype
changes w/a modal bridge. A,T,B, 2 Trpts, 1 Bone, G,P,B,D. Medium.
Score included.
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* * * NEW * * * OHMATTE – by Dirk Fischer – 60299 - $35. Cool
ensemble to final shout. MM ¼ note = 140 + Original line set to change
From Naughty Sweetie. Alto Sax and ensemble exchange. Open for solos
with transposed blowin changes on all parts. Development follows to recap
and Fine. Bass part is chord symbols only. Trpt. I high C & D. Dirks thick
ensemble voicing in evidence. Swings easily at most Groove Tempos.
Medium Difficult.
OJO DEL HURICAN (Eye of the Hurricane) by ROBERT “BETO”
SKILES (Concept Music). - 60084 - $36. Cumbia style Latin jazz. 1/2 note
= 104. Medium level. Beto’s unique style of “southwestern salsa jazz” has
won him a world-wide following. This exciting work is the title tune from his
most popular CD.
ONCE AROUND THE BLOCK - comp Doug Hall arr by Bob Meyer -
60099 - $35. Straight ahead up-tempo (1/4 note = 230) "neo-bop." This Bob
Meyer arrangement showcases an intricate melodic line and features tightly
woven ensemble passages and flexible solo possibilities. Scored for A,T,B, 2
Trpts, 1 Trbn, & Rhythm.
ONE FOR KEN - by Paul Combs - 60105 - $34. Medium to medium-up
tempo be-bop blues in F. Soprano lead with optional alto part to high F#.)
Solos for Bari, Trpt, and Soprano, with a little taste for the Piano in the out
going ensemble choruses. Medium. Scored for A(S), T, B, 2 Trpts, 1 Bone, &
Rhythm.
ONE FOR THE CHIPPER - by Bob Meyer - 60100 - $35. A medium uptempo
swing loosely based on rhythm changes in Eb. Written in a modern
mainstream style with lots of both mellow and shouting full ensembles,
several soloists can be in the spotlight including a section of "fours" between
soloist and ensemble. Tempo flexible, 1/4 note = 180.
ONE MAN’S VISION - By Mike Crotty - 60209 - $34. Written as a tribute
to Oliver Nelson,the piece features moving tonalities as well as a rhythmic
feel which shifts between 4/4 and 6/8. Simple modal changes allow the soloist
to stretch. Solos are for trombone, piano, and drums. Alto sax doubles flute,
and soprano. Bari sax doubles bass clarinet. Alternate parts with no doubles
are provided for both. Trumpet range: High C. A,T,B,2Tpts, 1 Bone, P,B,D.
Medium Difficult.
ONE MORE TIME - By Paul Rinzler - 60041 - $32. Med swing
patchwork of many cliche endings, molded together into a fun chart. Alto
solo. Med-diff. Opt’l “kicker” ending.
ONWARD CHRISTIAN SOLDIERS - by Jim Weisheit - 60248 - $35.
Great medium swing arrangement of this Gospel classic. Composed by Arthur
Sullivan (of Gilbert & Sullivan). Open section for all to solo. Big ensemble.
Tpt. 1 top note "A". Scored for A/T/B/2Tpts/1 Bone/P/G/B/D. Complete
transposed score. Medium Difficult.
ORANGE BUTTERFLY - by Jim Weisheit - 60233 - $34. Beautiful
medium tempo Bossa Nova. Open section with changes for all to solo.
Trumpet range to F on top of staff. Scored for A/T/B/2 Tpts/1 Bone & rhythm.
Medium.
OTHER BROTHERS MOTHERS BLUES, THE - by Bob Sennett -
60120 - $34. Medium tempo minor blues. Open for blowing. Exciting out
chorus. Scored for A, T, B, 2 trpts, 1 bone, rhythm. No score. Medium
difficult. Score included.
OUTLAW, THE - Comp by Horace Silver, arr by Rob McConnell -
60101 - $40. A quite different (unusual) and interesting structure on this tune.
The first "A" section is 26 bars long (2 x's 13!), consisting of mostly melodic
figures for the first 7 bars and "2" for 5 bars and a 1 bar break. The "B"
section is 28 bars. It's configuration is 6 bars in "4", 3 bars of offbeat pushes in
"2" (melodic), a whole note for 1 bar, a 16 bar latin vamp, in bar 27 and bar
28 is a break!! I told you it was interesting! Horace's tempo is a half note =
100 approx. but we play it slightly faster. The jazz chorus's are "4" for 6 bars
and "2" for 7 bars repeated and then the rest as the "head”. Scored for A,T,T, 2
Trpts, 2 Trbns, & Rhythm. No score.
OVER AND OVER AGAIN (AND AGAIN) - By Gordon Goodwin -
60042 - $39. Driving rock shuffle starts out cool & builds to exciting
conclusion. Ens writing features all sec. Solo changes on all parts. No score.
Med-diff. No score.

* * * NEW * * * PAPER DOLL – by Jim Weisheit – 60269 - $35.
Great swinging arrangement of this great standard tune. Hit single for The
Mills Brothers...#1 for 12 weeks. Tune named one of the Songs Of The
Century in the Grammy Hall Of Fame. Open section fir all to solo. Tpt.1 top
note "A" above the staff. Scored for A/T/B/2TPT/1Bone/P/G/B/D. Complete
transposed score. Medium.
PASS THE JAM - by Jim Weisheit - 60153 - $32. A fun little up tempo
swing. A taste of solo for bone / tpt / alto / tenor. Scored for A, T, B, 2 Tpts., 1
Bone and Rhy. Medium.
PHIL'S REQUEST - by Gerald Kuhn - 60110 - $34. Up tempo tenor
sax feature where the rhythm alternates between a bouncy 2 beat and a
walking four. Lots of counterpoint lines build up to the tenor solo sections.
Solo sections can be opened up at your discretion. Good feature. No doubles.
Medium
PLEASE TALK ABOUT ME WHEN I’M GONE - By Tom Kubis -
60062 - $30. This medium down swing tune based on another -well, take a
guess what other song-It has a bunch of ensemble in the beginning and at the
end (although I’m not entirely sure that ensembles are measured in bunches).
Plenty of room for all soloists. Includes score.
POET, THE - By Fred Forney - 60043 - $28. A contemporary piece
w/interesting textures, reharmonizations & a shout chorus reminiscent of
Aaron Copland. A great modal solo vehicle for Tenor & Trpt, shifting from
samba to straight ahead to a rock section w/a Drum solo. Blazing Guitar parts
written into ens. Dbls - Tenor on Soprano. Med.
POOR BUTTERFLY - by Frederick "Dave" Snider - 60194 - $33. A
String Bass Feature In Memory of Ray Brown. Poor Butterfly is a straight
ahead medium but hard swingin' chart (quarter note=175) that features the
string bass playing the melody and soloing. It was inspired by Puccini's opera
Madame Butterfly and has a brief musical quote in it. It was published in 1916
and used in the Broadway show The Big Show and in the movie Thoroughly
Modern Millie in 1967 with Julie Andrews. Bassist Ray Brown included Poor
Butterfly on his 1960 record "Jazz Cello". Hearing Ray gave me the idea to
arrange this for bass and mini band. On the recording "Jazz Cello" Mr. Brown
played the melody and soloed on cello. My version has the melody written for
string bass including the solo in concert B flat. This chart has a fresh and
challenging approach to it. The string bass player must know how to read
notes because of the syncopated written melody. Also, bass solo chops are
required. It is really a great piece to show off the bass player's musical ability.
There is also a piano solo included with an optional trumpet and/or tenor sax
solo. Poor Butterfly is for mini big band, 2 tpts, 1 bone, 3 saxes, piano, B, G,
D. All sections have challenging parts. There is a great tutti section. Medium
difficult.
PRETTY GIRL, A - by Dave Dolengewicz - 60252 - $35. Relaxed straight
ahead latin arrangement. Solos for Alto and Trombone. Scored for Alto,
Tenor, Bari, 2 Trumpets, Trombone, Piano, Bass and Drums with an Optional
Guitar part. Trpt. to High C. Medium.
PRO BONO - by Milt Kleeb - 60228 - $35. Medium swing. A straight
ahead swinger. Trumpet/Alto unison head with trombone-sax background,
followed by tenor solo with ensemble background. A16 bar ensemble
interlude interlude sets up trumpet solo, also with background. open solo
space follows. Interesting chord changes for soloists. Back to head with
extended end,ng. Trpt. written Eb above staff. Trbn concert Cb above staff.
A/T/T/B/ 2Trpts/1 Trbn./P,B/D.
PUZZLE PIECES - by Mike Crotty - 60202 - $34. An interesting group of
rhythmic fragments played by the ensemble come together to form a dynamic
piece for small band. The groove is a medium-up "even eighth" feel...almost
'Weather Report' in nature. Modern harmonies make the solo changes
(indicated on all parts) somewhat challenging. Requires a drummer with a
good knowledge of more modern styles. A, T, B, 2 Trpts, 1 Bone, P, B, D, &
Opt'l Guitar. Medium difficult.
RAT ON MY PIANO, THE - by Gerald Kuhn - 60111 - $34. Inspired
by an actual pet rat running across my piano at home. This is a kind of hiphop
style and a bit silly. This is the feature tune on the album of same name.
There are doubles on flute for the alto and tenor saxes. It has solos for the
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piano, of course, the trombone, and tenor sax. The bari sax has some nice
little riffs al la Tower of Power. It's a fun tune! Medium.
RED BEARD'S ROMP - by Paul Tynan - 60208 - $34. An action packed
swinger, in the hard bop tradition, will showcase a well rehearsed band. It is
fun to listen to and perform. Top trumpet note high C#. Soloists: Trumpet and
Alto. Doubles: 2nd trumpet plays flugelhorn throughout. A,T,B,2Trpts,1Bone,
G,P,B,D. Medium difficult. Recorded by Paul Tynan and Aaron Lington on
their record Bi-coastal Collective: Chapter One.
RED ROCK - By Dan Higgins - 60045 - $33. Up jazz style for this modal
chart. Open solo section. Roaring shout follows solos & ends big. Score
included.
REDS - By Fred Forney - 60065 - $25. A playable roaring funk chart in the
style of Tower of Power. Interesting solo changes with cued backgrounds.
A,T,B, 2 Trpts, 1 Bone, G,P,B,D.
RELAXIN’ IN THE BACK - By BOB MEYER (Concept Music) - 60085
- $32. - Medium level. 1/4 note = 132. Straight-ahead medium tempo groove
in both “2” and “4” feel. Strong melodic lines and harmonies from the postbop
modern mainstream tradition. Solos weave through different key centers.
* * * NEW * * * REMEMBRANCE – by Stephen Clickard – 60296 -
$35. Written as a tribute to friend and mentor, composer/arranger Don
Schamber. It is a nice swing chart that opens in a relaxed 2 feel that transitions
into a straight ahead 4. It has a challenging sax soli and an exciting shout.
Solo space for guitar and tenor sax. Scored for Alto, Tenor, Bari, 2 Trumpets.
1 Bone, Piano, Bass, Drums and Guitar. Lead Trumpet written to D above
staff. Medium Advanced.
RENEGADE - By BOB MEYER (Concept Music) - 60012 - $30. Straight
8 to fast samba.
SALSA CANON - By Paul Lopez - 60064 - $33. Bright latin jazz-salsa.
Features a interesting Canon section and Tenor solo w/opt'l solos. Background
for solo section can be used independently as additional "Riff" (mona) section.
Med-diff. No dbls. No score.
SALSA FUNDAMENTALS - by Gordon Goodwin - 60057 - $35.
Hypnotic salsa groove is set up by the customary piano montuna & soon
grows to an open solo section for all, followed by a complex horn soli and
shout. Kills ‘em every time! Alto sax dbls on Soprano. No score. Scored for
A,T,B, 2 Trpts, 1 Trbn, g,p,b, and d. Med-diff.
SAMBA DE ANGEL- by Dave Rasmussen - 60229 - $35. A simple
melodic theme with a medium samba tempo. Solo section can be opened up.
Trpt. to Bb above the staff. Medium.
SAX A DEUX - by Don Bowyer - 60165 - $27. A beautiful ballad feature
for alto and bari saxes, featuring gorgeous interplay between the soloists.
Always a crowd favorite. Six horns: alto, tenor, bari, 2 trumpets, brombone,
and rhythm. Medium.
SCHMOOZE IS ON, THE - By Gordon Goodwin - 60046 - $47. Your
band will schmooze it’s way through a sassy melodic line while the rhythm
section cooks up a laid back jazz-rock shuffle. No score. Scored for A,T,B, 2
Trpts, 1 Trbn, g,p,b, and d. Med.
* * * NEW * * * SEQUENCE by Milt Kleeb – 60300 - $35. Medium
slow, straight 8th note, soulful ballad. Originally written in the mid-40's for
Boyd Raeburn. Featuring Alto, Trumpet and Trombone. This is an easy chart
but requires a mature concept as well as careful attention to dynamics and
phrasing. Trpt. range: written A. A/T/T/B/2 trpts/1 Bone/P/B/D. Hear it on the
Milt Kleeb dectet cd "Something If Nothing Else" on Pony Boy Records.
Medium level.
SESOS DE HUESOS - By BETO (Concept Music) - 60013 - $30. Hot
cumbia/salsa. The real thing.
SHERMAN OAKS SHUFFLE - By Randy Aldcroft - 60054 - $35. Not
actually a shuffle but a “Killer Joe” tempo w/ Trpt & Tenor sax solos. Scored
for 2 Trpts, Tenor Bone, Bass Bone (w/Baritone sax substitute), Soprano sax,
Tenor sax & 4 Rhythm. Med.

SIDEWALKS OF NEW YORK, THE - by Jim Weisheit - 60262 - $35.
Terrific swinging arrangement of this classic favorite. Tune recorded by:
Duke Ellington and Cannonball Adderley. Open section with changes, for all
to solo. Trpt 1 top note F# top to staff. Scored for A/T/B, 2 Trpts, 1 Bone,
P/G/B/D. Complete transposed score. Medium Difficult.
