of Botanical Art & Illustration Travel Exhibition - Hunt Institute for ...
of Botanical Art & Illustration Travel Exhibition - Hunt Institute for ...
of Botanical Art & Illustration Travel Exhibition - Hunt Institute for ...
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62<br />
Mary Ann Scott (Italy)<br />
49. Camellia japonica ‘General Colletti,’ watercolor, 2008<br />
Keiko Sekiya (Japan)<br />
50. Malus domestica ‘Alps Otome,’ watercolor, 2008<br />
Andrew Seward (Australia)<br />
51. Durville potatorum, pencil and watercolor, 2007<br />
Michiko Shibata (Japan)<br />
52. Dried Acanthus mollis leaf, watercolor, 2009<br />
Billy Showell (England)<br />
53. Love goddess [Zantedeschia sp.], watercolor, 2008<br />
Klei Sousa (Brazil)<br />
54. Orthophytum albopictum, pen-and-ink, 2008<br />
Ian Stephens (England)<br />
55. Top: Helleborus niger, wood engraving, 1998<br />
Bottom: Winter aconite [Eranthis hymalis], wood engraving, 1999<br />
Sally Strawson (England)<br />
56. Fritillaria meleagris, watercolor, 2009<br />
Fiona Strickland (Scotland)<br />
57. Helianthus, Last sunflower, watercolor, 2008<br />
Noriko Tobita (Japan)<br />
58. Rubus trifidus, watercolor, 2009<br />
Lidia Vanzetti (Italy)<br />
59. Mela ‘d la cumpòsta’ [Apple ‘<strong>of</strong> compote’], watercolor, 2008<br />
Sue Vize (England)<br />
60. Papaver orientale, Oriental poppy, graphite pencil, 2009<br />
Catherine M. Watters (United States)<br />
61. Left: Pear, Pyrus communis ‘Conference,’ watercolor, 2009<br />
Right: Pear, Pyrus communis ‘Packham’s Triumph,’ watercolor, 2009<br />
Kerri Weller (Canada)<br />
62. Iris germanica, watercolor, 2006<br />
Sue Wickison (New Zealand)<br />
63. Arisaema speciosum, juvenile stage, watercolor, 2008<br />
Sue J. Williams (England)<br />
64. Paphiopedilum callosum, watercolor, 2009<br />
Esmée L. C. Winkel (Netherlands)<br />
65. Coelogyne punctulata Lindl. subsp. brevipedunculata Subedi., pen-and-ink, 2009<br />
Yoko Yokoyama (Japan)<br />
66. Rosa ‘Evelyn,’ watercolor, 2009<br />
Herman Zaage (United States)<br />
67. Epiphyte [Philodendron sp.], mezzotint, 1991<br />
Fátima Zagonel (Brazil)<br />
68. Govenia utriculata, watercolor, 2007<br />
50<br />
60<br />
We permit bookings only in the continental United States. Anyone<br />
interested in booking this travel exhibition must complete the<br />
Application to Borrow (available on our Web site at http://huntbot.<br />
andrew.cmu.edu/HIBD/<strong>Exhibition</strong>s/<strong>Travel</strong>ing.shtml, or by request)<br />
and mail it to the Curator <strong>of</strong> <strong>Art</strong> at the address below. If your<br />
application meets our standards <strong>for</strong> security and facility conditions, a<br />
Loan Agreement will be sent.<br />
Loan period<br />
<strong>Exhibition</strong> are lent <strong>for</strong> display period <strong>of</strong> up to 60 days at the standard<br />
rental fee <strong>of</strong> $1000. Longer periods require payment <strong>of</strong> additional fees.<br />
Reservations and Shipment<br />
Reservations (subject to prior engagement) should be made no less<br />
than 90 days be<strong>for</strong>e desired opening dates. Shows will be shipped by<br />
delicate materials shipper at a date agreed upon prior to the borrower’s<br />
opening date. The <strong>Institute</strong> makes all shipping arrangements but cannot<br />
be held responsible <strong>for</strong> undue delays in delivery. Estimates <strong>of</strong> shipping<br />
fees will be provided upon request.<br />
Insurance<br />
The borrower must provide all-risk, wall-to-wall insurance coverage,<br />
including coverage while the exhibitions are in transit, shipped by<br />
delicate material shipper, to and/or from Pittsburgh. Prior to an<br />
