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For immediate release: January 2, 2013<br />

RISING OPERA STARS OF COC’S ENSEMBLE STUDIO STEP INTO<br />

SPOTLIGHT IN SPECIAL PERFORMANCE OF LA CLEMENZA DI TITO<br />

Toronto – The young artists <strong>of</strong> the Canadian Opera Company’s Ensemble Studio take to the ma<strong>in</strong>stage for their own<br />

performance <strong>of</strong> Mozart’s f<strong>in</strong>al <strong>opera</strong>, La clemenza di Tito, on Wednesday, February 6, 2013 at 7:30 p.m. at the Four<br />

Seasons Centre for the Perform<strong>in</strong>g Arts. This special performance <strong>of</strong> a production described as “modern music<br />

theater you mustn’t miss” (Chicago Tribune) is a rare showcase <strong>of</strong> these young s<strong>in</strong>gers’ talent and an important <strong>step</strong> <strong>in</strong><br />

their careers as they develop <strong><strong>in</strong>to</strong> the next generation <strong>of</strong> Canadian <strong>opera</strong> <strong>stars</strong>. All tickets to the February 6 performance<br />

are affordably priced at only $25 or $55. La clemenza di Tito is sung <strong>in</strong> Italian with English SURTITLES.<br />

The Ensemble Studio artists perform under the direction <strong>of</strong> the same artistic team as the ma<strong>in</strong>stage cast, <strong>in</strong>clud<strong>in</strong>g<br />

visionary American director Christopher Alden and young Israeli conductor Daniel Cohen lead<strong>in</strong>g the full COC<br />

Orchestra and Chorus. Members <strong>of</strong> the Ensemble Studio frequently appear <strong>in</strong> smaller roles or understudy lead<strong>in</strong>g roles<br />

<strong>in</strong> COC ma<strong>in</strong>stage productions. This special performance <strong>of</strong> La clemenza di Tito is an excit<strong>in</strong>g opportunity for<br />

audiences to see these young Canadian artists featured <strong>in</strong> pr<strong>in</strong>cipal roles.<br />

Written <strong>in</strong> the last year <strong>of</strong> Mozart’s life and considered to be one <strong>of</strong> his masterpieces, La clemenza di Tito depicts the<br />

attempted assass<strong>in</strong>ation <strong>of</strong> Roman Emperor Tito, and his subsequent choice to forgive rather than punish the two<br />

conspirators, Vitellia and Sesto. Composed <strong>in</strong> honour <strong>of</strong> the 1791 coronation <strong>of</strong> Emperor Leopold II as K<strong>in</strong>g <strong>of</strong><br />

Bohemia, Mozart’s sublimely beautiful score showcases his sophisticated understand<strong>in</strong>g <strong>of</strong> human nature. La clemenza<br />

di Tito delivers the k<strong>in</strong>d <strong>of</strong> emotional immediacy that only great art possesses, and depicts its complex characters with<br />

both realism and powerful drama.<br />

Shar<strong>in</strong>g the title role <strong>of</strong> the benevolent, forgiv<strong>in</strong>g Tito are two young tenors: Christopher Enns and Owen<br />

McCausland. Manitoba-born Enns, a third-year member <strong>of</strong> the Ensemble, has appeared <strong>in</strong> several ma<strong>in</strong>stage<br />

productions with the COC, <strong>in</strong>clud<strong>in</strong>g The Tales <strong>of</strong> H<strong>of</strong>fmann (2012) and Ariadne auf Naxos (2011), and was praised for<br />

his “large, expressive voice” (NOW) <strong>in</strong> the 2010 Ensemble Studio performance <strong>of</strong> The Magic Flute. New Brunswick’s<br />

McCausland, a Dalhousie University graduate and first-year member <strong>of</strong> the Ensemble, was recently seen as the<br />

Messenger <strong>in</strong> the COC’s fall 2012 production <strong>of</strong> Il Trovatore and has been praised for his “impressively r<strong>in</strong>g<strong>in</strong>g tone”<br />

