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Love and Lament - Other Press

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OTHER PRESS/RIGHTS GUIDE<br />

<strong>Love</strong> <strong>and</strong> <strong>Lament</strong><br />

a novel<br />

JOHN MILLIKEN THOMPSON


OTHER PRESS<br />

INTERNATIONAL RIGHTS GUIDE<br />

MISSION STATEMENT<br />

OTHER PRESS publishes literature from<br />

America <strong>and</strong> around the world that repre-<br />

sents writing at its best. We feel that the<br />

art of storytelling has become paramount<br />

today in challenging readers to see <strong>and</strong><br />

think differently. We know that good<br />

stories are rare to come by: they should<br />

retain the emotional charge of the best<br />

classics while speaking to us about what<br />

matters at present, without complacency<br />

or self-indulgence. Our list is tailored <strong>and</strong><br />

selective, <strong>and</strong> includes everything from<br />

top-shelf literary fiction to cutting-edge<br />

nonfiction—whether it’s political, social,<br />

or cultural—as well as a small collection<br />

of groundbreaking professional titles.<br />

Judith Gurewich<br />

Publisher<br />

OTHER PRESS


JULIAN BORGER<br />

IN PURSUIT OF MONSTERS<br />

Fifty years after the Nuremberg trials, the worst genocidal<br />

atrocities in Europe since World War II took place during the<br />

Balkan Wars, when thous<strong>and</strong>s of Bosnian minorities were<br />

massacred. The International Criminal Tribunal for the former<br />

Yugoslavia (ICTY) was formed in 1993, at the height of the<br />

wars, to bring justice to those who committed crimes against<br />

humanity, <strong>and</strong> created a list of 161 war criminals.<br />

Initially the ICTY was controversial, underfunded, <strong>and</strong><br />

largely unrecognized—the major powers wanted to obtain<br />

justice, yet no one was willing to get their h<strong>and</strong>s dirty.<br />

Eventually, because of the relentlessness of the prosecutors,<br />

diplomats, <strong>and</strong> investigators of the ICTY, they received support<br />

from the British government, <strong>and</strong> a team of SAS agents was<br />

dispatched into the Balkans, on a manhunt that would last for<br />

more than a decade.<br />

Grippingly reconstructed by The Guardian’s diplomatic<br />

editor, Julian Borger, In Pursuit of Monsters investigates the<br />

heroes, villains, <strong>and</strong> wider international repercussions of the<br />

Bosnian genocide <strong>and</strong> its aftermath—from war criminals who<br />

perfectly embody the banality of evil, to determined ICTY<br />

investigators working on a shoestring budget, to politicians <strong>and</strong><br />

diplomats who radically changed their own foreign policies.<br />

JULIAN BORGER was born in London<br />

in 1961. He is The Guardian’s diplomatic<br />

editor <strong>and</strong> writes its Global Security<br />

blog. He has covered more than a dozen<br />

wars, including the Bosnian conflict,<br />

while living in Sarajevo from 1994 to<br />

1997. He joined The Guardian in 1993<br />

from the BBC, after several years as a<br />

radio <strong>and</strong> television reporter in Africa,<br />

<strong>and</strong> has been a US correspondent for<br />

The Guardian since 1998.<br />

FALL 2014<br />

Pages: 300 approx.<br />

Rights: World<br />

NONFICTION<br />

Agent: The Wylie Agency, Sarah Chalfant<br />

(schalfant@wylieagency.co.uk)<br />

OTHER PRESS • 2


ELIZABETH COHEN<br />

THE HYPOTHETICAL GIRL<br />

What happens when an aspiring actress meets an Icel<strong>and</strong>ic<br />

yak farmer on a matchmaking website? Or when an online<br />

forum for cancer support turns into a love triangle between<br />

an English professor, a Canadian fisherman, <strong>and</strong> a teacher<br />

living in Japan?<br />

The characters in this short-story collection, The Hypo-<br />

thetical Girl, are ordinary, dissatisfied, <strong>and</strong> desperate to fall in<br />

love. They meet on the Internet under fictitious personas, flirt<br />

through e-mails <strong>and</strong> text messages while restlessly engag-<br />

ing in the age-old dilemma of finding a suitable lover. These<br />

stories capture the humor <strong>and</strong> horror of Internet dating, with<br />

all if its posturing, deceptions, <strong>and</strong> complications. In “The<br />