SIMPLY FLY AWAY - by Mike Crotty - 60203 - $30. A wonderful balled
feature for trombone. A combination of rubato trombone and piano, and everchanging
ensemble colors makes this a wonderful showcase for the soloist.
Blowing changes are for bass (short), piano and trombone. A, T, B, 2 Trpts, 1
Bone, P, B, D, & Opt'l Guitar. Medium.
SIX YEARS - by Paul Tynan - 60206 - $32. Movement 4 of The Story of
Langston. Opening with a horn coral this ballad features Flugelhorn and
Baritone. Many colour shifts take place harmonically creating a fulfilling
tension and release that makes for a dynamic sense of direction. Top trumpet
note a high B. Soloists: Flugelhorn and Baritone. Doubles: Trumpet 2 plays
Flugelhorn throughout. Number of Brass: Two trumpets, one trombone.
Medium difficult. Recorded by Paul Tynan and Aaron Lington on their record
Bi-coastal Collective: Chapter One.
SLOW DANCING WITH CINDY - by Don Bowyer - 60166 - $27. This
beautiful ballad features alto sax throughout, in a "neo-Kenton" style,
complete with rubato piano intro. Six horns: alto, tenor, bari, 2 trumpets,
trombone, and rhythm. Medium.
SMOOTH - by Jeff Richmond - 60230 - $35. This original groove-oriented
chart with a catchy melody features solo space for tenor sax, piano, and/or
trumpet. Trumpet range to high C,no wind doubles, and optional guitar part.
A,T,B, 2 Trpts, 1 bone, P,B,D, Optl Gtr. Medium difficult.
SNOWMOUND - Comp by FRANK MANTOOTH - 60086 - $38. - 1/4
note = 126. Even 8ths. Written for Flute, Tenor, Bass Clarinet, 2 Flügelhorns,
2 Trombones and 4 Rhythm. Commissioned by United States Air Force Band
of the West. Open solo section. Med level.
SO YOU SAY - by Jim Cifelli - 60138 - $35. A vibrant contemporary
samba featuring Alto sax throughout. Solo space is provided for Trumpet and
Guitar as well. Baritone has optional double on flute. (2 Trp., 1 Trb.
A,T,B/Bass Clar, rhythm). Medium advanced.
* * * NEW * * * SOME KINDA’ MOON – by Jim Weisheit – 60276
- $35. Great medium swing tune, with a minor Moon feel. Opens with a 2-beat
feel and kicks into a driving 4. Big ensemble. Open section for all to solo. Tpt.
1 top note B. Scored for A/T/B/2Tpt/1Bone/G/P/B/D. Complete transposed
score. This one works well for Dance or Concert Venues. Medium.
SOMEBODY STOLE MY GAL - by Jim Weisheit - 60249 - $35. Great
up-tempo arrangement of this swinging standard. Tune recorded by Count
Basie and Benny Goodman. Open section for all to solo. Big ensemble (this
one really cooks). Tpt.1 top note "A". Scored for A/T/B/2Tpt/1
Bone/P/B/G/D. Complete transposed score. Medium Difficult.
SOMETHING IF NOTHING ELSE -by Milt Kleeb - 60231 - $35.
Medium bright swing. A swinger based on chord changes of “Perdido”. The
head is a unison piano/bass line shared with brass and reed figures. Solo space
for trombones, alto, tenor and trumpet, all with backgrounds. A soft ensemble
builds to short drum solo and back to piano/bass head with extended ending.
Tpt written C above staff. Trbn concert Bb above staff. A/T/T/B/2 tpt/1
trbn/P,B,D. Medium.
SOMETHING SHE SAID - by Jim Cifelli - 60136 - $35. A moody
lyricism pervades this medium tempo even 8th chart. Flute, trombone and
tenor carry the melody and solo space is provided for soprano sax and
trombone. Medium difficult. (2 Trp., 1 Trb. S.T. sax, alto flute/bass clarinet,
rhythm).
SONG FOR MY FATHER - arr by Tom Kubis - 60103 - $38. This chart
is set up with an open solo section with changes for everyone. Has easy
rhythms for all. Scored for A,T,B, 2 Trpts, 1 Trbn,p,b, and d. Medium.
SPEAK LOW - arr by Rob McConnell - 60102 - $40. In the jazz life over
the years this wonderful song by Kurt Weill (1944) has more often than not
been played at a fast tempo. This chart is quite slow (quarter note = 108) with
a 12/8 feel. This orchestration of Rob's is of an arrangement of George
91
Shearings' (with some input from Neil Swainson, Rob's good friend, and his
bassist of the last 15 years or so). As with a lot of musical things that George
has been doing for years, this version of "Speak Low" really sounds like
"Speak Low". Go figure! Scored for A,T,T, 2 Trpts, 2 Trbns, & Rhythm. No
score.
SPIN - By JOHN MILLS (Concept Music) - 60087 - $34. - Bright
jazz/funk. 1/2 note = 116. Medium-diff. has plenty of both tutti and
contrapuntal ensemble writing, thematic developement. Features guitar.
* * * NEW * * * ST. LOUIS BLUES – by Frederick “Dave” Snider –
60287 - $35. St. Louis Blues is a great composition by W. C Handy and is the
first blues to be published in 1914 and at the same time succeeding as a pop
song. This chart is arranged following the same general form as Glenn
Miller's version with some additions to create interest. Harmonies/chords
have been upgraded from major 6/9 and minor 6 chords to dominant and
minor 7ths chords and syncopating melodies and backgrounds to give the
chart a more modern and acceptable sound. Also, the solo section has been
opened up.
The chart opens with the piano taking a few chorus' of blues, ala Gene
Harris, in the key of B-flat and then modulating to the original key of G with
the traditional St. Louis Blues opening featuring the drummer on a march
drum cadence. The head (main melody) still has the exciting alternating
march cadence and swing feel that audiences love and expect. After the head
there is an open solo section. The pianist is the last soloist, and continues
soloing into the tutti section(H) going into the tutti section, but plays the
original alto solo which is written in octaves. The written alto solo is optional
for the pianist but the piano solo is not. The chart continues with the exciting
shout/tutti chorus. This chart is just as much a crowd-pleaser today as when it
was first performed. Soloist: Piano, 2nd trumpet and tenor saxophone,
optional drum solo. These are the written solos but since it is blues it is
optional to open it up to everyone in the group. Trumpet highest written note
c#5 (Two octaves above middle C). Medium.
* * * NEW * * * STANDING ON THE PROMISES – by Jim
Weisheit – 60305 - $35.Fun, swinging arrangement of this Gospel Classic.
Recorded by Alan Jackson and many others. Solos for: Trombone & Tenor
Sax. Tpt. 1 top note G. Scored for: A/T/B, 2Tpts. 1Bone, P/G/B/Drs.
Complete Transposed Score. Medium.
STAR SPANGLED BANNER - by Ryan Haines - 60140 - $20. A fresh
and exciting arrangement of the United States National Anthem for little big
band based on Ryan Haines' large big band setting. Lead trumpet to high "C"
and lead bone to high "G". No woodwind doubles. Rhythm section parts
written out. Medium.
STARS & STRIPES FOREVER - by Don Bowyer - 60190 - $30. Fast
merengue with solos all around; trombone covers the piccolo part; open
percussion section. This one leaves the crowd exhausted! Lead trumpet to D6.
Six horns: alto, tenor, bari, 2 trumpets, trombone, and rhythm. Difficult.
STEP-DOWN - by BOB MEYER (Concept Music ) - 60080 - $32. -
Medium tempo F blues - different changes. Lots of space for soloists,
including drums. Med to med-diff level.
STOP DOING THAT! - by Bob Sennett - 60129 - $34. Medium swing
AABA tune. Unison reeds with brass background precedes bridge with
unison brass ensemble 2nd chorus. Trumpet and tenor solos with background.
Extended out chorus. No doubles, no score. A, T, B, 2 trumpets, trombone, 3
rhythm. Medium-difficult.
STRAIGHT TALK - By DON ELAM -(Concept Music) - 60014 - $30.
Med tempo swing feel, very fully scored.
SUGAR - by Bob Meyer - 60106 - $35. Comp by Stanley Turrentine and
arr by Bob. One of the great jazz classics, a staple at jam sessions everywhere.
Medium swing groove, approx 128 bpm (can also be played in a shuffle feel).
Full ensemble (with some harmonic twists) follows opening trumpet/tenor
melody statement. Solos can be structured or open, with ensemble cross-cued
to provide many options. Background builds to full ensemble shout. 1st Tpt
range to D above staff. Scored for A,T,B, 2 Tpts, Tbn, and Rhythm.

SUMMER SONG - By Dan Higgins - 60047 - $25. Alto & Flugel play
head on this melodic tune w/rhythm in med “2” jazz feel. Hip changes allow
soloist to go from blues to modern jazz. Score included. Scored for A,T,B, 2
Trpts, 1 Trbn, Rhythm.
SUNFLOWER - by Mike Crotty - 60048 - $30. Mod Bossa Rock.
"Fusion-style" chart featuring Alto & Piano solos. Optional Synthesizer part
in addition to Piano. Tenor dbls flute. Medium.
* * * NEW * * * SUNSET DRIVE – by Stephen Clickard – 60297 -
$35. This is a fun high energy latin-flavored chart. Has a great groove that
begins in the unaccompanied bass voices that continues to drive throughout
the chart. Solo section is open for multiple soloist opportunities. Scored for
Alto, Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, Drums and Guitar. Lead
Trumpet to written C above staff. Medium difficult.
* * * NEW * * * SWANEE – by Jim Weisheit – 60274 - $35.
Excellent swinging arrangement of George Gershwins' first hit and biggest
selling song of his career. Open section for all to solo. Tpt.1 top not "G" (top
of staff). Scored for A/T/B/2Tpt/1Bone/P/B/G/D. Complete transposed score.
Medium.
SWING LOW SWEET CHARIOT - by Jim Weisheit - 60242 - $35.
Great swinging arrangement of this old favorite tune. Sax soli, big ensemble,
open section for all to solo. Tpt. 1 top note "A". Scored for A/T/B/2 TPTS/1
Bone/P/B/G/D. Complete transposed score. Medium Difficult.
SYNDICATE, THE - by Aaron Lington - 60191 - $32. This is a medium
swing tune featuring improvised solos for baritone saxophone and trumpet. A
dark and moody introduction leads into a tuneful melody played by trumpet,
baritone saxophone, and guitar. Muted brass backgrounds behind the bari solo
progress into trumpet solo followed by a powerful shout chorus. This
composition was recorded by Aaron Lington and Paul Tynan on their album
Bicoastal Collective: Chapter One (OA2 Records 22051). No doubles. Top
note for lead trumpet is a B above the staff, and top note for lead trombone is
a Bb above the staff. A, T, B, 2 Tpts, 1 Bone, G, P, B, & D. Medium Difficult.
T - TIME - by Bob Meyer - 60114 - $32. Medium tempo swing feel, 1/4
note about 128, inspired by Tadd Dameron. Cross-cueing of backgrounds
allow for your strongest soloists to play on challenging changes. Medium
TAKE 3 - by Willie "Face" Smith - 60124 - $34. Up-tempo minor blues in
3/4 by the arranger of Joe Lovano's Grammy Award winning CD "52nd St
Themes". Solos in all parts are medium-difficult. Scored for A, T, B, 2 tpts,
bone and rhythm.
TAKE ME OUT TO THE BALLGAME - by Jim Weisheit - 60098 - $35.
It's the BASEBALL SONG! Jazz waltz style. Open section with background
for all to solo. Tpt.1 top note "G" above the staff. Scored for
A/T/B/2Tpts/1Bone/Rhythm. Medium.
* * * NEW * * * TE WERO NUI – by Bill Cunliffe – 60277 - $35.
Pensive even-8th note chart, harmonically innovative, but lyrical. Medium
difficult.
TEMPEST, THE - By JOHN MILLS (Concept Music) - 60088 - $34.
Afro/Latin feel. 1/4 note = 208. Medium-difficult level. A high-energy work
with twisting melodic lines and a contemporary harmonic style. Drummer is
featured.
THEME FOR THIGPEN - by Jim Weisheit - 60176 - $34. Medium-up
swing: MM=150. Written for Jazz Great Ed Thigpen. Good opener. Exciting
ensemble. Open section with Blowin' Changes on all parts. 1st Tpt. High note
"A". Builds from muted brass and brushes to a joyous romp. Lots of open
spots for drums. Scored for A, T, B, 2 Tpts, 1 Bone, & Rhythm. Medium
Difficult.
THERE’LL BE SOME CHANGES MADE - by Jim Weisheit - 60243 -
$35. Swinging arrangement of this great Jazz Standard. Sax section feature,
big ensemble, open section for all to solo (with background). This chart will
work well for concert settings as well as dance venues. Tpt. 1, top note G.
Scored for A/T/B/2Tpt/1Bone/P/G/B/D. Complete transposed score. Medium
Difficult.
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THERE’S A MINGUS AMONGUS - By RICK LAWN (Concept Music) -
60015 - $36. Gospel blues flavor. Unique tribute to Charles Mingus.
THOUGHT IN PASSING, A - by Mike Crotty - 60020 - $33. Ballad
feature for Flugelhorn. Alto dbls Soprano & Flute. Tenor & Bari dbl flute.
Challenging ensemble playing. Opt'l Vibes. Medium difficult. Scored for A,
T,B, 2 Trpts, 1 Trbn, & Rhy section.
THRICE AS NICE - By Dan Higgins - 60049 - $31. Jazz waltz. Piano
solo. Flute & Flugel state be-boppish head w/ens joining in at the bridge. A
shout chorus follows & then a brief sax soli. Dbls. Score included.
THUNDER RUN - by Jim Weisheit - 60156 - $35. Bright swing. Cooks! In
the best big band tradition. Sax soli, big ensemble. Solo: Ten. sax (even Tom
Kubis took a copy!) Scored for A, T, B, 2 Tpts, 1 bone & Rhy. Medium.
TIME WILL TELL - by Jim Cifelli - 60131 - $35. This hauntingly
beautiful ballad features alto sax throughout. The orchestration incorporates
muted brass and bass clarinet (an opt. bari part is included) in the style of Gil
Evans. Trumpet range: C6. Medium easy. (2 Trp., 1 Trb. A,T,B, rhythm).
