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<strong>CD</strong> <strong>CD</strong><br />
<strong>CD</strong><br />
NYHETER UKE 18 - 2010<br />
BROKEN SOCIAL SCENE<br />
FORGIVENESS ROCK RECORD<br />
City Slang<br />
SLANG 736447<br />
0602527364476<br />
Forgiveness Rock Record er første album på 5 år fra KEVIN DREW, BRENDAN<br />
CANNING og resten av BROKEN SOCIAL SCENE. Lik alle tidligere utgivelser fra<br />
denne gjengen, er dette et produkt av kjærlighet, og hvem eller hvor mange som til<br />
enhver tid er med i BSS – i studio eller live – varierer voldsomt. Det som er sikkert,<br />
er at de 14 låtene her er innspilt i Chicago med JOHN McENTIRE (TORTOISE)<br />
som produsent, og at de 7 noenlunde faste bandmedlemmene underveis har fått<br />
besøk i studio av bl.a. LESLIE FEIST, AMY MILLAN og EVAN CRANLEY (begge<br />
fra STARS), EMILY HAINES og JOMMY SHAW (begge fra METRIC), SAM PRE-<br />
KOP (THE SEA AND CAKE), JASON TAIT (THE WEAKERTHANS), SEBASTIAN<br />
GRAINGER og JASON COLLETT. Totalt har over 30 musikere medvirket på dette<br />
albumet, som gjør begrepet ”musikalsk overflødighetshorn” til årets understatement.<br />
5/5 THE SKINNY 4/5 CONSEQUENCE OF SOUND 4/5 SPUTNIK MUSIC<br />
MIKE PATTON<br />
MONDO CANE<br />
Ipecac<br />
IPC 119<br />
0689230011927<br />
MIKE PATTON (FAITH NO MORE, PEEPING TOM, TOMAHAWK etc)<br />
presenterer Mondo Cane, hans italienskspråklige rock-møter-orkesterhybrid.<br />
Spilt inn under en rekke opptredener rundt om i Europa, inkludert<br />
en utendørs konsert på en Nord-Italiensk piazza. Albumet inneholder tradisjonelle<br />
italienske poplåter samt en tolkning av Ennio Morricone’s Deep Down.<br />
Patton jobbet med et 30-manns orkester og kor, samt den italienske jazz/<br />
klassisk-superstjernen ROY PACI (ZU, THE EX), for å skape den unike<br />
nye MONDO CANE-lyden.<br />
http://www.myspace.com/mondocanemikefuckingpatton<br />
BOOKA SHADE<br />
MORE!<br />
Get Physical/Cooperative<br />
KM<strong>CD</strong> 001<br />
0602527356389<br />
MORE! er fjerde album fra Tysklands kanskje mest populære club-duo,<br />
BOOKA SHADE. De spilte nylig for et fullstappet Rockefeller, uten at<br />
publikum hadde hørt nytt materiale, noe som på mange vis demonstrerer<br />
hvor populære disse gutta er. Som tittelen tyder på, inneholder dette<br />
albumet mer av det meste; mer energi, mer atmosfære, mer følelse og flere<br />
fete låter, inkludert singlene Bad Love, Donut og Regenerate, som har vært<br />
gjengangere på en rekke dansegulv de siste månedene. Gjesteopptredener<br />
av CHELONIS R. JONES og electro-pionerene YELLO.<br />
http://www.myspace.com/bookashade<br />
http://www.myspace.com/brokensocialscene<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
I
<strong>CD</strong> <strong>CD</strong><br />
<strong>CD</strong><br />
<strong>CD</strong><br />
NYHETER UKE 18 - 2010<br />
JOSH RITTER<br />
SO RUNS THE WORLD AWAY<br />
Pytheas<br />
PYTH 001<br />
0634457524620<br />
Nytt album fra produktive JOSH RITTER. Etter flere kritikerroste album på<br />
V2-etiketten er han nå over på egen label, Pytheas. Klassisk singing/songwriting<br />
på et meget høyt nivå.<br />
For fans av JOSH ROUSE, RON SEXSMITH, PAUL SIMON etc.<br />
“With startling detail, distinctive storytelling, compelling subject matter and astonishing<br />
musicianship, Ritter’s new album has reset the singer-songwriter bar.” NPR.ORG<br />
http://www.joshritter.com/<br />
PEARLY GATE MUSIC<br />
PEARLY GATE MUSIC http://www.myspace.com/pearlygatemusic<br />
Bella Union<br />
BELLA<strong>CD</strong> 236<br />
0602527356402<br />
ZACH TILLMAN (bror av FLEET FOXES-trommis og soloartist J. TILLMAN) er<br />
mennesket bak albumdebuterende PEARLY GATE MUSIC. Det er i hovedsak<br />
nedstrippet og sakralt det som leveres her, men med en dynamikk og nerve som<br />
hever PGM milevis over de fleste andre ”menn med kassegitar” som florerer der<br />
ute. Skulle du være glad i det medvirkende bror Tillman har gjort fra før, eller, for<br />
den saks skyld, i MIDLAKE, NICK DRAKE, BEACH BOYS, ROY ORBISON eller<br />
NEIL YOUNG, er dette albumet din personlige nøkkel til den musikalske<br />
Perleporten. 9/10 SUBBA-CULTCHA “…his voice delivers a muscular melancholy<br />
matched often by startling mysterious-to-surreal lyrics!” 4/5 MOJO 4/5 THE FLY<br />
TREMBLING BELLS<br />
ABANDONED LOVE<br />
http://www.myspace.com/tremblingbells<br />
Honest Jons<br />
HJR<strong>CD</strong> 047<br />
4047179475723<br />
Glasgows TREMBLING BELLS debuterte med brilliante Carbeth (HJR<strong>CD</strong> 043)<br />
i fjor, en plate som plasserte seg på en rekke best of 2009-lister, og allerede nå<br />
er oppfølgeren klar. Dette er strålende britisk folk med spor helt tilbake til middelalderen.<br />
Vi hører også hint av storheter som FAIRPORT CONVENTION, og alt i alt<br />
er dette en meget sterk oppfølger.<br />
“From medieval balladry to garage rock – Glasgow quartet’s brilliant second”<br />
4/5 MOJO “Love may be abandoned, but Trembling Bells are going from strength<br />
to strength” 4/5 MUSICOMH “The second album from Glasgow folk-rockers<br />
Trembling Bells is a triumph” 4/5 THE GUARDIAN<br />
THE REVEREND PEYTON’S BIG DAMN BAND<br />
THE WAGES<br />
SideOneDummy<br />
SD 1414<br />
4024572434182<br />
Kritikere har omtalt dette som ROBERT JOHNSON på crack. Selv sier de : ”Vi spiller<br />
Mississippi Delta Boogie, og det gjør vi så bra at folk som har vært lenket til rullestolen<br />
i 30 år spretter opp og danser”. REV PEYTON spiller dobro og tar seg av vokalen,<br />
fruen spiller vaskebrett, og lillebror PEYTON trakterer det minimale trommesettet.<br />
Familiebandet er noe for seg selv, og spiller i Norge i disse dager.<br />
29.04 Skien, Kikki’s Rock Café 30.04 Lillehammer, Laagendelta Blues Club<br />
01.05 Bergen, Bergenfest<br />
www.myspace.com/therevpeytonsbigdamnband<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
II
<strong>CD</strong> <strong>CD</strong><br />
<strong>CD</strong><br />
<strong>CD</strong><br />
NYHETER UKE 18 - 2010<br />
TWILIGHT<br />
MONUMENT TO TIME END<br />
Southern Lord<br />
LORD 113<br />
0808720011326<br />
Her kan vi trygt snakke om en svartmetallisk supergruppe av grimme proporsjoner.<br />
BLAKE JUDD (NACHTMYSTIUM), WREST (LEVIATHAN). N. IMPERIAL<br />
(KRIEG), STAVROS GIANNOPOLOUS (ATLAS MOTH), SANFORD PARKER<br />
(MINSK, BURIED AT SEA) og AARON TURNER (ISIS). Når vi da legger til at<br />
samtlige har bidratt til låtskrivingen, og TWILIGHTs andre fullengder låter helt<br />
supert, så er det jo bare å gå til innkjøp. Nyt denne mens du venter på<br />
NACHTMYSTIUMs enorme nye album som kommer i juni.<br />
http://www.myspace.com/twilightusbm<br />
MEDICATIONS<br />
COMPLETELY REMOVED<br />
Dischord<br />
DIS 165<br />
0643859165027<br />
FARAQUET var et kortlivet, men innflytelsesrikt band på Dischord. De to herrere<br />
som stiftet det bandet er nå å finne i MEDICATIONS. Fem år etter første<br />
album stuper de inn i nye og spennende musikalske territorier, noe som<br />
innebærer klassiske rockeriff, vokalharmonier og til og med en og annen gitarsolo.<br />
“Up there with the best of today’s whip-smart indie-math crop” 8/10 ROCK SOUND<br />
“Parts sound like Black Sabbath or King Crimson, parts sound like George Harrison<br />
or Roy Harper” 7.8 PITCHFORK<br />
http://www.myspace.com/medications<br />
KITTIWAKES<br />
LOFOTEN CALLING<br />
Midwich<br />
WYND 010<br />
0718752581028<br />
Britisk akustisk folk i stil med STEELEYE SPAN, LINDISFARNE og FAIRPORT<br />
CONVENTION. Men disse britene har latt seg inspirere av Norge, nærmere bestemt<br />
landskapet, mytene og historien til Lofoten. Eksotisk, men samtidig enkelt og vakkert.<br />
BERGENS TIDENDE STAVANGER AFTENBLAD<br />
http://www.myspace.com/kittiwakes<br />
LAURA GIBSON<br />
IF YOU COME TO GREET ME<br />
Souterrain<br />
SOU 008<br />
0673790025876<br />
Reutgivelse av LAURA GIBSONs andrealbum fra 2006. Backingbandet til Gibson<br />
på platen er essensielt sett NORFOLK & WESTERN (ADAM SELZER, PETER<br />
BRODERICK etc), og resultatet er, rent ut sagt, nydelig.<br />
Neo-folk for fans av THE DECEMBERISTS, JOANNA NEWSOM og lignende.<br />
“…like a less trippy and emotionally fragile Neutral Milk Hotel.” 4/5 ALLMUSIC<br />
http://www.myspace.com/lauragibson<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
III
2<strong>CD</strong> <strong>CD</strong><br />
2<strong>CD</strong><br />
<strong>CD</strong><br />
NYHETER UKE 18 - 2010<br />
EMBRYO<br />
40<br />
Trikont<br />
804042<br />
4015698040425<br />
Dobbel samleplate med EMBRYO, et band som startet i 1969 som et spacet<br />
jazzrock-band, men som senere også fikk oppmerksomhet for sin spesielle<br />
krysning av kraut og worldmusikk.<br />
Bandet er fortsatt aktive og gjennom deres over 40 år lange karriere har hundrevis<br />
av musikere deltatt med kun CHRISTIAN BURCHARD som det eneste faste<br />
medlemmet.<br />
HARVESTMAN<br />
TRINITY<br />
Neurot<br />
NR 069<br />
n/a<br />
Soundtracket til den italianske skrekkfilmen H2Odio (engelsk tittel: Hate 2 O).<br />
Skapt av NEUROSIS-gitarist STEVE VON TILL under hans alter ego<br />
og psykedeliagitarbaserte enmannsprosjekt HARVESTMAN.<br />
En mørk, hypnotisk, instrumental bakgrunn til en psykedelisk thriller. Flotte saker.<br />
http://www.myspace.com/heathenpsych<br />
EXTREME<br />
TAKE US ALIVE<br />
Frontiers<br />
FR<strong>CD</strong> 456<br />
8024391045626<br />
Klassisk dobbel live-<strong>CD</strong> (akkurat slik det skal være!) med millionselgende<br />
EXTREME, innspilt i bandets hjemby, Boston, på House Of Blues i 2009.<br />
Bandet fremfører låter fra hele sin 20-årige karriere, inkludert megahits som<br />
Get The Funk Out, Hole Hearted, Decadence Dance og More Than Words.<br />
Total spilletid er 1 ¾ timer, så her får fansen full valuta for pengene!<br />
http://extreme-band.com/site/<br />
SATAN TAKES A HOLIDAY<br />
SATAN TAKES A HOLIDAY http://www.myspace.com/satantakesaholiday<br />
I Made This<br />
IMT 015<br />
7332334002089<br />
Med IGGY POPs nerve, THE SONICS’ energi og SCREAMING JAY HAWKINS’<br />