Man Who Made Whirligigs,” Whimsy999 <strong>and</strong> Vivacious002<br />

exchange flirtatious online banter, <strong>and</strong> despite their obvious<br />

differences—he’s an older Jewish man who makes <strong>and</strong> sells<br />

whirligigs; she’s a Latina hairdresser—they plan to meet for<br />

lunch at a local farmers’ market in New Mexico. Their meeting<br />

unfolds with the anticipation, mystery, <strong>and</strong> stupor of a magic<br />

show or, well, a blind date.<br />

The Hypothetical Girl is a convincing, hilarious, <strong>and</strong> heart-<br />

breaking reconfiguration of Pride <strong>and</strong> Prejudice for the age of<br />

online dating <strong>and</strong> text messaging.<br />

ELIZABETH COHEN is writer-in-residence at Western Con-<br />

necticut State University’s MFA writing program <strong>and</strong> an as-<br />

sistant professor of English at Plattsburgh State University.<br />

Her memoir, The Family on Beartown Road (R<strong>and</strong>om House,<br />

2003), was a New York Times Notable Book, <strong>and</strong> her articles,<br />

stories, <strong>and</strong> poetry have appeared in Newsweek, People, New<br />

York Times Magazine, Salon, Tablet, <strong>and</strong> the Yale Review. She<br />

lives in upstate New York with her daughter, Ava.<br />

PRAISE FOR THE HYPOTHETICAL GIRL<br />

“Beautiful, funny, <strong>and</strong> heartbreaking,<br />

Cohen’s stories tackle love <strong>and</strong> all its<br />

discontents in a way you’ve never<br />

experienced before.”<br />

—Caroline Leavitt, New York Times<br />

best-selling author of Pictures of You<br />

PRAISE FOR THE FAMILY ON<br />

BEARTOWN ROAD<br />

“Frank, funny … courageous.”<br />

—New York Times Book Review<br />

“The adventure <strong>and</strong> peril of everyday living<br />

captured in language that’s light, beautiful,<br />

<strong>and</strong> razor-sharp.”<br />

—Kirkus Reviews (starred review)<br />

RIGHTS SOLD TO THE FAMILY ON<br />

BEARTOWN ROAD<br />

UNITED KINGDOM: Ebury <strong>Press</strong><br />

FALL 2013<br />

Pages: 208 approx<br />

Rights: World<br />

FICTION<br />

OTHER PRESS • 3


VINCENT CRAPANZANO<br />

RECAPITULATIONS<br />

How do we remember? Is the act of remembering related<br />

to the creation of a responsive self? How do our memories<br />

resonate with everyday experience? In Recapitulations, author<br />

<strong>and</strong> distinguished professor Vincent Crapanzano attempts to<br />

answer these questions by reflecting on his personal experi-<br />

ences as an anthropologist, literary theorist, <strong>and</strong> critic.<br />

At once an autobiography <strong>and</strong> an ethnographic study,<br />

this book brilliantly explores the author’s life—from his earli-<br />

est memories to thoughts about death—through seemingly<br />

disparate recollections drawn from his wide range of experi-<br />

ences. Crapanzano uses these recollections as a way of ques-<br />

tioning our cultural <strong>and</strong> psychological assumptions, <strong>and</strong> in<br />

the process, calls attention to the limits they impose on our<br />

self-underst<strong>and</strong>ing, imagination, <strong>and</strong> interpretations of reality.<br />

Like Claude Lévi-Strauss’s Tristes Tropiques <strong>and</strong> C. G. Jung’s<br />

Memories, Dreams, Reflections, this unique memoir is a beau-<br />

tifully written guide to the hidden realms of personal memory<br />

<strong>and</strong> experience.<br />

VINCENT CRAPANZANO is an author <strong>and</strong> Distinguished<br />

Professor of Comparative Literature <strong>and</strong> Anthropology at the<br />

CUNY Graduate Center. He has published articles in major<br />

periodicals <strong>and</strong> academic journals, such as The American An-<br />

thropologist, Les Temps Modernes, Yale Review of Literature,<br />

The New Yorker, The New York Times <strong>and</strong> The Times Liter-<br />

ary Supplement. His previous books include The Fifth World<br />

of Foster Bennett (Viking, 1977), The Hamadsha (University<br />

of California <strong>Press</strong>), Tuhami (University of Chicago <strong>Press</strong>),<br />

Hermes’ Dilemma <strong>and</strong> Hamlet’s Desire: Essays on the Epis-<br />

temology of Interpretation (Harvard University <strong>Press</strong>), Serv-<br />

ing the Word (The New <strong>Press</strong>, 2000), Imaginative Horizons:<br />

An Essay in Literary-Philosophical Anthropology (University of<br />

Chicago <strong>Press</strong>), <strong>and</strong> The Harkis: The Wound that Never Heals<br />