exhibition’s shipment from the <strong>Institute</strong>, the borrower must execute a<br />
standard loan agreement and provide a certificate <strong>of</strong> insurance coverage<br />
naming the <strong>Hunt</strong> <strong>Institute</strong> <strong>for</strong> <strong>Botanical</strong> Documentation as insured.<br />
Valuation <strong>for</strong> exhibition: $109,656.<br />
<strong>Exhibition</strong><br />
The borrower must protect the artworks from exposure to direct<br />
sunlight or unfiltered fluorescent light and from extremes <strong>of</strong><br />
temperature and humidity and also must provide a continuously<br />
monitored secure area <strong>for</strong> display.<br />
<strong>Art</strong>works are ready to hang and are framed in gold metal moulding<br />
with UV filtered plexiglas. Frame sizes in inches (w × h): (23) 16 × 20;<br />
(33) 20× 26; (12) 26 × 34; (1) 34 × 30. Labels with artist portrait and<br />
biographical in<strong>for</strong>mation provided.<br />
Total weight (6 crates): 1,232 lbs.<br />
Shipping crates are 30 × 32 ×41 inches<br />
Publicity<br />
Digital photographs <strong>for</strong> non-commercial publicity purposes are<br />
provided to borrowers.<br />
Further In<strong>for</strong>mation and Reservations<br />
Lugene B. Bruno<br />
Curator <strong>of</strong> <strong>Art</strong><br />
<strong>Hunt</strong> <strong>Institute</strong> <strong>for</strong> <strong>Botanical</strong> Documentation<br />
5th Floor, <strong>Hunt</strong> Library<br />
Carnegie Mellon University<br />
4909 Frew Street<br />
Pittsburgh, PA 15213-3890<br />
Telephone: (412) 268-2440<br />
Fax: (412) 268-5677<br />
Email: lbruno@andrew.cmu.edu<br />
Web site: http://huntbot.andrew.cmu.edu<br />
INTERNATIONAL<br />
EXHIBITION<br />
<strong>of</strong> <strong>Botanical</strong> <strong>Art</strong> & <strong>Illustration</strong><br />
<strong>Travel</strong> <strong>Exhibition</strong><br />
<strong>Hunt</strong> <strong>Institute</strong><br />
<strong>for</strong> <strong>Botanical</strong> Documentation<br />
Carnegie Mellon University<br />
Pittsburgh, PA 15213<br />
huntbot.andrew.cmu.edu
The <strong>Hunt</strong> <strong>Institute</strong> established this international exhibition series <strong>of</strong><br />
botanical art and illustration in 1964 with the hope <strong>of</strong> supporting and<br />
encouraging contemporary botanical artists. Every three years, this series<br />
features the works <strong>of</strong> talented botanical artists from around the world.<br />
Organized from the 110 artworks in the 13th International (2010) that now<br />
are part <strong>of</strong> the <strong>Institute</strong>’s collection, this travel version features artworks by<br />
68 artists from 15 countries (Australia, Austria, Brazil, Canada, England, Italy,<br />
Ireland, Japan, the Netherlands, New Zealand, Scotland, South Africa, South<br />
Korea, Thailand and the United States).<br />
<strong>Botanical</strong> art depicts plant portraits, both visually pleasing and botanically<br />
accurate, that can be identified at least to genus, but preferably to species<br />
as well. It may include part <strong>of</strong> or the entire life cycle <strong>of</strong> the plant, details,<br />
cross-sections, root structures and even the plant’s habitat. The artwork<br />
may be created <strong>for</strong> scientific studies, publications, gallery exhibitions or<br />
other commercial applications, but each artist brings a personal aesthetic<br />
sensibility to the subject. In many countries opportunities abound to study<br />
drawing and painting techniques with skilled botanical artists in private<br />
classes or those <strong>of</strong>fered at botanical gardens and institutions, and now<br />
