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MICHAEL SORKIN STUDIO PROFILE - synergy ny a+e

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SYNERGY<br />

180 VARICK STREET, #930 NEW YORK, NY 10014 T 212 627 9120 F 212 627 9125 www.sorkinstudio.com<br />

WEED, ARIZONA, 1994<br />

<strong>MICHAEL</strong> <strong>SORKIN</strong> <strong>STUDIO</strong> <strong>PROFILE</strong><br />

The Michael Sorkin Studio is devoted to both practical and theoretical projects at all scales with a special interest in the<br />

city and in green architecture. Recent projects include planning and design for a highly sustainable 5000-unit community<br />

in Penang, Malaysia, master planning for Hamburg, Visselhoevede, Leipzig, and Schwerin, Germa<strong>ny</strong>, planning for a Palestinian<br />

capital in East Jerusalem, urban design in Leeds, England, campus planning at the University of Chicago and<br />

CCNY, studies of the Manhattan and Brooklyn waterfronts, housing design in Far Rockaway, Vienna, and Miami, a resort<br />

in the desert of Abu Dhabi, and a park in Queens, New York. The Sorkin Studio is active in research in issues of urban<br />

morphology, sustainability, and equity and has been the recipient of numerous awards from, among others, Progressive<br />

Architecture, ID, and the New York AIA.<br />

Michael Sorkin is the Director of the Graduate Urban Design Program at the City College of New York. From 1993 to 2000<br />

he was Professor of Urbanism and Director of the Institute of Urbanism at the Academy of Fine Arts in Vienna. Previously,<br />

Sorkin has been professor at numerous schools of architecture including the Architectural Association, Cooper Union<br />

(for ten years), Columbia, Yale (holding both Davenport and Bishop Chairs), Harvard, Cornell (Gensler Chair), Nebraska<br />

(Hyde Chair), Illinois, Pennsylvania, Texas, Michigan (Saarinen Chair) and Minnesota. In 2005 -2006, Sorkin is directing<br />

studio projects for the post-Katrina reconstruction of Biloxi and New Orleans. Sorkin lectures widely and is the author of<br />

ma<strong>ny</strong> articles in a wide range of both professional and general publications and is currently contributing editor at Architectural<br />

Record and Metropolis. For ten years, he was the architecture critic of The Village Voice. His books include Variations<br />

on A Theme Park, Exquisite Corpse, Local Code, Giving Ground (edited with Joan Copjec), Wiggle (a monograph of the<br />

studio’s work), Some Assembly Required, Other Plans, The Next Jerusalem, After The Trade Center (edited with Sharon<br />

Zukin), Starting From Zero, Analyzing Ambasz, and Against the Wall. Forthcoming in 2006 are Twenty Minutes in Manhattan,<br />

Eutopia, All Over the Map, Indefensible Space, and Project New Orleans.<br />

/SYNERGY


Riva Ring, Istanbul, Turkey<br />

Masterplan for a Warterfront Town, 2008<br />

Located on the Black Sea near Istanbul, Riva is a town<br />

being planned for a population of 40,000. Heavily constrained<br />

by prior plans and ownership patterns, the goal of<br />

this project is to create a town that maximizes its autonomy<br />

and pleasure.<br />

Shanghai Gateway, China<br />

Shanghai Main Station District Masterplan, 2007<br />

/SYNERGY<br />

Our urban design master plan, commissioned by the municipality,<br />

is for a 77 hectare site in the Zhabei district of<br />

Shanghai. The rapidly developing area includes the city’s<br />

northern train station - a major hub - and is bordered by the<br />

Suzhou river, one of Shanghai’s great neglected assets.<br />

This scheme seeks to “complete” the district by reclaiming<br />

its waterfront; by retaining the vanishing small-scale commercial<br />

character of its historic fabric; by providing for a<br />

rich mix of uses; by adding a thick layer of green and sustainable<br />

interventions; by specifying the forms and densities<br />

of new buildings and street-scapes; and by developing<br />

a rich texture of public spaces.<br />

/SYNERGY


NEIGHBORHOOD<br />

SOUTH CAMPUS<br />

Almere Hout Masterplan, Netherlands<br />

Masterplan for New CIty, 2005<br />

Almere Hout seeks to realize these desires:<br />

To be a place of profound physical singularity, remarkably<br />

attractive in its urban character.<br />

To offer great scope for individual expression and abundant<br />

opportunity for the accommodation of difference in the<br />

construction and occupation of private environments.<br />

To build strong partnership between and private initiative<br />

with the public sector providing a singular and delightful<br />

infrastructure to conduce the widest range private possibilities.<br />

To be structured around strong neighborhoods with clear<br />

centers and shifting, overlapping, boundaries.<br />

To allow neighborhoods emerge organically within sympathetic<br />

frameworks proposed by this plan.<br />

To provide possibilities for autonomous development at every<br />

scale and include the potential for fundamental change<br />

over the period of Almere Hout’s construction.<br />

To phase the growth of Almere Hout a way that satisfying<br />

communities can be created in sequence and not await the<br />

development of the site as a whole to find local viability.<br />

To be model of best practices for sustainable architecture<br />

NORTH CAMPUS<br />

City College Masterplan, New York City<br />

Campus Plan, 2005<br />

/SYNERGY<br />

This masterplan for CCNY seeks to unify the campus, to<br />

offer a strategy for the development of the south campus<br />

with 2000 dorm beds and almost half a million square feet<br />

of laboratory space, and to reconfigure the north campus<br />

to create a stronger sense of place. Although fortunate to<br />

have a beautiful neo-gothic core, the campus has been<br />

blighted by mediocre modern buildings that dramatically<br />

increase the scale of campus construction. Our scheme<br />

is structured around a unifying campus spine, the partial<br />

closure of the roadway that runs through the campus center,<br />

the creation of two distinct open spaces – one hard,<br />

one soft – to organize the two ends of campus, and the<br />

addition of a series of buildings that attempt to mediate the<br />

diverse scales of current construction. At a larger frame,<br />

the plan offers a number of proposals to improve links to<br />

surrounding communities and to integrate development<br />

with the ambitions plans of Columbia University for a site<br />

two blocks to the west of CCNY.<br />

/SYNERGY


Starfish Cafe, Coney Island, Brooklyn, NY<br />

Design for a Rotating Cafe, 2005<br />

The Starfish Café joins the queue of Coney Island icons.<br />

A rotating restaurant takes in the view, from the ballpark<br />

to the ocean to the parachute jump, at one revolution<br />

per hour, a giant clock. At boardwalk level, an outdoor<br />

café and a shop or restaurant. At ground level, exhibition<br />

space for the Coney Island Gallery, catalyst perhaps for<br />

the Coney Island Museum.<br />

/SYNERGY<br />

The Freedom Bowl and the Island of Peace<br />

Redevelopment plan for Governer’s Island, New York,<br />

2005<br />

The Island itself embodies two conditions: the original “natural” island as it<br />

existed until the beginning of the twentieth century and its large southern<br />

extension, built from fill excavated during the construction of the IRT. By redividing<br />

the island into northern and southern islands, the historic northern<br />

half could become an extension of the space-challenged United Nations,<br />

the perfect site for the pursuits of peace. Appropriately isolated, the southern<br />

island would be a glorious and secure site for mass gatherings and big<br />

games. The challenge of getting there could also be turned to advantage.<br />

Unless a pedestrian bridge or tramway were built from Red Hook (not a<br />

completely illogical pair of possibilities), all access would be from the water.<br />

But this is less daunting than it otherwise seems. To begin, Governor’s<br />

Island is very close to both Manhattan – with its existing infrastructure of<br />

ferry terminals - and Brooklyn with its capacity to lead cars from the Battery<br />

