Love and Lament - Other Press
Love and Lament - Other Press
Love and Lament - Other Press
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OTHER PRESS/RIGHTS GUIDE<br />
<strong>Love</strong> <strong>and</strong> <strong>Lament</strong><br />
a novel<br />
JOHN MILLIKEN THOMPSON
OTHER PRESS<br />
INTERNATIONAL RIGHTS GUIDE<br />
MISSION STATEMENT<br />
OTHER PRESS publishes literature from<br />
America <strong>and</strong> around the world that repre-<br />
sents writing at its best. We feel that the<br />
art of storytelling has become paramount<br />
today in challenging readers to see <strong>and</strong><br />
think differently. We know that good<br />
stories are rare to come by: they should<br />
retain the emotional charge of the best<br />
classics while speaking to us about what<br />
matters at present, without complacency<br />
or self-indulgence. Our list is tailored <strong>and</strong><br />
selective, <strong>and</strong> includes everything from<br />
top-shelf literary fiction to cutting-edge<br />
nonfiction—whether it’s political, social,<br />
or cultural—as well as a small collection<br />
of groundbreaking professional titles.<br />
Judith Gurewich<br />
Publisher<br />
OTHER PRESS
JULIAN BORGER<br />
IN PURSUIT OF MONSTERS<br />
Fifty years after the Nuremberg trials, the worst genocidal<br />
atrocities in Europe since World War II took place during the<br />
Balkan Wars, when thous<strong>and</strong>s of Bosnian minorities were<br />
massacred. The International Criminal Tribunal for the former<br />
Yugoslavia (ICTY) was formed in 1993, at the height of the<br />
wars, to bring justice to those who committed crimes against<br />
humanity, <strong>and</strong> created a list of 161 war criminals.<br />
Initially the ICTY was controversial, underfunded, <strong>and</strong><br />
largely unrecognized—the major powers wanted to obtain<br />
justice, yet no one was willing to get their h<strong>and</strong>s dirty.<br />
Eventually, because of the relentlessness of the prosecutors,<br />
diplomats, <strong>and</strong> investigators of the ICTY, they received support<br />
from the British government, <strong>and</strong> a team of SAS agents was<br />
dispatched into the Balkans, on a manhunt that would last for<br />
more than a decade.<br />
Grippingly reconstructed by The Guardian’s diplomatic<br />
editor, Julian Borger, In Pursuit of Monsters investigates the<br />
heroes, villains, <strong>and</strong> wider international repercussions of the<br />
Bosnian genocide <strong>and</strong> its aftermath—from war criminals who<br />
perfectly embody the banality of evil, to determined ICTY<br />
investigators working on a shoestring budget, to politicians <strong>and</strong><br />
diplomats who radically changed their own foreign policies.<br />
JULIAN BORGER was born in London<br />
in 1961. He is The Guardian’s diplomatic<br />
editor <strong>and</strong> writes its Global Security<br />
blog. He has covered more than a dozen<br />
wars, including the Bosnian conflict,<br />
while living in Sarajevo from 1994 to<br />
1997. He joined The Guardian in 1993<br />
from the BBC, after several years as a<br />
radio <strong>and</strong> television reporter in Africa,<br />
<strong>and</strong> has been a US correspondent for<br />
The Guardian since 1998.<br />
FALL 2014<br />
Pages: 300 approx.<br />
Rights: World<br />
NONFICTION<br />
Agent: The Wylie Agency, Sarah Chalfant<br />
(schalfant@wylieagency.co.uk)<br />
OTHER PRESS • 2
ELIZABETH COHEN<br />
THE HYPOTHETICAL GIRL<br />
What happens when an aspiring actress meets an Icel<strong>and</strong>ic<br />
yak farmer on a matchmaking website? Or when an online<br />
forum for cancer support turns into a love triangle between<br />
an English professor, a Canadian fisherman, <strong>and</strong> a teacher<br />
living in Japan?<br />
The characters in this short-story collection, The Hypo-<br />
thetical Girl, are ordinary, dissatisfied, <strong>and</strong> desperate to fall in<br />
love. They meet on the Internet under fictitious personas, flirt<br />
through e-mails <strong>and</strong> text messages while restlessly engag-<br />
ing in the age-old dilemma of finding a suitable lover. These<br />
stories capture the humor <strong>and</strong> horror of Internet dating, with<br />
all if its posturing, deceptions, <strong>and</strong> complications. In “The<br />