(University of Chicago <strong>Press</strong>).<br />

PRAISE FOR THE HARKIS<br />

“Combining interviews, literary<br />

analysis, <strong>and</strong> psychoanalytical insights,<br />

Vincent Crapanzano traces the ways<br />

in which betrayal <strong>and</strong> powerlessness<br />

have played out in the lives of the<br />

Harkis <strong>and</strong> their children.”<br />

—Times Literary Supplement<br />

PRAISE FOR SERVING THE WORD<br />

“Crapanzano takes the Fundamental-<br />

ists as he finds them <strong>and</strong> expounds the<br />

manifestations of their literalism without<br />

condescension or contradiction.”<br />

—New York Review of Books<br />

FALL 2014<br />

Pages: 300 approx.<br />

Rights: World<br />

NONFICTION<br />

OTHER PRESS • 4


ADAM FIFIELD<br />

THE IDEALIST: THE STORY OF JIM GRANT, UNICEF,<br />

AND THE SAVING OF 25 MILLION YOUNG LIVES<br />

In 1979, Jim Grant was nominated by President Jimmy<br />

Carter to head UNICEF. During the course of his fifteen<br />

years in office, he made the organization what it is today: he<br />

quadrupled its immunization rates, saved at least 25 million<br />

children by spreading basic care to the widest number of<br />

countries, hired a staff of world-class specialists to “give<br />

UNICEF a brain,” <strong>and</strong> created programs that continue to<br />

save thous<strong>and</strong>s of lives every single day. Years later, Carter<br />

said that nominating Grant to lead UNICEF was one of his<br />

greatest accomplishments.<br />

At first his staff thought he was crazy <strong>and</strong> overzealous, but<br />

they came to revere him when they saw his ceaseless effort<br />

<strong>and</strong> optimism. Grant accomplished through a sheer force of will<br />

what everyone thought was impossible, by tirelessly working<br />

eighteen hours a day, forming truces with political enemies so<br />

that their countries could be immunized, entering dangerous<br />

war zones, <strong>and</strong> boldly raising awareness <strong>and</strong> money. The first<br />

biography of Grant with full cooperation from his family <strong>and</strong><br />

former colleagues, The Idealist tells the story of a visionary<br />

who broke the rules, prodded or sidestepped the sluggish UN<br />

bureaucracy, <strong>and</strong> with single-minded determination made the<br />

world a better place.<br />

ADAM FIFIELD was born in Vermont. His journalism has ap-<br />

peared in The New York Times, The Washington Post, The<br />

Christian Science Monitor, The Chicago Sun-Times, The Village<br />

Voice, Philadelphia Magazine, <strong>and</strong> The Philadelphia Inquirer,<br />

where he was a staff writer. He is also the author of A Blessing<br />

Over Ashes (William Morrow, 2000), a memoir about his Cam-<br />

bodian foster brother. In 2007, he became the deputy director<br />

of editorial <strong>and</strong> creative services at the US Fund for UNICEF.<br />

PRAISE FOR A BLESSING OVER ASHES<br />

“A vivid, textured memoir with echoes of<br />

Huckleberry Finn <strong>and</strong> Sophie’s Choice…<br />

Told with humor <strong>and</strong> emotion in an<br />

almost cinematic fashion, this fascinating<br />

tale is ideal for a broad range of readers.”<br />

—Kirkus Reviews<br />

FALL 2014<br />

Pages: 320 approx.<br />

Rights: World<br />

NONFICTION<br />

Agent: Larry Weissman Literary, Larry<br />

Weissman (larryweissman@earthlink.net)<br />

OTHER PRESS • 5


CHARLES KAISER<br />

THE COST OF COURAGE<br />

In Paris during World War II, an oppressive mood descend-<br />

ed upon the occupied city—food <strong>and</strong> fuel were scarce,<br />

street signs suddenly appeared in German, <strong>and</strong> every day,<br />

Nazi soldiers paraded down the Champs-Elysées. French<br />

citizens had to choose between enduring these humilia-<br />

tions <strong>and</strong> taking action. The Cost of Courage is about three<br />

siblings, Christiane, Jacqueline, <strong>and</strong> André Boulloche, who<br />

acted by joining the Resistance. All of them risked their lives<br />

delivering secret messages, rescuing downed British pilots,<br />

<strong>and</strong> carrying out sabotage.<br />

After the war, despite their heroism, they never spoke<br />

about their experiences with their children—or anyone else—<br />

because “it was necessary to turn the page.” Christiane sev-<br />

ered her connection with all of her friends in the Resistance.<br />

André, who later had a brilliant career in politics until his un-<br />

timely death in a plane crash, was grimly private about the<br />

number tattooed on his forearm. In this work of nonfiction that<br />

reads like a spy-thriller, Charles Kaiser, an engaging historian<br />

<strong>and</strong> family friend of the Boulloches, narrates the siblings’ brave<br />

action during the war <strong>and</strong> reveals the tragic reason behind their<br />

silence that lasted half a century.<br />

CHARLES KAISER is an author, journalist, <strong>and</strong> blogger. He<br />

was born in Washington DC <strong>and</strong> grew up there <strong>and</strong> in Albany,<br />