Tunnel and BQE/Gowanus directly to shore-side parking. Moreover, given<br />

that football is played on Sundays – when service on the huge Staten Island<br />

ferries is reduced – a dedicated boat or two making round trips from South<br />

Ferry could efficiently deliver very large numbers of people to the island in<br />

minutes. Finally, the proximity of the stadium to the Statue of Liberty raises<br />

the prospect of a view of that great symbol through the uprights of another,<br />

from the new Freedom Bowl, America’s stadium.<br />

/SYNERGY


East Darling Harbor, Sydney, Australia<br />

Waterfront Park and Commercial District Masterplan,<br />

2005<br />

Our goal is to make Darling Harbor into a new and dramatically public<br />

waterfront. This very large site is pivotal for Sydney - effectively completing<br />

the downtown peninsula and it will define the city’s edges and character<br />

for a very long time to come. The challenge is to be sensitive to the environment,<br />

history, and situation of this mesmerizingly singular place while<br />

transforming it for a brilliant future.<br />

Urban waterfronts are fluid places and it would be a mistake to be overly<br />

nostalgic for these hectares of fill, for a<strong>ny</strong> particular pattern of historical<br />

development, or for a<strong>ny</strong> adjoining modern precedents. Our objective has<br />

been to multiply the waterfront by thinking of it not as a simple seam between<br />

land and water but as a gradient that extends into the city: we hope<br />

our project can both bring people to the water and water to the people.<br />

This will happen, through an intensified mix of uses on the site - including<br />

shipping, swimming, walking, dwelling, and culture - and because of the<br />

introduction of new ways to experience the water. These range from the<br />

Darling Channel, cut through the site to treble the literal water’s edge, to<br />

the constructed wetlands that will treat site run-off, to the Tidal Steps that<br />

will acknowledge this powerful force and bring visitors close to the water<br />

itself, and to myriad spots for strolling, viewing, and contemplating.<br />

Chungcheong New City, South Korea<br />

Masterplan for New CIty, 2005<br />

/SYNERGY<br />

This project is informed by the idea of the ecological footprint. The concept<br />

is simple: cities are the creatures of territories that far exceed their own<br />

boundaries. By thinking of cities as artifacts defined by purely political borders,<br />

the real nature of urban sustainability and exchange is distorted and<br />

obscured.This proposal is for a city that takes dramatic account of both its<br />

needs and effects and dedicates itself to the project of radically reducing its<br />

own footprint. This, we believe, is vital to the health of a planet that simply<br />

doesn’t have the resources or the surface to sustain a population consuming<br />

at typical developed-world rates. We suggest that the new city works<br />

to secure “neutrality” in eight critical areas: energy, air, food, waste, water,<br />

temperature, employment, movement, and habitat. By this we simply mean<br />

that the city must strive either to produce or process each of these lifesustaining<br />

elements.<br />

We recognize that this paradigm of self-sufficiency is a goal never to be<br />

reached: the vital interconnection between cities, regions, and nations is not<br />

to be denied nor is the economics of comparative advantage. But the selfsufficient<br />

city is also replete with functional, economic, and environmental<br />

efficiencies and we propose that Chungcheong New City become a living<br />

laboratory for the invention and implementation of the panoply of best practices<br />

that must ultimately inform the character of every city.<br />

/SYNERGY


Penang Peaks, Malaysia<br />

Mixed-Use Redevelopment of the Penang Turf Club,<br />

2004<br />

Penangs Peaks is an intensely mixed-use community,<br />

providing housing, offices, commercial space, medical<br />

facilities, a convention center, transit node, concert hall,<br />

schools, a campus for overseas universities and extensive<br />

recreational facilities. The project is designed to be highly<br />

sustainable, indeed, a model of best environmental practices:<br />

in both appearance and behavior, its architecture<br />

will be dramatically green and will be fully self-sufficient<br />

in water and waste management. The project is organized<br />

around a 20 hectare Great Park, intended to provide amenity<br />

for the city as a whole and linked to the Penang Hills<br />

via a land-bridge over the new Penang Outer Ring Road.<br />

The park is surrounded by residential buildings, connected<br />

by Kudalari Drive, an elliptical roadway that girdles the site<br />

and distributes its uses. The Drive is intended to become<br />

the city’s premier retail boulevard and to accommodate a<br />

legion of strollers and diners.<br />

Equine Tower, Penang Peaks, Malaysia<br />

Mixed-Use Tower, 2004<br />

/SYNERGY<br />

A signature building for the sponsor of the redevelopment<br />

of Penang Turf Club, the Equine Tower embodies<br />

principles incorporated in the larger site planning effort.<br />

The tower embraces a mix of uses, organized vertically.<br />

Below grade is a parking area with direct access to the<br />

building above. At grade are retail uses, as well as elevator<br />

lobbies and a large cisterning pool. Office space<br />

is in the podium above and on top of this element is the<br />

building’s “Green Floor,” holding bioremediation devices<br />

for building wastes, recycling center, gardens, and a day<br />

care facility. The remaining floors are residential – a series<br />

of two story “sky houses.” These are configured to<br />

provide ventilation of all sides, screening from the sun,<br />

and terraces. The residential units, shops, and offices<br />

are arranged around a vertical chimney/atrium, which allows<br />

convective cooling from the pools below. Atop the<br />

tower, a great PV-lined “flying saucer” collects and stores<br />

rainwater for building systems and cooling.<br />

/SYNERGY


STREET TYPE PEDESTRIAN TYPE<br />

Street Lights, New York City<br />

New Lighting Fixtures, 2004<br />

The New York City streetlight is both illumination and icon,<br />

the most ubiquitous element in the furnishing of our streets.<br />

Streetlights symbolize the character of the city’s commitment<br />

to its public spaces, both to making them safe and to<br />

making them beautiful. Current lighting combines a variety<br />

of styles, ranging from standards that evoke historical elements<br />

to the predominant and unlovely functional types.<br />

This situation of variety will continue for the indefinite future<br />

as will the use of lighting standards for mounting signage<br />

and other fixtures on a strictly as-needed basis. Our<br />

designs are meant both to have a strong individual identity<br />

and to be compatible with the variety of other fixtures currently<br />

in use. We have proposed a family of three types of<br />

fixture, based on three specific kinds of urban space.<br />

AVENUE TYPE /SYNERGY<br />

Chiang Kai-Shek Int. Airport, Taipei, Taiwan<br />

Terminal Redevelopment Plan, 2004<br />

The international air system is a place apart. This “space of<br />

flows” handles the movement of over a billion people a year and<br />

represents, in ma<strong>ny</strong> ways, the cultural future of the planet. It is<br />

a place that enables human contact undreamed of until recent<br />

times, a planetary common ground. But the air system also embodies<br />

much that is less happy: extreme levels of surveillance, a<br />

generic quality that frustrates a<strong>ny</strong> sense of place or locality, the<br />

