MICHAEL SORKIN STUDIO PROFILE - synergy ny a+e
MICHAEL SORKIN STUDIO PROFILE - synergy ny a+e
MICHAEL SORKIN STUDIO PROFILE - synergy ny a+e
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SYNERGY<br />
180 VARICK STREET, #930 NEW YORK, NY 10014 T 212 627 9120 F 212 627 9125 www.sorkinstudio.com<br />
WEED, ARIZONA, 1994<br />
<strong>MICHAEL</strong> <strong>SORKIN</strong> <strong>STUDIO</strong> <strong>PROFILE</strong><br />
The Michael Sorkin Studio is devoted to both practical and theoretical projects at all scales with a special interest in the<br />
city and in green architecture. Recent projects include planning and design for a highly sustainable 5000-unit community<br />
in Penang, Malaysia, master planning for Hamburg, Visselhoevede, Leipzig, and Schwerin, Germa<strong>ny</strong>, planning for a Palestinian<br />
capital in East Jerusalem, urban design in Leeds, England, campus planning at the University of Chicago and<br />
CCNY, studies of the Manhattan and Brooklyn waterfronts, housing design in Far Rockaway, Vienna, and Miami, a resort<br />
in the desert of Abu Dhabi, and a park in Queens, New York. The Sorkin Studio is active in research in issues of urban<br />
morphology, sustainability, and equity and has been the recipient of numerous awards from, among others, Progressive<br />
Architecture, ID, and the New York AIA.<br />
Michael Sorkin is the Director of the Graduate Urban Design Program at the City College of New York. From 1993 to 2000<br />
he was Professor of Urbanism and Director of the Institute of Urbanism at the Academy of Fine Arts in Vienna. Previously,<br />
Sorkin has been professor at numerous schools of architecture including the Architectural Association, Cooper Union<br />
(for ten years), Columbia, Yale (holding both Davenport and Bishop Chairs), Harvard, Cornell (Gensler Chair), Nebraska<br />
(Hyde Chair), Illinois, Pennsylvania, Texas, Michigan (Saarinen Chair) and Minnesota. In 2005 -2006, Sorkin is directing<br />
studio projects for the post-Katrina reconstruction of Biloxi and New Orleans. Sorkin lectures widely and is the author of<br />
ma<strong>ny</strong> articles in a wide range of both professional and general publications and is currently contributing editor at Architectural<br />
Record and Metropolis. For ten years, he was the architecture critic of The Village Voice. His books include Variations<br />
on A Theme Park, Exquisite Corpse, Local Code, Giving Ground (edited with Joan Copjec), Wiggle (a monograph of the<br />
studio’s work), Some Assembly Required, Other Plans, The Next Jerusalem, After The Trade Center (edited with Sharon<br />
Zukin), Starting From Zero, Analyzing Ambasz, and Against the Wall. Forthcoming in 2006 are Twenty Minutes in Manhattan,<br />
Eutopia, All Over the Map, Indefensible Space, and Project New Orleans.<br />
/SYNERGY
Riva Ring, Istanbul, Turkey<br />
Masterplan for a Warterfront Town, 2008<br />
Located on the Black Sea near Istanbul, Riva is a town<br />
being planned for a population of 40,000. Heavily constrained<br />
by prior plans and ownership patterns, the goal of<br />
this project is to create a town that maximizes its autonomy<br />
and pleasure.<br />
Shanghai Gateway, China<br />
Shanghai Main Station District Masterplan, 2007<br />
/SYNERGY<br />
Our urban design master plan, commissioned by the municipality,<br />
is for a 77 hectare site in the Zhabei district of<br />
Shanghai. The rapidly developing area includes the city’s<br />
northern train station - a major hub - and is bordered by the<br />
Suzhou river, one of Shanghai’s great neglected assets.<br />
This scheme seeks to “complete” the district by reclaiming<br />
its waterfront; by retaining the vanishing small-scale commercial<br />
character of its historic fabric; by providing for a<br />
rich mix of uses; by adding a thick layer of green and sustainable<br />
interventions; by specifying the forms and densities<br />
of new buildings and street-scapes; and by developing<br />
a rich texture of public spaces.<br />
/SYNERGY
NEIGHBORHOOD<br />
SOUTH CAMPUS<br />
Almere Hout Masterplan, Netherlands<br />
Masterplan for New CIty, 2005<br />
Almere Hout seeks to realize these desires:<br />
To be a place of profound physical singularity, remarkably<br />
attractive in its urban character.<br />
To offer great scope for individual expression and abundant<br />
opportunity for the accommodation of difference in the<br />
construction and occupation of private environments.<br />
To build strong partnership between and private initiative<br />
with the public sector providing a singular and delightful<br />
infrastructure to conduce the widest range private possibilities.<br />
To be structured around strong neighborhoods with clear<br />
centers and shifting, overlapping, boundaries.<br />
To allow neighborhoods emerge organically within sympathetic<br />
frameworks proposed by this plan.<br />
To provide possibilities for autonomous development at every<br />
scale and include the potential for fundamental change<br />
over the period of Almere Hout’s construction.<br />
To phase the growth of Almere Hout a way that satisfying<br />
communities can be created in sequence and not await the<br />
development of the site as a whole to find local viability.<br />
To be model of best practices for sustainable architecture<br />
NORTH CAMPUS<br />
City College Masterplan, New York City<br />
Campus Plan, 2005<br />
/SYNERGY<br />
This masterplan for CCNY seeks to unify the campus, to<br />
offer a strategy for the development of the south campus<br />
with 2000 dorm beds and almost half a million square feet<br />
of laboratory space, and to reconfigure the north campus<br />
to create a stronger sense of place. Although fortunate to<br />
have a beautiful neo-gothic core, the campus has been<br />
blighted by mediocre modern buildings that dramatically<br />
increase the scale of campus construction. Our scheme<br />
is structured around a unifying campus spine, the partial<br />
closure of the roadway that runs through the campus center,<br />
the creation of two distinct open spaces – one hard,<br />
one soft – to organize the two ends of campus, and the<br />
addition of a series of buildings that attempt to mediate the<br />
diverse scales of current construction. At a larger frame,<br />
the plan offers a number of proposals to improve links to<br />
surrounding communities and to integrate development<br />
with the ambitions plans of Columbia University for a site<br />
two blocks to the west of CCNY.<br />
/SYNERGY
Starfish Cafe, Coney Island, Brooklyn, NY<br />
Design for a Rotating Cafe, 2005<br />
The Starfish Café joins the queue of Coney Island icons.<br />
A rotating restaurant takes in the view, from the ballpark<br />
to the ocean to the parachute jump, at one revolution<br />
per hour, a giant clock. At boardwalk level, an outdoor<br />
café and a shop or restaurant. At ground level, exhibition<br />
space for the Coney Island Gallery, catalyst perhaps for<br />
the Coney Island Museum.<br />
/SYNERGY<br />
The Freedom Bowl and the Island of Peace<br />
Redevelopment plan for Governer’s Island, New York,<br />
2005<br />
The Island itself embodies two conditions: the original “natural” island as it<br />
existed until the beginning of the twentieth century and its large southern<br />
extension, built from fill excavated during the construction of the IRT. By redividing<br />
the island into northern and southern islands, the historic northern<br />
half could become an extension of the space-challenged United Nations,<br />
the perfect site for the pursuits of peace. Appropriately isolated, the southern<br />
island would be a glorious and secure site for mass gatherings and big<br />
games. The challenge of getting there could also be turned to advantage.<br />
Unless a pedestrian bridge or tramway were built from Red Hook (not a<br />
completely illogical pair of possibilities), all access would be from the water.<br />
But this is less daunting than it otherwise seems. To begin, Governor’s<br />
Island is very close to both Manhattan – with its existing infrastructure of<br />
ferry terminals - and Brooklyn with its capacity to lead cars from the Battery<br />
Tunnel and BQE/Gowanus directly to shore-side parking. Moreover, given<br />
that football is played on Sundays – when service on the huge Staten Island<br />
ferries is reduced – a dedicated boat or two making round trips from South<br />
Ferry could efficiently deliver very large numbers of people to the island in<br />
minutes. Finally, the proximity of the stadium to the Statue of Liberty raises<br />