New York; Dakar, Senegal; London, Engl<strong>and</strong>; <strong>and</strong> Windsor,<br />

Connecticut. He is a former staff writer for The New York<br />

Times, The Wall Street Journal, <strong>and</strong> Newsweek. His articles<br />

have also appeared in New York, Vanity Fair, Rolling Stone, The<br />

Washington Post, The Guardian of London, <strong>and</strong> Vogue, among<br />

many other publications. His previous books, 1968 In America<br />

(Weidenfeld & Nicolson, 1988) <strong>and</strong> The Gay Metropolis<br />

(Houghton Mifflin, 1997), remain in print from Grove <strong>Press</strong>.<br />

PRAISE FOR THE GAY METROPOLIS<br />

“Charles Kaiser aims to convey not<br />

only what happened during the period<br />

but what it felt like at the time…A<br />

summoning up of traumas past, a<br />

lament for paradise lost.”<br />

—New York Times (A New York Times<br />

Notable Book of the Year)<br />

“Brisk, splashy, dishy…Kaiser is a gifted<br />

popular historian who manages to<br />

suggest something of the flavor of gay<br />

life in different decades <strong>and</strong> to convey<br />

effectively the gradual changes in gay<br />

peoples’ self-images <strong>and</strong> social status.”<br />

—Washington Post<br />

SPRING 2014<br />

Pages: 300 approx.<br />

Rights: World<br />

NONFICTION<br />

OTHER PRESS • 6


PETER MATTEI<br />

THE DEEP WHATSIS<br />

Meet Eric Nye: hipster, player, philosopher, drunk, sociopath.<br />

Eric is a ruthless <strong>and</strong> talented young Chief Idea Officer at a<br />

New York City–based ad agency, in charge of downsizing his<br />

department, which entails firing dozens of longtime employ-<br />

ees before their pensions kick in. In his free time, he guzzles<br />

bottles of the finest Sancerre, balances a hodgepodge of<br />

prescription pills, obsesses over his lavish furnishings, <strong>and</strong><br />

chases women.<br />

And then one day he meets Intern, who’s name he can’t<br />

remember—it might be Megan or Caitlin or Sari—at a bar in<br />

Bushwick. After a few drunken sexual encounters with her, he<br />

loses his appetite for food—<strong>and</strong> seems to be losing his mind<br />

too. Is she in love with him, or is she stalking him just to make<br />

trouble? Will she be the cause of his nervous breakdown, or<br />

the cure for his sociopathic tendencies?<br />

A timely meditation on the inherent absurdity of corpo-<br />

ratism <strong>and</strong> our ubiquitous culture of br<strong>and</strong>ing, The Deep<br />

Whatsis follows a brilliant anti-hero’s quest for contemporary<br />

self-identity, with echoes of American Psycho, Cosmopolis,<br />

<strong>and</strong> Fight Club. It’s a gripping <strong>and</strong> hilarious satire of hipsters,<br />

consumerism, contemporary art—<strong>and</strong> anything else that<br />

crosses the narrator’s path—about a lost soul navigating a<br />

toxic corporate world <strong>and</strong>, against all odds, stumbling toward<br />

redemption.<br />

PETER MATTEI is a writer <strong>and</strong> director<br />

working in both theater <strong>and</strong> film, <strong>and</strong><br />

has written pilots for HBO <strong>and</strong> other net-<br />

works. <strong>Love</strong> in the Time of Money was<br />

his first feature film, which he wrote <strong>and</strong><br />

directed. The script was developed at<br />

the Sundance Filmmakers Lab in 1998,<br />

<strong>and</strong> was inspired by Arthur Schnitzler’s<br />

play La Ronde. He lives in Brooklyn.<br />

FALL 2013<br />

Pages: 250 approx.<br />

Rights: World<br />

FICTION<br />

Agent: 3 Arts Entertainment, Richard Abate<br />

(rabate@3arts.com)<br />

OTHER PRESS • 7


SHAHAN MUFTI<br />

THE SCRIBES OF MEMORY<br />

Shahan Mufti’s family history, which he can trace back 1,400<br />

years, offers a unique perspective on the intertwined histories<br />

of Islam <strong>and</strong> Pakistan. Mufti, born of two families (Mufti <strong>and</strong><br />

