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Music Publishing and Copyright: Cover Songs - TuneCore

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1<br />

THE BASICS YOU SHOULD KNOW<br />

ABOUT MUSIC PUBLISHING AND COPYRIGHT: COVER SONGS<br />

BY KEN GOES, FORMER MANAGER & PUBLISHING ADMINISTRATOR<br />

for THE PIXIES<br />

IMPORTANT: The information in this section is not intended<br />

as legal advice.<br />

This section is about music publishing. <strong>Music</strong> publishing is about the<br />

ownership of songs. <strong>Music</strong> publishing is about the rights of songwriters<br />

<strong>and</strong> song owners. And perhaps most importantly, music publishing is<br />

about money.<br />

<strong>Music</strong> publishing can be complex <strong>and</strong> confusing. Our aim here is to<br />

simplify the most basic concepts of music publishing as they relate to<br />

“covers.” <strong>Cover</strong>s are normally songs written by established artists like,<br />

for instance, “Yesterday” by The Beatles. But covers don’t have to be<br />

popular songs. A cover can be a song that has been recorded by an<br />

unknown artist. The important thing to remember is that any song which<br />

you record that was written <strong>and</strong> previously recorded by someone else is<br />

a “cover.”<br />

is it a ‘sound recording’ or a ‘composition’?<br />

The first thing we have to underst<strong>and</strong> is that a song<br />

<strong>and</strong> a recording of a song are two different things.<br />

They are two distinct properties. These two properties<br />

are called the “sound recording,” (sometimes<br />

called the “master”) <strong>and</strong> the “composition,” (sometimes<br />

called the “work”). <strong>Music</strong> contracts of all types use these terms to<br />

designate one or the other.<br />

Here we are mainly interested in the “composition.” The common everyday<br />

word we use for “composition“ is the word song. In the following,

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