TONE POEM FOR A RAINY DAY - by Mike Crotty - 60050 - $30.
Med slow Bossa Nova. Trombone feature throughout. Changing time
signatures. Alto dbls Soprano and Piccolo/Tenor dbls Flute/Bari dbls Bass
Clarinet. Medium.
* * * NEW * * * TONITO – by Dirk Fischer – 60286 - $35. Alto sax
feature. Very full nonet orchestration on this classic tour de force. See full
descriptive format with Big Band listing of the same title. Medium difficult.
TOUCH OF SPICE - By Tom Kubis - 60051 - $30. Bossa. Features
Flugel solo. Conductor sketch included. A,T,B, 2 Trpts, 1 Bone, P,B,D.
TRIBUTE TO REVEREND TONGUE, A - By Dave Snider - 60150 -
$32. A Tribute To Reverend Tongue is an up-tempo blues "small group" chart
that features the tenor trombone throughout the entire chart. The concept
behind this chart was to feature my friend and colleague Miguel Gomez, a
virtuoso trombonist who had excellent command of the triple tonguing
technique. So I wrote this chart for him. The introduction is a slow, thick,
gospel feel with trombone fills over the top of the band, followed by several
cadenzas into seven choruses of blues with horn riff backgrounds. There is a
challenging tutti section. This chart is a definite crowd-pleaser. Trumpet
highest note F5 (two octaves and a perfect 4th above middle C). This chart is a
trombone feature--no other soloists. 2 trumpets, 1 trombone - the featured
soloist, 1 alto, 1 baritone. Rhythm: piano, bass, and drums (guitar optional).
No doubles. Medium for the band, difficult for the trombone soloist.
TRICKY LIX - By RANDY ALDCROFT - 60055 - $35. 3/4 time with
4/4 rhythms. Features Trpt & Piano solos. Scored for 2 Trpts, Tenor Bone,
Bass Bone (w/Baritone sax substitute), Soprano sax, Tenor sax & 4 Rhythm.
Mediium.
TUBARÅO - by Paul Combs - 60104 - $34. Cape Verdian morna,
commemorating the loss of a fisherman. Haunting melody - think "Song For
My Father" with a strong melancholy tinge. Three solos: Bari or Bone, Trpt 1
or 2 (flugel) and Bass. Scored for A,T,B, 2 Trpts, 1 bone, and Rhythm.
Medium.
TUNNEL VISION - by Jim Cifelli - 60137 - $35. This chart successfully
fuses Afro-Cuban, funk and up-tempo swing into one chart. Solo space is
provided for trumpet, alto, tenor, and drums. Trumpet range: High D.
Medium difficult. (3 Trp., 1 Trb., A,T,B, rhythm).
TWO FINGER PUNCH - By John Mills - 60148 - $34. Bright swing,
about 240 bpm. Exciting work mixing hard driving straight-shead swing with
ensemble passages over rhythm figures. Solos for tenor and/or trombone.
Drummer has solo chorus structured by ensemble figures. Medium-difficult.
UGETSU - by Bob Meyer - 60159 - $32. Solo tpt (or opt. alto),
alto/tenor/bari saxes, 2 tpt, 1 tbn, guitar, piano, bass, drums. Medium tempo
swing feel with "broken swing" interludes. Tempo: mm=182-188. Tpt range:
C#. Originally written for the edition of Art Bakely's Jazz Messengers
featuring Freddie Hubbard and Wayne Shorter. This modern jazz classic has a
strong melodic line and flowing chord changes that are unusual, but not
difficult. Also has piano/guitar solo - other solos are easily worked in as well.

Interlude and ending have solo instrument and ensemble tenor improvising
together over ensemble. Medium.
UNSUNG HEROES - by Mike Crotty - 60199 - $30. A modern style "even
eighth" ballad, featuring solos for tenor sax and piano. This piece covers a
wide range of dynamics, numerous inner lines and color changes build to a
climactic ensemble soli. A great concert piece for small ensemble! A, T, B, 2
Trpts, 1 Bone, P, B, D, & Opt'l Guitar. Medium.
WAKE-UP CALL - By STEVE ZIRKEL (Concept Music) - 60016 - $30.
Great groove, somewhere between Funk and Samba. Rhythm parts notated.
Solo choices for Tenor, Trpt, Trbn, and Rhtym.
* * * NEW * * * WE THREE KINGS – by Mark Thome – 60272 -
$35. Up-tempo, modal jazz waltz, with a small section of 4/4 time. Tenor,
Trumpet and Alto solos. Trumpet 1 to written G (top of
staff).A/T/B/Tpt1,2/Tbn/G/P/B/D.No doubles. Medium.
WEDA'S TUNE - by Gerald Kuhn - 60112 - $34. Good tune that
features most of the band. It's a moderate swing with solos for 2nd trumpet,
piano, drums, and bass. There is a flute ensemble section in the middle. Your
sax players should be adequate flute players to pull off the ensemble, although
it's not too difficult. Medium
WHAT? - by Bob Sennett - 60121 - $34. Straight ahead medium blues.
Tenor solo over interesting background. Scored for A, T, B, 2 trpts, 1 bone,
rhythm. Medium difficult. No score.
* * * NEW * * * WHAT A FRIEND WE HAVE IN JESUS – by Jim
Weisheit – 60142 - $30.Special Swinging Arrangement of this Classic Gospel
Standard. Recorded by Aretha Franklin and John Tesh. Tenor Sax Ad-Lib.
Tpt.1 top note B. Scored for: A/T/B , 2 Tpts.,1 Bone, P/B/G/Drs. Complete
Transposed Score. Medium.
WHEN IRISH EYES ARE SMILING - by Ryan Haines - 60263 - $35.
This bossa setting of the turn of the century classic uses smooth altered chord
changes and features trumpet 2 on flugel. Solo chords included in everyone’s
parts. Alternate part included to feature alto sax in place of trumpet 2. Trpt 1
to one written high D. A,T,B,2 Trps, 1 Bone, Rhy. Medium.
WHEN IT MATTERS - by Bob Meyer - 60125 - $35. Strong ballad
statement (inspired by Michel LeGrand), develops to a jazz waltz feel for
solo(s) and returns to ballad for conclusion. Originally written for the Mark
Colby CD "Speaking of Stan", this arrangement has many dramatic moments.
Can be played as either a tenor or alto feature, extra parts included to give you
a choice.
WHEN THE LIGHTS GO OUT - By MIKE LAWRENCE (Concept
Music) - 60017 - $30. Sensitive ballad filled with rich harmonies.
WHEN THE SAINTS GO MARCHING IN - by Don Bowyer - 60167 -
$30. A contemporary New Orleans "street-beat" kicks this old standard into a
new gear. In the style of the Dirty Dozen Brass Band. Six horns: alto, tenor,
bari, 2 trumpets, trombone, and rhythm. Medium.
WHEN THE SAINTS GO MARCHING IN - by Jim Weisheit - 60059 -
$35. Fresh, swinging arrangement. Sparkling Super Sax soli. Open section
for all to solo. This chart will work well for Concert or Dance gigs. Tpt. 1 top
note "G", top of staff. Scored for A/T/B/2 tpts/ 1 bone/& rhythm. Medium
Difficult.
WHEN YUR' EYES MET MINE - by Jim Weisheit - 60154 - $35. Easy
swing tempo. Pretty bone feature on melody. Solos: Tpt., Tenor. Scored for A,
T, B, 2tpts., 1bone & Rhy. Medium.
WHERE IS CARMELA GOING NOW - by Jim Cifelli - 60139 - $35. A
jazz tour de force that moves through several different grooves and features
guitar, trombone and an open drum solo. Alto and Baritone double on flute.
Medium advanced. (2 Trp., 1 Trb. A/flute,T,B/Flute, rhythm).
WHITE SILK - By ROBERT “BETO” SKILES (Concept Music) -
60089 - $32. Bossa. 1/4 note = 132. Easy-medium level. Lyrical melody
framed by rich harmonic textures. Variety of solo options.
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WHO CAN I TURN TO - by Bob Meyer - 60177 - $35. Great standard
arranged in a laid back medium swing feel, about mm=96. Full-sounding
ensemble scoring, flexible solo options with backgrounds cross-cued.
Medium.
WHO KNOWS? - By JOHN MILLS (Concept Music) - 60090 - $34. -
Ballad. 1/4 note = 90. Medium level. This contemporary ballad is written with
a high level of emotional intensity. Feature for either tenor or soprano.
WHY, WHEN I WAS YOUR AGE – by Steve Kessler - 60239 - $25. This
tasty, high energy, up-tempo Latin/rock chart has a super groove that kids
love, with an open solo section, comfortable ranges and well written rhythm
section parts. A fun piece for young students! Everything about this chart is
really playable, from ranges to rhythms, so your band will be performanceready
in no time at all. Includes an open solo section over easy chords, which
is a great way to let everybody stretch out with a little improvisation work.
Guaranteed to get your audience’s attention! Trombone to D (above staff) and
Trumpet to G (above the staff). A/T/B/2 Tpt./ 1 Bome/G/P/B/D. Easy
Medium.
WINDOW SEAT - by Jeff Richmond - 60256 - $33.Venturing into the
world of R&B, Window Seat is a slow moving 4/4 groove-based chart with a
smooth memorable melody. Audiences will enjoy the slow jam feel of this
chart. Solo options for tenor sax, alto sax, trumpet, trombone, guitar, or piano.
No doubles. Trumpet range to written A above the staff. A/T/B /2 Tpt/1
Bone/G/P/B/D. Easy Medium.
WISE OLD OWL, THE - by Fred Forney - 60097 - $34. Contemporary
up tempo swinging hard bop. Melody for trumpet and bari. Open solo section
with cued backgrounds. Shout chorus for horns and drums only. No doubles.
Medium difficult. Scored for 2 trpt, 1 trbn, alto, tenor, bari, and rhythm.
YEAH... WE'RE SLEEPING TOGETHER - by Elliot Deutsch - 60192 -
$32. An up-tempo bebop tune reduced for little big band, based on the chord
changes to "Just Friends" in F. This is a great feature for a trumpet soloist and
has lots of room for saxophone solos. Lead trumpet plays a written double E
(opt. G). Instrumentation: alto, tenor, bari, trumpet 1, trumpet 2, trombone,
piano, bass, drums. Medium Difficult.
* * * NEW * * * YINGLE, YINGLE – by Dirk Fischer – 60288 - $32.
(OK, Jingle Bells) Saxes opening theme derived from Bill Finnegan's voicing
on the Miller recording and some of the devises utilized in Midnight Sleigh
Ride. Dirks orchestral theme variations are easily accessible but effective
Christmas Concert material. Trpt. I high C & Bbs. A/T/B/2 Tpts/1
Bone/P/B/D. Medium Difficult.
YO DOWN! - by GORDON GOODWIN - 60058 - $32. Aaron Copeland
meets Chet Atkins in this knee-slappin’ piano feature. Solo section can be
opened up for all. Chart is most effective when accompanied by numerous
“yee-ha’s” from within the band & audience! Alto dbls on Soprano. No score.
Scored for S,T,B, 2 Trpts, 1 Trbn, g,p,b, and d. Medium.
YOU’VE GOT TO GO - by Todd Fonauer - 60232 - $35. Slow “Li’l
Darlin” tempo swing featuring piano. Optional up-tempo tag open for solos.
Trumpet goes to high C...higher notes are optional. Scored a/t/b/2 tpt/1
tb/p/b/d.
ZAKE’S WITNESS - By ROB LOCKHART (Concept Music) - 60018 -
$32. Fresh, modem sound, lots of action for Drummer. Scored for A,T,B, 2
Trpts, 1 Trbn, g,p,b, and d. Includes optional 2nd Bone part.
* * SMALL GROUP / COMBO CHARTS * *
A.D.I.L.O.T. by MIKE DAVISON - 61056 - $13. For those of you who
have a teenager, A.D.I.L.O.T. is for your! A.D.I.L.O.T. (A Day In The LIfe of
Tranae) is a commerical hip-hop tune composed for my daughter Tranae. The
tune also contains plenty of space to blow over a swing, blues section. Scored
for Flugel, Tenor, and Rhythm. Medium difficult.
AFRO-DANCE - By Thom Mason - 61029 -$13. SImprovisational piece.
Modal bass groove. Conceptually difficult. Scored for Bb/Eb/C/Bass clef
parts/P/B/D. Difficult.

AND NOW, FOR A SHOW TUNE - by David LieBman - 61110 - $25.
Jazz with chord chages. Instrumentation: soprano, Bb clarinet, oboe, piano,
bass, and drums. Soloist: soptional by group members as desired. Recorded on
“Timeline” by David Liebman - Owl/EMI (France). Difficult.
ANN MARIE - By Greg Yasinitsky - 61045 - $17. Lovely, jazz waltz duet
between Flute and Soprano. Scored for Flute/Soprano/Piano/Bass/Drums.
Difficult.
ANSWER MAN, THE - By Curt Berg - 61054 - $17. - Medium swing
feel, and alternates between 6/4 and 4/4 time. The rhythm parts are fully
notated on the nead, and will challenge the best band. The solos are mostly in
6/4 time, and a short written interlude separates the soloists. Scored for
Trumpet, Tenor, Trombone, and Rhythm.
APACHE NIGHTMARE - By Thom Mason - 61030 - $17. Exciting, very
demanding head played by all Samba/up-swing. Scored for Bb/Eb/C/Bass
clef/Piano/Bass/Drums. Difficult.
APARTMENT 5 - By Kim Richmond - 61003 - $20. Medium 1/2 x rock
feel. Scored for Alto, Tenor, Bari, Trumpet, Bone, and Rhythm.
BEACHWOOD - by Kim Richmond - 61114 - $28. This one has important
parts for the rhythm section. Unison octaves for the bass and piano have
important lines in the intro and head. The melodic line in the horns is angular
yet flowing. Solo section has interesting changes and an optional horn
background is provided. Scored for: trumpet, alto (or tenor), tenor (or
trombone), piano, bass, and drums. Optional 4th horn part (bone or tenor),
optional guitar.