Qazi) that were both revered guardians of Sharia law in South<br />

Asia for many centuries, tells the story of his lineage to reveal<br />

the deepest roots—real <strong>and</strong> imagined—of Islamic civilization<br />

in Pakistan as it evolved over the centuries, as well as the deli-<br />

cate nature of Islamic history itself.<br />

Through historical anecdotes, journalistic vignettes, <strong>and</strong><br />

autobiography, The Scribes of Memory captures the larger<br />

story of the world’s only state founded in the name of Islam<br />

<strong>and</strong> the world’s first Islamic democracy, now caught in the<br />

middle of a vicious battle between modernity <strong>and</strong> tradition.<br />

Mufti’s family story is one thread in the fabric of a larger Islamic<br />

narrative, through which a Western audience can begin to un-<br />

derst<strong>and</strong> the dynamic forces <strong>and</strong> historical underpinnings of<br />

the hugely important nation of Pakistan.<br />

SHANAN MUFTI is an assistant pro-<br />

fessor of journalism at the University<br />

of Richmond. He has contributed<br />

pieces on Pakistan <strong>and</strong> the evolution of<br />

Islam to Harper’s, The Atlantic Month-<br />

ly, The New York Times Magazine,<br />

the Boston Sunday Globe, The Nation,<br />

Bloomberg Businessweek, Columbia<br />

Journalism Review, <strong>and</strong> many others.<br />

He splits his time between the United<br />

States <strong>and</strong> Pakistan.<br />

FALL 2013<br />

Pages: 350 approx.<br />

Rights: World<br />

NONFICTION<br />

Agent: Larry Weissman Literary, Larry<br />

Weissman (larryweissman@earthlink.net)<br />

OTHER PRESS • 8


JOHN MILLIKEN THOMPSON<br />

LOVE AND LAMENT<br />

Set in rural North Carolina between the Civil War <strong>and</strong> World<br />

War I, <strong>Love</strong> <strong>and</strong> <strong>Lament</strong> chronicles the Hartsoe family’s ex-<br />

traordinary hardships <strong>and</strong> misfortunes.<br />

Mary Bet, the protagonist <strong>and</strong> youngest daughter of<br />

eight, was born the same year the first railroad arrived in their<br />

county. As she comes of age during the South’s reconstruction<br />

<strong>and</strong> industrialization, she must learn to overcome her family’s<br />

curse: the death of her mother <strong>and</strong> multiple siblings, a deaf<br />

older brother, <strong>and</strong> her father’s growing insanity <strong>and</strong> rejection<br />

of God.<br />

In the rich tradition of Southern literature—including<br />

William Faulkner’s Snopes trilogy <strong>and</strong> Pat Conroy’s The<br />

Prince of Tides—John Milliken Thompson transports the<br />

reader back in time through brilliant characterization <strong>and</strong><br />

meticulous detailing.<br />

JOHN MILLIKEN THOMPSON is the author of The Reservoir<br />

(<strong>Other</strong> <strong>Press</strong>, 2011). His articles have appeared in Smithson-<br />

ian, the Washington Post, Isl<strong>and</strong>s, <strong>and</strong> other publications, <strong>and</strong><br />

his short stories have been published in Louisiana Literature,<br />

South Dakota Review, <strong>and</strong> many other literary journals. He<br />

holds an MFA in fiction from the University of Arkansas <strong>and</strong><br />

has lived in the South all his life.<br />

PRAISE FOR THE RESERVOIR<br />

“Thompson masterfully illustrates how<br />

a seemingly clear-cut case can be filled<br />

with ambiguities.”<br />

—Library Journal<br />

“An engaging mystery novel rendered<br />

as Southern literature.”<br />

—Kirkus<br />

“Pitch-perfect to the post–Civil War<br />

era.…This is an impressive first<br />

novel…hurtling toward greatness as<br />

an artful vehicle for grappling with<br />

temptations <strong>and</strong> the ambiguities of<br />

guilt….The Reservoir gets stronger<br />

<strong>and</strong> richer as it rolls toward its<br />

startling climax.”<br />

—Jim Lynch, Washington Post<br />

FALL 2013<br />

Pages: 420 approx.<br />

Rights: World<br />

FICTION<br />

Agent: Trident Media Group, Ellen Levine<br />

(ellen.assistant@tridentmediagroup.com)<br />

OTHER PRESS • 9


STEVEN WATTS<br />

SELF-HELP MESSIAH: DALE CARNEGIE AND<br />

SUCCESS IN MODERN AMERICA<br />

Before there was Tony Robbins, Marianne Williamson, Deepak<br />

Chopra, or Steven Covey, there was Dale Carnegie. Since the<br />

publication of his best-selling How to Win Friends <strong>and</strong> Influence<br />

