09.02.2013 Views

Indre Jucaityte

Indre Jucaityte

Indre Jucaityte

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

THE LINK BETWEEN BRAND VALUE AND SENSE DIMENSIONS<br />

<strong>Indre</strong> <strong>Jucaityte</strong><br />

Kaunas University of Technology<br />

Laisves av. 55-301<br />

LT-44309 Kaunas<br />

Lithuania<br />

Phone: +37037300586<br />

E-mail: indre.jucaityte@ktu.lt<br />

Jurate Mascinskiene<br />

Kaunas University of Technology<br />

Laisves av. 55-301<br />

LT-44309 Kaunas<br />

Lithuania<br />

Phone: +37037300586<br />

E-mail: jurate.mascinskiene@ktu.lt<br />

Abstract<br />

In order to make the brand competitive in the market, it needs to provide additional<br />

value. Rare marketing specialist seek to satisfy consumer needs through highly effective<br />

means, trying to affect all five human senses – sight, sound, hearing, taste and touch. The<br />

use of these senses can create a strong competitive brand, thereby enhancing consumer<br />

loyalty and brand value by attracting the users emotionally. Using all human senses,<br />

brand has certain associations, increasing value of company, which allows the company<br />

to increase sales and profitability. Better recognition of the company creates stronger<br />

brand and its value.<br />

The perception of marketing of sense enables to control factors of environment.<br />

Therefore, the problem of this article can be formulated in the following: there is any link<br />

between brand value and senses dimensions? What they are?<br />

Key words: Brand value, Sense, Association.<br />

JEL Classification: M30, M31.<br />

1. INTRODUCTION<br />

Most brands do not leave a special impression in consumers mind. A classic marketing is<br />

based on the idea that consumers are rational; their behavior is determined by motivated<br />

1


steps. However, for many consumer the perception and satisfaction is more important<br />

than price when the products are technically similar. As a contrast, marketing of senses<br />

includes feelings that consumers are experiencing. These experiences include the sensory,<br />

emotional, cognitive, behavioral and relationship dimensions. Today, in order to compete<br />

with strong brands, the feelings of consumers can not be ignored. Carefully selected<br />

emotional stimuli may help to establish consumer preferences and distinguish the brand<br />

from its competitors. It is important to understand consumers and develop positive<br />

consumers’ attitude towards the brand. As the commercial offers almost are the same, and<br />

the products and services are assimilated, sensual / emotional elements can create an<br />

unique brand. Marketing of sense is an effective tool for those, who want to improve their<br />

performance. As all buyers feelings can be managed. Brand points out how the product<br />

makes a person feel so, emotional perception of the brand awareness is becoming<br />

increasingly popular. The emotional connection between company and consumers for<br />

long-term is the only key to success in modern markets.<br />

2. BRAND VALUE AND ITS DEVELOPMENT<br />

2.1. The conceptual essence of brand value<br />

With regard to the concept of brand value, it can be spun into the definition of two<br />

elements: tangible and intangible, as well as consumer and company aspects (Vanagiene,<br />

Ramanauskiene, 2008). Value concept in the scientific literature and practical activities is<br />

is used in a variety of meanings. Kotler and Keller (2007) argue that brand value is an<br />

important intangible asset for the company providing a psychological and financial<br />

benefits. In the recent marketing literature two concepts of value are dominating – the<br />

value for the consumers (customer value) and the value for the company (equity) (Smith,<br />

Colgate, 2007). However, according to Khalifa (2004), namely the value for consumer is<br />

a prerequisite for all other values (Vaitkiene, Pilibaityte, 2008). Scientists unanimously<br />

accept and distinguish two concepts of brand value (Urbanskiene, Vaitkiene, 2006):<br />

2<br />

• brand value with regard to the customer;<br />

• brand value with regard to marketing, finance (for the company).<br />

Despite the growing interest in creating the value for the consumer, it is quite difficult to<br />

find an unified concept of brand value for the consumer in the scientific literature.<br />

According to Khalifa (2004), the lack of consensus determines, that consumer perception<br />

of brand value can be called constantly expanding and dynamic concept. In other words,<br />

the brand value for the consumer can be understood as a relationship between the<br />

consumers’ benefits and the common costs (Woodruff, 1997).