BEAUTIFUL EVENING - arr by Bobby Shew , comp by Reed Kotler -
61000 - $13. Ballad. Scored for Flugelhorn and Rhythm section. Medium.
BLACKHAWK - By Greg Yasinitsky - 61046 - $15. Medium-up tempo,
be bop tune with long solo breaks. Interesting changes. Scored for
Trumpet/Tenor/Piano/Bass/Drums. Diff.
BLUES FOR KENNY B. - arr by Bobby Shew , comp by Reed Kotler -
61010 - $10. Medium slow Gospel feel. Scored for Trumpet, Alto, and
Rhythm section. As recorrded by Bobby Shew Quintet on “Play the Music of
Reed Kotler.” Medium.
BLUES FOR T.H. - arr by Bobby Shew , comp by Reed Kotler - 61012 -
$10. Funk shuffle. Scored for Trumpet,, Tenor, and Rhythm section. As
recorded by the Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Mediuim.
BLUES FOR WOODY A. - By Greg Yasinitsky - 61047 - $12. Funky,
blues shuffle with unusal changes. Each chorus starts on IV. Scored for
Trumpet/Tenor/Piano/Bass/Drums. Medium difficult.
BREAKING OF THE CODE, THE - by David LieBman - 61108 - $19.
This is an odd meter modal vamp tune with a rather dark harmonic
atmosphere, some rubato call and response as well. Instrumentation: Soprano
sax, tenor sax, trombone, piano, bass, and drums. Soloists: optional by group
members as desired. Recorded by David Liebman on “Timeline” - Owl/EMI
(France). Difficult.
CAL 20 - By Kim Richmond - 61006 - $20. Ballad-medium swing jazz. A
gentle melodic line, with a continually changing harmonic pattern, leads to
solos for Trombone and Piano, the latter characterized by Drums dropping in
and out over a walking Bass. Scored for Alto, Tenor, Bari, Trumpet, Bone,
and Rhythm.
CALYPSO BOP - arr by Bobby Shew , comp by Reed Kotler - 61015 -
$14. SCalypso Bop feel. Scored for Trumpet, Flute, and rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
* * * NEW * * * CHASING SQUIRRELS – by Tom Dossett – 61119
- $11. Jazz Combo - Horns: trumpet, alto sax, trombone / Rhythm: KB,
guitar, bass, drums. Energetic rock with horn lines adding to the exciting pace.
Section opens up for everyone to solo. Medium.
94
CHRIS CRAFT - by Mike Davison - 61008 - $13. Up tempo shuffle/swing
chart with periodic use of unison riffs by the entire band. Chart that really
grooves and originally composed for saxman Chris Vadala. Scored for Alto,
Trumpet, Rhythm and Aux Perc.
CLOUDS - By Thom Mason - 61031 - $12. Contemporary bossa/samba
with a very relaxed melody and set of changes. Scored for Bb/E/C/Bass
clef/P/B/D. Medium difficult.
COMMON DENOMINATOR by KIM RICHMOND - 61063 - $28.
This fast swing starts with a signature concerted jagged figure, after which the
rhythm section explodes with walking time. Octave horns enter with melodic
fragments which lead to a middle section. Exciting swing with freedom vibe.
Two solo chord sections, background figures. Concert score provided. Scored
for Trumpet, Alto, Trombone or Tenor, and Rhythm. 1st, 2nd, and 3rd horn
parts can be prvoided by any instrument.
COOP - arr by Bobby Shew , comp by Reed Kotler - 61016 - $13.
Medium up swing. Scored for Trumpet, Tenor, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium difficult.
CORRECTIVE MEASURES - by KIM RICHMOND - 61075 - $28. -
Based on a constant pedal-point and a regular 2-bar accompanying pattern,
this uneven-phrased angular melody line spins out into an open free solo
section (on an opt’l D pedal). A shourt background or interlude section is “on
cue.” Rhythm is straight-8th swing, medium fast 4 (feeling of cut-time).
Scored for trumpet, alto, trombone or tenor, and rhythm.
CROSSWEAVE - by Kim Richmond - 61115 - $28. A swinging modern
chart with an involved oblique melodic horn line and start and stop rhythm.
Open improv section, a repeated solo drum ensemble section after the last
head. Scored for trumpet, alto, trombone or tenor, and rhythm.
DARLING, I LOVE YOU - arr by Bobby Shew , comp by Reed Kotler -
61017 - $13. Bright Jazz Waltz. Scored for trumpet, alto, and rhythm section.
As recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
DATA BANK by KIM RICHMOND - 61087 - $28. Starting with an
uneven rhythmic figure vamp intro, the start and stop horn theme is partly
octaves, partly built on parallel 4ths, partly 3-part voiced. The rhythm section
(especially drums) have plenty of ensemble figures to catch. Solos can be
free.Swing rhythm feel. Scored for Trumpet, alto, trombone or tenor, and
rhythm.
DEEDLE, DEEDLE - By Lou Fischer - 61028 - $13. Up tempo be bop
“rhythm” tune. Chop-buster bridge. Scored for Clarinet/Piano/Bass/Drums.
Difficult.
DISTANT SONG - arr by Bobby Shew , comp by Reed Kotler - 61020 -
$14. Spacy Latin feel. Scored for alto/flute and rhythm section. As recorded
by Bobby Shew Quintet on “Play the Music of Reed Kotler.” Medium.
DONE IT! - by Don Bowyer - 61002 - $17. Funk tune with an eight-bar
swing tag to each chorus. Alto, tenor, trumpet, trombone, and rhythm.
Medium.
DOS GATOS DIABLOS - by Don Bowyer - 61007 - $17. Medium-tempo,
old-school salsa feel with a two-bar descending chromatic chord line and
independent horn lines that dovetail around each other. Trumpet, tenor,
trombone, and rhythm.
EVEITIS - By Mike Davison - 61013 - $13. Rock ballad. A ballad with a
good groove. Piece was written for an Akai Electric Valve or Wind
instrument. However, it can be easily played by any treble clef instrument.
EVI (EWI, treble-clef instr), Soprano sax, Piano, Guitar, Bass, and Drums.
FER NOW Comp by Dave Scott, arr by KIM RICHMOND - 61076 -
$28. This even-8th medium-tempo tune features a haunting 2-part melodic
line which spins out over three tonal areas. Open solos explore these
tonalities. Head and solo chord section. Scored for trumpet, soprano,
trombone or tenor, and rhythm.

FLIM FLAM - By Greg Yasinitsky - 61048 - $12. Rhythm changes tune.
Starts with tenor/bass duet. Trumpet bridge. Scored for trumpet/tenor/and
rhythm. Medium difficult.
FLUGEL GOURMET, THE - By CURT BERG - 61068 - $22. -
Trumpeeter Ron King and chef Jeff Smith were iht inspirations for this bossa
nova. The melody is stated twice with different harmonizations, both of which
are incorporated into the solo form. Scored for flugel, tenor, bone, and
rhythm. Medium difficult.
FOUR WALLS - By CURT BERG - 61069 - $22. - Here is a ballad which
alternates between 4/4 and a slow swinging 3/4. This chart has heavily notated
rhythm parts and compolex harmonies and should be an interesting challenge
for a top band. Scored for flugel, tenor, bone, and rhythm. Difficult.
GLORIA'S BOSSA NOVA - By Greg Yasinitsky - 61050 - $12. Lyrical
bossa nova ala/Jobim with a long form: AABAA = 48 measures. Scored for
Trumpet, Tenor, and Rhythm. Difficult.
HAPPY DAY - arr by Bobby Shew , comp by Reed Kotler - 61021 - $10.
Ballad. Scored for Alto and Rhythm section. As recorded by Bobby Shew
Quintet on “Play the Music of Reed Kotler.” Medium.
I COULDN'T HAVE LOVED... - arr by Bobby Shew , comp by Reed
Kotler - 61025 - $13. Ballad. Scored for Trumpet and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
I NEVER KNEW CLIFFORD - arr by Bobby Shew , comp by Reed
Kotler - 61088 - $14. Up tempo jazz. Scored for trumpet/ alto, and rhythm
section. As recorded by Bobby Shew Quintet on “Play the Music of Reed
Kotler.” Medium.
IS IT YOU GENE? - By MIKE DAVISON - 61078 - $13. This
commerical jazz-rock chart (ala Quincy Jones) is a beature for Trumpet and
Guitar. Composed for guitarist Gene Bertoncini, it is a must for any
contemporary combo. Scored for trumpet, guitar, soprano/tenor (double), and
rhythm. Medium difficult.
I'VE GOT DEM 'OL REDONDO BEACH BLUES, MAMA - By Thom
Mason - 61032 - $12. Contrasting extemes in style. Happy, foot-stomping
gospel section. Scored for Bb/Eb/C/Bass clef and rhythm. Medium difficult.
JENNY - arr by Bobby Shew , comp by Reed Kotler - 61089 - $14.
Bossa Nova feel. Scored for Flugel, tenor, and rhythm. As recorded by Bobby
Shew Quintet on “Play the Music of Reed Kotler.” Medium.
JUST HAVING SOME FUN - arr by Bobby Shew , comp by Reed Kotler
- 61090 - $12. Up tempo swing. Scored for trumpet, alto, and rhythm. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
LEPRACHAUN - by David LieBman - 61106 - $15. SFast jazz with
chord changes. Scored for soprano, tenor, flugel, and rhythm. Soloists:
optional by group members as desired. Medium.
L.K.A. - By Shelly Berg - 61027 - $15. Lovely contemporary bossa with
nice flowing changes. Scored for Bb/Eb/C/ and rhythm. Medium.
MAGNETIC NORTH - By CURT BERG - 61067 - $22. - To celebrate his
move north, Berg has come up with this straight-ahead chart featuring an
angular line, mixed meters, and a tricky ensemble section. The horns include
soprano, flugelhorn, and trombone. Difficult.
MAMBO GALANTE - by Bob Washut - 61086 - $20. This is a small
group version of the big band chart commissioned by Bobby Shew. Features a
variety of rhythmic feels, including some montuno, Afro-Curban 6/8 and
mozambique. Scored for 2 trumpets, trombone, tenor, rhythm section, and 3
Latin percussionists (bongos, timbales, congas). Medium difficult.
MINGUS AMUNGUS - By MIKE DAVISON - 61018 - $13. Double x
swing chart with a suble use of Charles Mingus “Goodbye Pork Pie Hat”
melody. Fun to blow over. Scored for Soprano, Trumpet, Tenor, Rhythm
section, and Aux Perc.
95
MOVE ON SOME - by David Liebman - 61111 - $35. Fast jazz with
chord changes. Scored for soprano, tenor, trombone, and rhythm section.
Recorded by Dave Liebman on “Timeline” - Owl/EMI (France). Difficult.
MY LEG - By MIKE DAVISON - 61019 - $13. Double time latin chart
composed for Herbie Mann. Exciting chart with a slow intro and easy
changes. Scored for Alto, Trumpet, Rhythm section, and Aux Perc.
NICE GROOVE - arr by Bobby Shew , comp by Reed Kotler - 61091 -
$16. Medium up swing. Scored for Trumpet, Tenor, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
NIGHT TO RMEMBER - arr by Bobby Shew , comp by Reed Kotler -
61092 - $11. Medium 2 swing. Scored for Trumpet, Tenor, and Rhythm
section. As recorded by Bobby Shew Quintet on “Play the Music of Reed
Kotler.” Medium.
NOT FROM AROUND HERE - by Don Bowyer - 61001 - $17. Fast
swing fugue for four horns. Alto, tenor, trumpet, trombone, and rhythm.
Medium Difficult.
ONE FOR BOBBY - arr by Bobby Shew , comp by Reed Kotler - 61093
- $10. Medium up swing. Scored for Trumpet, Tenor, and Rhythm section.
As recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
ONE FOR SMITH - arr by Bobby Shew , comp by Reed Kotler - 61094 -
$10. Easy 2 swing. Scored for Trumpet, Tenor, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
OUT TO LUNCH - by Don Bowyer - 61005 - $17. Rhythm changes with a
unison bridge that burns. Trumpet, trombone, bari, and rhythm. Difficult.
PHAEDRUS - By ALEX ILES - 61064 - $22. - Medium tempo “neo-bop”
tune with some alternating meters and a modal solo section. Scored for
trumpet, tenor, bone, and rhythm section. Optional substitute parts in Bb, Eb,
C, and Bass Clef for each horn part are included.
PICADILLY LILLY - by David LieBman - 61112 - $25. Jazz with
chord changes. Instrumentation: Trumpet or soprano, tenor, trombone, and
rhythm section. Solos: Soprano or trumpet and piano. Recorded by Dave
Liebman on “Timeline” - Owl/EMI (France). Diff.
PORT LIGAT - by David LieBman - 61109 - $17. Slow eighth note
ballad with vamp.. Instrumentation: 2 soprano sax, trombone, and rhythm
section. Solos: Soprano or trumpet and piano. Recorded by Dave Liebman on
“Timeline” - Owl/EMI (France). Difficult.
RAINY CITY BLUES - By CURT BERG - $15. - Combines a bright
straight 8th feel with a predominantly minor chord structure, a lyrical melody,
and a challenging ensemble chorus after the solos. It’s not a traditional blues,
but the changes are user-friendly. Scored for Tenor, Flugel, Trombone, and
Rhythm section.
RANGE - by Kim Richmond - 61085 - $20. The piano pattern establishes
the mood of the piece (even-eigths, but not Rock). The unison melody in soft
horns, occasionally joined by bass, spin a moving line. the second section has
concerted ensemble in jutting sporadic chords underpinning a drum solo. A
wild transition leads to the solo section (a 40-bar repeated section). Medium
difficult.
REAL GEORGE - By Kim Richmond - 61022 - $17. An ideal opener for
a concert program. After a fanfare type intro, a straight-ahead driving rock
lifts the band into a striking theme. Fiery vamp for the Alto solo, optional
open for more. Scored for Alto, Tenor, Bari, Trumpet, Bone, and Rhythm
section.
