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Mosaics of Hagia Sophia, Istanbul: The Fossati Restoration and the Work of the Byzantine Institute Natalia B. Teteriatnikov Dumbarton Oaks Research Library and Collection Washington, D.C.
© 1998 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Cover illustration Detail, lunette mosaic in the south vestibule of Hagia Sophia, 10th century. The emperor Justinian holding a representation of Hagia Sophia (photo: Byzantine Institute, ca. 1940) ISBN 0–88402–264–1
Page 1: Mosaics of Hagia Sophia, Istanbul:
Page 5 and 6: Acknowledgments The catalogue and e
Page 7 and 8: Thomas Whittemore (photo: Maurice S
Page 9 and 10: mately, the Fossatis’ studies wou
Page 11: 7 5 6 (above) General view of Hagia
Page 14 and 15: 9 10 (right) Inner narthex, looking
Page 16 and 17: 13 Detail, the dome Each rib of the
Page 18 and 19: Aya Sofia reveal a radical change i
Page 20 and 21: 16 20 Detail, south vestibule, lune
Page 22 and 23: 19 22 Central nave after the Fossat
Page 24 and 25: 21 24 Fossati patterns in the apse
Page 26 and 27: 23 24 Lunette and barrel vault over
Page 28 and 29: Diagram of the mosaics in the south
Page 30 and 31: 30 28 North tympanum, lunette, St.
Page 32 and 33: 30 sion Hagia Sophia was closed for
Page 34 and 35: on the conservation of the mosaics,
Page 36 and 37: Besides data on conservation, the d
Page 38 and 39: during the search for the figural p
Page 40 and 41: 36 Apse conch and bema vault The ce
Page 42 and 43: 39 South gallery, testing of the mo
Page 44 and 45: tached tesserae were reset by gluin
Page 46 and 47: 48 Gridding the apse mosaic During
Page 48 and 49: 50 48 Central nave, looking east To
Page 50 and 51: 50 52 53 South gallery, Emperor Joh
Page 52 and 53:
52 55 56 South gallery, the Deesis
Page 54 and 55:
54 58 59 The Deesis The panel repre
Page 56 and 57:
61 bed, had a more detailed paintin
Page 58 and 59:
63 Conservator’s notebook entry I
Page 60 and 61:
In the central lunette in the inner
Page 64 and 65:
67 Central nave in the morning, loo
Page 66 and 67:
The first step in making copies was
Page 68 and 69:
apse and three letters from the ins
Page 71:
Plate 2 Tracing of a Latin cross Gr
Page 75:
Plate 4 Reproduction of St. Ignatio
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