Man Who Made Whirligigs,” Whimsy999 <strong>and</strong> Vivacious002<br />
exchange flirtatious online banter, <strong>and</strong> despite their obvious<br />
differences—he’s an older Jewish man who makes <strong>and</strong> sells<br />
whirligigs; she’s a Latina hairdresser—they plan to meet for<br />
lunch at a local farmers’ market in New Mexico. Their meeting<br />
unfolds with the anticipation, mystery, <strong>and</strong> stupor of a magic<br />
show or, well, a blind date.<br />
The Hypothetical Girl is a convincing, hilarious, <strong>and</strong> heart-<br />
breaking reconfiguration of Pride <strong>and</strong> Prejudice for the age of<br />
online dating <strong>and</strong> text messaging.<br />
ELIZABETH COHEN is writer-in-residence at Western Con-<br />
necticut State University’s MFA writing program <strong>and</strong> an as-<br />
sistant professor of English at Plattsburgh State University.<br />
Her memoir, The Family on Beartown Road (R<strong>and</strong>om House,<br />
2003), was a New York Times Notable Book, <strong>and</strong> her articles,<br />
stories, <strong>and</strong> poetry have appeared in Newsweek, People, New<br />
York Times Magazine, Salon, Tablet, <strong>and</strong> the Yale Review. She<br />
lives in upstate New York with her daughter, Ava.<br />
PRAISE FOR THE HYPOTHETICAL GIRL<br />
“Beautiful, funny, <strong>and</strong> heartbreaking,<br />
Cohen’s stories tackle love <strong>and</strong> all its<br />
discontents in a way you’ve never<br />
experienced before.”<br />
—Caroline Leavitt, New York Times<br />
best-selling author of Pictures of You<br />
PRAISE FOR THE FAMILY ON<br />
BEARTOWN ROAD<br />
“Frank, funny … courageous.”<br />
—New York Times Book Review<br />
“The adventure <strong>and</strong> peril of everyday living<br />
captured in language that’s light, beautiful,<br />
<strong>and</strong> razor-sharp.”<br />
—Kirkus Reviews (starred review)<br />
RIGHTS SOLD TO THE FAMILY ON<br />
BEARTOWN ROAD<br />
UNITED KINGDOM: Ebury <strong>Press</strong><br />
FALL 2013<br />
Pages: 208 approx<br />
Rights: World<br />
FICTION<br />
OTHER PRESS • 3
VINCENT CRAPANZANO<br />
RECAPITULATIONS<br />
How do we remember? Is the act of remembering related<br />
to the creation of a responsive self? How do our memories<br />
resonate with everyday experience? In Recapitulations, author<br />
<strong>and</strong> distinguished professor Vincent Crapanzano attempts to<br />
answer these questions by reflecting on his personal experi-<br />
ences as an anthropologist, literary theorist, <strong>and</strong> critic.<br />
At once an autobiography <strong>and</strong> an ethnographic study,<br />
this book brilliantly explores the author’s life—from his earli-<br />
est memories to thoughts about death—through seemingly<br />
disparate recollections drawn from his wide range of experi-<br />
ences. Crapanzano uses these recollections as a way of ques-<br />
tioning our cultural <strong>and</strong> psychological assumptions, <strong>and</strong> in<br />
the process, calls attention to the limits they impose on our<br />
self-underst<strong>and</strong>ing, imagination, <strong>and</strong> interpretations of reality.<br />
Like Claude Lévi-Strauss’s Tristes Tropiques <strong>and</strong> C. G. Jung’s<br />
Memories, Dreams, Reflections, this unique memoir is a beau-<br />
tifully written guide to the hidden realms of personal memory<br />
<strong>and</strong> experience.<br />
VINCENT CRAPANZANO is an author <strong>and</strong> Distinguished<br />
Professor of Comparative Literature <strong>and</strong> Anthropology at the<br />
CUNY Graduate Center. He has published articles in major<br />
periodicals <strong>and</strong> academic journals, such as The American An-<br />
thropologist, Les Temps Modernes, Yale Review of Literature,<br />
The New Yorker, The New York Times <strong>and</strong> The Times Liter-<br />
ary Supplement. His previous books include The Fifth World<br />
of Foster Bennett (Viking, 1977), The Hamadsha (University<br />
of California <strong>Press</strong>), Tuhami (University of Chicago <strong>Press</strong>),<br />
Hermes’ Dilemma <strong>and</strong> Hamlet’s Desire: Essays on the Epis-<br />
temology of Interpretation (Harvard University <strong>Press</strong>), Serv-<br />
ing the Word (The New <strong>Press</strong>, 2000), Imaginative Horizons:<br />
