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<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

spring & summer 2012


Contents<br />

General Interest 2<br />

New in Paperback 22<br />

Special Interest 43<br />

Distribution Books 58<br />

Gift Books 65<br />

Recent Award-Winners 66<br />

Journals 68<br />

Index 72<br />

Ordering Information 74<br />

Subject Guide<br />

African American Studies 9, 16, 25, 28, 45<br />

Archaeology 11, 52<br />

Art /Art History 30, 46, 62<br />

Baseball 16–21, 39–40<br />

Biography 7, 20–21, 26, 38, 40, 64<br />

California 3, 12, 14<br />

Cooking/Wine 34<br />

Ecology 13, 33<br />

Energy 33<br />

Ethnic Studies 49<br />

Europe 6, 7, 26, 34, 37, 45, 55<br />

Fiction 8, 9<br />

Great Plains 9–10, 30, 35, 42, 51<br />

History<br />

World 37, 44–45, 48–49, 52–53<br />

American 11, 17–19, 39, 42, 45, 50–51, 53, 64<br />

Western 11, 25, 35, 56–57, 64<br />

Military 4, 10, 23–27<br />

Support the <strong>Press</strong><br />

Help the <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> continue<br />

its vital program <strong>of</strong> scholarly and regional book<br />

publishing by becoming a Friend <strong>of</strong> the <strong>Press</strong>. To<br />

join, visit www.nebraskapress.unl.edu or contact<br />

Erika Kuebler Rippeteau, grants and development<br />

specialist, at 402-472-1660 or erippeteau1@unl.edu.<br />

To find out how you can help support a particular<br />

book or series, contact Donna Shear, <strong>Press</strong> director,<br />

at 402-472-2861 or dshear2@unl.edu.<br />

To make a bequest naming the <strong>Press</strong> as the<br />

beneficiary, please contact the <strong>University</strong> <strong>of</strong><br />

<strong>Nebraska</strong> Foundation at 800-432-3216 or visit the<br />

foundation’s website at www.nufoundation.org.<br />

If you would like to download a pdf <strong>of</strong> this catalog, please click here.<br />

To view other unp catalogs, visit our website.<br />

Jewish Studies 6–7, 37, 44–45<br />

Journalism 16<br />

Juvenile Fiction 60<br />

Latin American Studies 48, 52–53<br />

Literary Collections 5, 50<br />

Literary Criticism 37, 54–55<br />

Literary Nonfiction 29, 32<br />

Memoir 1–6, 12, 27–29, 32–34, 36, 41–42<br />

Native Studies 8, 10, 35–36, 38, 48–52, 64<br />

Natural History 3, 14, 30, 32, 54, 60<br />

Nature Writing 3, 30, 32–33, 54, 60<br />

<strong>Nebraska</strong> 30, 54, 60, 62<br />

Photography 30, 60<br />

Sports 15–21, 38–42, 53<br />

Sustainability 13–14<br />

Travel 30, 34<br />

Women’s Studies 4–5, 7, 15<br />

World War II 6, 7, 26, 36, 45<br />

Availability <strong>of</strong> e-books<br />

Libraries may obtain <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> e-books from Baker & Taylor/Blio, EBook Library, ebrary,<br />

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and Sony ReaderStore.<br />

Cover image: From Have You Seen Mary? (see page 58). Photo © Michael Forsberg / www.michaelforsberg.com


memoir<br />

nebraska paperback<br />

Such a Life<br />

lee martin<br />

Lee Martin tells us in his memoir, “I was never meant to come<br />

along. My parents married late. My father was thirty-eight, my<br />

mother forty-one. When he found out she was pregnant, he<br />

asked the doctor, ‘Can you get rid <strong>of</strong> it?’” From such an inauspicious<br />

beginning, Martin began collecting impressions that,<br />

through the tincture <strong>of</strong> time and the magic <strong>of</strong> his narrative gift,<br />

have become the finely wrought pieces <strong>of</strong> Such a Life.<br />

Whether recounting the observations <strong>of</strong> a solemn child,<br />

understood only much later, or exploring the intricacies <strong>of</strong><br />

neighborhood politics at middle age, Martin <strong>of</strong>fers us a richly<br />

detailed, highly personal view that effortlessly expands to illuminate<br />

our world.<br />

At a tender age Martin moved to a new level <strong>of</strong> complexity,<br />

<strong>of</strong> negotiating silences and sadness, when his father lost both<br />

<strong>of</strong> his hands in a farming accident. His stories <strong>of</strong> youth (from<br />

a first kiss to a first hangover) and his reflections on age (as a<br />

vegan recalling the farm food <strong>of</strong> his childhood or as a writer<br />

contemplating the manual labor <strong>of</strong> his father and grandfather)<br />

bear witness to the observant child he was and the insightful<br />

and irresistible storyteller he’s become. His meditations on family<br />

form a highly evocative portrait <strong>of</strong> the relationships at the<br />

heart <strong>of</strong> our lives.<br />

Lee Martin is a pr<strong>of</strong>essor <strong>of</strong> English and teaches creative writing<br />

at Ohio State <strong>University</strong>. He is the author <strong>of</strong> the novels <strong>The</strong><br />

Bright Forever, finalist for the 2006 Pulitzer Prize for Fiction,<br />

and most recently, Break the Skin, as well as two other memoirs,<br />

Turning Bones and From Our House, both available from the<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>. Visit Martin's website at<br />

www.leemartinauthor.com.<br />

“Rich with empathy, wisdom, and wry humor, each essay in this<br />

remarkable book rewards the reader with exquisitely captured<br />

detail and brilliant characterization. In Such a Life, Pulitzer Prize<br />

finalist Lee Martin proves once again that he is the consummate<br />

storyteller, no matter where he puts his talents. An extraordinary,<br />

unforgettable book.”—Dinty W. Moore, author <strong>of</strong> Between Panic<br />

and Desire<br />

“In vivid and lyrical prose, [Martin] explores the relationship between<br />

childhood and the adult self. . . . Martin’s quest to unite his<br />

past and present forces him to confront the fundamental issues <strong>of</strong><br />

mortality and meaning with the largeness <strong>of</strong> his big, easily broken,<br />

but irrepressible midwestern heart.”—Sue William Silverman,<br />

author <strong>of</strong> Fearless Confessions: A Writer’s Guide to Memoir<br />

march<br />

232 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-3647-9<br />

World Except UK<br />

e-book available • 978-0-8032-4013-1<br />

american lives series<br />

Tobias Wolff, series editor<br />

also <strong>of</strong> interest by lee martin<br />

Turning Bones<br />

$28.95s hardcover • 978-0-8032-3231-0<br />

From Our House<br />

A Memoir<br />

$16.95 paperback • 978-0-8032-2290-8<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

1


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

2<br />

march<br />

168 pp. • 5 ½ x 8 ½ • 18 illustrations<br />

$14.95 paperback • 978-0-8032-3839-8<br />

$16.95 Canadian/£9.99 UK<br />

e-book available • 978-0-8032-4016-2<br />

american lives series<br />

Tobias Wolff, series editor<br />

also <strong>of</strong> interest<br />

Sleep in Me<br />

Jon Pineda<br />

See page 29<br />

memoir • family & relationships<br />

a bison original<br />

Descanso for My Father<br />

Fragments <strong>of</strong> a Life<br />

harrison candelaria fletcher<br />

When his father died, Harrison Candelaria Fletcher wasn’t quite<br />

two. His mother packed up his father’s belongings, put the<br />

boxes in a hall closet, and closed the door. <strong>The</strong> “man in a box”<br />

remained a mystery, hardly mentioned, and making only rare<br />

appearances in stories when Fletcher or his siblings inquired.<br />

Meanwhile, his young Hispanic mother transformed herself<br />

into an artist, scouting the back roads and secondhand shops<br />

<strong>of</strong> New Mexico for relics and unlikely treasures to add to her<br />

“little shrines,” or descansos. “Look closely,” she’d say to her son.<br />

“Everything tells a story.”<br />

This book is Fletcher’s literary descanso, a piecing together—<br />

from moments and objects and words—<strong>of</strong> a father’s life, <strong>of</strong> the<br />

life lived without that father, and <strong>of</strong> his own mixed-race identity.<br />

Fletcher’s reflections unfold like a collage, <strong>of</strong>fering a rich array<br />

<strong>of</strong> images and stories <strong>of</strong> life with his single mother, organizing<br />

weekend family car trips to explore graveyards and adobe ruins;<br />

<strong>of</strong> growing up on the fault lines <strong>of</strong> class and culture; <strong>of</strong> being a<br />

father who never had one <strong>of</strong> his own to learn from. From incidents<br />

and observations, Fletcher assembles a beautifully crafted<br />

portrait <strong>of</strong> his family’s unspoken affliction with loss over the<br />

decades, a portrait that finally evokes the father at its heart.<br />

Harrison Candelaria Fletcher is a New Letters Literary Award<br />

winner, four-time Pushcart Prize nominee, and finalist for the<br />

Bakeless Literary Prize, National Magazine Award, and pen<br />

Center usa contest. He is also the editor <strong>of</strong> Shadowbox magazine.<br />

“Fletcher deftly shows us the meaning <strong>of</strong> the word ‘quest’—investigation,<br />

dream, and religious pursuit all cohere around the essential<br />

mystery <strong>of</strong> one man’s life. In the process, the author faces<br />

his own relics, making a large picture out <strong>of</strong> the bright shards <strong>of</strong><br />

memory and uncertainty.”—Judith Kitchen, author <strong>of</strong> Distance and<br />

Direction<br />

“<strong>The</strong>re are so many things to recommend with this book, starting<br />

with its gorgeous prose. <strong>The</strong> essays, which build in an associative<br />

manner, create a memorial that is deeply personal yet rendered<br />

so precisely the reader feels party to the completion.”—Robin<br />

Hemley, author <strong>of</strong> Do Over and director <strong>of</strong> the Nonfiction Writing<br />

Program at the <strong>University</strong> <strong>of</strong> Iowa


memoir • natural history • california<br />

a bison original<br />

Mountains <strong>of</strong> Light<br />

Seasons <strong>of</strong> Reflection in Yosemite<br />

r. mark liebenow<br />

<strong>The</strong> environment may surround us, but when that environment<br />

is a natural wonder like Yosemite National Park, it also reaches<br />

what’s inside us. For Mark Liebenow, Yosemite did just that, and<br />

did so when he needed it most. In Mountains <strong>of</strong> Light, winner<br />

<strong>of</strong> the River Teeth Literary Nonfiction Prize, Liebenow takes<br />

us deep into the heart <strong>of</strong> this wilderness, introducing us to its<br />

grand and subtle marvels—and to the observations, reflections,<br />

and insights its scenery evokes. Acting as our guide, Liebenow<br />

calls on the spirit and legacy <strong>of</strong> naturalist John Muir to rediscover<br />

nature and recover his own exuberance for life. Whether<br />

celebrating the giant sequoias, massive granite mountains, and<br />

wild, untamed rivers, or losing himself on an unmarked trail,<br />

Liebenow is always accompanied by thoughts <strong>of</strong> his wife <strong>of</strong><br />

eighteen years, whose recent and sudden death tempers and<br />

informs his journey.<br />

Interwoven with his experiences are the stories <strong>of</strong> the Native<br />

Americans who lived in the valley for thousands <strong>of</strong> years and <strong>of</strong><br />

the early settlers who followed. Melding documentary with introspection,<br />

environmental reportage with a search for meaning,<br />

Liebenow’s work draws on the lore <strong>of</strong> geology, botany, biology,<br />

and history to show how each aspect <strong>of</strong> the environment is connected<br />

to the rest.<br />

Mark Liebenow has won the Chautauqua Nonfiction Prize,<br />

among other awards. His work has been published in such<br />

journals as the Colorado Review, the Spoon River Poetry Review,<br />

and the Clackamas Literary Review. Visit Liebenow's website at<br />

www.markliebenow.com.<br />

“With his poet’s eye and sensibilities, Mark Liebenow leads us<br />

through one <strong>of</strong> the great American wild lands, Yosemite National<br />

Park. He also marks out a trail through an even wilder landscape—<br />

that <strong>of</strong> grief in the human heart. . . . <strong>The</strong> terrain he explores is<br />

rough and dramatic, exuberant and awe-inspiring.”—Kelsea<br />

Habecker, author <strong>of</strong> Hollow Out<br />

“This is a book <strong>of</strong> a hero’s journey—<strong>of</strong> a journey deep into the<br />

wilderness <strong>of</strong> our hearts among the wild flowing rivers we try to<br />

navigate in the face <strong>of</strong> pain, the glacial movement <strong>of</strong> recovering<br />

from tragic loss. It’s about how when we listen to the gifts <strong>of</strong><br />

nature we can find deep spiritual power; we can find grace. This is<br />

a beautiful book.”—Jeff Knorr, author <strong>of</strong> Keeper and <strong>The</strong> Third Body<br />

Watch the Mountains <strong>of</strong> Light book trailer on YouTube!<br />

march<br />

232 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-4017-9<br />

$18.95 Canadian/£10.99 UK<br />

e-book available • 978-0-8032-4048-3<br />

river teeth literary<br />

nonfiction prize series<br />

Daniel Lehman and Joe Mackall,<br />

series editors<br />

also <strong>of</strong> interest<br />

Yellowstone Autumn<br />

A Season <strong>of</strong> Discovery in a Wondrous Land<br />

W. D. Wetherell<br />

$24.95 hardcover • 978-0-8032-1130-8<br />

An Inside Passage<br />

Kurt Caswell<br />

$17.95 paperback • 978-0-8032-3214-3<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

3


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

4<br />

april<br />

224 pp. • 5 ½ x 8 ½ • 13 illustrations<br />

$24.95 hardcover • 978-0-8032-3504-5<br />

$27.95 Canadian/£15.99 UK<br />

e-book available • 978-0-8032-4028-5<br />

also <strong>of</strong> interest<br />

Black Elephants<br />

A Memoir<br />

Karol Nielsen<br />

$16.95 paperback • 978-0-8032-3537-3<br />

This Is Not the Ivy League<br />

A Memoir<br />

Mary Clearman Blew<br />

$24.95 hardcover • 978-0-8032-3011-8<br />

memoir • military history • women's studies<br />

Eyes Right<br />

Confessions from a Woman Marine<br />

tracy crow<br />

Just out <strong>of</strong> high school in 1977, her personal life already a mess,<br />

Tracy Crow thought the Marines might straighten her out. And<br />

sure enough, in the Corps she became a respected public affairs<br />

<strong>of</strong>ficer and military journalist—one day covering tank maneuvers<br />

or beach assaults, the next interviewing the secretary <strong>of</strong> the<br />

navy. But success didn’t come without a price.<br />

When Crow pledged herself to God, Corps, and Country,<br />

women Marines were still a rarity, and gender inequality<br />

and harassment were rampant. Determined to prove she<br />

belonged, Crow always put her career first—even when, after<br />

two miscarriages and a stillborn child, her marriage to another<br />

Marine <strong>of</strong>ficer began to deteriorate. And when her affair with<br />

a prominent general was exposed—and both were threatened<br />

with court-martial—Crow was forced to re-evaluate her loyalty<br />

to the Marines, her career, and her family.<br />

Eyes Right is Crow’s story. A clear-eyed self-portrait <strong>of</strong> a<br />

troubled teen bootstrapping her way out <strong>of</strong> a world <strong>of</strong> alcoholism<br />

and domestic violence, it is also a rare inside look at<br />

the Marines from a woman’s perspective. Her memoir, which<br />

includes two Pushcart Prize–nominated essays, evokes the<br />

challenges <strong>of</strong> being a woman and a Marine with immediacy and<br />

clarity, and in the process reveals how much Crow’s generation<br />

did for today’s military women, and at what cost.<br />

Tracy Crow is an assistant pr<strong>of</strong>essor <strong>of</strong> creative writing at Eckerd<br />

College in St. Petersburg, Florida, and the nonfiction editor<br />

<strong>of</strong> Prime Number magazine. Her essays and short stories have<br />

appeared in a number <strong>of</strong> literary journals and been nominated<br />

for three Pushcart Prizes. Under the pen name, Carver Greene,<br />

Crow published the conspiracy thriller, An Unlawful Order, the<br />

first in a new series to feature a military heroine. Visit Crow's<br />

website at www.writingformercy.blogspot.com<br />

“A riveting memoir!”—Fred Leebron, author <strong>of</strong> Six Figures<br />

“Eyes Right kicks ass! It’s truly marvelous to read a nonfiction book<br />

that is not an indictment nor an apologia nor a self-justifying hagiography.<br />

. . . It is written with a large and open heart.”—Pinckney<br />

Benedict, author <strong>of</strong> Dogs <strong>of</strong> God<br />

“Terrific! . . . What I keep coming back to is the interrogation room.<br />

That is the room the memoir lives in. <strong>The</strong> suspense. <strong>The</strong> way in<br />

which information is given out bit by bit to make a whole and layered<br />

history, so that it’s clear that no interrogation could ever yield<br />

the true story.”—Kathryn Rhett, author <strong>of</strong> Near Breathing


literary collections • women’s studies • africa<br />

nebraska paperback<br />

Writings from the Sand,<br />

Volume 1<br />

Collected Works <strong>of</strong> Isabelle Eberhardt<br />

isabelle eberhardt<br />

Edited and with an introduction by<br />

Marie-Odile Delacour and Jean-René Huleu<br />

Translated by Melissa Marcus<br />

Born in 1877 in Geneva, Switzerland, Isabelle Eberhardt became<br />

a rebel at an early age. She dressed like a man so she could have<br />

access to areas forbidden to women, smoked in public, and<br />

scandalized Genevan society. Already multilingual (French,<br />

German, and Russian), she began studying Arabic language and<br />

Islamic culture and eventually converted to Islam and joined<br />

a Qadiriyya Sufi brotherhood. Eberhardt traveled throughout<br />

North Africa and wrote about her experiences in short stories,<br />

journals, and reflections. She married an Algerian and led a<br />

legendary and stormy life that included subversive political<br />

anarchism, the mysticism <strong>of</strong> Islam, numerous love affairs, and<br />

most importantly, writing unmatched by her contemporaries.<br />

Writings from the Sand, Volume 1, at once the document <strong>of</strong> a<br />

remarkable life and a literary treasure, appears here in English<br />

for the first time. Volume 1, including journals, diary entries,<br />

and observations <strong>of</strong> life in North Africa, <strong>of</strong>fers a view <strong>of</strong> the<br />

culture and people <strong>of</strong> French Algeria rarely seen by outsiders—<br />

the peasants, prostitutes, mystics, criminals, and other marginalized<br />

members <strong>of</strong> a colonized society. This translation brings<br />

to life a brilliant woman ahead <strong>of</strong> her time while also raising<br />

questions—about North African history, colonialism, gender<br />

representation, and writing—that resonate in our day.<br />

Isabelle Eberhardt (1877–1904) died at the age <strong>of</strong> twenty-seven<br />

in a flash flood in the desert town <strong>of</strong> Aïn Sefra, Algeria. Melissa<br />

Marcus is pr<strong>of</strong>essor emerita <strong>of</strong> French at Northern Arizona<br />

<strong>University</strong>. She is the translator <strong>of</strong> Fawzia Assaad’s Layla, An<br />

Egyptian Woman and Malika Mokeddem’s <strong>The</strong> Forbidden<br />

Woman (<strong>Nebraska</strong>, 1998).<br />

may<br />

560 pp. • 6 x 9 • 1 map<br />

$39.95 paperback • 978-0-8032-1611-2<br />

$44.95 Canadian/£25.99 UK<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Forbidden Woman<br />

Malika Mokeddem<br />

Translated by Melissa Marcus<br />

$19.95s paperback • 978-0-8032-8240-7<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

5


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

6<br />

march<br />

288 pp. • 5 ½ x 8 ½ • 13 illustrations,<br />

1 genealogy, 1 map, 1 chronology<br />

$19.95 paperback • 978-0-8032-3012-5<br />

$21.95 Canadian/£12.99 UK<br />

e-book available • 978-0-8032-4022-3<br />

also <strong>of</strong> interest<br />

Good Neighbors, Bad Times<br />

Echoes <strong>of</strong> My Father’s German Village<br />

Mimi Schwartz<br />

$16.95 paperback • 978-0-8032-2640-1<br />

What <strong>The</strong>y Saved<br />

Pieces <strong>of</strong> a Jewish Past<br />

Nancy K. Miller<br />

$24.95 hardcover • 978-0-8032-3001-9<br />

memoir • jewish studies • world war ii<br />

nebraska paperback<br />

We Are Here<br />

Memories <strong>of</strong> the Lithuanian Holocaust<br />

ellen cassedy<br />

Ellen Cassedy’s longing to recover the Yiddish she’d lost with<br />

her mother’s death eventually led her to Lithuania, once the<br />

“Jerusalem <strong>of</strong> the North.” As she prepared for her journey, her<br />

uncle, sixty years after he’d left Lithuania in a boxcar, made a<br />

shocking disclosure about his wartime experience, and an elderly<br />

man from her ancestral town made an unsettling request.<br />

Gradually, what had begun as a personal journey broadened<br />

into a larger exploration <strong>of</strong> how the people <strong>of</strong> this country, Jews<br />

and non-Jews alike, are confronting their past in order to move<br />

forward into the future. How does a nation—how do successor<br />

generations, moral beings—overcome a bloody past? How do<br />

we judge the bystanders, collaborators, perpetrators, rescuers,<br />

and ourselves? <strong>The</strong>se are the questions Cassedy confronts in We<br />

Are Here, one woman’s exploration <strong>of</strong> Lithuania’s Jewish history<br />

combined with a personal exploration <strong>of</strong> her own family’s place<br />

in it.<br />

Digging through archives with the help <strong>of</strong> a local whose motives<br />

are puzzling to her; interviewing natives, including an old<br />

man who wants to “speak to a Jew” before he dies; discovering<br />

the complications encountered by a country that endured both<br />

Nazi and Soviet occupation—Cassedy finds that it’s not just the<br />

facts <strong>of</strong> history that matter, but what we choose to do with them.<br />

Ellen Cassedy has explored the world <strong>of</strong> the Lithuanian Holocaust<br />

for ten years. Her translations and articles have appeared<br />

in Bridges: A Jewish Feminist Journal, Sh<strong>of</strong>ar: An Interdisciplinary<br />

Journal <strong>of</strong> Jewish Studies, the Forward, and Hadassah. Visit<br />

Cassedy's website at www.ellencassedy.com.<br />

“Pioneering. . . . [We Are Here] will reach out to . . . all those who<br />

care about not replaying in this new century the disasters <strong>of</strong> the<br />

century that has just ended.”—Michael Steinlauf, author <strong>of</strong> Bondage<br />

to the Dead: Poland and the Memory <strong>of</strong> the Holocaust<br />

“This eloquent book can help us to reach out, open our hearts, and<br />

rediscover one another in a spirit <strong>of</strong> mutual understanding.”<br />

—Hon. Valdas Adamkus, former president <strong>of</strong> Lithuania<br />

“A most captivating read. Cassedy <strong>of</strong>fers an extraordinary perspective,<br />

human and moving, to concerns that <strong>of</strong>ten are hidden by tired<br />

clichés, sentimentality, or anger. A rare document.”—Samuel Bak,<br />

survivor <strong>of</strong> the Vilna ghetto and author <strong>of</strong> Painted in Words


iography • women’s studies • jewish studies • world war ii<br />

Epistolophilia<br />

Writing the Life <strong>of</strong> Ona Šimaite ˙<br />

julija šukys<br />

<strong>The</strong> librarian walks the streets <strong>of</strong> her beloved Paris. An old lady<br />

with a limp and an accent, she is invisible to most. Certainly<br />

no one recognizes her as the warrior and revolutionary she<br />

was, when again and again she slipped into the Jewish ghetto<br />

<strong>of</strong> German-occupied Vilnius to carry food, clothes, medicine,<br />

money, and counterfeit documents to its prisoners. Often<br />

she left with letters to deliver, manuscripts to hide, and even<br />

sedated children swathed in sacks. In 1944 she was captured by<br />

the Gestapo, tortured for twelve days, and deported to Dachau.<br />

Through Epistolophilia, Julija Šukys follows the letters and<br />

journals—the “life-writing”—<strong>of</strong> this woman, Ona Šimaitė<br />

(1894–1970). A treasurer <strong>of</strong> words, Šimaitė carefully collected,<br />

preserved, and archived the written record <strong>of</strong> her life, including<br />

thousands <strong>of</strong> letters, scores <strong>of</strong> diaries, articles, and press<br />

clippings. Journeying through these words, Šukys negotiates<br />

with the ghost <strong>of</strong> Šimaitė, beckoning back to life this quiet<br />

and worldly heroine—a giant <strong>of</strong> Holocaust history (one <strong>of</strong> Yad<br />

Vashem’s honored “Righteous Among the Nations”) and yet so<br />

little known. <strong>The</strong> result is at once a mediated self-portrait and a<br />

measured perspective on a remarkable life. It reveals the meaning<br />

<strong>of</strong> life-writing, how women write their lives publicly and<br />

privately, and how their words attach them—and us—to life.<br />

Julija Šukys is the author <strong>of</strong> Silence Is Death: <strong>The</strong> Life and Work<br />

<strong>of</strong> Tahar Djaout (<strong>Nebraska</strong>, 2007). She lives in Montreal, Quebec.<br />

Visit Šukys' website at www.julijasukys.com.<br />

“An intelligent, humane, and noble book that rescues from obscurity<br />

an intelligent, humane, and noble woman. It stands as a testament<br />

to the power <strong>of</strong> reading, writing, compassion, and extraordinary<br />

courage.”—David Bezmozgis, author <strong>of</strong> <strong>The</strong> Free World<br />

“With this searching, nuanced biography, Julija Šukys introduces<br />

the English-speaking world to a genuine heroine <strong>of</strong> the Holocaust,<br />

while at the same time raising vital questions about the role <strong>of</strong><br />

trauma, poverty, and ill health on women’s literary production.”<br />

—Susan Olding, author <strong>of</strong> Pathologies: A Life in Essays<br />

“This is an important new take on the legacy <strong>of</strong> the Holocaust.<br />

Eloquent and elegantly written, it reads like a Sebald text but with<br />

a voice pr<strong>of</strong>oundly its own.”—Laura Levitt, pr<strong>of</strong>essor <strong>of</strong> Religion,<br />

Jewish Studies, and Gender, Temple <strong>University</strong><br />

march<br />

240 pp. • 5 ½ x 8 ½ • 27 illustrations,<br />

2 maps<br />

$24.95 hardcover • 978-0-8032-3632-5<br />

$27.95 Canadian/£15.99 UK<br />

e-book available • 978-0-8032-4030-8<br />

also <strong>of</strong> interest<br />

Outwitting the Gestapo<br />

Lucie Aubrac<br />

Translated by Konrad Bieber<br />

with the assistance <strong>of</strong> Betsy Wing<br />

$15.95s paperback • 978-0-8032-5923-2<br />

Silence Is Death<br />

<strong>The</strong> Life and Work <strong>of</strong> Tahar Djaout<br />

Julija Šukys<br />

$26.95s hardcover • 978-0-8032-4320-0<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

7


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

8<br />

march<br />

152 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-3840-4<br />

$18.95 Canadian/£10.99 UK<br />

e-book available • 978-0-8032-4032-2<br />

native storiers: a series <strong>of</strong><br />

american narratives<br />

Gerald Vizenor and Diane Glancy,<br />

series editors<br />

also <strong>of</strong> interest<br />

Hiroshima Bugi<br />

Atomu 57<br />

Gerald Vizenor<br />

$20.00s paperback • 978-0-8032-3284-6<br />

fiction • native studies<br />

a bison original<br />

Chair <strong>of</strong> Tears<br />

gerald vizenor<br />

<strong>The</strong> best stories create traditions, and this novel by celebrated<br />

Native American writer Gerald Vizenor is a marvelous conjunction<br />

<strong>of</strong> trickster stories and literary ingenuity. Chair <strong>of</strong> Tears<br />

is funny, fierce, ironic, and deadly serious, a sendup <strong>of</strong> sacred<br />

poses, cultural pretensions, and familiar places from reservations<br />

to universities. <strong>The</strong> novel begins with generous stories<br />

about Captain Eighty, his young wife the poker-playing genius<br />

named Quiver, and their children and grandchildren who live<br />

on a rustic houseboat.<br />

Captain Shammer, an extraordinary grandson reared on<br />

the houseboat, and with no formal education, is appointed the<br />

chairman <strong>of</strong> a troubled Department <strong>of</strong> Native American Indian<br />

Studies at a prominent university. Shammer is a natural enterpriser<br />

and ironic showman in the tradition <strong>of</strong> trickster stories.<br />

He arrives at the first faculty meeting dressed in the uniform <strong>of</strong><br />

Gen. George Armstrong Custer. Native students celebrate his<br />

conversion <strong>of</strong> the department into an academic poker parlor<br />

and casino, and a panic radio station. <strong>The</strong> most sensational enterprise<br />

is the training <strong>of</strong> service mongrels to detect the absence<br />

<strong>of</strong> irony.<br />

An irresistible novel <strong>of</strong> original ideas, Chair <strong>of</strong> Tears gets to<br />

the heart <strong>of</strong> questions about identity politics, multiculturalism,<br />

pedantry, and timely virtues.<br />

Gerald Vizenor is Distinguished Pr<strong>of</strong>essor <strong>of</strong> American Studies<br />

at the <strong>University</strong> <strong>of</strong> New Mexico and pr<strong>of</strong>essor emeritus at the<br />

<strong>University</strong> <strong>of</strong> California, Berkeley. He is the author and editor <strong>of</strong><br />

more than thirty books, including Hiroshima Bugi (available in<br />

a Bison Books edition) and, most recently, the novel Shrouds <strong>of</strong><br />

White Earth.<br />

Praise for Gerald Vizenor’s novel Hiroshima Bugi:<br />

“Vizenor has a reputation for taking chances with his novels, for<br />

pushing the form in new directions. He outdoes himself in his<br />

latest. . . . Readers who have shared other adventures with Vizenor<br />

will not be disappointed.”—Library Journal<br />

“Vizenor is at full speed in Hiroshima Bugi. This book is a natural<br />

dance <strong>of</strong> concepts. Vizenor does for Native literature what James<br />

Joyce does for Irish literature in Ulysses and Finnegans Wake.”<br />

—Diane Glancy, author <strong>of</strong> Designs <strong>of</strong> the Night Sky<br />

“Vizenor <strong>of</strong>fers us another sophisticated, alternately sensitive and<br />

ironic meditation on the importance <strong>of</strong> cross-fertilization and<br />

remembrance.”—Thomas Hove, Review <strong>of</strong> Contemporary Fiction


fiction • african american studies • great plains<br />

a bison original<br />

Twelfth and Race<br />

eric goodman<br />

Life takes a strange turn when Richard Allan Gordon, thirty<br />

years old and as white as they come, discovers that, as a result <strong>of</strong><br />

identity theft, five-year-old Jada Reece Gordon bears his name.<br />

<strong>The</strong> product <strong>of</strong> a middle-class Jewish upbringing, Richie finds<br />

himself completely in love and lust with Jada’s mother, LaTisha,<br />

a twenty-five-year-old African American nursing student, and<br />

longs to be a father to her child.<br />

Richie and LaTisha’s story takes place at the intersection <strong>of</strong><br />

love, race, and identity, as the couple is forced to examine their<br />

relationship in light <strong>of</strong> the terrible event that takes the life <strong>of</strong><br />

a young black father and catapults their midwestern city into<br />

chaos. As riots erupt around them and Richie discovers a secret<br />

about his own past that challenges his long-held ideas, he and<br />

LaTisha must come to grips with the forces that threaten to tear<br />

their relationship apart. A novel that doesn’t shy away from the<br />

racism that dwells within the unexamined hearts <strong>of</strong> so many<br />

Americans, Twelfth and Race may shock or outrage some readers,<br />

yet its story is ultimately timely, honest, and hopeful.<br />

Eric Goodman, director <strong>of</strong> the creative writing program at<br />

Miami <strong>University</strong> <strong>of</strong> Ohio, has published four previous novels,<br />

including Child <strong>of</strong> My Right Hand and In Days <strong>of</strong> Awe.<br />

“Eric Goodman brilliantly dramatizes the complex workings <strong>of</strong><br />

the skin game in our supposedly ‘post-racial’ America. . . . This is<br />

fiction at its best, prose that touches, prose that asks us to think<br />

more about who we are, that demands that we be more than we<br />

are. A significant achievement.”—Jeffery Renard Allen, author <strong>of</strong><br />

Rails under My Back<br />

“A wonderful puzzle, leaving us wondering who has stolen whose<br />

identity. <strong>The</strong>re’s an amazing amount <strong>of</strong> wit, soul, candor, and erotic<br />

and intoxicating energy in this deeply probing and suspenseful<br />

novel. An amazingly and gloriously fulfilling read.”—Josip<br />

Novakovich, author <strong>of</strong> April Fool’s Day and Salvation and Other<br />

Disasters<br />

“I know <strong>of</strong> no other writer who has put all the race cards on the<br />

table with such honesty and humanity. Twelfth and Race may very<br />

well be a first <strong>of</strong> its kind.”—Jim Heynen, author <strong>of</strong> <strong>The</strong> One-Room<br />

Schoolhouse<br />

march<br />

288 pp. • 5 ½ x 8 ½<br />

$18.95 paperback • 978-0-8032-3980-7<br />

$20.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-4029-2<br />

flyover fiction series<br />

Ron Hansen, series editor<br />

also <strong>of</strong> interest<br />

Stolen Horses<br />

Dan O’Brien<br />

$19.95 paperback • 978-0-8032-3108-5<br />

<strong>The</strong> Sacred White Turkey<br />

Frances Washburn<br />

$15.95 paperback • 978-0-8032-2846-7<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

