Untitled - Trinity College Dublin
Untitled - Trinity College Dublin
Untitled - Trinity College Dublin
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Left in turmoil, he must f<br />
the lover he has wronged<br />
But can The Clock be tur<br />
2
ind<br />
.<br />
ned back?<br />
3
5<br />
SYNOPSIS<br />
Clockhead sits alone, with only the clocks he<br />
has been customising and “humanising”<br />
for company. The woman he loves has left.<br />
He revisits places they had been, each one<br />
evoking new memories. Through these<br />
flashbacks we start to see the cracks begin<br />
to show. He has to find her so they can fix<br />
what has been broken.
STereOSCOPIC 3d; THe MakINg<br />
Of CLOCkHead<br />
Clockhead is Ireland’s first short to be<br />
shot in stereoscopic 3d, produced using<br />
new post-production technology from the<br />
Sigmedia research group of <strong>Trinity</strong> <strong>College</strong><br />
dublin. Stereoscopic 3d post-production<br />
is a delicate art, requiring that the image<br />
manipulations on both left and right views<br />
are matched, and typically doubling the<br />
effort in post. for this project, Sigmedia<br />
developed a unique suite of software tools<br />
for the leading post-production platform<br />
NUke.<br />
for many years, we in the Sigmedia<br />
group of <strong>Trinity</strong> <strong>College</strong> dublin have been<br />
enthused by the technology behind the<br />
motion picture industry. Our research<br />
efforts were rewarded in 2007 by a<br />
technical academy award. With the rise<br />
of stereoscopic 3d post-production, we<br />
have been developing new ideas that will<br />
enhance the post-production pipeline and<br />
advance the art of stereo post-production.<br />
This short doubles as a showcase for some<br />
of our technologies and is part of our larger<br />
SfI funded research programme in content<br />
aware media processing.<br />
Science foundation Ireland (www.sfi.ie)<br />
is an Irish State agency responsible for<br />
investing in researchers and research<br />
teams who are most likely to generate new<br />
knowledge, leading-edge technologies<br />
and competitive enterprises in the fields<br />
of science and engineering, among them<br />
ICT. Bold research in numerous disciplines<br />
continues to transform the potential of ICT.<br />
fields that have already contributed to ICT’s<br />
evolution include the fundamental sciences,<br />
the engineering of complex systems and<br />
software, low-cost manufacturing<br />
technologies, and end-user applications.<br />
6
9<br />
WrITer / dIreCTOr<br />
SOPHIE MERRY<br />
a graduate of The Irish School of animation<br />
(BCfe) in dublin and University <strong>College</strong><br />
dublin, Sophie Merry broke into directing<br />
following the success of her Bandytoaster<br />
“groovy dancing girl” videos which have<br />
amassed over 8 million views to date.<br />
In 2009, she choreographed and performed<br />
in her first live action short film,“Solo duet”.<br />
a director with Jumper Productions, she<br />
works in the film, animation and advertising<br />
industries. ‘Clockhead’ incorporates her<br />
passions for writing, directing and performing.