musikalske pondus lykkes SATAN TAKES A HOLIDAY i å fylle et tomrom i den<br />
stadig trøttere svenske rockscenen. Enten de gjør sine egne låter eller covrer LINK<br />
WRAY (Rumble), ALPHAVILLE (Big In Japan) eller JOHNNY KIDD & THE PIRATES<br />
(Shakin’ All Over – hva ellers?), så rister, rumler, skrangler og støyer denne gjengen<br />
på ypperste vis. Fans av THE CRAMPS, THE HIVES, THE NOMADS, DANKO<br />
JONES eller ROCKET FROM THE CRYPT og alle andre som noensinne har satt<br />
sine bein i en garasje bør eie denne!<br />
Låta Missy lå nylig på spillelista til Trondheims Radio Revolt i flere uker.<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
IV
<strong>CD</strong><br />
<strong>CD</strong>+DVD<br />
<strong>CD</strong><br />
<strong>CD</strong><br />
<strong>CD</strong><br />
<strong>CD</strong><br />
GOATSNAKE<br />
FLOWER OF DISEASE<br />
Southern Lord<br />
LORD 116<br />
0808720011623<br />
Re-utgivelse av GOATSNAKEs 2000-album Flower Of Disease. Orginalt utgitt på legendariske<br />
Man’s Ruin Records, og ikke vært tilgjengelig på mange år.<br />
Dette er enormt fete saker for fans av BLACK SABBATH, OBSESSED, EYEHATEGOD etc.<br />
NAPALM DEATH<br />
PUNISHMENT IN CAPITALS<br />
Peaceville<br />
<strong>CD</strong>VILED 293X<br />
0801056729323<br />
GU MEDICINE<br />
LORDS OF OBLIVION<br />
Undergroove<br />
UG<strong>CD</strong> 062<br />
5021449217021<br />
Tung rock fra Barnsley av alle steder. QUEENS OF THE STONE AGE møter MOTÖRHEAD.<br />
Greit nok, GU MEDICINE har bare et gir, men det holder i massevis til å legge de fleste andre<br />
rockeband bak seg. KKKK KERRANG!<br />
CONAN<br />
HORSEBACK BATTLE HAMMER<br />
Aurora Borealis<br />
ABX 041<br />
0797734289657<br />
Huleboer-doom fra grimmeste Nord-England. Horseback Battle Hammer består av fire lange,<br />
majestetiske og knusende låter. Innspilt i walisiske Foel Studio (HAWKWIND, ELECTRIC WIZARD,<br />
BLUE CHEER, GODFLESH, AMON DUUL).<br />
TRASH KIT<br />
TRASH KIT<br />
Upset The Rhythm<br />
UTR 036<br />
0828887003620<br />
Jentene i TRASH KIT er et av de ledende bandene på dagens Britiske DYI-bølge. Trioen lager<br />
superfengende, kaotiske, no-wave låter som får folk til å danse (eller i det minste nikke litt med<br />
hodet). Ute på fin fine Upset The Rythm som har utgivelser med beslektede band som XIU XUI,<br />
NO AGE og HIGH PLACES på samvittigheten.”Awesome” DAZED AND CONFUSED<br />
PACK A.D.<br />
WE KILL COMPUTERS<br />
Mint<br />
MRD 137<br />
0773871013720<br />
NYHETER UKE 18 - 2010<br />
http://www.myspace.com/goatsnake0<br />
http://www.myspace.com/napalmdeath<br />
Tidligere utgitt i to separate formater, men kommer nå i en pakke som <strong>CD</strong>+DVD.<br />
Innspilt i London i 2002, og viser grindcore-innovatørere fra sin aller beste liveside. NAPALM DEATH<br />
har influert utallige band, og denne hører hjemme i platesamlingen til de som kaller seg metalfans.<br />
http://www.myspace.com/gumedicine1<br />
http://www.myspace.com/conandoomconan<br />
http://www.myspace.com/trashkit<br />
http://www.myspace.com/thepackad<br />
Det nye albumet til den kanadiske garasje-/punkrock-duoen THE PACK A.D. er spilt inn live<br />
på analog tape, noe som gir We Kill Computers en retroautentisitet man må oppleve bandet<br />
på scenen for å høre maken til.<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
V
<strong>CD</strong><br />
<strong>CD</strong><br />
<strong>CD</strong><br />
LP<br />
2LP<br />
LP<br />
SUICIDE<br />
HALF ALIVE<br />
Roir<br />
RUS<strong>CD</strong> 8264<br />
0053436826423<br />
Half Alive samler demoer og livespor med SUICIDE fra årene 1974-1979.<br />
Originalt utgitt i 1981, her reutgitt på <strong>CD</strong> med linernotes av LESTER BANGS.<br />
SUICIDE<br />
GHOST RIDERS<br />
Roir<br />
RUS<strong>CD</strong> 8239<br />
0053436823927<br />
JOHNNY THUNDERS<br />
THE NEW TOO MUCH MONKEY BUSINESS<br />
Roir<br />
RUS<strong>CD</strong> 8248<br />
0053436824825<br />
Outtakes og liveopptak med en av de viktigste figurene på 70-tallets rockescene,<br />
JOHNNY THUNDERS.<br />
DIVERSE ARTISTER<br />
NEW YORK TRASH<br />
Roir<br />
RUSLP 8244<br />
0053436824412<br />
Klassisk samling NYC-trash-samling som originalt ble sluppet på kassett i 1982<br />
etter initiativ fra BAD BRAINS-manageren DAVE HAHN. Reutgivelse på LP.<br />
TELEVISION<br />
THE BLOW UP<br />
Roir<br />
RUSLP 8249<br />
0053436824917<br />
Dobbel LP med legendariske TELEVISON live fra like legendariske CBGB i 1978.<br />
“…the sound quality is not exactly pristine, but the performances, recorded in 1978 on what<br />
proved to be the band’s final tour, are exciting and frequently breathtaking” 4/5 ALLMUSIC<br />
SUICIDE<br />
HALF ALIVE<br />
Roir<br />
RUSLP 8264<br />
0053436826416<br />
ROIR (SAY ROAR!)<br />
SUICIDE spilt inn live i Walker Arts Center i Minneapolis i 1981. Reutgivelse.<br />
Half Alive samler demoer og livespor med SUICIDE fra årene 1974-1979. Originalt utgitt i 1981,<br />
her reutgitt på LP med linernotes av LESTER BANGS.<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
VI
<strong>CD</strong><br />
<strong>CD</strong><br />
LP<br />
LP<br />
LP<br />
LP<br />
INDIGNANT SENILITY<br />
PLAYS WAGNER<br />
Type<br />
TYPE 060<br />
5065000885175<br />
<strong>CD</strong> som kombinerer vinylutgivelsene Plays Wagner Pt. 1 og 2.<br />
Avant garde for fans av DAVID LYNCH, LEYLAND KIRBY og WILLIAM BASINSKI.<br />
http://www.last.fm/music/Indignant+Senility<br />
THE APPLES IN STEREO<br />
TRAVELLERS IN SPACE AND TIME<br />
Yep Roc<br />
YEP 2212LP<br />
0634457221215<br />
Vidunderlige THE APPLES IN STEREO på LP.<br />
”Vel ser Schneider mer og mer ut som en hagenisse i trance-klær, men musikalsk har han nesten ikke<br />
vært bedre; dette er pop-sukkertøy som beholder smaken langt utover høsten.” 5/6 NRK LYDVERKET<br />
JOSH RITTER<br />
SO RUNS THE WORLD AWAY<br />
Pytheas<br />
PYTH 001LP<br />
0654367015711<br />
RITTER også på LP.<br />
THE REVEREND PEYTON’S BIG DAMN BAND<br />
THE WAGES<br />
SideOneDummy<br />
SD 1414-1<br />
0603967141412<br />
THE REVEREND PEYTON’S BIG DAMN BAND får du også på vinyl.<br />
TRASH KIT<br />
TRASH KIT<br />
Upset The Rhythm<br />
UTR 036LP<br />
0828887003613<br />
NYHETER UKE 18 - 2010<br />
JOHANN JOHANNSSON<br />
AND IN THE ENDLESS PAUSE THERE CAME THE SOUND OF BEES<br />
Type<br />
TYPE 064<br />
5065000885236<br />
Soundtracket til MARC CRASTEs animasjonsfilm Varmints fra 4AD-artisten JOHANN<br />
JOHANNSSON. Johannsson spilte for øvrig nylig på by:Larm.<br />
http://www.johannjohannsson.com/<br />
Superfengende, kaotiske, no-wave-låter også på vinyl.<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
VII
<strong>CD</strong><br />
Tracklist<br />
01. Little Houdini<br />
02. Three Sheets to the Wind<br />
03. I Was Zero<br />
04. Slow Man<br />
05. Diamonds and Pearls<br />
06. Polterzeitgeist<br />
07. The Baby Stays<br />
08. 16 Years<br />
09. Worry Not<br />
10. London Bridge<br />
11. Love The Lie<br />
12. The Best of Times<br />
2DVD<br />
SAGE FRANCIS<br />
LI(F)E<br />
Anti<br />
EPIT 70112<br />
8714092701128<br />
NYHETER UKE 18 - 2010<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 10. MAI<br />
Anti-Records is excited to announce the impending release of an impassioned new album Li(f)e by<br />
celebrated agent-provocateur of hip hop, Sage Francis. An underground star from his years as a battle<br />
champion, poet and founder of influential Strange Famous Records, Francis garnered even wider<br />
acclaim with his incendiary 2005 release “A Healthy Distrust,” a timely condemnation of corporate<br />
greed, war-mongering and American complacency. On his electrifying new album Li(f)e, Francis turns<br />
his keen observational skills to a culture of rampant hypocrisy and, in particular, organized religion.<br />
This album is a marked evolution for Francis. His signature wordplay, a dazzling mix of sardonic humor<br />
and biting social commentary, is now complimented by a talented band consisting of producer Brian<br />
Deck (Modest Mouse, Iron and Wine) and cohorts Jim Becker and Tim Rutili of the acclaimed Chicago<br />
outfit Califone. It proves an effective soundtrack for Francis’ riveting lyrical discourse. The record’s title<br />
Li(f)e is a deliberate amalgamation of the words life and lie. As Francis says, “What about life is a lie?<br />
What we’re told about God is a lie. What we’re told about race, gender roles, beauty, war, food, drugs,<br />
sexuality, capitalism, history, the nature of humankind...a gang of lies. I feel it in my gut, I think it in my<br />
brain, I write it with my hands and I speak it with my mouth. That’s what makes Li(f)e the general theme<br />
of this album.” To help convey his impassioned message Francis has enlisted a cadre of uniquely talented<br />
songwriters. The album begins with a stirring Steinbeck imbued tale of prison break entitled Little<br />
Houdini’ with music written by ex Grandaddy frontman turned solo artist Jason Lytle. “We specifically<br />
sought out songwriters who had never worked with a rapper,” Francis explains. “And I didn’t want them<br />
to write music they thought they should for hip-hop. The music for ‘Little Houdini’ was a long epic instrumental<br />
piece Jason had just hanging around which I then worked my story into.” Next up is a rousing<br />
and energetic anthem entitled “Three Sheets” with music written by Chris Walla of the band Death Cab<br />
for Cutie. Subsequent songs feature compositions by Tim Fite, members of Calexico, DeVotchKa, and<br />
Mark Linkous of Sparklehorse - each interpreted by Francis and the band resulting in an entirely organic<br />
and captivating vehicle for Francis’ dramatic narratives. Li(f)e is a thought provoking and unabashedly<br />
original album from an evolving artist with a refreshingly distinctive voice<br />
CLUTCH<br />
LIVE AT THE 9:30<br />
Weathermaker<br />
WM 014DVD<br />
0896308002132<br />
FORHÅND 10. MAI<br />
Dobbel DVD fra CLUTCH. Disc 1 er en konsert fra Washington DCs legendariske 9:30-klubb i<br />