feeling of being part of a mindless herd.<br />

Great airports – like Chep Lap Kok or Dulles – are those that<br />

both maximize comfort and convenience and that offer powerful<br />

architectural experiences. In the replacement of Chang Kai-<br />

Shek’s Terminal One, it is our ambition is to create a marvelous<br />

work of architecture that restores the pleasures of air travel<br />

while simultaneously offering new levels of efficiency, comfort,<br />

and environmental responsibility, including an undulating green<br />

roof and extensive generation of wind energy. The terminal is<br />

designed to allow uninterrupted airport operations during construction,<br />

to accommodate the next generation of super-jumbos,<br />

and to facilitate further expansion over the long term.<br />

/SYNERGY


Kaohsiung Maritime Gateway, Taiwan<br />

Waterfront Park, Ferry Terminal, and Urban Boulevard,<br />

2004<br />

Seeing the waterfront as amphibian - as a condition that<br />

extends into and infuses the city as a whole with views,<br />

breezes, forms, and activities - the project seeks to exploit<br />

these potentially deep synergies. The organization<br />

of this scheme reflects this strongly: the perpendicular of<br />

Star Light Boulevard continues both the spirit and the fact<br />

of the waterfront. The boulevard and its associated park<br />

and canal extends waterfront public space -the cultural,<br />

leisure, and transportation uses that characterize the water’s<br />

edge - into the developing financial district and its<br />

associated neighborhoods, to make this a district on the<br />

waterfront. The two major buildings on the site - the large<br />

and small ferry terminals - share a family relation both with<br />

each other and with the landscape vocabulary of the park<br />

spaces that surround them. The scheme incorporates extensive<br />

wind farm to take advantage of the stiff on-shore<br />

that characterize the site.<br />

Kaohsiung Ferry Terminal, Taiwan<br />

Ferry Terminal, 2004<br />

/SYNERGY<br />

This little ferry terminal is designed to smoothly separate<br />

arriving and departing passengers and to expedite passage<br />

through border and customs formalities. In form,<br />

the building seeks to become a seamless part of a larger<br />

treatment of the Kaoshiung waterfront as a continuous<br />

green space comprised of a series of sculptural mounds,<br />

some of which are buildings. Uninterrupted in their regular<br />

placement, towers from the shoreline wind farm pass<br />

through the building shell to the earth. Special details allow<br />

these windmills to be structurally isolated for vibration<br />

and rhythmically open the roof to the sky.<br />

/SYNERGY


Queens Plaza, New York<br />

Bicycle and Pedestrian Improvement and Linear Park,<br />

2003- 4<br />

Located along and within a tangled system of bridges and<br />

roadway, Queens Plaza, this project seeks to create an urban<br />

forest, planting the site as densely as possible. This<br />

is to establish a continuous canopy of shade and visual<br />

enclosure, to manage and exploit rainwater and run-off, to<br />

sequester carbon dioxide and other pollutants, to attenuate<br />

traffic and transit noise, to provide alluring smells and<br />

sounds and to give a common identity throughout the project.<br />

The strong environmental theme this suggests is extended<br />

to a comprehensive scheme for the management<br />

and remediation of run-off foe the nearly two mile length of<br />

the project. Several other elements are likewise designed<br />

to create a sense of place throughout the site. These include<br />

a uniform set of walking surfaces, design of graphic<br />

and wayfinding systems,lighting elements, and for other<br />

street furnishings, as well as a diverse series of spaces<br />

for gardening, relaxation, community meetings, exhibitions,<br />

and sports.<br />

PLAZA MIDWAY CAFE /SYNERGY<br />

EAST ELEVATION<br />

NORTH ELEVATION<br />

SECTION - GREENHOUSE<br />

Community Building, Queens Plaza, New York<br />

Design for public building, 2003- 4<br />

This little building was designed as a community center<br />

to be shared by a large New York City Housing Authority<br />

project and a growing neighborhood of artists and other<br />

emigrants from Manhattan. It provides offices for community<br />

organizations, including a tennis program aimed<br />

at kids from the project, meeting space for local groups,<br />

a greenhouse and club space for a gardening club, and<br />

a “living machine” that would clean wastes produced on<br />

site and serve as an element in an environmental education<br />

program. The building wraps around an existing<br />

MTA electrical substation and incorporates an old trolley<br />

kiosk (moved from the 59th Street Bridge overhead) as a<br />

refreshment stand/café.<br />

/SYNERGY


Sun-Moon Lake, Shuishe Waterfront, Taiwan<br />

Recreation Redevelopment Scheme, 2003<br />

The character of this beautiful spot is secured at its periphery,<br />

in views of the lake from the shore and of the<br />

shore from the lake. Our first move was to secure the<br />

edge of the lake via continuous landscaping and pathways.<br />

This circumferential walk would be punctuated<br />

by sites for rest, contemplation, and commerce. At this<br />

enlarged scale we would also propose a more logical<br />

circulation armature to connect a nearby highway, new<br />

parking facilities, and the existing town dock and transit<br />

station. The upland end of the site would be used for an<br />

artificial “mountain” within which parking facilities could<br />

be housed. The rest is designed as a park, containing<br />

opportunities for both passive and active recreation. On<br />

the lake itself, we propose a teahouse evoking the image<br />

of “two lakes reflecting the moon”. Not simply floating, but<br />

mobile, the teahouse would — in the course of a tea service<br />

— traverse the lake and return. Finally, we suggest a<br />

floating plum orchard. Free-floating on the lake, the plum<br />

trees would aggregate and disperse with the winds and<br />

currents. At blossom time they would form an evanescent,<br />

mobile, cloud of pink.<br />

Fugee Fishing Port, Fugee, Taiwan<br />

/SYNERGY<br />

Waterfront Development Plan, 2003<br />

This proposal seeks to capture and enlarge both the<br />

drama of Fugui Cape and bustling commerce of the Fugee<br />

Port. To preserve the cape landscape, we propose<br />

locating the substantial new facilities for the port under<br />

an artificial hill, allowing unobstructed views of greenery<br />

and sea, not of a sea of cars and the backs of shops and<br />

buildings. Beneath the hill would be all parking, service<br />

access, and uses that do not require daylight, including<br />

storage, mechanical systems, and a cinema. Facing the<br />

harbor would be a row of shops and restaurants on the<br />

ground floor, festooned with neon signs. Above these, enjoying<br />

a fabulous and romantic seaward vista is a modest<br />

sized hotel. Facilities would also be provided for offloading<br />

of fishing boats, the sale of fresh fish and other<br />

goods, and for unpredictable, spontaneous activities and<br />

the docking of the coastal ferry and other pleasure craft.<br />

Given the strong prevailing winds, we propose the waterfront<br />

as an ideal location for a wind farm. This would<br />

be both a dramatic element on the skyline and should be<br />

able to provide a large portion of the electrical requirements<br />

of the port and the new tourist facilities.<br />

/SYNERGY


Fenquin Mountain Railway St., Fenguin, Taiwan<br />

Project for Redevelopment of Railway Station, 2003<br />

The dramatic daily increase in population at the mid-day<br />

arrival of the mountain trains is clearly the problematic<br />

and propulsive event in the life of Fenquin. On the north<br />

side of the tracks, the existing bamboo forest would be<br />

preserved and expanded. Within it, the guest and public<br />

rooms of the bridge-hotel would be located as well as<br />

several integral — and manageable - paths up the hill.<br />

Step one is to create a rational means for the circulation<br />

of these visitors. The long train platform provides an<br />

armature for linear distribution and filtering into the town<br />

itself. Along this path we propose to align the entry and<br />

drop-off from the main highway, a travel and ticketing<br />

center (combined with a community hall in the old depot),<br />

a waiting area, a museum, and a café. Although the infrequency<br />

of train service allows the roadbed to be used<br />

for crossing, we would also include a “hotel-bridge” over<br />

the railway, providing a connection to the parking along<br />

the highway above, bringing greenery into the town, and<br />

forming a gateway for the arrival and departure of the<br />

train.<br />

/SYNERGY<br />

World Trade Center Memorial, New York City<br />

Project for a Memorial, 2003<br />

The eloquence of the void at Ground Zero will never be<br />

matched. It is a place of power and presence, coherent<br />

in scale, and framed by a well articulated, if incomplete,<br />

wall of buildings. We proposed that all of Ground Zero<br />

should be public: instead of enormous commercial buildings<br />

with a subsidiary memorial, we suggested a park,<br />

a space of gathering. The park would include two pools<br />

located on the footprints in which memorial candles are<br />

