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Untitled - Trinity College Dublin

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Left in turmoil, he must f<br />

the lover he has wronged<br />

But can The Clock be tur<br />

2


ind<br />

.<br />

ned back?<br />

3


5<br />

SYNOPSIS<br />

Clockhead sits alone, with only the clocks he<br />

has been customising and “humanising”<br />

for company. The woman he loves has left.<br />

He revisits places they had been, each one<br />

evoking new memories. Through these<br />

flashbacks we start to see the cracks begin<br />

to show. He has to find her so they can fix<br />

what has been broken.


STereOSCOPIC 3d; THe MakINg<br />

Of CLOCkHead<br />

Clockhead is Ireland’s first short to be<br />

shot in stereoscopic 3d, produced using<br />

new post-production technology from the<br />

Sigmedia research group of <strong>Trinity</strong> <strong>College</strong><br />

dublin. Stereoscopic 3d post-production<br />

is a delicate art, requiring that the image<br />

manipulations on both left and right views<br />

are matched, and typically doubling the<br />

effort in post. for this project, Sigmedia<br />

developed a unique suite of software tools<br />

for the leading post-production platform<br />

NUke.<br />

for many years, we in the Sigmedia<br />

group of <strong>Trinity</strong> <strong>College</strong> dublin have been<br />

enthused by the technology behind the<br />

motion picture industry. Our research<br />

efforts were rewarded in 2007 by a<br />

technical academy award. With the rise<br />

of stereoscopic 3d post-production, we<br />

have been developing new ideas that will<br />

enhance the post-production pipeline and<br />

advance the art of stereo post-production.<br />

This short doubles as a showcase for some<br />

of our technologies and is part of our larger<br />

SfI funded research programme in content<br />

aware media processing.<br />

Science foundation Ireland (www.sfi.ie)<br />

is an Irish State agency responsible for<br />

investing in researchers and research<br />

teams who are most likely to generate new<br />

knowledge, leading-edge technologies<br />

and competitive enterprises in the fields<br />

of science and engineering, among them<br />

ICT. Bold research in numerous disciplines<br />

continues to transform the potential of ICT.<br />

fields that have already contributed to ICT’s<br />

evolution include the fundamental sciences,<br />

the engineering of complex systems and<br />

software, low-cost manufacturing<br />

technologies, and end-user applications.<br />

6


9<br />

WrITer / dIreCTOr<br />

SOPHIE MERRY<br />

a graduate of The Irish School of animation<br />

(BCfe) in dublin and University <strong>College</strong><br />

dublin, Sophie Merry broke into directing<br />

following the success of her Bandytoaster<br />

“groovy dancing girl” videos which have<br />

amassed over 8 million views to date.<br />

In 2009, she choreographed and performed<br />

in her first live action short film,“Solo duet”.<br />

a director with Jumper Productions, she<br />

works in the film, animation and advertising<br />

industries. ‘Clockhead’ incorporates her<br />

passions for writing, directing and performing.