desember 2009, hvor bandet starter med fire låter fra Strange Cousins From The West før de<br />
gyver løs på samtlige 13 låter fra sin selvtitulerte 1995-utgivelse. Filmet med 7 HD-kameraer,<br />
og med gjesteopptredener fra blant andre SCOTT ”WINO” WEINRICH og medlemmer fra CKY,<br />
COMPANY BAND, FU MANCHU og SYSTEM OF A DOWN. Disc 2 inneholder dokumentaren<br />
Fortune Tellers Make A Killing Nowadays, som er på hele 106 minutter og blant tilbakeblikk<br />
som inkluderer hele 20 låter, får vi blant annet bilder fra bandets andre konsert noensinne<br />
i 1991. CLUTCH er forøvrig klare for både Slottsfjell/Tønsberg og Bukta/Tromsø i sommer.<br />
DVD 1:<br />
Clutch Live @ 9:30 Club Filmed Concert Performance 12/28/09<br />
50,000 Unstoppable Watts, Struck Down, Minotaur, Let A Poor Man Be, Big News 1, Big<br />
News 2, Rock & Roll Outlaw, Texan Book of The Dead, Escape From The Prison Planet,<br />
Spacegrass, I Have The Body of John Wilkes Booth, Tight Like That, Animal Farm, Droid,<br />
The House That Peterbilt, 7 Jam, Tim Sult Vs. The Greys, Regulator, Gravel Road<br />
DVD 2:<br />
“Fortune Tellers Make A Killing Nowadays” documentary style film<br />
VIII
<strong>CD</strong>/LP<br />
Tracklist<br />
1. Darkness on the Edge of Gastown<br />
2. No Allegiance to the Queen<br />
3. Sexual Aerosol<br />
4. Lovers/Strangers<br />
5. Lucifer’s Symphony<br />
6. Couture Suicide<br />
7. Avant Sleepwalk<br />
8. Coma Complacency<br />
9. To Hell with Good Intentions<br />
10. Press Corps<br />
<strong>CD</strong>/LP<br />
Tracklist<br />
It’s Hard to Be Humble (When You’re<br />
From Alabama)<br />
Nothing Was Stolen (Love Me Foolishly)<br />
We’ll Be Here Soon<br />
The Mermaid Parade<br />
I Don’t Care If There’s Cursing<br />
Tell Me Baby (Have You Had<br />
Enough)<br />
Hej, Me I’m Light<br />
Heaven, Sittin Down<br />
Los Angeles<br />
NYHETER UKE 18 - 2010<br />
JAPANDROIDS<br />
NO SINGLES<br />
Polyvinyl<br />
PRC 193-2 / PRC 193-1<br />
0644110019325 / 0644110019318<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 10. MAI<br />
Post-Nothing, JAPANDROIDS’ critically acclaimed debut full-length, set a course for the band<br />
that landed them on over 30 year-end lists including Pitchfork, Spin, Stereogum, NME and<br />
many more.<br />
Prior to Post-Nothing’s release, JAPANDROIDS released two five-song EPs on <strong>CD</strong>-R. The<br />
EPs were limited to 500 copies and quickly fell out of print. The companion piece to Post-<br />
Nothing, No Singles compiles these two EPs into one album. Meticulous packaging designed<br />
by the band includes a 32-page booklet with liner notes detailing JAPANDROIDS’ early history,<br />
complete with rare photos and show fliers. The LP version of the booklet is 11”x11”.<br />
• Deluxe <strong>CD</strong> and LP packaging includes 32-page booklet.<br />
• Press by 230 Publicity (Post-Nothing, Grizzly Bear, of Montreal).<br />
• Post-Nothing has scanned nearly 20,000 copies in just six months.<br />
• Post-Nothing is a Top 5 CMJ record.<br />
• Japandroids have played over 200 shows in support of Post-Nothing and have<br />
extensive tours planned for all of 2010.<br />
• Mastered by John Golden (Melvins, Nirvana).<br />
• 180-gram 2xLP double gatefold vinyl.<br />
PHOSPHORESCENT<br />
HERE’S TO TAKING IT EASY<br />
Dead Oceans<br />
DOC 025 / DOC 025LP<br />
0656605132525 / 0656605132518<br />
FORHÅND 10. MAI<br />
Just 20 seconds into the new Phosphorescent album, you hear something so immediate,<br />
so purposeful, so damn infectious, it’s clear that something special is underway. The first album<br />
of original material since 2007’s Pride captures the band moving into a truly extraordinary place.<br />
Here’s to Taking It Easy is the culmination of the past three years: a grand statement,<br />
the album we dreamed Phosphorescent would make.<br />
Pride was a deeply personal, haunting record that Phosphorescent’s Matthew Houck<br />
recorded on his own, playing all of the instruments himself. 2009’s To Willie (their tribute to<br />
Willie Nelson) featured Houck joined by his bandmates, rambling through the Nelson catalog<br />
with fifths of whiskey and undeniable swagger. So if Pride was built for 5AM and To Willie<br />
sounded just right as last call approached, where does Here’s To Taking It Easy fit?<br />
This is the Phosphorescent record made for any time, any season.<br />
Featuring the current live incarnation of Phosphorescent (Scott Stapleton, piano; Jeff<br />
Bailey, bass; ChrisMarine, drums; Jesse Anderson Ainslie, guitar; Ricky Ray Jackson, pedal<br />
steel),Here’s to Taking It Easy is the new Cosmic American Music. Recorded in the band’s<br />
hometown of Brooklyn with outside mixing assistance from Stuart Sikes (White Stripes, Cat<br />
Power, Loretta Lynn, theWalkmen), this album breathes with life like nothing Phosphorescent<br />
has ever done before. “We’ll Be Here Soon” and “Hej, Me I’m Light” hint at the narcotic haze<br />
of Pride, while anthems like “The Mermaid Parade” and “It’s Hard to Be Humble (When You’re<br />
From Alabama)” sound perfect pumped out of the car stereo with the windows rolled down.<br />
“Heaven, Sittin Down” recalls the country rock of To Willie, while the stark album closer, “Los<br />
Angeles” sounds as if it was lifted from the grooves of Neil Young’s On the Beach. Jam after<br />
jam, Here’s to Taking It Easy brings everything together for Phosphorescent;<br />
a classic that could be from another era, but sounds perfect right here, right now.<br />
IX
<strong>CD</strong>/LP<br />
Tracklist<br />
The Gaudy Side of Town<br />
The Walker<br />
Cry<br />
No Sweat<br />
False Bottom<br />
The Beatdown<br />
Crystal Rope<br />
Spanish Platinum<br />
Faded High*<br />
Ride*<br />
The Last Prom on Earth<br />
<strong>CD</strong>/LP<br />
Tracklist<br />
1. Year’s Not Long<br />
2. All Things This Way<br />
3. Your Contact<br />
4. Weird Feelings<br />
5. Franklin<br />
6. Crooked Scene<br />
7. T.U.F.F.<br />
8. Nothing Remains<br />
9. Nothing Used to Hurt<br />
10. Pirate Key<br />
11. Paradise Vendors<br />
12. Pumpkin<br />
13. Worse to Come (feat. Vivian<br />
Girls)<br />
NYHETER UKE 18 - 2010<br />
GAYNGS<br />
RELAYTED<br />
Jagjaguwar<br />
JAG 165 / JAG 165LP<br />
0656605216522 / 0656605216515<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 10. MAI<br />
When Ryan Olson decided to make a record with Solid Gold members Zack Coulter and Adam Hurlburt,<br />
it was clear to them what the result would be: a collection of drugged-up keyboards and slick bedroom<br />
production almost exclusively inspired by 10cc’s “I’m Not In Love.” What they didn’t know was that it<br />
would spiral into a project of epic proportions, enlisting the talents of over 25 musicians from various<br />
scenes around the country, relocating the base of operations from Olson’s Minneapolis bedroom/studio<br />
to the Wisconsin-based studio April Base, and the genesis of a musical super-family, Gayngs. Olson<br />
began calling upon an eclectic cast of contributors whom he thought would share his vision, and relish in<br />
the idea of exploring uncharted musical territory within them. The first to join the cause were Megafaun<br />
and Ivan Howard of the Rosebuds. Bon Iver’s Justin Vernon and Mike Noyce were soon to follow.<br />
By mid-2009 the studio sessions were becoming more and more frequent, bouncing back and forth<br />
between April Base and Olson’s bedroom. In Minneapolis, Olson brought in Rhymesayers rapper<br />
P.O.S and his fellow Doomtree artist Dessa, psych-rockers Jake Luck and Nick Ryan (Leisure Birds),<br />
song-birds Channy Moon- Casselle and Katy Morley, jazz-saxophonist Michael Lewis (Happy Apple,<br />
Andrew Bird), retro-pop duo Maggie Morrison and Grant Cutler (Lookbook), and slide-guitarist Shön<br />
Troth (Solid Gold). Vocally, Gayngs is a triumph. Zack Coulter (Solid Gold) shines from the jump, floating<br />
over the record with his airy, haunting melodies. Fans of Bon Iver will recognize Vernon’s familiar falsetto,<br />
but will flip when they hear his Bone Thug’s-style R&B, while P.O.S. abandons his genre entirely for a<br />
soul inspired tenor. With over a dozen people contributing vocals, it’s incredible how cohesive the album<br />
sounds. After a year of tracking and mixing, Gayngs is officially ready to release the album, entitled<br />
Relayted.With each song written at 69 BPM’s, and tripped-out transitions from song to song, it is truly<br />
an audio experience from start to finish. SELLING POINTS 1. Gayngs Relayted is the first collaboration<br />
led by Ryan Olson of Minneapolis. Its contributors include Justin Vernon (Bon Iver), Mike Noyce (Bon<br />
Iver), POS (Rhymesayers) as well members of Megafaun and The Rosebuds. 2. Gayngs is planning<br />
a series of release shows with participation from every musician who performed on Relayted.<br />
3. Relayted was recorded and produced at the Vernon brothers’ studio April Base, in Eau Claire,WI.<br />
MALE BONDING<br />
NOTHING HURTS<br />
Sub Pop<br />
SP<strong>CD</strong> 854 / SP 854<br />
0098787085426 / 0098787085419<br />
FORHÅND 10. MAI<br />
Nothing Hurts is the Sub Pop debut and first full-length for Dalston-based trio Male Bonding.<br />
The album was recorded in the fall of 2009 in New York and was mixed and mastered by<br />
Pete Lyman at Infrasonic Sound.<br />
Made up of Robin Silas Christian (drums), John Arthur Webb (guitar & vocals) and Kevin<br />
Hendrick (bass and vocals), and rising from a flourishing DIY scene in their adopted hometown<br />
of Dalston, London, Male Bonding became a very real thing in May, 2008, with their first<br />
show, at an insane house party called “RAGE!” Male Bonding was born raging and it’s been<br />
non-stop ever since. That party evolved in to a split 7” release with PENS on Male Bonding’s<br />
own label Paradise Vendors Inc.<br />
(which sold out in a week).<br />
To date, Male Bonding has dispatched seven releases including a Flipper tribute 7”<br />
(on Domino Records) alongside PPM Allstars, Lovvers and Ponytail.<br />