An Essay in Literary-Philosophical Anthropology (University of<br />
Chicago <strong>Press</strong>), <strong>and</strong> The Harkis: The Wound that Never Heals<br />
(University of Chicago <strong>Press</strong>).<br />
PRAISE FOR THE HARKIS<br />
“Combining interviews, literary<br />
analysis, <strong>and</strong> psychoanalytical insights,<br />
Vincent Crapanzano traces the ways<br />
in which betrayal <strong>and</strong> powerlessness<br />
have played out in the lives of the<br />
Harkis <strong>and</strong> their children.”<br />
—Times Literary Supplement<br />
PRAISE FOR SERVING THE WORD<br />
“Crapanzano takes the Fundamental-<br />
ists as he finds them <strong>and</strong> expounds the<br />
manifestations of their literalism without<br />
condescension or contradiction.”<br />
—New York Review of Books<br />
FALL 2014<br />
Pages: 300 approx.<br />
Rights: World<br />
NONFICTION<br />
OTHER PRESS • 4
ADAM FIFIELD<br />
THE IDEALIST: THE STORY OF JIM GRANT, UNICEF,<br />
AND THE SAVING OF 25 MILLION YOUNG LIVES<br />
In 1979, Jim Grant was nominated by President Jimmy<br />
Carter to head UNICEF. During the course of his fifteen<br />
years in office, he made the organization what it is today: he<br />
quadrupled its immunization rates, saved at least 25 million<br />
children by spreading basic care to the widest number of<br />
countries, hired a staff of world-class specialists to “give<br />
UNICEF a brain,” <strong>and</strong> created programs that continue to<br />
save thous<strong>and</strong>s of lives every single day. Years later, Carter<br />
said that nominating Grant to lead UNICEF was one of his<br />
greatest accomplishments.<br />
At first his staff thought he was crazy <strong>and</strong> overzealous, but<br />
they came to revere him when they saw his ceaseless effort<br />
<strong>and</strong> optimism. Grant accomplished through a sheer force of will<br />
what everyone thought was impossible, by tirelessly working<br />
eighteen hours a day, forming truces with political enemies so<br />
that their countries could be immunized, entering dangerous<br />
war zones, <strong>and</strong> boldly raising awareness <strong>and</strong> money. The first<br />
biography of Grant with full cooperation from his family <strong>and</strong><br />
former colleagues, The Idealist tells the story of a visionary<br />
who broke the rules, prodded or sidestepped the sluggish UN<br />
bureaucracy, <strong>and</strong> with single-minded determination made the<br />
world a better place.<br />
ADAM FIFIELD was born in Vermont. His journalism has ap-<br />
peared in The New York Times, The Washington Post, The<br />
Christian Science Monitor, The Chicago Sun-Times, The Village<br />
Voice, Philadelphia Magazine, <strong>and</strong> The Philadelphia Inquirer,<br />
where he was a staff writer. He is also the author of A Blessing<br />
Over Ashes (William Morrow, 2000), a memoir about his Cam-<br />
bodian foster brother. In 2007, he became the deputy director<br />
of editorial <strong>and</strong> creative services at the US Fund for UNICEF.<br />
PRAISE FOR A BLESSING OVER ASHES<br />
“A vivid, textured memoir with echoes of<br />
Huckleberry Finn <strong>and</strong> Sophie’s Choice…<br />
Told with humor <strong>and</strong> emotion in an<br />
almost cinematic fashion, this fascinating<br />
tale is ideal for a broad range of readers.”<br />
—Kirkus Reviews<br />
FALL 2014<br />
Pages: 320 approx.<br />
Rights: World<br />
NONFICTION<br />
Agent: Larry Weissman Literary, Larry<br />
Weissman (larryweissman@earthlink.net)<br />
OTHER PRESS • 5
CHARLES KAISER<br />
THE COST OF COURAGE<br />
In Paris during World War II, an oppressive mood descend-<br />
ed upon the occupied city—food <strong>and</strong> fuel were scarce,<br />
street signs suddenly appeared in German, <strong>and</strong> every day,<br />
Nazi soldiers paraded down the Champs-Elysées. French<br />
citizens had to choose between enduring these humilia-<br />
tions <strong>and</strong> taking action. The Cost of Courage is about three<br />
siblings, Christiane, Jacqueline, <strong>and</strong> André Boulloche, who<br />
acted by joining the Resistance. All of them risked their lives<br />
delivering secret messages, rescuing downed British pilots,<br />
<strong>and</strong> carrying out sabotage.<br />