9


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

10<br />

march<br />

152 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-3636-3<br />

$18.95 Canadian/£10.99 UK<br />

e-book available • 978-0-8032-4015-5<br />

also <strong>of</strong> interest<br />

A Thrilling Narrative <strong>of</strong> Indian Captivity<br />

Dispatches from the Dakota War<br />

Mary Butler Renville<br />

Edited by Carrie Reber Zeman and<br />

Kathryn Zabelle Derounian-Stodola<br />

See page 51<br />

native studies • military history • great plains<br />

a bison original<br />

Birch Coulie<br />

<strong>The</strong> Epic Battle <strong>of</strong> the Dakota War<br />

john christgau<br />

In the days following the Battle <strong>of</strong> Birch Coulie, the decisive<br />

battle in the deadly Dakota War <strong>of</strong> 1862, one <strong>of</strong> President<br />

Lincoln’s private secretaries wrote: “<strong>The</strong>re has hardly been an<br />

outbreak so treacherous, so sudden, so bitter, and so bloody,<br />

as that which filled the State <strong>of</strong> Minnesota with sorrow and<br />

lamentation.” Even today, at the 150th anniversary <strong>of</strong> the Dakota<br />

War, the battle still raises questions and stirs controversy. In<br />

Birch Coulie John Christgau recounts the dramatic events surrounding<br />

the battle. American history at its narrative best, his<br />

book is also a uniquely balanced and accurate chronicle <strong>of</strong> this<br />

little-understood conflict, one <strong>of</strong> the most important to roil the<br />

American West.<br />

Christgau’s account <strong>of</strong> the war between white settlers and<br />

the Dakota Indians in Minnesota examines two communities<br />

torn by internal dissent and external threat, whites and Native<br />

Americans equally traumatized by the short and violent war.<br />

<strong>The</strong> book also delves into the aftermath, during which thirtyeight<br />

Dakota men were hanged without legal representation or<br />

the appearance <strong>of</strong> defense witnesses, the largest mass execution<br />

in American history. With its unusually nuanced perspective,<br />

Birch Coulie brings a welcome measure <strong>of</strong> clarity and insight to<br />

a critical moment in the troubled history <strong>of</strong> the American West.<br />

John Christgau, an award-winning writer on issues <strong>of</strong><br />

restitution and reconciliation, is the author <strong>of</strong> several books,<br />

including Enemies: World War II Alien Internment, available<br />

in a Bison Books edition. Visit Christgau's website at<br />

www.johnchristgau.com.<br />

“Birch Coulie is a great re-telling <strong>of</strong> a great story. Birch Coulie accurately<br />

captures not only the events leading up to this historic<br />

battle, but also the emotions <strong>of</strong> its participants. Christgau seems<br />

to understand the depth <strong>of</strong> Dakota frustrations that produced<br />

one <strong>of</strong> the most determined Native attacks on US troops in all <strong>of</strong><br />

American History.”—Carl Colwell, LTC U.S. Army (Ret.), director <strong>of</strong><br />

the Renville County (Minnesota) Historical Society and director <strong>of</strong><br />

the Minnesota Valley History Learning Center


american history • american west • archaeology<br />

a bison original<br />

Virginia City<br />

Secrets <strong>of</strong> a Western Past<br />

ronald m. james<br />

Spent cartridges. <strong>The</strong> pieces <strong>of</strong> an original Tabasco Pepper<br />

Sauce bottle. Shards <strong>of</strong> a ceramic pot, stained red. For archaeologists<br />

each <strong>of</strong> the thousands <strong>of</strong> artifacts uncovered at a site<br />

tells a story. For noted Comstock authority Ronald M. James, it<br />

is a story resulting from decades <strong>of</strong> research and excavation at<br />

one <strong>of</strong> the largest National Historic Landmarks in America, the<br />

Nevada town that, with the discovery <strong>of</strong> the Comstock Lode,<br />

became a boomtown microcosm <strong>of</strong> the American West.<br />

Drawing on the work <strong>of</strong> hundreds <strong>of</strong> volunteers, students,<br />

and pr<strong>of</strong>essional archaeologists, Virginia City: Secrets <strong>of</strong> a<br />

Western Past shows how every detail—from unearthed artifacts<br />

to reports <strong>of</strong> local saloons to plans for the cemetery to<br />

surviving nineteenth-century buildings—adds to our view <strong>of</strong><br />

Virginia City when it was one <strong>of</strong> the richest places on earth.<br />

James recreates this unlikely epitome <strong>of</strong> frontier industry and<br />

cosmopolitan living, the thriving hub <strong>of</strong> corporate executives,<br />

middle-class families, miners, prostitutes, and barkeepers—and<br />

more foreign-born residents per capita than anywhere else in<br />

the country—in a spot that had begun its life a few years earlier<br />

as the mining camp <strong>of</strong> several lucky guys. An excavation <strong>of</strong> the<br />

history <strong>of</strong> Virginia City, a window on the heyday <strong>of</strong> the American<br />

frontier, James’s book is also an enlightening look at how<br />

archaeology brings the story <strong>of</strong> the past to life.<br />

Ronald M. James is the long-term state historic preservation<br />

<strong>of</strong>ficer for Nevada and chairman <strong>of</strong> the National Historic<br />

Landmarks Committee <strong>of</strong> the National Park Service. He is the<br />

author or editor <strong>of</strong> numerous books, including <strong>The</strong> Roar and the<br />

Silence: A History <strong>of</strong> Virginia City and the Comstock Lode.<br />

“Framing his inquiry within the cultural context <strong>of</strong> a nineteenthcentury<br />

urban mining community, Ronald James elaborates on<br />

the ways in which artifacts, ec<strong>of</strong>acts, architecture, abandoned<br />

cemeteries, probate records, journals, newspapers, and maps<br />

<strong>of</strong>fer new directions for understanding the dynamic history <strong>of</strong> the<br />

American West’s great Comstock Lode and ‘people from another<br />

century.’”—Kelly J. Dixon, author <strong>of</strong> Boomtown Saloons: Archaeology<br />

and History in Virginia City<br />

may<br />

216 pp. • 6 x 9 • 36 illustrations, 1 map<br />

$16.95 paperback • 978-0-8032-3848-0<br />

$18.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-4008-7<br />

historical archaeology <strong>of</strong><br />

the american west series<br />

Annalies Corbin, series editor<br />

also <strong>of</strong> interest<br />

A Mine <strong>of</strong> Her Own<br />

Women Prospectors in the American West,<br />

1850–1950<br />

Sally Zanjani<br />

$21.95 paperback • 978-0-8032-9916-0<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

11


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

12<br />

march<br />

232 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-3784-1<br />

$18.95 Canadian/£10.99 UK<br />

e-book available • 978-0-8032-4014-8<br />

also <strong>of</strong> interest<br />

Barolo<br />

Matthew Gavin Frank<br />

See page 34<br />

memoir • outdoor adventure • california<br />

nebraska paperback<br />

Pot Farm<br />

matthew gavin frank<br />

After eight months in his childhood home helping his mother<br />

through her bout with cancer, Matthew Frank and his wife<br />

were themselves desperate for comfort. <strong>The</strong>y found sanctuary<br />

in the most unlikely place—amid a collection <strong>of</strong> outcasts and<br />

eccentrics on a plot <strong>of</strong> land miles outside their comfort zone: a<br />

“mostly medical” marijuana farm in California.<br />

Pot Farm details the strange, sublime, and sometimes dangerous<br />

goings-on at Weckman Farm, a place with hidden politics<br />

and social hierarchies, populated by recovering drug addicts,<br />

alternative healers, pseudo-hippie kids, and medical marijuana<br />

users looking to give back. <strong>The</strong>re is also Lady Wanda, the<br />

massive, elusive, wealthy, and heavily armed businesswoman<br />

who owns the farm and runs it from beneath a housedress<br />

and a hat <strong>of</strong> peacock feathers. Frank explores the various roles<br />

that allow this industry to work—from field pickers to tractor<br />

drivers, cooks to yoga instructors, managers to snipers, illegal<br />

immigrants to legal revisionists, and the delivery crew to the<br />

hospice workers on the other end. His book also looks at the<br />

blurry legislation regulating the marijuana industry as well as<br />

the day-to-day logistics <strong>of</strong> running such an operation and all<br />

the relationships that brings into play.<br />

Through firsthand observations and experiences (some influenced<br />

by the farm’s cash crop), interviews, and research, Pot<br />

Farm exposes a thriving but unsung faction <strong>of</strong> contemporary<br />

American culture.<br />

Matthew Gavin Frank is an assistant pr<strong>of</strong>essor <strong>of</strong> creative writing<br />

at Northern Michigan <strong>University</strong>. He is the author <strong>of</strong> Barolo,<br />

available in a <strong>Nebraska</strong> Paperback, and the poetry collections<br />

Sagittarius Agitprop, Warranty in Zulu, and <strong>The</strong> Morrow Plots.<br />

Visit Frank's website at www.matthewgfrank.com.<br />

“Pot Farm is the curious and compelling tale <strong>of</strong> a hazy season spent<br />

harvesting medical marijuana. <strong>The</strong> cast <strong>of</strong> characters rivals those<br />

found in the finest comic fiction, except these folks are real, and<br />

really peculiar. Pot Farm is smart, sly, revelatory, <strong>of</strong>ten laughout-loud<br />

funny, and entirely legal.”—Dinty W. Moore, author <strong>of</strong><br />

Between Panic and Desire<br />

“Sex, politics, intrigue, crime, adventure, life and death—it’s all<br />

here, in a strangely compelling hybrid <strong>of</strong> action flick meets postmodern<br />

philosophical meditation meets Cheech and Chong. This<br />

compulsively readable exposé from a self-proclaimed ‘unreliable<br />

narrator’ has it all, including a cast <strong>of</strong> outcast characters who simply<br />

jump <strong>of</strong>f the page.”—Gina Frangello, author <strong>of</strong> Slut Lullabies


sustainability • ecology<br />

Green Illusions<br />

<strong>The</strong> Dirty Secrets <strong>of</strong> Clean Energy<br />

and the Future <strong>of</strong> Environmentalism<br />

ozzie zehner<br />

We don’t have an energy crisis. We have a consumption crisis.<br />

And this book, which takes aim at cherished assumptions<br />

regarding energy, <strong>of</strong>fers refreshingly straight talk about what’s<br />

wrong with the way we think and talk about the problem.<br />

Though we generally believe we can solve environmental problems<br />

with more energy—more solar cells, wind turbines, and<br />

bi<strong>of</strong>uels—alternative technologies come with their own side<br />

effects and limitations. How, for instance, do solar cells cause<br />

harm? Why can’t engineers solve wind power’s biggest obstacle?<br />

Why won’t contraception solve the problem <strong>of</strong> overpopulation<br />

lying at the heart <strong>of</strong> our concerns about energy, and what will?<br />

This practical, environmentally informed, and lucid book<br />

persuasively argues for a change <strong>of</strong> perspective. If consumption<br />

is the problem, as Ozzie Zehner suggests, then we need<br />

to shift our focus from suspect alternative energies to improving<br />

social and political fundamentals: walkable communities,<br />

improved consumption, enlightened governance, and, most<br />

notably, women’s rights. <strong>The</strong> dozens <strong>of</strong> first steps he <strong>of</strong>fers are<br />

surprisingly straightforward. For instance, he introduces a<br />

simple sticker that promises a greater impact than all <strong>of</strong> the nation’s<br />

solar cells. He uncovers why carbon taxes won’t solve our<br />

energy challenges (and presents two taxes that could). Finally,<br />

he explores how future environmentalists will focus on similarly<br />

fresh alternatives that are affordable, clean, and can actually<br />

improve our well-being.<br />

“Provocative and essential! Green Illusions shakes us awake to the<br />

true challenges we face as a species . . . and inspires us to take action.”—John<br />

Perkins, author <strong>of</strong> Confessions <strong>of</strong> an Economic Hit Man<br />

“At once prophetic and pragmatic—must be read by anyone concerned<br />

about our collective future.”—Joel Bakan, author <strong>of</strong> <strong>The</strong><br />

Corporation and Childhood Under Siege<br />

“An extremely important message for a society whose best-intentioned<br />

members have lost themselves in a wilderness <strong>of</strong> wishful<br />

thinking.”—James Howard Kunstler, author <strong>of</strong> <strong>The</strong> Long Emergency<br />

“Terrific book. . . . Zehner is especially good at untangling sloppy<br />

thinking.”—David Owen, author <strong>of</strong> Green Metropolis<br />

Ozzie Zehner, a philanthropy advisor<br />

who has collaborated on numerous<br />

projects in industry, government, and<br />

academia, is a visiting scholar at the<br />

<strong>University</strong> <strong>of</strong> California, Berkeley.<br />

Visit Zehner's website at<br />

www.ozziezehner.com.<br />

june<br />

456 pp. • 6 x 9 • 12 illustrations, 17 charts,<br />

1 table • Printed on 100% recycled paper<br />

with soy-based ink<br />

$29.95 paperback • 978-0-8032-3775-9<br />

$33.50 Canadian/£19.99 UK<br />

e-book available • 978-0-8032-4336-1<br />

our sustainable future series<br />

Charles A. Francis, Cornelia Flora,<br />

and Paul A. Olson, series editors<br />

also <strong>of</strong> interest<br />

Green Plans, Revised Edition<br />

Blueprint for a Sustainable Earth<br />

Huey D. Johnson<br />

$18.95 paperback • 978-0-8032-6020-7<br />

Crisis and Opportunity<br />

Sustainability in American Agriculture<br />

John E. Ikerd<br />

$18.95 paperback • 978-0-8032-1142-1<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

13


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

14<br />

april<br />

192 pp. • 5 ½ x 8 ½ • 14 illustrations,<br />

1 map<br />

$24.95 hardcover • 978-0-8032-3834-3<br />

$24.95 Canadian/£17.99 UK<br />

e-book available • 978-0-8032-4045-2<br />

also <strong>of</strong> interest<br />

Uphill against Water<br />

<strong>The</strong> Great Dakota Water War<br />

Peter Carrels<br />

$26.95s paperback • 978-0-8032-6397-0<br />

Kayaking Alone<br />

Nine Hundred Miles from Idaho’s Mountains<br />

to the Pacific Ocean<br />

Mike Barenti<br />

$24.95 hardcover • 978-0-8032-1382-1<br />

sustainability • natural history • california<br />

a bison original<br />

River in Ruin<br />

<strong>The</strong> Story <strong>of</strong> the Carmel River<br />

ray a. march<br />

<strong>The</strong> thin ribbon <strong>of</strong> the Carmel River is just thirty-six miles long<br />

and no wider in most places than a child can throw a stone. It<br />

is the primary water supply for the ever-burgeoning presence<br />

<strong>of</strong> tourists, agriculture, and industry on California’s Monterey<br />

Peninsula. It is also one <strong>of</strong> the top ten endangered rivers in<br />

North America. <strong>The</strong> river’s story, which dramatically unfolds in<br />

this book, is an epic tale <strong>of</strong> exploitation, development, and <strong>of</strong>ten<br />

unwitting degradation reaching back to the first appearance <strong>of</strong><br />

Europeans on the pristine peninsula.<br />

River in Ruin is a precise weaving <strong>of</strong> water history—local and<br />

larger—and a natural, social, and environmental narrative <strong>of</strong><br />

the Carmel River. Ray A. March traces the river’s misuse from<br />

1879 and details how ever more successful promotions <strong>of</strong> Monterey<br />

demanded more and more water, leading to one dam after<br />

another. As a result the river was disastrously depleted, cluttered<br />

with concrete rubble, and inhospitable to the fish prized<br />

by visitors and residents alike.<br />

March’s book is a cautionary tale about squandering precious<br />

water resources—about the ultimate cost <strong>of</strong> a ruined river and<br />

the slim but urgent hope <strong>of</strong> bringing it back to life.<br />

Ray A. March, the author <strong>of</strong> several nonfiction books, is<br />

a career journalist and c<strong>of</strong>ounder and editor <strong>of</strong> the Modoc<br />

Independent News. He is also the c<strong>of</strong>ounder <strong>of</strong> Modoc Forum,<br />

a nonpr<strong>of</strong>it perpetuating an awareness <strong>of</strong> rural life through<br />

literature and the arts. Visit March's website at www.redroom.<br />

com/member/ray-march.<br />

“Painstakingly researched, this enlightening book by Ray March<br />

does westerners a considerable favor. We need more books like<br />

this. We need to understand how we created, and how to cure,<br />

the watershed chaos we currently inhabit.”—William Kittredge,<br />

author <strong>of</strong> A Hole in the Sky: A Memoir<br />

“<strong>The</strong> story <strong>of</strong> a river, when best told, is the story <strong>of</strong> the region it succors,<br />

and Ray March has told that story with deep research, clarity<br />

<strong>of</strong> vision, and personal involvement. When it is told particularly<br />

well, as March has done, it is also the story <strong>of</strong> other rivers.”<br />

—Philip L. Fradkin, author <strong>of</strong> A River No More: <strong>The</strong> Colorado River<br />

and the West


sports • soccer • women’s studies<br />

nebraska paperback<br />

Beyond Bend It Like Beckham<br />

<strong>The</strong> Global Phenomenon <strong>of</strong> Women’s Soccer<br />

timothy f. grainey<br />

Foreword by Brittany Timko<br />

Though it burst into public consciousness only with the 1999<br />

World Cup, women’s soccer has been around almost as long as<br />

its male counterpart, flourishing in England during and after<br />

World War I. From the rise <strong>of</strong> women’s soccer following Title<br />

IX legislation in the early seventies to the watershed 1999 World<br />

Cup performance that turned the American team into instant<br />

celebrities, soccer is now the most popular sport for girls and<br />

women, with participation growing exponentially worldwide.<br />

Beyond “Bend It Like Beckham” presents the first in-depth global<br />

analysis <strong>of</strong> the women’s game—both where it has come from<br />

and where it is headed. With commentary from key players,<br />

coaches, and administrators, Timothy F. Grainey follows the<br />

sport’s reach into the unlikeliest places today, even countries<br />

where women were banned from playing soccer just a few short<br />

years ago.<br />

Though women in the United States and Canada still fight<br />

for equal treatment and funding, their situation differs markedly<br />

from the hostility, abuse, and even outright bans that some<br />

women still encounter in trying to pursue an activity they love.<br />

Through the prism <strong>of</strong> soccer this book explores the struggle for<br />

women’s rights abroad, in countries as diverse as Sweden, Russia,<br />

South Africa, Pakistan, Australia, and Iran.<br />

Timothy F. Grainey is a sports journalist who has written<br />

extensively on soccer for World Football Pages, the Seattle Post<br />

Intelligencer, Soccer365.com, Equalizersoccer.com, and<br />

<strong>The</strong>GlobalGame.com.<br />

“Beyond ‘Bend It Like Beckham’ serves as a great history lesson for a<br />

sport where persistent struggle has led to remarkable growth. It<br />

is a wonderfully insightful look at the development <strong>of</strong> the sport in<br />

the United States and abroad. I thoroughly enjoyed the book and<br />

would recommend it to any women’s soccer enthusiast.”—Tiffany<br />

Roberts Sahaydak, Olympic gold medalist, World Cup champion,<br />

and co-head coach <strong>of</strong> women’s soccer at Virginia Commonwealth<br />

<strong>University</strong><br />

“<strong>The</strong> fascinating history <strong>of</strong> women’s soccer around the world is<br />

a story that transcends sports. . . . This important book tells the<br />

interesting story <strong>of</strong> the past, present, and future <strong>of</strong> the sport that<br />

woke up Americans to the success <strong>of</strong> Title IX during the wildly<br />

popular 1999 Women’s World Cup. But there’s much more to<br />

women’s soccer than those memorable few weeks, and Grainey<br />

covers it all.”—Christine Brennan, abc News commentator and<br />

author <strong>of</strong> Best Seat in the House<br />

may<br />

328 pp. • 6 x 9 • 7 illustrations, 15 tables<br />

$19.95 paperback • 978-0-8032-3470-3<br />

$21.95 Canadian/£12.99 UK<br />

e-book available • 978-0-8032-4036-0<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Global Game<br />

Writers on Soccer<br />

Edited by John Turnbull, Thom Satterlee,<br />

and Alon Raab<br />

$19.95 paperback • 978-0-8032-1078-3<br />

Soccer Stories<br />

Anecdotes, Oddities, Lore, and Amazing Feats<br />

Donn Risolo<br />

$24.95 paperback • 978-0-8032-3014-9<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

15


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

16<br />

april<br />

408 pp. • 6 x 9<br />

$39.95 hardcover • 978-0-8032-1076-9<br />

$44.95 Canadian/£28.99 UK<br />

e-book available • 978-0-8032-4020-9<br />

also <strong>of</strong> interest<br />

Blackout<br />

<strong>The</strong> Untold Story <strong>of</strong> Jackie Robinson’s<br />

First Spring Training<br />

Chris Lamb<br />

$16.95 paperback • 978-0-8032-8047-2<br />

Invisible Men<br />

Life in Baseball’s Negro Leagues<br />

Donn Rogosin<br />

Introduction by Monte Irvin<br />

$24.95 paperback • 978-0-8032-5969-0<br />

sports • baseball • african american studies • journalism<br />

Conspiracy <strong>of</strong> Silence<br />

Sportswriters and the Long Campaign<br />

to Desegregate Baseball<br />

chris lamb<br />

<strong>The</strong> campaign to desegregate baseball was one <strong>of</strong> the most<br />

important civil rights stories <strong>of</strong> the 1930s and 1940s. But most <strong>of</strong><br />

white America knew nothing about this story because mainstream<br />

newspapers said little about the color line and less about<br />

the efforts to end it. Even today, as far as most Americans know,<br />

the integration <strong>of</strong> baseball revolved around Branch Rickey’s<br />

signing <strong>of</strong> Jackie Robinson to the Brooklyn Dodgers’ organization<br />

in 1945. This book shows how Rickey’s move, critical as it<br />

may well have been, came after more than a decade <strong>of</strong> work by<br />

black and left-leaning journalists to desegregate the game.<br />

Drawing on hundreds <strong>of</strong> newspaper articles and interviews<br />

with journalists, Chris Lamb reveals how differently black<br />

and white newspapers, and black and white America, viewed<br />

racial equality. He shows how white mainstream sportswriters<br />

perpetuated the color line by participating in what their black<br />

counterparts called a “conspiracy <strong>of</strong> silence.” Between 1933 and<br />

1945, black newspapers and the Communist Daily Worker published<br />

hundreds <strong>of</strong> articles and editorials calling for an end to<br />

baseball’s color line. <strong>The</strong> efforts <strong>of</strong> the alternative presses to end<br />

baseball’s color line, chronicled for the first time in Conspiracy<br />

<strong>of</strong> Silence, constitute one <strong>of</strong> baseball’s—and the civil rights<br />

movement’s—great untold stories.<br />

Chris Lamb, a pr<strong>of</strong>essor <strong>of</strong> media studies at the College <strong>of</strong><br />

Charleston, in Charleston, South Carolina, is the author <strong>of</strong><br />

Blackout: <strong>The</strong> Story <strong>of</strong> Jackie Robinson’s First Spring Training,<br />

available in a Bison Books edition.<br />

“An invaluable addition to studies about the tragic barring <strong>of</strong><br />

blacks from Major League Baseball for almost half <strong>of</strong> the twentieth<br />

century. . . . An independent, moving analysis <strong>of</strong> a crucial era in<br />

American race relations.”—Arnold Rampersad, author <strong>of</strong> Jackie<br />

Robinson: A Biography<br />

“Sure, everyone knows about baseball’s color line and the man who<br />

crossed it. But no one has ever sifted the soil where that line was<br />

drawn, and found as much gold, as Chris Lamb does in Conspiracy<br />

<strong>of</strong> Silence.”—Gary Smith, writer for Sports Illustrated<br />

“Understanding the curious intersection <strong>of</strong> sports and politics is<br />

always a perilous journey. But with Chris Lamb as a guide, it’s<br />

more than a joy. It’s a revelation.”—Dave Zirin, author <strong>of</strong> A People’s<br />

History <strong>of</strong> Sports in the U.S.


sports • baseball • american history<br />

Banzai Babe Ruth<br />

Baseball, Espionage, and Assassination<br />

during the 1934 Tour <strong>of</strong> Japan<br />

robert k. fitts<br />

In November 1934 as the United States and Japan drifted toward<br />

war, a team <strong>of</strong> American League all-stars that included Babe<br />

Ruth, Lou Gehrig, Jimmie Foxx, future secret agent Moe Berg,<br />

and Connie Mack barnstormed across the Land <strong>of</strong> the Rising<br />

Sun. Hundreds <strong>of</strong> thousands <strong>of</strong> fans, many waving Japanese<br />

and American flags, welcomed the team with shouts <strong>of</strong> “Banzai!<br />

Banzai Babe Ruth!” <strong>The</strong> all-stars stayed for a month, playing 18<br />

games, spawning pr<strong>of</strong>essional baseball in Japan, and spreading<br />

goodwill.<br />

Politicians on both sides <strong>of</strong> the Pacific hoped that the amity<br />

generated by the tour—and the two nations’ shared love <strong>of</strong> the<br />

game—could help heal their growing political differences. But<br />

the Babe and baseball could not overcome Japan’s growing nationalism,<br />

as a bloody coup d’état by young army <strong>of</strong>ficers and an<br />

assassination attempt by the ultranationalist War Gods Society<br />

jeopardized the tour’s success. A tale <strong>of</strong> international intrigue,<br />

espionage, attempted murder, and, <strong>of</strong> course, baseball, Banzai<br />

Babe Ruth is the first detailed account <strong>of</strong> the doomed attempt<br />

to reconcile the United States and Japan through the 1934 All<br />

American baseball tour. Robert K. Fitts provides a wonderful<br />

story about baseball, nationalism, and American and Japanese<br />

cultural history.<br />

Robert K. Fitts graduated from the <strong>University</strong> <strong>of</strong> Pennsylvania<br />

and received a PhD from Brown <strong>University</strong>. Originally trained<br />

as an archeologist <strong>of</strong> colonial America, Fitts left that field to<br />

focus on his passion, Japanese baseball. He is also the author <strong>of</strong><br />

Remembering Japanese Baseball: An Oral History <strong>of</strong> the Game<br />

and Wally Yonamine: <strong>The</strong> Man Who Changed Japanese Baseball<br />

(<strong>Nebraska</strong>, 2008). Visit Fitts' website at www.robfitts.com.<br />

“An intelligent, well-crafted account <strong>of</strong> an important period in the<br />

history <strong>of</strong> U.S.-Japan relations. Painstakingly researched, rich in<br />

color and detail, it goes beyond baseball, illuminating the social,<br />

economic, and political life <strong>of</strong> a distant era, the impact <strong>of</strong> which<br />

can still be seen today.”—Robert Whiting, author <strong>of</strong> You Gotta<br />

Have Wa and <strong>The</strong> Meaning <strong>of</strong> Ichiro<br />

“How did two nations that shared the values <strong>of</strong> the same national<br />

pastime go from baseballs to bullets? Historian Rob Fitts tells a<br />

dark tale <strong>of</strong> baseball caught between democracy and fascism in<br />

prewar Japan. Banzai Babe Ruth is a sayonara home run!”—John<br />

Thorn, <strong>of</strong>ficial historian for Major League Baseball<br />

march<br />

368 pp. • 6 x 9 • 35 illustrations, 1 map,<br />

28 tables<br />

$34.95 hardcover • 978-0-8032-2984-6<br />

$38.95 Canadian/£22.99 UK<br />

e-book available • 978-0-8032-4024-7<br />

also <strong>of</strong> interest<br />

Wally Yonamine<br />

<strong>The</strong> Man Who Changed Japanese Baseball<br />

Robert K. Fitts<br />

$26.95 hardcover • 978-0-8032-1381-4<br />

Taking in a Game<br />

A History <strong>of</strong> Baseball in Asia<br />

Joseph A. Reaves<br />

$16.95 paperback • 978-0-8032-9001-3<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

17


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

18<br />

announcing a new series:<br />

memorable teams in baseball history<br />

Mark Armour and Bill Nowlin, series editors<br />

<strong>The</strong> <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> and the Society for American Baseball Research (sabr) continue their longstanding<br />

partnership with this series which focuses on iconic teams with an unquestionable legacy in baseball<br />

history. Each book focuses on a team's memorable single season and collects essays detailing the players,<br />

moments, and games that define these teams. <strong>The</strong> essays bring together contributions <strong>of</strong> many sabr writers<br />

and devoted fans who share passions for these teams and wish to relive those exceptional seasons.<br />

Lyle Spatz’s many books include Dixie<br />

Walker: A Life in Baseball and (with<br />

coauthor Steve Steinberg) 1921: <strong>The</strong><br />

Yankees, the Giants, and the Battle for<br />

Baseball Supremacy in New York,<br />

winner <strong>of</strong> the Seymour Medal (see<br />

page 39).<br />

april<br />

400 pp. • 8 x 10 • 67 illustrations, 44 tables<br />

$26.95 paperback • 978-0-8032-3992-0<br />

$29.95 Canadian/£19.99 UK<br />

e-book available • 978-0-8032-4025-4<br />

sports • baseball • american history<br />

nebraska paperback<br />

<strong>The</strong> Team That Forever<br />

Changed Baseball<br />

and America<br />

<strong>The</strong> 1947 Brooklyn Dodgers<br />

edited by lyle spatz<br />

Of all the teams in the annals <strong>of</strong> baseball, only a select few can<br />

lay claim to historic significance. One <strong>of</strong> those teams is the 1947<br />

Brooklyn Dodgers, the first racially integrated Major League<br />

team <strong>of</strong> the twentieth century. <strong>The</strong> addition <strong>of</strong> Jackie Robinson<br />

to its roster changed not only baseball but also the nation. Yet<br />

Robinson was just one member <strong>of</strong> that memorable club, which<br />

included Carl Furillo, Gil Hodges, Pee Wee Reese, Pete Reiser,<br />

Duke Snider, Eddie Stanky, Arky Vaughan, and Dixie Walker.<br />

Also present was a quartet <strong>of</strong> baseball’s most unforgettable characters:<br />

co-owners Branch Rickey and Walter O’Malley, suspended<br />

manager Leo Durocher, and radio announcer Red Barber.<br />

This book is the first to <strong>of</strong>fer biographies <strong>of</strong> everyone on that<br />

incomparable team as well as accounts <strong>of</strong> the moments and<br />

events that marked the Dodgers’ 1947 season: Commissioner<br />

Happy Chandler suspending Durocher, Rickey luring his old<br />

friend Burt Shotton out <strong>of</strong> retirement to replace Durocher, and<br />

brilliant outfielder Reiser being sidelined after running into<br />

a fence. In spite <strong>of</strong> all this, the Dodgers went on to win the<br />

National League pennant over the heavily favored St. Louis<br />

Cardinals. And <strong>of</strong> course, there is the biggest story <strong>of</strong> the season,<br />

where history and biography coalesce: Jackie Robinson, who<br />

overcame widespread hostility to become Rookie <strong>of</strong> the Year—<br />

and to help the Dodgers set single-game attendance records in<br />

cities around the National League.<br />

“<strong>The</strong> 1947 Brooklyn Dodgers were all heroes to me. . . . 1947 started<br />

one <strong>of</strong> the most heroic decades in baseball history. Lyle Spatz’s<br />

book captures that time which set the stage for Brooklyn’s world<br />

championship.”—Carl Erskine, the Dodgers’ pitcher in 1948


sports • baseball • american history<br />

nebraska paperback<br />

Pitching, Defense,<br />

and Three-Run Homers<br />

<strong>The</strong> 1970 Baltimore Orioles<br />

edited by mark armour<br />

and malcolm allen<br />

For the Baltimore Orioles the glory days stretched to decades.<br />

Through the 1960s and 1970s the team arguably had the best<br />

players, the best manager, the best Minor League teams, the<br />

best scouts and front <strong>of</strong>fice—and, unarguably, the best record<br />

in the American League. But the best <strong>of</strong> all, and one <strong>of</strong> baseball’s<br />

greatest teams ever, was the Oriole's team <strong>of</strong> 1970. Pitching,<br />

Defense, and Three-Run Homers documents that paradoxically<br />

unforgettable yet <strong>of</strong>ten overlooked World Champion team.<br />

Led by the bats <strong>of</strong> Frank Robinson and Boog Powell and a<br />

trio <strong>of</strong> 20-win pitchers, the Orioles won 108 regular season<br />

games and dropped just 1 postseason game on their way to winning<br />

the World Series against the Reds. <strong>The</strong> club featured three<br />

future Hall <strong>of</strong> Fame players (Frank Robinson, Brooks Robinson,<br />

and Jim Palmer), a Hall <strong>of</strong> Fame manager (Earl Weaver), and<br />

several other star players in the prime <strong>of</strong> their careers. Featuring<br />

biographical articles on Weaver, his coaches, the broadcasters,<br />

and the players <strong>of</strong> the 1970 season, this book tells what happened<br />

in and out <strong>of</strong> the game. It details highlights and timelines,<br />

the memorable games, spectacular plays, and the team’s working<br />

philosophy, “the Oriole Way”—and in sum recreates the<br />

magic <strong>of</strong> one <strong>of</strong> the greatest seasons in baseball history.<br />

Mark Armour, the director <strong>of</strong> the Society for American Baseball<br />

Research’s Baseball Biography Project, is the author <strong>of</strong> three<br />

books on baseball, most recently Joe Cronin (<strong>Nebraska</strong>, 2010).<br />

Baltimore native Malcolm Allen has served as associate editor<br />

<strong>of</strong> La Prensa del Beisbol Latino, the quarterly newsletter <strong>of</strong> the<br />