(La Scena Musicale).<br />

This fall, soprano Ambur Braid was a hit as the “sexy, sparky, sensational” (Toronto Star) Adele <strong>in</strong> the COC’s<br />

production <strong>of</strong> Die Fledermaus. She br<strong>in</strong>gs her three years <strong>of</strong> Ensemble experience to her last ma<strong>in</strong>stage performance as<br />

a member <strong>of</strong> the Ensemble Studio, the challeng<strong>in</strong>g role <strong>of</strong> the schem<strong>in</strong>g Vitellia. Mezzo-soprano Rihab Chaieb, praised<br />

for her performance as the “deliciously evil Ino” (Opera) <strong>in</strong> the 2011 Ensemble Studio performance <strong>of</strong> Semele and her<br />

ability to “[command] the stage with authority” (La Scena Musicale), returns to the ma<strong>in</strong>stage as Vitellia’s lovesick coconspirator,<br />

Sesto.<br />

In her COC ma<strong>in</strong>stage debut, soprano Sasha Djihanian, first-year Ensemble Studio member and first-place w<strong>in</strong>ner <strong>of</strong><br />

the 2011 Ensemble Studio Competition, portrays Tito’s loyal friend Annio. Fellow Ensemble newcomer soprano Claire<br />

de Sévigné, last seen as Ida <strong>in</strong> Die Fledermaus, s<strong>in</strong>gs the role <strong>of</strong> Servilia, Annio’s lover. Round<strong>in</strong>g out the cast as<br />

capta<strong>in</strong> <strong>of</strong> the guard Publio is bass-baritone Neil Craighead, who is <strong>in</strong> his f<strong>in</strong>al season with the Ensemble Studio and<br />

was previously seen <strong>in</strong> the COC’s productions <strong>of</strong> Tosca (2012), Rigoletto (2011) and Idomeneo (2010).<br />

In addition to the special Ensemble Studio cast production <strong>of</strong> La clemenza di Tito on February 6, there are eight<br />

performances <strong>of</strong> the La clemenza di Tito ma<strong>in</strong>stage production runn<strong>in</strong>g from February 3 – 22, 2013 at the<br />

Four Seasons Centre for the Perform<strong>in</strong>g Arts. This is a production from Chicago Opera Theater, with costume design by<br />

Terese Wadden, set design by Andrew Cavanaugh Holland and light<strong>in</strong>g design by Gary Marder.<br />

Page 1 <strong>of</strong> 2


About the Ensemble Studio<br />

The members <strong>of</strong> the Ensemble Studio are the COC’s resident artists and are important ambassadors for the company. S<strong>in</strong>ce<br />

its <strong>in</strong>ception <strong>in</strong> 1980, over 150 young pr<strong>of</strong>essional Canadian s<strong>in</strong>gers, <strong>opera</strong> coaches, stage directors and conductors have<br />

acquired their first major pr<strong>of</strong>essional <strong>opera</strong>tic experience through the Canadian Opera Company Ensemble Studio. Former<br />

members <strong>in</strong>clude Ben Heppner, Isabel Bayrakdarian, John Fann<strong>in</strong>g, Wendy Nielsen, David Pomeroy, Joseph Kaiser,<br />

Allyson McHardy and Kriszt<strong>in</strong>a Szabó.<br />

Members <strong>of</strong> the Ensemble Studio receive a blend <strong>of</strong> advanced study and practical experience through an <strong>in</strong>dividually<br />

tailored, multi-year program, <strong>in</strong>volv<strong>in</strong>g understudy<strong>in</strong>g and perform<strong>in</strong>g ma<strong>in</strong>stage roles, <strong>in</strong>tensive vocal coach<strong>in</strong>g, language<br />

and act<strong>in</strong>g studies, and career skills development, as well as participation <strong>in</strong> masterclasses with <strong>in</strong>ternationally renowned<br />

<strong>opera</strong> pr<strong>of</strong>essionals.<br />

________________________________________________________________________________________<br />

TICKET INFORMATION<br />

S<strong>in</strong>gle tickets for the Ensemble Studio performance <strong>of</strong> La clemenza di Tito are $25 or $55 (<strong>in</strong>cludes applicable taxes).<br />