After the war, despite their heroism, they never spoke<br />
about their experiences with their children—or anyone else—<br />
because “it was necessary to turn the page.” Christiane sev-<br />
ered her connection with all of her friends in the Resistance.<br />
André, who later had a brilliant career in politics until his un-<br />
timely death in a plane crash, was grimly private about the<br />
number tattooed on his forearm. In this work of nonfiction that<br />
reads like a spy-thriller, Charles Kaiser, an engaging historian<br />
<strong>and</strong> family friend of the Boulloches, narrates the siblings’ brave<br />
action during the war <strong>and</strong> reveals the tragic reason behind their<br />
silence that lasted half a century.<br />
CHARLES KAISER is an author, journalist, <strong>and</strong> blogger. He<br />
was born in Washington DC <strong>and</strong> grew up there <strong>and</strong> in Albany,<br />
New York; Dakar, Senegal; London, Engl<strong>and</strong>; <strong>and</strong> Windsor,<br />
Connecticut. He is a former staff writer for The New York<br />
Times, The Wall Street Journal, <strong>and</strong> Newsweek. His articles<br />
have also appeared in New York, Vanity Fair, Rolling Stone, The<br />
Washington Post, The Guardian of London, <strong>and</strong> Vogue, among<br />
many other publications. His previous books, 1968 In America<br />
(Weidenfeld & Nicolson, 1988) <strong>and</strong> The Gay Metropolis<br />
(Houghton Mifflin, 1997), remain in print from Grove <strong>Press</strong>.<br />
PRAISE FOR THE GAY METROPOLIS<br />
“Charles Kaiser aims to convey not<br />
only what happened during the period<br />
but what it felt like at the time…A<br />
summoning up of traumas past, a<br />
lament for paradise lost.”<br />
—New York Times (A New York Times<br />
Notable Book of the Year)<br />
“Brisk, splashy, dishy…Kaiser is a gifted<br />
popular historian who manages to<br />
suggest something of the flavor of gay<br />
life in different decades <strong>and</strong> to convey<br />
effectively the gradual changes in gay<br />
peoples’ self-images <strong>and</strong> social status.”<br />
—Washington Post<br />
SPRING 2014<br />
Pages: 300 approx.<br />
Rights: World<br />
NONFICTION<br />
OTHER PRESS • 6
PETER MATTEI<br />
THE DEEP WHATSIS<br />
Meet Eric Nye: hipster, player, philosopher, drunk, sociopath.<br />
Eric is a ruthless <strong>and</strong> talented young Chief Idea Officer at a<br />
New York City–based ad agency, in charge of downsizing his<br />
department, which entails firing dozens of longtime employ-<br />
ees before their pensions kick in. In his free time, he guzzles<br />
bottles of the finest Sancerre, balances a hodgepodge of<br />
prescription pills, obsesses over his lavish furnishings, <strong>and</strong><br />
chases women.<br />
And then one day he meets Intern, who’s name he can’t<br />
remember—it might be Megan or Caitlin or Sari—at a bar in<br />
Bushwick. After a few drunken sexual encounters with her, he<br />
loses his appetite for food—<strong>and</strong> seems to be losing his mind<br />
too. Is she in love with him, or is she stalking him just to make<br />
trouble? Will she be the cause of his nervous breakdown, or<br />
the cure for his sociopathic tendencies?<br />
A timely meditation on the inherent absurdity of corpo-<br />
ratism <strong>and</strong> our ubiquitous culture of br<strong>and</strong>ing, The Deep<br />
Whatsis follows a brilliant anti-hero’s quest for contemporary<br />
self-identity, with echoes of American Psycho, Cosmopolis,<br />
<strong>and</strong> Fight Club. It’s a gripping <strong>and</strong> hilarious satire of hipsters,<br />
consumerism, contemporary art—<strong>and</strong> anything else that<br />
crosses the narrator’s path—about a lost soul navigating a<br />
toxic corporate world <strong>and</strong>, against all odds, stumbling toward<br />
redemption.<br />
PETER MATTEI is a writer <strong>and</strong> director<br />
working in both theater <strong>and</strong> film, <strong>and</strong><br />
has written pilots for HBO <strong>and</strong> other net-<br />
works. <strong>Love</strong> in the Time of Money was<br />
his first feature film, which he wrote <strong>and</strong><br />
directed. The script was developed at<br />
the Sundance Filmmakers Lab in 1998,<br />