Marketing Science Institute defines the brand value as a number of associations related to<br />

the brand image, which creates a higher turnover compared with situation, then product<br />

doesn’t have brand (Aaker, 1991). Aaker distinguishes five sources of brand value<br />

creation. They are: brand loyalty, brand awareness, perceived quality, brand associations,<br />

and other proprietary brand assets.<br />

Keller (1993) also argues that brand value – is a state of consumer, when brand is wellknown<br />

for him and he divides brands into the favorite, strongest and unique.<br />

Studies of brand value from a consumer perspective seek to clarify how the brand<br />

awareness influences the consumer reaction to a particular brand marketing solutions.<br />

Brand value from the consumer's point of view can be named as positive and negative.<br />

Positive brand value is the value, when product with recognized brand and its marketing<br />

decisions are valued more favorably than a product with not recognized brand. Negative<br />

brand value is the value, when consumers recognize brand, but their reaction to marketing<br />

decisions is not very favorable (Kotler, Keller, 2007).<br />

According Urbanskiene and Vaitkiene (2006), brand value for the consumers is formed<br />

when the consumers’ response to marketing decisions vary depending on their awareness<br />

of the brand. Differences in the reaction depend on the extent to which consumers know<br />

the brand, how they value the friendliness and uniqueness of brand associations, and also<br />

depend on the evaluation of the marketing activities.<br />

2.2. The creation of brand value for the customer<br />

Keller (2003) suggest that companies, seeking to create a strong brand value, should<br />

answer two basic questions: What makes a brand strong? How to create a strong brand?<br />

Creating of the strong brand can be defined as a sequence of steps, each of which is based<br />

on the success of the previous one. The first step is the creation of the brand identity and<br />

brand associations, related to specific product or service category or customer needs. In<br />

the second stage it is necessary to firmly establish brand meaning in the minds of buyers,<br />

strategically linking a number of tangible and intangible brand associations. The third<br />

step – the creation of the desirable consumer’s response to the brand identity and brand<br />

meaning (brand responses). In the last stage the reaction to the brand must be converted<br />

into strong, active, loyal relationships between the brand and its customers (brand<br />

relationships).<br />

These steps may be conveyed through the set of four main questions that buyers<br />

constantly ask about the brand:<br />

• Who are you? (brand identity)<br />

• How are you? (brand value)<br />

• What do I think or feel about you? (reaction to the brand)<br />

3


4<br />

• What is the relationship we have in common? (relations with the brand)<br />

Brand value can not be built until its identity is established. Favorable response is<br />

possible only when the appropriate value is created. The relations can not be built until<br />

the appropriate reaction is elicited. In order to build strong relationships the sense<br />

dimensions can be of the great help. Senses can help to create a brand that would be<br />

recognized by more and more customers. Consequently the brand will be stronger and<br />

more valuable.<br />

2.3. Senese aspect in creation of brand value<br />

According to Kotler and Keller (2007), in order to distinguish the brand from its<br />

competitors, it’s important to give him additional value. The main benefits of the brand<br />

are awareness and confidence for the consumer that he buys constant quality products that<br />

can satisfy his needs (Chernatony, 2001).<br />

The majority of marketing professionals are working in the two-dimensional world and<br />

only sometimes they dare to enter into a wider universe, in which they exploit all five<br />

senses (images, sound, hearing, taste, touch). These five senses and their importance to<br />

brand value creation process are emphasized by the concept of marketing of senses.<br />

These marketing issues are analyzed by Lindstrom (2008), Valenti, Riviere (2008),<br />

Rieunier (2002) and others. Marketing of senses is a business concept, which has received<br />

attention only a few decades ago.<br />

Kotler (1973) acknowledged the progress of business thought and also found that<br />

consumers perceive the purchase decision more than just acquisition of a product or<br />

service. He also presented the product concept and definition of the atmosphere,<br />

indicating that the packaging, advertising, warranties, service, financing, courtesy,<br />

images, as well as the location of the products in the stage from buying to the<br />

consumption is of the critical importance. He argues that the environment around the<br />

product, in some cases is almost of the same importance as the main product. Many other<br />

scientists (Bitner (1986), Donovan, Rossiter, Marcoolyn and Nesdale (1994), Chebat and<br />