Society for American Baseball Research’s Latino baseball committee.<br />

Visit Armour's website at 1<br />

“I’ll never forget the men whose efforts earned the 1970 Orioles<br />

consideration as one <strong>of</strong> the best ball clubs <strong>of</strong> all time and after<br />

reading Pitching, Defense, and Three-Run Homers, you won’t either.”<br />

—Brooks Robinson, Hall <strong>of</strong> Fame third baseman<br />

“After the embarrassment <strong>of</strong> the year before and the shock <strong>of</strong> losing<br />

to the Miracle Mets, the 1970 Orioles couldn’t wait to avenge that<br />

defeat and show the baseball world what the fans <strong>of</strong> Baltimore<br />

already knew. Brooks Robinson and his cast <strong>of</strong> All-Stars were<br />

knocking on dynasty’s door. <strong>The</strong> Oriole Way was alive and well on<br />

33rd Street.”—Ted Patterson, Orioles history expert<br />

may<br />

272 pp. • 8 x 10 • 43 illustrations • 32 tables<br />

$24.95 paperback • 978-0-8032-3993-7<br />

$27.95 Canadian/£17.99 UK<br />

e-book available • 978-0-8032-4027-8<br />

memorable teams<br />

in baseball history series<br />

Mark Armour and Bill Nowlin, series<br />

editors; copublished with the Society<br />

for American Baseball Research<br />

also <strong>of</strong> interest<br />

Miracle Collapse<br />

<strong>The</strong> 1969 Chicago Cubs<br />

Doug Feldmann<br />

$17.95 paperback • 978-0-8032-2637-1<br />

A Game <strong>of</strong> Brawl<br />

<strong>The</strong> Orioles, the Beaneaters, and the Battle<br />

for the 1897 Pennant<br />

Bill Felber<br />

$24.95 hardcover • 978-0-8032-1136-0<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

19


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

20<br />

april<br />

664 pp. • 6 x 9 • 39 illustrations<br />

$39.95 hardcover • 978-0-8032-2039-3<br />

$44.95 Canadian/£28.99 UK<br />

e-book available • 978-0-8032-4035-3<br />

also <strong>of</strong> interest<br />

Connie Mack and the<br />

Early Years <strong>of</strong> Baseball<br />

Norman L. Macht<br />

See page 40<br />

Branch Rickey<br />

Baseball’s Ferocious Gentleman<br />

Lee Lowenfish<br />

$24.95 paperback • 978-0-8032-2453-7<br />

sports • baseball • biography<br />

Connie Mack<br />

<strong>The</strong> Turbulent and Triumphant Years,<br />

1915–1931<br />

norman l. macht<br />

<strong>The</strong> Philadelphia Athletics dominated the first fourteen years <strong>of</strong><br />

the American League, winning six pennants through 1914 under<br />

the leadership <strong>of</strong> their founder and manager, Connie Mack.<br />

But beginning in 1915, where the second volume in Norman L.<br />

Macht’s three-part biography picks up the story, Mack’s teams<br />

fell from pennant winners to last place and, in an unprecedented<br />

reversal <strong>of</strong> fortunes, stayed there for seven years. World<br />

War I robbed baseball <strong>of</strong> young players, and Mack’s rebuilding<br />

efforts using green youngsters <strong>of</strong> limited ability made his teams<br />

the objects <strong>of</strong> public ridicule.<br />

At the age <strong>of</strong> fifty-nine and in the face <strong>of</strong> widespread skepticism<br />

and seemingly insurmountable odds, Connie Mack reasserted<br />

his genius, remade the A’s, and rose again to the top, even<br />

surpassing his earlier success. Baseball biographer and historian<br />

Macht recreates what may be the most remarkable chapter in<br />

this larger-than-life story. He shows us the man and his time<br />

and the game <strong>of</strong> baseball in all its nitty-gritty glory <strong>of</strong> the 1920s,<br />

and how Connie Mack built the 1929–31 champions <strong>of</strong> Foxx,<br />

Simmons, Cochrane, Grove, Earnshaw, Miller, Haas, Bishop,<br />

and Dykes—a team many consider baseball’s greatest ever.<br />

Norman L. Macht is the author <strong>of</strong> more than thirty books,<br />

including Connie Mack and the Early Years <strong>of</strong> Baseball (see page<br />

40).<br />

“I can’t think <strong>of</strong> a better match between biographer and subject.<br />

Like the man he continues to so capably chronicle, Norman Macht<br />

is astute, authoritative, and meticulous. If you want to learn about<br />

twentieth-century baseball, you’ll have to read this book. <strong>The</strong> best<br />

part is that you’ll want to.”—Tom Swift, author <strong>of</strong> Chief Bender’s<br />

Burden


sports • baseball • biography<br />

nebraska paperback<br />

Double No-Hit<br />

Johnny Vander Meer’s Historic<br />

Night under the Lights<br />

james w. johnson<br />

<strong>The</strong> average pitcher has about a .000645 chance <strong>of</strong> throwing a<br />

no-hitter. In the spring <strong>of</strong> 1938, Cincinnati Reds rookie pitcher<br />

Johnny Vander Meer pitched two, back-to-back. <strong>The</strong> feat has<br />

never been duplicated, which comes as no surprise to sports<br />

pr<strong>of</strong>essionals and aficionados alike. Decade after decade, in one<br />

poll after another (from Sport magazine, Sports Illustrated, and<br />

espn), Vander Meer’s consecutive no-hitters turn up as one <strong>of</strong><br />

baseball’s greatest and most untouchable achievements.<br />

Double No-Hit <strong>of</strong>fers an inning-by-inning account <strong>of</strong> that<br />

historic second consecutive no-hitter accomplished during the<br />

first night game in New York City, with the Cincinnati Reds<br />

facing the Brooklyn Dodgers in Ebbets Field. James W. Johnson<br />

sets the stage and assembles the colorful cast <strong>of</strong> characters.<br />

Highlighting the story with recollections and observations from<br />

owners, managers, and players past and present, he fills in the<br />

details <strong>of</strong> Vander Meer’s accomplishment—and his baseball<br />

career, which never lived up to expectations heightened by his<br />

sensational performance. In the end, Double No-Hit brings to<br />

life a bygone era <strong>of</strong> the national pastime and one shining spring<br />

night, June 15, 1938, when a twenty-two-year-old fireballing<br />

lefthander with lousy control pitched his way into the top tier <strong>of</strong><br />

baseball’s record book.<br />

James W. Johnson, pr<strong>of</strong>essor emeritus <strong>of</strong> journalism at the<br />

<strong>University</strong> <strong>of</strong> Arizona, is the author <strong>of</strong> several books including<br />

<strong>The</strong> Dandy Dons and <strong>The</strong> Wow Boys, both available in Bison<br />

Books editions.<br />

“Johnny Vander Meer’s extraordinary feat <strong>of</strong> pitching back-to-back<br />

no-hitters is truly one <strong>of</strong> baseball’s unique records. <strong>The</strong> story <strong>of</strong><br />

how he went about pitching no-hitters four days apart deserves to<br />

be told for future generations <strong>of</strong> baseball fans. <strong>The</strong> phenomenal<br />

accomplishment is a record that is unlikely to be tied or broken.”<br />

—Nolan Ryan, Hall <strong>of</strong> Fame pitcher and ceo and president <strong>of</strong> the<br />

Texas Rangers<br />

“<strong>The</strong>re was out-<strong>of</strong>-the-blue, lottery-winner magic in Vander Meer’s<br />

accomplishment, two no-hitters in a row, something never done<br />

before or since, probably never to be repeated. Pose! Smile! Pop!<br />

That magic has been captured here in fine detail and preserved<br />

between the covers <strong>of</strong> Double No-Hit by James Johnson. A terrific<br />

job.”—Leigh Montville, author <strong>of</strong> Ted Williams: <strong>The</strong> Biography <strong>of</strong> an<br />

American Hero<br />

april<br />

208 pp. • 5 ½ x 8 ½ • 1 appendix<br />

$15.95 paperback • 978-0-8032-7139-5<br />

$17.95 Canadian/£12.99 UK<br />

e-book available • 978-0-8032-7143-2<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Dandy Dons<br />

Bill Russell, K. C. Jones, Phil Woolpert,<br />

and One <strong>of</strong> College Basketball’s Greatest<br />

and Most Innovative Teams<br />

James W. Johnson<br />

$19.95 paperback • 978-0-8032-1877-2<br />

Streak<br />

Joe DiMaggio and the Summer <strong>of</strong> ’41<br />

Michael Seidel<br />

$18.95 paperback • 978-0-8032-9293-2<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

21


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

22<br />

New in Paperback<br />

(plus Bison Books logo)<br />

New in<br />

Paperback


memoir • military history • psychology<br />

Shadow <strong>of</strong> the Sword<br />

A Marine’s Journey <strong>of</strong> War, Heroism,<br />

and Redemption<br />

jeremiah workman<br />

With John R. Bruning<br />

Foreword by Sergeant Major Carlton W. Kent<br />

Staff Sergeant Jeremiah Workman is one <strong>of</strong> the Marine Corps’s<br />

best-known contemporary combat veterans. In this searing and<br />

inspiring memoir, he tells an unforgettable story <strong>of</strong> his service<br />

overseas—and <strong>of</strong> the emotional wars that continue long after<br />

fighting soldiers come home.<br />

In the Iraqi city <strong>of</strong> Fallujah in December 2004, Workman<br />

faced the challenge that would change his life. He and his<br />

platoon came upon a building in which insurgents had trapped<br />

their fellow Marines. Leading repeated assaults on that building,<br />

Workman killed more than twenty <strong>of</strong> the enemy in a firefight<br />

that left three <strong>of</strong> his own men dead.<br />

But Workman’s most difficult fight lay ahead, in the battlefield<br />

<strong>of</strong> his mind. He returned stateside, was awarded the Navy<br />

Cross for gallantry under fire, and was then assigned to the<br />

Marine base at Parris Island as a drill instructor. Haunted by<br />

the thought that he had failed his men overseas, Workman suffered<br />

a psychological breakdown in front <strong>of</strong> the soldiers he was<br />

charged with preparing for war.<br />

In Shadow <strong>of</strong> the Sword, a memoir that brilliantly captures<br />

both wartime courage and its lifelong consequences, Workman<br />

candidly reveals the ordeal <strong>of</strong> post-traumatic stress.<br />

“A raw, heartfelt account <strong>of</strong> how a man <strong>of</strong> valor lost his bearings and<br />

eventually found the courage to share his story.”—Bing West<br />

“Searing. . . . In its depiction <strong>of</strong> combat, Shadow <strong>of</strong> the Sword ranks<br />

with Marcus Luttrell’s Lone Survivor.”—Wall Street Journal<br />

“This superior addition to the literature on the Iraq War is an<br />

exceptionally vivid account <strong>of</strong> combat and its aftermath. . . . Workman’s<br />

testimony gives hope that those suffering the nightmare <strong>of</strong><br />

ptsd can free themselves sufficiently to avoid becoming additional<br />

casualties <strong>of</strong> the current war.”—Booklist<br />

“An important book about a debilitating injury that thousands <strong>of</strong><br />

warriors struggle with each day. It is only fair that Americans understand<br />

the true costs <strong>of</strong> war. Be informed. Be inspired. Read this<br />

book.”—Wesley R. Gray, U.S. Naval Institute’s Proceedings<br />

Jeremiah Workman is a military service<br />

coordinator with the Department <strong>of</strong><br />

Veteran Affairs. John R. Bruning is<br />

the author or coauthor <strong>of</strong> ten books,<br />

including How to Break a Terrorist and<br />

Bombs Away!: <strong>The</strong> World War II Bombing<br />

Campaigns over Europe. Carlton W. Kent<br />

served as the sixteenth Sergeant Major<br />

<strong>of</strong> the Marine Corps. Visit Workman's<br />

webiste at www.jeremiahworkman.com.<br />

april<br />

280 pp. • 6 x 9 • 22 illustrations<br />

$17.95 paperback • 978-0-8032-4096-4<br />

$19.95 Canadian<br />

No sales in British Commonwealth (excluding<br />

Canada), Republics <strong>of</strong> Eire, and South Africa<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Warriors<br />

Reflections on Men in Battle<br />

J. Glenn Gray<br />

$17.95 paperback • 978-0-8032-7076-3<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

23


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

24<br />

military history • civil war<br />

<strong>The</strong> Approaching Fury<br />

Voices <strong>of</strong> the Storm, 1820–1861<br />

stephen b. oates<br />

Biographer and<br />

historian Stephen B.<br />

Oates tells the story<br />

<strong>of</strong> the coming <strong>of</strong> the<br />

American Civil War<br />

through the voices and<br />

perspectives <strong>of</strong> thirteen<br />

principal players in the<br />

drama, from Thomas<br />

Jefferson and Henry<br />

Clay in the Missouri<br />

crisis <strong>of</strong> 1820 down to<br />

Stephen A. Douglas,<br />

Jefferson Davis, and Abraham Lincoln in the final<br />

crisis <strong>of</strong> 1861. This innovative approach shows the<br />

crucial role that perception <strong>of</strong> events played in the<br />

sectional hostilities that pushed the United States<br />

irreversibly toward a national calamity.<br />

Nat Turner, William Lloyd Garrison, John C.<br />

Calhoun, Frederick Douglass, Harriet Beecher<br />

Stowe, George Fitzhugh, John Brown, and Mary<br />

Boykin Chesnut also provide perspectives. Each<br />

character takes a turn onstage, narrating critical<br />

events in which he or she was a major participant<br />

or eyewitness. For the dramatic monologues, Oates<br />

draws on the actual words <strong>of</strong> his speakers—in letters,<br />

speeches, interviews, recollections, and other<br />

recorded utterances—and then simulates how, were<br />

they reminiscing aloud, they would describe these<br />

events in which they were the principal actors or<br />

witnesses. All the events and themes reflect the<br />

historical record.<br />

“This book powerfully re-creates some <strong>of</strong> the momentous<br />

events that produced the catastrophe <strong>of</strong> 1861.<br />

Oates succeeds in bringing his characters alive . . .<br />

[and] in getting inside each <strong>of</strong> them.”<br />

—Robert V. Remini, New York Times Book Review<br />

“<strong>The</strong>re can be few complaints about the historical accuracy<br />

and authenticity <strong>of</strong> Oates’s material. It comes<br />

from the printed record, either what his characters<br />

said or wrote or what other historians have written<br />

about them. . . . Oates has written a lively book.”<br />

—Jean H. Baker, American Historical Review<br />

april<br />

512 pp. • 5 ½ x 8 ½<br />

$24.95 paperback • 978-0-8032-6931-6<br />

$27.95 Canadian/£17.99 UK<br />

military history • civil war<br />

<strong>The</strong> Whirlwind <strong>of</strong> War<br />

Voices <strong>of</strong> the Storm, 1861–1865<br />

stephen b. oates<br />

<strong>The</strong> Whirlwind <strong>of</strong> War<br />

builds on the great<br />

themes and follows<br />

many <strong>of</strong> the important<br />

figures who were<br />

introduced in <strong>The</strong><br />

Approaching Fury. Stephen<br />

B. Oates’s riveting<br />

narrative brings to<br />

life the complex and<br />

destructive war that<br />

is the central event<br />

in American history.<br />

He writes in the first person, assuming the viewpoints<br />

<strong>of</strong> several <strong>of</strong> the principal figures: the rival<br />

presidents, Abraham Lincoln and Jefferson Davis;<br />

the rival generals, Robert E. Lee, Ulysses S. Grant,<br />

and William Tecumseh Sherman; the great black<br />

abolitionist, editor, and orator, Frederick Douglass;<br />

the young Union battlefield nurse, Cornelia<br />

Hancock; the brilliant head <strong>of</strong> the Chicago Sanitary<br />

Commission and cocreator <strong>of</strong> the northern Sanitary<br />

Fair, Mary Livermore; the Confederate socialite and<br />

political insider, Mary Boykin Chesnut; the assassin,<br />

John Wilkes Booth; and the greatest poet <strong>of</strong> the era,<br />

Walt Whitman, who speaks in the coda about the<br />

meaning <strong>of</strong> war and Lincoln’s death.<br />

Stephen B. Oates is Kendall Pr<strong>of</strong>essor <strong>of</strong> History<br />

Emeritus at the <strong>University</strong> <strong>of</strong> Massachusetts–Amherst<br />

and has published eighteen books, includig<br />

With Malice Toward None: A Biography <strong>of</strong> Abraham<br />

Lincoln. Oates is a recipient <strong>of</strong> the Nevins-Freeman<br />

Award <strong>of</strong> the Chicago Civil War Round Table for<br />

lifetime achievement in the field <strong>of</strong> Civil War studies.<br />

“A sweeping, fast-moving story, smoothly readable,<br />

broader in scope than many one-volume histories <strong>of</strong><br />

the war.”—New York Times Book Review<br />

“Oates’s intensive research has brought new light to<br />

some <strong>of</strong> the more complex issues <strong>of</strong> the time.”<br />

—Washington Post Book World<br />

april<br />

864 pp. • 5 ½ x 8 ½<br />

$28.95 paperback • 978-0-8032-6930-9<br />

$32.50 Canadian/£20.99 UK


military history • civil war • african american studies • american west<br />

Men <strong>of</strong> Color to Arms!<br />

Black Soldiers, Indian Wars,<br />

and the Quest for Equality<br />

elizabeth d. leonard<br />

In 1863, at the height <strong>of</strong> the Civil War, Frederick Douglass<br />

promised African Americans that serving in the military <strong>of</strong>fered<br />

a sure path to freedom. More than 180,000 black men<br />

heeded his call to defend the Union, only to find that the path<br />

to equality would not be so straightforward.<br />

Drawing on eye-opening firsthand accounts, Elizabeth D.<br />

Leonard restores black soldiers to their place in the arc <strong>of</strong><br />

American history, from the Civil War and its promise <strong>of</strong><br />

freedom up to the dawn <strong>of</strong> the twentieth century and the full<br />

retrenchment <strong>of</strong> Jim Crow. Along the way, Leonard <strong>of</strong>fers a<br />

nuanced account <strong>of</strong> black soldiers’ involvement in the Indian<br />

wars, their attempts to desegregate West Point and gain proper<br />

recognition for their service, and their experiences during Reconstruction,<br />

as blacks worked to secure their place in an everchanging<br />

nation. With abundant primary research, enlivened by<br />

memorable characters and vivid descriptions <strong>of</strong> army life, Men<br />

<strong>of</strong> Color to Arms! is an illuminating portrait <strong>of</strong> a group <strong>of</strong> men<br />

whose contributions to American history, as this book abundantly<br />

demonstrates, merit a more thorough examination.<br />

Elizabeth D. Leonard is the John J. and Cornelia V. Gibson<br />

Pr<strong>of</strong>essor <strong>of</strong> History at Colby College and the author <strong>of</strong> five<br />

books, including Lincoln’s Avengers: Justice, Revenge, and<br />

Reunion after the Civil War and Lincoln’s Forgotten Ally: Judge<br />

Advocate General Joseph Holt <strong>of</strong> Kentucky.<br />

“<strong>The</strong> richness <strong>of</strong> [Leonard’s] stories shines through, and firstperson<br />

accounts <strong>of</strong> hardships suffered on the plains are especially<br />

gripping.”—Publishers Weekly<br />

“Brimming with life and in the words <strong>of</strong> those who struggled, Men<br />

<strong>of</strong> Color to Arms! is an indispensable addition to African-American<br />

historical literature. Those unfamiliar with this overlooked and<br />

long-neglected story will find illumination in Leonard’s highly<br />

recommended book.”—James A. Percoco, Civil War News<br />

“One <strong>of</strong> the most useful books to come out <strong>of</strong> the United States in<br />

recent years. . . . Leonard looses a cannon <strong>of</strong> detail that embraces<br />

both Army life and the tests that they faced to gain equality.”<br />

—Colin Gardiner, Oxford Times<br />

june<br />

336 pp. • 6 x 9 • 46 illustrations<br />

$19.95 paperback • 978-0-8032-4071-1<br />

$21.95 Canadian<br />

No sales in British Commonwealth except Canada<br />

also <strong>of</strong> interest<br />

A Regiment <strong>of</strong> Slaves<br />

<strong>The</strong> 4th United States Colored Infantry,<br />

1863–1866<br />

Edward G. Longacre<br />

$19.95 paperback • 978-0-8032-3794-0<br />

Black Cadet in a White Bastion<br />

Charles Young at West Point<br />

Brian G. Shellum<br />

$16.95 paperback • 978-0-8032-9315-1<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

25


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

26<br />

biography • military history • civil war<br />

General Jo Shelby’s March<br />

anthony arthur<br />

One <strong>of</strong> the most remarkable<br />

but surprisingly<br />

little known stories <strong>of</strong><br />

the post-Civil War era<br />

is the unforgettable account<br />

<strong>of</strong> how a famous<br />

Confederate general<br />

forged a defiant new life<br />

out <strong>of</strong> crushing defeat<br />

and finally achieved forgiveness<br />

and respect in<br />

his own reunited land.<br />

General Jo Shelby, a<br />

daring and ruthless cavalry commander renowned<br />

and notorious for his slashing forays behind Union<br />

lines, declared after Appomattox that he would never<br />

surrender. With three hundred men, some from his<br />

fighting “Iron Brigade” regiment, others adventurers,<br />

fortune hunters, and deserters, he headed for Mexico.<br />

In vivid detail, General Jo Shelby’s March describes<br />

the dusty and dangerous 1,200-mile trek that this<br />

“last holdout <strong>of</strong> the Confederacy” made through a<br />

lawless Texas. Shelby arrived to present a quixotic<br />

proposal to Emperor Maximilian: he and his fellow<br />

Americans would take over the Mexican army<br />

and, after being reinforced by forty thousand more<br />

Confederate soldiers, the government itself. Though<br />

a dramatic, doomed, and brave endeavor, Shelby’s<br />

actions changed both him and American history<br />

forever.<br />

Historian Anthony Arthur then recounts the<br />

astonishing end <strong>of</strong> Shelby’s career: his return to the<br />

United States and his renouncing <strong>of</strong> slavery, his nomination<br />

by President Grover Cleveland to become U.S.<br />

marshal for western Missouri, and his eventual fame<br />

as a model <strong>of</strong> nineteenth-century progressivism.<br />

Anthony Arthur (1937–2009) was a pr<strong>of</strong>essor<br />

emeritus <strong>of</strong> literature at California State <strong>University</strong>,<br />

Northridge, and the author <strong>of</strong> five books, including<br />

Clashes <strong>of</strong> Will: Great Confrontations That Have<br />

Shaped Modern America.<br />

“Arthur fluidly crafts an exciting narrative for Civil War<br />

buffs.”—Booklist<br />

may<br />

296 pp. • 6 x 9 • 17 illustrations, 1 map<br />

$19.95 paperback • 978-0-8032-4077-3<br />

$21.95 Canadian<br />

No sales in British Commonwealth (excluding Canada),<br />

Republics <strong>of</strong> Eire, and South Africa<br />

military history • world war ii<br />

Abundance <strong>of</strong> Valor<br />

Resistance, Survival, and Liberation: 1944–45<br />

will irwin<br />

<strong>The</strong> operation known as<br />

“Market-Garden”—made<br />

famous in the book and<br />

film A Bridge Too Far—<br />

was the largest airborne<br />

assault in history up<br />

to that time, a highrisk<br />

Allied invasion <strong>of</strong><br />

enemy territory that<br />

has become a legend <strong>of</strong><br />

World War II even as<br />

it still invites criticism.<br />

Abundance <strong>of</strong> Valor<br />

re-creates for the first time the full adventures <strong>of</strong> the<br />

bold “Jedburgh” paratroopers, whose exploits were<br />

equally risky and heroic.<br />

Kicked <strong>of</strong>f on September 17, 1944, Market-Garden<br />

was intended to secure crucial bridges in Nazi-occupied<br />

Holland by a parachute assault conducted by<br />

three Allied airborne divisions. Jedburgh teams—Allied<br />

Special Forces—were dropped into the Netherlands<br />

to train and use the Dutch resistance in support<br />

<strong>of</strong> the larger operation. Based on new firsthand<br />

testimony <strong>of</strong> survivors and declassified documents,<br />

Abundance <strong>of</strong> Valor concentrates on the three teams<br />

that operated farthest behind enemy lines, the nine<br />

men whose treacherous missions resulted in deaths,<br />

captures, and hairbreadth escapes.<br />

With piercing criticism <strong>of</strong> the mission’s failure<br />

through faulty use <strong>of</strong> intelligence, Abundance <strong>of</strong> Valor<br />

is a brutally honest and truly inspiring account <strong>of</strong><br />

fighting men in a noble cause who did their jobs with<br />

extraordinary honor and courage.<br />

Will Irwin retired from the U.S. Army in January<br />

2000 after a career <strong>of</strong> more than twenty-eight years,<br />

half <strong>of</strong> that in Special Forces. He is the author <strong>of</strong> <strong>The</strong><br />

Jedburghs: <strong>The</strong> Secret History <strong>of</strong> the Allied Special<br />

Forces, France 1944 and currently works as a defense<br />

consultant in Tampa, Florida.<br />

“A thoroughly enthralling book for serious students <strong>of</strong><br />

World War II, this is the labor <strong>of</strong> love <strong>of</strong> a Special Forces<br />

veteran with a rare talent for writing and research.”<br />

—Booklist<br />

april<br />

432 pp. • 6 x 9 • 83 illustrations, 4 maps<br />

$22.95 paperback • 978-0-8032-4068-1<br />

$25.95 Canadian<br />

No sales in British Commonwealth (excluding Canada),<br />

Republics <strong>of</strong> Eire, and South Africa


memoir • military history • vietnam<br />

Desertion in the Time<br />

<strong>of</strong> Vietnam<br />

A Memoir<br />

jack todd<br />

With a new introduction by the author<br />

In 1969 Jack Todd was twenty-three and happy beyond his<br />

dreams. He had left behind a hardscrabble youth in a small<br />

<strong>Nebraska</strong> town, had an exciting job as a reporter for the Miami<br />

Herald, and was in love with his beautiful Cuban American girlfriend.<br />

As the war in Vietnam drew closer, he assumed that he<br />

would fight, as the men in his family had always fought, though<br />

he was increasingly troubled by America’s role there. His oldest<br />

friend, who had just returned from Vietnam, pleaded with Jack<br />

to dodge the draft and go to Canada, but Jack entered the army.<br />

He had almost completed basic training when, on Christmas<br />

leave, he made an agonizing decision. By now deeply opposed<br />

to the war, he crossed the border into Canada, leaving behind<br />

his family, the girl he loved, and his homeland.<br />

Now one <strong>of</strong> Canada’s most successful journalists, Jack Todd<br />

is a remarkable writer <strong>of</strong> great power and vibrancy. It has taken<br />

him thirty years to come to terms with the guilt and shame<br />

<strong>of</strong> desertion, to break the silence, and to tell this controversial,<br />

moving, and pr<strong>of</strong>oundly American story. <strong>The</strong> result is an<br />

eloquent account <strong>of</strong> a tortured time in our nation’s history told<br />

with searing honesty, passion, and literary verve.<br />

“Through his personal story, Todd conveys, in a voice that haunts<br />

and sings, the impact <strong>of</strong> an unpopular war on a generation <strong>of</strong><br />

young Americans.”—Publishers Weekly<br />

“A powerful, well-written account.”—Library Journal<br />

“From Jack Todd we come closer to understanding the terrible costs<br />

to those who stayed back and survived.”—Quill & Quire<br />

“I doubt that Mr. Todd would call himself a hero—certainly most<br />

so-called ‘patriotic’ Americans would not—but having read this<br />

frank, beautiful memoir, I can think <strong>of</strong> no better term to describe a<br />

man <strong>of</strong> such incredible integrity and moral courage. In tight, powerful<br />

prose, Mr. Todd captures the terrors and doubts and humiliations<br />

that must necessarily accompany such acts <strong>of</strong> spiritual and<br />

political valor.”—Tim O’Brien, author <strong>of</strong> <strong>The</strong> Things <strong>The</strong>y Carried<br />

and Going After Cacciato<br />

“America lost some <strong>of</strong> its best men in the Vietnam war—including<br />

those who chose exile. . . . Jack Todd’s [voice] is a clear, brave,<br />

truthful rendition <strong>of</strong> the other experience this nation had, and we<br />

need it now more than ever.”—James Carroll, author <strong>of</strong> An American<br />

Requiem and Constantine’s Sword<br />

Jack Todd is a sports columnist for the<br />

Montreal Gazette, where he won the<br />

National Newspaper Award for sportswriting.<br />

He is also the author <strong>of</strong> three<br />

novels, Rain Falls Like Mercy, Come Again<br />

No More, and Sun Going Down. Visit Todd's<br />

website at www.jacktoddtheauthor.com.<br />

march<br />

312 pp. • 5 ¼ x 8<br />

$18.95 paperback • 978-0-8032-3981-4<br />

$20.95 Canadian/£11.99 UK<br />

also <strong>of</strong> interest<br />

When We Walked Above the Clouds<br />

A Memoir <strong>of</strong> Vietnam<br />

H. Lee Barnes<br />

$29.95 hardcover • 978-0-8032-3448-2<br />

Looking for a Hero<br />

Staff Sergeant Joe Ronnie Hooper<br />

and the Vietnam War<br />

Peter Maslowski and Don Winslow<br />

$29.95 paperback • 978-0-8032-2493-3<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

27


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

28<br />

march<br />

256 pp. • 5 ½ x 8 ½<br />

$17.95 paperback • 978-0-8032-4095-7<br />

$19.95 Canadian<br />

No sales in British Commonwealth (excluding<br />

Canada), Republics <strong>of</strong> Eire, and South Africa<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Last Street Before Cleveland<br />

An Accidental Pilgrimage<br />

Joe Mackall<br />

$24.95 hardcover • 978-0-8032-3255-6<br />

memoir • african american studies<br />

Street Shadows<br />

A Memoir <strong>of</strong> Race, Rebellion,<br />

and Redemption<br />

jerald walker<br />

Street Shadows recounts Jerald Walker’s renunciation <strong>of</strong> the<br />

“thug life” he had embraced as a teenager on the South Side <strong>of</strong><br />

Chicago in favor <strong>of</strong> the education and middle-class life his parents<br />

had always dreamed <strong>of</strong> for their children. By turns ironic,<br />

humorous, angry, and poignant, Walker’s narrative dramatically<br />

captures his pursuit and embodiment <strong>of</strong> the “American dream”:<br />

the effort to rise above obstacles such as racism and poverty<br />

through hard work and determination.<br />

Walker explores questions <strong>of</strong> race and identity through the<br />

lens <strong>of</strong> personal choice—including decisions he made as a high<br />

school dropout, a drug and alcohol abuser, a returning student,<br />

a young academic, a visitor to Africa in search <strong>of</strong> his roots, and<br />

a husband and father, as well as the diverse choices made by his<br />

blind parents, his six siblings, and his wife and her family. He<br />

highlights the importance <strong>of</strong> education, the values <strong>of</strong> self-help<br />

and self-reliance, and his rejection <strong>of</strong> the victim mentality that<br />

many feel pervades black communities.<br />

Winner <strong>of</strong> the 2011 pen New England/L. L. Winship Award<br />

for Nonfiction, Street Shadows is an eloquent account <strong>of</strong> how<br />

the past shadows but need not determine the present. It is also<br />

a stirring portrait <strong>of</strong> two Americas—one hopeless, the other<br />

inspirational—embodied within the same man.<br />

Jerald Walker is an associate pr<strong>of</strong>essor <strong>of</strong> creative writing at<br />

Emerson College. His work has appeared in numerous magazines<br />

and anthologies, including multiple times in Best American<br />

Essays.<br />

“[A] spectacular debut. . . . A funny, poignant, thoughtful and<br />

exceptionally well-written memoir. . . . While delivering a thorough,<br />

personal take on race relations, opportunity, and privilege, Walker<br />

hooks readers with his prose and honesty, without plying for sympathy<br />

or playing to readers’ preconceptions.”—Publishers Weekly<br />

“[Walker] has written an inspiring book about willfully redirecting<br />

his life. But this is also a larger story about racial self-consciousness.<br />

. . . As his book makes clear, racism <strong>of</strong> a sort—latent,<br />

systemic or otherwise—is a simple fact <strong>of</strong> life in America. Destiny<br />

is another matter.”—Economist<br />

“Walker never fails to be honest where truth is needed and he never<br />

fails to be gracious where generosity is possible.”—Marilynne<br />

Robinson, author <strong>of</strong> Gilead and Home


memoir<br />

2010 Holiday Barnes & Noble Discover<br />

Great New Writers program selection<br />

Named one <strong>of</strong> the top memoirs <strong>of</strong> 2010 by Library Journal<br />

Sleep in Me<br />

jon pineda<br />

Against the backdrop <strong>of</strong><br />

his teenage sister’s car<br />

accident—in which a<br />

dump truck filled with<br />

sand slammed into the<br />

small car carrying her<br />

and her friends—Jon<br />

Pineda chronicles his<br />

sister Rica’s sudden<br />

transformation from<br />

a vibrant high school<br />

cheerleader to a girl<br />

wheelchair bound and<br />

unable to talk. For the next five years <strong>of</strong> her life,<br />

her only ability to communicate was through her<br />

rudimentary use <strong>of</strong> sign language. Lyrical in its<br />

approach and unflinching in its honesty, Sleep in Me<br />

is a heartrending memoir <strong>of</strong> the coming-<strong>of</strong>-age <strong>of</strong> a<br />

boy haunted by a family tragedy.<br />

A prize-winning poet’s account <strong>of</strong> the irreparable<br />

damage and the new understanding that tragedy<br />

brings to his Filipino American family, Pineda’s<br />

book is a remarkable story maneuvering between<br />

childhood memories <strong>of</strong> his sister cheerleading<br />

and moments <strong>of</strong> monitoring her in a coma and<br />

changing her adult diapers. Pineda adeptly navigates<br />

between these moments <strong>of</strong> idyllic youth and<br />

heartbreaking sadness. Vivid and lyrical, his story is<br />

an exploration <strong>of</strong> what it means to live deeply with<br />

tragedy and <strong>of</strong> the impact such a story can have on<br />

a boy’s journey to manhood.<br />

Jon Pineda teaches in the mfa creative writing<br />

program at Queens <strong>University</strong> <strong>of</strong> Charlotte and is<br />

the author <strong>of</strong> two books <strong>of</strong> poetry, <strong>The</strong> Translator’s<br />