floated by survivors. Beneath the pools – under transparent<br />

ceilings – are the hall of names and a chapel for<br />

survivors.<br />

/SYNERGY


Cleveland Waterfront Park, Cleveland, Ohio<br />

Masterplan for Waterfront Park, 2002<br />

This project looked at the development of the Cleveland<br />

waterfront several miles to the east of downtown and at<br />

the connection of the waterfront - via Rockefeller Park<br />

- to the group of institutions around University Circle. The<br />

biggest move is the creation a series of green islands out<br />

of a small airport on the waterfront that the city proposes<br />

to abandon. These islands culminate in a wildlife sanctuary<br />

at the lake end of Rockefeller Park and the partial<br />

burial of the shore line expressway to ease access to the<br />

waterfront.<br />

The plan also suggests the creation of a trolley connection<br />

from the lakefront to University Circle, linking two<br />

commuter rail lines and helping to revitalize the severely<br />

derelict 105th Street corridor.<br />

/SYNERGY<br />

World Trade Towers, New York City, New York<br />

World Trade Tower Proposals, 2002<br />

An exploration of the form of several tall buildings at<br />

Ground Zero, done in a spirit of investigation. Although<br />

the idea of such buildings is contrary to the highest and<br />

best use of the site, these were designed to encourage<br />

some fluidity in approach and to keep the question of the<br />

site’s future open. The inspiring image was the lotus, a<br />

flower unfolding to signify rebirth. The research soon became<br />

a simple speculation on skyscraper form and the<br />

limits of its expressivity.<br />

/SYNERGY


World Peace Dome, New York City, NY<br />

Peace Dome Proposal - 2002<br />

The World Peace Dome is one of a number of proposals<br />

made for Ground Zero, not far from the location of the<br />

studio. Although firmly convinced that building on the site<br />

is inappropriate, we proposed this dome to assert that<br />

the skyline could be marked with something other than<br />

a triumphalist, phallomorphic, tower and that its program<br />

did not have to simply be commercial office space. Here,<br />

the suggestion is for a United Nations annex and a center<br />

for global NGO’s surrounding a contemplative central<br />

garden.<br />

Ground Zero, New York City, New York<br />

/SYNERGY<br />

Temporary Enclosure and Lower Manhattan Plan, 2001<br />

Commissioned to design a temporary enclosure for<br />

Ground Zero, we proposed the construction of a large<br />

earthen berm to secure the site during recovery and<br />

clearing. Realizing that the “problem” of Ground Zero<br />

was not one that could be solved on the site itself, we<br />

proposed a strategy of disaggregation, locating replacement<br />

construction elsewhere in the city. At the same<br />

time, we proposed that Ground Zero become a point of<br />

dissemination for the greening and pedestrianization of<br />

all of downtown.<br />

/SYNERGY


Arverne, Far Rockaway, Queens, New York<br />

2500 Housing Units, 2001<br />

This project for 2500 housing units and associated educational,<br />

commercial, social and recreational facilities was<br />

undertaken under the sponsorship of the Architectural<br />

League and the New York City Economic Devlopment<br />

Commission. The project was designed to leverage the<br />

unique relationship of public transportation and beach<br />

frontage to create a seaside community of special quality.<br />

We also sought to include a series of environmental features<br />

- including solar and wind power, bioremediation of<br />

waste water, and careful management of run-off - to make<br />

this a model of responsible green practices. Finally, a focus<br />

on pedestrianism, public transit, and mixed use is designed<br />

to reduce the energy expended on circulation both<br />

within and to and from the site. The site is the last great<br />

beach-front property in city hands and we tried to give it an<br />

atmosphere of breezy relaxation.<br />

Bronx Hub, Bronx, NY<br />

Transit Hub and Plaza, 2000<br />

/SYNERGY<br />

This project - part of a broader study - focuses on the literal<br />

“hub”, the intersection of three major streets that forms<br />

the heart of the district. Well-serviced by bus, subway,<br />

and road connections, the hub is the site of both maximum<br />

traffic and architectural density. In configuration, it<br />

resembles a miniature Times Square, a spatial “bow-tie”<br />

created by the geometry of the street intersections. Taking<br />

a cue from this, we have proposed a visual intensification<br />

of the power and identity of this center via the construction<br />

of a sinewy media billboard to mark and enclose the Hub<br />

and to create a gateway. The intent is to create both an<br />

increased sense of legibility and excitement and to make<br />

a space of gathering for a variety of public occasions. Not<br />

the least of these is waiting for a bus or transferring to or<br />

from the subway. Accordingly, this plan adds a new subway<br />

entrance, reorganizes bus circulation, and transforms<br />

the existing Roberto Clemente Plaza into a focal point for<br />

the surrounding community.<br />

/SYNERGY


THE GLAZED STACK OF THE NON-EMITTING INCIN-<br />

Sendai Green Village, Japan<br />

Green Municipal Incinerator and Masterplan for a Green<br />

Industrial Village, 1999<br />

The commission was to design the housing for a very<br />

clean, high-technology, incinerator which was combined<br />

with a center for recycling and reuse. We proposee that<br />

the new facility should be designed as the center of a small<br />

“Green Village.” Instead of isolating the incinerator, we<br />

suggested that it form the nucleus of a small development<br />

focused on green technologies and environmental remediation.<br />

Like a great cathedral surrounded by the smaller<br />

structures it supports, the incinerator is potentially a symbol<br />

and an enactor of responsible environmental management,<br />

a center of social life, and an economic driver.<br />

The building we propose is a little mountain, an artificial<br />

hill reflecting the profile of those surrounding it, a new and<br />

dramatic feature in the landscape. Within the hill is the<br />

incinerator, an environmental education center focused on<br />

a tour of the facility, a large greenhouse extension to the<br />

plant, and a municipal bath-house warmed by waste-heat<br />

from the plant.<br />

East Jerusalem, Israel/Palestine<br />

Masterplan Proposal, 1999<br />

/SYNERGY<br />

The mark of modern urbanity is heterogeneity: every city<br />

is shared. Jerusalem is both the eternal prime example<br />

and exceptional case. Perhaps more than a<strong>ny</strong> other city,<br />

Jerusalem’s genius loci is founded in geographies of difference:<br />

a panoply of religions, sects, ethnicities, classes,<br />

nationalities, and lifestyles commingle here, all expressed<br />

in complex – and often conflicting – sets of spatial and social<br />

practices.<br />

This proposal makes no attempt to alter of re-deploy<br />

Jerusalem’s incredible assortment of styles of inhabiting<br />

space; it is devoted to more primary urban values and<br />

distinctions. It is clear that Jerusalem is moving toward<br />

becoming the capital city of two states: Israel and Palestine.<br />

Whatever else may be true of these tow nations and<br />

their labyrinthine histories of development and conflict,<br />

their capitals will find a measure of their expression in the<br />

“normal” infrastructure of a<strong>ny</strong> capital city – ministries and<br />

embassies, bureaucracies and businesses, symbolic and<br />

honorific sites, a city hall and a parliament – all the installations<br />

that make a capital city functional.<br />

This plan is a schematic proposal. It begins by suggesting<br />

that the political and commercial sprawl of the city be<br />

ceased and the further development be a thickening of<br />

existing built-up territory, rather than further aggrandisement.<br />

It further suggests the re-naturalization of the<br />

Kidron River valley to the east of the old city of Jerusalem<br />

to become a central park to serve both east and west<br />

Jerusalem and to secure the future of this historically and<br />

culturally charged space. The plan proposes that the major<br />

administrative infrastructure of the Palestinian capital<br />

be located on the north side of the great park in Wadi<br />

Joz, a largely derelict site, occupied by automobile repair<br />

shops. The Palestinian parliament – connected to the<br />

administrative district and to West Jerusalem by a new<br />

east-west boulevard - is proposed for a site to the west<br />

overlooking the vast expanse of the Judean desert. Finally,<br />

to secure the viability of the group of Palestinian<br />

neighborhoods to the east of the great park, we suggest<br />

a chain of neighborhood parks a social centers and armatures<br />

for commercial, cultural, and civic development.<br />

/SYNERGY


House of The Future, Site Unknown<br />

Theoretical Project, 1999<br />

This proposal is for a small community sharing resources and<br />

environment. The basic unit is a double space, two sheltering<br />

elements that share water and waste management, energy<br />

production, and a social space - a ti<strong>ny</strong> community. From this<br />