the prospect of a view of that great symbol through the uprights of another,<br />
from the new Freedom Bowl, America’s stadium.<br />
/SYNERGY
East Darling Harbor, Sydney, Australia<br />
Waterfront Park and Commercial District Masterplan,<br />
2005<br />
Our goal is to make Darling Harbor into a new and dramatically public<br />
waterfront. This very large site is pivotal for Sydney - effectively completing<br />
the downtown peninsula and it will define the city’s edges and character<br />
for a very long time to come. The challenge is to be sensitive to the environment,<br />
history, and situation of this mesmerizingly singular place while<br />
transforming it for a brilliant future.<br />
Urban waterfronts are fluid places and it would be a mistake to be overly<br />
nostalgic for these hectares of fill, for a<strong>ny</strong> particular pattern of historical<br />
development, or for a<strong>ny</strong> adjoining modern precedents. Our objective has<br />
been to multiply the waterfront by thinking of it not as a simple seam between<br />
land and water but as a gradient that extends into the city: we hope<br />
our project can both bring people to the water and water to the people.<br />
This will happen, through an intensified mix of uses on the site - including<br />
shipping, swimming, walking, dwelling, and culture - and because of the<br />
introduction of new ways to experience the water. These range from the<br />
Darling Channel, cut through the site to treble the literal water’s edge, to<br />
the constructed wetlands that will treat site run-off, to the Tidal Steps that<br />
will acknowledge this powerful force and bring visitors close to the water<br />
itself, and to myriad spots for strolling, viewing, and contemplating.<br />
Chungcheong New City, South Korea<br />
Masterplan for New CIty, 2005<br />
/SYNERGY<br />
This project is informed by the idea of the ecological footprint. The concept<br />
is simple: cities are the creatures of territories that far exceed their own<br />
boundaries. By thinking of cities as artifacts defined by purely political borders,<br />
the real nature of urban sustainability and exchange is distorted and<br />
obscured.This proposal is for a city that takes dramatic account of both its<br />
needs and effects and dedicates itself to the project of radically reducing its<br />
own footprint. This, we believe, is vital to the health of a planet that simply<br />
doesn’t have the resources or the surface to sustain a population consuming<br />
at typical developed-world rates. We suggest that the new city works<br />
to secure “neutrality” in eight critical areas: energy, air, food, waste, water,<br />
temperature, employment, movement, and habitat. By this we simply mean<br />
that the city must strive either to produce or process each of these lifesustaining<br />
elements.<br />
We recognize that this paradigm of self-sufficiency is a goal never to be<br />
reached: the vital interconnection between cities, regions, and nations is not<br />
to be denied nor is the economics of comparative advantage. But the selfsufficient<br />
city is also replete with functional, economic, and environmental<br />
efficiencies and we propose that Chungcheong New City become a living<br />
laboratory for the invention and implementation of the panoply of best practices<br />
that must ultimately inform the character of every city.<br />
/SYNERGY
Penang Peaks, Malaysia<br />
Mixed-Use Redevelopment of the Penang Turf Club,<br />
2004<br />
Penangs Peaks is an intensely mixed-use community,<br />
providing housing, offices, commercial space, medical<br />
facilities, a convention center, transit node, concert hall,<br />
schools, a campus for overseas universities and extensive<br />
recreational facilities. The project is designed to be highly<br />
sustainable, indeed, a model of best environmental practices:<br />
in both appearance and behavior, its architecture<br />
will be dramatically green and will be fully self-sufficient<br />
in water and waste management. The project is organized<br />
around a 20 hectare Great Park, intended to provide amenity<br />
for the city as a whole and linked to the Penang Hills<br />
via a land-bridge over the new Penang Outer Ring Road.<br />
The park is surrounded by residential buildings, connected<br />
by Kudalari Drive, an elliptical roadway that girdles the site<br />
and distributes its uses. The Drive is intended to become<br />
the city’s premier retail boulevard and to accommodate a<br />
legion of strollers and diners.<br />
Equine Tower, Penang Peaks, Malaysia<br />
Mixed-Use Tower, 2004<br />
/SYNERGY<br />
A signature building for the sponsor of the redevelopment<br />
of Penang Turf Club, the Equine Tower embodies<br />
principles incorporated in the larger site planning effort.<br />
The tower embraces a mix of uses, organized vertically.<br />
Below grade is a parking area with direct access to the<br />
building above. At grade are retail uses, as well as elevator<br />
lobbies and a large cisterning pool. Office space<br />
is in the podium above and on top of this element is the<br />
building’s “Green Floor,” holding bioremediation devices<br />
for building wastes, recycling center, gardens, and a day<br />
care facility. The remaining floors are residential – a series<br />
of two story “sky houses.” These are configured to<br />
provide ventilation of all sides, screening from the sun,<br />
and terraces. The residential units, shops, and offices<br />
are arranged around a vertical chimney/atrium, which allows<br />
convective cooling from the pools below. Atop the<br />
tower, a great PV-lined “flying saucer” collects and stores<br />
rainwater for building systems and cooling.<br />
/SYNERGY
STREET TYPE PEDESTRIAN TYPE<br />
Street Lights, New York City<br />
New Lighting Fixtures, 2004<br />
The New York City streetlight is both illumination and icon,<br />
the most ubiquitous element in the furnishing of our streets.<br />
Streetlights symbolize the character of the city’s commitment<br />
to its public spaces, both to making them safe and to<br />
making them beautiful. Current lighting combines a variety<br />
of styles, ranging from standards that evoke historical elements<br />
to the predominant and unlovely functional types.<br />
This situation of variety will continue for the indefinite future<br />
as will the use of lighting standards for mounting signage<br />
and other fixtures on a strictly as-needed basis. Our<br />
designs are meant both to have a strong individual identity<br />
and to be compatible with the variety of other fixtures currently<br />
in use. We have proposed a family of three types of<br />
fixture, based on three specific kinds of urban space.<br />
AVENUE TYPE /SYNERGY<br />
Chiang Kai-Shek Int. Airport, Taipei, Taiwan<br />
Terminal Redevelopment Plan, 2004<br />
The international air system is a place apart. This “space of<br />
flows” handles the movement of over a billion people a year and<br />
represents, in ma<strong>ny</strong> ways, the cultural future of the planet. It is<br />
a place that enables human contact undreamed of until recent<br />
times, a planetary common ground. But the air system also embodies<br />
much that is less happy: extreme levels of surveillance, a<br />
generic quality that frustrates a<strong>ny</strong> sense of place or locality, the<br />
feeling of being part of a mindless herd.<br />
Great airports – like Chep Lap Kok or Dulles – are those that<br />
both maximize comfort and convenience and that offer powerful<br />
architectural experiences. In the replacement of Chang Kai-<br />
Shek’s Terminal One, it is our ambition is to create a marvelous<br />
work of architecture that restores the pleasures of air travel<br />
while simultaneously offering new levels of efficiency, comfort,<br />
and environmental responsibility, including an undulating green<br />
roof and extensive generation of wind energy. The terminal is<br />
designed to allow uninterrupted airport operations during construction,<br />
to accommodate the next generation of super-jumbos,<br />
and to facilitate further expansion over the long term.<br />
/SYNERGY
Kaohsiung Maritime Gateway, Taiwan<br />
Waterfront Park, Ferry Terminal, and Urban Boulevard,<br />
2004<br />
Seeing the waterfront as amphibian - as a condition that<br />
extends into and infuses the city as a whole with views,<br />
breezes, forms, and activities - the project seeks to exploit<br />
these potentially deep synergies. The organization<br />
of this scheme reflects this strongly: the perpendicular of<br />