Michon (2003)) also state that environment around the product is important, because it is<br />

a marketing tool with the help of which the client's feelings are stimulated.<br />

Marketing of senses is defined as the number of actions controlled by the manufacturer<br />

and / or seller, in order to achieve a specific product or service environment within the<br />

same product or through another means of communication. Other authors marketing of<br />

senses defined as “marketing approach by the stimulation of procurement and making<br />

relations between the brand and its customers thanks to the five senses as part of the<br />

stimulating action of products, distribution and communication”.<br />

Thus, to some extent, it can be argued that marketing of senses tries to fill gaps in<br />

traditional marketing, focusing on rational elements of the product and services. Solomon


(2005) argues that senses are a sort of “automatic responses”, which are created by<br />

sensory receptors (eyes, ears, nose, mouth and skin), after exposure to various stimuli<br />

such as light, color, sound, smell or texture.<br />

Sensation is a fundamental part of humanity, which can not be avoided. It is very<br />

important that all senses can develop common feelings for a cohesive whole, thus<br />

ensuring a synergy between all elements of the brand. By using all human senses brand<br />

acquires certain associations, companies have more benefits, while also the company's<br />

sales and profitability increase. When more and more consumers recognize the company's<br />

product symbol, the brand becomes stronger and more valuable. The authors argue that<br />

the use of senses is an effective tool to improve the company's operations by managing all<br />

the customer's feelings. It is very important for the brand to have an impact on the senses<br />

as much as possible.<br />

Thus, the main sense dimensions are – image, sound, smell, taste and touch (Rieunier,<br />

2002). Color and shape mostly affects visual sensation. Company's brand awareness,<br />

relevance and absorbing increases by selecting the right color and design form for<br />

product. Auditory sensation is affected by sound where the main dimensions such as the<br />

music and language can be distinguished. The use of sound in the sales place is a great<br />

opportunity to influence consumers at the crucial moment. Thanks to him, the brand<br />

acquires certain associations; companies have greater benefits, because well-selected<br />

music increases companies’ sales and consequently the profitability. Smells influence our<br />

thoughts, emotions and feelings. Seeking to affect consumers, the sweet, relaxing smells,<br />

raising the mood, refreshing, pleasantly relaxing as well as some of them increasing<br />

customers’ willingness to buy, are mainly used. Smell and taste also called chemical<br />

elements, because both of them can taste the environment. They are closely linked with<br />

each other. These two senses are very important for the brand, in order to affect consumer<br />

through memories and associations. In case of tactile sensitivity the most important<br />

aspects are texture, temperature and weight. Feeling of touching the brand also makes a<br />

significant contribution to the quality that we assign to the product. Development of the<br />

brand request to focus not on one of the five human senses, but through more than one<br />

human sense it is possible to create a unique, beloved brand, which creates consumers<br />

sense and thus increase the affection and loyalty to the brand.<br />

Marketing of senses is a profound and complex concept as it relates to consumers'<br />

unconscious: their perception, feelings and taste. This awareness allows to control<br />

environmental factors. Therefore, the problem of this paper deals with increasing brand<br />

value by the help of senses: How to increase brand value through the senses? How the<br />

senses affect consumers’ choice?<br />

3. THE THEORETICAL GENERALIZATION OF LINKS BETWEEN BRAND<br />

VALUE AND SENSES<br />

5


As already mentioned in the previous section, Keller (2003) pyramid of brand value<br />

creation consists of four steps (6 blocks) (Fig. 1). The first step of creating brand identity<br />

and brand associations refers to specific product or service category or customer needs.<br />

Here are formed the foundation of pyramid by developing brand value. In the second step<br />

brand meaning in the minds of customers is created, strategically linking a number of<br />

obvious and intangible brand associations, which can be divided into two parts: the<br />

functionality of the brand and brand image. However, in order to reveal consumers'<br />

emotions, as mentioned above, one should lead to the pyramid on the right side. Thus, the<br />

brand image is what people think about brand in theory, rather than the brand really is.<br />