People in 1937, Carnegie has been hailed as the father of the<br />

self-help movement <strong>and</strong> promoter of personal reinvention to<br />

improve business success. Life magazine named him one of<br />

“the most important Americans of the twentieth century.”<br />

Despite his success <strong>and</strong> celebrity, little has been written<br />

about the life <strong>and</strong> career of this influential figure in modern<br />

American life.<br />

Born in rural Missouri on a struggling farm, Carnegie yearned<br />

to make a name for himself. He worked a number of odd jobs<br />

until discovering his zeal for public speaking while at the YMCA.<br />

It was a deep passion that would lead him to write the book that<br />

would later define America’s modern approach to the workplace<br />

<strong>and</strong> personal success. His impact stemmed from a simple but<br />

profoundly transformative message: the ability to h<strong>and</strong>le people<br />

was the key to achievement, status, <strong>and</strong> prosperity in the world.<br />

Such advice, with its reliance on human relations rather than<br />

hardy individualism <strong>and</strong> unflinching morality, found a receptive<br />

popular audience. Self-Help Messiah will reveal Carnegie’s<br />

personal journey to the top, <strong>and</strong> how it gave rise to a greater<br />

movement of self-help <strong>and</strong> personal reinvention.<br />

STEVEN WATTS has published a number<br />

of biographies on popular figures: The Magic<br />

Kingdom: Walt Disney <strong>and</strong> the American Way<br />

of Life, Mr. Playboy: Hugh Hefner <strong>and</strong> the<br />

American Dream, <strong>and</strong> The People’s Tycoon:<br />

Henry Ford <strong>and</strong> the American Century, which<br />

was one of five finalists for the 2005 Los<br />

Angeles Times Book Award in biography. He<br />

teaches history at the University of Missouri.<br />

TOP 10 BEST-SELLING BOOKS OF 2011<br />

ON ABEBOOKS.COM<br />

1. The 7 Habits of Highly Effective People<br />

by Stephen R. Covey<br />

2. How to Win Friends <strong>and</strong> Influence<br />

People by Dale Carnegie<br />

3. The Help by Kathryn Stockett<br />

4. The Great Gatsby by F. Scott Fitzgerald<br />

5. The Catcher in the Rye by J. D. Salinger<br />

6. Who Moved My Cheese? by Spencer<br />

Johnson<br />

7. The Girl Who Kicked the Hornet’s Nest<br />

by Stieg Larsson<br />

8. The Five <strong>Love</strong> Languages by Gary Chapman<br />

9. Water for Elephants by Sara Gruen<br />

10. Jamie’s 30-Minute Meals by Jamie Oliver<br />

FALL 2013<br />

Pages: 320<br />

NONFICTION<br />

Agent: Ron Goldfarb of Goldfarb & Associates<br />

(rlglawlit@gmail.com)<br />

OTHER PRESS • 10


WORLD ENGLISH<br />

OTHER PRESS


GABI GLEICHMANN<br />

THE ELIXIR OF IMMORTALITY<br />

Translated from the Norwegian by Michael Meigs<br />

Beginning in the eleventh century, the Spinoza family has<br />

passed down, from father to son, a secret manuscript con-<br />

taining the recipe for immortality. After thirty-six genera-<br />

tions, the last descendent of this long <strong>and</strong> illustrious chain,<br />

Ari Spinoza, doesn’t have a son to entrust the manuscript to.<br />

From his deathbed, he begins to narrate his family’s history,<br />

explaining its wavering <strong>and</strong> cl<strong>and</strong>estine fate.<br />

Ari’s two main sources of his family’s history are a trunk<br />

of yellowing documents that he inherited from his gr<strong>and</strong>fa-<br />

ther, <strong>and</strong> his great uncle Fern<strong>and</strong>o’s tales that captivated<br />

him when he was a child. Fern<strong>and</strong>o—a circus performer,<br />

spiritualist, <strong>and</strong> survivor of both world wars—acquired most<br />

of his stories from the deceased family members them-<br />

selves, through a psychic medium in Budapest.<br />

Mysterious <strong>and</strong> captivating, The Elixir of Immortality is<br />

a vast multigenerational saga <strong>and</strong> an alternate retelling of<br />