kernel the larger house grows and from these houses larger<br />

communities might also develop, finding their form according<br />

to the living arrangements desired by their inhabitants. The<br />

house proposed here offers space for a new kind of elective<br />

extended family, for people living singly, in couples, with children,<br />

and in groups. In various alterations and recombinations,<br />

the house can continuously transform itself to different<br />

needs and choices. Constructed of soybean-derived plastic<br />

panels cast to form an infinite variety of shapes, glazed with<br />

aero gel windows that can be made transparent or opaque at<br />

the turn of a dial, generating its own power from photovoltaic<br />

and hydro, and treating its own wastes through green “living<br />

machine” technology, the house is at peace with the world.<br />

Imagine being able to step into a mobile “bubble” docked to<br />

the house, enter a destination code, and find yourself transported<br />

a<strong>ny</strong>where on the planet.<br />

/SYNERGY<br />

Retirement Community, Somewhere in America<br />

Masterplan and Housing Study, 1999<br />

Commissioned to speculate about the “retirement community<br />

of the future,” we realized that none of us boomers<br />

were likely to retire and so decided to work on the plan of<br />

a small village with a large golf course. The village is organized<br />

in a series of clusters, each of which has associated<br />

commercial, recreational, and social space. The dwelling<br />

type is the row house and each row – oriented south for<br />

greenhouses and passive solar heating – shares a “living<br />

machine,” a bio-remediation device for waste water treatment.<br />

The houses themselves are made of soy-based<br />

plastic panels with tunable aerogel windows. All cars are<br />

relegated to the periphery of the community and internal<br />

movement is via walking, bikes, wheelchairs, and slow<br />

moving, zero emissions bubble cars that dock directly into<br />

ports on the houses. A robotic version of these vehicles is<br />

utilized for deliveries and other internal goods transportation.<br />

/SYNERGY


NORTH CAMPUS<br />

University of Chicago Masterplan<br />

Campus Masterplan and North Campus Development,<br />

1998, Chicago, Illinois<br />

The plan seeks to join two sides of the campus presently<br />

divided by the Midway Pleasance, to secure the future of<br />

the neighborhood to the south of the university, and to suggest<br />

the location of a number of facilities, particularly on<br />

the developing “north campus.” To achieve this, the Midway<br />

is transformed by the addition of a watercourse - part<br />

of the original intent of Frederick Law Olmsted - and by<br />

the reduction of vehicular traffic. To protect the Woodlawn<br />

neighborhood from university encroachment, the south<br />

campus is configured as a hard - but friendly - campus<br />

edge.<br />

The north campus - dominated at present by a series of<br />

very large buildings - is designed to create an intimacy and<br />

complexity that evokes that of the original collegiate gothic<br />

quadrangles and is programmed with a mix of residential<br />

and academic uses.<br />

NORTH CAMPUS NORTH CAMPUS /SYNERGY<br />

20 KILOMETER 10 KILOMETER 5 KILOMETER<br />

100 KILOMETER<br />

Hamburg Harbor Studies, Hamburg, Germa<strong>ny</strong><br />

Masterplan, 1998<br />

The master-planning study was undertaken as the result<br />

of a public art commission from the city of Hamburg. We<br />

called the project a “portrait” with the understanding that<br />

portraiture is always an idealized representation of its<br />

subject. In this case, we hoped that it was clear that our<br />

project grew from our affection for the form of the city, for<br />

its system of waterways and its juxtaposition of maritime<br />

activities with more traditional urban form. As with ma<strong>ny</strong><br />

cities, the great threat to Hamburg is sprawl, the loss of<br />

its edge to a miasma of ill-built suburban development,<br />

adding pressure to the - largely automotive - transport<br />

system. We’ve proposed a strict urban growth boundary<br />

along with the strategic enlargement of selected towns<br />

and villages on the city’s periphery. To accommodate the<br />

major portion of anticipated growth, we have proposed<br />

large-scale development of the harbor area and the creation<br />

of a strong north-south connection between Hamburg<br />

and Harburg. We also propose to a circular water<br />

transport line to link the two sides of the Elbe into a single<br />

community.<br />

/SYNERGY


Schwerin, Germa<strong>ny</strong><br />

Masterplan and Railway Station, 1998<br />

Commissioned by the municipality, this proposal studied<br />

the pattern of growth of Schwerin under the influence of<br />

the proposed construction of a magnetic-levitation rail<br />

line connecting Berlin and Hamburg. The station for this<br />

line was to be situation some distance to the south of the<br />

town center, begging questions of both local development<br />

and its connection to longer-term expansion of the town<br />

and its urban region. This plan proposes a ring of semiautonomous<br />

towns and villages to counteract the likelihood<br />

of sprawl and to provide a more intimate experience<br />

for the expected growth of a commuter population making<br />

use of the rail link. Growth around the station was to be<br />

along a radial pattern, resulting in a both a clear center<br />

and distinct edges for the new community.<br />

Columbus Circle, New York City<br />

/SYNERGY<br />

Reconstruction of Subway Station and Traffic Circle,<br />

1998<br />

This project for the reconstruction of one of the busiest<br />

stations in the New York subway system took as its fundamental<br />

challenge the difficulty of transferring between<br />

the two subway lines that cross on the site. Because<br />

the upper line is close to the surface, crossing over requires<br />

crossing under both this line and the line below, an<br />

impossible walk. By elevating the surface of the “plaza”<br />

above, enough space is gained for an bridge over and<br />

an enormous skylight is created to illuminate the rebuilt<br />

station below.<br />

/SYNERGY


Vienna Housing, Vienna, Austria<br />

70 Units of Mixed-Use Public Housing, 1998<br />

On a tight site on the periphery of Vienna, these apartments<br />

were part of a group of approximately 400 units<br />

designed by a group of architects on adjoining plots. This<br />

grouping is designed to slope towards a southern exposure,<br />

guaranteeing good insolation and providing outdoor<br />

space for each unit. The plastic shapes of the buildings<br />

allow each apartment to have private variation and to give<br />

the complex identity in a more rectilinear complex. The<br />

juxtapostion of the buildings also offers an urban quality<br />

to the pedestrian realm while allowing long views and air<br />

in the spaces above. The site offers a direct subway connection<br />

and cars are parked in a shared facility nearby.<br />

Floating Forest, Hamburg, Germa<strong>ny</strong><br />

Center City Floating Park, 1997<br />

/SYNERGY<br />

A proposal for a piece of public art commissioned by the<br />

city of Hamburg. Located on the Biennen Alster, a lakesized<br />

body of water in the middle of the city, these floating<br />

green islands - “life boats” - were meant to move lazily in<br />

the wind and currents, sometimes lashed together to form<br />

larger surfaces for use. A number of these islands were to<br />

be “living machines”, bio-remediation devices that would<br />

clean the water to a swimmable standard.<br />

/SYNERGY


FIRST FLOOR SECOND FLOOR<br />

Friedrichshof Commune, Austria<br />

Site planning and Housing Development for a Former<br />

Commune, 1997<br />

A plan for enlargement of the Friederichshof community<br />

would make this rather ragged collection of buildings into<br />

a denser village for a group of people who have elected<br />

to pursue their own goals in circumstances of affinity and<br />

cooperation. The plan provides resources to enable those,<br />

who choose to do so, to lead full lives within its borders<br />

- living, working, relaxing - and those, who prefer to work<br />

in the city or to come for holidays and weekends, to feel<br />

fully integrated into the life of the place. A new circulation<br />

spine runs along a little canal across a flat portion of the<br />

site. Buildings along the canlal - a mix of houses and lofts<br />

- would open to the waterwork in a series of courtyards<br />

establishing a more localized sense of community. A large<br />

new lake would expand recreational possibilities and provide<br />

an imageable geographical center for Friederichshof.<br />

Excavated material from this lake and from other construction<br />

will be used to extend the “Friederichshof Alps” as an<br />

enhanced place of recreation - including ski, horseback,<br />

bike, and jogging trails - and as a winter wind barrier.<br />

/SYNERGY<br />

Herd Houses, Friedrichshof Commune, Austria<br />

Housing Development for a Former Commune, 1997<br />

This group of houses was designed as an iteration of a<br />

planning effort for the development of the grounds of a<br />

former commune east of Vienna. The ex-communards<br />

remaining on site have decided to open their community<br />

to a small group of new tenants and these houses are<br />

designed for sale to a small number of new residents.<br />

Although the commune is long defunct, much of the atmosphere<br />

remains and the owners of these houses are<br />

expected to share in this. Grouped at a corner of the site<br />

with a long view over fields and vineyards, the houses<br />

provide loft-like accommodation along with excellent<br />

wine cellars. Each house is bi-directional with access to<br />

the surrounding road system on the west and to thecarfree<br />

community grounds on the east. A stable is to be<br />

constructed on an adjacent site as a number of prospective<br />

residents are riders.<br />

/SYNERGY


Visselhoevede Town Plan, Germa<strong>ny</strong><br />

Landscape Masterplan, 1997<br />

The project is a scheme for managing the growth of an agricultural<br />

community undergoing an economic and population shift<br />

to a commuter and tourist base. A new ribbon development is<br />

part of a strategy to create a series of new “green living rooms”<br />

- agricultural lobes which will consolidate agricultural activities<br />

in the most arable areas. Agriculture would thus become part<br />

of the daily foreground of the new ribbon-dwellers, part of the<br />

special delight of the town. This gradual and very long term<br />

redistribution would effectively create a new category of land<br />

within Visselhoevede, land formerly under cultivation which is<br />

to be withheld from normal development. This park land would<br />

become another kind of resource, the town lung and playground<br />

as well as the guarantor of a character that would remain<br />

perpetually green and of a resource that would continue<br />

in use. A series of small new centers which would contain both<br />

basic neighborhood apparatus - corner shops, child-care, and<br />

other services - but would also provide for a small amount of<br />

loft-space, part of which would be devoted to collective use.<br />

Ma<strong>ny</strong> people - while taking advantage of the opportunities to<br />

“telecommute” will still prefer to work in the compa<strong>ny</strong> of others<br />