Diary and Birthmark. Visit Pineda's website at<br />

www.jonpineda.com.<br />

“Pineda lays bare his struggles with family duty and<br />

identity in this literary standout.”—Library Journal<br />

march<br />

168 pp. • 5 ½ x 8 ½<br />

$14.95 paperback • 978-0-8032-4341-5<br />

$16.95 Canadian/£9.99 UK<br />

e-book available • 978-0-8032-3355-3<br />

american lives series<br />

Tobias Wolff, series editor<br />

literary nonfiction<br />

In Rooms <strong>of</strong> Memory<br />

Essays<br />

hilary masters<br />

This exquisite, mature<br />

collection <strong>of</strong> personal<br />

essays by Hilary Masters<br />

<strong>of</strong>fers a rare pleasure.<br />

One <strong>of</strong> the most illustrious<br />

contemporary<br />

essayists transfigures<br />

incidents and observations<br />

into something far<br />

more—a finely crafted<br />

window into the workings<br />

<strong>of</strong> experience and<br />

memory.<br />

Masters makes readers privy to a youthful love<br />

affair; an adolescent’s discovery in Defoe’s Robinson<br />

Crusoe <strong>of</strong> the key to an immigrant grandfather’s<br />

plight; and the significance <strong>of</strong> growing trees, making<br />

gravy, and playing cards. He draws intimate<br />

portraits <strong>of</strong> such characters as his famous father,<br />

Edgar Lee Masters; his literary friends Wright Morris<br />

and William Humphrey; and the strangers who<br />

both complicated and enriched his life. In glimpses<br />

<strong>of</strong> moments from naive youth through heady young<br />

adulthood to aging maturity, these essays tell the<br />

story <strong>of</strong> a life deeply, broadly, and thoroughly lived.<br />

Hilary Masters’s novels, short fiction, and<br />

nonfiction have been cited in Best American Short<br />

Stories, Best American Essays, and Pushcart Prize<br />

anthologies. In 2003 the American Academy <strong>of</strong> Arts<br />

and Letters gave his work its award for literature.<br />

Best known for his memoir Last Stands: Notes from<br />

Memory, Masters’s most recent publications include<br />

the book-length essay Shadows on a Wall: Juan<br />

O’Gorman and the Mural in Pátzcuaro, the collection<br />

<strong>of</strong> short stories How the Indians Buried <strong>The</strong>ir<br />

Dead, and the novel Post.<br />

“Hilary Masters <strong>of</strong>fers humor, insight, anecdote, foodappreciation<br />

and more—all while demonstrating the<br />

ability to zig (or zag) when others around him would<br />

forge straight ahead. . . . Masters proves a companionable<br />

and erudite guide.”—Pittsburgh City Weekly<br />

may<br />

264 pp. • 5 ½ x 8 ½<br />

$14.95 paperback • 978-0-8032-4002-5<br />

$16.95 Canadian/£9.99 UK<br />

e-book available • 978-0-8032-2615-9<br />

american lives series<br />

Tobias Wolff, series editor<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

29


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

30<br />

may<br />

160 pp. • 8 x 9 • 78 photographs<br />

$24.95 paperback • 978-0-8032-4053-7<br />

$27.95 Canadian/£17.99 UK<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Last Prairie<br />

A Sandhills Journal<br />

Stephen R. Jones<br />

$15.95 paperback • 978-0-8032-7630-7<br />

Sales in United States and its dependencies<br />

and territories, Canada, and Mexico<br />

Portraits <strong>of</strong> the Prairie<br />

<strong>The</strong> Land that Inspired Willa Cather<br />

Richard Schilling<br />

$44.95 hardcover • 978-0-8032-2260-1<br />

Along the Edge <strong>of</strong> Daylight<br />

Photographic Travels from <strong>Nebraska</strong><br />

and the Great Plains<br />

Georg Joutras<br />

$45.00 hardcover • 978-0-8032-2603-6<br />

<strong>Nebraska</strong><br />

Under a Big Red Sky<br />

Joel Sartore<br />

$21.95 paperback • 978-0-8032-5970-6<br />

nebraska • photography • travel • natural history • nature writing<br />

Like No Other Place<br />

<strong>The</strong> Sandhills <strong>of</strong> <strong>Nebraska</strong><br />

david a. owen<br />

Covering nearly twenty thousand square miles, the Sandhills<br />

<strong>of</strong> <strong>Nebraska</strong> is a rich and layered region that is home to one <strong>of</strong><br />

the most productive ranching areas in the country. In 2008<br />

and 2009, photographer and storyteller David A. Owen traveled<br />

through western <strong>Nebraska</strong> to capture the unconventional<br />

beauty <strong>of</strong> the geography and singular way <strong>of</strong> life <strong>of</strong> the residents<br />

there. Connecting the everyday activities <strong>of</strong> the ranchers<br />

and residents he encounters to the vast, isolated landscape,<br />

Owen provides a fascinating window into this dazzling area <strong>of</strong><br />

America.<br />

Through Owen’s fine ear and eye, Like No Other Place takes<br />

the reader on a memorable journey into an out-<strong>of</strong>-the-way<br />

destination that is part <strong>of</strong> a modern American West and yet still<br />

organically linked to its past. Owen’s photographs and stories<br />

tell <strong>of</strong> a remarkable region where history, legend, memory, and<br />

reality are all intertwined.<br />

David A. Owen is a retired Episcopal minister. His photographs<br />

<strong>of</strong> the Sandhills have been exhibited in <strong>Nebraska</strong> and Connecticut<br />

and were twice featured in <strong>Nebraska</strong> Life magazine.<br />

“David Owen has beautifully captured the rhythms <strong>of</strong> the <strong>Nebraska</strong><br />

Sandhills in his new book. His essays and photographs convey his<br />

affection and deep respect for the land and the people, and he<br />

captures the essence <strong>of</strong> this distinctive and magnificent American<br />

place.”—David J. Wishart, editor <strong>of</strong> <strong>The</strong> Encyclopedia <strong>of</strong> the Great<br />

Plains<br />

<strong>The</strong> original schoolhouse in Ellsworth.


Clockwise from top: Ellsworth at night; Brody Brennan; Bill Shrewbury's place; Gordon Jones; and Wrenches.<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

31


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

32<br />

memoir • natural history • alaska<br />

Rock, Water, Wild<br />

An Alaskan Life<br />

nancy lord<br />

For Nancy Lord, what<br />

began as a yearning<br />

for adventure and a<br />

childhood fascination<br />

with a wild and distant<br />

land culminated in a<br />

move to Alaska in the<br />

early 1970s. Here she<br />

discovered the last place<br />

in America “big and<br />

wild enough to hold the<br />

intact landscapes and<br />

the dreams that are so<br />

absent today from almost everywhere else.” In Rock,<br />

Water, Wild, Lord takes readers on a journey among<br />

salmon, sea lions, geese, moose, bears, glaciers, and<br />

indigenous languages, and ultimately into a new<br />

understanding, beyond geographic borders, <strong>of</strong> our<br />

intricate and intimate connections to the natural<br />

world.<br />

Vast and beautiful, and much more than a mere<br />

place, Alaska is nonetheless inescapably a land <strong>of</strong><br />

natural extremes and exquisite subtleties. In Lord’s<br />

explorations, “the country” <strong>of</strong> Alaska evokes reflections<br />

on the importance <strong>of</strong> place and space in our<br />

lives; arguments over roads carved in the wilderness;<br />

musings on the role <strong>of</strong> location and landscape<br />

in the Dena’ina Athabascan language; accounts<br />

<strong>of</strong> sport fishing in the Russian Far East in the first<br />

days <strong>of</strong> perestroika and <strong>of</strong> climbing in the Arrigetch<br />

Peaks <strong>of</strong> Alaska’s Brooks Range; and considerations<br />

<strong>of</strong> the politics <strong>of</strong> whaling. Lord proves an excellent<br />

guide to the challenges and pleasures <strong>of</strong> making<br />

oneself at home on this Earth.<br />

Nancy Lord is a former Alaska Writer Laureate<br />

and a Pushcart Prize–winning author. Her previous<br />

acclaimed books include Fishcamp, Green Alaska,<br />

<strong>The</strong> Man Who Swam with Beavers, and Beluga Days.<br />

Visit Lord's website at www.nancylord.alaskawriters.com.<br />

“A protective love story <strong>of</strong> a place <strong>of</strong> vast, otherworldly<br />

beauty.”—Kirkus Reviews<br />

may<br />

248 pp. • 5 ½ x 8 ½<br />

$17.95 paperback • 978-0-8032-4000-1<br />

$19.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-2609-8<br />

literary nonfiction • natural history • antarctica<br />

<strong>The</strong> Entire Earth and Sky<br />

Views on Antarctica<br />

leslie carol roberts<br />

More than a distant<br />

continent, Antarctica is<br />

a land <strong>of</strong> the imagination,<br />

shaping and shaped<br />

for centuries by explorers,<br />

adventurers, scientists,<br />

and dreamers. <strong>The</strong><br />

Entire Earth and Sky, a<br />

kaleidoscope <strong>of</strong> legends,<br />

stories, field notes, images,<br />

reports, history, letters,<br />

and research, renders an<br />

impression, both vast and<br />

microscopic, <strong>of</strong> the effect <strong>of</strong> human beings on the land<br />

we call Antarctica, and its effect on us. It balances the<br />

reality <strong>of</strong> the frigid outpost populated by a ragtag alliance<br />

<strong>of</strong> international researchers against the crystalline<br />

dream-scape <strong>of</strong> a continent at the bottom <strong>of</strong> the<br />

world.<br />

When Leslie Carol Roberts went to Antarctica for<br />

the first time with Greenpeace, she was hoping to<br />

save the world. In the twenty years since then, she has<br />

shifted to the no less difficult task <strong>of</strong> saving Antarctica<br />

itself, compiling memoirs and stories, learning the<br />

biology and geography <strong>of</strong> the icy land, and documenting<br />

her own journey. This book weaves the tragic<br />

and heroic tales <strong>of</strong> nineteenth-century exploration,<br />

interviews with scientists, and the author’s personal<br />

observations into a remarkable collage that evokes the<br />

beauty and the complexity, the perils and the rewards<br />

<strong>of</strong> a lifelong engagement with the earth’s last wilderness.<br />

Leslie Carol Roberts (mfa, <strong>University</strong> <strong>of</strong> Iowa)<br />

was a Fulbright Fellow at Gateway Antarctica New<br />

Zealand and now teaches in the Graduate Design<br />

Program at the California College <strong>of</strong> the Arts, San<br />

Francisco. She has written hundreds <strong>of</strong> articles and<br />

essays for publications, including the Bellevue Literary<br />

Review, and the Christian Science Monitor. Visit<br />

Roberts' website at www.lesliecarolroberts.org.<br />

“Roberts shows a poet’s attention to detail. . . . [She] tells<br />

many forgotten stories <strong>of</strong> Antarctica in an engaging style<br />

that will appeal to anyone with an interest in cold places,<br />

travel adventures, and overlooked history.”—Booklist<br />

july<br />

328 pp. • 5 ½ x 8 ½ • 11 photographs, 1 map<br />

$18.95 paperback • 978-0-8032-4001-8<br />

$20.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-6764-0


memoir • ecology • energy<br />

Oil Notes<br />

rick bass<br />

With a new introduction by the author<br />

Oil Notes is about the excitement <strong>of</strong> the earth below us, the<br />

passing <strong>of</strong> time, and oil: where it is trapped, how it is discovered,<br />

and its gradual disappearance. Writing in the form <strong>of</strong> a journal,<br />

Rick Bass brings a lyric imagination to the oil geologist’s craft,<br />

measuring people’s short lives and relationships against the<br />

seemingly immutable history <strong>of</strong> the earth, showing mountains<br />

and forests that do not move while we are free to race across<br />

them, living our lives in the ultimate freedom <strong>of</strong> speed. To<br />

dig for oil is a way to dig deep into human experience, a kind<br />

<strong>of</strong> subterranean exploration <strong>of</strong> self. And nothing escapes this<br />

writer’s eye or imagination.<br />

In lean, considered prose, Bass’s essays and notes <strong>of</strong>fer fascinating<br />

insights into the oil industry while skillfully painting<br />

the picture <strong>of</strong> a young man on the verge <strong>of</strong> adulthood. Oil Notes<br />

successfully conveys the excitement <strong>of</strong> possibility—a stimulating<br />

career, the pursuit <strong>of</strong> a wonderful woman, the beautiful<br />

mystery <strong>of</strong> the earth—that so addresses and captivates us in our<br />

own lives.<br />

Bass provides a new introduction for this edition reflecting<br />

how much—and how little—has changed since his youth in the<br />

oil industry.<br />

Rick Bass, a former petroleum geologist and wildlife biologist,<br />

is the author <strong>of</strong> seventeen works <strong>of</strong> fiction, nonfiction, and<br />

memoir, including the novel Nashville Chrome and Platte River,<br />

a collection <strong>of</strong> short stories available in a Bison Books edition.<br />

“[Bass] knows how to write; and like his oil witchery, this gift is<br />

extravagant and natural.”—Time<br />

“Oil Notes pierces the human condition and drills deeply into the<br />

heart <strong>of</strong> man’s search for his place on the planet. It is a wildcat<br />

find, as rich and textured as the oil Bass sought in this chronicle <strong>of</strong><br />

life and exploration in Mississippi. His voice hums with the power<br />

and rhythm <strong>of</strong> derricks, pumping language for the last drop <strong>of</strong><br />

natural beauty.”—Jackson Clarion-Ledger<br />

“With the awareness and eye <strong>of</strong> a naturalist and a writer’s gift with<br />

language, [Bass] <strong>of</strong>fers a low-key, upbeat work that celebrates<br />

youthful energy and optimism.”—Publishers Weekly<br />

“Rick Bass has accomplished the remarkable feat <strong>of</strong> doing for oil<br />

exploration what Izaak Walton did for fishing.”—Times Literary<br />

Supplement<br />

april<br />

192 pp. • 5 ½ x 8 ½ • 21 illustrations<br />

$16.95 paperback • 978-0-8032-4040-7<br />

$18.95 Canadian/£10.99 UK<br />

also <strong>of</strong> interest<br />

Platte River<br />

Rick Bass<br />

$18.95 paperback • 978-0-8032-5973-7<br />

Breaking into the Backcountry<br />

Steve Edwards<br />

$16.95 paperback • 978-0-8032-2653-1<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

33


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

34<br />

italy • wine • travel<br />

Palmento<br />

A Sicilian Wine Odyssey<br />

robert v. camuto<br />

Inspired by a deep passion<br />

for wine, an Italian<br />

heritage, and a desire<br />

for a land somewhat<br />

wilder than his home<br />

in southern France,<br />

Robert V. Camuto set<br />

out to explore Sicily’s<br />

emerging wine scene.<br />

What he discovered<br />

during more than a year<br />

<strong>of</strong> traveling the region,<br />

however, was far more<br />

than a fascinating wine frontier.<br />

Chronicling his journey through Palermo to<br />

Marsala, and across the rugged interior <strong>of</strong> Sicily to<br />

the heights <strong>of</strong> Mount Etna, Camuto captures the<br />

personalities and flavors, the traditions and natural<br />

riches that have made Italy’s largest and oldest wine<br />

region the world traveler’s newest discovery.<br />

Amid wild landscapes, lavish markets, dramatic<br />

religious rituals, deliciously contrasting flavors,<br />

and the astonishing natural warmth <strong>of</strong> its people,<br />

Camuto finds an expression <strong>of</strong> humanity and<br />

nature—and the space where the two merge into<br />

something more. He takes readers into the nascent<br />

anti-Mafia movement in the former mob vineyards<br />

around infamous Corleone; tells stories <strong>of</strong> some <strong>of</strong><br />

the island’s most prominent landowning families;<br />

and introduces entertainment celebrities and other<br />

foreigners drawn to Sicily’s vineyards. He takes<br />

wine as a powerful metaphor for the independent<br />

identity <strong>of</strong> this mythic land, which has thrown <strong>of</strong>f<br />

its legacies <strong>of</strong> violence, corruption, and poverty to<br />

emerge, finally free, with its great soul intact.<br />

Robert V. Camuto is an award-winning journalist<br />

and travel writer. He is a contributor to Wine<br />

Spectator and the Washington Post and the author<br />

<strong>of</strong> Corkscrewed: Adventures in the New French Wine<br />

Country, available in a Bison Books edition. Visit<br />

Camuto's website at www.robertcamuto.net.<br />

“A beautiful, enthralling work, eternally wistful and<br />

hopeful, much like Sicily itself.”—New York Times<br />

march<br />

312 pp. • 5 ½ x 8 ½ • 30 illustrations, 1 map<br />

$18.95 paperback • 978-0-8032-3995-1<br />

$20.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-3399-7<br />

at table series<br />

italy • wine/cooking • memoir • travel<br />

Barolo<br />

matthew gavin frank<br />

After a childhood <strong>of</strong> microwaved<br />

meat and saturated<br />

fat, Matthew Gavin<br />

Frank got serious about<br />

food. His “research” ultimately<br />

led him to Barolo,<br />

Italy, where, living out <strong>of</strong> a<br />

tent in the garden <strong>of</strong> a local<br />

farmhouse, he resolved<br />

to learn about Italian<br />

food from the ground up.<br />

Barolo is Frank’s account<br />

<strong>of</strong> those six months.<br />

At once an intimate travelogue and a memoir <strong>of</strong><br />

a culinary education, Barolo details the adventures<br />

<strong>of</strong> a not-so-innocent abroad in a region known for<br />

its food and wine. Upon arrival, Frank began picking<br />

wine grapes for famed vintner Luciano Sandrone.<br />

He tells how, between lessons in the art <strong>of</strong> the grape<br />

harvest, he discovered, explored, and savored the<br />

gustatory riches <strong>of</strong> Italy’s Piemonte region. Along<br />

the way we meet the region’s families and the many<br />

eccentric vintners, butchers, bakers, and restaurateurs<br />

who call Barolo home. Rich with details <strong>of</strong> real Italian<br />

small-town life, local foodstuffs, strange markets, and<br />

a circus-like atmosphere, Frank’s story also <strong>of</strong>fers a<br />

wealth <strong>of</strong> historical and culinary information, moments<br />

<strong>of</strong> flamboyance, and musings on foreign travel<br />

(and its many alien seductions), all filtered through<br />

food and wine.<br />

Matthew Gavin Frank is an assistant pr<strong>of</strong>essor <strong>of</strong><br />

creative writing at Northern Michigan <strong>University</strong>. He<br />

has published essays in Gastronomica, Creative Nonfiction,<br />

and Best Food Writing 2006 and is the author <strong>of</strong><br />

Pot Farm (<strong>Nebraska</strong>, 2012).<br />

“This remarkable and enchanting tale makes me want<br />

to set the clock back many years and to book passage<br />

to Italy and to the sips <strong>of</strong> the world’s greatest wine, and<br />

to be inspired by all the things that make life such a<br />

wonderful journey! Kudos to Matthew Gavin Frank for<br />

reminding us what really makes life worth living!”<br />

—Charlie Trotter, host <strong>of</strong> pbs’s <strong>The</strong> Kitchen Sessions with<br />

Charlie Trotter<br />

march<br />

248 pp. • 5 ½ x 8 ½ • 8 illustrations<br />

$17.95 paperback • 978-0-8032-4006-3<br />

$19.95 Canadian/£11.99 UK<br />

e-book available • 978-0-8032-2830-6<br />

at table series


western history • native studies • great plains<br />

Voices <strong>of</strong> the American West<br />

eli s. ricker<br />

Edited and with an introduction by Richard E. Jensen<br />

In the first decade <strong>of</strong> the twentieth century, as the Old West<br />

became increasingly distant and romanticized in popular<br />

consciousness, <strong>Nebraska</strong> judge Eli S. Ricker (1843–1926) began<br />

interviewing those who had experienced it firsthand, hoping to<br />

write a multivolume series about its last days. For years Ricker<br />

traveled across the northern plains, determinedly gathering<br />

information on and <strong>of</strong>f reservations in winter and in summer.<br />

Judge Ricker never wrote his book, but his interviews are priceless<br />

sources <strong>of</strong> information about the Old West that <strong>of</strong>fer more<br />

balanced perspectives on events than were accepted at the time.<br />

Volume 1<br />

<strong>The</strong> Indian Interviews <strong>of</strong> Eli S. Ricker, 1903–1919<br />

Among the many individuals he interviewed were American<br />

Indians, mostly Sioux, who spoke extensively about a range<br />

<strong>of</strong> subjects, some with the help <strong>of</strong> an interpreter. Richard E.<br />

Jensen brings together all <strong>of</strong> Ricker’s interviews with American<br />

Indians, annotating the conversations and <strong>of</strong>fering an extensive<br />

introduction that sets forth important information about<br />

Ricker, his research, and the editorial methodology guiding the<br />

present volume. <strong>The</strong> valuable interviews conducted by Ricker<br />

with Indian eyewitnesses to the Wounded Knee massacre, the<br />

Little Bighorn battle, the Grattan incident, and other events and<br />

personages <strong>of</strong> the Old West are finally made readily accessible in<br />

this long-awaited volume.<br />

Volume 2<br />

<strong>The</strong> Settler and Soldier Interviews <strong>of</strong> Eli S. Ricker, 1903–1919<br />

In this second volume <strong>of</strong> interviews Ricker focuses on white<br />

eyewitnesses and participants in the occupying and settling <strong>of</strong><br />

the American West in the nineteenth century. Richard E. Jensen<br />

brings together all <strong>of</strong> Ricker’s interviews with those men and<br />

women who came to the American West from elsewhere—settlers,<br />

homesteaders, and veterans. <strong>The</strong>se interviews shed light<br />

on such key events as the massacre at Wounded Knee, the Little<br />

Bighorn battle, Beecher Island, Lightning Creek, the Mormon<br />

cow incident, and the Washita massacre. Also <strong>of</strong> interest are<br />

glimpses <strong>of</strong> everyday life at different agencies, including Pine<br />

Ridge, Yellow Medicine, and Fort Sill School; brief though<br />

revealing memoirs; and snapshots <strong>of</strong> cattle drives, conflicts with<br />

Natives, and the construction <strong>of</strong> the Union Pacific Railroad.<br />

“Amazing personal accounts [are] in these<br />

volumes. . . . Here is western history at its finest—vivid<br />

oral narratives that very well may<br />

become the stuff <strong>of</strong> prize-winning stories,<br />

novels, and films.”—Bloomsbury Review<br />

“A magnificent achievement to the oralhistory<br />

sources available on the American<br />

West. . . . <strong>The</strong> strength <strong>of</strong> the volumes is in<br />

the stories told by the interviewees, with<br />

their perspectives on key historical events<br />

from the Old West, which is equally suited<br />

to the student and the academic scholar.”<br />

—American Studies<br />

“<strong>The</strong> interviews are a gold mine <strong>of</strong> information,<br />

and researchers will be rewarded<br />

for digging through them.”—Great Plains<br />

Quarterly<br />

Richard E. Jensen is retired from the<br />

<strong>Nebraska</strong> State Historical Society, where<br />

he was senior research anthropologist.<br />

His most recent books are <strong>The</strong> Pawnee<br />

Mission Letters, 1834–1851 and Eyewitness<br />

at Wounded Knee, both available from the<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>.<br />

Volume 1<br />

june<br />

544 pp. • 6 x 9 • 16 illustrations, 1 map,<br />

2 appendixes<br />

$34.95 paperback • 978-0-8032-3996-8<br />

$38.95 Canadian/£22.99 UK<br />

e-book available • 978-0-8032-5388-9<br />

Volume 2<br />

june<br />

504 pp. • 6 x 9 • 10 illustrations, 1 map,<br />

1 appendix<br />

$34.95 paperback • 978-0-8032-3997-5<br />

$38.95 Canadian/£22.99 UK<br />

e-book available • 978-0-8032-5389-6<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

35


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

36<br />

native studies • religion<br />

<strong>The</strong> Island <strong>of</strong> the Anishnaabeg<br />

Thunderers and Water Monsters in the Traditional<br />

Ojibwe Life-World<br />

theresa s. smith<br />

In this study, <strong>The</strong>resa<br />

S. Smith explores the<br />

lived experience <strong>of</strong> the<br />

contemporary Ojibwes<br />

(or Anishnaabeg) amid<br />

the remarkable revival<br />

<strong>of</strong> both belief in and<br />

practice <strong>of</strong> the Ojibwe<br />

religion. Scholars<br />

have contended that<br />

traditional Ojibwe<br />

religion was gradually<br />

lost during the three<br />

centuries following Euro-American contact. And<br />

yet even though traditional religion no longer exists<br />

as a plausibility structure for a hunting-gathering<br />

culture, historic and contemporary accounts and<br />

a revival in the arts attest to the changing and vital<br />

nature <strong>of</strong> Ojibwe religion. <strong>The</strong> Island <strong>of</strong> the Anishnaabeg<br />

is a nuanced look at traditional Ojibwe<br />

religion and its structure, interpretation, and revival<br />

among contemporary Ojibwes.<br />

<strong>The</strong> Ojibwe life-world, as experienced and<br />

described through religious symbols, beliefs, and<br />

practices, is alive with the presence <strong>of</strong> other-thanhuman<br />

people, known as manitouk. This book<br />

is the first thorough and systematic interpretive<br />

treatment <strong>of</strong> the relationship between Thunderers<br />

and Underwater manitouk. Smith’s work reveals<br />

the Thunderers and Water monsters as determinative<br />

beings and symbols in the Ojibwe world and<br />

explores how their relationship inscribes a dialectic<br />

that both reflects the lived reality <strong>of</strong> that world and<br />

helps to determine the position and existence <strong>of</strong> the<br />

human subject in it.<br />

<strong>The</strong>resa S. Smith is a pr<strong>of</strong>essor <strong>of</strong> religious studies<br />

at Indiana <strong>University</strong> <strong>of</strong> Pennsylvania.<br />

july<br />

240 pp. • 6 x 9 • 16 illustrations, 3 appendixes<br />

$25.00s paperback • 978-0-8032-3832-9<br />

$27.95 Canadian/£15.99 UK<br />

memoir • world war ii<br />

Daddy’s War<br />

Greek American Stories<br />

irene kacandes<br />

When she was very<br />

young, Irene Kacandes<br />

knew things about her<br />

father that had no plot,<br />

no narrator, and no<br />

audience. To her childhood<br />

self these things<br />

resembled beings who<br />

resided with her family,<br />

like the ancestresses<br />

who’d thrown themselves<br />

<strong>of</strong>f cliffs rather<br />

than be taken by the<br />

Turks, or the forefathers who’d fought the Trojans.<br />

For decades she thought <strong>of</strong> these cohabitants as<br />

Daddy’s War Experiences and tried to stay away<br />

from them. When tragedy touched the adult life she<br />

had constructed for herself, however, she realized<br />

she had to confront her family’s wartime past.<br />

Kacandes begins with what she did know: that<br />

her immigrant grandmother returned to Greece<br />

with four young children—and without her<br />

husband—only to get trapped there by the Nazi<br />

occupation. Though still a child himself, her father,<br />

John, helped feed his younger siblings by taking<br />

up any task possible, including smuggling arms to<br />

the Resistance. Kacandes painstakingly uncovers a<br />

complex truth her father chose not to tell, a truth<br />

inextricably entwined with the Holocaust, discovering,<br />

too, a common but little-told story about how<br />

the telling <strong>of</strong> such memories is negotiated between<br />

survivors and their children. Daddy’s War brings<br />

new understanding to how trauma, like the revenge<br />

<strong>of</strong> Greek gods, can visit each generation and <strong>of</strong>fers a<br />

model for breaking the cycle.<br />

Irene Kacandes is a pr<strong>of</strong>essor <strong>of</strong> German and<br />

comparative literature at Dartmouth College in<br />

Hanover, New Hampshire, and the author <strong>of</strong> several<br />

books, including Talk Fiction: Literature and the<br />

Talk Explosion (<strong>Nebraska</strong>, 2001).<br />

june<br />

408 pp. • 6 x 9 • 51 illustrations, 1 glossary, 6 appendixes<br />

$19.95 paperback • 978-0-8032-4005-6<br />

$21.95 Canadian/£12.99 UK<br />

e-book available • 978-0-8032-2299-1


history • jewish studies<br />

Named an Outstanding Academic Book by Choice magazine<br />

<strong>The</strong> Jews <strong>of</strong> Bohemia and Moravia<br />

Facing the Holocaust<br />

livia rothkirchen<br />

“We were both small<br />

nations whose existence<br />

could never be<br />

taken for granted,”<br />

Václav Havel said <strong>of</strong><br />

the Czechs and the<br />

Jews <strong>of</strong> Israel in 1990,<br />

and indeed, the complex<br />

and intimate link<br />

between the fortunes<br />

<strong>of</strong> these two peoples<br />

is unique in European<br />

history. This book by<br />

one <strong>of</strong> the world’s leading authorities on the history<br />

<strong>of</strong> Czech and Slovak Jewry during the Nazi period<br />

is the first to thoroughly document this singular<br />

relationship and to trace its impact on the fate<br />

<strong>of</strong> the Jews <strong>of</strong> Bohemia and Moravia during the<br />

Holocaust.<br />

Livia Rothkirchen provides a detailed and comprehensive<br />

history <strong>of</strong> how Nazi rule in the Czech<br />

lands was shaped as much by local culture and<br />

circumstances as by military policy. <strong>The</strong> extraordinary<br />

nature <strong>of</strong> the Czech Jews’ experience emerges<br />

in chapters on the role <strong>of</strong> the Jewish minority in<br />

Czech life; the crises <strong>of</strong> the Munich agreement<br />

and the German occupation; the reaction <strong>of</strong> the<br />

local population to the persecution <strong>of</strong> the Jews; the<br />

policies <strong>of</strong> the London-based government in exile;<br />

the question <strong>of</strong> Jewish resistance; and the <strong>The</strong>resienstadt<br />

ghetto. <strong>The</strong> Jews <strong>of</strong> Bohemia and Moravia<br />

is based on a wealth <strong>of</strong> primary documents, many<br />

uncovered only after the 1989 November revolution,<br />

and includes an epilogue on the post-1945 period.<br />

<strong>The</strong> historian Livia Rothkirchen has worked for<br />

the Yad Vashem Holocaust Memorial in Jerusalem<br />

for more than twenty-five years. She is the author<br />

<strong>of</strong> <strong>The</strong> Destruction <strong>of</strong> Slovak Jewry and was awarded<br />

the Max Nordau Prize for history.<br />

may<br />

464 pp. • 6 x 9<br />

$40.00s paperback • 978-0-8032-4007-0<br />

$44.95 Canadian/£25.99 UK<br />

No sales in Israel or Palestinian Authority<br />

e-book available • 978-0-8032-0502-4<br />

comprehensive history<br />

<strong>of</strong> the holocaust series;<br />

Copublished with Yad Vashem<br />

literary criticism<br />

Named an Outstanding Academic Book by Choice magazine<br />

Russian Formalist Criticism<br />

Four Essays, Second Edition<br />

translated and with an<br />

introduction by lee t. lemon<br />

and marion j. reis<br />

New introduction by Gary Saul Morson<br />

<strong>The</strong> Russian formalists<br />

emerged from<br />

the Russian Revolution<br />

with ideas about<br />

the independence <strong>of</strong><br />

literature. <strong>The</strong>y enjoyed<br />

that independence until<br />

Stalin shut them down.<br />

By then, however, they<br />

had produced essays<br />

that remain among the<br />

best defenses ever written<br />

for both literature<br />

and its theory.<br />

Included here are four essays representing key<br />

points in the formalists’ short history. Victor<br />

Shklovsky’s pioneering “Art as Technique” (1917)<br />

defines the literary as a way to make us see familiar<br />

things as if for the first time. His 1921 essay on<br />

Tristram Shandy makes that eccentric novel the<br />

centerpiece for a theory <strong>of</strong> narrative. A section from<br />

Boris Tomashevsky’s “<strong>The</strong>matics” (1925) inventories<br />

the elements <strong>of</strong> stories. In “<strong>The</strong> <strong>The</strong>ory <strong>of</strong> the<br />

‘Formal Method’” (1927), Boris Eichenbaum defends<br />

Russian Formalism against various attacks. An<br />

able champion, he describes Formalism’s evolution,<br />

notes its major figures and works, clears away decayed<br />

axioms, and rescues literature from “primitive<br />

historicism” and other dangers.<br />

<strong>The</strong>se essays set a course for literary studies that<br />

led to Prague structuralism, French semiotics, and<br />

postmodern poetics.<br />

Lee T. Lemon is an emeritus pr<strong>of</strong>essor <strong>of</strong> English<br />

at the <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong>–Lincoln and the<br />

author <strong>of</strong> several books, including Portraits <strong>of</strong> the<br />

Artist in Contemporary Fiction. Marion J. Reis was<br />

affiliated with the Oak Park and River Forest High<br />

School in Oak Park, Illinois. Gary Saul Morson is<br />

the author <strong>of</strong> numerous books, including <strong>The</strong> Words<br />