European history centered around the family’s triumphs in<br />

medicine, philosophy, <strong>and</strong> science, <strong>and</strong> their persecution as<br />

Sephardic Jews. The tales w<strong>and</strong>er through ages of tyran-<br />

ny, creativity, <strong>and</strong> social upheaval—into medieval Portugal,<br />

Gr<strong>and</strong> Inquisitor Torquemada’s Spain, Rembr<strong>and</strong>t’s Amster-<br />

dam, the French Revolution, Freud’s Vienna, <strong>and</strong> the horrors<br />

of both world wars. If Márquez’s One Hundred Years of Soli-<br />

tude took place in cosmopolitan Europe, or if the cast of the<br />

Arabian Nights rubbed shoulders with the greatest minds of<br />

Western civilization, then those works might resemble this<br />

magical <strong>and</strong> tragic novel.<br />

GABI GLEICHMANN was born in Budapest in 1954 <strong>and</strong><br />

raised in Sweden. After studies in literature <strong>and</strong> philosophy,<br />

he worked as a journalist <strong>and</strong> served as president of the<br />

Swedish PEN organization. Gleichmann now lives in Oslo<br />

<strong>and</strong> works as a writer, publisher, <strong>and</strong> literary critic. His first<br />

novel, The Elixir of Immortality, was sold to eleven countries<br />

prior to its publication in Norway.<br />

PRAISE FOR<br />

THE ELIXIR OF IMMORTALITY<br />

“A fantastic yarn not only about the<br />

Jewish Spinoza family but also about<br />

the history of ideas in Europe during<br />

the past thous<strong>and</strong> years.”<br />

—Aftenposten<br />

“Gabi Gleichmann’s debut is virtually<br />

unparalleled in Norway…The great<br />

strength of the book lies in the universal<br />

stories that tell a great deal about Europe,<br />

but even more about human nature.”<br />

—Dagbladet<br />

RIGHTS SOLD<br />

DENMARK: Lindhardt & Ringhof<br />

FRANCE: Grasset<br />

GERMANY: Carl Hanser Verlag<br />

HUNGARY: Athenaeum Kiado<br />

ISRAEL: Keter<br />

ITALY: Bompiani<br />

LITHUANIA: Gimtasis Zodis<br />

NETHERLANDS: De Geus<br />

SERBIA: Sezam Books<br />

SPAIN: Anagrama<br />

FALL 2013<br />

Pages: 650 approx.<br />

Rights: World English<br />

FICTION<br />

Agent: Aschehoug Agency, Even Råkil<br />

(even.rakil@aschehoug.no)<br />

OTHER PRESS • 12


YANNICK GRANNEC<br />

THE GODDESS OF SMALL VICTORIES<br />

Translated from the French by Willard Wood<br />

This debut novel begins at Princeton University in 1980,<br />

when a young librarian named Anna Roth tries to obtain<br />

the private papers of recently deceased Kurt Gödel—one<br />

of the most important mathematicians <strong>and</strong> logicians of the<br />

twentieth century, a close friend of Albert Einstein, author<br />

of the famous “incompleteness theorems,” <strong>and</strong> the subject<br />

of Douglas Hofstadter’s magisterial Gödel, Escher, Bach. To<br />

gain access to his papers, Anna must somehow convince<br />

or coax the great man’s eighty-year-old dying widow Adèle,<br />

who’s embittered by the loss of her husb<strong>and</strong> <strong>and</strong> is taking<br />

revenge on an unsympathetic scientific community by<br />

withholding these invaluable documents.<br />

The two women meet, at first with mistrust, but after<br />

several visits Adèle begins to treat Anna as her confidant<br />

<strong>and</strong> tentatively agrees to surrender the documents.<br />

Gradually unfolding through their conversations, Adèle’s<br />

heartbreaking narrative is about a loving wife who spent<br />

her entire adult life trying to keep her brilliant but mentally<br />

unstable husb<strong>and</strong> from succumbing to insanity. Moving<br />

from Vienna in the 1930s to postwar Princeton, from the<br />

Anschluss to McCarthyism, The Goddess of Small Victories<br />

is a vivid fictionalized narrative of the most important<br />

scientific <strong>and</strong> political upheavals of the twentieth century.<br />

