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Download The Pharos Winter 2011 Edition - Alpha Omega Alpha

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Visionary art?<br />

Bulls, horses, deer, Lascaux Cave, France, about 17,000 years ago.<br />

© <strong>The</strong> Bridgeman Art Library/Getty Images, Inc.<br />

difficult to describe, called abstract symbols, or designs, and<br />

so forth. <strong>The</strong>se range from simple colored dots or strokes or<br />

carved shallow cupules in the stone to complex grid-like paintings<br />

or engravings. Some of these geometric designs have been<br />

termed “tectiforms” (roof-like) although there is no evidence<br />

that there were any roofs.<br />

<strong>The</strong>se abstract forms, because of their refusal to give up<br />

their secrets, have been rather neglected by historians, at least<br />

in comparison with the more flamboyant animal images, to<br />

say nothing about the carved and decorative mostly female<br />

statuettes (misnamed “Venus” figurines). <strong>The</strong>se abstract images<br />

can give us additional clues as to the production of the<br />

art in general.<br />

Deciphering the “meanings” of paleolithic art<br />

Analyzing the art is a formidable task, and the process continues,<br />

with various schema current at one time or another. 1,2<br />

Art for art’s sake—During the period when paleolithic art<br />

was known mainly from small carved and engraved bones and<br />

antlers, the genre was regarded as aesthetic and playful. This<br />

approach has been largely abandoned.<br />

Sympathetic magic—When the great cave paintings of<br />

Altamira and Lascaux were discovered, the depiction of large<br />

hunted animals, often with spears or arrows in them, led<br />

to the concept of “hunting magic” or “sympathetic magic.”<br />

According to this model, emphasized by Sir James Frazer in<br />

<strong>The</strong> Golden Bough, hunter-gatherer people made pictures of<br />

their prey to remember yesterday’s foray or to imagine and<br />

ensure the success of tomorrow’s venture. 3 This interpretation<br />

has its advocates today.<br />

In the structuralist approach, pioneered by André Leroi-<br />

Gourhan, the images were subjected to sophisticated measuring<br />

and counting techniques that led to interpretations of the<br />

arrangement of art in symbolic terms, emphasizing quantitative<br />

correspondences and dualistic contrasts, e.g., male versus<br />

female symbols, red versus black images and horses versus<br />

bison. 4 <strong>The</strong> ultimate rationale may have been to promote fertility<br />

in both human and animal worlds, which were, of course,<br />

extremely interwoven and interdependent in hunter-gatherer<br />

societies. Many find this approach arcane.<br />

6 <strong>The</strong> <strong>Pharos</strong>/<strong>Winter</strong> <strong>2011</strong>

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