This is a very important feature of the brand, which reveals how the brand satisfies the<br />

consumers' psychological and social needs. The objective of third step is to induce the<br />

desirable reaction of consumers to the brand identity and brand value creation. In the right<br />

side we see consumers’ senses and emotions block. According to Keller (2003), brand<br />

feelings are emotional responses and reactions of customers by feeling respect for the<br />

brand. These feelings can be gentle and strong, positive and negative. All the emotions of<br />

each consumer tend to be displayed differently depending on the brand, with which they<br />

are associated, i.e. at the moment when consumer thinks about certain brand. In order to<br />

explain the consumers' feelings and emotions block in detail, Keller (2003) also identifies<br />

certain sub-dimensions: sincerity, security, empathy, safety, social recognition and selfesteem<br />

(Fig. 1).<br />

So, block of consumer feelings and emotions in Kellers’ (2003) brand value creation<br />

pyramid can be associated with a block of Lavidge and Steiner (1961) presenting the<br />

model of emotional impact. Lavidge and Steiner model is one of the first, which included<br />

the emotions, and argued that emotions are consequence of our thoughts. In this model<br />

three levels of advertising exposure are distinguished: cognitive (mind field), conative<br />

(motives, conduct field) and effective (emotional domain) (Fig. 1). Early model of<br />

emotional impact shows that contemplation of information leads to feelings, which form<br />

or change the approach to product, and as the final stage, creates the desire to buy.<br />

After the analysis of scientific literature, it can be argued that the modern theory of<br />

branding by senses suggest, that emotions influence consumer buying decisions. Feelings<br />

that are affected by the five senses also increase brand value to the comsumer. Based on<br />

an early model of the emotional impact, the modern model of emotional impac is<br />

presented (Fig. 1). The model contains the main sensory dimensions – image, sound,<br />

smell, taste, touch, which causes certain feelings, emotions, and these form a brand image<br />

to consumers. The feelings influenced by five human senses affect people thinking,<br />

attitudes, and later influence their decisions. Impact of all these senses can create a strong<br />

brand and distinguish the brand over its competitors, thereby increasing customer loyalty<br />

and brand value. The more senses are used to the brand, the stronger it will be and the<br />

greater its value. For each sense the particular stimuli are distinguished, that influence<br />

each sense independently.<br />

Image stimulus may be color, light, form, space, variety of designs and ads.<br />

Sound stimulus may be background, language, communication, music and silence.<br />

6


The main smell stimuli are artificial and natural flavors. The use of these scents can<br />

manage the emotions and feelings. They determinate consumers’ choice, evoking<br />

memories, images, sensations and the certain associations, affect our mood and behavior.<br />

Taste stimulus is the product composition. In order to influence consumer through<br />

memories and associations, it is important to give the taste sensation for the brand.<br />

Tactile stimuli may be the form, temperature, material and weight. Thanks to these<br />

stimuli the brand obtains on additional clues, which can differentiate and result in the<br />

leadership impression.<br />

Figure-1: The model of the link between brand value and sense dimensions<br />

Rational<br />

route<br />

Decision<br />

Image Sound Smell Taste Touch<br />

Colour<br />

Light<br />

Form<br />

Space<br />

Designs<br />

Ads<br />

Judgments<br />

Brand<br />

performance<br />

Feelings<br />

Resonance<br />

Salience<br />

Feelings<br />

Background<br />

Language<br />

Communication<br />

Music<br />

Silence<br />

Brand<br />

imagery<br />

Conscious thinking<br />

Emotional<br />

route<br />

Artificial flavour<br />

Natural flavour<br />

Attitude<br />

Product<br />

composition<br />

Form<br />

Temperature<br />

Material<br />

Weight<br />

Source: prepared according Keller: 2003; Lavidge, Steiner: 1961; Lindstrom: 2008;<br />

Valenti, Riviere: 2008; Celier: 2004; Arnoud, Price, Zinkhan: 2004; Milliman: 1986;<br />

Areni, Kim: 1993; Roballey: 1985; Gobe: 2001.<br />

Thus, basing on Kellers’ (2003) pyramid of brand value creation and contemporary<br />

emotional impact model (Lavidge, Steiner, 1961), the link between brand value and sense<br />