Tickets are available onl<strong>in</strong>e at coc.ca, by call<strong>in</strong>g 416-363-8231, or <strong>in</strong> person at the Four Seasons Centre for the<br />

Perform<strong>in</strong>g Arts Box Office, located at 145 Queen St. W., Monday to Saturday from 11 a.m. to 6 p.m.<br />

Stand<strong>in</strong>g Room<br />

Sixty $12 Stand<strong>in</strong>g Room tickets are available at 11 a.m. the morn<strong>in</strong>g <strong>of</strong> each performance, <strong>in</strong> person only at the Four<br />

Seasons Centre Box Office. Limit <strong>of</strong> two tickets per person. Subject to availability.<br />

________________________________________________________________________________________<br />

ACKNOWLEDGEMENTS<br />

Ensemble Studio Performance Sponsor: RBC<br />

Present<strong>in</strong>g Sponsor <strong>of</strong> SURTITLES: Sun Life F<strong>in</strong>ancial<br />

Official Automotive Sponsor <strong>of</strong> the COC at the Four Seasons Centre for the Perform<strong>in</strong>g Arts:<br />

Jaguar Land Rover Canada<br />

Official Media Sponsors: CTV and The Globe and Mail<br />

Digital Market<strong>in</strong>g Sponsor: Delv<strong>in</strong>ia<br />

The COC Ensemble Studio, underwritten <strong>in</strong> part by Peter M. Deeb and The Slaight Family Foundation, is Canada’s<br />

premier tra<strong>in</strong><strong>in</strong>g program for young <strong>opera</strong> pr<strong>of</strong>essionals and provides advanced <strong>in</strong>struction, hands-on experience, and<br />

career development opportunities. The Ensemble Studio is also supported by the Government <strong>of</strong> Canada through the<br />

Department <strong>of</strong> Canadian Heritage, RBC Foundation and other generous donors.<br />

_____________________________________________________________________________________<br />

About the Canadian Opera Company<br />

Based <strong>in</strong> Toronto, the Canadian Opera Company is the largest producer <strong>of</strong> <strong>opera</strong> <strong>in</strong> Canada and one <strong>of</strong> the largest <strong>in</strong> North<br />

America. The COC enjoys a loyal audience support-base and one <strong>of</strong> the highest attendance and subscription rates <strong>in</strong> North<br />

America. Under its leadership team <strong>of</strong> General Director Alexander Neef and Music Director Johannes Debus, the COC is<br />

<strong>in</strong>creas<strong>in</strong>gly captur<strong>in</strong>g the <strong>opera</strong> world’s attention. The COC ma<strong>in</strong>ta<strong>in</strong>s its <strong>in</strong>ternational reputation for artistic excellence<br />

and <strong>in</strong>novation by creat<strong>in</strong>g new productions with<strong>in</strong> its diverse repertoire, collaborat<strong>in</strong>g with lead<strong>in</strong>g <strong>opera</strong> companies and<br />

festivals, and attract<strong>in</strong>g the world’s foremost Canadian and <strong>in</strong>ternational artists. The COC performs <strong>in</strong> its own <strong>opera</strong> house,<br />

the Four Seasons Centre for the Perform<strong>in</strong>g Arts, hailed <strong>in</strong>ternationally as one <strong>of</strong> the f<strong>in</strong>est <strong>in</strong> the world. Designed by<br />

Diamond Schmitt Architects, the Four Seasons Centre opened <strong>in</strong> 2006, and is also the performance venue for The National<br />

Ballet <strong>of</strong> Canada. For more <strong>in</strong>formation on the COC, visit its award-w<strong>in</strong>n<strong>in</strong>g website, coc.ca.<br />

- 30 –<br />

For more <strong>in</strong>formation, please contact:<br />

Jennifer Pugsley, Media Relations Manager, tel: 416-306-2303, e-mail: jenniferp@coc.ca<br />

Krist<strong>in</strong> McK<strong>in</strong>non, Assistant Publicist, tel: 416-306-2383, e-mail: kmck<strong>in</strong>non@coc.ca<br />

Page 2 <strong>of</strong> 2

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