Star Light Boulevard continues both the spirit and the fact<br />
of the waterfront. The boulevard and its associated park<br />
and canal extends waterfront public space -the cultural,<br />
leisure, and transportation uses that characterize the water’s<br />
edge - into the developing financial district and its<br />
associated neighborhoods, to make this a district on the<br />
waterfront. The two major buildings on the site - the large<br />
and small ferry terminals - share a family relation both with<br />
each other and with the landscape vocabulary of the park<br />
spaces that surround them. The scheme incorporates extensive<br />
wind farm to take advantage of the stiff on-shore<br />
that characterize the site.<br />
Kaohsiung Ferry Terminal, Taiwan<br />
Ferry Terminal, 2004<br />
/SYNERGY<br />
This little ferry terminal is designed to smoothly separate<br />
arriving and departing passengers and to expedite passage<br />
through border and customs formalities. In form,<br />
the building seeks to become a seamless part of a larger<br />
treatment of the Kaoshiung waterfront as a continuous<br />
green space comprised of a series of sculptural mounds,<br />
some of which are buildings. Uninterrupted in their regular<br />
placement, towers from the shoreline wind farm pass<br />
through the building shell to the earth. Special details allow<br />
these windmills to be structurally isolated for vibration<br />
and rhythmically open the roof to the sky.<br />
/SYNERGY
Queens Plaza, New York<br />
Bicycle and Pedestrian Improvement and Linear Park,<br />
2003- 4<br />
Located along and within a tangled system of bridges and<br />
roadway, Queens Plaza, this project seeks to create an urban<br />
forest, planting the site as densely as possible. This<br />
is to establish a continuous canopy of shade and visual<br />
enclosure, to manage and exploit rainwater and run-off, to<br />
sequester carbon dioxide and other pollutants, to attenuate<br />
traffic and transit noise, to provide alluring smells and<br />
sounds and to give a common identity throughout the project.<br />
The strong environmental theme this suggests is extended<br />
to a comprehensive scheme for the management<br />
and remediation of run-off foe the nearly two mile length of<br />
the project. Several other elements are likewise designed<br />
to create a sense of place throughout the site. These include<br />
a uniform set of walking surfaces, design of graphic<br />
and wayfinding systems,lighting elements, and for other<br />
street furnishings, as well as a diverse series of spaces<br />
for gardening, relaxation, community meetings, exhibitions,<br />
and sports.<br />
PLAZA MIDWAY CAFE /SYNERGY<br />
EAST ELEVATION<br />
NORTH ELEVATION<br />
SECTION - GREENHOUSE<br />
Community Building, Queens Plaza, New York<br />
Design for public building, 2003- 4<br />
This little building was designed as a community center<br />
to be shared by a large New York City Housing Authority<br />
project and a growing neighborhood of artists and other<br />
emigrants from Manhattan. It provides offices for community<br />
organizations, including a tennis program aimed<br />
at kids from the project, meeting space for local groups,<br />
a greenhouse and club space for a gardening club, and<br />
a “living machine” that would clean wastes produced on<br />
site and serve as an element in an environmental education<br />
program. The building wraps around an existing<br />
MTA electrical substation and incorporates an old trolley<br />
kiosk (moved from the 59th Street Bridge overhead) as a<br />
refreshment stand/café.<br />
/SYNERGY
Sun-Moon Lake, Shuishe Waterfront, Taiwan<br />
Recreation Redevelopment Scheme, 2003<br />
The character of this beautiful spot is secured at its periphery,<br />
in views of the lake from the shore and of the<br />
shore from the lake. Our first move was to secure the<br />
edge of the lake via continuous landscaping and pathways.<br />
This circumferential walk would be punctuated<br />
by sites for rest, contemplation, and commerce. At this<br />
enlarged scale we would also propose a more logical<br />
circulation armature to connect a nearby highway, new<br />
parking facilities, and the existing town dock and transit<br />
station. The upland end of the site would be used for an<br />
artificial “mountain” within which parking facilities could<br />
be housed. The rest is designed as a park, containing<br />
opportunities for both passive and active recreation. On<br />
the lake itself, we propose a teahouse evoking the image<br />
of “two lakes reflecting the moon”. Not simply floating, but<br />
mobile, the teahouse would — in the course of a tea service<br />
— traverse the lake and return. Finally, we suggest a<br />
floating plum orchard. Free-floating on the lake, the plum<br />
trees would aggregate and disperse with the winds and<br />
currents. At blossom time they would form an evanescent,<br />
mobile, cloud of pink.<br />
Fugee Fishing Port, Fugee, Taiwan<br />
/SYNERGY<br />
Waterfront Development Plan, 2003<br />
This proposal seeks to capture and enlarge both the<br />
drama of Fugui Cape and bustling commerce of the Fugee<br />
Port. To preserve the cape landscape, we propose<br />
locating the substantial new facilities for the port under<br />
an artificial hill, allowing unobstructed views of greenery<br />
and sea, not of a sea of cars and the backs of shops and<br />
buildings. Beneath the hill would be all parking, service<br />
access, and uses that do not require daylight, including<br />
storage, mechanical systems, and a cinema. Facing the<br />
harbor would be a row of shops and restaurants on the<br />
ground floor, festooned with neon signs. Above these, enjoying<br />
a fabulous and romantic seaward vista is a modest<br />
sized hotel. Facilities would also be provided for offloading<br />
of fishing boats, the sale of fresh fish and other<br />
goods, and for unpredictable, spontaneous activities and<br />
the docking of the coastal ferry and other pleasure craft.<br />
Given the strong prevailing winds, we propose the waterfront<br />
as an ideal location for a wind farm. This would<br />
be both a dramatic element on the skyline and should be<br />
able to provide a large portion of the electrical requirements<br />
of the port and the new tourist facilities.<br />
/SYNERGY
Fenquin Mountain Railway St., Fenguin, Taiwan<br />
Project for Redevelopment of Railway Station, 2003<br />
The dramatic daily increase in population at the mid-day<br />
arrival of the mountain trains is clearly the problematic<br />
and propulsive event in the life of Fenquin. On the north<br />
side of the tracks, the existing bamboo forest would be<br />
preserved and expanded. Within it, the guest and public<br />
rooms of the bridge-hotel would be located as well as<br />
several integral — and manageable - paths up the hill.<br />
Step one is to create a rational means for the circulation<br />
of these visitors. The long train platform provides an<br />
armature for linear distribution and filtering into the town<br />
itself. Along this path we propose to align the entry and<br />
drop-off from the main highway, a travel and ticketing<br />
center (combined with a community hall in the old depot),<br />
a waiting area, a museum, and a café. Although the infrequency<br />
of train service allows the roadbed to be used<br />
for crossing, we would also include a “hotel-bridge” over<br />
the railway, providing a connection to the parking along<br />
the highway above, bringing greenery into the town, and<br />
forming a gateway for the arrival and departure of the<br />
train.<br />
/SYNERGY<br />
World Trade Center Memorial, New York City<br />
Project for a Memorial, 2003<br />
The eloquence of the void at Ground Zero will never be<br />
matched. It is a place of power and presence, coherent<br />
in scale, and framed by a well articulated, if incomplete,<br />
wall of buildings. We proposed that all of Ground Zero<br />
should be public: instead of enormous commercial buildings<br />
with a subsidiary memorial, we suggested a park,<br />
a space of gathering. The park would include two pools<br />
located on the footprints in which memorial candles are<br />
floated by survivors. Beneath the pools – under transparent<br />
ceilings – are the hall of names and a chapel for<br />
survivors.<br />
/SYNERGY
Cleveland Waterfront Park, Cleveland, Ohio<br />
Masterplan for Waterfront Park, 2002<br />
This project looked at the development of the Cleveland<br />
waterfront several miles to the east of downtown and at<br />
the connection of the waterfront - via Rockefeller Park<br />