7


dimensions are being revealed. In Kellers’ pyramid of brand value creation, one of the<br />

blocks includes the feelings and emotions, which are revealed by reaching the third step,<br />

going up in the right side of pyramid. Brand sense are the emotional reaction and<br />

response of customers, when they feel respect for the brand. To explain these feelings the<br />

following dimensions such as sincerity, security, empathy, safety, social recognition and<br />

self-esteem are distinguished. This block of the pyramid (feelings and emotions of<br />

consumers) is related to Ladviges’ and Steiners’ (1961) model of emotional impact. On<br />

basis of this model it is possible to reveal the impact of sense dimensions (image, sound,<br />

smell, taste, touch) on the consumers’ feelings and emotions. It has been shown, that<br />

these dimensions are caused by certain feelings, emotions, and these are forming a brand<br />

image for consumers. It can be argued, that the more senses are used for the brand, the<br />

stronger it will be and the greater its value.<br />

The use of sense dimensions is possible in a number of marketing activities – in brand<br />

image formation, as well as in improving relationships between consumers and the<br />

company. In summary it can be stated, that this is an effective mean, improving<br />

company's activities and managing consumers’ senses.<br />

4. CONCLUSIONS<br />

Following scientific literature analysis, it is possible to make the following conclusions:<br />

8<br />

• Main sense dimensions are image, sound, smell, taste and touch. Visual<br />

senses mostly are affected by the color and shape. Company's brand<br />

awareness, relevance and absorbing increase by selecting the right color and<br />

design form for product. Auditory sensation is sound where the main<br />

dimensions are music and language. The use of sound at the sales place is a<br />

great opportunity to influence consumers at the crucial moment. Smell and<br />

taste are closely linked with each other. These two senses are very important<br />

for the brand, in order to affect consumer through memories and associations.<br />

Seeking to affect consumers, the sweet, relaxing smells, raising the mood,<br />

refreshing, pleasantly relaxing as well as some of them increasing customers’<br />

willingness to buy, are mainly used. In the case of tactile sensitivity the<br />

important aspects are texture, temperature and weight. Feeling of touching<br />

the brand also makes a significant contribution to the quality that we assign<br />

to the product. Development of the brand request to focus not on one of the<br />

five human senses, but through more than one human sense it is possible to<br />

create a unique, beloved brand, which create consumers sense and thus<br />

increase the affection and loyalty to the brand.<br />

• The human senses are subconscious, and therefore consumer behaviour<br />

depends on perception and interpretation of senses. Senses are a fundamental


part of humanity, which can not be avoided. More and more companies are<br />

using senses in a brand creation process, these help create brand value for the<br />

consumer, i.e. smell allows smelling brand, specially shaped items are<br />

created. Then brands are barely recognizable by touching and with closed<br />

eyes. The exclusive colors or unique melody, which describes the brand also<br />

are employed. By using five human senses, it is more possible to create a<br />

long-term relationship with the customer, than using only one or two – video<br />

and audio senses.<br />

• The link between brand value and sense dimensions are revealed on the basis<br />

of brand value creation pyramid and contemporary emotional impact model.<br />

One of brand value creation pyramids’ blocks include consumers’ feelings<br />

and emotions, these are revealed in the third step. Brand sense – the<br />

emotional reaction and response of customers, when they feel respect for the<br />

brand. To explain these feelings the following dimensions such as sincerity,<br />

security, empathy, safety, social recognition and self-esteem are<br />

distinguished. This block of the pyramid (consumer's feelings and emotions)<br />

is associated with modern model of emotional impact, which reflects the five<br />

sense dimensions – image, sound, smell, taste, touch. These dimensions are<br />

caused by certain feelings, emotions, and these are forming a brand image for<br />

consumers. The more senses are used for the brand, the stronger it will be and<br />

the greater its value.<br />

BIBLIOGRAPHY<br />

Aaker D.A. (1991), Managing brand equality: capitalizing on the value of a brand name,<br />

NY: Free Press.<br />

Areni C., Kim D. (1993), “The influence of background music on shopping behavior:<br />

Classical versus top-forty music in a wine store”, Advances in Consumer Research, Vol.<br />

20, pp. 336-340.<br />

Arnoud E., Price L., Zinkhan G., (2004), Consumers, McGraw Hill.<br />

Bitner M.J. (1986), “Consumer Responses to the Physical Environmental in Services<br />