The band has toured the UK with Brooklyn’s Vivian Girls and played shows with Lovvers,<br />
HEALTH, Fucked Up, Graffiti Island, Mika Miko, These are Powers, NISENNENMONDAI,<br />
Magik Markers, and Finally Punk among others.<br />
X
<strong>CD</strong><br />
Tracklist:<br />
1. Experience the Jewel<br />
2. Encyclopedia<br />
3. Blood Collection<br />
4. New Inheritors<br />
5. Black Camera<br />
6. Trace Decay<br />
7. Mausoleum<br />
8. Echolocation<br />
9. Terrible Man<br />
10. Preservation<br />
11. Mirror Matter<br />
12. Baltic<br />
<strong>CD</strong>/LP<br />
Tracklist<br />
The Happiest Lamb<br />
Millionaire<br />
The River<br />
Snakebite<br />
My Lonely Worry<br />
The Fable<br />
Lightning In A Bottle<br />
Sullivan’s Letter<br />
Bandida<br />
Smoke<br />
Little Sparrow<br />
WINTERSLEEP<br />
NEW INHERITORS<br />
One Four Seven<br />
OFS 013<strong>CD</strong><br />
5051865918752<br />
NYHETER UKE 18 - 2010<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 18. MAI<br />
WINTERSLEEP spent two years touring the world in support of their last album Welcome to the Night<br />
Sky, picking up a Juno Award back home in Canada for Best New Band and playing with the likes of<br />
White Lies, Editors and the Maccabees along the way. Unavoidable on UK radio, whether it was with<br />
storming live favourite, “Oblivion” or the festivalhit-in-waiting “Weighty Ghost”. They did sessions for Zane<br />
Lowe at Radio 1, 6 Music, and XFM with platitudes heaped upon them from the likes of Mojo, Q, NME,<br />
Rock Sound, Clash, The Fly and The Word. Lesser bands would have followed up this success with a<br />
simple rewrite.. if it ain’t broke…instead, Wintersleep have chosen to make some of the most expansive,<br />
dynamic, dark and courageous rock music you’ll hear this year. There’s a lot of time to kill when you play<br />
over 200 shows a year and Wintersleep have used it to their advantage. Quality time spent devouring<br />
work by the likes of Hank Williams, Jorge Luis Borges, Nathanial Hawthorne, Flannery O’Connor and<br />
Karen Dalton, in between understanding the dynamics of sound in a tiny space as well as the power of a<br />
10,000 capacity room. While their lyrics to date have focused on the personal, the songs on New Inheritors<br />
tend towards a bigger worldview. The narrator is a voyeur, commenting on situations rather than being<br />
in the situation itself. Without a doubt, a much more brooding, shadowy record, at times the lyrics verge<br />
on the intentionally indecipherable - check the pre-chorus to “Blood Collection” - suggesting a menacing,<br />
indefinable figure. Moments and memories are alluded to across multiple songs and overarching themes<br />
of alienation and despondency crop up repeatedly. But make no mistake this is not a miserable record,<br />
from album opener, ‘Experience The Jewel’ to the closer ‘Baltic’, New Inheritors is an album of rousing,<br />
inspirational rock songs. Recorded in Montreal and mixed in Glasgow with Tony Doogan (Mogwai,<br />
Malcolm Middleton, Dirty Pretty Things, Teenage Fanclub, The Delgados), Wintersleep’s sound is more<br />
expansive, less distorted and more cerebral. For the first time, the band opted to work with both a brass<br />
and string arranger on some songs, but rather than overpower with swathes of violins and trumpets, they<br />
form a core part of each track rather than an awkward add-on. You may have felt like you had Wintersleep<br />
pegged and pigeonholed but this record will undoubtedly sweep away any misconceptions and win over<br />
a huge new audience. You may have thought you knew exactly what this record would sound like before<br />
you clicked play or dropped a needle. But you definitely will not have been expecting this.<br />
AUDRA MAE<br />
THE HAPPIEST LAMB<br />
SideOneDummy<br />
SD 1416 / SD 1416-1<br />
0603967141627 / 06039671415610<br />
FORHÅND 18. MAI<br />
Since arriving in Los Angeles, AUDRA MAE has landed a publishing deal with Warner<br />
Chappell, a TV placement singing BOB DYLAN’s Forever Young on the FX series Sons of<br />
Anarchy, a record deal with SideOneDummy Records, and in late 2009, co-wrote Who I<br />
Was Born to Be, the only original track on SUSAN BOYLE’s chart-topping, 9 million-selling<br />
I Dreamed a Dream album. It has turned out to be a dream come true for the 25-year-old<br />
singer-songwriter from Oklahoma.<br />
Growing up, show business was in AUDRA MAE’s blood. She is the great grand niece of<br />
the late JUDY GARLAND and her grandmother turned her on to country and folk artists like<br />
PATSY CLINE, DOLLY PARTON and WOODY GUTHRIE, while her grandfather introduced<br />
her to jazz.<br />
AUDRA MAE is a natural without a doubt. The Happiest Lamb, produced by TED HUTT<br />
(THE GASLIGHT ANTHEM) spotlights MAE’s incredible voice and her songs are timeless<br />
affairs augmented with minimal accompaniment, including acoustic guitar, piano, mandolin<br />
and sometimes mournful accordions.<br />
AUDRA will be on the road supporting The Happiest Lamb for the remainder of 2010.<br />
XI
<strong>CD</strong>/LP<br />
Tracklist<br />
1. “Everlasting Lightˇ<br />
2. “Next Girlˇ<br />
3. “Tighten Upˇ<br />
4. “Howlin’ For Youˇ<br />
5. “She’s Long Goneˇ<br />
6. “Black Mudˇ<br />
7. “The Only Oneˇ<br />
8. “Too Afraid To Love Youˇ<br />
9. “Ten Cent Pistolˇ<br />
10. “Sinister Kidˇ<br />
11. “The Go Getterˇ<br />
12. “I’m Not The Oneˇ<br />
13. “Unknown Brotherˇ<br />
14. “Never Gonna Give You Upˇ<br />
15. “These Daysˇ<br />
<strong>CD</strong><br />
Tracklist<br />
1. *<br />
2. I Just Want To Go Home<br />
3. I Am Sick of All This Too<br />
4. I Know This Is No Place For You<br />
5. I Alone Got Up and Left<br />
6. I Know This Is All My Fault<br />
7. I Did Not Call Out<br />
NYHETER UKE 18 - 2010<br />
THE BLACK KEYS<br />
BROTHERS<br />
V2/Cooperative<br />
VVR 737197 / VVR 737199<br />
0602527371979/0602527371993<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 18. MAI<br />
THE BLACK KEYS release their sixth full-length album, entitled “BROTHERSˇ, on 17th<br />
May on V2 / Cooperative Music… Recorded at Alabama’s legendary Muscle Shoals<br />
Sound with additional sessions at Auerbach’s Easy Eye Sound System in Akron and<br />
the Bunker in Brooklyn, the album sees production duties handled by The Black Keys,<br />
along with shared duties between the band, Mark Neill, and their old friend Danger<br />
Mouse, who lends his skilled hands to a new track. Tchad Blake brings his sonic excellence<br />
into the fold to handle mixing duties… Muscle Shoals has produced iconic recordings<br />
from The Rolling Stones, Aretha Franklin, and Wilson Pickett, among many others…<br />
Carney admits Brothers is the album they’ve always wanted to make and taps into their creative<br />
force as a duo. “Dan and I grew up a lot as individuals and musicians prior to making this album.<br />
Our relationship was tested in many ways but at the end of the day, we’re brothers, and I think<br />
these songs reflect that.ˇ The ghosts of Muscle Shoals inhabit Brothers’ 15 tracks. Of the album,<br />
Auerbach says, “We like spooky sounds… like Alice Coltrane, where a dark groove is laid down.<br />
That’s the headspace we tried to get into for this record.ˇ The album includes the Danger Mouseproduced<br />
song “Tighten Upˇ and a cover of the Jerry Butler classic “Never Gonna Give You Up.ˇ<br />
Its been an remarkable couple of years for THE BLACK KEYS… Their last album, 2008’s<br />
“Attack & Releaseˇ, was by far their most successful to date, and the year culminated with<br />
them playing a sell-out show at Brixton Academy in London… Early 09 saw Black Keys<br />
singer/guitarist DAN AUERBACH venture out on his own with a critically-acclaimed solo<br />
album, “Keep It Hidˇ, that covered a variety of musical styles from psychedelia and soul<br />
via gospel and bluegrass. Late 2009 saw the Keys spread their wings further with their<br />
celebrated BLAKROC project, an exhilarating collaboration between themselves and a<br />
star-studded line-up of influential hip-hop artists that included Mos Def, Q-Tip, RZA, Raekwon,<br />
ODB, Pharoahe Monch, Jim Jones, Nicole Wray, NOE and Billy Danze (M.O.P).<br />
HARVEY MILK<br />
A SMALL TURN OF HUMAN KINDNESS<br />
Hydra Head<br />
HH 666206<br />
0634457525627<br />
FORHÅND 18. MAI<br />
Harvey Milk’s “A Small Turn of Human Kindness,” is the difference between watching a movie<br />
like Irreversible vs. watching a movie like Independence Day. Both good films, however the first<br />
stimulates a foreign mixture of emotions that require you to sleep it off, whereas the latter<br />
concludes with you feeling comfortable with the fact that you’re a lazy, wasteful, culturally<br />
sequestered American who has sat through this fucking movie way too many times in his/her<br />
life! So, I think you get the idea, “A Small Turn of Human Kindness,” is as dense and as heavy<br />
temperamentally as it is musically. The seven songs so subtly bleed together that the listener<br />
has no choice, but to view the entire album as a linear orchestration with a singular ebb and<br />
flow. A rising and falling action, refined to hell and back. And so, all of these things lead me to<br />
believe that any and all true Harvey Milk fans will eventually argue this record as the band’s<br />
finest work. Or at least the vinyl version will become the quintessential mantle-piece for a<br />
generation of suburban children slumming it in the inner city you know who you are!<br />
BIO:<br />
Harvey Milk is a sludge/noise rock outfit formed in the early 1990’s from savannah,<br />
Georgia. Harvey Milk disbanded around 1997. Due to increased popularity while the group was<br />
no longer active, the band reformed (around 2008). Hydra Head released the bands first new<br />
record after the hiatus, “Life the Best Game in Town....” “A Small Turn of Human Kindness” is<br />
title of the first track on the band’s first proper release... and their seventh proper full-length<br />
release<br />
XII
