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A Context for Bela Bartok on the Eve of World War II: The Violin ...

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28 Schneider Bart6k's <strong>Violin</strong> C<strong>on</strong>certo<br />

A member <strong>of</strong> Universal Editi<strong>on</strong>'s Vienna <strong>of</strong>fice c<strong>on</strong>tinued in<br />

more c<strong>on</strong>ciliatory, but no less chilling terms:<br />

We know your positi<strong>on</strong> in <strong>the</strong>se matters and it is far from our intenti<strong>on</strong><br />

to ask you <strong>on</strong> purely business grounds to take a positi<strong>on</strong> that<br />

you might absolutely not accept. <strong>The</strong> new German terminology is<br />

not c<strong>on</strong>cerned with whe<strong>the</strong>r <strong>on</strong>e is Aryan (which is not at all to be<br />

found in Hungary), but above all, whe<strong>the</strong>r or not he is <strong>of</strong> Jewish origin.<br />

Several <strong>of</strong> our composers were inclined, in order to facilitate fur<strong>the</strong>r<br />

per<str<strong>on</strong>g>for</str<strong>on</strong>g>mances in Germany, to provide this type <strong>of</strong> pro<strong>of</strong> in which<br />

<strong>the</strong>y supplied copies <strong>of</strong> <strong>the</strong>ir baptismal certificates and <strong>the</strong> marriage<br />

certificates <strong>of</strong> <strong>the</strong>ir parents and grandparents. We give <strong>the</strong>se facts to<br />

you without any commentary and c<strong>on</strong>sider ourselves to be obliged<br />

<strong>on</strong>ly to notify you and we must leave it to your own judgement<br />

whe<strong>the</strong>r or not you will provide us with <strong>the</strong> necessary papers <str<strong>on</strong>g>for</str<strong>on</strong>g> <str<strong>on</strong>g>for</str<strong>on</strong>g>warding<br />

to Berlin.12<br />

As <strong>the</strong> t<strong>on</strong>e <strong>of</strong> <strong>the</strong> letter from Universal's Vienna <strong>of</strong>fice anticipates,<br />

<str<strong>on</strong>g>Bartok</str<strong>on</strong>g> had no intenti<strong>on</strong> <strong>of</strong> complying with <strong>the</strong>ir<br />

request. In his words: "I would not dream <strong>of</strong> sending certificates<br />

<strong>of</strong> baptism to Germany even if I had <strong>the</strong>m at hand." 13<br />

<str<strong>on</strong>g>Bartok</str<strong>on</strong>g>'s refusal to cooperate with his publisher in <strong>the</strong> face<br />

<strong>of</strong> German pressure, a stance he would take again in 1938,<br />

shows that when <str<strong>on</strong>g>Bartok</str<strong>on</strong>g> clearly saw himself being asked to<br />

make a moral compromise, he was indeed willing to take a<br />

stand.14<br />

In many <strong>of</strong> <str<strong>on</strong>g>Bartok</str<strong>on</strong>g>'s dealings with German organizati<strong>on</strong>s<br />

in <strong>the</strong> some half-dozen years be<str<strong>on</strong>g>for</str<strong>on</strong>g>e <strong>the</strong> Anschluss,<br />

however, <strong>the</strong> choices between moral rights and wr<strong>on</strong>gs<br />

were not so clearly articulated. As a n<strong>on</strong>-Jewish citizen <strong>of</strong> a<br />

country <strong>of</strong>ficially friendly to Germany, <str<strong>on</strong>g>Bartok</str<strong>on</strong>g>'s lack <strong>of</strong><br />

11. Documenta Bart6kiana 3, ed. Denijs Dille (Budapest: Akademiai Kiado,<br />

1968),170. Original in German, all translati<strong>on</strong>s are my own unless o<strong>the</strong>rwise<br />

specified.<br />

12. Ibid.<br />

13. Quoted in Kroo, A Guide to Bart6k, 174.<br />

14. For documentati<strong>on</strong> <strong>of</strong> Bart6k's 1938 refusat see his letter to Mrs.<br />

Muller-Widmann, 13 April 1938, in <str<strong>on</strong>g>Bela</str<strong>on</strong>g> Bart6k Letters, ed. Janos Demeny,<br />

trans. Peter Balaban and Istvan Farkas (L<strong>on</strong>d<strong>on</strong>: Faber and Faber, 1971),<br />

267.

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