Inhaltsverzeichnis (PDF) - Kunsthistorisches Institut in Florenz
Inhaltsverzeichnis (PDF) - Kunsthistorisches Institut in Florenz
Inhaltsverzeichnis (PDF) - Kunsthistorisches Institut in Florenz
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Photo Archives<br />
and the Photographic Memory<br />
of Art History<br />
Edited by<br />
Costanza Caraffa
Italienische Forschungen<br />
des Kunsthistorischen <strong>Institut</strong>es <strong>in</strong> <strong>Florenz</strong><br />
Max-Planck-<strong>Institut</strong><br />
I Mandorli<br />
Band 14<br />
Herausgegeben von<br />
Alessandro Nova und Gerhard Wolf
Photo Archives<br />
and the Photographic Memory<br />
of Art History<br />
Edited by<br />
Costanza Caraffa
Bibliografische Information der Deutschen Nationalbibliothek<br />
Die Deutsche Nationalbibliothek verzeichnet diese Publikation <strong>in</strong> der<br />
Deutschen Nationalbibliografie; detaillierte bibliografische Daten s<strong>in</strong>d<br />
im Internet über http://dnb.d-nb.de abrufbar.<br />
Lektorat: Cather<strong>in</strong>e Framm, Mart<strong>in</strong> Ste<strong>in</strong>brück<br />
Herstellung: Jens Möbius, Jasm<strong>in</strong> Fröhlich<br />
Layout und Satz: Barbara Criée, Berl<strong>in</strong><br />
Reproduktionen: LVD Gesellschaft für Datenverarbeitung mbH<br />
Druck: !!!!<br />
B<strong>in</strong>dung: !!!!<br />
© 2011 Deutscher Kunstverlag GmbH Berl<strong>in</strong> München<br />
ISBN 978-3-422-07029-5
Summary<br />
Foreword 7<br />
Photo Archives and the Photographic<br />
Memory of Art History: the Project 9<br />
Introduction<br />
Costanza Caraffa<br />
From ‘photo libraries’ to ‘photo archives’.<br />
On the epistemological potential<br />
of art-historical photo collections 11<br />
On Photo Archives<br />
Elizabeth Edwards<br />
Photographs: Material Form<br />
and the Dynamic Archive 45<br />
Tiziana Serena<br />
The Words of the Photo Archive 57<br />
Griselda Pollock<br />
Aby Warburg and Mnemosyne:<br />
Photography as aide-mémoire,<br />
Optical Unconscious and Philosophy 73<br />
Collect<strong>in</strong>g Photographs,<br />
Shap<strong>in</strong>g Art History<br />
Pascal Griener<br />
Pour une nouvelle histoire des images<br />
scientifiques. Eugène Müntz,<br />
la Renaissance et la nouvelle fonction<br />
de la photographie d’art 99<br />
Graham Smith<br />
From Album to Archive:<br />
The Al<strong>in</strong>ari Catalogues of 1856 and 1857 117<br />
Dorothea Peters<br />
From Pr<strong>in</strong>ce Albert’s Raphael Collection<br />
to Giovanni Morelli: Photography and<br />
the Scientific Debates on Raphael<br />
<strong>in</strong> the N<strong>in</strong>eteenth Century 129<br />
Gerald<strong>in</strong>e A. Johnson<br />
Us<strong>in</strong>g the Photographic Archive:<br />
On the Life (and Death) of Images 145<br />
Machtelt Israëls<br />
The Berensons, Photography,<br />
and the Discovery of Sassetta 157<br />
Edith Struchholz<br />
Von der Anschauung ausgehen –<br />
Jacob Burckhardts Fotosammlung<br />
und se<strong>in</strong>e kunsthistorischen Texte 169<br />
Giovanni Pagliarulo<br />
Photographs to Read:<br />
Berensonian Annotations 181<br />
Giulio Manieri Elia<br />
Giulio Cantalamessa, le Regie Gallerie<br />
di Venezia e la fotografia 193<br />
Silvia Paoli<br />
Fotografia come documento.<br />
Luca Beltrami architetto, storico dell’arte,<br />
collezionista, fotografo 205<br />
5
6<br />
Andrea Mattiello<br />
Giacomo Boni: A Photographic Memory<br />
for the People. Document<strong>in</strong>g Architecture<br />
through Photographic Surveys <strong>in</strong><br />
post-unification Italy 217<br />
Alessandra Sarchi<br />
Sulle tracce di Lányi e Malenotti.<br />
Il fondo Brogi su Donatello<br />
nella Fototeca Zeri 227<br />
Per Rumberg<br />
Aby Warburg and the Anatomy<br />
of Art History 241<br />
We Make Our Photo Archives<br />
and Our Photo Archives Make Us<br />
Ann Jensen Adams<br />
The Rijksbureau voor Kunsthistorische<br />
Documentatie and the Subject<br />
of Dutch Art History: The Market,<br />
the Scholar, and National Identity 251<br />
Anthony Hamber<br />
Observations on the Classification<br />
and Use of Photographs at<br />
the South Kens<strong>in</strong>gton Museum:<br />
1852–1880 265<br />
Ewa Manikowska<br />
Build<strong>in</strong>g the Cultural Heritage of a Nation:<br />
The Photo Archive of the Society for<br />
the Protection of Ancient Monuments<br />
at the Twilight of the Russian Empire 279<br />
Dom<strong>in</strong>ique Morelon<br />
L’image documentaire et<br />
ses métamorphoses : les collections<br />
photographiques de la bibliothèque<br />
de l’INHA 289<br />
Hubert Locher<br />
Hamann’s Canon: The Illustration<br />
of the Geschichte der Kunst (1933)<br />
and the Photo Archive of the Kunst -<br />
geschichtliches Sem<strong>in</strong>ar <strong>in</strong> Marburg 297<br />
Pepper Stetler<br />
Art History without Words:<br />
The Photographic Books of<br />
the Marburg Archive 313<br />
Summary<br />
Melissa Beck Lemke<br />
A Connoisseur’s Canvas:<br />
The Photographic Collection<br />
of Clarence Kennedy 323<br />
Reg<strong>in</strong>e Schallert<br />
I tesori nascosti d’Italia: l’archivio<br />
dello studio Foto Arte M<strong>in</strong>ore<br />
di Max Hutzel 335<br />
Angela Matyssek<br />
Memory and the Archive. Photography,<br />
Conservation and Restoration 347<br />
Mary Bergste<strong>in</strong><br />
Italian Pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong><br />
Proust’s Imag<strong>in</strong>ary Archive 359<br />
Kelley Wilder<br />
Locat<strong>in</strong>g the Photographic Archive<br />
of Science 369<br />
In A Photo Archive<br />
Inge Reist<br />
Photograph Archives and Scholarship:<br />
Past, Present, and Future 379<br />
Valent<strong>in</strong>a Branch<strong>in</strong>i<br />
The Photograph Study Collection<br />
of the Metropolitan Museum of Art:<br />
A Change of Reference 389<br />
Dorothea Peters<br />
Raphael Revisited: On the Authenticity<br />
of Early Photography of Draw<strong>in</strong>gs.<br />
A research project <strong>in</strong> the Photothek of the<br />
<strong>Kunsthistorisches</strong> <strong>Institut</strong> <strong>in</strong> <strong>Florenz</strong> 395<br />
Matthias Bruhn<br />
Bilder außer Dienst? Transformationen<br />
der Gebrauchsfotografie 405<br />
Quoted Bibliography 415<br />
Index 441<br />
Creditl<strong>in</strong>es XX<br />
Authors Biographies XX