<strong>of</strong> Others: From Quotations to Culture.<br />

july<br />

176 pp. • 5 ½ x 8 ½<br />

$20.00s paperback • 978-0-8032-3998-2<br />

$21.95 Canadian/£12.99 UK<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

37


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

38<br />

march<br />

528 pp. • 6 x 9 • 51 illustrations<br />

$24.95 paperback • 978-0-8032-4089-6<br />

$27.95 Canadian<br />

No sales in British Commonwealth except Canada<br />

also <strong>of</strong> interest<br />

Chief Bender’s Burden<br />

<strong>The</strong> Silent Struggle <strong>of</strong> a Baseball Star<br />

Tom Swift<br />

$19.95 paperback • 978-0-8032-1498-9<br />

Native Athletes in Sport and Society<br />

A Reader<br />

Edited by C. Richard King<br />

$26.95 paperback • 978-0-8032-7828-8<br />

biography • native studies • sports<br />

Winner <strong>of</strong> the 2011 Larry Ritter Award<br />

Winner <strong>of</strong> the 2010 Nelson Ross Award<br />

Native American Son<br />

<strong>The</strong> Life and Sporting Legend <strong>of</strong> Jim Thorpe<br />

kate buford<br />

<strong>The</strong> first comprehensive biography <strong>of</strong> the legendary figure who<br />

defined excellence in American sports: Jim Thorpe, arguably<br />

the greatest all-around athlete in U.S. history.<br />

With clarity and an eye for detail, Kate Buford traces the<br />

pivotal moments <strong>of</strong> Thorpe’s incomparable career: growing<br />

up in the tumultuous Indian Territory <strong>of</strong> Oklahoma; leading<br />

the Carlisle Indian Industrial School football team to victories<br />

against the country’s finest college teams; winning gold medals<br />

in the 1912 Olympics pentathlon and decathlon; defining the<br />

burgeoning sport <strong>of</strong> pr<strong>of</strong>essional football; and playing long,<br />

<strong>of</strong>ten successful—and previously unexamined—years in pr<strong>of</strong>essional<br />

baseball.<br />

At the same time, however, Buford recounts the difficulties<br />

Thorpe faced as a Native American. We also see the infamous<br />

loss <strong>of</strong> his Olympic medals, stripped from him because he had<br />

previously played pr<strong>of</strong>essional baseball, an event that would<br />

haunt Thorpe for the rest <strong>of</strong> his life. We see his struggles with<br />

alcoholism and personal misfortune, and how he came to distrust<br />

many <strong>of</strong> the hands extended to him. We learn the details<br />

<strong>of</strong> his vigorous advocacy for Native American rights while he<br />

chased a Hollywood career, and the truth behind the supposed<br />

reinstatement <strong>of</strong> his Olympic record in 1982.<br />

Here is the story <strong>of</strong> a complex, iconoclastic, pr<strong>of</strong>oundly talented<br />

man whose life encompassed both tragic limitations and<br />

truly extraordinary achievements.<br />

Kate Buford is the author <strong>of</strong> Burt Lancaster: An American<br />

Life. She has written for the New York Times and has been<br />

a commentator on npr’s Morning Edition and American<br />

Public Media’s Marketplace. Visit Buford's website at<br />

www.katebuford.com.<br />

“Impeccably researched. . . . This retrospective is not the first to<br />

tackle the complex life <strong>of</strong> Jim Thorpe, but it’s the most comprehensive.<br />

. . . [It] captures Thorpe’s breathtaking highs and heartrending<br />

lows.”—Kirkus<br />

“[Buford] knows about mythic heroes and draws a complex portrait<br />

<strong>of</strong> Jim Thorpe: from his superhuman athletic talents to his all-toohuman<br />

flaws.”—Washington Post<br />

“[Buford] lays a firm, clear historical groundwork for the reservation<br />

life and Indian world in which Thorpe grew up in Oklahoma.<br />

. . . [It] brims with life in its depiction <strong>of</strong> Hollywood during the<br />

1930s and ’40s. . . . Through Thorpe’s struggles and striving,<br />

Buford recreates this period <strong>of</strong> Los Angeles history in all its glorious<br />

strangeness.”—New York Times (Editors’ Choice)


sports • baseball • american history<br />

Winner <strong>of</strong> the 2011 Seymour Medal<br />

1921<br />

<strong>The</strong> Yankees, the Giants, and the Battle<br />

for Baseball Supremacy in New York<br />

lyle spatz and steve steinberg<br />

Foreword by Charles C. Alexander<br />

At the dawn <strong>of</strong> the roaring twenties, baseball was struggling to<br />

overcome two <strong>of</strong> its darkest moments: the death <strong>of</strong> a player during<br />

a game and the revelations <strong>of</strong> the 1919 Black Sox scandal. At<br />

this critical juncture for baseball, the two teams that emerged to<br />

fight for the future <strong>of</strong> the game were also battling for the hearts<br />

and minds <strong>of</strong> New Yorkers as the city dramatically rose to the<br />

pinnacle <strong>of</strong> the baseball world.<br />

1921 tells the story <strong>of</strong> a season that pitted the New York Yankees<br />

against their Polo Grounds landlords and hated rivals, John<br />

McGraw’s Giants, in the first all–New York City World Series.<br />

Lyle Spatz and Steve Steinberg re-create the drama that featured<br />

the charismatic Babe Ruth in his assault on baseball records in<br />

the face <strong>of</strong> McGraw’s disdain for the American League and the<br />

Ruth-led slugging style. <strong>The</strong>ir work evokes the early 1920s with<br />

the words <strong>of</strong> renowned sportswriters such as Damon Runyon,<br />

Grantland Rice, and Heywood Broun, and with more than fifty<br />

photographs, <strong>of</strong>fering a vivid picture <strong>of</strong> the colorful characters,<br />

the crosstown rivalry, and the incomparable performances <strong>of</strong><br />

this classic season.<br />

Lyle Spatz is the editor <strong>of</strong> <strong>The</strong> Team That Forever Changed Baseball<br />

and America: <strong>The</strong> 1947 Brooklyn Dodgers (<strong>Nebraska</strong>, 2012).<br />

Steve Steinberg is the author <strong>of</strong> Baseball in St. Louis, 1900–1925.<br />

Charles C. Alexander is the author <strong>of</strong> several baseball books,<br />

including John McGraw (<strong>Nebraska</strong>, 1995) and Spoke: A Biography<br />

<strong>of</strong> Tris Speaker.<br />

“As Steinberg states on his web site, ‘Time travel is possible.’ In<br />

1921, he and Spatz will take you back to see this pivotal season for<br />

yourself.”—Baseball America<br />

“1921 is an incredibly comprehensive look at a pivotal baseball<br />

season—for the sport, for New York, for an America finally distancing<br />

itself from war. Steve Steinberg and Lyle Spatz have created a<br />

mosaic <strong>of</strong> a year in baseball that is both illuminating and entertaining.”—Frank<br />

Deford<br />

“Two decades into the twentieth century, much <strong>of</strong> baseball was still<br />

playing a turn-<strong>of</strong>-the-century game. 1921 represents one <strong>of</strong> the<br />

pivot points in baseball history, as the old style and its proponents,<br />

embodied by John McGraw and his Giants, began to give way to<br />

what would become the modern game, as embodied by Babe Ruth<br />

and his Yankees.”—Bob Costas<br />

march<br />

544 pp. • 6 x 9 • 53 illustrations, 16 tables,<br />

4 appendixes<br />

$24.95 paperback • 978-0-8032-3999-9<br />

$27.95 Canadian/£17.99 UK<br />

e-book available • 978-0-8032-2994-5<br />

also <strong>of</strong> interest<br />

Babe Ruth’s Own Book <strong>of</strong> Baseball<br />

George Herman Ruth<br />

$19.95s paperback • 978-0-8032-8939-0<br />

John McGraw<br />

Charles C. Alexander<br />

$29.95x paperback • 978-0-8032-5925-6<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

39


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

40<br />

biography • sports • baseball<br />

Winner <strong>of</strong> the 2008 Larry Ritter Award<br />

Connie Mack and the Early Years<br />

<strong>of</strong> Baseball<br />

norman l. macht<br />

Foreword by Connie Mack III<br />

Connie Mack (1862–<br />

1956) was the Grand<br />

Old Man <strong>of</strong> baseball<br />

and one <strong>of</strong> the game’s<br />

first true celebrities.<br />

This book, spanning<br />

the first fifty-two years<br />

<strong>of</strong> Mack’s life, covers<br />

his experiences as<br />

player, manager, and<br />

club owner through<br />

1914.<br />

Norman L. Macht<br />

chronicles Mack’s little-known beginnings, recounting<br />

how Mack, a school dropout at fourteen, created<br />

strategies for winning baseball and principles for<br />

managing men long before there were notions <strong>of</strong><br />

defining such subjects. And he details how, as a key<br />

figure in the launching <strong>of</strong> the American League in<br />

1901, Mack won six <strong>of</strong> the league’s first fourteen pennants<br />

while serving as manager, treasurer, general<br />

manager, traveling secretary, and public relations<br />

and scouting director (all at the same time) for the<br />

Philadelphia Athletics.<br />

This book brings to life the unruly origins <strong>of</strong><br />

baseball as a sport and a business and provides the<br />

first complete and accurate picture <strong>of</strong> a character<br />

who was larger than life and yet little known: the<br />

tricky, rule-bending catcher; the peppery field<br />

leader and fan favorite; the hot-tempered young<br />

manager. Illustrated with previously unpublished<br />

family photographs, it affords unique insight into a<br />

colorful personality who helped shape baseball as<br />

we know it today.<br />

Norman L. Macht is a member <strong>of</strong> the Society<br />

for American Baseball Research and the author <strong>of</strong><br />

more than thirty books, including Connie Mack:<br />

<strong>The</strong> Turbulent and Triumphant Years, 1915–1931 and<br />

Football’s Last Iron Men: 1934, Yale vs. Princeton,<br />

and One Stunning Upset, both available from the<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>.<br />

april<br />

744 pp. • 6 x 9 • 22 illustrations<br />

$29.95 paperback • 978-0-8032-4003-2<br />

$33.50 Canadian/£21.99 UK<br />

e-book available • 978-0-8032-0990-9<br />

sports • baseball • pacific northwest<br />

Pitchers <strong>of</strong> Beer<br />

<strong>The</strong> Story <strong>of</strong> the Seattle Rainiers<br />

dan raley<br />

In 1937, when local<br />

beer baron Emil Sick<br />

stepped in, the Seattle<br />

Indians were a struggling<br />

minor league<br />

baseball team teetering<br />

on collapse. Moved to<br />

mix baseball and beer<br />

by his good friend and<br />

fellow brewer, New<br />

York Yankees owner<br />

Jacob Ruppert, Sick<br />

built a new stadium<br />

and turned the team into a civic treasure. <strong>The</strong> Rainiers<br />

(newly named after the beer) set attendance<br />

records and won Pacific Coast League titles in 1939,<br />

1940, 1941, 1951, and 1955.<br />

Pitchers <strong>of</strong> Beer: <strong>The</strong> Story <strong>of</strong> the Seattle Rainiers<br />

spans the end <strong>of</strong> the Great Depression, World War<br />

II, the rise <strong>of</strong> the airline industry, and the incursion<br />

<strong>of</strong> Major League Baseball into the West Coast<br />

(which ultimately spelled doom for the club). It features<br />

well-known personalities such as Babe Ruth,<br />

who made an unsuccessful bid to manage the team;<br />

Hall <strong>of</strong> Famer Rogers Hornsby, who did manage the<br />

Rainiers; and Ron Santo, a batboy who went on to<br />

a storied career with the Chicago Cubs. Mixing traditional<br />

baseball lore with tales <strong>of</strong> mischief, Pitchers<br />

<strong>of</strong> Beer relates the twenty-seven-year history <strong>of</strong> the<br />

Rainiers and showcases fifty-two photographs <strong>of</strong><br />

players and memorabilia from noted Northwest<br />

baseball collector David Eskenazi.<br />

Dan Raley is an editor with the Atlanta Journal-<br />

Constitution. Previously a sportswriter for the<br />

Seattle Post-Intelligencer for nearly three decades,<br />

he has won over fifty national and regional writing<br />

awards. He is also the author <strong>of</strong> Tideflats to Tomorrow:<br />

<strong>The</strong> History <strong>of</strong> Seattle’s SoDo.<br />

“Raley brings these characters back to life with deft<br />

storytelling and very readable text. <strong>The</strong> result is a rich<br />

team history that will rekindle long-forgotten memories<br />

for old Rainiers enthusiasts.”—James Bailey,<br />

Baseball America<br />

april<br />

352 pp. • 5 ½ x 8 ½ • 52 illustrations, 1 table<br />

$19.95 paperback • 978-0-8032-4085-8<br />

$21.95 Canadian/£14.99 UK<br />

e-book available • 978-0-8032-3502-1


sports • golf • memoir<br />

Straight Down the Middle<br />

Shivas Irons, Bagger Vance, and<br />

How I Learned to Stop Worrying<br />

and Love My Golf Swing<br />

josh karp<br />

Josh Karp first played golf in the sixth grade before going on to<br />

become one <strong>of</strong> the worst players on some very bad high school<br />

and college golf teams. In his early twenties, his handicap hit 18,<br />

where it remained until he went to work on this book, which<br />

helped bring it down to 11.<br />

In this hilarious memoir, journalist Karp tries it all—from<br />

quantum physics to the Feldenkrais Method—in an attempt to<br />

transform his mind-set, lower his score, and tap into the mystical<br />

connection between golf and spirituality.<br />

Throughout the ages, the arts <strong>of</strong> Zen and meditation have<br />

helped warriors prepare for battle, brought philosophers to<br />

enlightenment, and opened the path to inner peace for countless<br />

practitioners. Perhaps most important, however, they have<br />

allowed golfers to transcend their game and shave precious<br />

strokes <strong>of</strong>f their handicap.<br />

Assisted by a quirky roster <strong>of</strong> Zen-influenced golf masters,<br />

this journey <strong>of</strong> a common man in search <strong>of</strong> an uncommon<br />

kingdom across the fairways <strong>of</strong> North America (and Scotland,<br />

<strong>of</strong> course!) is funny and enlightening, inspired and frustrating,<br />

yet always entertaining.<br />

Josh Karp is an adjunct lecturer in journalism at Northwestern<br />

<strong>University</strong> and a freelance journalist whose work has appeared<br />

in numerous publications and websites, including Salon, the<br />

Atlantic Monthly, Newsweek, the Los Angeles Times, Chicago<br />

Magazine, and the Huffington Post. He is the author <strong>of</strong> A Stupid<br />

and Futile Gesture, named Best Biography <strong>of</strong> 2006 at the Independent<br />

Publisher Book Awards and the Midwest Book Awards.<br />

“<strong>The</strong> perfect antidote for anyone who’s ever read Golf in the Kingdom<br />

or Zen Golf and wondered what really goes on in the shrouded<br />

world <strong>of</strong> mystical golf.”—Golf Tips Magazine<br />

“A very entertaining account <strong>of</strong> Josh Karp’s attempt to improve his<br />

golf game by reconnecting with his spiritual side. . . . I enjoyed<br />

the book immensely, and recommend it to everyone who loves the<br />

game.”—Golf Blogger Review<br />

“Karp’s work is in a league <strong>of</strong> its own. . . . Without a doubt, Straight<br />

Down the Middle is a book worthy <strong>of</strong> any golfer’s attention.”<br />

—Adam Fonseca, ChicagoDuffer.com<br />

may<br />

256 pp. • 5 ½ x 8 ½<br />

$18.95 paperback • 978-0-8032-4064-3<br />

$20.95 Canadian/£11.99 UK<br />

also <strong>of</strong> interest<br />

Brassies, Mashies, and Bootleg Scotch<br />

Growing Up on America’s First Heroic Golf Course<br />

Bill Kilpatrick<br />

$16.95 hardcover • 978-0-8032-3642-4<br />

Let <strong>The</strong>re Be Pebble<br />

A Middle-Handicapper’s Year in America’s<br />

Garden <strong>of</strong> Golf<br />

Zachary Michael Jack<br />

$24.95 hardcover • 978-0-8032-3357-7<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

41


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

42<br />

memoir • sports • basketball<br />

I Grew Up with Basketball<br />

Twenty Years <strong>of</strong> Barnstorming with Cage<br />

Greats <strong>of</strong> Yesterday<br />

frank j. basloe<br />

Introduction by Michael A. Antonucci<br />

Frank J. Basloe grew<br />

up in Herkimer, New<br />

York, where ymca<br />

director Lambert Will<br />

developed the game <strong>of</strong><br />

basketball. Basloe’s classic<br />

memoir, I Grew Up<br />

with Basketball, <strong>of</strong>fers<br />

an eyewitness account<br />

<strong>of</strong> the humble roots <strong>of</strong><br />

the imposing enterprise<br />

that is pr<strong>of</strong>essional<br />

basketball today. At age<br />

sixteen, Basloe began his career as a promoter and<br />

managed several teams that regularly toured New<br />

York, New England, and the Midwest, including the<br />

Oswego Indians and Basloe’s Globe Trotters. Until<br />

the 1920s and the advent <strong>of</strong> the New York Original<br />

Celtics, New York Renaissance, and Harlem Globetrotters,<br />

Basloe’s clubs reigned supreme among<br />

barnstormers.<br />

I Grew Up with Basketball is a fascinating and<br />

entertaining memoir <strong>of</strong> basketball’s infancy and, for<br />

some, fuels the debate about the game’s true origins<br />

by providing a counternarrative to the sanctioned<br />

history <strong>of</strong>fered by the Hall <strong>of</strong> Fame. Though James<br />

Naismith’s original concept is acknowledged, Basloe<br />

credits ymca director Will for altering the game to<br />

be more exciting and fun to play as well as establishing<br />

early rules <strong>of</strong> play.<br />

This rare firsthand glimpse <strong>of</strong> the early days <strong>of</strong><br />

basketball is complimented by Michael A. Antonucci’s<br />

introduction, which tracks the game—from<br />

Basloe’s Globe Trotters to LeBron James—and its<br />

trappings as a business vehicle.<br />

Frank J. Basloe (1887–1966) was born in Hungary,<br />

and his family immigrated to the United<br />

States in the late nineteenth century. Michael A.<br />

Antonucci is a pr<strong>of</strong>essor <strong>of</strong> English and American<br />

studies at Keene State College.<br />

march<br />

256 pp. • 5 ¼ x 8 • 45 illustrations, 2 tables<br />

$16.95 paperback • 978-0-8032-4023-0<br />

$18.95 Canadian/£11.99 UK<br />

sports • boxing • great plains • history<br />

Shelby’s Folly<br />

Jack Dempsey, Doc Kearns, and the Shakedown<br />

<strong>of</strong> a Montana Boomtown<br />

jason kelly<br />

In 1923, not long after<br />

oil had started gushing<br />

from northern Montana<br />

fields, declining realestate<br />

sales in nearby<br />

Shelby were dimming<br />

the little town’s prospects<br />

<strong>of</strong> becoming the<br />

“Tulsa <strong>of</strong> the West.” <strong>The</strong>n<br />

the mayor’s son dreamed<br />

up a marketing ploy:<br />

<strong>of</strong>fer to host heavyweight<br />

champion Jack<br />

Dempsey’s next fight. What began as a publicity stunt<br />

soon spiraled into a civic drama unlike any Montana<br />

had ever seen. Shelby’s Folly tells this story in full for<br />

the first time.<br />

Against the background <strong>of</strong> boom-and-bust Montana<br />

history, the folly <strong>of</strong> Shelby’s would-be promoters<br />

unfolds in colorful detail. It took months to persuade<br />

Dempsey’s conniving manager, Jack “Doc” Kearns, to<br />

sign a $300,000 contract. With less than two months<br />

before the July 4 fight, the town still had no stadium<br />

and no accommodations for tens <strong>of</strong> thousands <strong>of</strong><br />

expected fans. Jason Kelly describes the promoters’<br />

desperate measures and their disastrous results, from<br />

the first inkling <strong>of</strong> the idea to the bitter end <strong>of</strong> the fifteen-round<br />

boxing match. Shelby residents identified<br />

with the underdog challenger, Tommy Gibbons, who<br />

went toe-to-toe with the champion in an atmosphere<br />

crackling with tension. A soap opera <strong>of</strong> financial<br />

intrigue and chicanery, Shelby’s Folly chronicles how<br />

Big Sky ambition and Doc Kearns’s scheming mind<br />

collided to produce one <strong>of</strong> the most preposterous<br />

series <strong>of</strong> events in boxing history.<br />

Jason Kelly is an associate editor <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> Chicago Magazine. He is the author <strong>of</strong> Mr. Notre<br />

Dame: <strong>The</strong> Life and Legend <strong>of</strong> Edward “Moose” Krause.<br />

“A simply marvelous book.”—usa Boxing News<br />

“Enjoyable.”—Wall Street Journal<br />

july<br />

240 pp. • 5 ½ x 8 ½ • 23 illustrations<br />

$16.95 paperback • 978-0-8032-4004-9<br />

$18.95 Canadian/£10.99 UK<br />

e-book available • 978-0-8032-3003-3


Special<br />

Interest<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

43


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

44<br />

june<br />

648 pp. • 6 x 9<br />

$55.00s hardcover • 978-0-8032-4076-6<br />

$62.00 Canadian/£36.00 UK<br />

e-book available • 978-0-8032-4083-4<br />

studies in antisemitism series<br />

Copublished with the Vidal Sassoon<br />

International Center for the Study <strong>of</strong><br />

Antisemitism<br />

also <strong>of</strong> interest in the series<br />

Laboratory for World Destruction<br />

Germans and Jews in Central Europe<br />

Robert S. Wistrich<br />

$55.00s hardcover • 978-0-8032-1134-6<br />

Inventing the Jew<br />

Antisemitic Stereotypes in Romanian and Other<br />

Central-East European Cultures<br />

Andrei Oisteanu<br />

Translated by Mirela Adascalitei<br />

$60.00s hardcover • 978-0-8032-2098-0<br />

<strong>The</strong> Catholic Church and the Jews<br />

Argentina, 1933–1945<br />

Graciela Ben-Dror<br />

$55.00s hardcover • 978-0-8032-1889-5<br />

Offenders or Victims?<br />

German Jews and the Causes <strong>of</strong> Modern<br />

Catholic Antisemitism<br />

Olaf Blaschke<br />

$50.00s hardcover • 978-0-8032-2522-0<br />

jewish studies • history • middle east<br />

From Ambivalence to Betrayal<br />

<strong>The</strong> Left, the Jews, and Israel<br />

robert s. wistrich<br />

From Ambivalence to Betrayal is the first study to explore the<br />

transformation in attitudes on the Left toward the Jews, Zionism,<br />

and Israel since the origins <strong>of</strong> European socialism in the<br />

1840s until the present. This pathbreaking synthesis reveals a<br />

striking continuity in negative stereotypes <strong>of</strong> Jews, contempt<br />

for Judaism, and negation <strong>of</strong> Jewish national self-determination<br />

from the days <strong>of</strong> Karl Marx to the current left-wing intellectual<br />

assault on Israel. World-renowned expert on the history <strong>of</strong><br />

antisemitism Robert S. Wistrich provides not only a powerful<br />

analysis <strong>of</strong> how and why the Left emerged as a spearhead<br />

<strong>of</strong> anti-Israel sentiment but also new insights into the wider<br />

involvement <strong>of</strong> Jews in radical movements.<br />

<strong>The</strong>re are fascinating portraits <strong>of</strong> Marx, Moses Hess, Bernard<br />

Lazare, Rosa Luxemburg, Leon Trotsky, and other Jewish<br />

intellectuals, alongside analyses <strong>of</strong> the darker face <strong>of</strong> socialist<br />

and Communist antisemitism. <strong>The</strong> closing section eloquently<br />

exposes the degeneration <strong>of</strong> leftist anti-Zionist critiques into a<br />

novel form <strong>of</strong> “anti-racist” racism.<br />

Robert S. Wistrich is the Neuburger Pr<strong>of</strong>essor <strong>of</strong> European and<br />

Jewish history at the Hebrew <strong>University</strong> <strong>of</strong> Jerusalem and director<br />

<strong>of</strong> the Vidal Sassoon International Center for the Study <strong>of</strong><br />

Antisemitism. He is the author <strong>of</strong> numerous books, including,<br />

most recently, A Lethal Obsession: Anti-Semitism from Antiquity<br />

to the Global Jihad (2010) and Laboratory for World Destruction:<br />

Germans and Jews in Central Europe (<strong>Nebraska</strong>, 2007).


history • germany • world war ii<br />

<strong>The</strong> Nazi Concentration Camps,<br />

1933–1939<br />

A Documentary History<br />

edited and with an introduction<br />

by christian goeschel and<br />

nikolaus wachsmann<br />

Weeks after Adolf<br />

Hitler came to power<br />

in 1933, the Nazi regime<br />

established the<br />

first concentration<br />

camps in Germany.<br />

Initially used for real<br />

and suspected political<br />

enemies, the camps<br />

increasingly came<br />

under ss control and<br />

became sites for the<br />

repression <strong>of</strong> social<br />

outsiders and German Jews. Terror was central to<br />

the Nazi regime from the beginning, and the camps<br />

gradually moved toward the center <strong>of</strong> repression,<br />

torture, and mass murder during World War II and<br />

the Holocaust.<br />

This collection brings together revealing primary<br />

documents on the crucial origins <strong>of</strong> the Nazi<br />

concentration camp system in the prewar years<br />

between 1933 and 1939, which have been overlooked<br />

thus far. Many <strong>of</strong> the documents are unpublished<br />

and have been translated into English for the first<br />

time. <strong>The</strong>se documents provide insight into the<br />

camps from multiple perspectives, including those<br />

<strong>of</strong> prisoners, Nazi <strong>of</strong>ficials, and foreign observers,<br />

and shed light on the complex relationship between<br />

terror, state, and society in the Third Reich.<br />

Christian Goeschel teaches modern European<br />

history at the Australian National <strong>University</strong> in<br />

Canberra. He is the author <strong>of</strong> Suicide in Nazi<br />

Germany. Nikolaus Wachsmann teaches modern<br />

German history at Birkbeck College, <strong>University</strong> <strong>of</strong><br />

London. He is the author <strong>of</strong> Hitler’s Prisons: Legal<br />

Terror in Nazi Germany and coeditor <strong>of</strong> Concentration<br />

Camps in Nazi Germany: <strong>The</strong> New Histories.<br />

july<br />

480 pp. • 6 x 9 • 1 map, 2 tables, 1 graph, 1 chronology<br />

$65.00s hardcover • 978-0-8032-2782-8<br />

$72.95 Canadian/£42.00 UK<br />

history • african american studies • europe<br />

Opposing Jim Crow<br />

African Americans and the Soviet Indictment<br />

<strong>of</strong> U.S. Racism, 1928–1937<br />

meredith l. roman<br />

Before the Nazis came<br />

to power in Germany,<br />

Soviet <strong>of</strong>ficials labeled<br />

the United States the<br />

most racist country in<br />

the world. Photographs,<br />

children’s stories, films,<br />

newspaper articles,<br />

political education<br />

campaigns, and court<br />

proceedings exposed<br />

the hypocrisy <strong>of</strong><br />

America’s racial democracy.<br />

In contrast, the Soviets represented the ussr<br />

itself as a superior society where racism was absent<br />

and identified African Americans as valued allies in<br />

resisting an imminent imperialist war against the<br />

first workers’ state.<br />

Meredith L. Roman’s Opposing Jim Crow examines<br />

the period between 1928 and 1937, when<br />

the promotion <strong>of</strong> antiracism by party and trade<br />

union <strong>of</strong>ficials in Moscow became a priority policy.<br />

Although Soviet leaders stood to gain considerable<br />

propagandistic value at home and abroad by drawing<br />

attention to U.S. racism, their actions simultaneously<br />

directed attention to the routine violation <strong>of</strong><br />

human rights that African Americans suffered as<br />

citizens <strong>of</strong> the United States. Soviet policy also challenged<br />

the prevailing white supremacist notion that<br />

blacks were biologically inferior and thus unworthy<br />

<strong>of</strong> equality with whites. African Americans <strong>of</strong><br />

various political and socioeconomic backgrounds<br />

became indispensable contributors to Soviet antiracism<br />

and helped <strong>of</strong>ficials in Moscow challenge the<br />

United States’ claim to be the world’s beacon <strong>of</strong><br />

democracy and freedom.<br />

Meredith L. Roman is an assistant pr<strong>of</strong>essor<br />

<strong>of</strong> history at suny–Brockport. Her articles have<br />

appeared in the Journal <strong>of</strong> Communist Studies and<br />

Transition Politics and Critique: A Journal <strong>of</strong> Socialist<br />

<strong>The</strong>ory.<br />

july<br />

360 pp. • 6 x 9 • 7 illustrations<br />

$55.00s hardcover • 978-0-8032-1552-8<br />

$62.00 Canadian/£36.00 UK<br />

e-book available • 978-0-8032-4084-1<br />

justice and social inquiry series<br />

Jeremy I. Levitt and Matthew C. Whitaker, series editors<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

45


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

46<br />

announcing a new series:<br />

july<br />

200 pp. • 9 x 12 • 37 color photographs,<br />

106 color plates<br />

$50.00s paperback • 978-0-8032-4092-6<br />

also <strong>of</strong> interest<br />

Fabulous Harlequin<br />

orlan and the Patchwork Self<br />

Edited by Jorge Daniel Veneciano<br />

and Rhonda K. Garelick<br />

$44.95 paperback • 978-0-8032-3475-8<br />

Sculpture from the Sheldon<br />

Memorial Art Gallery<br />

Edited by Karen O. Janovy<br />

$29.95 paperback • 978-0-8032-7629-1<br />

American Quilts in the Modern Age,<br />

1870–1940<br />

<strong>The</strong> International Quilt Study Center Collections<br />

Edited by Marin F. Hanson<br />

and Patricia Cox Crews<br />

$90.00s hardcover • 978-0-8032-2054-6<br />

art • criticism<br />

nebraska paperback<br />

<strong>The</strong> Geometric Unconscious<br />

A Century <strong>of</strong> Abstraction<br />

edited by jorge daniel veneciano<br />

This stunning book, inspired by the Sheldon Museum <strong>of</strong> Art’s<br />

rich holdings in geometric abstraction, introduces adventurous<br />

new thinking about a visual approach that has captivated<br />

both artists and viewers for more than a century. Four richly<br />

illustrated essays explore the European genesis <strong>of</strong> geometric<br />

abstraction, its translation into an American context, and its<br />

current direction, charting the style’s aesthetic, intellectual, and<br />

social implications.<br />

Sharon L. Kennedy’s essay draws on the Sheldon’s collection<br />

to trace the style’s beginnings and its various transformations by<br />

twentieth-century American artists. Peter Halley invokes contemporary<br />

theory in rethinking how postmodern artists engage<br />

with geometry while challenging its most basic presumptions.<br />

Jeremy Gilbert-Rolfe delves into the work <strong>of</strong> four contemporary<br />

artists who are taking geometry in exciting new directions, and<br />

Jorge Daniel Veneciano reveals the persistent manner in which<br />

theorists and defenders <strong>of</strong> geometric abstraction have obscured<br />

aspects <strong>of</strong> its history and contributed to the esoteric aura <strong>of</strong><br />

modern art.<br />

Featured throughout are full-color reproductions <strong>of</strong> masterpieces<br />

from both the Sheldon and private collections, including<br />

paintings, sculptures, and works on paper by diverse artists<br />

such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes<br />

Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and<br />

Charmion von Wiegand.<br />

Jorge Daniel Veneciano is the director <strong>of</strong> the Sheldon Museum<br />

<strong>of</strong> Art. He is the coeditor <strong>of</strong> Fabulous Harlequin: orlan and<br />

the Patchwork Self (<strong>Nebraska</strong>, 2010) and the editor <strong>of</strong> Neo-Constructivism:<br />

Art, Architecture, and Activism and Play’s the Thing:<br />

Reading the Art <strong>of</strong> Jun Kaneko.


