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Inhaltsverzeichnis (PDF) - Kunsthistorisches Institut in Florenz

Inhaltsverzeichnis (PDF) - Kunsthistorisches Institut in Florenz

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Photo Archives<br />

and the Photographic Memory<br />

of Art History<br />

Edited by<br />

Costanza Caraffa


Italienische Forschungen<br />

des Kunsthistorischen <strong>Institut</strong>es <strong>in</strong> <strong>Florenz</strong><br />

Max-Planck-<strong>Institut</strong><br />

I Mandorli<br />

Band 14<br />

Herausgegeben von<br />

Alessandro Nova und Gerhard Wolf


Photo Archives<br />

and the Photographic Memory<br />

of Art History<br />

Edited by<br />

Costanza Caraffa


Bibliografische Information der Deutschen Nationalbibliothek<br />

Die Deutsche Nationalbibliothek verzeichnet diese Publikation <strong>in</strong> der<br />

Deutschen Nationalbibliografie; detaillierte bibliografische Daten s<strong>in</strong>d<br />

im Internet über http://dnb.d-nb.de abrufbar.<br />

Lektorat: Cather<strong>in</strong>e Framm, Mart<strong>in</strong> Ste<strong>in</strong>brück<br />

Herstellung: Jens Möbius, Jasm<strong>in</strong> Fröhlich<br />

Layout und Satz: Barbara Criée, Berl<strong>in</strong><br />

Reproduktionen: LVD Gesellschaft für Datenverarbeitung mbH<br />

Druck: !!!!<br />

B<strong>in</strong>dung: !!!!<br />

© 2011 Deutscher Kunstverlag GmbH Berl<strong>in</strong> München<br />

ISBN 978-3-422-07029-5


Summary<br />

Foreword 7<br />

Photo Archives and the Photographic<br />

Memory of Art History: the Project 9<br />

Introduction<br />

Costanza Caraffa<br />

From ‘photo libraries’ to ‘photo archives’.<br />

On the epistemological potential<br />

of art-historical photo collections 11<br />

On Photo Archives<br />

Elizabeth Edwards<br />

Photographs: Material Form<br />

and the Dynamic Archive 45<br />

Tiziana Serena<br />

The Words of the Photo Archive 57<br />

Griselda Pollock<br />

Aby Warburg and Mnemosyne:<br />

Photography as aide-mémoire,<br />

Optical Unconscious and Philosophy 73<br />

Collect<strong>in</strong>g Photographs,<br />

Shap<strong>in</strong>g Art History<br />

Pascal Griener<br />

Pour une nouvelle histoire des images<br />

scientifiques. Eugène Müntz,<br />

la Renaissance et la nouvelle fonction<br />

de la photographie d’art 99<br />

Graham Smith<br />

From Album to Archive:<br />

The Al<strong>in</strong>ari Catalogues of 1856 and 1857 117<br />

Dorothea Peters<br />

From Pr<strong>in</strong>ce Albert’s Raphael Collection<br />

to Giovanni Morelli: Photography and<br />

the Scientific Debates on Raphael<br />

<strong>in</strong> the N<strong>in</strong>eteenth Century 129<br />

Gerald<strong>in</strong>e A. Johnson<br />

Us<strong>in</strong>g the Photographic Archive:<br />

On the Life (and Death) of Images 145<br />

Machtelt Israëls<br />

The Berensons, Photography,<br />

and the Discovery of Sassetta 157<br />

Edith Struchholz<br />

Von der Anschauung ausgehen –<br />

Jacob Burckhardts Fotosammlung<br />

und se<strong>in</strong>e kunsthistorischen Texte 169<br />

Giovanni Pagliarulo<br />

Photographs to Read:<br />

Berensonian Annotations 181<br />

Giulio Manieri Elia<br />

Giulio Cantalamessa, le Regie Gallerie<br />

di Venezia e la fotografia 193<br />

Silvia Paoli<br />

Fotografia come documento.<br />

Luca Beltrami architetto, storico dell’arte,<br />

collezionista, fotografo 205<br />

5


6<br />

Andrea Mattiello<br />

Giacomo Boni: A Photographic Memory<br />

for the People. Document<strong>in</strong>g Architecture<br />

through Photographic Surveys <strong>in</strong><br />

post-unification Italy 217<br />

Alessandra Sarchi<br />

Sulle tracce di Lányi e Malenotti.<br />

Il fondo Brogi su Donatello<br />

nella Fototeca Zeri 227<br />

Per Rumberg<br />

Aby Warburg and the Anatomy<br />

of Art History 241<br />

We Make Our Photo Archives<br />

and Our Photo Archives Make Us<br />

Ann Jensen Adams<br />

The Rijksbureau voor Kunsthistorische<br />

Documentatie and the Subject<br />

of Dutch Art History: The Market,<br />

the Scholar, and National Identity 251<br />

Anthony Hamber<br />

Observations on the Classification<br />

and Use of Photographs at<br />

the South Kens<strong>in</strong>gton Museum:<br />

1852–1880 265<br />

Ewa Manikowska<br />

Build<strong>in</strong>g the Cultural Heritage of a Nation:<br />

The Photo Archive of the Society for<br />

the Protection of Ancient Monuments<br />

at the Twilight of the Russian Empire 279<br />

Dom<strong>in</strong>ique Morelon<br />

L’image documentaire et<br />

ses métamorphoses : les collections<br />

photographiques de la bibliothèque<br />

de l’INHA 289<br />

Hubert Locher<br />

Hamann’s Canon: The Illustration<br />

of the Geschichte der Kunst (1933)<br />

and the Photo Archive of the Kunst -<br />

geschichtliches Sem<strong>in</strong>ar <strong>in</strong> Marburg 297<br />

Pepper Stetler<br />

Art History without Words:<br />

The Photographic Books of<br />

the Marburg Archive 313<br />

Summary<br />

Melissa Beck Lemke<br />

A Connoisseur’s Canvas:<br />

The Photographic Collection<br />

of Clarence Kennedy 323<br />

Reg<strong>in</strong>e Schallert<br />

I tesori nascosti d’Italia: l’archivio<br />

dello studio Foto Arte M<strong>in</strong>ore<br />

di Max Hutzel 335<br />

Angela Matyssek<br />

Memory and the Archive. Photography,<br />

Conservation and Restoration 347<br />

Mary Bergste<strong>in</strong><br />

Italian Pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong><br />

Proust’s Imag<strong>in</strong>ary Archive 359<br />

Kelley Wilder<br />

Locat<strong>in</strong>g the Photographic Archive<br />

of Science 369<br />

In A Photo Archive<br />

Inge Reist<br />

Photograph Archives and Scholarship:<br />

Past, Present, and Future 379<br />

Valent<strong>in</strong>a Branch<strong>in</strong>i<br />

The Photograph Study Collection<br />

of the Metropolitan Museum of Art:<br />

A Change of Reference 389<br />

Dorothea Peters<br />

Raphael Revisited: On the Authenticity<br />

of Early Photography of Draw<strong>in</strong>gs.<br />

A research project <strong>in</strong> the Photothek of the<br />

<strong>Kunsthistorisches</strong> <strong>Institut</strong> <strong>in</strong> <strong>Florenz</strong> 395<br />

Matthias Bruhn<br />

Bilder außer Dienst? Transformationen<br />

der Gebrauchsfotografie 405<br />

Quoted Bibliography 415<br />

Index 441<br />

Creditl<strong>in</strong>es XX<br />

Authors Biographies XX

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