rather than in isolation at home.<br />

EuRomania, Bucharest, Romania<br />

Masterplanning Project, 1996<br />

/SYNERGY<br />

This scheme for the rebuilding of central Bucharest attempts<br />

to recreate the neighborhood scale and residential<br />

texture of places destroyed by the enormous reconstruction<br />

of the Ceaucecu era. We sought to re-introduce the<br />

small-scale and irregular morphology of the original city<br />

and to dilute the alienating and megalomaniac scale of<br />

the Hausmmanized quarters of the city. The project also<br />

looked at the city at regional scale, proposing to bring<br />

greenways from one side of the city to another and to<br />

structure progressive restrictions on car use and complementary<br />

increases in public transport density towards the<br />

center of town.<br />

REGIONAL PLAN /SYNERGY


Westside Waterfront, New York<br />

Masterplan for Lower Westside Waterfront Park, 1996<br />

This unsolicited masterplan for the Manhattan waterfront<br />

from 14th Street to Battery Park City is a response to the<br />

tepid official plans for the reconstruction of the roadway.<br />

It takes as its premise the idea that the waterfront is not<br />

simply a seam between land and river but a gradient with<br />

effects felt deep in the city. Accordingly, the plan suggests<br />

a series of small parks and the “greenfill” of portions of local<br />

streets to bring the energy of the transformation as far<br />

as Sixth Avenue. Along theriver edge, a channel has been<br />

created to allow water-born transportation to flow near the<br />

new boulevard, facilitating access. Building this channel<br />

requires the inborn ends of the existing piers to be snipped<br />

off and re-bridged to allow passage of boats below. A<br />

number of new piers also are created for a variety of recreational<br />

activities. Additionally, a series of set piece waterfront<br />

spaces – including the grand Piazza San Giuliani<br />

– have been proposed.<br />

Compa<strong>ny</strong> Town, Hin Heup, Laos<br />

Masterplan for Timber Processing Complex and<br />

Compa<strong>ny</strong> Town, 1996<br />

/SYNERGY<br />

A design for a Malaysian timber compa<strong>ny</strong> included housing<br />

for workers and their families, a range of social, cultural,<br />

and commercial facilities, and a large plywood factory<br />

and timber mill. The project was meant to reflect the<br />

sustainable policy of the compa<strong>ny</strong> and the plan features<br />

an abundance of green spaces, careful management of<br />

run-off and waste, a network of pedestrian and bicycle<br />

paths, and a variety of alternative energy devices. Housing<br />

is in both hostels and individual houses and these<br />

are aggregated in small villages to promote the growth<br />

of community life. Each of the houses is provided with a<br />

kitchen garden.<br />

/SYNERGY


CHAIN OF CITIES EDGE CONDITION<br />

Neurasia, Site Unknown<br />

Masterplan for an Imaginary City, 1996<br />

Neurasia is an imaginary city located somewhere between<br />

Hong Kong and Hanoi. The town is organized into a series<br />

of village-scaled increments, each distinct. A priority<br />

to pedestrians is achieved with an intense layering of<br />

means of motion. Within the city there is an abundance of<br />

small-scale agriculture, sufficient to support its population.<br />

Complex networks of green and blue space serve farming,<br />

recreation, oxygen production, environmental cleansing,<br />

and thermal regulation. At the center of the city, reflecting<br />

Asian tradition, is a void.<br />

The fantasy of the single city is extended to a network<br />

of cities along the transcontinental line, which becomes<br />

an armature for transportation, organizes transfer among<br />

modes, and isolates disruptive uses. Cities blossom along<br />

this line when the local environment is fertile and receptive.<br />

Distance between the towns is calculated to enhance<br />

local self-sufficiency, maximize unbuilt space, and respect<br />

the bearing and artistic capacities of individual sites.<br />

URBAN FRAGMENT /SYNERGY<br />

Stadtebau Eisenstadt, Eisenstadt Austria<br />

Masterplan for a city extension, 1996<br />

An extension for a town in Austria – home to a magnificent<br />

Hapsburg palace – adjoins the traditional linear<br />

center formed along the town high street. Located on<br />

a sloping site, the project seeks to reinforce movement<br />

perpendicular to the main street in order to move closely<br />

integrate the town and its extension. The main building<br />

type is a low-rise loft building, predominantly residential<br />

but also holding the possibility of housing small commercial<br />

activities, including telecommuting, and a limited<br />

amount of retail. Community facilities – meeting rooms,<br />

child-care facilities, medical offices, etc. – are also provided<br />

within the format of the loft typology. Site organization<br />

is designed to create extensive car-free zones<br />

for leisure and play and to take advantage of southern<br />

exposures and views.<br />

/SYNERGY


LEVEL 1 LEVEL 2 LEVEL 3<br />

Wagga Wagga, New South Wales, Australia<br />

Design for Civic Center, 1996<br />

Design for a municipal complex including government offices,<br />

a theater, library and gallery, we located a sinuous<br />

building on the shore of a pond in a town park. The water<br />

from the pond penetrates the folds of the plan, providing<br />

pleasant views and cooling for the building. The spirit<br />

of the intervention is carried over into a proposal for a<br />

restructuring of the adjoining, somewhat ragged, downtown.<br />

/SYNERGY<br />

Governors Island, New York Harbor, New York<br />

Masterplan Proposal, 1995-96<br />

This spectacularly sited island in New York Harbor is, in<br />

this scheme, re-imagined as the “University of the Earth”,<br />

a collaboration among local universities dedicated to earth<br />

and environmental sciences. The scheme re-uses the<br />

ma<strong>ny</strong> historic buildings on the island and adds a series<br />

of flexible, loft-like structure to accommodate a variety of<br />

academic uses. The structures are meant to be evocative<br />

of the early nineteenth century forts on the island and<br />

its opposite shore. In addition, we have proposed that<br />

the courtyards of these building be enclosed by inflatable<br />

membranes in inclement weather.<br />

/SYNERGY


STEP ONE: PLANT A TREE IN AN INTERSEC-<br />

East New York, Brooklyn, New York<br />

Neighborhood Masterplan, 1995<br />

This partly derelict area is socially, topographically and ecologically<br />

(though not economically) rich, descending from bluffs and<br />

ending in wetlands and shore. It holds factories and canals, rail<br />

lines, and a huge neo-Corbusian middle-class apartment enclave.<br />

It is also a museum of virtually every failed social housing typology<br />

in the American experience. We wondered how East New York<br />

might be transformed not by an urban-renewal-style demolition or<br />

by historicist completion – the fulfillment of some of the turn-of-thecentury<br />