- to the group of institutions around University Circle. The<br />
biggest move is the creation a series of green islands out<br />
of a small airport on the waterfront that the city proposes<br />
to abandon. These islands culminate in a wildlife sanctuary<br />
at the lake end of Rockefeller Park and the partial<br />
burial of the shore line expressway to ease access to the<br />
waterfront.<br />
The plan also suggests the creation of a trolley connection<br />
from the lakefront to University Circle, linking two<br />
commuter rail lines and helping to revitalize the severely<br />
derelict 105th Street corridor.<br />
/SYNERGY<br />
World Trade Towers, New York City, New York<br />
World Trade Tower Proposals, 2002<br />
An exploration of the form of several tall buildings at<br />
Ground Zero, done in a spirit of investigation. Although<br />
the idea of such buildings is contrary to the highest and<br />
best use of the site, these were designed to encourage<br />
some fluidity in approach and to keep the question of the<br />
site’s future open. The inspiring image was the lotus, a<br />
flower unfolding to signify rebirth. The research soon became<br />
a simple speculation on skyscraper form and the<br />
limits of its expressivity.<br />
/SYNERGY
World Peace Dome, New York City, NY<br />
Peace Dome Proposal - 2002<br />
The World Peace Dome is one of a number of proposals<br />
made for Ground Zero, not far from the location of the<br />
studio. Although firmly convinced that building on the site<br />
is inappropriate, we proposed this dome to assert that<br />
the skyline could be marked with something other than<br />
a triumphalist, phallomorphic, tower and that its program<br />
did not have to simply be commercial office space. Here,<br />
the suggestion is for a United Nations annex and a center<br />
for global NGO’s surrounding a contemplative central<br />
garden.<br />
Ground Zero, New York City, New York<br />
/SYNERGY<br />
Temporary Enclosure and Lower Manhattan Plan, 2001<br />
Commissioned to design a temporary enclosure for<br />
Ground Zero, we proposed the construction of a large<br />
earthen berm to secure the site during recovery and<br />
clearing. Realizing that the “problem” of Ground Zero<br />
was not one that could be solved on the site itself, we<br />
proposed a strategy of disaggregation, locating replacement<br />
construction elsewhere in the city. At the same<br />
time, we proposed that Ground Zero become a point of<br />
dissemination for the greening and pedestrianization of<br />
all of downtown.<br />
/SYNERGY
Arverne, Far Rockaway, Queens, New York<br />
2500 Housing Units, 2001<br />
This project for 2500 housing units and associated educational,<br />
commercial, social and recreational facilities was<br />
undertaken under the sponsorship of the Architectural<br />
League and the New York City Economic Devlopment<br />
Commission. The project was designed to leverage the<br />
unique relationship of public transportation and beach<br />
frontage to create a seaside community of special quality.<br />
We also sought to include a series of environmental features<br />
- including solar and wind power, bioremediation of<br />
waste water, and careful management of run-off - to make<br />
this a model of responsible green practices. Finally, a focus<br />
on pedestrianism, public transit, and mixed use is designed<br />
to reduce the energy expended on circulation both<br />
within and to and from the site. The site is the last great<br />
beach-front property in city hands and we tried to give it an<br />
atmosphere of breezy relaxation.<br />
Bronx Hub, Bronx, NY<br />
Transit Hub and Plaza, 2000<br />
/SYNERGY<br />
This project - part of a broader study - focuses on the literal<br />
“hub”, the intersection of three major streets that forms<br />
the heart of the district. Well-serviced by bus, subway,<br />
and road connections, the hub is the site of both maximum<br />
traffic and architectural density. In configuration, it<br />
resembles a miniature Times Square, a spatial “bow-tie”<br />
created by the geometry of the street intersections. Taking<br />
a cue from this, we have proposed a visual intensification<br />
of the power and identity of this center via the construction<br />
of a sinewy media billboard to mark and enclose the Hub<br />
and to create a gateway. The intent is to create both an<br />
increased sense of legibility and excitement and to make<br />
a space of gathering for a variety of public occasions. Not<br />
the least of these is waiting for a bus or transferring to or<br />
from the subway. Accordingly, this plan adds a new subway<br />
entrance, reorganizes bus circulation, and transforms<br />
the existing Roberto Clemente Plaza into a focal point for<br />
the surrounding community.<br />
/SYNERGY
THE GLAZED STACK OF THE NON-EMITTING INCIN-<br />
Sendai Green Village, Japan<br />
Green Municipal Incinerator and Masterplan for a Green<br />
Industrial Village, 1999<br />
The commission was to design the housing for a very<br />
clean, high-technology, incinerator which was combined<br />
with a center for recycling and reuse. We proposee that<br />
the new facility should be designed as the center of a small<br />
“Green Village.” Instead of isolating the incinerator, we<br />
suggested that it form the nucleus of a small development<br />
focused on green technologies and environmental remediation.<br />
Like a great cathedral surrounded by the smaller<br />
structures it supports, the incinerator is potentially a symbol<br />
and an enactor of responsible environmental management,<br />
a center of social life, and an economic driver.<br />
The building we propose is a little mountain, an artificial<br />
hill reflecting the profile of those surrounding it, a new and<br />
dramatic feature in the landscape. Within the hill is the<br />
incinerator, an environmental education center focused on<br />
a tour of the facility, a large greenhouse extension to the<br />
plant, and a municipal bath-house warmed by waste-heat<br />
from the plant.<br />
East Jerusalem, Israel/Palestine<br />
Masterplan Proposal, 1999<br />
/SYNERGY<br />
The mark of modern urbanity is heterogeneity: every city<br />
is shared. Jerusalem is both the eternal prime example<br />
and exceptional case. Perhaps more than a<strong>ny</strong> other city,<br />
Jerusalem’s genius loci is founded in geographies of difference:<br />
a panoply of religions, sects, ethnicities, classes,<br />
nationalities, and lifestyles commingle here, all expressed<br />
in complex – and often conflicting – sets of spatial and social<br />
practices.<br />
This proposal makes no attempt to alter of re-deploy<br />
Jerusalem’s incredible assortment of styles of inhabiting<br />
space; it is devoted to more primary urban values and<br />
distinctions. It is clear that Jerusalem is moving toward<br />
becoming the capital city of two states: Israel and Palestine.<br />
Whatever else may be true of these tow nations and<br />
their labyrinthine histories of development and conflict,<br />
their capitals will find a measure of their expression in the<br />
“normal” infrastructure of a<strong>ny</strong> capital city – ministries and<br />
embassies, bureaucracies and businesses, symbolic and<br />
honorific sites, a city hall and a parliament – all the installations<br />
that make a capital city functional.<br />
This plan is a schematic proposal. It begins by suggesting<br />
that the political and commercial sprawl of the city be<br />
ceased and the further development be a thickening of<br />
existing built-up territory, rather than further aggrandisement.<br />
It further suggests the re-naturalization of the<br />
Kidron River valley to the east of the old city of Jerusalem<br />
to become a central park to serve both east and west<br />
Jerusalem and to secure the future of this historically and<br />
culturally charged space. The plan proposes that the major<br />
administrative infrastructure of the Palestinian capital<br />
be located on the north side of the great park in Wadi<br />
Joz, a largely derelict site, occupied by automobile repair<br />
shops. The Palestinian parliament – connected to the<br />
administrative district and to West Jerusalem by a new<br />
east-west boulevard - is proposed for a site to the west<br />
overlooking the vast expanse of the Judean desert. Finally,<br />
to secure the viability of the group of Palestinian<br />
neighborhoods to the east of the great park, we suggest<br />
a chain of neighborhood parks a social centers and armatures<br />
for commercial, cultural, and civic development.<br />