VISUaL effeCTS eNgINeer<br />

fRançOIS PItIé<br />

dr. françois Pitié is currently a research<br />

fellow at the Sigmedia group of <strong>Trinity</strong><br />

<strong>College</strong> dublin. He has extensive experience<br />

in developing tools for post-production and<br />

has been involved in multiple european<br />

research projects on video restoration and<br />

multiview cinema, including a 9-month<br />

Marie-Curie post-doc at The foundry, the<br />

leading company for digital post-production<br />

software development. He holds a Ph.d. on<br />

video segmentation under Professor anil<br />

kokaram from the University of dublin,<br />

<strong>Trinity</strong> <strong>College</strong>.<br />

X


exeCUTIVe PrOdUCer<br />

anIl kOkaRaM<br />

anil kokaram has been researching new<br />

algorithms for visual media processing<br />

since 1989, and is probably best known<br />

for his work in automated film restoration.<br />

after a long time with the Signal Processing<br />

group at Cambridge University, he started<br />

the Sigmedia group in <strong>Trinity</strong> <strong>College</strong><br />

dublin in 1998, where he is now associate<br />

Professor in the electronic engineering<br />

dept. Sigmedia has been “making media<br />

useful” since then, and has published over<br />

100 research papers in the area of digital<br />

video processing. Since 2000, anil has<br />

been learning from many people in the<br />

film and broadcast industry and, in 2007,<br />

was awarded a Science and engineering<br />

academy award together with colleagues<br />

at The foundry, for the use of motion in film<br />

editing tools. In 2004, he started a small<br />

company in the video processing space<br />

which was acquired by google in 2011.<br />

He hopes that this production will push<br />

Sigmedia to continue to solve problems that<br />

matter in the world of film creation.<br />

13


dIreCTOr Of PHOTOgraPHY<br />

tREVOR WHElan<br />

Trevor Whelan studied animation in ISa<br />

dublin and film Production in Colaiste<br />

dhulaigh and is currently a camera<br />

operator with Observe/rTÉ.<br />

Having worked on various IfB shorts<br />

including PJ.dillon’s redux, and most<br />

recently as director of Photography on the<br />

Hotel darklight short, “Naughts & Crosses”.<br />

Trevor is currently filming upcoming<br />

feature documentary, “Shamrocracy”.<br />

14


17<br />

COMPOSer / CLOCkHead<br />

CHRIS tIMMS<br />

Chris Timms is a visual artist working and<br />

living in dublin. Primarily working with<br />

media and technology, musically he has also<br />

been a member of the groups Zabba and<br />

Commissioner gordon, and performing at a<br />

variety of concerts, including deaf ‘07<br />

and Supafast.


19<br />

CaST<br />

Clockhead<br />

Woman<br />

CreW<br />

Director<br />

Script<br />

Original Score<br />

Director of Photography<br />

Stereographer<br />

assistant Director<br />

Camera assistant<br />

Set Designer<br />

Model Maker<br />

titles<br />

layout artist<br />

Visual Effects Engineer<br />

Visual Effects Consultant<br />

Visual Effects artist<br />

Executive Producer<br />

Chris Timms<br />

Sophie Merry<br />

Sophie Merry<br />

Sophie Merry<br />

Chris Timms<br />

Chris Timms<br />

Trevor Whelan<br />

Charlie Carrera<br />

gary Teeling<br />

Brian Murphy<br />

Cian O’Loughlin<br />

Peter Williams<br />

Jacqui ferns<br />

Joseph Maher<br />

françois Pitié<br />

david Corrigan<br />

Sophie Merry<br />

Professor anil kokaram


21<br />

Running time:<br />

4 mins 48 seconds<br />

Genre:<br />

Experimental / Stereoscopic 3D<br />

Format:<br />

HD<br />

Completed:<br />

31 May 2011<br />

SHOOTINg PaCkage<br />

Cameras:<br />

2 x Iconix HD-RH1 cameras<br />

2 x camera control units<br />

Stereo Rig:<br />

Inition Bolt Side-by-Side Rig<br />

Recorders:<br />

2 x Conergent Design Flash XDR boxes<br />

Live Monitoring:<br />

1 Inition Stereo Brain<br />

+ 26” Hyundai Passive 3D Monitor<br />

Non 3d sequences:<br />

Canon 7d<br />

CONTaCT:<br />

sophiemerry@gmail.com<br />

00 353 85 7205 786<br />

This is part of the Science Foundation Ireland Principle Investigator (PI) Project<br />

“Content Aware Media Processing” (08/IN.1/I2112).<br />

Special thanks to: Science Foundation Ireland SFI Liason Sandra Collins for<br />

supporting this experimental production, and thanks also to John Squires, Felix<br />

Raimbault, Steve Woods, Gary Baugh, Conor Nolan, Frank Boland, Valerie Morris-<br />

Kavanagh, Vittoria Colonna, Joel Whitman, Mark Durkan, and the Merry Family.<br />

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