JANET CARDIFF & GEORGE BURES MILLER Janet ... - exhibit-E

JANET CARDIFF & GEORGE BURES MILLER
Janet Cardiff
Born: 1957, Brussels, Ontario, Canada.
George Bures Miller
Born: 1960, Vegreville, Alberta, Canada.
Live and work in Berlin, Germany and Grindrod, B.C., Canada.
AWARDS AND HONORS
La Biennale di Venezia Special Award, 49 th Venice Biennale, 2001.
The Benesse Prize, 49 th Venice Biennale, 2001.
DAAD Grant and Residency, Berlin, Germany, 2000.
Käthe Kollwitz Prize, 2011.
SELECTED SOLO EXHIBITIONS:
2013
“Retrospective-solo show,” Sammlung Goetz im Haus der Kunst, Munich, Germany
2012
“Janet Cardiff and George Bures Miller: Transport to Now,” Art Gallery of Ontario, Toronto, Canada
“Janet Cardiff & George Bures Miller – Works from the Goetz Collection,” Haus der Kunst, Munich,
Germany
“The Murder of Crows,” Kiasma – Museum of contemporary art, Helsinki, Finland; Park Avenue Armory,
New York, NY
2011
“Janet Cardiff and George Bures Miller,” Artpace, San Antonio, TX
“The Forty Part Motet,” The Great Hall, Winchester, UK
“The Forty Part Motet,” Fabrica, Brighton, UK
“The Forty Part Motet,” Aubette 1928, Strasbourg
“Ship O’ Fools: An Installation and Ghostmachine: A Videowalk by Janet Cardiff and George Bures
Miller,” HAU Hebbel am Ufer, Berlin, Germany
“Käthe Kollwitz Preis 2011: Janet Cardiff and George Bures Miller,” Akademie der Künste, Berlin,
Germany
2010
“Ghostmachine: A Videowalk by Janet Cardiff and George Bures Miller,” HAU Hebbel am Ufer, Berlin,
Germany
“The Murder of Crows and Storm Room,” Art Gallery of Alberta, Alberta, Canada
“Janet Cardiff & George Bures Miller,” Luhring Augustine, New York
“Ship O’ Fools,” Luminato Festival, Toronto, Canada.
2009
“Opera for a Small Room,” Carnegie Museum of Art, Pittsburgh, PA.
“The Murder of Crows,” Musikwerke Bildender Künstler, Hamburger Bahnhof, Berlin, Germany.
“Janet Cardiff & George Bures Miller,” Maison Hermes (Le Forum), Tokyo, Japan

2008
“The House Of Books Has No Windows,” The Fruitmarket Gallery, Edinburgh, Scotland and Modern Art
Oxford, Oxford, England. (catalogue)
2007
“Janet Cardiff & George Bures Miller: The Killing Machine and Other Stories 1995-2007,” Museu d’Art
Contemporani de Barcelona (MACBA), Barcelona, Spain; Institut Mathildenhöhe Darmstadt,
Darmstadt, Germany; and Miami Art Museum (MAM), Miami, Florida (catalogue).
“The Forty Part Motet,” Convento de Santo Domingo de Pollensa, Mallorca, Spain
“Feedback”, Magasin 3, Stockholm Konsthall, Stockholm
2006
“Janet Cardiff & George Bures Miller,” Louisiana Museum for Moderne Kunst, Humlebaek, Denmark
(exhibition catalogue).
“Jena Walk”, JenaKultur, Jena, Germany.
“The Forty-Part Motet,” Aberystwyth Arts Centre, Wales, U.K. (Cardiff).
“The Forty-Part Motet,” Cobra Museum voor Moderne Kunst, Amstelveen, The Netherlands (Cardiff).
“The Forty-Part Motet,” Moderna Museet, Stockholm, Sweden (Cardiff).
“The Forty-Part Motet,” The Wanås Foundation, Knislinge, Sweden (Cardiff).
2005
“Berlin Files,” DAAD Gallery, Berlin, Germany.
“Janet Cardiff & George Bures Miller. The Secret Hotel,” Kunsthaus Bregenz, Bregenz, Austria.
“Directions: Words Drawn in Water,” Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,
Washington, D.C. (Cardiff).
“Her Long Black Hair: An Audio Walk in Central Park,” presented by Public Art Fund, New York, NY
(Cardiff).