REAL McCOY - By Greg Yasinitsky - 61052 - $12. Modal tune ala
McCoy Tyner. Pentatonic melodic ideas over pedal points. Scored for
Trumpet, Tenor, and Rhythm section. Medium difficult.

ROSE OF CORDOBA - By Thom Mason - 61034 - $18. A 3/4 jazz waltz
inspired by classic Flamenco dancers of Spain. Scored for Bb, Eb, C, Bass
Clef, and Rhythm. Medium difficult.
RUDOLPH SENDS OUT FOR PIZZA - By Paul Combs - 61117 - $17. A
medium-up tempo romp through the changes of a well-known Christmas
song, with some background details behind the solos and a structured drum
solo. Trumpet to A above the staff. Scored for Alto, Tenor, Trumpet, and
Rhythm section. Medium difficult.
RUSTING ON MY LAURELS - By Curt Berg - 61061 - $14. Jazz ballad
opening with a rubato piano intro, tune features flugelhorn. Scored for Tenor,
Flugel, Bone, and Rhythm section. Medium difficult.
SAY GOODBYE - by CURT BERG - 61080 - $15. Here is a ballad with a
plaintive melody and rich, dark harmonies. Tenor sax is featured at first, soon
to be joined by the Flugelhorn and Bone. Scored for Tenor, Flugel, Bone, and
Rhythm.
SENSIBLE SHOES - By Curt Berg - 61066 - $22. Here’s a medium
swinger with lots of harmonic action and much ensemble writing. Scored for
Flugel, Tenor, Bone, and Rhy. Diff.
SIMPLE THINGS - By ALEX ILES - 61065 - $22. - A fusiony ballad for
three horns and rhythm. Scored for soprano sax (optional Eb, C, and Bass clef
parts included), Trumpet, bone, and rhythm.
SLUMBER - by David LieBman - 61105 - $12. Slow jazz with chord
changes. Scored for Soprano, Tenor, Flugel, Piano, Bass, and Drums. Soloists:
optional by group members as desired. Medium.
SOMETHING SHE WOULD DO - by David LieBman - 61113 - $25.
Ballad. Scored for Soprano, Bb Clarinet, Oboe, Piano, Bass, and Drums.
Soloists: optional by group members as desired. Recorded by Dave Liebman
on “Timeline” - Owl/EMI (France). Difficult.
SONG FOR LAURA - By Greg Yasinitsky - 61039 - $12. Jazz ballad
featuring a rich melodic statement for tenor sax. Scored for Tenor, Piano,
Bass, and Drums. Med difficult.
* * * NEW * * * STRUTTIN’ MY STUFF - by Tom Dossett – 61120
- $11. Jazz Combo - Horns: trumpet, alto sax, trombone / Rhythm: KB,
guitar, bass, drums. Great funk feel with horn section delivering an added
punch. Section opens up for everyone to solo. Medium. Trpt. to Bb.
TAKE ME WITH YOU - arr by Bobby Shew , comp by Reed Kotler -
61095 - $11. Ballad. Scored for Flugel, Alto, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
TEARS FOREVER - arr by Bobby Shew , comp by Reed Kotler - 61096
- $12. Medium 2 swing. Scored for flugel, Tenor, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
TOMORROW'S EXPECTATIONS - by David LieBman - 61107 - $12.
Ballad. Scored for Soprano, Tenor, Flugelhorn (or trumpet), Piano, Bass, and
Drums. Soloists: optional by group members as desired. Recorded by Pete
LaRoca Sims on “Swingtime” on Blue Note. Medium.
TOO SOON - arr by Bobby Shew , comp by Reed Kotler - 61097 - $11.
Up tempo be-bop. Scored for Trumpet, Tenor, and Rhythm section. As
recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
TRACKS - By KIM RICHMOND - 61084 - $28. This up tempo bebop
swing features a horn motif with odd spaces in between. It looks harder than it
is, but it sounds hip and natural. The open solo section is over four chords
with a break phrase at the end.
TRAINS by KIM RICHMOND - 61081 - $17. The mood on this is Latin
a la Coltrane/McCoy Tyner/Elvin Jones. It’s an extended blues built on “suschords”
with a dynamic thematic line. Harmonies on last section built on 4ths.
Open solo section is a 24-bar blues. Latin or even-8th swing feel. Head and
96
solo section chords. Scored for Trumpet, Alto, Bone or Tenor, and Rhythm
section.
TRANSLUCENCE - by David LieBman - 61104 - $17. Jazz waltz.
Scored for Soprano, Tenor, Flugelhorn (or trumpet), Piano, Bass, and Drums.
Soloists: optional by group members as desired. Difficult.
TROUBLESHOOTER - by Kim Richmond - 61116 - $28. A rhythm
section ostinato is the basis for this chart, the harmony of which is built
mostly in 4th. The solo section is free but has two different backgrounds and
send-off between solos. Scored for Trumpet, Alto (or tenor), tenor (or bone),
piano, bass, and drums. Optional 4th horn part and opt’l guitar.
TUESDAY BLUES - arr by Bobby Shew , comp by Reed Kotler - 61098 -
$10. Medium slow shuffle. Scored for Trumpet, Tenor, and Rhythm section.
As recorded by Bobby Shew Quintet on “Play the Music of Reed Kotler.”
Medium.
TWEETIE'S DELIGHT - by David LieBman - 61103 - $17. Straight
ahead jazz with chord changes. Scored for Soprano, tenor, trumpet, piano,
bass, and drums. Soloists: optional by group members as desired. Difficult.
TWIN BILL - By Greg Yasinitsky - 61053 - $17. Up tempo, AABA bop
tune. Similar to “Yardbird Suite.” Tricky bridge. Scored for Trumpet, Tenor,
and Rhythm. Difficult.
* * * NEW * * * WAGGIN’ IT – by Tom Dossit – 61118 - $11. Jazz
Combo - Horns: trumpet, alto sax, trombone / Rhythm: KB, guitar, bass,
drums. Laid-back, easy-going rock shuffle with a defining bass line. Section
opens up for everyone to solo. Medium.
WHERE ARE MY KEYS, ALEX? - By Mike Davison - 61026 - $13.
SFunk/rock song with Trumpet/Bass playing a bop-like melody. Trumpet,
Alto, Piano, Guitar, Bass, and Drums.
WHERE’D THE SONGO? - By Don Bowyer - 61004 - $17. Latin tune
with a songo beat. Alto, tenor, trumpet, trombone, and rhythm. Medium.
YESTERDAY & TODAY - By Thom Mason - 61033 - $12. A lovely
soprano feature, written in the style of Keith Jarrett. Scored for Bb, Eb, C,
Bass Clef, Piano, Bass, and Drums. Medium.
YOU ARE THE ONE - arr by Bobby Shew , comp by Reed Kotler -
61099 - $12. Medium tempo samba. Scored for Trumpet, Alto, and Rhythm
section. As recorded by Bobby Shew Quintet on “Play the Music of Reed
Kotler.” Medium.
ZOOT SUIT - By GREG YASINITSKY - 61070 - $14. Easy blues with
a catchy head. Scored for Trumpet, Soprano-Tenor, and Rhythm. Medium.
* * * SAX QUARTETS * * *
ADAGIO FOR SAXOPHONE QUARTET - By Ladd McIntosh - 65001 -
$15. For SATB. Score and parts.
ANGST - by Joseph Carucci - 65033 - $13. The third and last movement of
the Continental Suite for saxophone quartet (SATB) concludes with the
baritone saxophone feature Angst. The composition features pointed
articulation, multiphonics, and an inprovised baritone saxophone cadenza.
Medium.
CHRISTENING BLUES - by RUSS PETERSON - 61619 - $20. HARD-
BOP SAXOPHONE QUARTET SERIES. AATB, improv in alto and tenor.
Inspired by the writings of Chick Corea, this piece is based on fourths and
other interesting harmonics. The head is a 12-bar blues in G minor, while the
solo sections are modal over a 16-bar repeating pattern. The varied
instrumental colors of “Christening Blues” explore the spectrum of saxophone
possibilities with honking, squawking, screaming, slapping, etc. Difficult.
COME WHAT MAY - by MARK WATKINS - 61620 - $14. SATB,
improv in sopranol. Count Basie medium swing style. Somewhat challenging
soli/shout section with 16th note passages in soprano and tenor unisons with

ari and alto harmonic support occasionally jumping into the 16ths. Standard
Basie voicings & a straight-forward melodic line. Medium Difficult.
DOCTOR BROTHER’S MUSIC BOX by Mark Watkins - 65010 - $13.
SATB, additive group improv on a single chord. Tune starts quasi-music boxlike
but transforms into a jazz groove (straight feel). Some use of layered
repeating patterns and semi-through composed melodic materia. Challenging
16th-note section with side-slipping lines in soprano and alto over
drone/modal foundation in tenor and bari. Fun to play.
DON’T STEP ON YOUR NECK - by MARK WATKINS - 61621 - $16.
SATB, improv in soprano and bari. Compositionally complex, this work is
based on fourths and altered chords and scales such as lydian dominant and
the super-lodrian or diminished whole-tone. Following a bari cadenza is a
technically demanding “shout” chorus where the primary difficulty lies in the
alto and tenor. Difficult.
EXCHANGES - By PAUL RINZLER - 65009 - $14. Med up swing.
Saxophone Quartet features contrapuntal bebop writing, using two
simultaneous, soloistic melodies with accompaniment from another
saxophone. Combination of three saxes playing at any one time rotates
throughout the quartet. SATB a cappella, no improvisation (optional Alto
substitute part for Soprano). Med-diff.
HOUSE THAT MY FATHER BUILT, THE - by Mark Watkins - 65030
- $10. AATB, solos in alto 1 and tenor. The groove is straight, based on a hiphop
beat concept. In rondo form with an ethereal melody over an open fifth
modal sound leading into bebop 16ths and modern harmonic progressions.
Solos start with an open modal section followed by rondo alternations of
modern chord progressions and modal harmonies. Medium.
I’M FREE - by RUSS PETERSON - 61622 - $14. HARD-BOP
SAXOPHONE QUARTET SERIES. AATB, improv in alto 2. Hard-Bop’s
tribute to reggae. This simple D minor tune has a great feel and is refreshing.
It always receives favorable comments from audiences, perhaps because of
the straightforward melody and non-complex harmonies. Alto 1 carries the
melody, alto 2 has an improv solo. Medium level
JACK THE GIANT KILLER - by MARK WATKINS - 61624 - $15.
SATB, improv in alto and soprano. The entire story of Jack and the Beanstalk
is told in this programmatic bebop blues while paying tribute to a number of
jazz “Giants.” The melody has similarities to Charlie Parker’s “Now’s the
Time,” the rhythm at the beginning of the shout chorus is comparable to
Brubeck’s “Take Five,” and the chord progression in the middle of the shout
chorus, leading into the section where the Giant is chasing Jack, is originally
from Coltrane’s “Giant Steps.” Difficult.
KAYAMJEN by Mark Watkins - 65011 - $13. SATB, improv in soprano.
Straight rock-like feel at onset, moves to a mixed meter jazz waltz, then to a
swing solo section and out. 8-bar, three chord repeating section for improv,
walking bari, cued backgrounds. Rondo-like form ABACBA. Generates a lot
of energy.
LONELINESS OF A LONG DISTANCE RUNNER, THE - by David
Liebman - 65022 - $30. Arr by Caris Visentin. This suite which is
approximately 30 minutes in length for satb is a challenging orchestration of
Liebman's solo recording of this title. It features soprano sax lead, but also
many instances of group improvisation based on tone rows, motifs, and other
serial ideas. Difficult.
L’ULTIMA CANZONA - by RUSS PETERSON - 61625 - $12. HARD-
BOP SAXOPHONE QUARTET SERIES. AATB, opt. improv in the 2 altos
and tenor. Translated as “The Last Tune,”. Latin groove with vamp in the
beginning for introduction of players, and a vamp in the middle for a “walkout-in-the-audience”
schtick. A great closer! Medium level.
LULLABY FOR AMY - by MARK WATKINS - 61626 - $13. SATB,
improv in soprano. AABA jazz ballad. Could be classified as medium in
difficulty but does require some endurance. The lyrical melody is shifted
around the soprano, alto, and tenor saxophones. Harmonies are based on
fourths and altered chords. Mediumdifficult.
OF THINGS HOPED FOR by Mark Watkins - 65012 - $13. SATB,
improv in alto. AABA jazz ballad, lyric melody, interesting chords. 16th note
97
sextuplets and 16 bars of ballad (double time) improv most difficult elements.
Melody trades amongst all parts including bari.
ON A WARM SUMMER’S EVENIN’ by Mark Watkins - 65013 - $13.
SATB, improv in soprano. Based on a Newfoundland folk tune that helps
audiences to relate to the composition. Difficulty lies in use of mixed meters;
however, meters fit into a groove that makes them accessible. Modal-like
improvisation, group improv section. Large structure of composition is ABA.
Use of layered ostinatos.
PEAS IN A POD - by Mark Watkins - 65031 - $20. Quartet not designed
to stand alone (harmonies take advantage of roots in the double bass.) Solos in
bari and alto. Altered harmonic progression stemming from 'Cheek to Cheek'
give the tune a songbook feel. 14 to 17 bar phrase lengths. Style pays tribute
to the Cool School with lightly articulated counterpoint including fugal
entrances in the bridge. S, A, T, B, with Rhythm. Medium.
POPULATIC POND - by Joseph Carucci - 65034 - $13. The second
movement of the Continental Suite for saxophone quartet (SATB). Populatic
Pond features tenor saxophone's improvisation over a jazz ballad. Medium.
QUARTET O' SAX'S - by Dirk Fischer - 65028 - $13. Short tour de force
for Soprano, Alto, Tenor & Baritone Sax's. 4/4 Andante into 3/4 Moderato
into 6/8 into 12/8 into Swing. S, A, T, B. Sax quartet w/score. Medium.
REQUIEM - by MARK WATKINS - 61628 - $13. SATB, featured ballad
for tenor saxopone. Patterned after a Baroque concerto form. Harmonies,
phrase lengths, and melodic structures intended to depict a somewhat eerie
Requiem. Medium level.