many botanical gardens are <strong>of</strong>fering certificates in botanical art. <strong>Botanical</strong><br />
societies flourish in Australia, Canada, England, Italy, Japan, South Africa<br />
and the United States. As an example, the United States has two major<br />
organizations—the American Society <strong>of</strong> <strong>Botanical</strong> <strong>Art</strong>ists and the Guild<br />
<strong>of</strong> Natural Science Illustrators—that apprise their members <strong>of</strong> workshops<br />
and exhibition opportunities and <strong>of</strong>fer a sense <strong>of</strong> community to botanical<br />
artists. Florilegium societies are developing throughout the world and are<br />
inviting the best artists to contribute works, not only <strong>for</strong> artistic merit but<br />
also as a historical record, depicting plants in their respective gardens. Indeed<br />
the intense activity described above confirms that we are experiencing a<br />
renaissance <strong>of</strong> botanical art.<br />
The <strong>Hunt</strong> <strong>Institute</strong> <strong>for</strong> <strong>Botanical</strong> Documentation, a research division <strong>of</strong><br />
Carnegie Mellon University in Pittsburgh, Pennsylvania, specializes in the<br />
history <strong>of</strong> botany and all aspects <strong>of</strong> plant science and serves the international<br />
scientific community through research and documentation. To this end<br />
the <strong>Institute</strong> acquires and maintains authoritative collections <strong>of</strong> books,<br />
plant images, manuscripts, portraits and data files, and provides publications<br />
and other modes <strong>of</strong> in<strong>for</strong>mation service through its four departments:<br />
Archives, <strong>Art</strong>, Bibliography and the Library. The current collections include<br />
approximately 29,500 books; 30,000 portraits; 30,000 watercolors, drawings<br />
and prints; and 2,000 autograph letters and manuscripts. Including artworks<br />
dating from the Renaissance, the <strong>Art</strong> Department’s collection now focuses<br />
on contemporary botanical art and illustration, where the coverage is<br />
unmatched. A full-color, illustrated catalogue <strong>of</strong> the original 13th International<br />
<strong>Exhibition</strong> <strong>of</strong> <strong>Botanical</strong> <strong>Art</strong> & <strong>Illustration</strong> (2010) is available. Please visit our Web<br />
site (http://huntbot.andrew.cmu.edu) <strong>for</strong> more in<strong>for</strong>mation about the <strong>Hunt</strong><br />
<strong>Institute</strong> and its programs or to purchase one <strong>of</strong> our publications.<br />
Martin J. Allen (England)<br />
1. Passion flower [Passiflora sp.], watercolor, 2006<br />
Yara Anderson (United States)<br />
2. Rosa sp., Rosehips, watercolor, 2008<br />
Sara Bed<strong>for</strong>d (England)<br />
3. Ligularia dentata, watercolor, 2009<br />
Karen Bell-Brugger (United States)<br />
4. Viburnum trilobum, watercolor, 2009<br />
Diana Carmichael (South Africa)<br />
5. Lachenalia sp., watercolor, 2004<br />
44L<br />
Diana Carneiro (Brazil)<br />
6. Gongora bufonia, watercolor, 2009<br />
Karen Coleman (United States)<br />
7. Bloodroot, Sanguinaria canadensis, pen-and-ink, 2009<br />
Jackie Copeman (England)<br />
8. Clivia miniata, watercolor, 2009<br />
Caroline Cottingham (England)<br />
9. Mangifera indica, watercolor, 2004<br />
Joanna Craig-M c Feeley (England)<br />
10. Dracunculus vulgaris, watercolor, 2001<br />
Rachael Dawson (England)<br />
11. Magnolia × soulangeana, watercolor, 2009<br />
Rosemary Donnelly (Australia)<br />
12. Diospyros kaki ‘Hyakumo,’ watercolor, 2008<br />
Wilna El<strong>of</strong>f (South Africa)<br />
13. Haworthia sp., watercolor, 2008<br />