<strong>CD</strong>/LP<br />
Tracklist<br />
1. Another Year Again<br />
2. Cut Corners<br />
3. Another Day Again<br />
4. Tell Her What I Said<br />
5. The Quiet One<br />
6. Postcards<br />
7. Whispering Circles<br />
8. Idle Tomorrows<br />
9. Choosing to Fly<br />
10. Violet and Jeffrey Lee<br />
11. Ten More Songs<br />
<strong>CD</strong><br />
Tracklist<br />
1. The Word<br />
2. No Time To Live<br />
3. Don’t Let Me Be Misunderstood<br />
4. All My Love<br />
5. Isn’t It A Pity<br />
6. Wish You Were Here<br />
7. It Don’t Come Easy<br />
8. Maybe I’m Amazed<br />
9. Salt Of The Earth<br />
10. Nights In White Satin<br />
11. Why Does Love Got To Be So<br />
Sad<br />
12. Don’t Let The Sun Go Down On<br />
Me<br />
13. Love Reign O’er Me<br />
NYHETER UKE 18 - 2010<br />
THE SADIES<br />
DARKER CIRCLES<br />
Yep Roc<br />
YEP 2197 / YEP 2197LP<br />
0634457219724 / 0634457219717<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 18. MAI<br />
Darker Circles is the follow-up to THE SADIES’ acclaimed last album Country Club (with JOHN<br />
DOE) and sees guitarist brothers DALLAS and TRAVIS GOOD, drummer MIKE BELITSKY<br />
and bassist SEAN DEAN again pair with legendary JAYHAWK and sought-after producer<br />
GARY LOURIS.<br />
Furthering the focused songwriting and recording aspirations reached on New Seasons,<br />
The Sadies bring their signature blend of country, psychedelic, rock and surf into rifle-scope<br />
focus on Darker Circles, further underscoring their reputations as musicians’ musicians. Always<br />
at the top of the list when discussing musical chops and live intensity, The Sadies are now<br />
more intent than ever on making their mark as songwriters. In one turn as heavy as a sledge,<br />
and on the other flitting across melodies with the ease of so many sparrows,<br />
The Sadies prove once again that denying them now is simply prolonging your conversion.<br />
So go on, pull up that screeching wooden chair that bows with your weight. Slide it up next to<br />
the turntable and drop the needle, The Sadies are a sure thing….tomorrow isn’t.<br />
BETTYE LAVETTE<br />
INTERPRETATIONS: THE GREAT BRITISH SONGBOOK<br />
Anti<br />
EPIT 70292<br />
8714092702927<br />
FORHÅND 25. MAI<br />
BETTYE LAVETTE brings the British Invasion home to its American R&B roots on her latest <strong>CD</strong>, INTERPRETATIONS:<br />
THE BRITISH ROCK SONGBOOK, due May 25 on Anti-. While BETTYE’s Grammy-nominated 2007 disc The Scene<br />
Of The Crime went to the source to find triumph over her own anguish, INTERPRETATIONS looks to the past this<br />
time for inspiration and uncovers common ancestry in seemingly divergent musical paths. Produced by BETTYE, Rob<br />
Mathes and Michael Stevens, the album is a 13-song journey through compositions by the Beatles, Rolling Stones, Led<br />
Zeppelin and Pink Floyd among others, before concluding right where the very idea for INTERPRETATIONS started:<br />
BETTYE’s visceral show-stopping rendition of The Who’s “Love Reign O’er Me” from the 2008 Kennedy Center Honors,<br />
which appears here as a bonus track. That performance – which first brought BETTYE together with Stevens (the<br />
event’s producer) and Mathes (its musical director) – served notice that BETTYE is no mere singer. As an extraordinary<br />
interpreter of song, she doesn’t merely mold a piece of music to suit her tastes; she is a conjurer of deep, emotional<br />
truths: “Bettye LaVette punched a hole right through her version of Pete Townshend’s ‘Love Reign O’er Me,’ letting all<br />
the song’s emotion pour out in a way that its creators never conceived,” observed the New York Daily News. Townshend<br />
himself came up to Bettye after her performance, took her hands into his and said, “You made me weep.” Throughout<br />
INTERPRETATIONS, her performances are a revelation not just of raw emotion, but of the inexorable ties between<br />
British rock ‘n’ roll and the American blues and R&B, which when combined, catalyzed popular music. That Lennon,<br />
McCartney, and so many others who crossed the Atlantic in their wake, were deeply influenced by American music is<br />
no great secret. What BETTYE demonstrates here so convincingly is the degree to which rock ‘n’ roll and American<br />
soul remain bound by bloodlines. The Beatles’ pre-psychedelic Rubber Soul classic “The Word” takes on an almost<br />
religious fervor, while Paul McCartney’s “Maybe I’m Amazed” is transformed from a majestic pop song into a stark,<br />
almost desperate expression of devotion. Profound alienation becomes intense longing on Pink Floyd’s “Wish You<br />
Were Here,” and the wistful naiveté of The Moody Blues’ “Nights in White Satin” matures into a deep and unshakeable<br />
lament. BETTYE inhabits these songs, revitalizes them and exposes the humanity that makes these 13 tracks not just<br />
pop songs, but enduring works of art. Such mastery hardly comes as a surprise to at least one legend featured here.<br />
Elton John (whose “Talking Old Soldiers” appeared on The Scene Of The Crime) offers this endorsement of BETTYE’s<br />
impassioned take on “Don’t Let The Sun Go Down On Me”: “Bettye LaVette has always been a wonderful singer – I<br />
have been a huge fan for many years. To my delight and surprise she recorded an amazing version of ‘Talking Old<br />
Soldiers’ – a song that nobody else has covered – and made it her own. “Now she has recorded ‘Don’t Let the Sun Go<br />
Down on Me’ and has done exactly the same – but this time with a much more familiar song. I am truly touched by her<br />
picking these songs and can only hope that this album brings more attention to this incredible artist.”<br />
XIII
<strong>CD</strong>/LP<br />
Tracklist<br />
Cloudy Shoes<br />
Arkansas<br />
Rachel & Cali<br />
Throwing Your Voice<br />
Wallingford<br />
Pear<br />
Kansas City<br />
Harborview<br />
Kalama<br />
The Falling Snow<br />
Beacon Hill<br />
With Lightning In Your Hands<br />
<strong>CD</strong>/LP<br />
Tracklist:<br />
Fiddle Of Time<br />
Blow Your Winds<br />
Far From The End Of The World<br />
Time To Be King<br />
Lonely Winds Of War<br />
The Dark Road<br />
The Sun Is In Your Hands<br />
The Black One<br />
Blue Europa<br />
Under The Moon<br />
Bonus track on ltd. Edition:<br />
Kisses From You<br />
NYHETER UKE 18 - 2010<br />
DAMIEN JURADO<br />
SAINT BARTLETT<br />
Secretly Canadian<br />
SC 192 / SC 192LP<br />
0656605019222 / 0656605019215<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 25. MAI<br />
Saint Bartlett opens up with a grandiosity yet unheard on a Damien Jurado album. It strips<br />
away the many layers of paint from the house down the street where we know Jurado has<br />
occupied for the last decade. The new coat is exhilarating. It makes the whole neighborhood<br />
shine. It’s a modest grandiosity; still homegrown. The mellotron swells, heavenly handclaps<br />
ring in stereo and big drums create a sky for the songs to fly in. And the words.Words spring<br />
forth from within the volcano of Jurado, full of hope. There’s so much hope, in fact, that<br />
album opener “Cloudy Shoes” turns into a call-and-response with himself, as though it were<br />
a dialogue between two halves of himself. “I wish that I could float up from the ground / I will<br />
never know what that’s like”<br />
Heavy stuff. Richard Swift’s Spector-esque production is spot-on. He ferries Jurado across<br />
the river, where the metamorphosis occurs. He then ferries him back, and it is through Swift’s<br />
lens that we see Jurado not as a folk singer, but as a mystic — somewhere between Van<br />
Morrison, ScottWalker and Wayne Coyne. Saint Bartlett was made entirely at Swift’s National<br />
Freedom studio in Oregon, in just under a week with only Jurado and Swift as the performers.<br />
MASTERPLAN<br />
TIME TO BE KING<br />
AFM<br />
AFM<strong>CD</strong> 234-9 / AFM<strong>CD</strong> 234-2 / AFMLP 234-1<br />
0884860022125 / 0884860022026 / 0884860020015<br />
Ltd. Digi / Jewel Case / Ltd. Vinyl LP<br />
FORHÅND 25. MAI<br />
The kings of the European Melodic Power Metal scene return with their outstanding new<br />
studio album!!! Available as standard <strong>CD</strong>, ltd. digipak & ltd. vinyl<br />
Ltd. digi pak (8-pages) comes with different cover artwork and special golden foil print of the<br />
artwork´s elements With iconic Norwegian powerhouse (and original Masterplan) singer Jorn<br />
Lande back on vocals! High-class song material and amazing vocal performance<br />
“Time To Be King” stylistically continues where the enormously successful debut album<br />
(2003) left off Prior to the album, an EP single called “Far From The End Of The World” will<br />
be released on March 19 th<br />
“Time To Be King” was produced by Roland Grapow mixed and mastered by the<br />
experienced Mikka Karmilla at Finnvox studios, Helsinki Masterplan were founded by<br />
Metal icons Roland Grapow and Uli Kusch (both ex-Helloween) and master singer Jorn Lande<br />
in 2002, to releases their debut in 2003 Singer Jorn Lande is THE singer of today´s Hard Rock<br />
& Metal scene, with his unmistakable style & unmatched expression MASTERPLAN 2010 is<br />
a forged unit of highly-acclaimed international first-class musicians MASTERPLAN received<br />
the “European border breakers award” for best-selling debut album of a German band in 2003<br />
MASTERPLAN have toured with Saxon, Hammerfall, Gamma Ray and played the biggest<br />
festivals, like Wacken Open Air & Bang Your Head<br />
XIV
<strong>CD</strong>/LP<br />
Tracklist<br />
<strong>CD</strong><br />
Tracklist:<br />
1. Prologue/ Phantasmagoria<br />
2. Crypt of Bereavement<br />
3. Curse of the Necromancer<br />
4. Portal to the Unknown<br />
5. Dark Winds<br />
6. A World in Pandemonium<br />
7. Flight of the Minds Eye<br />
8. Apocalyptic Manifestation<br />
9. Prophetic Dreams<br />
10. The Burning Vortex<br />
11. A Black Sphere of Serenity<br />
12. Astral Projection<br />
NYHETER UKE 18 - 2010<br />
DANZIG<br />
DETH RED SABAOTH<br />
AFM<br />