/SYNERGY
House of The Future, Site Unknown<br />
Theoretical Project, 1999<br />
This proposal is for a small community sharing resources and<br />
environment. The basic unit is a double space, two sheltering<br />
elements that share water and waste management, energy<br />
production, and a social space - a ti<strong>ny</strong> community. From this<br />
kernel the larger house grows and from these houses larger<br />
communities might also develop, finding their form according<br />
to the living arrangements desired by their inhabitants. The<br />
house proposed here offers space for a new kind of elective<br />
extended family, for people living singly, in couples, with children,<br />
and in groups. In various alterations and recombinations,<br />
the house can continuously transform itself to different<br />
needs and choices. Constructed of soybean-derived plastic<br />
panels cast to form an infinite variety of shapes, glazed with<br />
aero gel windows that can be made transparent or opaque at<br />
the turn of a dial, generating its own power from photovoltaic<br />
and hydro, and treating its own wastes through green “living<br />
machine” technology, the house is at peace with the world.<br />
Imagine being able to step into a mobile “bubble” docked to<br />
the house, enter a destination code, and find yourself transported<br />
a<strong>ny</strong>where on the planet.<br />
/SYNERGY<br />
Retirement Community, Somewhere in America<br />
Masterplan and Housing Study, 1999<br />
Commissioned to speculate about the “retirement community<br />
of the future,” we realized that none of us boomers<br />
were likely to retire and so decided to work on the plan of<br />
a small village with a large golf course. The village is organized<br />
in a series of clusters, each of which has associated<br />
commercial, recreational, and social space. The dwelling<br />
type is the row house and each row – oriented south for<br />
greenhouses and passive solar heating – shares a “living<br />
machine,” a bio-remediation device for waste water treatment.<br />
The houses themselves are made of soy-based<br />
plastic panels with tunable aerogel windows. All cars are<br />
relegated to the periphery of the community and internal<br />
movement is via walking, bikes, wheelchairs, and slow<br />
moving, zero emissions bubble cars that dock directly into<br />
ports on the houses. A robotic version of these vehicles is<br />
utilized for deliveries and other internal goods transportation.<br />
/SYNERGY
NORTH CAMPUS<br />
University of Chicago Masterplan<br />
Campus Masterplan and North Campus Development,<br />
1998, Chicago, Illinois<br />
The plan seeks to join two sides of the campus presently<br />
divided by the Midway Pleasance, to secure the future of<br />
the neighborhood to the south of the university, and to suggest<br />
the location of a number of facilities, particularly on<br />
the developing “north campus.” To achieve this, the Midway<br />
is transformed by the addition of a watercourse - part<br />
of the original intent of Frederick Law Olmsted - and by<br />
the reduction of vehicular traffic. To protect the Woodlawn<br />
neighborhood from university encroachment, the south<br />
campus is configured as a hard - but friendly - campus<br />
edge.<br />
The north campus - dominated at present by a series of<br />
very large buildings - is designed to create an intimacy and<br />
complexity that evokes that of the original collegiate gothic<br />
quadrangles and is programmed with a mix of residential<br />
and academic uses.<br />
NORTH CAMPUS NORTH CAMPUS /SYNERGY<br />
20 KILOMETER 10 KILOMETER 5 KILOMETER<br />
100 KILOMETER<br />
Hamburg Harbor Studies, Hamburg, Germa<strong>ny</strong><br />
Masterplan, 1998<br />
The master-planning study was undertaken as the result<br />
of a public art commission from the city of Hamburg. We<br />
called the project a “portrait” with the understanding that<br />
portraiture is always an idealized representation of its<br />
subject. In this case, we hoped that it was clear that our<br />
project grew from our affection for the form of the city, for<br />
its system of waterways and its juxtaposition of maritime<br />
activities with more traditional urban form. As with ma<strong>ny</strong><br />
cities, the great threat to Hamburg is sprawl, the loss of<br />
its edge to a miasma of ill-built suburban development,<br />
adding pressure to the - largely automotive - transport<br />
system. We’ve proposed a strict urban growth boundary<br />
along with the strategic enlargement of selected towns<br />
and villages on the city’s periphery. To accommodate the<br />
major portion of anticipated growth, we have proposed<br />
large-scale development of the harbor area and the creation<br />
of a strong north-south connection between Hamburg<br />
and Harburg. We also propose to a circular water<br />
transport line to link the two sides of the Elbe into a single<br />
community.<br />
/SYNERGY
Schwerin, Germa<strong>ny</strong><br />
Masterplan and Railway Station, 1998<br />
Commissioned by the municipality, this proposal studied<br />
the pattern of growth of Schwerin under the influence of<br />
the proposed construction of a magnetic-levitation rail<br />
line connecting Berlin and Hamburg. The station for this<br />
line was to be situation some distance to the south of the<br />
town center, begging questions of both local development<br />
and its connection to longer-term expansion of the town<br />
and its urban region. This plan proposes a ring of semiautonomous<br />
towns and villages to counteract the likelihood<br />
of sprawl and to provide a more intimate experience<br />
for the expected growth of a commuter population making<br />
use of the rail link. Growth around the station was to be<br />
along a radial pattern, resulting in a both a clear center<br />
and distinct edges for the new community.<br />
Columbus Circle, New York City<br />
/SYNERGY<br />
Reconstruction of Subway Station and Traffic Circle,<br />
1998<br />
This project for the reconstruction of one of the busiest<br />
stations in the New York subway system took as its fundamental<br />
challenge the difficulty of transferring between<br />
the two subway lines that cross on the site. Because<br />
the upper line is close to the surface, crossing over requires<br />
crossing under both this line and the line below, an<br />
impossible walk. By elevating the surface of the “plaza”<br />
above, enough space is gained for an bridge over and<br />
an enormous skylight is created to illuminate the rebuilt<br />
station below.<br />
/SYNERGY
Vienna Housing, Vienna, Austria<br />
70 Units of Mixed-Use Public Housing, 1998<br />
On a tight site on the periphery of Vienna, these apartments<br />
were part of a group of approximately 400 units<br />
designed by a group of architects on adjoining plots. This<br />
grouping is designed to slope towards a southern exposure,<br />
guaranteeing good insolation and providing outdoor<br />
space for each unit. The plastic shapes of the buildings<br />
allow each apartment to have private variation and to give<br />
the complex identity in a more rectilinear complex. The<br />
juxtapostion of the buildings also offers an urban quality<br />
to the pedestrian realm while allowing long views and air<br />
in the spaces above. The site offers a direct subway connection<br />
and cars are parked in a shared facility nearby.<br />
Floating Forest, Hamburg, Germa<strong>ny</strong><br />
Center City Floating Park, 1997<br />
/SYNERGY<br />
A proposal for a piece of public art commissioned by the<br />
city of Hamburg. Located on the Biennen Alster, a lakesized<br />
body of water in the middle of the city, these floating<br />
green islands - “life boats” - were meant to move lazily in<br />
the wind and currents, sometimes lashed together to form<br />
larger surfaces for use. A number of these islands were to<br />
be “living machines”, bio-remediation devices that would<br />
clean the water to a swimmable standard.<br />
/SYNERGY
FIRST FLOOR SECOND FLOOR<br />
Friedrichshof Commune, Austria<br />
Site planning and Housing Development for a Former<br />
Commune, 1997<br />
A plan for enlargement of the Friederichshof community<br />
would make this rather ragged collection of buildings into<br />
a denser village for a group of people who have elected<br />
to pursue their own goals in circumstances of affinity and<br />
cooperation. The plan provides resources to enable those,<br />
who choose to do so, to lead full lives within its borders<br />
