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MRS KLEIN - Almeida Theatre

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Jan Haydn Rowles<br />

Dialect Coach<br />

Jan is currently Head of Voice at<br />

Shakespeare’s Globe (2008 and 2009<br />

seasons).<br />

<strong>Theatre</strong> includes: Absurdia; Betrayal<br />

(Donmar Warehouse); Pretend You<br />

Have Big Buildings; Henry V, Whose<br />

Afraid of Virginia Woolf?; True Love<br />

Lies (Manchester Royal Exchange);<br />

The Pain and the Itch; The Miracle; My<br />

Child; Over There (Royal Court);<br />

Kindertransport; Ten Tiny Toes; Mine<br />

(Shared Experience); Punk Rock; The<br />

Comedians (Lyric Hammersmith);<br />

She Stoops to Conquer; Serious<br />

Money (Birmingham Rep); numerous<br />

productions for Salisbury Playhouse<br />

and The New Wolsey Ipswich, and<br />

over 20 shows for the RSC.<br />

Film includes: Mister Nobody;, Brick<br />

Lane; And When Did You Last See<br />

Your Father?; Brothers of the Head .<br />

TV includes: Faking It; The Frankie<br />

Howerd Story; Gordon Ramsay:<br />

Cookalong; Hairspray; The School<br />

Musical.<br />

Jan has also co-written How to Do<br />

Accents (Oberon Books first edition<br />

2007, second edition 2009) and How<br />

to Do RP (2010).<br />

Alison de Burgh<br />

Fight Director<br />

For the <strong>Almeida</strong>: The Earthly Paradise;<br />

The Distance From Here.<br />

<strong>Theatre</strong> includes: Speaking in<br />

Tongues; The Dumb Waiter; Peter<br />

Pan, Bent; Donkey’s Years; As You<br />

Like It (West End); The Black Album;<br />

Harper Regan; Therese Raquin; Coram<br />

Boy; Pillars of the Community; Tales<br />

From the Vienna Woods (National<br />

<strong>Theatre</strong>); The King and I (Royal Albert<br />

Hall); Deadly Murder; Sugar Daddies;<br />

A Chorus of Disapproval; Separate<br />

Tables (The Mill at Sonning); Romeo<br />

and Juliet; Under The Black Flag<br />

(Shakespeare’s Globe); Macbeth;<br />

Romeo and Juliet (National <strong>Theatre</strong><br />

Education); Woman Falling Over;<br />

Lady Boxers (National <strong>Theatre</strong><br />

Studio); Romeo and Juliet; The<br />

Penelopiad; As You Like It; A<br />

Midsummer Night’s Dream (RSC);<br />

Much Ado About Nothing (RSC/West<br />

End); Snake in the Grass; The Swing of<br />

Things (Stephen Joseph <strong>Theatre</strong>,<br />

Scarborough); The Dysfunckchonalz<br />

(Bush <strong>Theatre</strong>); Othello (Salisbury<br />

Playhouse); Henry V (Royal Exchange<br />

Manchester); Donkey’s Years<br />

(national tour); The Sexual Neuroses<br />

of Our Parents; Dimetos (Gate<br />

<strong>Theatre</strong>); Everything Is Illuminated<br />

(Hampstead <strong>Theatre</strong>); Gobbo<br />

(National <strong>Theatre</strong> of Scotland);<br />

Melody (Traverse <strong>Theatre</strong>, Edinburgh);<br />

Cruel and Tender (Chichester Festival<br />

<strong>Theatre</strong>); The Gentleman From<br />

Olmedo; The Venetian Twins<br />

(Watermill <strong>Theatre</strong>, Newbury);<br />

Treasure Island (Belgrade <strong>Theatre</strong>,<br />

Coventry); Piaf (Crucible <strong>Theatre</strong>,<br />

Sheffield).<br />

Alison has also worked on a wide<br />

range of national and international<br />

opera productions.<br />

Film includes: Being Othello; Ghosts;<br />

Stubborn and Spite; Four; Respect;<br />

Promises, Promises.<br />

Oliver Baird<br />

Assistant Director<br />

Oliver trained on the directing<br />

programme at RADA, and was cofounder<br />

and artistic director of the<br />

Oxford-based company Tomahawk.<br />

<strong>Theatre</strong> includes:<br />

As director: Someone Who’ll Watch<br />

Over Me (Baron’s Court <strong>Theatre</strong>);<br />

Thérèse (GBS <strong>Theatre</strong>, RADA; also<br />

translator); The Winter’s Tale (Old<br />

Fire Station Studio, Oxford); Little<br />

Eyolf; Macbeth (Burton Taylor <strong>Theatre</strong>,<br />

Oxford); Nobody and Somebody<br />

(Gulbenkian Studio).<br />

As assistant director: Another Door<br />

Closed (Peter Hall Compnay/<strong>Theatre</strong><br />

Royal Bath); Look Back in Anger; A<br />

Doll’s House (Northern Stage,<br />

Newcastle Upon Tyne/UK tour); Little<br />

Women (Jerwood Vanbrugh <strong>Theatre</strong>,<br />

RADA).<br />

PRODUCTION<br />

THANK YOUS<br />

Mike Brearley<br />

David Taylor<br />

Caroline Garland<br />

Sophie Solomon (violin & viola)<br />

Laura Anstee (cello)<br />

Matthew Scott & David Gallagher at<br />

the National <strong>Theatre</strong> music dept.<br />

In accordance with the requirements of the Council of the London Borough of Islington, persons shall not be permitted to stand or sit in any of the<br />

gangways intersecting the seating or to sit in any of the other gangways.<br />

15

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