AFM<strong>CD</strong> 335-9 / AFM<strong>CD</strong> 335-2 / AFMLP 335-1<br />
0884860022125 / 0884860022026 / 0884860020015<br />
Ltd. Digi / Jewel Case / Ltd. Vinyl LP<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 25. MAI<br />
Get ready to celebrate a new sort of Sabaoth. GLENN DANZIG -- the man, the myth, the muscles, the<br />
MISFITS mastermind and, of course, the master of many talents, ranging from composer to comic book<br />
publisher -- is ending a six-year dearth of new music.<br />
The album is his ninth and was produced by DANZIG himself. It was recorded in Los Angeles throughout<br />
the course of 2009. The multi-tasking DANZIG handled bass duties for most of the album and even played<br />
drums on the song Black Candy.<br />
Deth Red Sabaoth is 11 songs strong, and some song titles include The Revengeful and On a Wicked Night.<br />
There is also the two-parter called Pyre of Souls; part one is said to be dirgy and opens with an acoustic<br />
guitar, a piano and DANZIG’s signature vocals, while part two erupts with electric guitar fury.<br />
Longtime DANZIG cohorts guitarist TOMMY ViICTOR of PRONG, who has worked with the singer since<br />
1996, and drummer JOHNNY KELLY of TYPE O NEGATIVE/SEVENTH VOID, played on the album, which<br />
marks the first time KELLY -- who has intermittently sat behind the kit for DANZIG live shows since 2002 --<br />
has actually recorded with DANZIG.<br />
The album has a natural feel, thanks to the way the iconic DANZIG attacked the recording process,<br />
choosing to steer clear of studio trickery and technology. “I think that fans will really dig this new album,” said<br />
DANZIG in a statement. “I’ve been told several times that the album has a cool vitality to it, that it sounds<br />
energized, and I got that feeling when I was recording it. I wanted to have an organic sound, bigger and<br />
thicker, so I went out and bought some 1970’s Kustom tuck ‘n’ roll bass amps to play some of the guitar<br />
parts through. You’ll hear real reverb, real tremolo on this album, which sounds completely different than the<br />
stuff that’s done with computer chips.”<br />
From that description, it sounds like Deth Red Sabaoth is going to be beefier than DANZIG’s arms, which<br />
look like they could crush walnuts! The visually-arresting artwork for Deth Red Sabaoth was designed by<br />
award winner JOE CHIODO, who has worked on dozens of graphic novels and comic books, most notably<br />
X-Men Unlimited. It makes total sense, as DANZIG is a noted comic book fan and publisher; CHIODO also<br />
works on DANZIG’s own Verotik publishing line.<br />
DANZIG will tour in support of the album, with dates to be announced imminently. STEVE ZING, who played<br />
in SAMHAIN with DANZIG, will play bass on those dates.<br />
LIMBONIC ART<br />
PHANTASMAGORIA<br />
Candlelight<br />
CANDLE 275<strong>CD</strong><br />
0803341251168<br />
FORHÅND 25. MAI<br />
LIMBONIC ART RETURNS WITH ARGUABLY THEIR PRE-EMINENT OPUS “PHAN-<br />
TASMAGORIA”. A TRUE MASTERPIECE OF WAGNERIAN BLACK METAL ART!<br />
Formed in 1993, LIMBONIC ART for a short time existed as a four-member project. It wasn’t until<br />
inventor DAEMON met up with local musician MORFEUS, however, that the true nucleus and<br />
unconventional concept of the band was found. With the duo thus sorting all areas of what most<br />
would consider a “normal” band relationship, DAEMON and MORFEUS completed a four-track<br />
rehearsal tape that would merely hint at the band’s distinctive take on symphonic Black Metal.<br />
Fastward to 1996 and shortly after hearing the band’s only recorded material; Nocturnal Art<br />
Productions owner SAMOTH (of EMPEROR fame) instantly offered LIMBONIC ART a recording<br />
deal. That autumn the band’s much-revered debut, Moon in the Scorpio, was recorded and later<br />
released. In Abhorrence Dementia (1997), Epitome of Illusions (1998) Ad Noctum/Dynasty of<br />
Death (1999) two collectable box sets (2000 and 2001 respectively, Hammerheart Records) The<br />
Ultimate Death Worship (2002) followed, finding the band further widespread acclaim. Touring,<br />
festival appearances, including their headline (and US debut) at the 2001 Milwaukee Metal Fest,<br />
as well as outside interests (ZYKLON, DIMENSION F3H, etc) kept the duo amassed in creative<br />
outpourings through the early millennium. After 2002s The Ultimate Death Worship, the band broke<br />
up. Since the departure the two members have been active on different fronts, DAEMON with his<br />
black-thrash metal band SARCOMA INC and REVOLT, and MORFEUS with DIMENSION F3H,<br />
both releasing full-length albums. 06.06.06 the two members, DAEMON and MORFEUS, decided<br />
to bring back the dark powerful entity LIMBONIC ART. The comeback album Legacy of Evil was<br />
released worldwide in the fall of 2007 and was a successful return. Now in 2010, LIMBONIC ART<br />
returns as a one piece, only with original member DAEMON, as the one and only song-writer<br />
and craftsman behind the entity. LIMBONIC ART returns with arguably their pre-eminent opus<br />
Phantasmagoria. A true masterpiece of Wagnerian Black Metal art! The Daemonic Era is here,<br />
your ride now awaits!<br />
XV
<strong>CD</strong><br />
Tracklist:<br />
1. The Water Glass<br />
2. Evil New War God<br />
3. Pig House<br />
4. I’ll Finish You Off<br />
5. Electric Flower<br />
6. Hospital Up<br />
7. Inhumanity and Death<br />
8. My Generation<br />
9. PG x 3<br />
<strong>CD</strong><br />
NYHETER UKE 17 - 2010<br />
MELVINS<br />
THE BRIDE SCREAMED MURDER<br />
Ipecac<br />
IPC 112<br />
0689230011224<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 31. MAI<br />
The Bride Screamed Murder is the third release featuring BUZZ OSBORNE, DALE CROVER<br />
and BIG BUSINESS’ COADY WILLIS and JARED WARREN.<br />
While THE MELVINS recently celebrated their twenty-fifth anniversary, the latest incarnation<br />
debuted with the highly praised (A) Senile Animal (2006) and continued with Nude<br />
With Boots (2008).<br />
THE MELVINS did all the good things a band can do and are still relevant after more than<br />
25 years. They keep it exciting by ignoring any set of rules, by their exorbitant ability make the<br />
most beautiful noise ever heard - and by their humour, which is an essential brand mark of<br />
THE MELVINS.<br />
They never compromise or apply for anything - they just do their very own thing in their very<br />
own way. They always keep it challenging for themselves and potential listeners.<br />
VINCE NEIL<br />
TATTOOS & TEQUILA<br />
Frontiers<br />
FR<strong>CD</strong> 463<br />
8024391046326<br />
FORHÅND 7. JUNI<br />
Best known as MÖTLEY CRÜE singer, Vince Neil, is an accomplished solo artist apart from<br />
being a recognized entrepreneur and philanthropist. With two Top 20 Billboard Charts solo<br />
albums released in the nineties, Vince is now back with a new solo album aptly titles “Tattos<br />
and Tequila”.<br />
Co-produced by Vince Neil, Jack Blades (Aerosmith, Ozzy Osbourne, Alice Cooper) and<br />
Marti Frederiksen (Aerosmith, Def Leppard, Buckcherry), the new record is a compilation of<br />
genre defining hits that have been given the Vince Neil rock renewal treatment and is sure<br />
to be an updated rock lifestyle staple. Neil’s refreshed collection of classics consists of nine<br />
hand-picked, influential covers, as well as two new tracks; “Tattoos & Tequila,” which was also<br />
written and produced by Frederiksen and “Another Bad Day,” which was originally written by<br />
Nikki Sixx for Mötley Crüe’s release of New Tattoo in 2000 and just missed the cut.<br />
The song “Tattoos and Tequila” was released as digital single download only on April 16 th<br />
2010 and was serviced to Rock & Metal radios on April 13 th digitally<br />
- “Tattoos and Tequila” videoclip on youtube<br />
http://www.youtube.com/watch?v=3PfWPtAsIF8<br />
XVI
<strong>CD</strong>/LP<br />
Tracklist<br />
Destroyer of the Void<br />
Laughing Lover<br />
Below The Hurricane<br />
The Man Who Would Speak True<br />
Love and Hate<br />
Heaven and Earth<br />
Dragon’s Song<br />
The Tree (feat. Alela Diane)<br />
Evening Star<br />
Lover Leave Me Drowning<br />
The Tailor<br />
Sadie<br />
<strong>CD</strong><br />
Tracklist:<br />
1. Cry For Help<br />
2. High on Hate<br />
3. Nightfall<br />
4. No Funeral<br />
5. Then Fires<br />
6. Addicts<br />
7. The End Is Eternal<br />
8. Blood Trance Fusion<br />
9. Ruined Life Continuum<br />
10. Every Last Drop<br />
NYHETER UKE 18 - 2010<br />
BLITZEN TRAPPER<br />
DESTROYER OF THE VOID<br />
Sub Pop<br />
SP<strong>CD</strong> 825 / SP 825<br />
0098787082524 / 0098787082517<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 7. JUNI<br />
It is fitting that ten seconds into Blitzen Trapper’s fifth full-length record, front man Eric Earley utters that most sacred<br />
of rock ‘n’ roll tropes: “For to love is to leave or to run like a rollin’ stone,” he sings in the harmonized verse that leads<br />
off the album’s epic title track, “Destroyer of the Void.” As is the case with just about every musician or band that<br />
has employed the Blues’ greatest simile—Muddy Waters, Hank Williams, Van Morrison, the Temptations, the Rolling<br />
Stones—Blitzen Trapper is unabashed in its embrace of tradition.<br />
Over the course of their four full-lengths albums to date, including their revelatory 2008 Sub Pop release Furr, the<br />
Portland band has already made that much clear. And, Earley’s considerable poetic talents and his band’s hardearned<br />
chops have gained them a growing international audience. The band’s continuing exploration of American<br />
music that spans from the ‘60s folk movement to the country sounds of the ‘70s, to the pop balladry and prog rock<br />
of the ‘80s has earned it notice ranging from Rolling Stone magazine to late-night network television to Yo Gabba<br />
Gabba, among a great many others. Destroyer of the Void takes Blitzen Trapper one step further, building on the<br />