- living, working, relaxing - and those, who prefer to work<br />
in the city or to come for holidays and weekends, to feel<br />
fully integrated into the life of the place. A new circulation<br />
spine runs along a little canal across a flat portion of the<br />
site. Buildings along the canlal - a mix of houses and lofts<br />
- would open to the waterwork in a series of courtyards<br />
establishing a more localized sense of community. A large<br />
new lake would expand recreational possibilities and provide<br />
an imageable geographical center for Friederichshof.<br />
Excavated material from this lake and from other construction<br />
will be used to extend the “Friederichshof Alps” as an<br />
enhanced place of recreation - including ski, horseback,<br />
bike, and jogging trails - and as a winter wind barrier.<br />
/SYNERGY<br />
Herd Houses, Friedrichshof Commune, Austria<br />
Housing Development for a Former Commune, 1997<br />
This group of houses was designed as an iteration of a<br />
planning effort for the development of the grounds of a<br />
former commune east of Vienna. The ex-communards<br />
remaining on site have decided to open their community<br />
to a small group of new tenants and these houses are<br />
designed for sale to a small number of new residents.<br />
Although the commune is long defunct, much of the atmosphere<br />
remains and the owners of these houses are<br />
expected to share in this. Grouped at a corner of the site<br />
with a long view over fields and vineyards, the houses<br />
provide loft-like accommodation along with excellent<br />
wine cellars. Each house is bi-directional with access to<br />
the surrounding road system on the west and to thecarfree<br />
community grounds on the east. A stable is to be<br />
constructed on an adjacent site as a number of prospective<br />
residents are riders.<br />
/SYNERGY
Visselhoevede Town Plan, Germa<strong>ny</strong><br />
Landscape Masterplan, 1997<br />
The project is a scheme for managing the growth of an agricultural<br />
community undergoing an economic and population shift<br />
to a commuter and tourist base. A new ribbon development is<br />
part of a strategy to create a series of new “green living rooms”<br />
- agricultural lobes which will consolidate agricultural activities<br />
in the most arable areas. Agriculture would thus become part<br />
of the daily foreground of the new ribbon-dwellers, part of the<br />
special delight of the town. This gradual and very long term<br />
redistribution would effectively create a new category of land<br />
within Visselhoevede, land formerly under cultivation which is<br />
to be withheld from normal development. This park land would<br />
become another kind of resource, the town lung and playground<br />
as well as the guarantor of a character that would remain<br />
perpetually green and of a resource that would continue<br />
in use. A series of small new centers which would contain both<br />
basic neighborhood apparatus - corner shops, child-care, and<br />
other services - but would also provide for a small amount of<br />
loft-space, part of which would be devoted to collective use.<br />
Ma<strong>ny</strong> people - while taking advantage of the opportunities to<br />
“telecommute” will still prefer to work in the compa<strong>ny</strong> of others<br />
rather than in isolation at home.<br />
EuRomania, Bucharest, Romania<br />
Masterplanning Project, 1996<br />
/SYNERGY<br />
This scheme for the rebuilding of central Bucharest attempts<br />
to recreate the neighborhood scale and residential<br />
texture of places destroyed by the enormous reconstruction<br />
of the Ceaucecu era. We sought to re-introduce the<br />
small-scale and irregular morphology of the original city<br />
and to dilute the alienating and megalomaniac scale of<br />
the Hausmmanized quarters of the city. The project also<br />
looked at the city at regional scale, proposing to bring<br />
greenways from one side of the city to another and to<br />
structure progressive restrictions on car use and complementary<br />
increases in public transport density towards the<br />
center of town.<br />
REGIONAL PLAN /SYNERGY
Westside Waterfront, New York<br />
Masterplan for Lower Westside Waterfront Park, 1996<br />
This unsolicited masterplan for the Manhattan waterfront<br />
from 14th Street to Battery Park City is a response to the<br />
tepid official plans for the reconstruction of the roadway.<br />
It takes as its premise the idea that the waterfront is not<br />
simply a seam between land and river but a gradient with<br />
effects felt deep in the city. Accordingly, the plan suggests<br />
a series of small parks and the “greenfill” of portions of local<br />
streets to bring the energy of the transformation as far<br />
as Sixth Avenue. Along theriver edge, a channel has been<br />
created to allow water-born transportation to flow near the<br />
new boulevard, facilitating access. Building this channel<br />
requires the inborn ends of the existing piers to be snipped<br />
off and re-bridged to allow passage of boats below. A<br />
number of new piers also are created for a variety of recreational<br />
activities. Additionally, a series of set piece waterfront<br />
spaces – including the grand Piazza San Giuliani<br />
– have been proposed.<br />
Compa<strong>ny</strong> Town, Hin Heup, Laos<br />
Masterplan for Timber Processing Complex and<br />
Compa<strong>ny</strong> Town, 1996<br />
/SYNERGY<br />
A design for a Malaysian timber compa<strong>ny</strong> included housing<br />
for workers and their families, a range of social, cultural,<br />
and commercial facilities, and a large plywood factory<br />
and timber mill. The project was meant to reflect the<br />
sustainable policy of the compa<strong>ny</strong> and the plan features<br />
an abundance of green spaces, careful management of<br />
run-off and waste, a network of pedestrian and bicycle<br />
paths, and a variety of alternative energy devices. Housing<br />
is in both hostels and individual houses and these<br />
are aggregated in small villages to promote the growth<br />
of community life. Each of the houses is provided with a<br />
kitchen garden.<br />
/SYNERGY
CHAIN OF CITIES EDGE CONDITION<br />
Neurasia, Site Unknown<br />
Masterplan for an Imaginary City, 1996<br />
Neurasia is an imaginary city located somewhere between<br />
Hong Kong and Hanoi. The town is organized into a series<br />
of village-scaled increments, each distinct. A priority<br />
to pedestrians is achieved with an intense layering of<br />
means of motion. Within the city there is an abundance of<br />
small-scale agriculture, sufficient to support its population.<br />
Complex networks of green and blue space serve farming,<br />
recreation, oxygen production, environmental cleansing,<br />
and thermal regulation. At the center of the city, reflecting<br />
Asian tradition, is a void.<br />
The fantasy of the single city is extended to a network<br />
of cities along the transcontinental line, which becomes<br />
an armature for transportation, organizes transfer among<br />
modes, and isolates disruptive uses. Cities blossom along<br />
this line when the local environment is fertile and receptive.<br />
Distance between the towns is calculated to enhance<br />
local self-sufficiency, maximize unbuilt space, and respect<br />
the bearing and artistic capacities of individual sites.<br />
URBAN FRAGMENT /SYNERGY<br />
Stadtebau Eisenstadt, Eisenstadt Austria<br />
Masterplan for a city extension, 1996<br />
An extension for a town in Austria – home to a magnificent<br />
Hapsburg palace – adjoins the traditional linear<br />
center formed along the town high street. Located on<br />
a sloping site, the project seeks to reinforce movement<br />
perpendicular to the main street in order to move closely<br />
integrate the town and its extension. The main building<br />
type is a low-rise loft building, predominantly residential<br />
but also holding the possibility of housing small commercial<br />
activities, including telecommuting, and a limited<br />
amount of retail. Community facilities – meeting rooms,<br />
child-care facilities, medical offices, etc. – are also provided<br />
within the format of the loft typology. Site organization<br />
is designed to create extensive car-free zones<br />
for leisure and play and to take advantage of southern<br />
exposures and views.<br />
/SYNERGY
LEVEL 1 LEVEL 2 LEVEL 3<br />
Wagga Wagga, New South Wales, Australia<br />
Design for Civic Center, 1996<br />
Design for a municipal complex including government offices,<br />