REVIVAL, THE - by Mark Watkins - 61629 - $15. SATB, improv in all
parts, 12-bar blues. This tune is a rendition of a Southern tent revival complete
with a guest preacher, choir, and congregation. Built upon a twelve-bar blues,
the chart borrows ideas from the funky-jazz element of the late 50’s Hard
Bop. The bari and soprano have an opportunity to trade rolls as the bari solos
and the soprano plays a “bass” line. Later, the soprano and tenor solo together
followed by a shout chorus and a final solo by the alto. Always successful
with audiences. Medium.
SAX LIFE - by David Liebman - 65023 - $20. This unique piece features
four soprano saxophones in a wide ranging panorama of colors and harmonies
with a section of group improvisation featuring assigned multiphonics and
false fingerings. Difficult level.
SILENT SITE - by Russ Peterson - 61630 - $16. HARD-BOP
SAXOPHONE QUARTET SERIES. SATB, improv in soprano. This piece, in
a medium Latin style, provides a relaxing contrast for the listener in the midst
of an energetic concert. The melody is shifted around the top three
saxophones providing a break for the performer and variation for the
audience. Medium - Difficult.
STAR-SPANGLED BANNER - by Key/arr Nelson - 61616 - $15.
MEGA-SAX SERIES - Unique harmonies put new life into the National
Anthem without obscuring the traditional melody. This arrangement works
well at sporting events as well as in concert. David Demsey (“Saxophone
Journal”) calls it “a great blend of the modern and the majestic.” For
Saxophone Quartet A (or S)ATB. Medium level.
SUNSET IN SPERLONGA - by Mark Watkins - 65032 - $13. Quartet not
designed to stand alone (harmonies take advantage of roots in the double
bass.) Alto feature with homophonic and contrapuntal support from the
quartet enriching the complex harmonies. Beautiful melodic structures
tastefully not over-written. S, A, T, B, with Rhythm. Medium.
VANILLA CREAM SODA - by MARK WATKINS - 61623 - $13.
SATB, improv in bari and soprano. Jazz waltz with a 4/4 bridge. A few
interesting compositional elements include a canon which becomes
increasingly dissonant, ostinato, and minor seconds. Contemporary
composition but with a distinct melody and audience appeal. Medium
difficult.
VERMONT AVE - by Joseph Carucci - 65035 - $13. Vermont Ave. is
composed as the first movement of the Continental Suite for saxophone
quartet (SATB). It laternates between a straight eigth note feel and a swing
feel and includes some very challenging double time figures. Difficult

...WHO NEEDS ENEMIES - by Russ Peterson - 61632 - $20. HARD-
BOP SAXOPHONE QUARTET SERIES. AATB, improv in alto and tenor.
Written as a companion piece to another Hard-Bop Quartet composition,
“With Friends Like These....” “...Who Needs Enemies” was originally for
wind ensemble and quartet. Both charts have been arranged for quartet alone
placing additional responsibilities upon the performers. The style is that of a
straight 16th, quasi funk/fusion piece utilizing altissimo, slap tonguing, &
other contempoarary techniques. Diff.
WITH FRIENDS LIKE THESE... - by Mark Watkins - 61631 - $16.
SATB, funk/fusion oriented improv in soprano and alto. Makes use of rhythm
changes, ostinato, and modal techniques within a straight 16th contemporary
style. 16ths at quarter=152 are challenging with side-slipping pentatonic lines
creating an impressive effect. Difficult.
YOU’RE THE ONE - by Russ Peterson - 61633 - $13. HARD-BOP
SAXOPHONE QUARTET SERIES. AATB, alto 1 feature with improv.
Rock ballad that features the 1st alto throughout. The piece opens with three
quartal chords which set a contemplative mood. Rhythmic interplay in the
background supports the haunting melody. The ballad closes with the opening
chords. Medium - Difficult.
* * * SAX QUINTETS * * *
A.A. IN G MINOR by ALBERT ALVA - 61600 - $33. Slow walkin’
haunting Tenor feature. Opt’l Flute and Clarinet. Med. AATTB, Trpt, Trbn
and Rhy.
A.A. MEETS M.C. By ALBERT ALVA - 61601 - $35. Alto and Tenor
battle all the way at a med fast tempo. No dbls. AATTB, Trpt, Trbn & Rhy.
BITTER LEAF - by Dirk Fischer - 65029 - $17. Waltz for 5 sax's AATTB.
This quintet arrangement by Dirk Fischer, of his own materials, very well
demonstrates his craft with the big band sax section. Though only 52
measures in length, it does show off the sax section in a very melodic fashion.
Sax 5tet with score. Includes piano score. Medium.
BLOODY GOOD BLUES - By ALBERT ALVA - 61602 - $29. Med
shuffle featuring Tenor & Trombone. No dbls. AATTB, Trpt, Trbn & Rhy.
BOP CITY - arr by Harold Sherman - 65002 - $20. Fast Be Bop. Bop
City is a fun workout to rhythm changes. Students can swing on this
arrangement at a slower tempo than that of the Live At Birdland recording,
while advanced players can take the bull by the horns! Score and parts,
AATTB & rhythm section. Medium difficult.
BOY MEETS MOM - by Larry Nelson - 65014 - $20. Part 1 of “Sweet
For Joel” (performable by itself as well as part of the suite), this medium up
swing chart is loosely based on the chord progression to the jazz standard
“Autumn Leaves.” It gives solo opportunities to the lead alto and bari players.
Scored for five saxes and 3 rhythm.
CHICKEN BOLOGNA - By ALBERT ALVA - 61603 - $31. The
Chicken Bologna Orchestra’s theme song complete with a cappella Sax
section chorus and Dixieland ending. No dbls. AATTB, Trpt, Trbn and Rhy.
DOE-EYED - by Jett Hitt - 61610 - $20. MEGA-SAX SERIES - A
beautiful alto ballad starting with a slow 32 bar song form and building to a
double time tenor solo and sax soli. It winds down with a return to the bridge
in a double time feel and the opening eight bars in the original tempo. An alto
cadenza takes it out. Chart has a full score and are AATTB + piano, bass &
drums. Medium level.
EYES OF A CHILD - by Larry Nelson - 65015 - $20. Part 2 of “Sweet
For Joel” (performable by itself ans well as part of the suite), This is a ballad
that features the tenor soloist. The non-standard form of the tune (three 9-bar
phrases in ABA form) is reminiscent of the way in which a child looks at the
world. Scored for five saxes and 3 rhythm.
GETTING YOUR AXT TOGETHER - By ALBERT ALVA - 61604 -
$35. Med fast feature for Bass and Bari Sax. AATTB, Trpt, Trbn and Rhy.
98
GO TELL IT ON THE MOUNTAIN - by Don Bowyer - 65027 - $20.
Christmas medley for five saxes (soprano, alto, tenor, tenor, bari) and rhythm.
Includes Go Tell It On The Mountain, God Rest Ye Merry Gentlemen, and O
Come O Come Emmanuel. An accessible arrangement for any ensemble. Inst:
S, A, T, T, B. Easy medium.
IF YOU’RE WONDERING - by Harold Sherman - 61611 - $20.
MEGA-SAX SERIES - This is an arrangement of an original 32 bar ABAB’
tune, written to the changes of “Beautiful Love.” This composition was
recorded by Miles Osland and Mega-Sax for a “Master Class” Play-along CD.
Charts have a full score and are AATTB + piano, bass & drums. Medium
level.
LEMA BEAN - by Jim Carucci - 65036 - $20. Lema Bean is composed for
five saxophones (AATTB) and rhythm section. It is in the style of a light
bossa groove, but features a very challenging saxophone soli. Difficult.
LISA'S DA BOSSA - By MILES OSLAND - 65007 - $20. MEGA-SAX
SERIES - For Sax quintet (SATTB) & Rhythm section, no score. A nice
bossa melody with chromatic changes that works itself into a challenging
double time samba. Dedicated Miles’ saxophone playing wife, Lisa. The title
suggests who plays the bari in this family! Difficult level.
LYDIA (A LA MODE) - by Harold Sherman - 61613 - $20. MEGA-
SAX SERIES - This Lydian mode bossa nova emphasizes the raised 4th or
charp 11th. It also challenges soloists by covering a wide range of tonal
centers. The repetition of simple melodic figures over this somewhat complex
progression is what makes this arrangement interesting and fun to play. Charts
have a full score and are AATTB + piano, bass & drums. Medium level.
MISS ELLA - by Matt Catingub - 61606 - $30. Ballad featuring the
Baritone Sax all the way. Scored for AATTB, Trpt, Trbn, & Rhythm. No
doubles. Medium level.
NEW FRESH WALTZ - by Harold Sherman - 65025 - $20. With a 16-bar
form, this light and bouncy jazz waltz is the perfect opener, closer and solo
vehicle. The tempo can vary according to the level of musicianship, so this is
the ideal addition to the libraries of both professional and student ensembles.
Charts have a full score and are AATTB plus piano, bass and drums.
Medium.
NEW KID IN TOWN - by Larry Nelson - 65016 - $20. Part 3 of “Sweet
For Joel” (performable by itself as well as part of the suite), This chart
combines funk and contemporary styles, and it includes a saxes-only section.
Solo space is provided for alto and tenor.
POINT OF DEPARTURE - by Harold Sherman - 61614 - $20. MEGA-
SAX SERIES - Based on an original 12-bar “non-blues” melody, this chart
has a “wagon wheels” feel. Young players with limited exposure to the blues
should feel comfortable with the ionian mode composition, which just
happens to follow a typical blues roadmap. Charts have a full score and are
AATTB + piano, bass & drums. Easy - Medium level.
P'S ROUGH HOUSE - by Harold Sherman - 65024 - $20. A shuffle
with a deep groove, this arrangement is a great opener as well as a finale to
any concert. Not a blues, but with a very bluesy feel. It features an extremely
challenging soli section based on the solo recorded by composer Greg Abate
and transcribed by Tony Dagridi. The changes to the second half of the tune
provide a different type of challenge to the soloist. Score and parts, AATTB
and rhythm section. Difficult level.
STAR SPANGLED BANNER - by Curt Wilson - 65026 - $12. Exciting
"A-capella" version for standard sax section written in the Kenton saxophone
tradition, for 2 alto, 2 tenor and bari. Comes with score. Medium.
TRIP TO THE HARBOR. A - by Bryan Murray - 61617 - $20. MEGA-
SAX SERIES - A challenging tenor feature and saxophone soli based on
“Giant Steps” changes. The soli weaves in and out of treacherous unison and
harmonized lines. Inspired by the Mega-Sax New England tour and a trip to
Boston Harbor. Charts have a full score and are AATTB + piano, bass &
drums. Medium - Difficult level.
VIGNETTES FOR SAXOPHONE QUINTET VOL 1 - by JIM PERRY -
65019 - $20. Tunes include: Possum Dance (S,A,T,T,B), Troll March
(A,A,T,T,B), Common Ground (A,A,T,T,B), Cardiff (S,A,T,T,B).

VIGNETTES FOR SAXOPHONE QUINTET VOL 2 - by JIM PERRY -
65020 - $20. Tunes include: Darielle (A,A,T,T,B), Imagine My Surprise
(S,A,T,T,B), Big Shoe's Barbecue March (S,A,T,T,B), Life Goes On
(A,A,T,T,B).
VIGNETTES FOR SAXOPHONE QUINTET VOL 3 - by JIM PERRY -
65021 - $20. Tunes include: Rumpelstiltskin (A,A,T,T,B), Rapunzel
(S,A,T,T,B), Very Strange Brew (S,A,T,T,B), Twickenham 1939 (S,A,T,T,B).
* * * NEW * * * WELL, I MEAN, KIND OF – by Jason Covey –
65036 - $20. Dedicated to the excuses of music students everywhere upon the
teachers inquiry about the prior week’s practice, this original blues for
saxophone ensemble plus rhythm is written in a medium swing style at quarter
= 120. But don’t let the moderate tempo fool you, because double time
passages abound in the four-chorus sax soli with ever-increasing intensity.
The piece concludes with a stop-time chorus for the saxes before a reprise of
the melody. Mostly inspired by Bird, but with hints of Monk scattered
throughout. Scored for A,A,T,T,B, and P,B,D. Difficult.
WHO WILL REMEMBER - By ALBERT ALVA - 61609 - $32. Ballad.
Trombone feature with double time solo section. Opt’l Soprano. AATTB,
Trpt, Trbn and Rhy.
* * * TRUMPET DUETS * * *
LA REJOUISSANCE - by Keith Snell - 64074 - $10. From the music for
the Royal Fireworks, by George F. Handel. The famous fanfare is
authentically transcribed for two trumpets in Bb and organ. Difficult level.
Score and parts.
* * * TRUMPET QUARTETS * * *
FANFARE FOR THE GOUCHOS - by KEITH SNELL - 64086 - $13.
This fanfare was commissioned in the spring of 1989 by Robert Karon,
Professor of Trumpet at the University of California, Santa Barbara, for the
trumpet section of the UCSB Marching Band, known as the Gouchos.
It was first performed by the trumpet section from the bell tower
on the UCSB campus to commemorate the opening of the 1989 Conference of
the International Trumpet Guild. Though written in four parts, the piece was
written with outdoor performance in mind, and for that reason, doubling of
parts is acceptable. Medium difficult.
STAR SPANGLED BANNER - by Mark Thome - 64116 - $13. This
unique arrangement for trumpet quartet will be perfect for a concert or event
with its majestic character and interesting harmonies. Trpt. 1 to Dbl High G,
Opt’l G Above staff. Trpt. 2 to High Eb, Opt’l Eb on staff. Trpt. 3 to High C,
Opt’l C on staff. Medium.
* * * TROMBONE QUARTETS * * *
AVA (BOSSA NOVA) - By Randy Aldcroft - 64005 - $18. Trombone
quartet and Rhythm section. 2nd Trombone solo with ensemble chorus.
Score and parts
BREAKFAST WINE by RANDY ALDCROFT - 64013 - $18. Trombone
quartet with rhythm section. extended melody with comfortable changes. 2nd
trombone solo. Parts only.