band’s seamless marriage of the familiar and the fantastic to, literally, create an otherworldly experience.<br />
But there is more to Blitzen Trapper than those traditions. More than anything, the band credits its music to its Pacific<br />
Northwest home. It is there that the six members came together ten years ago and formed a creative cauldron<br />
from which would emerge numerous novels, a locally-celebrated play based on the film Manos: The Hands of Fate,<br />
innumerable art projects and, of course, a flood of fantastical songs. Destroyer of the Void is only the latest work to<br />
emerge from this world, but it is one where their musical community is on full display.<br />
During two distant and brief breaks from the band’s near-incessant touring for Furr—one in January 2009 and the<br />
other in January 2010— Earley and a few of his bandmates entered the attic studio of the lauded Portland musician<br />
and studio engineer who had recorded Furr standouts “Lady on the Water” and “Black River Killer,” Mike Coykendall<br />
(Bright Eyes, M Ward, She & Him). In those two winters, in that old attic, Coykendall worked with Earley to bring life to<br />
these songs, including material the songwriter had been working on for years, most notably the piano ballad “Sadie.”<br />
The producer wasn’t the only local luminary to fill out the album. Preternatural musical siblings Peter Broderick (Horse<br />
Feathers, Efterklang) and Heather Woods Broderick (Efterklang) wrote the album’s string arrangements, while folk<br />
standout Alela Diane lent her angelic vocals to the duet “The Tree.”<br />
The heart of Destroyer of the Void, though, is still found in Earley’s meticulous songwriting. Here he is firmly in storyteller<br />
mode, expanding on the mythical world he created on Furr. That album introduced listeners to a ragged but<br />
beautiful world populated by mysterious killers, anthropomorphic narrators and benevolent women living in watery<br />
ways. Here, those characters are joined by a wandering tailor, a black-eyed lover, a flower-tongued balladeer and,<br />
of course, a host of lost lovers rolling along the road of life to a truly original American soundtrack.<br />
NACHTMYSTIUM<br />
ADDICTS: BLACK MEDDLE PT. II<br />
Candlelight<br />
CANDLE 303<strong>CD</strong><br />
0803341322820<br />
FORHÅND 7. JUNI<br />
ADDICTS: BLACK MEDDLE PT II IS THE GENRE DEFYING BLACKENED POST ROCK<br />
FOLLOW UP TO THE CRITICALLY ACCLAIMED 2008 MASTERPIECE ASSASSINS.<br />
Few bands today embrace their own individualism to ultimately craft something truly unique<br />
and genre defying regardless of the sales potential. Enter the Chicago-based NACHTMYS-<br />
TIUM who embrace the true spirit of individuality and intolerance forming solely as an outlet<br />
to express the dark musical visions and summonings of those involved. This vicious, uncompromising<br />
groups (led by mastermind BLAKE JUDD) much anticipated new full-length offering,<br />
Addicts: Black Meddle Pt. II, is set for a June 7th release. The disc was recorded once<br />
again with SANFORD PARKER (MINSK) at Volume Studios. They have enlisted the talents<br />
of WREST (LEVIATHAN, LURKER OF CHALICE, TWILIGHT) to record all drum tracks as<br />
well as WILL LINDSAY (WOLVES IN THE THRONE ROOM, MIDDIAN) on bass for this new<br />
album, which was hailed by Decibel Magazine as One of the 25 most anticipated albums of<br />
2010. NACHTMYSTIUM kicked off their 2010 touring cycle by joining up with German thrash<br />
legends KREATOR and will be touring the U.S. with EYEHATEGOD this June, so head over<br />
to www.myspace.com/nachtmystium to view their complete touring itinerary. There will also be<br />
a limited edition, double gatefold vinyl featuring the bonus track Macrocosmic and an iTunes<br />
exclusive bonus track featuring Every Last Drop remixed by JAMES PLOTKIN (KHANATE,<br />
PHANTOMSMASHER). Artwork was done by JIMMY HUBBARD and SELDON HUNT and<br />
the album features guest vocals by BRUCE LAMONT (YAKUZA) and guitar solos by RUSS<br />
STRAHAN (PENTAGRAM) and MATT JOHNSON (PHAROH). JUDD further describes his<br />
excitement over this upcoming album: Our love for post rock and industrial (a la MINISTRY,<br />
KILLING JOKE, etc) is even more present this time around. We feel that we made a record that<br />
will continue to push extreme music into uncharted territories. We hope to see you all soon.<br />
XVII
<strong>CD</strong>/LP<br />
Tracklist<br />
Hibernation<br />
Collector<br />
Casual<br />
Surprise<br />
Bottom Feeder<br />
Moon<br />
Old World United<br />
F.F.A.P.<br />
Land of Feeling<br />
Vegetable or Native<br />
Herbie I Love You, Now I Know<br />
<strong>CD</strong>/LP<br />
Tracklist:<br />
1. American Slang<br />
2. Stay Lucky<br />
3. Bring It On<br />
4. The Diamond Church Street Choir<br />
5. The Queen of Lower Chelsea<br />
6. Orphans<br />
7. Boxer<br />
8. Old Haunts<br />
9. The Spirit Of Jazz<br />
10. We Did It When We Were Young<br />
NYHETER UKE 18 - 2010<br />
HERE WE GO MAGIC<br />
PIGEONS<br />
Secretly Canadian<br />
SC 207 / SC 207LP<br />
0656605020723 / 0656605020716<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
FORHÅND 7. JUNI<br />
HereWe Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson,<br />
Michael Bloch, Jennifer Turner, and Peter Hale. They originally came together in New York in<br />
early 2009 through a series of chance encounters, overheard conversations and supernatural<br />
occurrences.<br />
From disparate musical backgrounds, the five found immediate common inspiration in a<br />
collection of unique 4-track recordings created by lead singer Luke Temple. These recordings<br />
were released in February, 2009 as the self-titled HereWe Go Magic (Western Vinyl).<br />
Since this initial spark the band’s creative momentum has been unwavering. Together they have<br />
developed a broad array of musical material and honed an explosive live sound all their own.<br />
They spent much of 2009 on successive North American and European tours with bands such<br />
Department of Eagles, Grizzly Bear, and theWalkmen, before retreating to a house near East<br />
Branch, NY to record their second full length LP.<br />
Pigeons, set for release on Secretly Canadian in late Spring 2010, was produced and recorded<br />
by Here We Go Magic over four months in the late Summer and Fall of 2009. The band plans<br />
extensive touring in conjunction with its release.<br />
THE GASLIGHT ANTHEM<br />
AMERICAN SLANG<br />
SideOneDummy<br />
SD 1418 / SD 1418-1<br />
0603967141825 / 0603967141818<br />
FORHÅND 14. JUNI<br />
The Gaslight Anthem’s third album reveals a remarkably powerful rock ‘n’ roll outfit honed by two years<br />
of nearly non-stop touring. Singer/guitarist Fallon’s passionate lyrical approach has grown more personal<br />
and introspective, his raw throated vocals stronger and more resonant against the band’s pulse-pounding<br />
dynamic force. The album burns with the spirit of soul, the energy of punk, and the artistic ambition of any<br />
hall of famer you’d care to name. AMERICAN SLANG is the battle cry of a great band finding its own voice<br />
and using it to shout to the rooftops and beyond. The Gaslight Anthem hit the road hard in 2008 and never<br />
looked back. After two straight years of touring supporting the release of their break-through album THE<br />
’59 SOUND, the band returned home in November 2009 and took a well-earned month off before getting<br />
back to work. For AMERICAN SLANG The band was determined to be true to their influences while not<br />
being defined by them. Where in the past The Gaslight Anthem may have seemed overly reverential to<br />
its inspirations, the goal here was to stake a claim for the band’s own individuality. “We had to figure out,<br />
what are we doing?” says Fallon. “What do we have to say? What makes us different than everybody<br />
else? So with this one, we worked really hard, to find out what we’re made of.” AMERICAN SLANG turns<br />
up the dial on the band’s love of soul and classic rock, while still flying the flag of its hardcore roots. Songs<br />
such as “Bring It On” and “Orphans” provide the exhilarating answer to Fallon’s musical question, what<br />
if the Rolling Stones played with breakneck energy of Stiff Little Fingers? The stirring title track, with its<br />
mordant acknowledgement of “when it was over/I woke up alone,” served as a kind of songwriting mission<br />
statement for Fallon. Though his lyrics remain populated with finely etched characterizations the overall<br />
focus is more self-directed and concise. “I was hiding a lot of things in imagery before,” Fallon says, “I was<br />
using pictures and distractions to get my point across. This one was more about just telling it how it is.<br />
Being like, ‘Look, I’m gonna let you in on this. This is my world and what I deal with.’” With its astonishing<br />
range and undeniable urgency, AMERICAN SLANG is The Gaslight Anthem laying it all on the line, giving<br />
it all they had to give. Achieving their dreams only served to fuel The Gaslight Anthem’s already limitless<br />
ambition, driving the band to test their mettle as artists and as men. “It gave us the opportunity to get to see<br />
what we were made of,” Fallon says. “Not a lot of people get that. It’s like, do we belong here or is there<br />
somebody better? We’ll see what happens. To us, we did our best and that’s the thing that really matters.”<br />
XVIII
HARDROCK/METAL<br />
ARTIST TITTEL BEST.NR<br />
1349<br />
Absu<br />
All That Remains<br />
Anaal Nathrakh<br />
Aura Noir<br />
Avantasia<br />
Barren Earth<br />
Benea Reach<br />
Bigelf<br />
Blood Tsunami<br />
Burzum<br />
Clutch<br />
<br />
Converge<br />
Darkthrone<br />
Devil’s Blood<br />
Doro<br />
Dødheimsgard<br />
El Caco<br />
Electric Wizard<br />
Emperor<br />
Enslaved<br />
Fear Factory<br />
Galar<br />
Gates Of Slumber<br />
Ghost Of A Thousand<br />
Ihsahn<br />
Illusion Suite<br />
Insomnium<br />
Isis<br />
Jon Oliva’s Pain<br />
Jorn<br />
Katatonia<br />
Keep Of Kalessin<br />