a theater, library and gallery, we located a sinuous<br />
building on the shore of a pond in a town park. The water<br />
from the pond penetrates the folds of the plan, providing<br />
pleasant views and cooling for the building. The spirit<br />
of the intervention is carried over into a proposal for a<br />
restructuring of the adjoining, somewhat ragged, downtown.<br />
/SYNERGY<br />
Governors Island, New York Harbor, New York<br />
Masterplan Proposal, 1995-96<br />
This spectacularly sited island in New York Harbor is, in<br />
this scheme, re-imagined as the “University of the Earth”,<br />
a collaboration among local universities dedicated to earth<br />
and environmental sciences. The scheme re-uses the<br />
ma<strong>ny</strong> historic buildings on the island and adds a series<br />
of flexible, loft-like structure to accommodate a variety of<br />
academic uses. The structures are meant to be evocative<br />
of the early nineteenth century forts on the island and<br />
its opposite shore. In addition, we have proposed that<br />
the courtyards of these building be enclosed by inflatable<br />
membranes in inclement weather.<br />
/SYNERGY
STEP ONE: PLANT A TREE IN AN INTERSEC-<br />
East New York, Brooklyn, New York<br />
Neighborhood Masterplan, 1995<br />
This partly derelict area is socially, topographically and ecologically<br />
(though not economically) rich, descending from bluffs and<br />
ending in wetlands and shore. It holds factories and canals, rail<br />
lines, and a huge neo-Corbusian middle-class apartment enclave.<br />
It is also a museum of virtually every failed social housing typology<br />
in the American experience. We wondered how East New York<br />
might be transformed not by an urban-renewal-style demolition or<br />
by historicist completion – the fulfillment of some of the turn-of-thecentury<br />
developer’s fantasy of original intent – but by the addition<br />
of new layers of circulation, of use, of green space and of form.<br />
First studies show a flow of this energy, of parks, of agricultural<br />
space, of small buildings, of new differences working their way<br />
through the neighborhood. As the project progressed a question<br />
arose: What might be the minimum initial invention necessary to<br />
get this going. The answer, we decided, was to plant a tree in the<br />
middle of an intersection; an “acupuncture” that might excess of<br />
public space devoted to automobile transport in New York would<br />
be reduced. Around these points, low-density, agrarian neighborhoods<br />
would develop. A further intended consequence would be<br />
the consolidation of several street-oriented neighborhood commercial<br />
centers.<br />
Sudraum Leipzig, Leipzig, Germa<strong>ny</strong><br />
Project for Brownfield Reclamation, 1994<br />
/SYNERGY<br />
The landscape south of Leipzig is dominated by a series of<br />
huge, abandoned, open-pit, soft coal (lignite) mines. In this<br />
reclamation project we allow the mines to fill with water (a<br />
process well underway) and use the massive old machines<br />
to dig channels connecting them into a chain of lakes. This<br />
water connection – extending into the center of Leipzig<br />
– would form a new circulation armature for the towns and<br />
villages of the Sudraum and a site for new villages to replace<br />
those lost to the mines. By re-contouring the perimeters of<br />
the mines to accommodate “island villages” just off shore, the<br />
entire edge of the lakes would be saved for public use and<br />
access. The new water-related development, it is hoped,<br />
would inspire a distinctive style of life, an interconnected island<br />
culture of boats and bridges, with a high degree of sustainability,<br />
a rich mix of uses, recreational activities close by,<br />
and direct access to green space. By freezing construction<br />
on non-reclaimed sites, the existing landscape would be protected,<br />
threatening urban sprawl contained, and a unique<br />
pattern of settlement created on the new islands reclaimed<br />
from the mines.<br />
EXISTING CONDITIONS. THE CHAIN OF LAKES AND THE NEW VILLAGES. /SYNERGY
PHASE 1 PHASE 2<br />
Spa Tokaj, Budapest, Hungary<br />
Masterplan Proposal, 1994<br />
Tokaj – a plan for a new town in Hungary attached to a<br />
film production studio - is to be a town of pleasure and<br />
health. Its workplaces are the thermal spa, casino, hotel,<br />
medical facilities, concert and theater center, parks, film<br />
studios and academy, and cinema museum. This extraordinary<br />
program of leisure is to be supported by a rich apparatus<br />
of normalcy. The town – as a<strong>ny</strong> new town should<br />
be – is at once prototypical and practical, fantastical and<br />
exigent.<br />
The center of Tokaj – bounded by a sinewy canal – is<br />
car-free and linked to Budapest by a light-rail connection.<br />
Vehicular traffic circulates at the town’s perimeter on a<br />
ring road that feed parking lots and service tunnels. Tokaj<br />
is to be expanded in two phases to a radius of 1,500 meters.<br />
At build-out, the town would include two additional<br />
neighborhood centers in addition to the use-centers of its<br />
main activities, all fronting on the central plaza. Greenery<br />
would penetrate in strong vectors to the center of town,<br />
allowing walks from the backyard to open countryside<br />
and beyond.<br />
Mondo Condo, Miami, Florida<br />
700 Housing Units, 1994<br />
/SYNERGY<br />
A project for seven hundred condos on Biscayne Bay<br />
presented a classic problem of the relationship of density,<br />
automobiles, and view, most typically solved with a<br />
double-loaded slab oriented perpendicular to the shore.<br />
The site had the further complication of a high water table,<br />
which made underground parking (to house a number<br />
of cars more than enough to cover the entire site)<br />
prohibitive. Our wish was to try and keep as much of the<br />
ground plane as possible available for use, both as recreational<br />
space for tenants and to tie the big project to<br />
its neighborhood by providing an amenity that could be<br />
shared. Fortunately, the site - although deep - was also<br />
wide. Our solution gives each apartment a good view<br />
(as well as cross-ventilation) - and by putting parking on<br />
the upper level - frees virtually the entire ground plane<br />
from cars. We hoped that the green core of this project<br />
could grow into its surroundings, perhaps anchoring a<br />
pedestrian connection to downtown Miami.<br />
/SYNERGY
PLAN AT GARDEN LEVEL SECTION<br />
Souks of Beirut, Beirut, Lebanon<br />
Mixed-Use Development, 1994<br />
This project is a proposition for the rebuilding of the destroyed<br />
Souks which were at the heart of the city before<br />
the outbreak of civil war. It seeks to restore the atmosphere<br />
of an area without literal restoration of its forms<br />
and to layer in new uses appropriate to a city on the verge<br />
of the 21st century. While rejecting literal historicism, the<br />
project nonetheless preserves all exiting architecture on<br />
the site and systematically takes into account the memory<br />
of the architecture which preceded it.<br />
The project – at a pivotal point between the historic area<br />
of the city and a new development zone – also seeks to<br />
knit itself into the larger texture of Beirut by establishing<br />
a new kind of “Green Line.” This sinewy, curving zone of<br />
density, pedestrianism, and greenery traverses the site<br />
– where it becomes an archipelago of garden topped pavilions<br />
sheltering a large produce market – and spreads<br />
into the city beyond, propagating parks and adding its<br />
stitchery to the repair of a torn city.<br />
The central feature of the project is the restoration of the<br />
former market, here covered by a series of pavilions, each<br />
topped by a garden. Surrounding buildings are zoned<br />
vertically with shops at the bottom, professional offices<br />
above and apartments on upper floors. These would be<br />
directly connected to the green spaces atop the market<br />
pavillions. The intent is to create a lively 24-hour environment<br />
at the heart of the city.<br />
MARKET PAVILLION /SYNERGY<br />
SITE PLAN PLUS ONE<br />
Shrooms, East New York, New York<br />
Loft Housing, 1994<br />
The genesis of Shrooms is in the idea of an “all-sided” loft<br />
building in a particular New York neighborhood - East New<br />
York - characterized by extensive abandonment and vacant<br />
land, much of it city-owned. Looking at the empty lots<br />