<strong>and</strong> was inspired by Arthur Schnitzler’s<br />
play La Ronde. He lives in Brooklyn.<br />
FALL 2013<br />
Pages: 250 approx.<br />
Rights: World<br />
FICTION<br />
Agent: 3 Arts Entertainment, Richard Abate<br />
(rabate@3arts.com)<br />
OTHER PRESS • 7
SHAHAN MUFTI<br />
THE SCRIBES OF MEMORY<br />
Shahan Mufti’s family history, which he can trace back 1,400<br />
years, offers a unique perspective on the intertwined histories<br />
of Islam <strong>and</strong> Pakistan. Mufti, born of two families (Mufti <strong>and</strong><br />
Qazi) that were both revered guardians of Sharia law in South<br />
Asia for many centuries, tells the story of his lineage to reveal<br />
the deepest roots—real <strong>and</strong> imagined—of Islamic civilization<br />
in Pakistan as it evolved over the centuries, as well as the deli-<br />
cate nature of Islamic history itself.<br />
Through historical anecdotes, journalistic vignettes, <strong>and</strong><br />
autobiography, The Scribes of Memory captures the larger<br />
story of the world’s only state founded in the name of Islam<br />
<strong>and</strong> the world’s first Islamic democracy, now caught in the<br />
middle of a vicious battle between modernity <strong>and</strong> tradition.<br />
Mufti’s family story is one thread in the fabric of a larger Islamic<br />
narrative, through which a Western audience can begin to un-<br />
derst<strong>and</strong> the dynamic forces <strong>and</strong> historical underpinnings of<br />
the hugely important nation of Pakistan.<br />
SHANAN MUFTI is an assistant pro-<br />
fessor of journalism at the University<br />
of Richmond. He has contributed<br />
pieces on Pakistan <strong>and</strong> the evolution of<br />
Islam to Harper’s, The Atlantic Month-<br />
ly, The New York Times Magazine,<br />
the Boston Sunday Globe, The Nation,<br />
Bloomberg Businessweek, Columbia<br />
Journalism Review, <strong>and</strong> many others.<br />
He splits his time between the United<br />
States <strong>and</strong> Pakistan.<br />
FALL 2013<br />
Pages: 350 approx.<br />
Rights: World<br />
NONFICTION<br />
Agent: Larry Weissman Literary, Larry<br />
Weissman (larryweissman@earthlink.net)<br />
OTHER PRESS • 8
JOHN MILLIKEN THOMPSON<br />
LOVE AND LAMENT<br />
Set in rural North Carolina between the Civil War <strong>and</strong> World<br />
War I, <strong>Love</strong> <strong>and</strong> <strong>Lament</strong> chronicles the Hartsoe family’s ex-<br />
traordinary hardships <strong>and</strong> misfortunes.<br />
Mary Bet, the protagonist <strong>and</strong> youngest daughter of<br />
eight, was born the same year the first railroad arrived in their<br />
county. As she comes of age during the South’s reconstruction<br />
<strong>and</strong> industrialization, she must learn to overcome her family’s<br />
curse: the death of her mother <strong>and</strong> multiple siblings, a deaf<br />
older brother, <strong>and</strong> her father’s growing insanity <strong>and</strong> rejection<br />
of God.<br />
In the rich tradition of Southern literature—including<br />
William Faulkner’s Snopes trilogy <strong>and</strong> Pat Conroy’s The<br />
Prince of Tides—John Milliken Thompson transports the<br />
reader back in time through brilliant characterization <strong>and</strong><br />
meticulous detailing.<br />
JOHN MILLIKEN THOMPSON is the author of The Reservoir<br />
(<strong>Other</strong> <strong>Press</strong>, 2011). His articles have appeared in Smithson-<br />
ian, the Washington Post, Isl<strong>and</strong>s, <strong>and</strong> other publications, <strong>and</strong><br />
his short stories have been published in Louisiana Literature,<br />
South Dakota Review, <strong>and</strong> many other literary journals. He<br />
holds an MFA in fiction from the University of Arkansas <strong>and</strong><br />
has lived in the South all his life.<br />
PRAISE FOR THE RESERVOIR<br />
“Thompson masterfully illustrates how<br />
a seemingly clear-cut case can be filled<br />
with ambiguities.”<br />
—Library Journal<br />
“An engaging mystery novel rendered<br />
as Southern literature.”<br />
—Kirkus<br />
“Pitch-perfect to the post–Civil War<br />
era.…This is an impressive first<br />
novel…hurtling toward greatness as<br />
an artful vehicle for grappling with<br />
temptations <strong>and</strong> the ambiguities of<br />
guilt….The Reservoir gets stronger<br />