developer’s fantasy of original intent – but by the addition<br />

of new layers of circulation, of use, of green space and of form.<br />

First studies show a flow of this energy, of parks, of agricultural<br />

space, of small buildings, of new differences working their way<br />

through the neighborhood. As the project progressed a question<br />

arose: What might be the minimum initial invention necessary to<br />

get this going. The answer, we decided, was to plant a tree in the<br />

middle of an intersection; an “acupuncture” that might excess of<br />

public space devoted to automobile transport in New York would<br />

be reduced. Around these points, low-density, agrarian neighborhoods<br />

would develop. A further intended consequence would be<br />

the consolidation of several street-oriented neighborhood commercial<br />

centers.<br />

Sudraum Leipzig, Leipzig, Germa<strong>ny</strong><br />

Project for Brownfield Reclamation, 1994<br />

/SYNERGY<br />

The landscape south of Leipzig is dominated by a series of<br />

huge, abandoned, open-pit, soft coal (lignite) mines. In this<br />

reclamation project we allow the mines to fill with water (a<br />

process well underway) and use the massive old machines<br />

to dig channels connecting them into a chain of lakes. This<br />

water connection – extending into the center of Leipzig<br />

– would form a new circulation armature for the towns and<br />

villages of the Sudraum and a site for new villages to replace<br />

those lost to the mines. By re-contouring the perimeters of<br />

the mines to accommodate “island villages” just off shore, the<br />

entire edge of the lakes would be saved for public use and<br />

access. The new water-related development, it is hoped,<br />

would inspire a distinctive style of life, an interconnected island<br />

culture of boats and bridges, with a high degree of sustainability,<br />

a rich mix of uses, recreational activities close by,<br />

and direct access to green space. By freezing construction<br />

on non-reclaimed sites, the existing landscape would be protected,<br />

threatening urban sprawl contained, and a unique<br />

pattern of settlement created on the new islands reclaimed<br />

from the mines.<br />

EXISTING CONDITIONS. THE CHAIN OF LAKES AND THE NEW VILLAGES. /SYNERGY


PHASE 1 PHASE 2<br />

Spa Tokaj, Budapest, Hungary<br />

Masterplan Proposal, 1994<br />

Tokaj – a plan for a new town in Hungary attached to a<br />

film production studio - is to be a town of pleasure and<br />

health. Its workplaces are the thermal spa, casino, hotel,<br />

medical facilities, concert and theater center, parks, film<br />

studios and academy, and cinema museum. This extraordinary<br />

program of leisure is to be supported by a rich apparatus<br />

of normalcy. The town – as a<strong>ny</strong> new town should<br />

be – is at once prototypical and practical, fantastical and<br />

exigent.<br />

The center of Tokaj – bounded by a sinewy canal – is<br />

car-free and linked to Budapest by a light-rail connection.<br />

Vehicular traffic circulates at the town’s perimeter on a<br />

ring road that feed parking lots and service tunnels. Tokaj<br />

is to be expanded in two phases to a radius of 1,500 meters.<br />

At build-out, the town would include two additional<br />

neighborhood centers in addition to the use-centers of its<br />

main activities, all fronting on the central plaza. Greenery<br />

would penetrate in strong vectors to the center of town,<br />

allowing walks from the backyard to open countryside<br />

and beyond.<br />

Mondo Condo, Miami, Florida<br />

700 Housing Units, 1994<br />

/SYNERGY<br />

A project for seven hundred condos on Biscayne Bay<br />

presented a classic problem of the relationship of density,<br />

automobiles, and view, most typically solved with a<br />

double-loaded slab oriented perpendicular to the shore.<br />

The site had the further complication of a high water table,<br />

which made underground parking (to house a number<br />

of cars more than enough to cover the entire site)<br />

prohibitive. Our wish was to try and keep as much of the<br />

ground plane as possible available for use, both as recreational<br />

space for tenants and to tie the big project to<br />

its neighborhood by providing an amenity that could be<br />

shared. Fortunately, the site - although deep - was also<br />

wide. Our solution gives each apartment a good view<br />

(as well as cross-ventilation) - and by putting parking on<br />

the upper level - frees virtually the entire ground plane<br />

from cars. We hoped that the green core of this project<br />

could grow into its surroundings, perhaps anchoring a<br />

pedestrian connection to downtown Miami.<br />

/SYNERGY


PLAN AT GARDEN LEVEL SECTION<br />

Souks of Beirut, Beirut, Lebanon<br />

Mixed-Use Development, 1994<br />

This project is a proposition for the rebuilding of the destroyed<br />

Souks which were at the heart of the city before<br />

the outbreak of civil war. It seeks to restore the atmosphere<br />

of an area without literal restoration of its forms<br />

and to layer in new uses appropriate to a city on the verge<br />

of the 21st century. While rejecting literal historicism, the<br />

project nonetheless preserves all exiting architecture on<br />

the site and systematically takes into account the memory<br />

of the architecture which preceded it.<br />

The project – at a pivotal point between the historic area<br />

of the city and a new development zone – also seeks to<br />

knit itself into the larger texture of Beirut by establishing<br />

a new kind of “Green Line.” This sinewy, curving zone of<br />

density, pedestrianism, and greenery traverses the site<br />

– where it becomes an archipelago of garden topped pavilions<br />

sheltering a large produce market – and spreads<br />

into the city beyond, propagating parks and adding its<br />

stitchery to the repair of a torn city.<br />

The central feature of the project is the restoration of the<br />

former market, here covered by a series of pavilions, each<br />

topped by a garden. Surrounding buildings are zoned<br />

vertically with shops at the bottom, professional offices<br />

above and apartments on upper floors. These would be<br />

directly connected to the green spaces atop the market<br />

pavillions. The intent is to create a lively 24-hour environment<br />

at the heart of the city.<br />

MARKET PAVILLION /SYNERGY<br />

SITE PLAN PLUS ONE<br />

Shrooms, East New York, New York<br />

Loft Housing, 1994<br />

The genesis of Shrooms is in the idea of an “all-sided” loft<br />

building in a particular New York neighborhood - East New<br />

York - characterized by extensive abandonment and vacant<br />

land, much of it city-owned. Looking at the empty lots<br />

not as blight but as a community resource, we hoped that<br />

a growing garland of Shrooms might have a ripple effect in<br />

greening the neighborhood. In addition, we thought of the<br />

loft-type as a crucial proto-public space. Not a space with<br />

a fixed or predetermined set of uses but a kind of resource<br />

out of which innumerable private possibilities might be<br />

drawn. As an urban proposition, Shrooms seeks to establish<br />

a new pattern of movement through the neighborhood,<br />

a greenway which operates not as a replacement for the<br />

street grid but as a supplement to it. Flowing through the<br />

middle of the large blocks, it occupies the spaces of abandonment<br />

as they are found. These public greenways lead<br />

to the “green-rooms” at the core of each structure.<br />

/SYNERGY


Spree Insel, Berlin, Germa<strong>ny</strong><br />

Masterplan Proposal, 1993<br />

This project seeks to make a mixed-use neighborhood<br />