not as blight but as a community resource, we hoped that<br />
a growing garland of Shrooms might have a ripple effect in<br />
greening the neighborhood. In addition, we thought of the<br />
loft-type as a crucial proto-public space. Not a space with<br />
a fixed or predetermined set of uses but a kind of resource<br />
out of which innumerable private possibilities might be<br />
drawn. As an urban proposition, Shrooms seeks to establish<br />
a new pattern of movement through the neighborhood,<br />
a greenway which operates not as a replacement for the<br />
street grid but as a supplement to it. Flowing through the<br />
middle of the large blocks, it occupies the spaces of abandonment<br />
as they are found. These public greenways lead<br />
to the “green-rooms” at the core of each structure.<br />
/SYNERGY
Spree Insel, Berlin, Germa<strong>ny</strong><br />
Masterplan Proposal, 1993<br />
This project seeks to make a mixed-use neighborhood<br />
from what might simply have been a single-use government<br />
precinct by adding housing and commercial activity<br />
to the program of ministerial facilities and museums. The<br />
proposal is organized by a large circular figure that unites<br />
the disparate activities and is intended to accrete a range<br />
of variations, including a large public market in its interior.<br />
Cars are excluded from the center of the site and green<br />
spaces within the project are meant to propagate through<br />
the city, linking existing parks and gardens into a continuous<br />
chain.<br />
Spree Insel, Berlin, Germa<strong>ny</strong><br />
Masterplan Proposal, 1993<br />
/SYNERGY<br />
This project seeks to make a mixed-use neighborhood<br />
from what might simply have been a single-use government<br />
precinct by adding housing and commercial activity<br />
to the program of ministerial facilities and museums. The<br />
proposal is organized by a large circular figure that unites<br />
the disparate activities and is intended to accrete a range<br />
of variations, including a large public market in its interior.<br />
Cars are excluded from the center of the site and green<br />
spaces within the project are meant to propagate through<br />
the city, linking existing parks and gardens into a continuous<br />
chain.<br />
/SYNERGY
BEFORE AFTER<br />
Brooklyn Waterfront, Brooklyn, NY<br />
Waterfront Park, 1993<br />
A design for a spectacular site on the Brooklyn waterfront<br />
situated opposite Lower Manhattan and below the Brooklyn<br />
Heights Promenade. Given the likelihood that this will<br />
be an intensely trafficked place, the proposal was to racket<br />
up the mix. A conference center is maintained to the north,<br />
augmented with a hotel on a deconsecrated cruise ship or<br />
aircraft carrier. A series of brick loft buildings fills out the<br />
northern end of the site and lines its eastern flank. Further<br />
down, a large amphitheater faces the fabulous view<br />
of Manhattan. At the south end of, we have proposed an<br />
industrial use: a barge-building yard. The barges would<br />
be fitted out as gardens, sports grounds, restaurants, and<br />
community facilities for use as constituents in the rest of<br />
the project and might be floated to other parts of the city to<br />
seed development of other stretches of waterfront.<br />
/SYNERGY<br />
Church Street Building, New York City, NY<br />
Design for loft building, 1993<br />
One of a series of proposals to look at the transformation<br />
of redundant street spaces in New York, this residential<br />
loft structure occupies the center lanes of Church Street at<br />
its dead end at Canal. A double row of irregularly shaped<br />
dwelling spaces are supported by a regular steel grid with<br />
circulation and services pushed to the outside. These<br />
spaces are combined to create units of various sizes and<br />
all float above grade which is left free for circulation and<br />
public activity, including a small cinema, patrly buried underground.<br />
/SYNERGY
Spreebogen, Berlin, Germa<strong>ny</strong><br />
Masterplan Proposal, 1991<br />
This competition project for a new administrative district<br />
in Berlin attempted to reinforce a democratic environment<br />
by expanding the precinct to the scale and complexity of<br />
a neighborhood. The overall strategy involved providing<br />
a surfeit of building in relatively compact increments to<br />
both establish a compact scale and to encourage coalition<br />
and consensus in the occupation. Public gathering<br />
spaces are provided at ma<strong>ny</strong> scales, including a long arcade<br />
through the main range of parliamentary offices and<br />
a series of spaces meant to evoke such familiar public<br />
places as Harvard Yard, Lincoln’s Inn Fields, the Washington<br />
Mall, and the Piazza Navonna. These are not reproduced<br />
in a<strong>ny</strong> direct way but are invoked in spirit and<br />
use. The range of spaces is intended to support spontaneous<br />
gatherings and demonstrations at a wide variety<br />
of scales.<br />
Godzilla, Tokyo, Japan<br />
Mixed-Use Skyscraper, 1989<br />
/SYNERGY<br />
The project’s affinities with Godzilla are not merely morphological<br />
but conceptual. Just as that monster stands<br />
for a certain intensification of Japanese post-nuclear<br />
anxieties, so this building represents, an intensification<br />
of Tokyo-ness. In it, the tangled skein of the city finds a<br />
critical mass and erupts into form, a verticalization of the<br />
fundamental (dis)order in the city. As with traditional skyscrapers,<br />
Godzilla is divided into three parts. The lowest<br />
includes large-scale, publicly-oriented spaces, including<br />
theaters, department stores, and other commercial uses.<br />
The middle portion holds office space and the fish-like<br />
crown, apartments.<br />
Godzilla is also designed as a strategic urban blockage,<br />
thwarting and then reorganizing traffic. It is a center of<br />
dissemination of green, blue, and car-free vectors, for the<br />
expansion of a zone of pedestrianism, and for the insinuation<br />
of fresh tendrils of form and materiality.<br />
PLAN AT GRADE /SYNERGY
SHEEP<br />
Beached Houses, Whitehouse, Jamaica<br />
Project for Seven Houses, 1989<br />
These houses were the result of a commission from a<br />
New York art dealer who wished to establish a small colo<strong>ny</strong><br />
for the artists he represented. As a result, each of the<br />
three house types propose (“Ray”, “Carp”, and “Slug”) is<br />
designed as a loft with minimal interior partitioning to allow<br />
for flexible use. In the case of Ray and Carp, dwelling<br />
space is located above the primary use space to provide<br />
privacy and to avoid interfering with the open area below.<br />
Construction is light-weight framing with a metal skin. An<br />
abundance of openings allow for ample natural ventilation.<br />
Animal Houses<br />
Theoretical Project, 1989<br />
/SYNERGY<br />
Part of a group of houses dedicated to an investigation<br />
of variations in bilateral morphology, these projects also<br />
embodied a then current interest in zoomorphic shapes.<br />
The series – dog, frog, and aardvark - also includes the<br />
sheep, a more elaborate loft building for designed for a<br />
site in Manhattan. Sheep is one of a number of projects<br />
undertaken by the studio to explore the idea of “resistant”<br />
loft spaces. That is, instead of the paradigm of undifferentiated<br />
space to be sub-divided in use, these projects<br />
examine the greater flexibility inherent in spaces that<br />
must be aggregated to form useful wholes.<br />
SHEEP FROG DOG /SYNERGY
<strong>MICHAEL</strong> <strong>SORKIN</strong> <strong>STUDIO</strong>/SYNERGY<br />
180 VARICK STREET, #930<br />
NEW YORK, NY 10014<br />
T 212 627 9120 F 212 627 9125<br />
www.sorkinstudio.com<br />
Rancho Mirage, Palm Springs, California<br />
Design for mixed-use bulding, 1988<br />
Clearly a mixed metaphor, hybridizing bio- and geomorphic<br />
shapes. The radial piece is for municipal offices, narrow<br />
limbed to get each desk next to a window, to maximize<br />
natural ventilation, and to share shading. The anemones<br />
growing on the top are skylights and windscoops and<br />
chimneys. The City Council chamber allows meetings<br />
either indoors or out and the outdoor space was meant<br />
for performances as well The long section is a giant drafting<br />
room for the City Engineer’s Department and the little<br />
flower at the end is an autonomous child care center and<br />
public classroom space.<br />
/SYNERGY