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Love and Lament - Other Press

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PETER MATTEI<br />

THE DEEP WHATSIS<br />

Meet Eric Nye: hipster, player, philosopher, drunk, sociopath.<br />

Eric is a ruthless <strong>and</strong> talented young Chief Idea Officer at a<br />

New York City–based ad agency, in charge of downsizing his<br />

department, which entails firing dozens of longtime employ-<br />

ees before their pensions kick in. In his free time, he guzzles<br />

bottles of the finest Sancerre, balances a hodgepodge of<br />

prescription pills, obsesses over his lavish furnishings, <strong>and</strong><br />

chases women.<br />

And then one day he meets Intern, who’s name he can’t<br />

remember—it might be Megan or Caitlin or Sari—at a bar in<br />

Bushwick. After a few drunken sexual encounters with her, he<br />

loses his appetite for food—<strong>and</strong> seems to be losing his mind<br />

too. Is she in love with him, or is she stalking him just to make<br />

trouble? Will she be the cause of his nervous breakdown, or<br />

the cure for his sociopathic tendencies?<br />

A timely meditation on the inherent absurdity of corpo-<br />

ratism <strong>and</strong> our ubiquitous culture of br<strong>and</strong>ing, The Deep<br />

Whatsis follows a brilliant anti-hero’s quest for contemporary<br />

self-identity, with echoes of American Psycho, Cosmopolis,<br />

<strong>and</strong> Fight Club. It’s a gripping <strong>and</strong> hilarious satire of hipsters,<br />

consumerism, contemporary art—<strong>and</strong> anything else that<br />

crosses the narrator’s path—about a lost soul navigating a<br />

toxic corporate world <strong>and</strong>, against all odds, stumbling toward<br />

redemption.<br />

PETER MATTEI is a writer <strong>and</strong> director<br />

working in both theater <strong>and</strong> film, <strong>and</strong><br />

has written pilots for HBO <strong>and</strong> other net-<br />

works. <strong>Love</strong> in the Time of Money was<br />

his first feature film, which he wrote <strong>and</strong><br />

directed. The script was developed at<br />

the Sundance Filmmakers Lab in 1998,<br />

<strong>and</strong> was inspired by Arthur Schnitzler’s<br />

play La Ronde. He lives in Brooklyn.<br />

FALL 2013<br />

Pages: 250 approx.<br />

Rights: World<br />

FICTION<br />

Agent: 3 Arts Entertainment, Richard Abate<br />

(rabate@3arts.com)<br />

OTHER PRESS • 7

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