<strong>and</strong> richer as it rolls toward its<br />
startling climax.”<br />
—Jim Lynch, Washington Post<br />
FALL 2013<br />
Pages: 420 approx.<br />
Rights: World<br />
FICTION<br />
Agent: Trident Media Group, Ellen Levine<br />
(ellen.assistant@tridentmediagroup.com)<br />
OTHER PRESS • 9
STEVEN WATTS<br />
SELF-HELP MESSIAH: DALE CARNEGIE AND<br />
SUCCESS IN MODERN AMERICA<br />
Before there was Tony Robbins, Marianne Williamson, Deepak<br />
Chopra, or Steven Covey, there was Dale Carnegie. Since the<br />
publication of his best-selling How to Win Friends <strong>and</strong> Influence<br />
People in 1937, Carnegie has been hailed as the father of the<br />
self-help movement <strong>and</strong> promoter of personal reinvention to<br />
improve business success. Life magazine named him one of<br />
“the most important Americans of the twentieth century.”<br />
Despite his success <strong>and</strong> celebrity, little has been written<br />
about the life <strong>and</strong> career of this influential figure in modern<br />
American life.<br />
Born in rural Missouri on a struggling farm, Carnegie yearned<br />
to make a name for himself. He worked a number of odd jobs<br />
until discovering his zeal for public speaking while at the YMCA.<br />
It was a deep passion that would lead him to write the book that<br />
would later define America’s modern approach to the workplace<br />
<strong>and</strong> personal success. His impact stemmed from a simple but<br />
profoundly transformative message: the ability to h<strong>and</strong>le people<br />
was the key to achievement, status, <strong>and</strong> prosperity in the world.<br />
Such advice, with its reliance on human relations rather than<br />
hardy individualism <strong>and</strong> unflinching morality, found a receptive<br />
popular audience. Self-Help Messiah will reveal Carnegie’s<br />
personal journey to the top, <strong>and</strong> how it gave rise to a greater<br />
movement of self-help <strong>and</strong> personal reinvention.<br />
STEVEN WATTS has published a number<br />
of biographies on popular figures: The Magic<br />
Kingdom: Walt Disney <strong>and</strong> the American Way<br />
of Life, Mr. Playboy: Hugh Hefner <strong>and</strong> the<br />
American Dream, <strong>and</strong> The People’s Tycoon:<br />
Henry Ford <strong>and</strong> the American Century, which<br />
was one of five finalists for the 2005 Los<br />
Angeles Times Book Award in biography. He<br />
teaches history at the University of Missouri.<br />
TOP 10 BEST-SELLING BOOKS OF 2011<br />
ON ABEBOOKS.COM<br />
1. The 7 Habits of Highly Effective People<br />
by Stephen R. Covey<br />
2. How to Win Friends <strong>and</strong> Influence<br />
People by Dale Carnegie<br />
3. The Help by Kathryn Stockett<br />
4. The Great Gatsby by F. Scott Fitzgerald<br />
5. The Catcher in the Rye by J. D. Salinger<br />
6. Who Moved My Cheese? by Spencer<br />
Johnson<br />
7. The Girl Who Kicked the Hornet’s Nest<br />
by Stieg Larsson<br />
8. The Five <strong>Love</strong> Languages by Gary Chapman<br />
9. Water for Elephants by Sara Gruen<br />
10. Jamie’s 30-Minute Meals by Jamie Oliver<br />
FALL 2013<br />
Pages: 320<br />
NONFICTION<br />
Agent: Ron Goldfarb of Goldfarb & Associates<br />
(rlglawlit@gmail.com)<br />
OTHER PRESS • 10
WORLD ENGLISH<br />
OTHER PRESS
GABI GLEICHMANN<br />
THE ELIXIR OF IMMORTALITY<br />
Translated from the Norwegian by Michael Meigs<br />
Beginning in the eleventh century, the Spinoza family has<br />
passed down, from father to son, a secret manuscript con-<br />
taining the recipe for immortality. After thirty-six genera-<br />
tions, the last descendent of this long <strong>and</strong> illustrious chain,<br />
Ari Spinoza, doesn’t have a son to entrust the manuscript to.<br />
From his deathbed, he begins to narrate his family’s history,<br />
explaining its wavering <strong>and</strong> cl<strong>and</strong>estine fate.<br />
Ari’s two main sources of his family’s history are a trunk<br />
of yellowing documents that he inherited from his gr<strong>and</strong>fa-<br />
ther, <strong>and</strong> his great uncle Fern<strong>and</strong>o’s tales that captivated<br />
him when he was a child. Fern<strong>and</strong>o—a circus performer,<br />
spiritualist, <strong>and</strong> survivor of both world wars—acquired most<br />