Khold<br />
Krallice<br />
Kylesa<br />
Madder Mortem<br />
Masterplan<br />
Melvins<br />
Mistur<br />
My Dying Bride<br />
Nachtmystium<br />
Neurosis<br />
Obituary<br />
Opeth<br />
Orcustus<br />
Pantheon I<br />
Pelican<br />
Sabaton<br />
She Said Destroy<br />
Shrinebuilder<br />
Sunn O)))<br />
Susperia<br />
Svölk<br />
Taake<br />
Theatre Of Tragedy<br />
Thundra<br />
U.D.O.<br />
Ulver<br />
W.A.SP.<br />
Windir<br />
Wolves In The Throne...<br />
Zeromancer<br />
Clutch<br />
Destruction<br />
Emperor<br />
Enslaved<br />
Revelations Of The Black Flame<br />
Absu (Special Edition)<br />
Overcome<br />
In The Constellation Of The…<br />
Hades Rise<br />
The Metal Opera Pt 1&2<br />
Curse Of The Red River<br />
Alleviat<br />
Cheat The Gallows<br />
Grand Feast For Vultures<br />
Belus<br />
Strange Cousins From The West<br />
Resplendent Grotesque<br />
Axe To Fall<br />
Dark Thrones & Black Flags<br />
The Time Of No Time Evermore<br />
Fear No Evil<br />
Supervillain Outcast<br />
Heat<br />
Witchcult Today<br />
Live Inferno Box<br />
Ruun<br />
Mechanize<br />
Til Alle Heimsens Endar<br />
Hymns Of Blood And Thunder<br />
New Hopes, New Demonstrations<br />
After<br />
Final Hour<br />
Across The Dark<br />
Wavering Radiant<br />
Festival<br />
Dukebox<br />
Night Is The New Day<br />
Armada<br />
Hundre År Gammal<br />
Dimensional Bleedthrough<br />
Static Tensions<br />
Eight Ways<br />
MK II<br />
Nude With Boots<br />
Attende<br />
Bring Me Victory EP<br />
Assassins<br />
Given To The Rising<br />
Darkest Day<br />
Still Life - Special Edition<br />
Orcustus<br />
Worlds I Create<br />
What We All Come To Need<br />
The Art Of War<br />
This City Speaks In Tongues<br />
Shrinebuilder<br />
Monoliths & Dimensions<br />
Attitude<br />
Svölk<br />
Taake<br />
Forever Is The World<br />
Ignored By Fear<br />
Dominator<br />
Shadows Of The Sun<br />
Babylon<br />
Valfar, Ein Windir<br />
Black Cascade<br />
The Death Of Romance<br />
Full Fathom Five<br />
A Savage Symphony<br />
Live At Wacken Open Air 2006<br />
Live In Bergen DVD - Return TO<br />
FantomasMelvinsBigBand Live From London 2006<br />
Gluecifer<br />
Farewell to The Kings Of Rock<br />
Isis<br />
Clearing The Eye<br />
Jackson Michael Never Surrender<br />
Jorn<br />
Live In America<br />
Kaada/Patton<br />
Live<br />
Ministry<br />
Adios…Putas Madres<br />
Nocturno Culto<br />
The Misanthrope<br />
Opeth<br />
The Roundhouse Tapes<br />
Rock Rob<br />
The Voice of Melodic Metal - Live<br />
Smashing Pumpkins If All Goes Wrong<br />
Whitesnake<br />
Live - In The Still Of The Night<br />
Windir<br />
Sognametal-A Windir DVD<br />
CANDLE 284<strong>CD</strong><br />
CANDLE301<strong>CD</strong>SE<br />
10067 <strong>CD</strong><br />
CANDLE 285<strong>CD</strong><br />
<strong>CD</strong>VILEF173<br />
AFM<strong>CD</strong> 150-9<br />
<strong>CD</strong>VILEF 279<br />
TABU028<br />
PAGE 008<strong>CD</strong><br />
CANDLE 249<strong>CD</strong><br />
BYE 001<strong>CD</strong><br />
WM 009<strong>CD</strong><br />
TABU 027<br />
EPIT 70352<br />
<strong>CD</strong>VILEF 237X<br />
VAN 029<strong>CD</strong>B<br />
AFM<strong>CD</strong> 233-9<br />
FOG<strong>CD</strong>037<br />
BLN<strong>CD</strong> 014<br />
RISE<strong>CD</strong>100<br />
CANDLE 272BOX<br />
TABU022<br />
AFM<strong>CD</strong> 307-9<br />
KAR 055<br />
RISE<strong>CD</strong> 119<br />
EPIT 70152<br />
CANDLE288<strong>CD</strong>SE<br />
LMP 0908109<br />
CANDLE256<strong>CD</strong>SE<br />
CORE 078<br />
AFM<strong>CD</strong> 288-9<br />
AMF<strong>CD</strong> 211-2<br />
<strong>CD</strong>VILEF 271X<br />
TABU019<br />
TABU029<br />
PFL 052<strong>CD</strong><br />
10071 <strong>CD</strong><br />
<strong>CD</strong>VILEF 246<br />
AFM<strong>CD</strong> 148-2<br />
IPC105<br />
MIR 001<br />
<strong>CD</strong>VILES 270<br />
CANDLE217<strong>CD</strong><br />
NR050<br />
CANDLE232<strong>CD</strong>SE<br />
<strong>CD</strong>VILED 183X<br />
LORD 102<br />
CANDLE 228<strong>CD</strong><br />
LORD 110<br />
BLOD055<strong>CD</strong><br />
TABU 030<br />
NR 070<br />
SUNN 100<br />
CANDLE 277<strong>CD</strong><br />
SVOLK 01<br />
KAR 043<br />
AFM<strong>CD</strong> 212-9<br />
EP 024<br />
AFM<strong>CD</strong> 258-9<br />
TRICK041<strong>CD</strong><br />
DEM<strong>CD</strong> 165<br />
TABU006<br />
LORD 103<br />
TRI 385<br />
DVD<br />
ARTIST TITTEL BEST.NR<br />
NYHETER UKE 18 - 2010 SJEKKLISTE<br />
WM 002DVD<br />
AFMDCS 232-7<br />
CANDLE 231DVD<br />
TABU014<br />
IPC102DVD<br />
MIG 011<br />
IPC80DVD<br />
SGDVD 028<br />
FRDVD 020<br />
IPC96DVD<br />
THPDVD 012<br />
DVDVILE7<br />
DVDVILE 11<br />
AFMDCS 252-7<br />
CHS 10036<br />
CHS10033<br />
TABU011<br />
POP/ROCK & DIVERSE<br />
ARTIST TITTEL BEST.NR<br />
Airbag<br />
Identity<br />
KAR 046<br />
Antony & the Johnsons Antony & the Johnsons<br />
SC104<br />
Balkan Beat Box<br />
Black Eyed Blue Boy<br />
CRAW 55<br />
Band Of Horses<br />
Cease To Begin<br />
SP<strong>CD</strong>745<br />
Beach House<br />
Teen Dream<br />
BELLA<strong>CD</strong> 225<br />
Besnard Lakes<br />
Are The Roaring Night<br />
JAG 126<br />
Black Rebel Motorcycle Club Beat The Devil’s Tattoo<br />
VVR 733267<br />
Blakroc<br />
Blakroc<br />
VVR 725582<br />
Brun Ane<br />
Live At Stockholm Concert Hall DEM<strong>CD</strong>DVD 01<br />
Built To Spill<br />
There Is No Enemy<br />
ATPR<strong>CD</strong> 37<br />
Cassidy,Eva<br />
Somewhere<br />
G210190<br />
Chesnutt Vic<br />
At The Cut<br />
CST 60<br />
Diverse Artister<br />
Oslo 2<br />
STA<strong>CD</strong> 013<br />
Dropkick Murphys<br />
Live On Landsdowne, Boston, MA COOK<strong>CD</strong> 518<br />
Dum Dum Girls<br />
I Will Be<br />
SP<strong>CD</strong> 840<br />
Eels<br />
End Times<br />
VVR 728642<br />
Felice Brothers<br />
Yonder Is The Clock<br />
TL 39<br />
Fever Ray<br />
Fever Ray Deluxe Edition RABID 039X<br />
First Aid Kit<br />
The Big Black And The Blue WEBB 222<strong>CD</strong><br />
Fleet Foxes<br />
Fleet Foxes/Sun Giant<br />
BELLA2<strong>CD</strong> 167<br />
Flight Of The Conchords I Told You I Was Freaky<br />
SP<strong>CD</strong> 800<br />
Flooging Molly<br />
Live At The Greek Theatre SD 1413<br />
Fuck Buttons<br />
Tarot Sport<br />
ATPR<strong>CD</strong> 35<br />
Grand Island<br />
Songs From Ôstra Knoll 1:22 SAL 001<strong>CD</strong><br />
Happy Birthday<br />
Happy Birthday<br />
SP<strong>CD</strong> 850<br />
Hayseed Dixie<br />
Killer Grass<br />
COOK<strong>CD</strong> 515<br />
Hägglund Anne Lene Bird Cherry Grove<br />
SWA 001<strong>CD</strong><br />
Henry Joe<br />
Blood From Stars<br />
EPIT 70262<br />
[ingenting]<br />
Tomhet, Idel Tomhet<br />
LAB 123<br />
Iron & Wine<br />
Around The Well<br />
SP<strong>CD</strong> 808<br />
Japandroids<br />
Post-Nothing<br />
PRC 184-2<br />
Karijord Rebekka<br />
The Noble Art Of Letting… LFR<strong>CD</strong> 01<br />
Knife<br />
Tomorrow In A Year<br />
RABID 044<br />
Low Anthem<br />
Oh My God, Charlie Darwin BELLA<strong>CD</strong> 202<br />
Magnolia Electric Co. Josephine<br />
SC 185<br />
Mariachi El Bronx<br />
El Bronx<br />
WEBB 219<strong>CD</strong><br />
McRae Tom<br />
The Alphabet Of Hurricanes COOK<strong>CD</strong> 514<br />
Midlake<br />
The Courage Of Others<br />
BELLA<strong>CD</strong> 224<br />
Monzano<br />
By This Time Last Year… STA<strong>CD</strong> 014<br />
Moto Boy<br />
Lost In The Call<br />
SIWIHW 020<br />
Mumford & Sons<br />
Sigh No More<br />
VVR 720037<br />
Oberst Conor<br />
Outer South<br />
WEBB 212<strong>CD</strong><br />
Ocean Colour Scene<br />
Saturday<br />
COOK<strong>CD</strong> 511<br />
Of Montreal<br />
Skeletal Lamping<br />
PRC 160<br />
Okkervil River<br />
The Stand Ins<br />
JAG 124<br />
Olsen Egil<br />
Nothing Like The Love I Have For UIREC 006<br />
Phoenix<br />
You<br />
VVR 721723<br />
Port O’Brien<br />
Wolfgang Amadeus Phoenix DeluxeSLANG<br />
714172<br />
Prodigy<br />
Threadbare<br />
HOSP<strong>CD</strong> 001S<br />
Retribution Gospel Choir Invaders Must Die Special Edition SP<strong>CD</strong> 856<br />
Regan Fionn<br />
2<br />
HVNLP 75<strong>CD</strong><br />
Richmond Fontaine<br />
The Shadow Of An Empire DECOR 016<strong>CD</strong><br />
Rubik<br />
We Used To Think The Freeway… FS 130<br />
Skambankt<br />
Dada Bandits<br />
DOG 008<br />
Spoon<br />
Hardt Regn<br />
EPIT 70502<br />
Staff Benda Bilili<br />
Transference<br />
CRAW 51<br />
Swell Season<br />
Trés Trés Fort<br />
EPIT 70522<br />
Thee Silver Mt. Zion Memorial Strict Joy<br />
CST 63X<br />
Orc.<br />
Kollaps Tradixionales<br />
WOIO<strong>CD</strong> 001<br />
Tingsek<br />
Restless Soul<br />
US 002<br />
Ungdomskulen<br />
Bisexual<br />
BELLA<strong>CD</strong> 220<br />
Veirs Laura<br />
July Flame<br />
JAG 156<br />
Volcano Choir<br />
Unmap<br />
VVR 723066<br />
Wainwright Martha<br />
Sans Fusils, Ni Souliers, A Paris EPIT 70532<br />
Converge<br />
Darkthrone<br />
Do Make Say Think<br />
Eagles Of Death Metal<br />
Fear Factory<br />
Flight Of The Conchords<br />
Grand Island<br />
Isis<br />
Lewis Jerry Lee<br />
Nirvana<br />
Retribution Gospel Choir<br />
Rumble In Rhodos<br />
Shrinebuilder<br />
Sunn O)))<br />
Thee Silver Mt. Zion...<br />
Waits Tom<br />
W.A.S.P.<br />
VINYL<br />
ARTIST TITTEL BEST.NR<br />
Axe To Fall<br />
Circle The Wagons<br />
The Other Truths<br />
Heart On + 7”<br />
Mechanize<br />
I Told You I Was Freaky<br />
Songs From Ôstra Knoll 1:22<br />
Wavering Radiant<br />
Live At The Star Club...<br />
Bleach - 20th Anniversary<br />
2<br />
Intentions<br />
Shrinebuilder<br />
Monoliths & Dimensions<br />
Kollaps Tradixionales<br />
Glitter & Doom - Live<br />
Babylon<br />
<strong>Tuba</strong> Records AS - Karl Johansgt. 6 - 0154 Oslo - Norway<br />
Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com<br />
DWI 98<br />
VILELP 276<br />
CST 62LP<br />
IPC 111LP<br />
AFMLP 307-1<br />
SP 800<br />
SAL 001LP<br />
CORE 078DBLLP<br />
BAF 18006<br />
SP 834<br />
SP 856<br />
BLNLP 012<br />
NR 070V<br />
SUNN 100LP<br />
CST 63LP<br />
EPIT 70531<br />
DEMLP 165<br />
DCLXVI