KINDA-DIXIE - By Randy Aldcroft - 64010 - $21. Trombone quartet
and Rhythm section. 2nd Trombone and Piano stop-time solos with ensemble
chorus. Score and parts.
LOST IN THE SHUFFLE - By CURT BERG - 64011 - $24. Trombone
quartet & Rhythm sec. Moderate tempo. Chorus & bckgds are written in all 4
Bone parts. Solos are followed by a unison soli w/ bass, leading into a full ens
shout chorus. Bones 1 & 2 are in Tenor clef. Grade V. Parts only
LOVE SONG by RANDY ALDCROFT - 64016 - $18. Trombone quartet
with rhythm section.Ensemble ballad w/piano solo.
99
SOMEBODY'S SAMBA - By RANDY ALDCROFT - 64014 - $22.
Trombone quartet and Rhythm section. Featured by Ed Shaughnessys' group
on the Tonight Show. A fast Samba with Bass & 2nd Trombone solos &
ensemble chorus. Score and parts.
TRICKY LIX - by Randy Aldcroft - 64083 - $20. Trombone quartet. This
is in a fast 3/4 time with a 2nd trombone and a piano solo. Medium level. This
piece is the title track of tuba player Jim Self’s album called “Tricky Lix” on
Concord Records.
* * * TROMBONE QUINTETS * * *
1-10 TO L.A. - by Ryan Haines - 64090 - $36. Thoroughly developed
original work for 5 trombones and rhythm. Divided into three large sections,
the first two are solo features for lead trombone. Section 1 is in a Latin feel;
section 2 is a ballad that utilizes solo trombone and piano alternating with 4trombone
a capella writing; section 3 is an ensemble feature in a funk shuffle
feel. A wonderful performance piece. Lead trombone to high D. Medium
difficult.
JP'S DE-REGULATED BLUES - By Neal Finn - 64025 - $25. Trombone
quintet & Rhythm sec. Neal will leave it up to you to figure out what this
one's all about. It's a little wild and off the wall (does that give you a hint?)
Solo space for everyone on a straight ahead blues progression. Parts only
SAMBA BEN LOMOND - By NEAL FINN - 64028 - $25. Trombone
quintet & Rhythm section. This is a light Samba that really cooks. Feel
alternates between a Samba and a 4/4 Funky feel. Solo space for Piano
(Guitar) & 3rd Bone. Contrapuntal section will tie you up a bit. Parts only.
* * * TROMBONE SIX OR MORE * * *
BLUE LOBSTER - by John Guari - 64050 - $32. A bluesy swing chart
built on a descending bass line. Solo begins with a quiet stop time section that
builds back up to full on swing. Lots of dynamic contrast between the softest
and loudest sections. Solo in Trombone 4 (tenor) part. Trombone 1 goes up to
C (4 ledger lines and a space) above the staff. 6 Tenor Trombones, 2 Bass
Trombones, Guitar, Piano, Bass, Drums. Medium Difficult.
BLUES IN HOSS FLAT - by Doug Grieve - 64051 - $28. Shortened but
faithful transcription of Frank Foster's great Basie chart. A solo, 4 tenor and 2
bass trombones parts plus a rhythm section. Range: C above middle C to C
two octaves below middle C. Works great with two on a part. A crowd
pleaser. Difficult.
GOIN’ ALL OUT - By DAVE WELLS - 64060 - $38. - A flag-waving
opener based on the familiar chords of “In A Mellotone” mixing lots of
contrapuntle lines with solid “Woody Herman” type ensemble writing and
featuring Trombones I & V. Written for 5 tenor ‘bones, 2 bass ‘bones and four
rhythm. All four rhy are essential.
HOOSIER DADDY - by Curt Berg - 64089 - $35. If the title doesn't
suggest the tune on which the chords in this Curt Berg chart is based, it will
soon become apparent when played. The key, however, modulates up a minor
third half-way through the tune. This is mostly a modern-sounding
arrangement with an angular melody and interesting chord substitutions, but
there is a quasi-Dixie section near the end. The first solo section alternates
bass and bass trombone, and the fourth bone gets an extended solo later. The
solos sections follow the harmonic format of the head. This is a fairly difficult
arrangement, but probably playable by excellent college ensembles. Difficult.
Scored for 5 tenor bones, 1 bass bone, and rhythm.
INTERPLAY - by Curt Berg - 64079 - $35. Interplay is a medium minor
blues, and one of Bill Evans’ earlier compositions, and this arrangement
utilizes elements of the arrangement on his album of the same name. There is
much additional material as well. The bass trombone is featured both in
written and improvised solos, and the third trombone has an extended solo as
well. Both the bassist and drummer have short solo sections with ensemble
sendoffs. Difficult. Scored for 5 tenor bones, 1 bass bone and rhythm.

1940 BALLAD - By DAVE WELLS - 64064 - $39. - A beautiful melody
with written solos for Trombone III and VI (bass trombone) in a slow 1940’s
fox trot feel. Written for 5 tenor ‘bones, 2 bass ‘bones and four rhythm. All
four rhythm are essential.
OL’ TIME GROOVIN’ - by DAVE WELLS - 64022 - $35. Li’l Darlin’
type chart. Medium tempo swing chart. Features Trombone solo, Guitar solo,
and Bass solo. Written for 5 tenor bones, 2 bass bones, and rhythm.
RIDING THE BAVARIAN SIDECAR FOR 8 BONES AND RHYTHM -
by Ryan Haines - 64018 - $35. This humorous piece uses a New Orleans
street beat as the underpinning for a raucous back and forth between two 4bone
choirs who come together for a roaring close. Open solo section over Bb
blues. Based on the big band version of Riding the Bavarian Sidecar recorded
by the Ryan Haines Big Band on “People and Places” on Sea Breeze Jazz.
Medium.
SÉNOR MOMENT -by Curt Berg - 64087 - $50. Here is a chart based on
changes from a well-known jazz classic from the 60’s which alternates
between Latin and swing feels. Soloists include bass trombone, piano, tenor
bone, and drums. The ensembles are demanding, but probably playable by a
good ensemble. 5 tenor bones, 1 bass bone, and 3 rhy. Diff
SERENADE - by George Masso - 64048 - $30. This is a Trombone Octet.
It's a slow piece which is written for six tenor and two bass trombones. It's
tonal and very lyrical. Medium difficult.
STRUTTIN’ HAPPY - by DAVE WELLS - 64068 - $35. An almost blues
chart. Medium slow tempo. Laid back and dirty. Solos for muted lead
trombone and piano. Written for 5 tenor bones, 2 bass bones, & rhythm.
34 SKIDOO - by Curt Berg - 64082 - $35. The title of this Bill Evans
composition suggests the fact that the meter continually alternates between
sections of 3/4 and 4/4/ time. The tempo is medium fast with a strong swing
feel. Both tenor trombone and piano are well-featured to this tune’s intensely
chromatic changes, and there are some trombone “fours” near the end. This
arrangement is quite difficutl technically and demands an excellent bass
trombonist. It will challenge top professional groups. Scored for 5 tenor
bones, 1 bass bone and rhythm. Diffult.
TURN OUT THE STARS - Comp Bill Evans, Arr CURT BERG - 64076
- $35. This arrangement of one of Bill Evans’ most famous and haunting
ballads is the first in a series of Evans’ compositions currently being written
by trombonist/arranger Curt Berg. The melody/lead is split between two
players, and the jazz may be shared in desired. The arrangements employs
mixed meters at beginning and end, and requires a rhy section with very good
reading ability. The first & second parts will require a strong high register.
Written for: 5 tenor bones, bass bone, rhy.
* * * TUBA-EUPHONIUM OCTET * * *
AMAZING GRACE - By Ryan Haines - 64114 - $23. Arr by Ryan
Haines. An exciting version of this traditional hymn, orchestrated for 4
euphoniums and 4 tubas. This piece begins with a fast minor setting of the
melody in 4/4, then pairs up the instrumentalists for a canon and closes with a
slow 3 setting of the melody in major, followed by an energetic drive to the
finish in the original tempo. A truly unique and entertaining interpretation of
this well known arrangement. Med.
* * * BRASS QUARTETS * * *
CARILLON - by Keith SnelL - 64095 - $13. A brass quartet (2 Bb
trumpets, two trombones). This original piece for brass was inspired by the
sounds of "changes" sounded by the bells of Coventry Cathedral in England.
It is excellent for church services or concerts. Medium difficult. Score and
parts.
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* * * BRASS QUINTETS * * *
* * * NEW * * * AMERICAN PATROL, THE – by Jim Weisheit –
64122 - $15.Great swinging arrangement of the classic tune recorded by Glen
Miller. Scored for 2 Bb Trumpets, French Horn ,Trombone & Tuba.
Complete Transposed Score. Medium.
* * * NEW * * * APRIL SHOWERS = by Jim Weisheit – 64123 -
$15. Great medium-swing tempo arrangement of this favorite standard tune.
Recorded by Al Jolson and Mel Torme. Optional Ad-Lib sections for Tpts. &
Bone. Scored for: 2 Bb trumpets, French Horn, Trombone & Tuba. Complete
Transposed Score. Medium.
AWAY IN A MANGER - by Keith Snell - 64096 - $20. A traditional carol
melodies for bnass quintet (2 Bb trumpets, French hourn, trombone and tuba).
This beautiful arrangement unites the three most popular melodies associated
with this well-loved carol. Medium level. Score and parts.
CHRISTMAS BRASS, VOL. 1 - by Keith Snell - 64097 - $20. Three
traditional Christmas carols arranged for brass quintet. 2 Bb trumpets (trpt 1
dbls on piccolo), French horn, trombone and tuba. This is a spectacular
collection of traditional carols creatively arranged for concert performance.
At least one verse and chorus of each carol is set in traditional vocal keys so
that the arrangement can be used for sing-a-long performances as well.
Includes: Joy To The World, Silent Night, Over the River and Through the
Woods. Difficult level. Score and parts.
CHRISTMAS BRASS, VOL. 2. - by Keith Snell - 64098 - $20. Three
traditional Christmas carols arranged for brass quintet (2 Bb trumpets, French
horn, trombone and tuba). This is a spectacular collection of traditional carols
creatively arranged for concert performance. At least one verse and chorus of
each carol is set in traditional vocal keys so that the arrangement can be used
for sing-a-long performances as well. Includes: Angels We Have Heard on
High, We Wish You a Merry Christmas, and I Wonder as I Wander. Difficult
level. Score and parts.
CHRISTMAS BRASS, VOL 3. - Keith Snell - 64099 - $20. Three
traditional Christmas carols arranged for brass quintet. 2 Bb trumpets (trpt 1
dbls on piccolo), French horn, trombone and tuba. This is a spectacular
collection of traditional carols creatively arranged for concert performance.
At least one verse and chorus of each carol is set in traditional vocal keys so
that the arrangement can be used for sing-a-long performances as well.
Includes: Lute Book Lullaby, Carol of the Bells, French Carol (Il le ne le
divine Enfante). Difficult level. Score and parts.
DANCE OF THE HOURS (PONCHIELLI) - By Paul Chauvin - 64021 -
$16. Brass quintet. Score and parts. Picc Trpt, Trpt, FH, Trbn, Tuba.
ENTRANCE OF THE GLADIATORS - by Keith Snell - 64100 - $20. A
brass quintet piece for (2 Bb trumpets, French horn, trombone and tuba). The
famous circus march is masterfully transcribed. This will be an instant
success as a concert opener, closer, or encore! Composed by Julius Fucik.
Medium difficult. Score and parts.
FANFARE IN C - by Keith Snell - 64101 - $20. Arranged for brass quintet
(2 Bb trumpets/opt. C parts included, French horn, trombone and tuba). An
excellent opening work for concert or church performances. A great wedding
fanfare as well! Composed by Henry Purcell. Medium level. Score and parts.
FOUR IRISH FOLKSONGS - by Keith Snell - 64102 - $20. Arranged for
brass quintet (2 Bb trumpets with one doubling piccolo in A, French horn,
trombone and tuba). This award-winning setting of four traditional Irish folk
songs has been performed by many of the world's finest brass quintets. The
Brass Bulletin stated the "Keith Snell has arranged these beautiful songs with
love, respect and expertise. This [arrangement] is a 'must have' for any
serious brass quintet repertoire." Difficult level. Score and parts.
GRAND MARCH FROM 'AIDA' - by Keith Snell - 64103 - $20.
Arranged for brass quintet (2 Bb trumpets with one doubling piccolo in Bb,
French horn, trombone and tuba). Bach's chorale prelude masterpiece is
beautifully set for brass quintet by a master arranger for brass instruments.
Wonderful for concerts, weddings, and church services. Composed by
Giuseppe Verdi. Medium difficult. Score and parts.

* * * NEW * * * I AIN’T GOT NOBODY – by Jim Weisheit – 64119
- $15. Sparkling, swinging arrangement of this great standard tune. Recorded
by Louis Armstrong and Louis Prima. Scored for 2 Bb tpts, French horn,
Trombone & Tuba. Complete transposed score. Medium.
JESU, JOY OF MAN'S DESIRING - by Keith Snell - 64104 - $20.
Arranged for brass quintet (2 Bb trumpets, French horn, trombone and tuba).
Bach's choral prelude masterpiece is beautifully set for brass quintet by a
master arranger for brass instruments. Wonderful for concerts, weddings, and
church services. Composed by Johann Sebastian Bach. Medium difficult.
Score and parts.
* * * NEW * * * LIMEHOUSE BLUES – by Jim Weisheit – 64118 -
$15. Bright swinging Brass Quintet arrangement of this classic Big Band
favorite. Tune recorded by Stan Kenton and Glen Miller. Scored for 2Bb Tpts,
French Horn, Trombone and Tuba. Complete transposed score. Medium.
* * * NEW * * * MARGIE – by Jim Weisheit – 64129 - $15.Great
swinging arrangement of this favorite classic tune. Recorded by: Bix
Beiderbecke and Fats Domino. Scored for: 2 Bb Trumpets, French Horn,
Trombone & Tuba. Complete Transposed Score. Medium.