“Pandemonium,” Eastern State Penitentiary Historic Site, Philadelphia, PA, curated by Julie Courtney.
“Ghostmachine: A Videowalk by Janet Cardiff and George Bures Miller,” HAU Hebbel am Ufer, Berlin,
Germany.
“Feedback and Hill Climbing,” The Power House, Memphis, TN.
2004
“Janet Cardiff and George Bures Miller: Road Trip,” Galerie Barbara Weiss, Berlin, Germany.
“The Forty-Part Motet,” Art Gallery of Alberta, Edmonton, Canada, and The Power Plant Contemporary
Art Gallery, Toronto, Canada.
“Her Long Black Hair: An Audio Walk in Central Park,” presented by Public Art Fund, New York, NY
(Cardiff).
“Walking Thru,” Thyssen-Bornemisza Art Contemporary, Vienna, Austria (Cardiff).
“Cardiff and Miller,” Luhring Augustine, New York, NY.
“Recent Work,” Millenium Galleries, Sheffield, U.K.
“Janet Cardiff and George Bures Miller,” Centro de Arte Contemporânea Inhotim (CACI), Inhotim, Brazil.
“Laura: A Web Project,” (www.eyesoflaura.org), Vancouver Art Gallery, Vancouver, Canada (Cardiff)
2003
“The Berlin Files”, Portikus, Frankfurt am Main, Germany.
“The Paradise Institute and Other Works,” Walter Phillips Gallery, Banff, Canada.
“The Forty-Part Motet,” Pori Art Museum, Pori, Finland (Cardiff).
“Janet Cardiff & George Bures Miller,” Whitechapel Art Gallery, London, UK.
Cardiff & Miller
2

“Janet Cardiff: A Survey, Including Collaborations with George Bures Miller,” Castello di Rivoli, Turin,
Italy.
“Janet Cardiff and George Bures Miller,” Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway.
“Janet Cardiff: The Forty-Part Motet and Muriel Lake Incident,” Tate Liverpool, Liverpool, UK.
2002
“Whispering Room,” Art Gallery of Ontario, Toronto, Canada. (Cardiff)
“The Paradise Institute,” National Gallery of Canada, Ottawa, Canada. Travelled to: The Power Plant,
Toronto, Canada; Plug In ICA, Winnipeg, Canada; Morris and Helen Belkin Art Gallery, Vancouver,
Canada; Luhring Augustine, New York, NY; and Corcoran Gallery of Art, Washington D.C.
“Janet Cardiff: A Survey of Works, Including Collaborations with George Bures Miller,” Musée d’art
contemporain de Montréal, Montreal, Canada.
“The Forty Part Motet and Ittingen Walk,” Kunstmuseum des Kantons Thurgau, Kartause Ittingen, Warth,
Switzerland.
“Janet Cardiff and George Bures Miller,” Hamburger Bahnhof, Berlin, Germany.
2001
“The Paradise Institute,” Canadian Pavilion, Biennale di Venezia, Venice, Italy.
“Janet Cardiff: A Survey of Works, Including Collaborations with George Bures Miller,” PS1 Contemporary
Art Center, Long Island City, NY.
“The Muriel Lake Incident,” Southern Alberta Art Gallery, Lethbridge, Alberta, Canada
“The Forty Part Motet,” The National Gallery of Canada, Ottawa; Salisbury Cathedral Cloisters, Salisbury,
UK; Baltic Centre for Contemporary Art, Gateshead. UK; PS1 Contemporary Art Center, Long
Island City, NY; NOW Festival, Nottingham, UK; The New Art Gallery, Walsall, UK (Cardiff).
2000
“Janet Cardiff,” Kunstraum München, Munich, Germany.
“A Large Slow River,” Oakville Galleries, Oakville, Canada (Cardiff).
1999
“The Missing Voice (Cased Study B): An Audio Walk,” Whitechapel Library, organized by Artangel,
London, U.K. (Cardiff).
“La Tour,” Side Street Project, Los Angeles, CA.
“Simple Experiments in Aerodynamics,” Owens Art Gallery, Sackville, Canada, and Mercer Union,
Toronto, Canada (Miller).
1997
“The Empty Room,“ Raum Aktueller Kunst, Vienna, Austria.
“The Dark Pool,” Morris-Healy Gallery, New York, NY.
“Playhouse,” Galerie Barbara Weiss, Berlin, Germany (Cardiff).