Setting“, In M. Venkatesan & D. M. Schmalensee & C. Marshall (Eds.), Creativity in<br />

Services Marketing, (pp. 83-93), Chicago: American Marketing Association.<br />

Celier P. (2004), “Le marketing sensorial”, Mahommedia Enset School.<br />

Chebat J.C., Michon R. (2003), “Impact of Ambient Odors on Mall Shoppers’ Emotions,<br />

Cognition, and Spending: A Test of Competitive Causal Theories,” Journal of Business<br />

Research,Vol. 34, No 3, pp. 191-197.<br />

Chernatony de L. (2001), “An integrated approach to building and strengthening brands”,<br />

European Retail Digest, Issue 29.<br />

Donovan R.J., Rossiter J.R., Marcoolyn G., Nesdale A. (1994), “Store atmosphere and<br />

9


Dovalien÷, A. (2005), “Santykių marketingo ypatumai pl÷tojant teatro produktų rinką”.<br />

Doctoral disertation, Kaunas.<br />

Gobe M. (2001), Emotional Branding: The new paradigm for connecting brands to<br />

people, New York: Allworth Press.<br />

Keller K.L. (2003), Strategic brand management: building, measuring, and managing<br />

brand equity, New Jersey: Upper Saddle River.<br />

Khalifa A.S. (2004), “Customer value: a review of recent literature and an integrative<br />

configuration”, Management decision, Vol. 42, Iss: 5, pp. 645-666.<br />

Kotler P., Keller K.L. (2007), Marketingo valdymo principai, Klaip÷da.<br />

Kotler Ph. (1973), “Atmospherics as a marketing tool”, Journal of Retailing, Vol. 49, No<br />

4.<br />

Ladvige R.J., Steiner G.A. (1961), “A model for predictive measurements of advertising<br />

effectiveness”, Journal of Marketing, Vol. 25, No 6, Oct., pp. 59-62.<br />

Lindstrom M. (2008), Prek÷s ženklo jausmas. Galingų prek÷s ženklų kūrimas, naudojant<br />

lyt÷jimą, skonį, kvapą, vaizdą ir garsą, Vilnius.<br />

Milliman R.E. (1986), “The influence of background music on the behavior of restaurant<br />

patrons”, Journal of Consumer Research, Vol. 13, No 2, Sept., pp. 286-289.<br />

purchasing behavior“, Journal of Retailing, Vol. 70, No 3, pp. 283-294.<br />

Rieunier S. (2002), “Le marketing sensorial du point de vente”.<br />

Roballey T.C. (1985), “The effect of music on eating behavior”, Bulletin of the<br />

Psychonomic Society, Vol. 23(3), May, pp. 221-222.<br />

Smith J.B., Colgate M. (2007), “Customer value creation: a practical framework”,<br />

Journal of Marketing Theory and Practice, Vol. 15, No 1, pp. 7-23.<br />

Solomon M., Tissier-Desboredes E., Heilbrunn B. (2005), Consumer Behavior, Paris:<br />

Pearson education.<br />

Urbanskien÷ R., Vaitkien÷ R. (2006), Prek÷s ženklo valdymas, Kaunas.<br />

Vaitkien÷ R., Pilibaityt÷ V. (2008), “Vert÷s vartotojui kūrimo ir santykių su vartotojais<br />

vystymo procesus integruojantis modelis”, Taikomoji ekonomika: sisteminiai tyrimai,<br />

http://www.minfolit.lt/arch/16501/16611.pdf, [Accessed 01/01/2010].<br />

Valenti C., Riviere J. (2008), “The concept of Sensory Marketing”, Marketing<br />

Dissertation, Hogskolan i Halmstad, May.<br />

Vanagien÷ V., Ramanauskien÷ J. Prek÷s ženklo svarba ir jo vert÷s kūrimo galimyb÷s,<br />

Rinkinių archyvas, Lietuvos žem÷s ūkio universitetas,<br />

http://baitas.lzuu.lt/~mazylis/julram/169.pdf, [Accessed 09/26/2010].<br />

Woodruff R.B. (1997), “Customer value: the next source for competitive advantage”,<br />

Journal of the Academy of Marketing Science, Volume 25, Number 2, pp. 139-153.<br />

10

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!