Clockwise from top left: Alice Aycock (American, born 1946). <strong>The</strong> Machine That Makes the World, 1979. Wood and steel. Sheldon Museum <strong>of</strong> Art, gift <strong>of</strong> the<br />

artist and Klein Gallery, u-4249. Photograph by Jerry L. Thompson. Art © Alice Aycock. Top right: Patrick Henry Bruce (American, 1881–1936). Forms,<br />

1918. Oil and graphite on canvas. unl–Howard S. Wilson Memorial, u-510. Middle right: Mark Di Suvero (American, born China, 1933). Old Glory, 1986.<br />

Painted steel. unl–Olga N. Sheldon Acquisition Trust and friends <strong>of</strong> Sheldon Memorial Art Gallery, u-3930. Art © Mark di Suvero. Bottom right: Bruce<br />

Beasley (American, born 1939). Bateleur II, 1989. Bronze. unl–Gift <strong>of</strong> anonymous donor, u-4536. Art © Bruce Beasley. Bottom left: Lyman Kipp (American,<br />

born 1929). Ulysses, 1972. Painted aluminum. unl–F. M. Hall Collection, h-2298. Art © Lyman Kipp. Middle right: Balcomb Greene (American,<br />

1904–1990). Monument to Light, 1942. Oil on canvas. naa–Thomas C. Woods Memorial, n-141. Art © <strong>The</strong> Estate <strong>of</strong> Gertrude and Balcomb Greene.<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

47


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

48<br />

announcing a new series:<br />

Paul Spickard and Pekka Hämäläinen, series editors<br />

<strong>The</strong> Center for Borderlands and Transcultural Studies at the <strong>University</strong> <strong>of</strong> California, Santa Barbara, is a venue<br />

for the scholarly study <strong>of</strong> borderlands—<strong>of</strong> the encounters, intersections, and collisions between peoples and<br />

cultures—in present time and throughout human history. <strong>The</strong> books in this series focus on the center’s five<br />

themes: comparative borderlands, multiple identities (borderlands <strong>of</strong> race, culture, and identity), race in the<br />

American West, human migrations, and colonial encounters.<br />

july<br />

328 pp. • 6 x 9 • 17 maps, 1 glossary<br />

$60.00s hardcover • 978-0-8032-3766-7<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4172-5<br />

also <strong>of</strong> interest<br />

<strong>The</strong> Blue Tattoo<br />

<strong>The</strong> Life <strong>of</strong> Olive Oatman<br />

Margot Mifflin<br />

$17.95 paperback • 978-0-8032-3517-5<br />

history • native studies • latin america • mexico<br />

Chiricahua and Janos<br />

Communities <strong>of</strong> Violence in the<br />

Southwestern Borderlands, 1680–1880<br />

lance r. blyth<br />

Borderlands violence, so explosive in our time, has deep roots<br />

in history. Lance R. Blyth’s study <strong>of</strong> Chiricahua Apaches and the<br />

presidio <strong>of</strong> Janos in the U.S.-Mexican borderlands reveals how<br />

no single entity had a monopoly on coercion and how violence<br />

became the primary means by which relations were established,<br />

maintained, or altered both within and between communities,<br />

to include the Spanish-Mexican settlement <strong>of</strong> Janos in Nueva<br />

Vizcaya, present-day Chihuahua, and the Chiricahua Apaches.<br />

For more than two centuries violence was at the center <strong>of</strong><br />

the relationships by which Janos and Chiricahua formed their<br />

communities. Violence created families by turning boys into<br />

men through campaigns and raids, which ultimately led to<br />

marriage, then also determined the provisioning and security<br />

<strong>of</strong> these families, with acts <strong>of</strong> revenge and retaliation governing<br />

their attempts to secure themselves even as trade and exchange<br />

continued sporadically. This revisionist work reveals how during<br />

the Spanish, Mexican, and American eras both conflict and<br />

accommodation constituted these two communities that previous<br />

historians have <strong>of</strong>ten treated as separate and antagonistic.<br />

By showing not only the negative aspects <strong>of</strong> violence but also its<br />

potentially positive outcomes, Chiricahua and Janos helps us to<br />

understand violence not only in the southwestern borderlands<br />

but in borderland regions generally around the world.<br />

Lance R. Blyth is the deputy director <strong>of</strong> the Office <strong>of</strong> History<br />

at U.S. Northern Command and a research associate pr<strong>of</strong>essor<br />

in the Latin American and Iberian Institute at the <strong>University</strong> <strong>of</strong><br />

New Mexico.


history • ethnic studies<br />

nebraska paperback<br />

Transnational Crossroads<br />

Remapping the Americas and the Pacific<br />

edited by camilla fojas<br />

and rudy p. guevarra jr.<br />

<strong>The</strong> twentieth century<br />

was a time <strong>of</strong> unprecedented<br />

migration and<br />

interaction for Asian,<br />

Latin American, and<br />

Pacific Islander cultures<br />

in the Americas<br />

and the American<br />

Pacific. Some <strong>of</strong> these<br />

ethnic groups already<br />

had historic ties, but<br />

technology, migration,<br />

and globalization during<br />

the twentieth century brought them into even<br />

closer contact. Transnational Crossroads explores<br />

and triangulates for the first time the interactions<br />

and contacts among these three cultural groups that<br />

were brought together by the expanding American<br />

empire from 1867 to 1950.<br />

Through a comparative framework, this volume<br />

weaves together narratives <strong>of</strong> U.S. and Spanish empire,<br />

globalization, resistance, and identity, as well<br />

as social, labor, and political movements. Contributors<br />

examine multiethnic celebrities and key figures,<br />

migratory paths, cultural productions, and social<br />

and political formations among these three groups.<br />

Engaging multiple disciplines and methodologies,<br />

these studies <strong>of</strong> Asian American, Latin American,<br />

and Pacific Islander cultural interactions explode<br />

traditional notions <strong>of</strong> ethnic studies and introduce<br />

new approaches to transnational and comparative<br />

studies <strong>of</strong> the Americas and the American Pacific.<br />

Camilla Fojas is Vincent de Paul Pr<strong>of</strong>essor and<br />

the director <strong>of</strong> Latin American and Latino studies<br />

at DePaul <strong>University</strong>. She is the author <strong>of</strong> Border<br />

Bandits: Hollywood on the Southern Frontier. Rudy<br />

P. Guevarra Jr. is an assistant pr<strong>of</strong>essor <strong>of</strong> Asian<br />

Pacific American studies at Arizona State <strong>University</strong>.<br />

He is author <strong>of</strong> Becoming Mexipino: Multiethnic<br />

Identities and Communities in San Diego.<br />

june<br />

504 pp. • 6 x 9 • 1 illustration<br />

$45.00s paperback • 978-0-8032-3795-7<br />

$50.50 Canadian/£28.99 UK<br />

e-book available • 978-0-8032-4088-9<br />

borderlands and transcultural<br />

studies series<br />

Paul Spickard and Pekka Hämäläinen, series editors<br />

native studies • film & theater<br />

nebraska paperback<br />

Navajo Talking Picture<br />

Cinema on Native Ground<br />

randolph lewis<br />

Navajo Talking Picture,<br />

released in 1985, is one<br />

<strong>of</strong> the earliest and most<br />

controversial works<br />

<strong>of</strong> Native cinema. It<br />

is a documentary by<br />

Los Angeles filmmaker<br />

Arlene Bowman, who<br />

travels to the Navajo<br />

reservation to record<br />

the traditional ways<br />

<strong>of</strong> her grandmother in<br />

order to understand her<br />

own cultural heritage. For reasons that have <strong>of</strong>ten<br />

confused viewers, the filmmaker persists despite her<br />

traditional grandmother’s forceful objections to the<br />

apparent invasion <strong>of</strong> her privacy. What emerges is a<br />

strange and thought-provoking work that abruptly<br />

calls into question the issue <strong>of</strong> insider versus outsider<br />

and other assumptions that have obscured the<br />

complexities <strong>of</strong> Native art.<br />

Randolph Lewis <strong>of</strong>fers an insightful introduction<br />

and analysis <strong>of</strong> Navajo Talking Picture, in which he<br />

shows that it is not simply the first Navajo-produced<br />

film but also a path-breaking work in the history <strong>of</strong><br />

indigenous media in the United States. Placing the<br />

film in a number <strong>of</strong> revealing contexts, including<br />

the long history <strong>of</strong> Navajo people working in Hollywood,<br />

the ethics <strong>of</strong> documentary filmmaking, and<br />

the <strong>of</strong>ten problematic reception <strong>of</strong> Native art, Lewis<br />

explores the tensions and mysteries hidden in this<br />

unsettling but fascinating film.<br />

Randolph Lewis is an associate pr<strong>of</strong>essor <strong>of</strong><br />

American studies at the <strong>University</strong> <strong>of</strong> Texas at<br />

Austin. He is the author <strong>of</strong> Alanis Obomsawin: <strong>The</strong><br />

Vision <strong>of</strong> a Native Filmmaker (available in a Bison<br />

Books edition) and Emile de Antonio: Radical Filmmaker<br />

in Cold War America.<br />

july<br />

272 pp. • 5 ½ x 8 ½ • 14 illustrations<br />

$30.00s paperback • 978-0-8032-3841-1<br />

$33.50 Canadian/£19.99 UK<br />

e-book available • 978-0-8032-4082-7<br />

indigenous films series<br />

Randolph Lewis and David Delgado Shorter,<br />

series editors<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

49


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

50<br />

american history • native studies<br />

Murder State<br />

California’s Native American Genocide, 1846–1873<br />

brendan c. lindsay<br />

In the second half <strong>of</strong> the<br />

nineteenth century, the<br />

Euro-American citizenry<br />

<strong>of</strong> California carried out<br />

mass genocide against<br />

the Native population <strong>of</strong><br />

their state, using the processes<br />

and mechanisms<br />

<strong>of</strong> democracy to secure<br />

land and resources for<br />

themselves and their private<br />

interests. <strong>The</strong> murder,<br />

rape, and enslavement<br />

<strong>of</strong> thousands <strong>of</strong> Native people were legitimized<br />

by notions <strong>of</strong> democracy—in this case mob rule—<br />

through a discreetly organized and brutally effective<br />

series <strong>of</strong> petitions, referenda, town hall meetings, and<br />

votes at every level <strong>of</strong> California government.<br />

Murder State is a comprehensive examination <strong>of</strong><br />

these events and their early legacy. Preconceptions<br />

about Native Americans as shaped by the popular<br />

press and by immigrants’ experiences on the overland<br />

trail to California were used to further justify<br />

the elimination <strong>of</strong> Native people in the newcomers’<br />

quest for land. <strong>The</strong> allegedly “violent nature” <strong>of</strong><br />

Native people was <strong>of</strong>ten merely their reaction to<br />

the atrocities committed against them as they were<br />

driven from their ancestral lands and alienated from<br />

their traditional resources.<br />

In this narrative history employing numerous primary<br />

sources and the latest interdisciplinary scholarship<br />

on genocide, Brendan C. Lindsay examines the<br />

darker side <strong>of</strong> California history, one that is rarely<br />

studied in detail, and the motives <strong>of</strong> both Native<br />

Americans and Euro-Americans at the time. Murder<br />

State calls attention to the misuse <strong>of</strong> democracy to<br />

justify and commit genocide.<br />

Brendan C. Lindsay is a lecturer <strong>of</strong> history at the<br />

California State Polytechnic <strong>University</strong>, Pomona. He<br />

holds a PhD in history from the <strong>University</strong> <strong>of</strong> California,<br />

Riverside.<br />

june<br />

496 pp. • 6 x 9 • 2 tables<br />

$70.00s hardcover • 978-0-8032-2480-3<br />

$78.50 Canadian/£46.00 UK<br />

e-book available • 978-0-8032-4021-6<br />

native studies • literary collections<br />

nebraska paperback<br />

Tales <strong>of</strong> the Old Indian<br />

Territory and Essays on<br />

the Indian Condition<br />

john milton oskison<br />

Edited and with an introduction by Lionel Larré<br />

At the beginning <strong>of</strong> the<br />

twentieth century, Indian<br />

Territory was a multicultural<br />

space in which<br />

various Native tribes,<br />

European Americans,<br />

and African Americans<br />

were equally engaged in<br />

struggles to carve out<br />

meaningful lives in a<br />

harsh landscape. John<br />

Milton Oskison (1874–<br />

1947), born in the territory<br />

to a Cherokee mother and an immigrant English<br />

father, was brought up engaging in his Cherokee<br />

heritage, including its oral traditions, and appreciating<br />

the utilitarian value <strong>of</strong> an American education.<br />

Oskison left Indian Territory to attend college<br />

and went on to have a long career in New York City<br />

journalism, working for the New York Evening Post<br />

and Collier’s Magazine. He also wrote short stories and<br />

essays for newspapers and magazines, most <strong>of</strong> which<br />

were about contemporary life in Indian Territory and<br />

depicted a complex multicultural landscape <strong>of</strong> cowboys,<br />

farmers, outlaws, and families dealing with the<br />

consequences <strong>of</strong> multiple interacting cultures.<br />

Though Oskison was a well-known and prolific<br />

Cherokee writer, journalist, and activist, few <strong>of</strong> his<br />

works are known today. This first comprehensive collection<br />

<strong>of</strong> Oskison’s unpublished autobiography, short<br />

stories, autobiographical essays, and essays fills a significant<br />

void in the literature and thought <strong>of</strong> a critical<br />

time and place in the history <strong>of</strong> the United States.<br />

Lionel Larré is an associate pr<strong>of</strong>essor <strong>of</strong> English at<br />

the Université Michel de Montaigne Bordeaux 3. He<br />

has published two books in France and numerous<br />

articles on Native American subjects.<br />

june<br />

696 pp. • 6 x 9 • French flaps<br />

$60.00s paperback • 978-0-8032-3792-6<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4039-1<br />

american indian lives series<br />

Kimberly Blaeser, Brenda J. Child, R. David Edmunds,<br />

Clara Sue Kidwell, and Tsianina K. Lomawaima,<br />

series editors


native studies • american history<br />

A Thrilling Narrative<br />

<strong>of</strong> Indian Captivity<br />

Dispatches from the Dakota War<br />

mary butler renville<br />

Edited by Carrie Reber Zeman and<br />

Kathryn Zabelle Derounian-Stodola<br />

Foreword by Gwen N. Westerman<br />

This edition <strong>of</strong> A Thrilling<br />

Narrative <strong>of</strong> Indian<br />

Captivity rescues from<br />

obscurity a crucially<br />

important work about<br />

the bitterly contested<br />

U.S.-Dakota War <strong>of</strong><br />

1862. Written by Mary<br />

Butler Renville, an<br />

Anglo woman, with<br />

the assistance <strong>of</strong> her<br />

Dakota husband, John<br />

Baptiste Renville, A<br />

Thrilling Narrative was printed only once as a book<br />

in 1863 and has not been republished since. <strong>The</strong><br />

work details the Renvilles’ experiences as “captives”<br />

among their Dakota kin in the Peace Party camp.<br />

<strong>The</strong>ir sympathetic portrayal <strong>of</strong> those Dakotas who<br />

opposed the war combats the stereotypical and<br />

inaccurate view that most Dakotas supported the<br />

war in 1862. What emerges from the Renvilles’ story<br />

is a complex and unique picture <strong>of</strong> race, gender, and<br />

class relations on the Minnesota frontier.<br />

As the state <strong>of</strong> Minnesota commemorates the<br />

150th anniversary <strong>of</strong> the Dakota War, this narrative<br />

provides fresh insights into the most controversial<br />

event in the region’s history. This new, annotated<br />

edition includes groundbreaking historical and<br />

literary contexts for both the war and the text.<br />

Mary Butler Renville (1830–1895) and John<br />

Baptiste Renville (1831–1903) dedicated their lives<br />

to education and mission work among the Dakotas.<br />

Carrie Reber Zeman, an independent historian<br />

specializing in the context and historiography <strong>of</strong><br />

the U.S-Dakota War <strong>of</strong> 1862, is a consultant for the<br />

Minnesota Historical Society. Kathryn Zabelle<br />

Derounian-Stodola is a pr<strong>of</strong>essor <strong>of</strong> English at the<br />

<strong>University</strong> <strong>of</strong> Arkansas at Little Rock and the author<br />

<strong>of</strong> <strong>The</strong> War in Words: Reading the Dakota Conflict<br />

through the Captivity Literature (<strong>Nebraska</strong>, 2009).<br />

june<br />

416 pp. • 6 x 9 • 14 illustrations, 4 maps, 2 appendixes<br />

$60.00s hardcover • 978-0-8032-3530-4<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4344-6<br />

native studies • american history<br />

<strong>The</strong> Woman Who Loved Mankind<br />

<strong>The</strong> Life <strong>of</strong> a Twentieth-Century Crow Elder<br />

lillian bullshows hogan<br />

As told to Barbara Loeb and<br />

Mardell Hogan Plainfeather<br />

<strong>The</strong> oldest living Crow<br />

at the dawn <strong>of</strong> the<br />

twenty-first century,<br />

Lillian Bullshows Hogan<br />

(1905–2003) grew up on<br />

the Crow reservation<br />

in rural Montana. In<br />

<strong>The</strong> Woman Who Loved<br />

Mankind she enthralls<br />

readers with her own<br />

long and remarkable life<br />

and the stories <strong>of</strong> her<br />

parents, part <strong>of</strong> the last<br />

generation <strong>of</strong> Crow born to nomadic ways.<br />

As a child Hogan had a miniature teepee, a fast<br />

horse, and a medicine necklace <strong>of</strong> green beads; she<br />

learned traditional arts and food gathering from<br />

her mother and experienced the bitterness <strong>of</strong> Indian<br />

boarding school. She grew up to be a complex, hardworking<br />

Native woman who drove a car, maintained<br />

a bank account, and read the local English paper but<br />

spoke Crow as her first language, practiced beadwork,<br />

tanned hides, honored clan relatives in generous<br />

giveaways, and <strong>of</strong>ten visited the last <strong>of</strong> the old<br />

chiefs and berdaches with her family. She married in<br />

the traditional Crow way and was a proud member<br />

<strong>of</strong> the Tobacco and Sacred Pipe societies but was also<br />

a devoted Christian who helped establish the Church<br />

<strong>of</strong> God on her reservation.<br />

Warm, funny, heartbreaking, and filled with<br />

information on Crow life, Hogan’s story was told<br />

to her daughter, Mardell Hogan Plainfeather, and<br />

to Barbara Loeb, a scholar and longtime friend <strong>of</strong><br />

the family who recorded her words, staying true to<br />

Hogan’s expressive speaking rhythms with its echoes<br />

<strong>of</strong> traditional Crow storytelling.<br />

Barbara Loeb taught Native art history at Oregon<br />

State <strong>University</strong> and is the author <strong>of</strong> Felice Lucero-<br />

Giaccardo: A Contemporary Pueblo Painter. Mardell<br />

Hogan Plainfeather is retired as a supervisory park<br />

ranger with the National Park Service and as a Crow<br />

field director <strong>of</strong> the American Indian Tribal Histories<br />

Project at the Western Heritage Center.<br />

july<br />

568 pp. • 6 x 9 • 23 illustrations, 1 map, 5 figures<br />

$60.00s hardcover • 978-0-8032-1613-6<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4330-9<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

51


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

52<br />

native studies • archaeology<br />

nebraska paperback<br />

<strong>The</strong> Archaeology <strong>of</strong> the Caddo<br />

edited by timothy k. perttula<br />

and chester p. walker<br />

This landmark volume<br />

provides the most<br />

comprehensive overview<br />

to date <strong>of</strong> the<br />

prehistory and archaeology<br />

<strong>of</strong> the Caddo<br />

peoples. <strong>The</strong> Caddos<br />

lived in the Southeastern<br />

Woodlands for<br />

more than 900 years<br />

beginning around ad<br />

800–900, before being<br />

forced to relocate to<br />

Oklahoma in 1859. <strong>The</strong>y left behind a spectacular<br />

archaeological record, including the famous Spiro<br />

Mound site in Oklahoma as well as many other<br />

mound centers, plazas, farmsteads, villages, and<br />

cemeteries.<br />

<strong>The</strong> Archaeology <strong>of</strong> the Caddo examines new advances<br />

in studying the history <strong>of</strong> the Caddo peoples,<br />

including ceramic analysis, reconstructions <strong>of</strong><br />

settlement and regional histories <strong>of</strong> different Caddo<br />

communities, Geographic Information Systems<br />

and geophysical landscape studies at several spatial<br />

scales, the cosmological significance <strong>of</strong> mound and<br />

structure placements, and better ways to understand<br />

mortuary practices. Findings from major sites<br />

and drainages such as the Crenshaw site, mounds<br />

in the Arkansas River basin, Spiro, the Oak Hill<br />

Village site, the George C. Davis site, the Willow<br />

Chute Bayou Locality, the Hughes site, Big Cypress<br />

Creek basin, and the McClelland and Joe Clark sites<br />

are also summarized and interpreted. This volume<br />

reintroduces the Caddos’ heritage, creativity, and<br />

political and religious complexity.<br />

Timothy K. Perttula is the cultural resources<br />

director <strong>of</strong> Archeological & Environmental Consultants<br />

llc. He is the editor <strong>of</strong> <strong>The</strong> Prehistory <strong>of</strong> Texas<br />

and the author <strong>of</strong> “<strong>The</strong> Caddo Nation”: Archaeological<br />

and Ethnohistoric Perspectives. Chester P.<br />

Walker is the cultural resources director <strong>of</strong><br />

Archaeo-Geophysical Associates llc.<br />

june<br />

632 pp. • 6 x 9 • 113 figures and 43 tables<br />

$60.00s paperback • 978-0-8032-2096-6<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4046-9<br />

history • latin america • mexico<br />

nebraska paperback<br />

Gender and the Negotiation <strong>of</strong><br />

Daily Life in Mexico, 1750–1856<br />

sonya lipsett-rivera<br />

History is not just<br />

about great personalities,<br />

wars, and revolutions;<br />

it is also about<br />

the subtle aspects <strong>of</strong><br />

more ordinary matters.<br />

On a day-to-day basis<br />

the aspects <strong>of</strong> life that<br />

most preoccupied<br />

people in late eighteenth-<br />

through mid<br />

nineteenth-century<br />

Mexico were not the<br />

political machinations <strong>of</strong> generals or politicians<br />

but whether they themselves could make a living,<br />

whether others accorded them the respect they<br />

deserved, whether they were safe from an abusive<br />

husband, whether their wives and children would<br />

obey them—in short, the minutiae <strong>of</strong> daily life.<br />

Sonya Lipsett-Rivera’s Gender and the Negotiation<br />

<strong>of</strong> Daily Life in Mexico, 1750–1856 explores the<br />

relationships between Mexicans, their environment,<br />

and one another, as well as their negotiation <strong>of</strong> the<br />

cultural values <strong>of</strong> everyday life. By examining the<br />

value systems that governed Mexican thinking <strong>of</strong><br />

the period, Lipsett-Rivera examines the ephemeral<br />

daily experiences and interactions <strong>of</strong> the people<br />

and illuminates how gender and honor systems<br />

governed these quotidian negotiations. Bodies and<br />

the built environment were inscribed with cultural<br />

values, and the relationship <strong>of</strong> Mexicans to and<br />

between space and bodies determined the way<br />

ordinary people acted out their culture.<br />

Sonya Lipsett-Rivera is a pr<strong>of</strong>essor <strong>of</strong> history at<br />

Carleton <strong>University</strong>. She is the author <strong>of</strong> To Defend<br />

Our Water with the Blood <strong>of</strong> Our Veins: <strong>The</strong> Struggle<br />

for Resources in Colonial Puebla and coeditor <strong>of</strong> <strong>The</strong><br />

Faces <strong>of</strong> Honor: Sex, Shame, and Violence in Colonial<br />

Latin America.<br />

may<br />

392 pp. • 6 x 9 • 11 illustrations, 1 map<br />

$40.00s paperback • 978-0-8032-3833-6<br />

$44.95 Canadian/£25.99 UK<br />

e-book available • 978-0-8032-4033-9<br />

the mexican experience series<br />

William H. Beezley, series editor


history • latin america • mexico<br />

nebraska paperback<br />

Malcontents, Rebels,<br />

and Pronunciados<br />

<strong>The</strong> Politics <strong>of</strong> Insurrection<br />

in Nineteenth-Century Mexico<br />

edited and with an<br />

introduction by will fowler<br />

Behind every pronunciamiento,<br />

a formal list <strong>of</strong><br />

grievances designed to<br />

spark political change in<br />

nineteenth-century Mexico,<br />

was a disgruntled<br />

individual, rebel, or pronunciado.<br />

Initially a role<br />

undertaken by soldiers,<br />

a pronunciado rallied<br />

military communities<br />

to petition for local, regional,<br />

and even national<br />

interests. As the popularity <strong>of</strong> these petitions grew,<br />

however, they evolved from a military-led practice<br />

to one endorsed and engaged by civilians, priests,<br />

indigenous communities, and politicians.<br />

<strong>The</strong> second in a series <strong>of</strong> books exploring the<br />

phenomenon <strong>of</strong> the pronunciamiento, this volume<br />

examines case studies <strong>of</strong> individual and collective<br />

pronunciados in regions across Mexico. Top scholars<br />

examine the motivations <strong>of</strong> individual pronunciados<br />

and the reasons they succeeded or failed; why<br />

garrisons, town councils, and communities adopted<br />

the pronunciamiento as a political tool and form<br />

<strong>of</strong> representation and used it to address local and<br />

national grievances; and whether institutions upheld<br />

corporate aims in endorsing, supporting, or launching<br />

pronunciamientos. <strong>The</strong> essays provide a better<br />

understanding <strong>of</strong> the rebel leaders behind these public<br />

acts <strong>of</strong> defiance and reveal how an insurrectionary<br />

repertoire became part <strong>of</strong> a national political culture.<br />

Will Fowler is a pr<strong>of</strong>essor <strong>of</strong> Latin American<br />

Studies at the <strong>University</strong> <strong>of</strong> St. Andrews in Scotland.<br />

His many books include Forceful Negotiations: <strong>The</strong><br />

Origins <strong>of</strong> the Pronunciamiento in Nineteenth-Century<br />

Mexico and Santa Anna <strong>of</strong> Mexico, both available<br />

from the <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>.<br />

june<br />

392 pp. • 5 ½ x 8 ½ • 3 maps, 3 tables, 1 chronology<br />

$40.00s paperback • 978-0-8032-2542-8<br />

$44.95 Canadian/£25.99 UK<br />

e-book available • 978-0-8032-4080-3<br />

the mexican experience series<br />

William H. Beezley, series editor<br />

sports • american history<br />

nebraska paperback<br />

Game Faces<br />

Five Early American Champions and the Sports<br />

<strong>The</strong>y Changed<br />

thomas h. pauly<br />

This compelling blend<br />

<strong>of</strong> biography and cultural<br />

history depicts five<br />

important yet nearly<br />

forgotten athletes from<br />

the late nineteenth and<br />

early twentieth centuries<br />

who had a transformative<br />

effect on their<br />

sports and on the evolution<br />

<strong>of</strong> sports in general.<br />

Tom Stevens was the<br />

first man to ride a bicycle,<br />

“a high wheeler,” around the world (1884–87).<br />

Fanny Bullock Workman completed seven expeditions<br />

into the Himalayas between 1898 and 1912.<br />

Bill Reid, a Harvard football coach and one <strong>of</strong> the<br />

game’s first pr<strong>of</strong>essionals, played a key role in saving<br />

the sport from a national movement to abolish it in<br />

1905. May Sutton became the National Champion<br />

<strong>of</strong> women’s tennis at the age <strong>of</strong> sixteen and was the<br />

first American woman to triumph at Wimbledon<br />

(1905). Barney Oldfield was an early champion <strong>of</strong><br />

motor car racing (1902) whose aggressive pursuit <strong>of</strong><br />

crowd appeal and “outlaw” style rankled his competitors<br />

but won him many races.<br />

Although they participated in different sports,<br />

these five athletes were central to the evolution <strong>of</strong><br />

sports from casual leisure recreations into serious,<br />

commercialized competitions and recognizable<br />

approximations <strong>of</strong> our sports today. Game Faces<br />

tracks the powerful influence <strong>of</strong> money, rules, and<br />

mediating organizations on this transformation and<br />

examines pitched battles between these champions<br />

and their archrivals. <strong>The</strong> outcomes determined not<br />

only the winners but also the future <strong>of</strong> their sports.<br />

Thomas H. Pauly is a recently retired pr<strong>of</strong>essor<br />

<strong>of</strong> American literature at the <strong>University</strong> <strong>of</strong> Delaware.<br />

He is the author <strong>of</strong> Zane Grey: His Life, His<br />

Adventures, His Women and American Odyssey: Elia<br />

Kazan and American Culture.<br />

april<br />

264 pp. • 5 ½ x 8 ½ • 36 illustrations<br />

$25.00s paperback • 978-0-8032-3817-6<br />

$27.95 Canadian/£17.99 UK<br />

e-book available • 978-0-8032-4051-3<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

53


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

54<br />

literary criticism • natural history<br />

nebraska paperback<br />

Artifacts and Illuminations<br />

Critical Essays on Loren Eiseley<br />

edited and with an introduction<br />

by tom lynch and susan n. maher<br />

Loren Eiseley (1907–<br />

77) is one <strong>of</strong> the most<br />

important American<br />

nature writers <strong>of</strong> the<br />

twentieth century and<br />

an admired practitioner<br />

<strong>of</strong> creative<br />

nonfiction. A native<br />

<strong>of</strong> Lincoln, <strong>Nebraska</strong>,<br />

Eiseley was a pr<strong>of</strong>essor<br />

<strong>of</strong> anthropology and a<br />

prolific writer and poet<br />

who worked to bring<br />

an understanding <strong>of</strong> science to the general public,<br />

incorporating religion, philosophy, and science<br />

into his explorations <strong>of</strong> the human mind and the<br />

passage <strong>of</strong> time.<br />

As a writer who bridged the sciences and the<br />

humanities, Eiseley is a challenge for scholars<br />

locked into rigid disciplinary boundaries. Artifacts<br />

and Illuminations, the first full-length collection <strong>of</strong><br />

critical essays on the writing <strong>of</strong> Eiseley, situates his<br />

work in the genres <strong>of</strong> creative nonfiction and nature<br />

writing. <strong>The</strong> contributing scholars apply a variety<br />

<strong>of</strong> critical approaches, including ecocriticism and<br />

place-oriented studies ranging across prairie, urban,<br />

and international contexts. Contributors explore<br />

such diverse topics as Eiseley’s use <strong>of</strong> anthropomorphism<br />

and Jungian concepts and examine how his<br />

work was informed by synecdoche. Long overdue,<br />

this collection demonstrates Eiseley’s continuing<br />

relevance as both a skilled literary craftsman and<br />

a pr<strong>of</strong>ound thinker about the human place in the<br />

natural world.<br />

Tom Lynch is an associate pr<strong>of</strong>essor <strong>of</strong> English<br />

at the <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong>–Lincoln. He is the<br />

author <strong>of</strong> Xerophilia: Ecocritical Explorations in<br />

Southwestern Literature. Susan N. Maher is the<br />

dean <strong>of</strong> the College <strong>of</strong> Liberal Arts at the <strong>University</strong><br />

<strong>of</strong> Minnesota, Duluth. She is coeditor <strong>of</strong> John<br />

McPhee and the Art <strong>of</strong> Literary Nonfiction.<br />

april<br />

384 pp. • 6 x 9<br />

$40.00s paperback • 978-0-8032-3403-1<br />

$44.95 Canadian/£25.99 UK<br />

e-book available • 978-0-8032-4049-0<br />

literary criticism<br />

Writing at the Limit<br />

<strong>The</strong> Novel in the New Media Ecology<br />

daniel punday<br />

While some cultural<br />

critics are pronouncing<br />

the death <strong>of</strong> the novel,<br />

a whole generation <strong>of</strong><br />

novelists have turned<br />

to other media with<br />

curiosity rather than<br />

fear. <strong>The</strong>se novelists are<br />

not simply incorporating<br />

references to other<br />

media into their work<br />

for the sake <strong>of</strong> verisimilitude,<br />

they are also<br />

engaging precisely such media as a way <strong>of</strong> talking<br />

about what it means to write and read narrative in<br />

a society filled with stories told outside the print<br />

medium.<br />

By examining how some <strong>of</strong> our best fiction writers<br />

have taken up the challenge <strong>of</strong> film, television,<br />

video games, and hypertext, Daniel Punday <strong>of</strong>fers<br />

an enlightening look into the current status <strong>of</strong> such<br />

fundamental narrative concepts as character, plot,<br />

and setting. He considers well-known post-<br />

modernists like Thomas Pynchon and Robert<br />

Coover, more-accessible authors like Maxine<br />

Hong Kingston and Oscar Hijuelos, and unjustly<br />

overlooked writers like Susan Daitch and Kenneth<br />

Gangemi, and asks how their works investigate the<br />

nature and limits <strong>of</strong> print as a medium for storytelling.<br />

Writing at the Limit explores how novelists locate<br />

print writing within the contemporary media ecology,<br />

and what it really means to be writing at print’s<br />

media limit.<br />

Daniel Punday is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English and Philosophy at Purdue <strong>University</strong>–<br />

Calumet. His most recent books are Five Strands <strong>of</strong><br />

Fictionality: <strong>The</strong> Institutional Construction <strong>of</strong> Contemporary<br />

American Fiction and Narrative Bodies:<br />

Toward a Corporeal Narratology.<br />

may<br />

376 pp. • 6 x 9 • 15 illustrations<br />

$60.00s hardcover • 978-0-8032-3646-2<br />

$67.50 Canadian/£39.00 UK<br />

e-book available • 978-0-8032-4081-0<br />

frontiers <strong>of</strong> narrative series<br />

David Herman, series editor


literary criticism<br />

Fictional Dialogue<br />

Speech and Conversation in the Modern<br />

and Postmodern Novel<br />

bronwen thomas<br />

Experimentation with<br />

the speech <strong>of</strong> characters<br />

has been hailed by<br />

Gérard Genette as “one<br />

<strong>of</strong> the main paths <strong>of</strong><br />

emancipation in the<br />

modern novel.” Dialogue<br />

as a stylistic and<br />

narrative device is a key<br />

feature in the development<br />

<strong>of</strong> the novel as<br />

a genre, yet it is also<br />

a phenomenon little<br />

acknowledged or explored in the critical literature.<br />

Fictional Dialogue demonstrates the richness and<br />

versatility <strong>of</strong> dialogue as a narrative technique<br />

in twentieth- and twenty-first-century novels by<br />

focusing on extended extracts and sequences <strong>of</strong><br />

utterances.<br />

Bronwen Thomas, by bringing together theories<br />

and models <strong>of</strong> fictional dialogue from a wide range<br />

<strong>of</strong> disciplines and intellectual traditions, shows how<br />

the subject raises pr<strong>of</strong>ound questions concerning<br />

our understanding <strong>of</strong> narrative and human communication.<br />

<strong>The</strong> first study <strong>of</strong> its kind to combine<br />

literary and narratological analysis with reference<br />

to linguistic terms and models, Bakhtinian theory,<br />

cultural history, media theory, and cognitive approaches,<br />

this book is also the first to focus in depth<br />

on the dialogue novel in the twentieth and twentyfirst<br />

centuries and to bring together examples<br />

<strong>of</strong> dialogue from literature, popular fiction, and<br />

nonlinear narratives. Beyond critiquing existing<br />

methods <strong>of</strong> analysis, it outlines a promising new<br />

method for analyzing fictional dialogue.<br />

Bronwen Thomas is a senior lecturer in linguistics<br />

and literature at Bournemouth <strong>University</strong>. She<br />

is the coeditor <strong>of</strong> New Narratives: Stories and Storytelling<br />

in the Digital Age (<strong>Nebraska</strong>, 2011).<br />

may<br />

280 pp. • 6 x 9 • 1 appendix<br />

$50.00s hardcover • 978-0-8032-4451-1<br />

$56.00 Canadian/£33.00 UK<br />

e-book available • 978-0-8032-4031-5<br />

frontiers <strong>of</strong> narrative series<br />

David Herman, series editor<br />

literary criticism • france<br />

Pictures into Words<br />

Images in Contemporary French Fiction<br />

ari j. blatt<br />

<strong>The</strong> explosive proliferation<br />

<strong>of</strong> pictures in<br />

advertising and pop<br />

culture, mass media,<br />

and cyberspace following<br />

World War II, along<br />

with the pr<strong>of</strong>usion <strong>of</strong><br />

critical thinking that<br />

tries to make sense <strong>of</strong> it,<br />

has had wide-ranging<br />

implications for cultural<br />

production as such.<br />

Pictures into Words<br />

explores how this proliferation <strong>of</strong> graphic images<br />

has pr<strong>of</strong>oundly affected narrative writing in France,<br />

especially, as Ari J. Blatt argues, the structure, content,<br />

and symbolic logic <strong>of</strong> contemporary French<br />

fiction. By examining a specific corpus <strong>of</strong> narratives<br />

by authors Claude Simon, Georges Perec, Pierre<br />

Michon, and Tanguy Viel—books that originate<br />

amid, conjure up, and indeed are essentially about<br />

pictures—Blatt addresses the most salient questions<br />

pertaining to the relationship between literature<br />

and visual culture today.<br />

Each <strong>of</strong> the novels considered here engages<br />

the work <strong>of</strong> several postwar artists—from Robert<br />

Rauschenberg, Andy Warhol, Vincent van Gogh,<br />

and Orson Welles to Jeff Koons, Joseph L. Mankiewicz,<br />

Pierre Huyghe, and Marcel Duchamp. As<br />

Blatt’s cross-disciplinary readings show, despite<br />

their gleeful raiding <strong>of</strong> the visual archive to generate<br />

and enrich their stories, many contemporary narratives<br />

that tell tales about pictures simultaneously<br />

express a cautious skepticism toward vision and<br />

visual representations. Pictures into Words examines<br />

how such novels, while seemingly complicit with<br />

the visual, simultaneously “write back” against the<br />

images they exploit, reclaiming some <strong>of</strong> literature’s<br />

lost ground in our visually inundated world.<br />

Ari J. Blatt is an assistant pr<strong>of</strong>essor <strong>of</strong> French at<br />

the <strong>University</strong> <strong>of</strong> Virginia.<br />

may<br />

288 pp. • 5 ½ x 8 ½ • 12 illustrations<br />

$50.00s hardcover • 978-0-8032-3805-3<br />

$56.00 Canadian/£33.00 UK<br />

stages series<br />

Gerald Prince, general series editor<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