of his stories from the deceased family members them-<br />
selves, through a psychic medium in Budapest.<br />
Mysterious <strong>and</strong> captivating, The Elixir of Immortality is<br />
a vast multigenerational saga <strong>and</strong> an alternate retelling of<br />
European history centered around the family’s triumphs in<br />
medicine, philosophy, <strong>and</strong> science, <strong>and</strong> their persecution as<br />
Sephardic Jews. The tales w<strong>and</strong>er through ages of tyran-<br />
ny, creativity, <strong>and</strong> social upheaval—into medieval Portugal,<br />
Gr<strong>and</strong> Inquisitor Torquemada’s Spain, Rembr<strong>and</strong>t’s Amster-<br />
dam, the French Revolution, Freud’s Vienna, <strong>and</strong> the horrors<br />
of both world wars. If Márquez’s One Hundred Years of Soli-<br />
tude took place in cosmopolitan Europe, or if the cast of the<br />
Arabian Nights rubbed shoulders with the greatest minds of<br />
Western civilization, then those works might resemble this<br />
magical <strong>and</strong> tragic novel.<br />
GABI GLEICHMANN was born in Budapest in 1954 <strong>and</strong><br />
raised in Sweden. After studies in literature <strong>and</strong> philosophy,<br />
he worked as a journalist <strong>and</strong> served as president of the<br />
Swedish PEN organization. Gleichmann now lives in Oslo<br />
<strong>and</strong> works as a writer, publisher, <strong>and</strong> literary critic. His first<br />
novel, The Elixir of Immortality, was sold to eleven countries<br />
prior to its publication in Norway.<br />
PRAISE FOR<br />
THE ELIXIR OF IMMORTALITY<br />
“A fantastic yarn not only about the<br />
Jewish Spinoza family but also about<br />
the history of ideas in Europe during<br />
the past thous<strong>and</strong> years.”<br />
—Aftenposten<br />
“Gabi Gleichmann’s debut is virtually<br />
unparalleled in Norway…The great<br />
strength of the book lies in the universal<br />
stories that tell a great deal about Europe,<br />
but even more about human nature.”<br />
—Dagbladet<br />
RIGHTS SOLD<br />
DENMARK: Lindhardt & Ringhof<br />
FRANCE: Grasset<br />
GERMANY: Carl Hanser Verlag<br />
HUNGARY: Athenaeum Kiado<br />
ISRAEL: Keter<br />
ITALY: Bompiani<br />
LITHUANIA: Gimtasis Zodis<br />
NETHERLANDS: De Geus<br />
SERBIA: Sezam Books<br />
SPAIN: Anagrama<br />
FALL 2013<br />
Pages: 650 approx.<br />
Rights: World English<br />
FICTION<br />
Agent: Aschehoug Agency, Even Råkil<br />
(even.rakil@aschehoug.no)<br />
OTHER PRESS • 12
YANNICK GRANNEC<br />
THE GODDESS OF SMALL VICTORIES<br />
Translated from the French by Willard Wood<br />
This debut novel begins at Princeton University in 1980,<br />
when a young librarian named Anna Roth tries to obtain<br />
the private papers of recently deceased Kurt Gödel—one<br />
of the most important mathematicians <strong>and</strong> logicians of the<br />
twentieth century, a close friend of Albert Einstein, author<br />
of the famous “incompleteness theorems,” <strong>and</strong> the subject<br />
of Douglas Hofstadter’s magisterial Gödel, Escher, Bach. To<br />
gain access to his papers, Anna must somehow convince<br />
or coax the great man’s eighty-year-old dying widow Adèle,<br />
who’s embittered by the loss of her husb<strong>and</strong> <strong>and</strong> is taking<br />
revenge on an unsympathetic scientific community by<br />
withholding these invaluable documents.<br />
The two women meet, at first with mistrust, but after<br />
several visits Adèle begins to treat Anna as her confidant<br />
<strong>and</strong> tentatively agrees to surrender the documents.<br />
Gradually unfolding through their conversations, Adèle’s<br />
heartbreaking narrative is about a loving wife who spent<br />
her entire adult life trying to keep her brilliant but mentally<br />
unstable husb<strong>and</strong> from succumbing to insanity. Moving<br />
from Vienna in the 1930s to postwar Princeton, from the<br />
Anschluss to McCarthyism, The Goddess of Small Victories<br />
is a vivid fictionalized narrative of the most important<br />
scientific <strong>and</strong> political upheavals of the twentieth century.<br />
It is also, like Sylvia Nasar’s A Beautiful Mind, a moving<br />
portrait of a great genius’s destructive force, <strong>and</strong> a deeply<br />
touching ode to self-sacrifice.<br />