Guy Eves (England)<br />
14. Iris [Iris sp.], graphite pencil, 2009<br />
Paul Fennell (England)<br />
15. Brussels sprouts [Brassica oleracea Gemmifera Group], watercolor, 2009<br />
Noriko Fujii (Japan)<br />
16. Hydrangea macrophylla ‘Uzu Blue,’ watercolor, 2009<br />
Yoko Furukawa (Japan)<br />
17. Brassica oleracea var. italica, watercolor, 2009<br />
Leigh Ann Gale (England)<br />
18. Red onion study [Allium cepa], watercolor, 2009<br />
Eiko Hamada (Japan)<br />
19. Pinus pinaster, watercolor, 2008<br />
Wendy Hollender (United States)<br />
20. Pyrus communis, colored pencil, 2004<br />
Sarah Howard (Scotland)<br />
21. Milan turnip with garlic [Brassica rapa with Allium sativum], watercolor, 2008<br />
Hiromi Hyogo (Japan)<br />
22. Canna indica, watercolor, 2008<br />
Yuko Inujima (Japan)<br />
23. Platanus × acerifolia, acrylic, 1997<br />
Stephen T. Johnson (United States)<br />
24. The Number 16 [Acer sp.], pastel, watercolor and gouache, 1998<br />
Kyoko Katayama (Japan)<br />
25. Banksia, watercolor and graphite pencil, 2009<br />
Heeyoung Kim (United States)<br />
26. Prairie-dock, Silphium terebinthinaceum, pen-and-ink, 2009<br />
Hildegard Königh<strong>of</strong>er (Austria)<br />
27. Androrchis ×koenigh<strong>of</strong>erae, watercolor and colored pencil, 2007<br />
Kumiko Kosuda (Japan)<br />
28. Cirsium purpuratum Matsum., watercolor, 2004<br />
51<br />
31<br />
Chika Kunou (Japan)<br />
29. Chrysanthemum morifolium Ramat. var. sinense Makino, watercolor, 2009<br />
Asako Kuwajima (Japan)<br />
30. Red turnip [Brassica rapa var. rapifera], watercolor, 2009<br />
Eun Joo Lee (South Korea)<br />
31. Poppy [Papaver sp.], watercolor, 2007<br />
Barbara Lewis (United States)<br />
32. Brassica oleracea var. acephala, watercolor, 2009<br />
Miriam Macgregor (England)<br />
33. Lament [Scots pine, Pinus sylvestris and Clematis vitalba], wood engraving, 2007<br />
Sally Markell (United States)<br />
34. Cantharellus cibarius, watercolor, 2008<br />
Joan McGann (United States)<br />
35. Stenocactus crispatus, pen-and-ink, 2007<br />
Sue McLean (Australia)<br />
36. Glossodia major R. Br., Wax-lip orchid, watercolor, 2008<br />
Angeline de Meester (England)<br />
37. Taxus baccata ‘Dovostonii Aurea’ with T. baccata ‘Fastigiata’<br />
in the background, watercolor, 2008<br />
Annie Morris (England)<br />
38. Hawthorn, Crataegus monogyna, watercolor, 2004<br />
Edd Morrison (England)<br />
39. Ilex aquifolium, graphite pencil, 2009<br />
Maki Nishimura (Japan)<br />
40. Vigna caracalla, watercolor and pencil, 2008<br />
Kate Nuttall (England)<br />
41. Top: Gourd II [Cucurbita sp.], watercolor, 2008<br />
Center: Gourd I [Cucurbita sp.], watercolor, 2008<br />
Bottom: Gourd III [Cucurbita sp.], watercolor, 2008<br />
Lyudmila N. Pavlova (United States)<br />
42. Left: Eggplant, Solanum melangena, watercolor, 2008<br />
Right: Pear, Pyrus communis, watercolor, 2008<br />
Margareta Pertl (Ireland)<br />
43. Paphiopedilum wardii × dayanum study, watercolor and pencil, 2009<br />
Kandis Vermeer Phillips (United States)<br />
44. Left: Centaurea sp., watercolor, 2009<br />
Top Center: Hydrangea [Hydrangea sp.], watercolor, 2009<br />
Bottom Center: Rosa gallica, watercolor, 2009<br />
Right: Columbine inspired by Hoefnagel [Aquilega sp.], watercolor, 2009<br />
Sunitsorn Pimpasalee (Thailand)<br />
45. Kaempferia pulchra, watercolor, 2008<br />
Janie Pirie (England)<br />
46. Fragaria × ananassa ‘Strawberry Sophie,’ colored pencil, 2008<br />
Thomas Reaume (Canada)<br />
47. Left: Verbascum thapsus, Common mullein, pen-and-ink, 2006<br />
Right: Trillium cernuum, pen-and-ink, 2001<br />
Dorothee de Sampayo Garrido-Nijgh (Netherlands)<br />
48. French and Italian truffles, watercolor and gouache, 2009<br />
61L