VISUaL effeCTS eNgINeer<br />
fRançOIS PItIé<br />
dr. françois Pitié is currently a research<br />
fellow at the Sigmedia group of <strong>Trinity</strong><br />
<strong>College</strong> dublin. He has extensive experience<br />
in developing tools for post-production and<br />
has been involved in multiple european<br />
research projects on video restoration and<br />
multiview cinema, including a 9-month<br />
Marie-Curie post-doc at The foundry, the<br />
leading company for digital post-production<br />
software development. He holds a Ph.d. on<br />
video segmentation under Professor anil<br />
kokaram from the University of dublin,<br />
<strong>Trinity</strong> <strong>College</strong>.<br />
X
exeCUTIVe PrOdUCer<br />
anIl kOkaRaM<br />
anil kokaram has been researching new<br />
algorithms for visual media processing<br />
since 1989, and is probably best known<br />
for his work in automated film restoration.<br />
after a long time with the Signal Processing<br />
group at Cambridge University, he started<br />
the Sigmedia group in <strong>Trinity</strong> <strong>College</strong><br />
dublin in 1998, where he is now associate<br />
Professor in the electronic engineering<br />
dept. Sigmedia has been “making media<br />
useful” since then, and has published over<br />
100 research papers in the area of digital<br />
video processing. Since 2000, anil has<br />
been learning from many people in the<br />
film and broadcast industry and, in 2007,<br />
was awarded a Science and engineering<br />
academy award together with colleagues<br />
at The foundry, for the use of motion in film<br />
editing tools. In 2004, he started a small<br />
company in the video processing space<br />
which was acquired by google in 2011.<br />
He hopes that this production will push<br />
Sigmedia to continue to solve problems that<br />
matter in the world of film creation.<br />
13
dIreCTOr Of PHOTOgraPHY<br />
tREVOR WHElan<br />
Trevor Whelan studied animation in ISa<br />
dublin and film Production in Colaiste<br />
dhulaigh and is currently a camera<br />
operator with Observe/rTÉ.<br />
Having worked on various IfB shorts<br />
including PJ.dillon’s redux, and most<br />
recently as director of Photography on the<br />
Hotel darklight short, “Naughts & Crosses”.<br />
Trevor is currently filming upcoming<br />
feature documentary, “Shamrocracy”.<br />
14
17<br />
COMPOSer / CLOCkHead<br />
CHRIS tIMMS<br />
Chris Timms is a visual artist working and<br />
living in dublin. Primarily working with<br />
media and technology, musically he has also<br />
been a member of the groups Zabba and<br />
Commissioner gordon, and performing at a<br />
variety of concerts, including deaf ‘07<br />
and Supafast.
19<br />
CaST<br />
Clockhead<br />
Woman<br />
CreW<br />
Director<br />
Script<br />
Original Score<br />
Director of Photography<br />
Stereographer<br />
assistant Director<br />
Camera assistant<br />
Set Designer<br />
Model Maker<br />
titles<br />
layout artist<br />
Visual Effects Engineer<br />
Visual Effects Consultant<br />
Visual Effects artist<br />
Executive Producer<br />
Chris Timms<br />
Sophie Merry<br />
Sophie Merry<br />
Sophie Merry<br />
Chris Timms<br />
Chris Timms<br />
Trevor Whelan<br />
Charlie Carrera<br />
gary Teeling<br />
Brian Murphy<br />
Cian O’Loughlin<br />
Peter Williams<br />
Jacqui ferns<br />
Joseph Maher<br />
françois Pitié<br />
david Corrigan<br />
Sophie Merry<br />
Professor anil kokaram
21<br />
Running time:<br />
4 mins 48 seconds<br />
Genre:<br />
Experimental / Stereoscopic 3D<br />
Format:<br />
HD<br />
Completed:<br />
31 May 2011<br />
SHOOTINg PaCkage<br />
Cameras:<br />
2 x Iconix HD-RH1 cameras<br />
2 x camera control units<br />
Stereo Rig:<br />
Inition Bolt Side-by-Side Rig<br />
Recorders:<br />
2 x Conergent Design Flash XDR boxes<br />
Live Monitoring:<br />
1 Inition Stereo Brain<br />
+ 26” Hyundai Passive 3D Monitor<br />
Non 3d sequences:<br />
Canon 7d<br />
CONTaCT:<br />
sophiemerry@gmail.com<br />
00 353 85 7205 786<br />
This is part of the Science Foundation Ireland Principle Investigator (PI) Project<br />
“Content Aware Media Processing” (08/IN.1/I2112).<br />
Special thanks to: Science Foundation Ireland SFI Liason Sandra Collins for<br />
supporting this experimental production, and thanks also to John Squires, Felix<br />
Raimbault, Steve Woods, Gary Baugh, Conor Nolan, Frank Boland, Valerie Morris-<br />
Kavanagh, Vittoria Colonna, Joel Whitman, Mark Durkan, and the Merry Family.<br />
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