* * * NEW * * * MEMPHIS BLUES – by Jim Weisheit – 64112 -
$15. Written by W.C. Handy, The Father Of The Blues. Great medium swing
arrangement for Brass Quintet. Scored for 2Bb Tpts, French Horn, Trombone
and Tuba. Complete transcribed score. Medium.
* * * NEW * * * PAPER DOLL – by Jim Weisheit – 64120 - $15.
Fun, swinging arrangement of this great standard tune. Hit single for the Mills
Brothers. #1 for 12 weeks! Tune named one of the Songs of the Century in the
Grammy Hall of Fame. Scored for 2Bb trumpets, French Horn, Trombone &
Tuba. Complete transposed score. Medium.
PROCESSION OF THE NOBLES - by Keith Snell - 64105 - $20.
Arranged for brass quintet (2 Bb trumpets with one doubling piccolo trpt in
Bb, French horn, trombone, tuba, organ and percussion). This setting of
Rimsky-Korsakov's brilliant fanfare and processional from his opera Mlada is
excellent as a recessional or a conert opener. Composed by Nicolai Rimsky-
Korsakov. Med diffi. Score and parts.
SONGS OF ENGLAND - by Keith Snell - 64106 - $15. Arranged for
brass quintet (2 Bb trumpets, French horn, trombone and tuba). This deftly
crafted piece presents three well-known English folk songs: The British
Grenadier, In a Country Garden, and London Bridge is Falling Down, and is a
true crowd-pleaser. It is also excellent for school program performances.
Medium level. Score and parts.
* * * NEW * * * SWANEE – by Jim Weisheit – 64117 - $15.Excellent
swing arrangement of George Gershwin's first hit and biggest selling song of
his career. Scored for 2 Tpts, French Horn, Trombone and Tuba. Complete
transposed score. Medium.
SYMPHONY NO. 94 "SURPRISE" (SECOND MOVEMENT) (HAYDN)
- By Paul Chauvin - 64029 - $15. Brass quintet. 2 Trpts, FH, Trbn, Tuba.
Score and parts.
* * * NEW * * * THERE’LL BE SOME CHANGES MADE – by
Jim Weisheir – 64121 - $15. Great Bright Swing arrangement of this Great
Jazz Standard. Scored for: 2Bb Trumpets, French Horn, Trombone & Tuba.
Complete Transposed Score. Medium.
THREE FRENCH DANCES - by Keith Snell - 64107 - $20. Arranged for
brass quintet (2 Bb trumpets with one doubling piccolo trpt in Bb, French
horn, trombone and tuba). Three lively dances from the Renaissance by the
master of the French dance. Composed by Claude Gervaise. Medium
difficult. Score and parts.
WASSAIL! - by Keith Snell - 64108 - $20. Arranged for brass quintet (2
Bb trumpets with one doubling piccolo trpt in Bb, French horn, trombone and
tuba). Another finely crafted medley of traditional holiday melodies
including: Gloucheschire Wassail, O Tannenbaum and The Wassail Song.
Medium difficult. Score and parts.
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WILLIAM TELL OVERTURE - by Keith Snell - 64109 - $15. Arranged
for brass quintet. (2 Bb trumpets with one doubling piccolo trpt in Bb, French
horn, trombone and tuba). This is a fantastic setting of the famous fanfare and
"gallop" allegro made popular to generations of radio listeners as the theme
from the adventure of the Lone Ranger. Composed by Gioacchino Rossini.
Medium difficult. Score and parts.
YANKEE DOODLES - By Paul Chauvin - 64030 - $13. Brass quintet. 2
Trpts, FH, Trbn, Tuba. Score and parts.
YOU CAN’T WIN ‘EM ALL - By Steve Kessler - 64115 - $10. This
lighthearted rag is perfect for lighter chamber music programming or as a
spirited encore. Ranges and rhythms are accessible to younger players, and
adequate rests for each player are offered throughout. There is an optional
piccolo trumpet part that adds a sparkling flavor to the climax of this piece. A
happy, bouncy tune to add to your brass quintet library.Medium
* * * LARGE BRASS * * *
PROCESSION OF THE NOBLES - by Keith Snell - 64111 - $35.
Arranged for brass choir (2 Bb trumpets with one doubling piccolo trpt in Bb,
2 French horns, 3 trombones, tuba, and 2 percussion). This transcription of
Rimsky-Korsakov's brilliant fanfare and processional from his opera Mlada
captures all the grandeur and glory of this phenomenal work. This one will
bring your audiences to their feet with elation!. Medium difficult. Score and
parts.
PSALM XIX - by KEITH SNELL - 64110 - $20. Comp by Benedetto
Marcello, arr by Keith. The Heavens are Telling. Arranged for 4 trumpets, 2
horns, 3 trombones, tuba, and timpani. This majestic march is a popular
choice for both Wedding and Church service postludes as well as for concert
performance. This beautifully crafted arrangement shows off the richness
capable by all sections of the brass choir. Medium level.
WE WISH YOU A MERRY CHRISTMAS - BY MIKE CROTTY -
64054 - $19. A somewhat humorous version w/changing meters arranged for
Double Quintet. Instrumentation is Piccolo Trpt, Trumpet in D, Trumpet in C,
Flugelhorn, Horn, Trombone 1 & 2, Bass Trombone 1 & 2, and Tuba.
* * CONCERT BAND/SYMPHONIC BAND * *
ARMISTICE - by DAVID RACKLEY - 63011 -$85. Concert march
setting featuring flute solo, turning into a hymn-like anthem surrounded by
brass fanfares and woodwind flourishes. Medium level.
BEYOND THE DARK HORIZON - by Robert Hutchinson - 63015 -
$85. Commissioned by the Champlain Valley Union High School Symphonic
Band in Vermont, this 7-minute piece is fast-paced and dramatic. The first
section is fully scored, uses extended jazz harmonies, and has a driving
ostinato. The second section provides contrast with more straightforward
diatonic harmonies and has a trumpet solo. The slow, mysterious middle
section has an optional flugelhorn part for trumpet 1, and calls for optional
harmon mutes for trumpets 2-4. The earlier two sections return and the piece
closes with a celebratory ending. Scored for 3 flutes, 2 oboes, 2 bassoons, 3
clarinets, B-flat contra bass clarinet (optional), 2 alto saxes, tenor sax, baritone
sax, 4 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba,
double bass (optional), timpani, and four percussion parts covering marimba,
xylophone, vibraphone, glockenspiel, mark tree, triangle, suspended cymbal,
cymbals, woodblock, snare drum, bass drum, afuché (or cabasa, and egg
shaker. Medium difficult.
DANCING ON THE STRAND - by Robert Hutchinson - 63012 - $85.
This piece was selected for the 29th Symposium for New Band Music in
Virginia, has been presented at national and regional composition and band
conferences, and received an honorable memtion in the competition for
ASCAP's Rudolph Nissim Award. "Dancing on the Strand" is a 7-minute
piece with echoes of Stravinsky, Schwantner, and jazz. Three playful themes
are subsequently developed polyrhythmically (there are sections of two
against three, three against four, five against four, and seven against four) and
canonically. In the celebratory recapitulation, all three themes are combined
contrapuntally. Trumpet 1 ranges up to a high D, Alto Sax 1 ranges up to an
altissimo A-flat, and Flute 1 ranges up to a high D. Trumpet 1 and Trombone

1 use harmon mutes. Scored for piccolo, 2 flutes, 2 oboes, 2 bassoons, 3
clarinets, bass clarinet, 2 alto saxes, tenor sax, baritone sax, 4 trumpets, 4
horns, 2 trombones, bass trombone, euphonium, tuba, double bass (optional),
piano, timpani, and four percussion parts covering marimba, xylophone,
vibraphone, glockenspiel, chimes, tambourine, toms (4), temple blocks,
castanets, bell tree, triangle, suspended cymbal, splash cymbal, tam tam,
slapstick, snare drum, and bass drum. Difficult.
FIRST FLIGHT - by Greg Yasinitsky - 63016 - $85. First Flight in two
movements for concert band (grade 4, inst: 2 fl, ob, 3 clar, bs clar, bsn, 2 asx,
tsx, bsx, 3 tpt, 4 hrn, 2 tbn, bs tbn, euph, tba, timp and 3 perc, and opt string
bass) is dedicated to the USAF Band of the Golden West and was
commissioned to celebrate the 100th anniversary of powered flight. In the first
movement, "Airborne," the thrill and ebullient joy of flying is expressed with
ascending fanfares, rising harmonies and driving rhythms. In the second
movement, "Three Dimensional View," the new vision presented by powered
flight is expressed in the lyrical melodies in the tuba, clarinet, alto saxophone
and trumpet, followed by a return of the spirit introduced in the first
movement. This work is featured on the USAF CD First Flight.
HELLS CANYON - by Greg Yasinitsky - 63017 - $80. Hells Canyon for
concert band (grade 3, inst: pic, 2 fl, opt ob, 3 clar, bs clar, opt bsn, 2 asx, tsx,
bsx, 3 tpt, hrn, 3 tbn, bar/euph, tba timp and 3 perc, and opt string bass) is
dedicated to the Clarkston High School Concert Band, Fred Dole, director,
and was funded by The Commission Project of New York, Ned Corman,
director. The piece features exciting, spirited themes and bold scoring. There
is a contrasting, lyrical section featuring solo trumpet followed by a fiery
ending. The title was inspired by Hells Canyon, the deepest river gorge on
earth.
IRONIC BEHAVIOR - by DON BOWYER - 63010 - $80. Piece is
written for trombone solo and concert band. A repeating cpercussion theme is
used to propel the piece forward. The solo part goes up to C5, and includes
jazz improvisation. The band parts include 2 flutes, oboe, bassoon, 3
clarinets, bass clarinet, 2 alto sax, tenor sax, baritone sax, 3 trumpets, 4 horns,
3 trombones, euphonium, tuba, timpani, congas, bongos, snare drum, cymbals,
and bass drum. Medium level.
MUSSER OVERTURE - by Robert Hutchinson - 63014 - $85. This
energetic 6-minute overture in sonata form makes a great opener. It contains a
backdrop of swirling woodwinds, a powerful first theme presented in unison
by trumpets, horns, and trombones, and a long, arching second theme
presented in unison by flute, clarinet, and bassoon. A dramatic development
with much of the thematic material given to the low instruments is followed
by an exciting recapitulation and majestic ending. Scored for piccolo, 3 flutes
(divided), 2 oboes, 2 bassoons, 3 clarinets, bass clarinet, 2 alto saxes, tenor
sax, baritone sax, 4 trumpets, 4 horns, 2 trombones, bass trombone,
euphonium, tuba, timpani, and four percussion parts covering marimba,
xylophone, vibraphone, glockenspiel, crotales (bowed), tambourine, temple
blocks, sleigh bells, bell tree, triangle, suspended cymbal, tam tam, cymbals,
slapstick, timbales, bongos, woodblock, brake drum, snare drum, and bass
drum. Medium difficult.
SLOW VOYAGE THROUGH NIGHT, THE - by Robert Hutchinson -
63013 - $75. Written after the shootings at Thurston High School in
Springfield, Oregon, when the composer lived in the neighboring community
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of Eugene, this elegiac piece is reminiscent of Samuel Barber's "Adagio for
Strings." There is one high D in Trumpet 1 and a high B-flat in Horn 1, both
of which can be played down an octave. Scored for piccolo, 2 flutes, oboe,
English horn, 2 bassoons, 3 clarinets, bass clarinet, 2 alto saxes, tenor sax,
baritone sax, 4 trumpets, 4 horns, 3 trombones, bass trombone, euphonium,
tuba, timpani, and four percussion parts covering marimba, vibraphone,
glockenspiel, chimes, suspended cymbal, and bass drum. Medium difficult.
TRIBUTE TO K.J. - By Ryan Haines - 63019 - $65. An exciting and
entertaining solo vehicle for either trimbone, tenor sax, or alto sax that was
commissioned by the Sierra Vista High School Symphonic Band, Las Vegas,
Nevada. Written as a mambo, there are easy chord changes for the soloist with
a chance to improvise during both an open sholo section and over ensemble
hand-clasps in a vamp. There are written out comping figures provided for
piano and bass as well as parts for both auxiliary percussion and drum set.
Easy/medium.
WHITEWATER RUSH - by Greg Yasinitsky - 63018 - $80. Whitewater
Rush for concert band (grade 3, inst: pic, 2 fl, opt ob, 3 clar, bs clar, opt bsn, 2
asx, tsx, bsx, 3 tpt, hrn, 3 tbn, bar/euph, tba, timp and 3 perc) is dedicated to
the Clarkston High School Concert Band, Fred Dole, director, and was funded
by The Commission Project of New York, Ned Corman, director. The piece
begins with a dramatic, lyrical introduction followed by spirited themes, bold
scoring and an exciting ending.
WITH FRIENDS LIKE THESE... - by Mark Watkins - 63008 - $65.
SATB saxophone quartet with full concert band including sax section,
requires trap set, improv in all quartet parts but may be omitted, band medium
difficult (college or good high school level), quartet medium difficult. Band
parts can be played by non-jazz trained musicians (straight 16ths, 8ths,
triplets). Quartet part can be played by jazz quartet —or classicalperformers if
improv is skipped. Full chorus band intro, dramatic quartet entrance, written
quartet cadenza. Makes use of rhythm changes, ostinato, and modal
techniques within a straight 16th contemporary style. Companion piece to
“...Who Needs Enemies.” Medium - Difficult level.
...WHO NEEDS ENEMIES - by Russ Peterson - 63009 - $65. AATB
saxophone quartet with full concert band including sax section, requires trap
set, improv in all quartet parts, band medium difficult (college or good high
school level), quartet medium difficult. Band parts can be played by non-jazz
trained musicians (straight 16ths, 8ths). Possible to omit improv sections so
that composition may be played by classically trained musicians. The style is
that of a straight 16th, quasi funk/fusion piece utilizing altissimo and slap
tonguing in the quartet and other contemporary techniques. Companion piece
to “With Friends Like These....” Medium - Difficult level.

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