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body and health in yoga, Ayurveda, and Tantra

body and health in yoga, Ayurveda, and Tantra

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ody <strong>and</strong> philosophies of heal<strong>in</strong>g 27<br />

A rich conception of the person is the G¯ıtā’s depiction of the <strong>body</strong> as<br />

a ‘field,’ <strong>and</strong> the one who knows this, “the knower of the field” [BhG 13.<br />

1–3]. Koller describes this image as:<br />

. . . a field of <strong>in</strong>teract<strong>in</strong>g energies of different k<strong>in</strong>ds <strong>and</strong> <strong>in</strong>tensities, a field<br />

which is simultaneously <strong>in</strong>teract<strong>in</strong>g with <strong>in</strong>numerable other fields. The<br />

<strong>body</strong>-m<strong>in</strong>d is a juncture or constellation of these <strong>in</strong>teractions, born <strong>and</strong><br />

reborn out of successively <strong>in</strong>teract<strong>in</strong>g energy-fields. 43<br />

Vedānta’s Model of ‘The Three Bodies’<br />

Ved¯anta provides an important account of the person <strong>in</strong> Ía˙nkara’s presentation<br />

of the three bodies <strong>in</strong> the Viveka-cūÓdamaÓni, “The Crest-Jewel of<br />

Discrim<strong>in</strong>ation” (eighth century c.e.). This doctr<strong>in</strong>e of the three bodies is<br />

alluded to <strong>in</strong> the Maitri UpaniÓsad [Mait. Up. 6:10]. Wimal Dissanayake<br />

gives the follow<strong>in</strong>g explanation of the three bodies. The gross <strong>body</strong><br />

(sthūla ´sar¯ıra) is the physical <strong>body</strong> that we erroneously th<strong>in</strong>k is the Self.<br />

This misidentification results <strong>in</strong> part from our preoccupation with experiences<br />

of pleasure <strong>and</strong> pa<strong>in</strong> as a result of contact with gross objects. The<br />

subtle <strong>body</strong> (sūkÓsma ´sar¯ıra), mentioned <strong>in</strong> Maitri UpaniÓsad 6:10, can be<br />

understood <strong>in</strong> terms of dream consciousness. The contents of dream consciousness<br />

are subtle elements (tanmātras), which lack material properties,<br />

yet are able to <strong>in</strong>fluence personality <strong>and</strong> wak<strong>in</strong>g consciousness. The<br />

gross <strong>body</strong> is unable to underst<strong>and</strong> the subtle forces of the tanmātras, but<br />

the subtle <strong>body</strong> can, because it is of the same nature. Thus the subtle <strong>body</strong><br />

is responsible for the phenomenon of be<strong>in</strong>g at once a participant <strong>in</strong>, <strong>and</strong> a<br />

witness to, one’s dream experience. The causal or karmic <strong>body</strong> (kāraÓna<br />

´sar¯ıra) is the most complex of the three bodies. It conta<strong>in</strong> the saÓmskāras<br />

or impressions of experience, which result from one’s past actions. The<br />

pr<strong>in</strong>ciple of karma holds that all actions arise accord<strong>in</strong>g to past conduct,<br />

<strong>and</strong> that all actions have effects <strong>in</strong> both the life of the person who acts,<br />

<strong>and</strong> <strong>in</strong> the world. Therefore, the causal <strong>body</strong> conta<strong>in</strong>s the possibilities of<br />

how a person’s particular life experiences will manifest. 44<br />

Yoga’s Use of the Body to Transcend Itself<br />

In Patañjali’s classical Yoga, the <strong>body</strong> is the ground of action that can lead<br />

to or obstruct liberation. Religious therapeutics <strong>in</strong> classical Yoga operate<br />

from a concept of the person as hav<strong>in</strong>g a psychophysical <strong>and</strong> a spiritual dimension.<br />

Each of these dimensions is subject to heal<strong>in</strong>g; <strong>in</strong> short, to overcom<strong>in</strong>g<br />

problems that restrict well-be<strong>in</strong>g <strong>and</strong> vitality, produce suffer<strong>in</strong>g,<br />

<strong>and</strong> <strong>in</strong>terfere with the prevail<strong>in</strong>g of the person’s true nature. In classical

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