It is also, like Sylvia Nasar’s A Beautiful Mind, a moving<br />

portrait of a great genius’s destructive force, <strong>and</strong> a deeply<br />

touching ode to self-sacrifice.<br />

YANNICK GRANNEC lives in Saint-Paul-de-Vence,<br />

France. She is trained as an industrial designer <strong>and</strong> now<br />

works in graphic design. The Goddess of Small Victories<br />

is her first novel.<br />

PRAISE FOR<br />

THE GODDESS OF SMALL VICTORIES<br />

“This portrait of a woman at once free <strong>and</strong><br />

trapped, destroyed <strong>and</strong> invincible, is not the<br />

only strength of Yannick Grannec’s book. She<br />

had the intelligence to construct a narrative<br />

that approaches scientific genius peripherally,<br />

while still finding a way of making it deeply<br />

profound….A beautiful novel about love <strong>and</strong><br />

mourning that movingly follows the trajectory<br />

of an exceptional man who sacrificed himself<br />

to his quest for a truth higher than life.”<br />

—Le Monde des livres<br />

“Yannick Grannec plays with time <strong>and</strong> place<br />

with the dexterity that reveals gigantic<br />

research <strong>and</strong> an unusual narrative talent….A<br />

loving wife + a gifted mathematician = an<br />

infernal couple <strong>and</strong> a brilliant subject.”<br />

—Elle<br />

“An astonishing first novel….Yannick Grannec<br />

manages to make the arid area of formal logic<br />

exciting <strong>and</strong> epic.”<br />

—Le Point<br />

RIGHTS SOLD:<br />

AUSTRIA/GERMANY: Ecowin Verlag<br />

SPRING 2014<br />

Pages: 468 approx.<br />

Rights: World English<br />

FICTION<br />

Anne Carriere, Yasmina Urien<br />

(yasmina.urien@anne-carriere.fr)<br />

OTHER PRESS • 13


OLGA GRJASNOWA<br />

ALL RUSSIANS LOVE BIRCH TREES<br />

Translated from the German by Eva Bacon<br />

Mascha is a cosmopolitan polyglot—fluent in five languages<br />

<strong>and</strong> able to get by in several others—living in Frankfurt with<br />

her boyfriend, Elias. Her best friends are Muslims struggling<br />

for residence permits, <strong>and</strong> her unemployed parents rarely<br />

leave the house except to compare petrol prices. Mascha<br />

has nearly completed her studies to become an interpreter,<br />

when suddenly Elias is hospitalized after a serious injury. In<br />

fright <strong>and</strong> despair, she flees to Israel, <strong>and</strong> before long, her<br />

past catches up with her in the most brutal way.<br />

Olga Grjasnowa has a unique gift of seeing the funny<br />

side of even the most tragic situations. With cool irony <strong>and</strong><br />

great conciseness, her debut novel, which was shortlisted<br />

for the prestigious Aspekte-Literaturpreis in 2012, tells the<br />

story of a headstrong young woman who knows neither<br />

borders nor limits. She inhabits a world where all cultures<br />

<strong>and</strong> traditions merge. For Mascha <strong>and</strong> her friends, the is-<br />

sue of origin <strong>and</strong> nationality is immaterial—they can survive<br />

anywhere. But there is nowhere they can really call home.<br />

OLGA GRJASNOWA was born in 1984 in Baku, Azerbai-<br />

jan, grew up in the Caucasus, <strong>and</strong> has spent extended peri-<br />

ods in Pol<strong>and</strong>, Russia, <strong>and</strong> Israel. She moved to Germany at<br />

the age of twelve <strong>and</strong> is a graduate of the German Institute<br />

for Literature/Creative Writing in Leipzig. In 2010 she was<br />

awarded the Dramatist Prize of the Wiener Wortstätten for<br />

her debut play, “Mitfühlende Deutsche” (Compassionate<br />

Germans). She is currently studying dance science at the<br />

Berlin Free University.<br />

PRAISE FOR<br />

ALL RUSSIANS LOVE BIRCH TREES<br />

“Here the world comes to you, as it never<br />

has appeared to you in a novel. With<br />

power, with wit, with wisdom <strong>and</strong> clarity,<br />

with subtlety <strong>and</strong> grief.”<br />

—Elmar Krekeler, Die Welt<br />

“Olga Grjasnowa writes from the nerve<br />

center of her generation.”<br />

—Ursula März, Die Zeit<br />

RIGHTS SOLD<br />

CROATIA: Edicije Bozicevic<br />

DENMARK: C&K Forlag<br />

FRANCE: Les Escales<br />

SPAIN: Ediciones Còmplices<br />

SWEDEN: Weyler Bokförlag<br />

FALL 2013<br />

Pages: 250<br />

Rights: World English<br />

FICTION<br />

Agent: Regal Literary, Inc., Markus Hoffman<br />

(markus@regal-literary.com)<br />

OTHER PRESS • 14


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OTHER PRESS • 15

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