55


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

56<br />

the jewish publication society<br />

<strong>The</strong> <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> is pleased to announce that we will now handle the<br />

publication, distribution, and marketing <strong>of</strong> books released by <strong>The</strong> Jewish Publication Society<br />

(JPS), starting January 1, 2012.<br />

Founded in 1888, JPS is the preeminent publisher <strong>of</strong> classic and contemporary Jewish texts for<br />

worldwide readers <strong>of</strong> English. <strong>The</strong> current list includes nearly 300 scholarly and popular works <strong>of</strong><br />

history, philosophy, ethics, and theology. JPS is best known for its acclaimed Bible commentaries,<br />

and the most widely read English translation <strong>of</strong> the Hebrew Bible, the JPS Tanakh.<br />

JPS director Rabbi Barry Schwartz will carry forward the Society’s 120-year mission as an<br />

independent, not-for-pr<strong>of</strong>it publisher <strong>of</strong> Jewish books <strong>of</strong> enduring worth. Schwartz will continue to<br />

acquire new JPS titles while unp will handle production <strong>of</strong> those titles, including editing, design,<br />

typesetting, and printing.<br />

july<br />

112 pp. • 5 ½ x 8 ½<br />

$15.95 paperback • 978-0-8276-1131-3<br />

$16.95 Canadian/£9.99 UK<br />

e-book available • 978-0-8276-0932-7<br />

<strong>The</strong><br />

Jewish<br />

Publication<br />

Society<br />

religion • jewish studies • education<br />

Judaism’s Great Debates<br />

Timeless Controversies from Abraham<br />

to Herzl<br />

rabbi barry l. schwartz<br />

Ever since Abraham’s famous argument with God, Judaism has<br />

been full <strong>of</strong> debate. Moses and Korah, David and Nathan, Hillel<br />

and Shammai, the Vilna Gaon and the Ba’al Shem Tov, Spinoza<br />

and the Amsterdam Rabbis. . . the list goes on. Jews debate justice,<br />

authority, inclusion, spirituality, resistance, evolution, Zionism,<br />

and more. No wonder that Judaism cherishes the expression<br />

machloket l’shem shamayim, “an argument for the sake <strong>of</strong> heaven.”<br />

In this concise but important survey, Rabbi Barry L. Schwartz<br />

presents the provocative and vibrant thesis that debate and disputation<br />

are not only encouraged within Judaism but reside at the<br />

very heart <strong>of</strong> Jewish history and theology. In his graceful, engaging,<br />

and creative prose, Schwartz presents an introduction to an<br />

intellectual history <strong>of</strong> Judaism through the art <strong>of</strong> argumentation.<br />

Beyond their historical importance, what makes these disputations<br />

so compelling is that nearly all <strong>of</strong> them, regardless <strong>of</strong> their<br />

epochs, are still being argued. Schwartz builds the case that the<br />

basis <strong>of</strong> Judaism is a series <strong>of</strong> unresolved rather than resolved<br />

arguments.<br />

Drawing on primary sources, and with a bit <strong>of</strong> poetic license,<br />

Schwartz reconstructs the real or imagined dialogue <strong>of</strong> ten great<br />

debates and then analyzes their significance and legacy. This<br />

parade <strong>of</strong> characters spanning three millennia <strong>of</strong> biblical, rabbinic,<br />

and modern disputation reflects the panorama <strong>of</strong> Jewish history<br />

with its monumental political, ethical, and spiritual challenges.<br />

Rabbi Barry L. Schwartz is the director <strong>of</strong> <strong>The</strong> Jewish Publication<br />

Society in Philadelphia and the spiritual leader <strong>of</strong> Congregation<br />

Adas Emuno in Leonia, New Jersey. He is the author <strong>of</strong> the<br />

acclaimed textbook, Jewish Heroes, Jewish Values and several<br />

other works. Judaism’s Great Debates is also being published in a<br />

student edition by Behrman House, Inc.


Selected Backlist from <strong>The</strong> Jewish Publication Society<br />

the jps bible commentary series<br />

<strong>The</strong> JPS Bible Commentary: Ruth<br />

Dr. Tamara Cohn Eskenazi<br />

and Dr. Tikva Frymer-Kensky<br />

2011 • 216 pp. • 8 x 10<br />

$40.00 hardcover • 978-0-8276-0744-6<br />

the jps torah commentary series<br />

<strong>The</strong> JPS Torah Commentary Series<br />

Individual volumes: $75.00 hardcover • 1996 • 8 x 10<br />

Genesis • 978-0-8276-0326-4 (414 pp.)<br />

Exodus • 978-0-8276-0327-1 (278 pp.)<br />

Leviticus • 978-0-8276-0328-8 (284 pp.)<br />

Numbers • 978-0-8276-0329-5 (520 pp.)<br />

Deuteronomy • 978-0-8276-0330-1 (548 pp.)<br />

Five-Volume Set: $360.00 • 978-0-8276-0331-8<br />

jps hebrew-english tanakh series<br />

JPS Hebrew-English Tanakh<br />

Edited by <strong>The</strong> Jewish Publication Society<br />

Hardcover Edition<br />

1999 • 2040 pp. 6 x 9<br />

$65.00 hardcover 978-0-8276-0656-2<br />

Student Edition<br />

1999 • 2040 pp. • 6 x 9<br />

$45.00 paperback (flex) • 978-0-8276-0697-5<br />

Pocket Edition<br />

1999 • 2030 pp. • 4 x 6<br />

$22.00 paperback • 978-0-8276-0766-8<br />

the jps bible commentary series<br />

<strong>The</strong> Commentators’ Bible (Numbers)<br />

<strong>The</strong> JPS Miqra’ot Gedolot: Numbers<br />

Michael Carasik<br />

2011 • 360 pp. • 9 x 12<br />

$75.00 hardcover • 978-0-8276-0921-1<br />

the jps guides series<br />

Dictionary <strong>of</strong> Jewish Words<br />

A JPS Guide<br />

Joyce Eisenberg and Ellen Scolnic<br />

2006 • 250 pp. • 7 x 10<br />

$18.00 paperback • 978-0-8276-0832-0<br />

the jps tanakh series<br />

Tanakh: <strong>The</strong> Holy Scriptures<br />

Edited by <strong>The</strong> Jewish Publication Society<br />

Hardcover Edition<br />

1985 • 1622 pp. • 6 x 9<br />

$35.00 hardcover • 978-0-8276-0252-6<br />

Paperback Edition<br />

1985 • 1622 pp. • 5 x 7<br />

$22.00 paperback • 978-0-8276-0366-0<br />

Presentation Editions<br />

$42.00 each, leather<br />

<strong>The</strong> JPS Bible<br />

Edited by <strong>The</strong> Jewish Publication Society<br />

Pocket Edition (Moss)<br />

2008 • 1104 pp. • 4 x 6<br />

$15.00 paperback • 978-0-8276-0877-1<br />

folktales <strong>of</strong> the jews series<br />

Folktales <strong>of</strong> the Jews, Volume 3<br />

Tales from Arab Lands<br />

Edited by Dan Ben-Amos<br />

2011 • 820 pp. • 6 x 9<br />

$75.00 hardcover • 978-0-8276-0871-9<br />

jewish choices, jewish voices series<br />

Jewish Choices, Jewish Voices<br />

Individual volumes: $16.00 paperback • 160 pages • 6 x 9<br />

Body (2008) • 978-0-8276-0860-3<br />

Money (2008) • 978-0-8276-0861-0<br />

Power (2009) • 978-0-8276-0862-7<br />

Sex and Intimacy (2010) • 978-0-8276-0905-1<br />

War and National Security (2010) • 978-0-8276-0906-8<br />

Social Justice (2010) • 978-0-8276-0907-5<br />

Six-Volume Set (2010) • $76.80 • 978-0-8276-0927-3<br />

celebrating the jewish year series<br />

Celebrating the Jewish Year:<br />

<strong>The</strong> Spring and Summer Holidays<br />

Passover, Shavuot, <strong>The</strong> Omer, Tisha B’Av<br />

Edited by Paul Steinberg and Janet Greenstein Potter<br />

2009 • 220 pp. • 7 x 10<br />

$22.00 paperback • 978-0-8276-0850-4<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

57


Distribution<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

58<br />

caxton press<br />

<strong>The</strong> <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> is now the proud distributor <strong>of</strong> Caxton <strong>Press</strong>, an independent<br />

publisher based in Caldwell, Idaho. J. H. Gipson founded Caxton <strong>Press</strong> in 1925 to give a voice to<br />

emerging writers <strong>of</strong> the American West. Today Caxton continues to publish books on the people<br />

and culture <strong>of</strong> the American West, past and present, and has more than 100 titles in print.<br />

recently released<br />

Cecil Andrus<br />

Idaho’s Greatest Governor<br />

chris carlson<br />

A biography and political reminiscence <strong>of</strong> the life<br />

and career <strong>of</strong> Idaho’s only four-term governor,<br />

written by his friend and former press secretary,<br />

Chris Carlson.<br />

2011 • 298 pp. • 6 x 9 • photographs, index<br />

$17.95 paperback • 978-0-87004-505-9<br />

$19.95 Canadian/£12.99 UK<br />

<strong>The</strong> San Juan Islands<br />

Into the 21st Century<br />

joann roe<br />

A detailed study <strong>of</strong> the past and present <strong>of</strong> Washington<br />

State’s San Juan Islands—one <strong>of</strong> the region’s<br />

most popular tourist destinations.<br />

2011 • 248 pp. • 5 ½ x 8 ¼ • photographs, map, index<br />

$16.95 paperback • 978-0-87004-504-2<br />

$18.95 Canadian/£12.99 UK<br />

<strong>The</strong> Settlers’ War<br />

<strong>The</strong> Struggle for the Texas Frontier in the 1860s<br />

gregory michno<br />

During the 1860s, the bloodiest decade in the western<br />

Indian wars, there were no large-scale battles in<br />

Texas between the army and the Indians. Instead,<br />

the targets <strong>of</strong> the Comanches, the Kiowas, and the<br />

Apaches were generally the homesteaders out on<br />

the Texas frontier. Ironically, it was these noncombatants<br />

who bore the brunt <strong>of</strong> the warfare, suffering<br />

far greater losses than the soldiers supposedly there<br />

to protect them. It is this story that <strong>The</strong> Settlers’ War<br />

tells for the first time.<br />

2011 • 480 pp. • 6 x 9 • maps, photographs, index<br />

$19.95 paperback • 978-0-87004-494-6<br />

$21.95 Canadian/£12.99 UK<br />

$24.95 hardcover • 978-0-87004-503-5<br />

$27.50 Canadian/£16.99 UK


Selected Backlist from Caxton <strong>Press</strong><br />

Ex America<br />

<strong>The</strong> 50th Anniversary <strong>of</strong> the People’s Pottage<br />

Garet Garrett<br />

Edited by Bruce Ramsey<br />

Foreword by Garet Garrett<br />

2004 • 190 pp. • 6 x 9<br />

$16.95 hardcover • 978-0-87004-442-7<br />

Sales in United States and possessions only<br />

Old-Fashioned Dutch Oven Cookbook<br />

Don Holm<br />

1969 • 131 pp. • 6 x 9 • illustrations, photographs, index<br />

$14.95 paperback • 978-0-87004-133-4<br />

Sales in United States and possessions only<br />

Backcountry Roads—Idaho<br />

Lynna Howard<br />

Photography by Leland Howard<br />

2008 • 240 pp. • 8 ½ x 11 • photographs, map, index<br />

$27.95 paperback • 978-0-87004-459-5<br />

$30.95 Canadian/£20.99 UK<br />

Salmon River Country<br />

Photography by Mark Lisk<br />

Essays by Stephen Steubner<br />

2004 • 120 pp. • 10 x 10 • color photographs<br />

$27.95 hardcover • 978-0-87004-441-0<br />

$30.95 Canadian/£16.99 UK<br />

<strong>The</strong> Art <strong>of</strong> Contrary Thinking<br />

Humphrey B. Neill<br />

1954 • 201 pp. • 5 ½ x 8 ½<br />

$10.95 paperback • 978-0-87004-110-5<br />

$11.95 Canadian/£9.99 UK<br />

<strong>The</strong> Ruminator<br />

Humphrey B. Neill<br />

2011 • 120 pp. • 5 ½ x 8 ½<br />

$9.95 paperback • 978-0-87004-244-7<br />

$10.95 Canadian/£9.99 UK<br />

Treaties and Treachery<br />

<strong>The</strong> Northwest Indians’ Resistance to Conquest<br />

Kurt R. Nelson<br />

2011 • 304 pp. • 6 x 9 • maps, photographs, index<br />

$18.95 paperback • 978-0-87004-499-1<br />

$20.95 Canadian/£12.99 UK<br />

Great Meals Dutch Oven Style<br />

Dale Smith<br />

2004 • 213 pp. • 6 x 9 • photographs, index<br />

$17.95 paperback • 978-0-87004-440-3<br />

Sales in United States and possessions only<br />

Dreamers<br />

On the Trail <strong>of</strong> the Nez Perce<br />

Martin Stadius<br />

1999 • 437 pp. • 6 ¼ x 9 ¼ • photographs, map,<br />

bibliography, index<br />

$24.95 hardcover • 978-0-87004-393-2<br />

Sales in United States and possessions only<br />

Distribution<br />

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60<br />

michael forsberg photography<br />

Jeff Kurrus is the associate editor <strong>of</strong><br />

nebraskaland magazine, an awardwinning<br />

wildlife publication. He lives in<br />

Gretna, <strong>Nebraska</strong>, with his wife, Laura,<br />

and two-year-old daughter, Madeline.<br />

Michael Forsberg is an internationally<br />

acclaimed wildlife photographer. He<br />

is the author and photographer <strong>of</strong> On<br />

Ancient Wings: <strong>The</strong> Sandhill Cranes <strong>of</strong><br />

North America and coauthor <strong>of</strong> Great<br />

Plains: America’s Lingering Wild. He<br />

lives in Lincoln, <strong>Nebraska</strong>, with his wife,<br />

Patty, and their two daughters, Elsa and<br />

Emme.<br />

january<br />

44 pp. • 9 ½ x 9 • 40 color photographs<br />

$16.99 hardcover • 978-0-9754964-1-1<br />

$19.50 Canadian/£10.99 UK<br />

juvenile fiction • natural history<br />

photography • nebraska<br />

Have You Seen Mary?<br />

jeff kurrus<br />

Photographs by Michael Forsberg<br />

“. . . and the sky blackened with dark, gray bodies. In the<br />

blurry confusion, John lost Mary.” So begins Have You<br />

Seen Mary?, a fictional account <strong>of</strong> one sandhill crane’s<br />

faithful search during spring migration for his lost<br />

mate. Set on <strong>Nebraska</strong>’s Platte River, Jeff Kurrus weaves<br />

a tender story <strong>of</strong> love while also teaching us about<br />

these majestic birds. Supported with wondrous color<br />

photographs taken by Michael Forsberg, this book will<br />

appeal to all ages for its ability to entertain as well as<br />

educate readers about sandhill cranes.<br />

“No one has photographed sandhill cranes as thoroughly<br />

or as well as Michael Forsberg. Here, author Jeff Kurrus<br />

cleverly weaves a story around these images, luring readers<br />

young and old into one <strong>of</strong> nature’s great spectacles.”<br />

—David Bristow, author <strong>of</strong> Sky Sailors: True Stories <strong>of</strong> the<br />

Balloon Era and editor <strong>of</strong> <strong>Nebraska</strong> History magazine<br />

“Have You Seen Mary? is an enchanting love song to Plains<br />

wildness, and its fragile, magnificent migrations <strong>of</strong> feather<br />

and heart. It will appeal to both children and adults, taking<br />

us all on an unforgettable journey <strong>of</strong> joy, knowledge, and<br />

hope. A beautiful book.”—John T. Price, author <strong>of</strong> Man<br />

Killed by Pheasant and Other Kinships<br />

“An elegant, touching, and inspiring book to help reconnect<br />

our children to nature, and not a moment too late. May<br />

there be many more like this to come.”—Joel Sartore,<br />

author, conservationist, and contributing photographer for<br />

National Geographic magazine<br />

“Have You Seen Mary? is an appealing children’s story by<br />

Jeff Kurrus that blends sandhill crane natural history with<br />

Mike Forsberg’s spectacular photographs <strong>of</strong> cranes and<br />

their Great Plains wetlands habitats.”—Paul Johnsgard,<br />

Foundation Pr<strong>of</strong>essor Emeritus and the <strong>University</strong> <strong>of</strong><br />

<strong>Nebraska</strong>–Lincoln, and author <strong>of</strong> Sandhill and Whooping<br />

Cranes


On Ancient Wings<br />

<strong>The</strong> Sandhill Cranes <strong>of</strong> North America<br />

Michael Forsberg<br />

$45.00 hardcover • 978-0-9754964-0-4<br />

Beaver Steals Fire<br />

A Salish Coyote Story<br />

Confederated Salish and Kootenai Tribes<br />

Illustrated by Sam Sandoval<br />

$12.95 paperback • 978-0-8032-1640-2<br />

Big Jinny<br />

<strong>The</strong> Story <strong>of</strong> a Grizzly Bear<br />

Frank B. Linderman<br />

Illustrated by Elizabeth Lochrie<br />

$15.00 paperback • 978-0-8032-8044-1<br />

also <strong>of</strong> interest<br />

Bull Trout’s Gift<br />

A Salish Story about the Value <strong>of</strong> Reciprocity<br />

Confederated Salish and Kootenai Tribes<br />

Illustrated by Sashay Camel<br />

$21.95 hardcover • 978-0-8032-3491-8<br />

Field Journal *Snqeymintn<br />

A Component <strong>of</strong> the Explore the River Project<br />

Confederated Salish and Kootenai Tribes<br />

Illustrated by Sashay Camel<br />

$14.95 paperback • 978-0-8032-3528-1<br />

Photographs © Michael Forsberg / www.michaelforsberg.com<br />

Explore the River (dvd)<br />

Bull Trout, Tribal People,<br />

and the Jocko River<br />

Confederated Salish and Kootenai Tribes<br />

$24.95 dvd • 978-0-8032-3788-9<br />

Explore the River Educational<br />

Project, 2-book, 1-dvd Set<br />

Bull Trout, Tribal People,<br />

and the Jocko River<br />

Confederated Salish and Kootenai Tribes<br />

$44.95 set • 978-0-8032-3789-6<br />

Distribution<br />

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61


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62<br />

mary mitchell illustrations llc<br />

Mary Mitchell was born in Buffalo,<br />

New York, and credits her mother<br />

with inspiring her lifelong love <strong>of</strong> the<br />

arts. After marrying, Mitchell and her<br />

husband eventually settled in Omaha,<br />

where she became a successful fashion<br />

illustrator. Her collected works are the<br />

exclusive subject <strong>of</strong> a 2012 exhibition<br />

at Omaha’s Durham Museum. Jenna<br />

Gabrial Gallagher is a writer and editor<br />

who coauthored Harper’s Bazaar:<br />

Greatest Hits. She regularly writes for<br />

Bazaar and other luxury publications.<br />

january<br />

225 pp. • 8 ½ x 11 • 30 color illustrations,<br />

170 b&w illustrations<br />

$45.00 hardcover • 978-0-615-55880-6<br />

$50.50 Canadian/£28.99 UK<br />

art • fashion • art history<br />

Drawn to Fashion<br />

Illustrating Three Decades <strong>of</strong> Style<br />

mary mitchell<br />

Jenna Gabrial Gallagher, Contributing Writer and Editor<br />

Foreword by Oscar de la Renta<br />

In this era <strong>of</strong> nationally produced Sunday circulars, artistry in<br />

advertising is a rare luxury. But until the 1980s, clothing retailers<br />

regularly hired skilled illustrators to draw their merchandise for<br />

local papers. Without the benefit <strong>of</strong> color, these artists conveyed<br />

the most striking “buy me” details <strong>of</strong> an outfit with no more than<br />

a pencil and sheer talent. <strong>The</strong>ir true contribution, however, goes<br />

beyond merchandising. It is an important part <strong>of</strong> fashion history.<br />

Mary Mitchell was the foremost illustrator in Omaha, <strong>Nebraska</strong><br />

in the 1960s, 1970s, and 1980s, counting the city’s most revered<br />

temples <strong>of</strong> style among her clients. After newspapers switched to<br />

photography, Mitchell lovingly preserved her archive <strong>of</strong> more than<br />

one thousand works. She presents many <strong>of</strong> them, as well as newer,<br />

color pieces, in Drawn to Fashion. With the unique authority that<br />

only a half-century in the industry brings, Mitchell also discusses<br />

her personal technique, the challenges she faced, and the state <strong>of</strong><br />

fashion illustration today.<br />

Written in conjunction with an exhibition at Omaha’s Durham<br />

Museum, proceeds from this book will benefit the Mary Mitchell<br />

Fashion Illustration Scholarship Fund at the Textile, Clothing and<br />

Design Department at the <strong>University</strong> <strong>of</strong> <strong>Nebraska</strong>–Lincoln.<br />

Illustrations <strong>of</strong> fur invited women to dream, but also to see themselves wearing the coat<br />

in Omaha.


Clockwise from top left: Rich jewel tones enhance—rather than replace—Mitchell's elaborate<br />

detailing; no longer restricted by black and white, today's fashion illustrator sees la vie<br />

en rose; shadow and light capture the s<strong>of</strong>tness <strong>of</strong> fur; in the 1970s, more men began using<br />

personal style as a way to express themselves; the timeless elegance <strong>of</strong> Oscar de la Renta.<br />

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64<br />

salish kootenai college press<br />

january<br />

144 pp. • 5 ½ x 8 ½ • 6 photographs, index<br />

$10.95 paperback • 978-1-934594-08-7<br />

$12.50 Canadian/£9.99 UK<br />

also <strong>of</strong> interest<br />

Passing It On<br />

Voices from the Flathead Indian Reservation<br />

Maggie Plummer<br />

$11.95 paperback • 978-1-934594-03-2<br />

Medicine for the Salish Language<br />

English to Salish Translation Dictionary,<br />

Second Edition<br />

Tachini Pete<br />

$45.00s hardcover • 978-1-934594-06-3<br />

Ancient Wisdom, Modern Science<br />

<strong>The</strong> Integration <strong>of</strong> Native Knowledge at Tribally<br />

Controlled Colleges and Universities<br />

Edited by Paul Boyer<br />

$14.95 paperback • 978-1-934594-07-0<br />

biography • native studies • history<br />

Montana Memories<br />

<strong>The</strong> Life <strong>of</strong> Emma Magee in the Rocky<br />

Mountain West, 1866–1950<br />

ida s. patterson<br />

with a biography <strong>of</strong> the author by<br />

Grace Patterson McComas<br />

Montana Memories is the life story <strong>of</strong> a mixed-blood Indian<br />

woman in western Montana and southern Alberta during the<br />

late nineteenth and early twentieth centuries. Born in 1866 to a<br />

white trader and a Shoshone and Salish Indian mother, Emma<br />

Magee saw Montana change from Indian Country to a part <strong>of</strong><br />

industrial America. When she was born, mixed-blood Indians<br />

were socially part <strong>of</strong> the white community in Montana. By the<br />

time she died in 1950, however, mixed-bloods were considered<br />

Indians.<br />

In the memoirs <strong>of</strong> her long and dramatic life, Magee recounts<br />

many interesting aspects <strong>of</strong> early Montana:<br />

• Her father’s experiences as a free trader in the Rocky<br />

Mountains.<br />

• Her mother’s tales <strong>of</strong> her Shoshone ancestors.<br />

• Her memories <strong>of</strong> her life as a mixed-blood child in the<br />

Missoula Valley during the nineteenth century.<br />

• Her father’s and other relatives’ role in the Nez Perce War<br />

<strong>of</strong> 1877.<br />

• Her travels with her first husband through the Upper<br />

Flathead Country and the Thompson Falls area <strong>of</strong> Montana<br />

and High River, Alberta.<br />

• Her move with her second husband to the Flathead Indian<br />

Reservation and her impressions <strong>of</strong> the impact <strong>of</strong> allotment<br />

and the new irrigation system on the reservation community.<br />

• Her daughter’s life in the boarding school at St. Ignatius<br />

Mission in the early twentieth century.<br />

Ida S. Patterson (1903–54), a young relative <strong>of</strong> Emma Magee,<br />

recorded this reminiscence in the late 1940s. It was published as<br />

a historical column in the Montana Farmer-Stockman in 1950.


2008 gourmand world<br />

cookbook award winner,<br />

best book on french wines<br />

2010 prix jean carmet winner<br />

for wine writing<br />

Corkscrewed<br />

Adventures in the New French Wine<br />

Country<br />

Robert V. Camuto<br />

With a new preface by the author<br />

2010 • 216 pp. • 5 ½ x 8 ½<br />

14 photographs, 1 map, 1 appendix<br />

$15.95 paperback • 978-0-8032-2978-5<br />

$19.95 Canadian/£9.99 UK<br />

2005 nebraska book award<br />

winner, photography<br />

category and nonfiction<br />

honor book category<br />

On Ancient Wings<br />

<strong>The</strong> Sandhill Cranes <strong>of</strong> North<br />

America<br />

Michael Forsberg<br />

Introduction by George Archibald<br />

and James Harris<br />

2004 • 168 pp. • 11 ¼ x 11 ¼ • 153 color<br />

photographs, 1 b&w photograph, 1 map<br />

$45.00 hardcover • 978-0-9754964-0-4<br />

$56.25 Canadian/£34.50 UK<br />

Sandhill and Whooping<br />

Cranes<br />

Ancient Voices over America’s<br />

Wetlands<br />

Paul A. Johnsgard<br />

2011 • 184 pp. • 5 ½ x 9<br />

19 illustrations, 3 maps<br />

$12.95 paperback • 978-0-8032-3496-3<br />

$15.50 Canadian/£9.99 UK<br />

<strong>The</strong> Golden West<br />

Fifty Years <strong>of</strong> Bison Books<br />

Edited by Alicia Christensen<br />

Introduction by David Wrobel<br />

2011 • 248 pp. • 5 ½ x 8 ½<br />

$16.95 paperback • 978-0-8032-3488-8<br />

$19.95 Canadian/£11.95 UK<br />

Brassies, Mashies,<br />

and Bootleg Scotch<br />

Growing Up on America’s<br />

First Heroic Golf Course<br />

Bill Kilpatrick<br />

2011 • 176 pp. • 5 ½ x 7 • 8 photographs<br />

$16.95 hardcover • 978-0-8032-3642-4<br />

$19.50 Canadian/£10.99 UK<br />

Let <strong>The</strong>re Be Pebble<br />

A Middle-Handicapper’s Year<br />

in America’s Garden <strong>of</strong> Golf<br />

Zachary Michael Jack<br />

2011 • 352 pp. • 6 x 9<br />

$24.95 hardcover • 978-0-8032-3357-7<br />

$29.95 Canadian/£16.99 UK<br />

Wildflowers <strong>of</strong><br />

the Western Plains<br />

A Field Guide<br />

Zoe Merriman Kirkpatrick<br />

Forewords by Benny J. Simpson<br />

and David K. Northington<br />

Drawings by Phillis Unbehagen<br />

2008 • 264 pp. • 6 x 8.5 • 247 color<br />

images; 2 b&w images; 15 line<br />

drawings; 1 color map<br />

$19.95 paperback • 978-0-8032-1905-2<br />

$21.95 Canadian/£11.99 UK<br />

Gift Books<br />

midwest booksellers’ choice<br />

award winner, poetry category<br />

Valentines<br />

Ted Kooser<br />

With an introduction by the poet<br />

Illustrated by Robert Hanna<br />

2008 • 60 pp. • 5 ½ x 8 • 29 drawings<br />

$14.95 hardcover • 978-0-8032-1770-6<br />

$16.00 Canadian/£9.99 UK<br />

Let’s Be Reasonable<br />

Joel Sartore<br />

2011 • 152 pp. • 8 x 5 ½<br />

67 color photographs<br />

$21.95 hardcover • 978-0-8032-3506-9<br />

$24.95 Canadian/£13.99 UK<br />

Portraits <strong>of</strong> the Prairie<br />

<strong>The</strong> Land that Inspired Willa Cather<br />

Richard Schilling<br />

Foreword by Ted Kooser<br />

2011 • 176 pp. • 11 x 8 ½<br />

56 b&w illustrations, 71 color paintings<br />

$44.95 hardcover • 978-0-8032-2260-1<br />

$53.95 Canadian/£30.99 UK<br />

Drylands, a Rural<br />

American Saga<br />

Lionel Delevingne and Steve Turner<br />

2011 • 144 pp. • 10 x 7 • 36 color<br />

photographs, 71 b&w photographs<br />

$27.95 hardcover • 978-0-8032-3424-6<br />

$31.95 Canadian/£16.99 UK<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

65


<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

Recent Award-Winners<br />

66<br />

2011 edgar award winner,<br />

best crime fact category<br />

Scoreboard, Baby<br />

A Story <strong>of</strong> College Football, Crime,<br />

and Complicity<br />

Ken Armstrong and Nick Perry<br />

2010 • 400 pp. • 5 ½ x 8 ½<br />

17 photographs<br />

$19.95 paperback • 978-0-8032-2810-8<br />

$23.95 Canadian/£14.99 UK<br />

2010 bancr<strong>of</strong>t prize winner<br />

2010 athearn western history<br />

association prize winner<br />

2010 armitage-jameson<br />

prize winner<br />

White Mother to a Dark Race<br />

Settler Colonialism, Maternalism,<br />

and the Removal <strong>of</strong> Indigenous<br />

Children in the American West<br />

and Australia, 1880–1940<br />

Margaret D. Jacobs<br />

2011 • 592 pp. • 6 x 9 • 24 photographs,<br />

2 maps<br />

$30.00s paperback • 978-0-8032-3516-8<br />

$35.95 Canadian/£20.99 UK<br />

2011 midwest booksellers' choice<br />

award winner, poetry category<br />

Swallowing the Soap<br />

New and Selected Poems<br />

William Kloefkorn<br />

Edited and with an introduction<br />

by Ted Genoways<br />

2010 • 464 pp. • 6 x 9<br />

$26.95 paperback • 978-0-8032-3405-5<br />

$32.95 Canadian/£18.99 UK<br />

2011 association for mormon<br />

letters award winner,<br />

personal essay category<br />

2011 independent publisher<br />

book award gold medal<br />

winner, essay/creative<br />

nonfiction category<br />

2011 foreword magazine book <strong>of</strong><br />

the year bronze award winner<br />

2011 pen center usa literary<br />

award finalist, creative<br />

nonfiction category<br />

Quotidiana<br />

Patrick Madden<br />

2010 • 224 pp. • 5 ½ x 8 ½<br />

41 illustrations<br />

$23.95 hardcover • 978-0-8032-2296-0<br />

$29.95 Canadian/£15.99 UK<br />

2011 nebraska book award<br />

honor book, fiction category<br />

Stolen Horses<br />

Dan O’Brien<br />

2010 • 328 pp. • 5 ½ x 8 ½<br />

$19.95 paperback • 978-0-8032-3108-5<br />

$23.95 Canadian/£13.99 UK<br />

2011 florida book awards<br />

silver medal winner,<br />

florida nonfiction category<br />

2011 harry t. and harriette v.<br />

moore award winner<br />

2011 samuel proctor<br />

award winner<br />

Seminole Voices<br />

Reflections on <strong>The</strong>ir Changing<br />

Society, 1970–2000<br />

Julian M. Pleasants<br />

and Harry A. Kersey Jr.<br />

2010 • 272 pp. • 5 ½ x 8 ½<br />

14 illustrations, 1 map<br />

$40.00s hardcover • 978-0-8032-2986-0<br />

$49.95 Canadian/£25.99 UK<br />

2010 archives award for<br />

excellence in research from<br />

the new york state archives<br />

2010 albert b. corey prize winner<br />

<strong>The</strong> Texture <strong>of</strong> Contact<br />

European and Indian Settler<br />

Communities on the Frontiers<br />

<strong>of</strong> Iroquoia, 1667–1783<br />

David L. Preston<br />

2009 • 408 pp. • 6 x 9 • 12 illustrations,<br />

3 maps, 3 tables<br />

$45.00s hardcover • 978-0-8032-1369-2<br />

$62.95 Canadian/£35.00 UK


2011 smith-petit best first<br />

book award winner<br />

Excavating Nauvoo<br />

<strong>The</strong> Mormons and the Rise <strong>of</strong><br />

Historical Archaeology in America<br />

Benjamin C. Pykles<br />

Foreword by Robert L. Schuyler<br />

2010 • 416 pp. • 5 ½ x 8 ½<br />

26 photographs, 1 map, appendix<br />

$50.00s hardcover • 978-0-8032-1893-2<br />

$62.50 Canadian/£36.00 UK<br />

2010 independent publisher<br />

book award gold medal<br />

winner, nonfiction<br />

west-mountain region<br />

2011 high plains book award,<br />

best woman writer<br />

Goodbye Wifes<br />

and Daughters<br />

Susan Kushner Resnick<br />

2011 • 264 pp. • 5 ½ x 8 ½<br />

16 photographs, 1 appendix<br />

$16.95 paperback • 978-0-8032-3610-3<br />

$19.95 Canadian/£11.99 UK<br />

2010 chicago folklore prize<br />

winner<br />

named one <strong>of</strong> the 2010 southwest<br />

books <strong>of</strong> the year by the<br />

pima county public library<br />

We Will Dance Our Truth<br />

Yaqui History in Yoeme Performances<br />

David Delgado Shorter<br />

2009 • 390 pp. • 6 x 9 • 14 photographs,<br />

2 tables<br />

$45.00s hardcover • 978-0-8032-1733-1<br />

$62.95 Canadian/£35.00 UK<br />

2011 seymour medal winner<br />

1921<br />

<strong>The</strong> Yankees, the Giants,<br />

and the Battle for Baseball<br />

Supremacy in New York<br />

Lyle Spatz and Steve Steinberg<br />

Foreword by Charles C. Alexander<br />

2010 • 544 pp. • 6 x 9 • 53 photographs,<br />

16 tables, 4 appendixes<br />

$24.95 paperback • 978-0-8032-3999-9<br />

$27.95 Canadian/£17.99 UK<br />

2011 southern california<br />

independent booksellers award<br />

winner, nonfiction category<br />

Sacred Sites<br />

<strong>The</strong> Secret History <strong>of</strong> Southern<br />

California<br />

Susan Suntree<br />

Foreword by Gary Snyder<br />

Introduction by Lowell John Bean<br />

Photographs by Juergen Nogai<br />

2010 • 320 pp. • 8 x 11 • 30 illustrations,<br />

1 map<br />

$34.95 hardcover • 978-0-8032-3198-6<br />

$42.95 Canadian/£26.99 UK<br />

2011 museum publications<br />

design winner from the american<br />

association <strong>of</strong> museums<br />

Fabulous Harlequin<br />

orlan and the Patchwork Self<br />

Edited by Jorge Daniel Veneciano<br />

and Rhonda K. Garelick<br />

2010 • 176 pp. • 9 x 12 • 150 color<br />

illustrations<br />

$44.95 paperback • 978-0-8032-3475-8<br />

$55.00 Canadian/£30.99 UK<br />

2011 nebraska book award<br />

winner, fiction category<br />

Lamb Bright Saviors<br />

Robert Vivian<br />

2010 • 198 pp. • 5 ½ x 8 ½<br />

$22.95 paperback • 978-0-8032-1380-7<br />

$28.95 Canadian/£14.99 UK<br />

emme award winner for<br />

astronautical literature,<br />

american astronautical society<br />

Ambassadors from Earth<br />

Pioneering Explorations with<br />

Unmanned Spacecraft<br />

Jay Gallentine<br />

2009 • 522 pp. • 6 x 9 • 50 illustrations<br />

$34.95 hardcover • 978-0-8032-2220-5<br />

$48.95 Canadian/£26.99 UK<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224 67