YANNICK GRANNEC lives in Saint-Paul-de-Vence,<br />
France. She is trained as an industrial designer <strong>and</strong> now<br />
works in graphic design. The Goddess of Small Victories<br />
is her first novel.<br />
PRAISE FOR<br />
THE GODDESS OF SMALL VICTORIES<br />
“This portrait of a woman at once free <strong>and</strong><br />
trapped, destroyed <strong>and</strong> invincible, is not the<br />
only strength of Yannick Grannec’s book. She<br />
had the intelligence to construct a narrative<br />
that approaches scientific genius peripherally,<br />
while still finding a way of making it deeply<br />
profound….A beautiful novel about love <strong>and</strong><br />
mourning that movingly follows the trajectory<br />
of an exceptional man who sacrificed himself<br />
to his quest for a truth higher than life.”<br />
—Le Monde des livres<br />
“Yannick Grannec plays with time <strong>and</strong> place<br />
with the dexterity that reveals gigantic<br />
research <strong>and</strong> an unusual narrative talent….A<br />
loving wife + a gifted mathematician = an<br />
infernal couple <strong>and</strong> a brilliant subject.”<br />
—Elle<br />
“An astonishing first novel….Yannick Grannec<br />
manages to make the arid area of formal logic<br />
exciting <strong>and</strong> epic.”<br />
—Le Point<br />
RIGHTS SOLD:<br />
AUSTRIA/GERMANY: Ecowin Verlag<br />
SPRING 2014<br />
Pages: 468 approx.<br />
Rights: World English<br />
FICTION<br />
Anne Carriere, Yasmina Urien<br />
(yasmina.urien@anne-carriere.fr)<br />
OTHER PRESS • 13
OLGA GRJASNOWA<br />
ALL RUSSIANS LOVE BIRCH TREES<br />
Translated from the German by Eva Bacon<br />
Mascha is a cosmopolitan polyglot—fluent in five languages<br />
<strong>and</strong> able to get by in several others—living in Frankfurt with<br />
her boyfriend, Elias. Her best friends are Muslims struggling<br />
for residence permits, <strong>and</strong> her unemployed parents rarely<br />
leave the house except to compare petrol prices. Mascha<br />
has nearly completed her studies to become an interpreter,<br />
when suddenly Elias is hospitalized after a serious injury. In<br />
fright <strong>and</strong> despair, she flees to Israel, <strong>and</strong> before long, her<br />
past catches up with her in the most brutal way.<br />
Olga Grjasnowa has a unique gift of seeing the funny<br />
side of even the most tragic situations. With cool irony <strong>and</strong><br />
great conciseness, her debut novel, which was shortlisted<br />
for the prestigious Aspekte-Literaturpreis in 2012, tells the<br />
story of a headstrong young woman who knows neither<br />
borders nor limits. She inhabits a world where all cultures<br />
<strong>and</strong> traditions merge. For Mascha <strong>and</strong> her friends, the is-<br />
sue of origin <strong>and</strong> nationality is immaterial—they can survive<br />
anywhere. But there is nowhere they can really call home.<br />
OLGA GRJASNOWA was born in 1984 in Baku, Azerbai-<br />
jan, grew up in the Caucasus, <strong>and</strong> has spent extended peri-<br />
ods in Pol<strong>and</strong>, Russia, <strong>and</strong> Israel. She moved to Germany at<br />
the age of twelve <strong>and</strong> is a graduate of the German Institute<br />
for Literature/Creative Writing in Leipzig. In 2010 she was<br />
awarded the Dramatist Prize of the Wiener Wortstätten for<br />
her debut play, “Mitfühlende Deutsche” (Compassionate<br />
Germans). She is currently studying dance science at the<br />
Berlin Free University.<br />
PRAISE FOR<br />
ALL RUSSIANS LOVE BIRCH TREES<br />
“Here the world comes to you, as it never<br />
has appeared to you in a novel. With<br />
power, with wit, with wisdom <strong>and</strong> clarity,<br />
with subtlety <strong>and</strong> grief.”<br />
—Elmar Krekeler, Die Welt<br />
“Olga Grjasnowa writes from the nerve<br />
center of her generation.”<br />
—Ursula März, Die Zeit<br />
RIGHTS SOLD<br />
CROATIA: Edicije Bozicevic<br />
DENMARK: C&K Forlag<br />
FRANCE: Les Escales<br />
SPAIN: Ediciones Còmplices<br />
SWEDEN: Weyler Bokförlag<br />
FALL 2013<br />
Pages: 250<br />
Rights: World English<br />
FICTION<br />
Agent: Regal Literary, Inc., Markus Hoffman<br />
(markus@regal-literary.com)<br />
OTHER PRESS • 14
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10.12<br />
OTHER PRESS • 15