from what might simply have been a single-use government<br />

precinct by adding housing and commercial activity<br />

to the program of ministerial facilities and museums. The<br />

proposal is organized by a large circular figure that unites<br />

the disparate activities and is intended to accrete a range<br />

of variations, including a large public market in its interior.<br />

Cars are excluded from the center of the site and green<br />

spaces within the project are meant to propagate through<br />

the city, linking existing parks and gardens into a continuous<br />

chain.<br />

Spree Insel, Berlin, Germa<strong>ny</strong><br />

Masterplan Proposal, 1993<br />

/SYNERGY<br />

This project seeks to make a mixed-use neighborhood<br />

from what might simply have been a single-use government<br />

precinct by adding housing and commercial activity<br />

to the program of ministerial facilities and museums. The<br />

proposal is organized by a large circular figure that unites<br />

the disparate activities and is intended to accrete a range<br />

of variations, including a large public market in its interior.<br />

Cars are excluded from the center of the site and green<br />

spaces within the project are meant to propagate through<br />

the city, linking existing parks and gardens into a continuous<br />

chain.<br />

/SYNERGY


BEFORE AFTER<br />

Brooklyn Waterfront, Brooklyn, NY<br />

Waterfront Park, 1993<br />

A design for a spectacular site on the Brooklyn waterfront<br />

situated opposite Lower Manhattan and below the Brooklyn<br />

Heights Promenade. Given the likelihood that this will<br />

be an intensely trafficked place, the proposal was to racket<br />

up the mix. A conference center is maintained to the north,<br />

augmented with a hotel on a deconsecrated cruise ship or<br />

aircraft carrier. A series of brick loft buildings fills out the<br />

northern end of the site and lines its eastern flank. Further<br />

down, a large amphitheater faces the fabulous view<br />

of Manhattan. At the south end of, we have proposed an<br />

industrial use: a barge-building yard. The barges would<br />

be fitted out as gardens, sports grounds, restaurants, and<br />

community facilities for use as constituents in the rest of<br />

the project and might be floated to other parts of the city to<br />

seed development of other stretches of waterfront.<br />

/SYNERGY<br />

Church Street Building, New York City, NY<br />

Design for loft building, 1993<br />

One of a series of proposals to look at the transformation<br />

of redundant street spaces in New York, this residential<br />

loft structure occupies the center lanes of Church Street at<br />

its dead end at Canal. A double row of irregularly shaped<br />

dwelling spaces are supported by a regular steel grid with<br />

circulation and services pushed to the outside. These<br />

spaces are combined to create units of various sizes and<br />

all float above grade which is left free for circulation and<br />

public activity, including a small cinema, patrly buried underground.<br />

/SYNERGY


Spreebogen, Berlin, Germa<strong>ny</strong><br />

Masterplan Proposal, 1991<br />

This competition project for a new administrative district<br />

in Berlin attempted to reinforce a democratic environment<br />

by expanding the precinct to the scale and complexity of<br />

a neighborhood. The overall strategy involved providing<br />

a surfeit of building in relatively compact increments to<br />

both establish a compact scale and to encourage coalition<br />

and consensus in the occupation. Public gathering<br />

spaces are provided at ma<strong>ny</strong> scales, including a long arcade<br />

through the main range of parliamentary offices and<br />

a series of spaces meant to evoke such familiar public<br />

places as Harvard Yard, Lincoln’s Inn Fields, the Washington<br />

Mall, and the Piazza Navonna. These are not reproduced<br />

in a<strong>ny</strong> direct way but are invoked in spirit and<br />

use. The range of spaces is intended to support spontaneous<br />

gatherings and demonstrations at a wide variety<br />

of scales.<br />

Godzilla, Tokyo, Japan<br />

Mixed-Use Skyscraper, 1989<br />

/SYNERGY<br />

The project’s affinities with Godzilla are not merely morphological<br />

but conceptual. Just as that monster stands<br />

for a certain intensification of Japanese post-nuclear<br />

anxieties, so this building represents, an intensification<br />

of Tokyo-ness. In it, the tangled skein of the city finds a<br />

critical mass and erupts into form, a verticalization of the<br />

fundamental (dis)order in the city. As with traditional skyscrapers,<br />

Godzilla is divided into three parts. The lowest<br />

includes large-scale, publicly-oriented spaces, including<br />

theaters, department stores, and other commercial uses.<br />

The middle portion holds office space and the fish-like<br />

crown, apartments.<br />

Godzilla is also designed as a strategic urban blockage,<br />

thwarting and then reorganizing traffic. It is a center of<br />

dissemination of green, blue, and car-free vectors, for the<br />

expansion of a zone of pedestrianism, and for the insinuation<br />

of fresh tendrils of form and materiality.<br />

PLAN AT GRADE /SYNERGY


SHEEP<br />

Beached Houses, Whitehouse, Jamaica<br />

Project for Seven Houses, 1989<br />

These houses were the result of a commission from a<br />

New York art dealer who wished to establish a small colo<strong>ny</strong><br />

for the artists he represented. As a result, each of the<br />

three house types propose (“Ray”, “Carp”, and “Slug”) is<br />

designed as a loft with minimal interior partitioning to allow<br />

for flexible use. In the case of Ray and Carp, dwelling<br />

space is located above the primary use space to provide<br />

privacy and to avoid interfering with the open area below.<br />

Construction is light-weight framing with a metal skin. An<br />

abundance of openings allow for ample natural ventilation.<br />

Animal Houses<br />

Theoretical Project, 1989<br />

/SYNERGY<br />

Part of a group of houses dedicated to an investigation<br />

of variations in bilateral morphology, these projects also<br />

embodied a then current interest in zoomorphic shapes.<br />

The series – dog, frog, and aardvark - also includes the<br />

sheep, a more elaborate loft building for designed for a<br />

site in Manhattan. Sheep is one of a number of projects<br />

undertaken by the studio to explore the idea of “resistant”<br />

loft spaces. That is, instead of the paradigm of undifferentiated<br />

space to be sub-divided in use, these projects<br />

examine the greater flexibility inherent in spaces that<br />

must be aggregated to form useful wholes.<br />

SHEEP FROG DOG /SYNERGY


<strong>MICHAEL</strong> <strong>SORKIN</strong> <strong>STUDIO</strong>/SYNERGY<br />

180 VARICK STREET, #930<br />

NEW YORK, NY 10014<br />

T 212 627 9120 F 212 627 9125<br />

www.sorkinstudio.com<br />

Rancho Mirage, Palm Springs, California<br />

Design for mixed-use bulding, 1988<br />

Clearly a mixed metaphor, hybridizing bio- and geomorphic<br />

shapes. The radial piece is for municipal offices, narrow<br />

limbed to get each desk next to a window, to maximize<br />

natural ventilation, and to share shading. The anemones<br />

growing on the top are skylights and windscoops and<br />

chimneys. The City Council chamber allows meetings<br />

either indoors or out and the outdoor space was meant<br />

for performances as well The long section is a giant drafting<br />

room for the City Engineer’s Department and the little<br />

flower at the end is an autonomous child care center and<br />

public classroom space.<br />

/SYNERGY

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