Journals<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

68<br />

American Indian<br />

Quarterly<br />

amanda j. cobbgreetham,<br />

editor<br />

Revitalized and refocused,<br />

American Indian Quarterly (aiq)<br />

is building on its reputation as a<br />

dominant journal in American<br />

Indian studies by presenting the<br />

best and most thought-provoking<br />

scholarship in the field. aiq is<br />

a forum for diverse voices and<br />

perspectives spanning a variety<br />

<strong>of</strong> academic disciplines. <strong>The</strong><br />

common thread is aiq’s commitment<br />

to publishing work that<br />

contributes to the development<br />

<strong>of</strong> American Indian studies as a<br />

field and to the sovereignty and<br />

continuance <strong>of</strong> American Indian<br />

nations and cultures. In addition<br />

to peer-reviewed articles, aiq<br />

features reviews <strong>of</strong> books, films,<br />

and exhibits.<br />

Histories <strong>of</strong><br />

Anthropology Annual<br />

regna darnell and<br />

frederic w. gleach,<br />

editors<br />

Histories <strong>of</strong> Anthropology Annual<br />

presents diverse perspectives on<br />

the discipline’s history within<br />

a global context. Critical, comparative,<br />

analytical, and narrative<br />

studies involving all aspects and<br />

subfields <strong>of</strong> anthropology are<br />

included.<br />

Studies in American<br />

Indian Literatures<br />

daniel heath justice<br />

and james h. cox,<br />

editors<br />

Studies in American Indian Literatures<br />

(sail) is the only journal<br />

in the United States focusing<br />

exclusively on American Indian<br />

literatures. Broadly defining “literatures”<br />

to include all written,<br />

spoken, and visual texts created<br />

by Native peoples, the journal<br />

is on the cutting edge <strong>of</strong> activity<br />

in the field. <strong>The</strong> journal features<br />

scholarly, critical, pedagogical,<br />

and theoretical articles, poetry,<br />

short fiction, bibliographical<br />

essays, review essays, and<br />

interviews. sail is a journal <strong>of</strong><br />

the Association for the Study <strong>of</strong><br />

American Indian Literatures.<br />

Native South<br />

robbie ethridge,<br />

james t. carson, and<br />

greg o’brien, editors<br />

Native South focuses on the<br />

investigation <strong>of</strong> Southern Indian<br />

history with the goals <strong>of</strong> encouraging<br />

further study and exposing<br />

the influences <strong>of</strong> Indian people<br />

on the wider South. <strong>The</strong> journal<br />

does not limit itself to the study<br />

<strong>of</strong> the geographic area that was<br />

once encompassed by the Confederacy,<br />

but expands its view to<br />

the areas occupied by the preand<br />

post-contact descendants<br />

<strong>of</strong> the original inhabitants <strong>of</strong> the<br />

South, wherever they may be.<br />

Anthropological<br />

Linguistics<br />

douglas r. parks,<br />

editor<br />

Anthropological Linguistics provides<br />

a forum for the full range <strong>of</strong> scholarly<br />

study <strong>of</strong> the languages and<br />

cultures <strong>of</strong> the peoples <strong>of</strong> the world,<br />

especially the Native peoples <strong>of</strong> the<br />

Americas. Embracing the field <strong>of</strong><br />

language and culture broadly defined,<br />

the journal includes articles<br />

and research reports addressing<br />

cultural, historical, and philological<br />

aspects <strong>of</strong> linguistic study, including<br />

analyses <strong>of</strong> texts and discourse;<br />

studies <strong>of</strong> semantic systems and<br />

cultural classifications; onomastic<br />

studies; ethnohistorical papers that<br />

draw significantly on linguistic<br />

data; studies <strong>of</strong> linguistic prehistory<br />

and genetic classification, both<br />

methodological and substantive;<br />

discussions and interpretations <strong>of</strong><br />

archival material; edited historical<br />

documents; and contributions to<br />

the history <strong>of</strong> the field.<br />

Collaborative<br />

Anthropologies<br />

luke eric lassiter<br />

and samuel r. cook,<br />

editors<br />

Collaborative Anthropologies is a<br />

forum for dialogue with a special<br />

focus on the collaboration that<br />

takes place between and among<br />

researchers and communities <strong>of</strong><br />

informants, consultants, and collaborators.<br />

It features essays that<br />

are descriptive as well as analytical<br />

from all subfields <strong>of</strong> anthropology<br />

and closely related disciplines,<br />

together presenting a diversity<br />

<strong>of</strong> perspectives on collaborative<br />

research.


French Forum<br />

philippe met and<br />

andrea goulet,<br />

editors<br />

French Forum is a journal<br />

<strong>of</strong> French and Francophone<br />

literature and film. It publishes<br />

articles in English and French<br />

on all periods and genres in<br />

both disciplines and welcomes<br />

a multiplicity <strong>of</strong> approaches.<br />

Founded by Virginia and<br />

Raymond La Charité, the<br />

journal is produced by the<br />

French section <strong>of</strong> the Department<br />

<strong>of</strong> Romance Languages at<br />

the <strong>University</strong> <strong>of</strong> Pennsylvania.<br />

Nineteenth-Century<br />

French Studies<br />

marshall c. olds,<br />

editor<br />

Nineteenth-Century French<br />

Studies provides scholars and<br />

students with the opportunity<br />

to examine new trends, review<br />

promising research findings, and<br />

become better acquainted with<br />

pr<strong>of</strong>essional developments in<br />

the field <strong>of</strong> nineteenth-century<br />

French literature and culture.<br />

Each issue contains peer-reviewed<br />

scholarly articles and an<br />

extensive book review section<br />

covering a variety <strong>of</strong> disciplines.<br />

Unless otherwise indicated,<br />

journal orders should be sent to:<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

1111 Lincoln Mall<br />

Lincoln ne 68588-0630<br />

402-472-8536<br />

Payment must accompany order.<br />

Make checks payable to <strong>University</strong><br />

<strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>.<br />

You may also order online at<br />

www.nebraskapress.unl.edu<br />

Women in German<br />

Yearbook<br />

Feminist Studies in German<br />

Literature and Culture<br />

patricia anne simpson<br />

and margarete lambfaffelberger,<br />

editors<br />

Women in German Yearbook is a<br />

refereed publication presenting a<br />

wide range <strong>of</strong> feminist approaches<br />

to all aspects <strong>of</strong> German<br />

literature, culture, and language,<br />

including pedagogy. Reflecting<br />

the interdisciplinary perspectives<br />

that inform feminist German<br />

studies, each issue contains critical<br />

inquiries employing gender<br />

and other analytical categories<br />

to examine the work, history,<br />

life, literature, and arts <strong>of</strong> the<br />

German-speaking world.<br />

Frontiers<br />

A Journal <strong>of</strong> Women Studies<br />

susan e. gray and<br />

gayle gullett, editors<br />

For over thirty years Frontiers<br />

has explored the diversity <strong>of</strong><br />

women’s lives as shaped by such<br />

factors as race, ethnicity, class,<br />

sexual orientation, and place.<br />

Multicultural and interdisciplinary,<br />

Frontiers presents a broad<br />

mix <strong>of</strong> scholarly work, personal<br />

essays, and the arts <strong>of</strong>fered in<br />

accessible language. <strong>The</strong> journal<br />

prides itself on publishing articles<br />

that bridge disciplines and<br />

that appeal to both academic and<br />

nonacademic audiences.<br />

Legacy<br />

A Journal <strong>of</strong> American<br />

Women Writers<br />

nicole tonkovich,<br />

jennifer s. tuttle,<br />

and theresa strouth<br />

gaul, editors<br />

Legacy is the <strong>of</strong>ficial journal<br />

<strong>of</strong> the Society for the Study <strong>of</strong><br />

American Women Writers and<br />

is the only journal to focus specifically<br />

on American women’s<br />

writings from the seventeenth<br />

through the mid-twentieth<br />

century. Each issue covers a<br />

wide range <strong>of</strong> topics, including<br />

examinations <strong>of</strong> the works <strong>of</strong><br />

individual authors; genre studies;<br />

analysis <strong>of</strong> race, ethnicity,<br />

gender, class, and sexualities in<br />

women’s literature; and cultural<br />

issues pertinent to women’s lives<br />

and literary works. <strong>The</strong> journal<br />

also publishes pr<strong>of</strong>iles <strong>of</strong> lesserknown<br />

or rediscovered authors,<br />

reprints <strong>of</strong> primary works in all<br />

genres, and book reviews.<br />

Women and Music<br />

A Journal <strong>of</strong> Gender and Culture<br />

suzanne g. cusick,<br />

editor<br />

Women and Music is an annual<br />

journal <strong>of</strong> scholarship about<br />

women, music, and culture.<br />

Drawing on a wide range <strong>of</strong><br />

disciplines and approaches, the<br />

refereed journal seeks to further<br />

the understanding <strong>of</strong> the relationships<br />

among gender, music,<br />

and culture, with special attention<br />

being given to the concerns<br />

<strong>of</strong> women.<br />

Journals<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

69


Journals<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

70<br />

symplokē<br />

a journal for the intermingling<br />

<strong>of</strong> literary, cultural and<br />

theoretical scholarship<br />

jeffrey r. di leo,<br />

editor<br />

symplokē is a comparative theory<br />

and literature journal, committed<br />

to interdisciplinary studies,<br />

intellectual pluralism, and open<br />

discussion. <strong>The</strong> journal takes<br />

its name from the Greek word<br />

“symploke,” which can mean interweaving,<br />

interlacing, connection,<br />

and struggle. Focusing on<br />

the interrelationship <strong>of</strong> philosophy,<br />

literature, cultural criticism,<br />

and intellectual history, symplokē<br />

is a forum for scholars from a<br />

variety <strong>of</strong> disciplines to exchange<br />

ideas in innovative ways.<br />

Storyworlds<br />

A Journal <strong>of</strong> Narrative Studies<br />

david herman, editor<br />

Storyworlds is an interdisciplinary<br />

journal <strong>of</strong> narrative theory.<br />

It features research on storytelling<br />

practices across a variety <strong>of</strong><br />

media, including face-to-face<br />

interaction, literary writing, film<br />

and television, virtual environments,<br />

historiography, opera,<br />

journalism, graphic novels, plays,<br />

and photography, studied from<br />

perspectives developed in such<br />

wide-ranging fields as literary<br />

theory, discourse analysis, jurisprudence,<br />

philosophy, cognitive<br />

and social psychology, artificial<br />

intelligence, medicine, and the<br />

study <strong>of</strong> organizations.<br />

Qui Parle<br />

Critical Humanities<br />

and Social Sciences<br />

marta figlerowicz<br />

and simon porzak,<br />

editors<br />

Qui Parle publishes provocative<br />

interdisciplinary articles<br />

covering a range <strong>of</strong> outstanding<br />

theoretical and critical work in<br />

the humanities. <strong>The</strong> journal is<br />

dedicated to expanding the dialogues<br />

that take place between<br />

disciplines and which challenge<br />

conventional understandings<br />

<strong>of</strong> reading and scholarship in<br />

academia.<br />

Nouvelles Études<br />

Francophones<br />

steve bishop, editor<br />

Nouvelles Études Francophones<br />

(nef) is the <strong>of</strong>ficial refereed<br />

journal <strong>of</strong> the International<br />

Council <strong>of</strong> Francophone Studies/<br />

Conseil International d’Études<br />

Francophones (ciéf). nef<br />

publishes scholarly research in<br />

the language, arts, literatures,<br />

cultures, and civilizations <strong>of</strong><br />

Francophone countries and<br />

regions throughout the world.<br />

Studies in American<br />

Naturalism<br />

keith newlin and<br />

stephen c. brennan,<br />

editors<br />

Studies in American Naturalism<br />

publishes critical essays, documents,<br />

notes, bibliographies, and<br />

reviews concerning American<br />

literary naturalism, broadly<br />

conceived. It presents contributions<br />

illuminating the texts and<br />

contexts <strong>of</strong> naturalism across all<br />

genres from its nineteenth-century<br />

origins to its twentieth- and<br />

twenty-first-century transformations.<br />

Studies in American Naturalism<br />

is published for the International<br />

<strong>The</strong>odore Dreiser Society.<br />

new<br />

Journal <strong>of</strong> Literature<br />

and Trauma Studies<br />

david miller, editor<br />

<strong>The</strong> Journal <strong>of</strong> Literature and<br />

Trauma Studies is a peerreviewed<br />

biannual journal with<br />

a critical, theoretical, and<br />

methodological focus on the<br />

relationship between literature<br />

and trauma. It aims to foster a<br />

broad interrogative dialogue<br />

between philosophy, psychoanalysis,<br />

and literary criticism<br />

and develop new approaches to<br />

the study <strong>of</strong> trauma in literature<br />

and the trauma <strong>of</strong> literature.<br />

<strong>The</strong> mission <strong>of</strong> the journal is to<br />

encourage philosophical, political,<br />

and historically orientated<br />

research that takes literature as<br />

the primary site for investigations<br />

into trauma in all its forms<br />

and manifestations.


Prairie Schooner<br />

kwame dawes, editor<br />

Prairie Schooner continues to<br />

emphasize the discovery <strong>of</strong> new<br />

imaginative talent as well as to<br />

present the work <strong>of</strong> established<br />

authors. Its list <strong>of</strong> contributors<br />

and subscribers is international.<br />

Each issue <strong>of</strong> Prairie Schooner<br />

contains an exceptional selection<br />

<strong>of</strong> poetry, fiction, translations,<br />

essays, and book reviews, and<br />

selections are <strong>of</strong>ten anthologized<br />

in Best American Short Stories,<br />

Essays, and Pushcart Prize collections.<br />

Orders and requests for Prairie<br />

Schooner should not be combined<br />

with orders for <strong>University</strong><br />

<strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> journal titles<br />

but should be sent directly to:<br />

Prairie Schooner<br />

201 Andrews Hall<br />

P.O. Box 880334<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong>–Lincoln<br />

Lincoln ne 68588-0334<br />

402-472-0911 (phone)<br />

Unless otherwise indicated,<br />

journal orders should be sent to:<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

1111 Lincoln Mall<br />

Lincoln ne 68588-0630<br />

402-472-8536<br />

Payment must accompany order.<br />

Make checks payable to <strong>University</strong><br />

<strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong>.<br />

You may also order online at<br />

www.nebraskapress.unl.edu<br />

Journal <strong>of</strong> Sports<br />

Media<br />

howard schlossberg,<br />

editor<br />

<strong>The</strong> Journal <strong>of</strong> Sports Media<br />

reflects the undeniable influence<br />

<strong>of</strong> sports media on contemporary<br />

culture and the growing<br />

interest in the field as an area <strong>of</strong><br />

study and research. <strong>The</strong> journal<br />

features scholarly articles, emphasizing<br />

research with practical<br />

applications; essays; book<br />

reviews; and reports on major<br />

conferences and seminars. It also<br />

includes articles from industry<br />

leaders and sports media figures<br />

on topics appealing to a nonacademic<br />

audience.<br />

NINE<br />

A Journal <strong>of</strong> Baseball<br />

History and Culture<br />

trey strecker, editor<br />

nine studies all historical aspects<br />

<strong>of</strong> baseball, centering on the<br />

societal and cultural implications<br />

<strong>of</strong> the game wherever in the<br />

world it is played. <strong>The</strong> journal<br />

features articles, essays, book reviews,<br />

biographies, oral history,<br />

and short fiction pieces.<br />

<strong>The</strong> National Pastime<br />

A Review <strong>of</strong> Baseball History<br />

<strong>The</strong> National Pastime <strong>of</strong>fers<br />

baseball history available<br />

nowhere else. Each fall this<br />

publication from the Society<br />

for American Baseball Research<br />

(sabr) explores baseball history<br />

with fresh and <strong>of</strong>ten surprising<br />

views <strong>of</strong> past players, teams, and<br />

events. Drawn from the research<br />

efforts <strong>of</strong> more than 6,700 sabr<br />

members, the National Pastime<br />

establishes an accurate, lively,<br />

and entertaining historical record<br />

<strong>of</strong> baseball.<br />

<strong>The</strong> Baseball<br />

Research Journal<br />

<strong>The</strong> Baseball Research Journal<br />

presents baseball research with<br />

a strong analytical approach.<br />

Made up <strong>of</strong> statistical studies,<br />

in-depth examinations <strong>of</strong> playing<br />

techniques, and articles focusing<br />

on baseball as a business,<br />

the Baseball Research Journal<br />

draws from the research efforts<br />

<strong>of</strong> members <strong>of</strong> the Society for<br />

American Baseball Research.<br />

Orders and requests for the National<br />

Pastime and the Baseball<br />

Research Journal should not<br />

be combined with orders for<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

journal titles but should be sent<br />

directly to:<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

c/o Longleaf Services, Inc.<br />

116 S Boundary Street<br />

Chapel Hill nc 27514-3808<br />

800-848-6224 (phone)<br />

Journals<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong><br />

71


Index<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> www.nebraskapress.unl.edu<br />

72<br />

A<br />

Abundance <strong>of</strong> Valor 26<br />

Alexander, Charles C. 39<br />

Allen, Malcolm 19<br />

American Indian Lives<br />

series 50<br />

American Indian Quarterly<br />

68<br />

American Lives series<br />

1, 2, 29<br />

American Transnationalism<br />

series 46<br />

Anthropological Linguistics<br />

68<br />

Antonucci, Michael A. 42<br />

Approaching Fury, <strong>The</strong> 24<br />

Archaeology <strong>of</strong> the Caddo,<br />

<strong>The</strong> 52<br />

Armour, Mark 18, 19<br />

Arthur, Anthony 26<br />

Artifacts and Illuminations<br />

54<br />

At Table series 34<br />

B<br />

Banzai Babe Ruth 17<br />

Barolo 34<br />

Baseball Research<br />

Journal. <strong>The</strong> 71<br />

Basloe, Frank J. 42<br />

Bass, Rick 33<br />

Beezley, William H. 52, 53<br />

Beyond Bend It Like<br />

Beckham 15<br />

Birch Coulie 10<br />

Bishop, Steve 70<br />

Blaeser, Kimberly 50<br />

Blatt, Ari J. 55<br />

Blyth, Lance R. 48<br />

Borderlands and<br />

Transcultural Studies<br />

series 49<br />

Brennan, Stephen C. 70<br />

Bruning, John R. 23<br />

Buford, Kate 38<br />

C<br />

Camuto, Robert V. 34<br />

Carlson, Chris 58<br />

Carson, James T. 68<br />

Cassedy, Ellen 6<br />

Caxton <strong>Press</strong> 56, 57<br />

Cecil Andrus 58<br />

Chair <strong>of</strong> Tears 8<br />

Child, Brenda J. 50<br />

Chiricahua and Janos 48<br />

Christgau, John 10<br />

Cobb-Greetham,<br />

Amanda J. 68<br />

Collaborative<br />

Anthropologies 68<br />

Comprehensive History <strong>of</strong><br />

the Holocaust series 37<br />

Connie Mack 20<br />

Connie Mack and the Early<br />

Years <strong>of</strong> Baseball 40<br />

Conspiracy <strong>of</strong> Silence 16<br />

Cook, Samuel R. 68<br />

Corbin, Annalies 11<br />

Cox, James H. 68<br />

Crow, Tracy 4<br />

Cusick, Suzanne G. 69<br />

D<br />

Daddy’s War 36<br />

Darnell, Regna 68<br />

Dawes, Kwame 71<br />

Delacour, Marie-Odile 5<br />

Derounian-Stodola,<br />

Kathryn Zabelle 51<br />

Descanso for My Father 2<br />

Desertion in the Time <strong>of</strong><br />

Vietnam 27<br />

Di Leo, Jeffrey R. 70<br />

Double No-Hit 21<br />

Drawn to Fashion 62<br />

E<br />

Eberhardt, Isabelle 5<br />

Edmunds, R. David 50<br />

Entire Earth and Sky, <strong>The</strong> 32<br />

Epistolophilia 7<br />

Ethridge, Robbie 68<br />

Eyes Right 4<br />

F<br />

Fictional Dialogue 55<br />

Figlerowicz, Marta 70<br />

Fitts, Robert K. 17<br />

Fletcher, Harrison<br />

Candelaria 2<br />

Flora, Cornelia 13<br />

Flyover Fiction series 9<br />

Fojas, Camilla 49<br />

Forsberg, Michael 60<br />

Fowler, Will 53<br />

Francis, Charles A. 13<br />

Frank, Matthew Gavin<br />

12, 34<br />

French Forum 69<br />

From Ambivalence to<br />

Betrayal 44<br />

Frontiers 69<br />

Frontiers <strong>of</strong> Narrative series<br />

54, 55<br />

G<br />

Game Faces 53<br />

Gallagher, Jenna Gabrial 62<br />

Gaul, <strong>The</strong>resa Strouth 69<br />

Gender and the Negotiation<br />

<strong>of</strong> Daily Life in Mexico,<br />

1750–1856 52<br />

General Jo Shelby’s March 26<br />

Geometric Unconscious, <strong>The</strong><br />

46<br />

Glancy, Diane 8<br />

Gleach, Frederic W. 68<br />

Goeschel, Christian 45<br />

Goodman, Eric 9<br />

Goulet, Andrea 69<br />

Grainey, Timothy F. 15<br />

Gray, Susan E. 69<br />

Green Illusions 13<br />

Guevarra Jr., Rudy P. 49<br />

Gullett, Gayle 69<br />

H<br />

Hämäläinen, Pekka 49<br />

Hansen, Ron 9<br />

Have You Seen Mary? 60<br />

Herman, David 54, 55, 70<br />

Historical Archaeology <strong>of</strong><br />

the American West series<br />

11<br />

Histories <strong>of</strong> Anthropology<br />

Annual 68<br />

Hogan, Lillian Bullshows 51<br />

Huleu, Jean-René 5<br />

I<br />

I Grew Up with Basketball<br />

42<br />

Indigenous Films series 49<br />

In Rooms <strong>of</strong> Memory 29<br />

Irwin, Will 26<br />

Island <strong>of</strong> the<br />

Anishnaabeg, <strong>The</strong> 36<br />

J<br />

James, Ronald M. 11<br />

Jensen, Richard E. 35<br />

Jews <strong>of</strong> Bohemia and<br />

Moravia, <strong>The</strong> 37<br />

Johnson, James W. 21<br />

Journal <strong>of</strong> Literature and<br />

Trauma Studies 70<br />

Journal <strong>of</strong> Sports Media 71<br />

Judaism's Great Debates 56<br />

Justice and Social Inquiry<br />

series 45<br />

Justice, Daniel Heath 68<br />

K<br />

Kacandes, Irene 36<br />

Karp, Josh 41<br />

Kelly, Jason 42<br />

Kent, Carlton W. 23<br />

Kidwell, Clara Sue 50<br />

Kurrus, Jeff 60<br />

L<br />

Lamb, Chris 16<br />

Lamb-Faffelberger,<br />

Margarete 69<br />

Larré, Lionel 50<br />

Lassiter, Luke Eric 68<br />

Legacy 69<br />

Lehman, Daniel 3<br />

Lemon, Lee T. 37<br />

Leonard, Elizabeth D. 25<br />

Levitt, Jeremy I. 45<br />

Lewis, Randolph 49<br />

Liebenow, R. Mark 3<br />

Like No Other Place 30<br />

Lindsay, Brendan C. 50<br />

Lipsett-Rivera, Sonya 52<br />

Loeb, Barbara 51<br />

Lomawaima, Tsianina K. 50<br />

Lord, Nancy 32<br />

Lynch, Tom 54<br />

M<br />

Macht, Norman L. 20, 40<br />

Mackall, Joe 3


Mack III, Connie 40<br />

Maher, Susan N. 54<br />

Malcontents, Rebels, and<br />

Pronunciados 53<br />

March, Ray A. 14<br />

Marcus, Melissa 5<br />

Martin, Lee 1<br />

Mary Mitchell Illustrations<br />

llc 60<br />

Masters, Hilary 29<br />

McComas, Grace<br />

Patterson 64<br />

Memorable Teams in<br />

Baseball History series<br />

18, 19<br />

Men <strong>of</strong> Color to Arms! 25<br />

Met, Philippe 69<br />

Mexican Experience series,<br />

<strong>The</strong> 52, 53<br />

Michno, Gregory 58<br />

Miller, David 70<br />

Mitchell, Mary 62<br />

Montana Memories 64<br />

Morson, Gary Saul 37<br />

Mountains <strong>of</strong> Light 3<br />

Murder State 50<br />

N<br />

National Pastime, <strong>The</strong> 71<br />

Native American Son 38<br />

Native South 68<br />

Native Storiers series 8<br />

Navajo Talking Picture 49<br />

Nazi Concentration Camps,<br />

1933–1939, <strong>The</strong> 45<br />

Newlin, Keith 70<br />

NINE 71<br />

Nineteenth-Century French<br />

Studies 69<br />

1921 39<br />

Nouvelles Études<br />

Francophones 70<br />

Nowlin, Bill 18, 19<br />

O<br />

Oates, Stephen B. 24<br />

O’Brien, Greg 68<br />

Oil Notes 33<br />

Olds, Marshall C. 69<br />

Olson, Paul A. 13<br />

Opposing Jim Crow 45<br />

Oskison, John Milton 50<br />

Our Sustainable Future<br />

series 13<br />

Owen, David A. 30<br />

P<br />

Palmento 34<br />

Parks, Douglas R. 68<br />

Patterson, Ida S. 64<br />

Pauly, Thomas H. 53<br />

Perttula, Timothy K. 52<br />

Pictures into Words 55<br />

Pineda, Jon 29<br />

Pitchers <strong>of</strong> Beer 40<br />

Pitching, Defense, and<br />

Three-Run Homers 19<br />

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51<br />

Porzak, Simon 70<br />

Pot Farm 12<br />

Prairie Schooner 71<br />

Prince, Gerald 55<br />

Punday, Daniel 54<br />

Q<br />

Qui Parle 70<br />

R<br />

Raley, Dan 40<br />

Reis, Marion J. 37<br />

Renville, Mary Butler 51<br />

Ricker, Eli S. 35<br />

River in Ruin 14<br />

River Teeth Literary<br />

Nonfiction Prize series 3<br />

Roberts, Leslie Carol 32<br />

Rock, Water, Wild 32<br />

Roe, JoAnn 58<br />

Roman, Meredith L. 45<br />

Rothkirchen, Livia 37<br />

Russian Formalist<br />

Criticism 37<br />

S<br />

Salish Kootenai College<br />

<strong>Press</strong> 62<br />

San Juan Islands, <strong>The</strong> 58<br />

Schlossberg, Howard 71<br />

Schwartz, Rabbi Barry L. 56<br />

Settlers’ War, <strong>The</strong> 58<br />

Shadow <strong>of</strong> the Sword 23<br />

Shelby's Folly 42<br />

Shorter, David Delgado 49<br />

Simpson, Patricia Anne 69<br />

Sleep in Me 29<br />

Smith, <strong>The</strong>resa S. 36<br />

Society for American<br />

Baseball Research 18, 19<br />

Spatz, Lyle 18, 39<br />

Spickard, Paul 49<br />

Stages series 55<br />

Steinberg, Steve 39<br />

Storyworlds 70<br />

Straight Down the Middle 41<br />

Strecker, Trey 71<br />

Street Shadows 28<br />

Studies in American Indian<br />

Literatures 68<br />

Studies in American<br />

Naturalism 70<br />

Studies in Antisemitism<br />

series 44<br />

Such a Life 1<br />

Šukys, Julija 7<br />

symplokē 70<br />

T<br />

Tales <strong>of</strong> the Old Indian<br />

Territory and Essays on<br />

the Indian Condition 50<br />

Team That Forever<br />

Changed Baseball<br />

and America, <strong>The</strong> 18<br />

Thomas, Bronwen 55<br />

Thrilling Narrative <strong>of</strong><br />

Indian Captivity, A 51<br />

Timko, Brittany 15<br />

Todd, Jack 27<br />

Tonkovich, Nicole 69<br />

Transnational Crossroads 49<br />

Tuttle, Jennifer S. 69<br />

Twelfth and Race 9<br />

V<br />

Veneciano, Jorge Daniel 46<br />

Vidal Sassoon International<br />

Center for the Study <strong>of</strong><br />

Antisemitism 44<br />

Virginia City 11<br />

Vizenor, Gerald 8<br />

Voices <strong>of</strong> the American West<br />

35<br />

W<br />

Wachsmann, Nikolaus 45<br />

Walker, Chester P. 52<br />

Walker, Jerald 28<br />

We Are Here 6<br />

Whirlwind <strong>of</strong> War, <strong>The</strong> 24<br />

Whitaker, Matthew C. 45<br />

Wistrich, Robert S. 44<br />

Wolff, Tobias 1, 2, 29<br />

Woman Who Loved<br />

Mankind, <strong>The</strong> 51<br />

Women and Music 69<br />

Women in German Yearbook<br />

69<br />

Workman, Jeremiah 23<br />

Writing at the Limit 54<br />

Writings from the Sand,<br />

Volume 1 5<br />

Y<br />

Yad Vashem 37<br />

Z<br />

Zehner, Ozzie 13<br />

Zeman, Carrie Reber 51<br />

Index<br />

<strong>University</strong> <strong>of</strong> <strong>Nebraska</strong> <strong>Press</strong> 800-848-6224<br />

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