1996
“Janet Cardiff: To Touch,” Gallery Optica, Montreal, Canada (Cardiff).
”Recontres de Video Art Plastiques," Centre d’Art Contemporain de Basse Normandie, Hérouville Saint-
Clair, France (Miller).
1995
“The Dark Pool,” Western Front Gallery, Vancouver, Canada.
“The Road,” Eastern Edge Gallery, St. John’s, Canada (Cardiff).
”The Dark Pool,” Walter Phillips Gallery, Banff, Canada.
Cardiff & Miller
3

1994
The Powerplant Art Gallery, Toronto, Canada.
The Southern Alberta Art Gallery, Lethbridge, Canada.
Randolph Street Gallery, Chicago, IL.
1993
La Chambre Blanche, Quebec City, Canada.
The Edmonton Art Gallery, Edmonton, Canada.
1992
Eye Level Gallery, Halifax, Canada.
The New Gallery, Calgary, Canada.
1990
Evelyn Aimis Gallery, Toronto, Canada.
YYZ, Toronto, Canada.
1989
Latitude 53, Edmonton, Canada.
1988
Macdonald Stewart Art Centre, Guelph, Canada.
1987
Glendon Art Gallery, York University, Toronto, Canada.
SELECTED GROUP EXHIBITIONS:
2013
“The Unspecific Index,” 601 Artspace, New York, NY
2012
“dOCUMENTA (13): FOREST (for a thousand years...) & Alter Bahnhof Video Walk,” Kassel, Germany
“Le Nouveau Pleinairisme,” Musee National des beaux-arts du Quebec, Quebec
“Sound Art. Sound as Medium of Art,” ZKM Center for Art and Media, Karlsruhe, Germany
“Stage Presence: Theatricality in Art and Media,” San Francisco Museum of Modern Art, San Francisco,
CA
“Telephone/Time,” “New Festival” Centre Pompidou, Paris, France
2011
“Miner for a Heart: an Open Studio curatorial project / by Yael Brotman,” Monash University, Melbourne,
Australia
“Dreamscapes,” The Pulitzer Foundation for the Arts, St. Louis, MO
“Hoehenrausch,” Ursulinenkirche, Linz, Austria (The Forty Part Motet)
“The Record,” Institute of Contemporary Art, Boston, MA
“Zürcher Theaterspektakel,” Zurich, Germany
“Festival Theaterformen,” Hanover, Germany
“September 11,” MoMA P.S. 1, New York, NY
“Spiele im Park, Sculpture Garden,” Villa Schoeningen, Potsdam, Germany
Cardiff & Miller
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“Tracing Mobility: Cartography and Migration in Networked Space,” Haus der Kulturen der Welt, Berlin,
Germany
2010
“Altstadtherbst Kulturfestival”, Düsseldorf, Germany
“Bilder in Bewegung. Künstler & Video / Film,” Museum Ludwig, Cologne, Germany
“CODE Live 2010, Bridging Art, Music and Audiences in a Digital World,” Emily Carr University of Art and
Design, Vancouver, Canada
“Fallout,” GI Holtegaard, GI Holte, Denmark and Malmö Konsthall, Malmö, Sweden
“Festival of the Arts,” City Gallery Wellington, Wellington, New Zealand
“Intensif-Station: 26 Künstlerräume im K21,” K21, Düsseldorf, Germany
“New Zealand International Arts Festival”, City Gallery,Wellington, New Zealand
“Opera North,” The Howard Assembly Room, Leeds, UK
“People Meet in Architecture,” Biennale di Venezia (12. Mostra Internazionale di Architettura), Venice,
Italy
“Passages: Travels in Hyper-Space Passages,” TBA 21 Collection, Laboral Art and Industrial Creation
Centre, Gijon, Spain
“The Record,” Nasher Art Museum, Duke University, Durham
“Resonance”, Suntory Museum, Osaka, Japan
“SENT BY MAIL,” Galerie Barbara Weiss, Berlin, Germany
“Setouchi International Art Festival 2010,” Teshima, Japan
“Stratford Summer Music Festival,” Stratford, Ontario, Canada
“Täuschend echt: Illusion und Wirklichkeit in der Kunst,” Bucerius Kunst Forum, Hamburg, Germany
“Twenty Five,” Luhring Augustine, New York, NY
“White Light Festival,” Lincoln Center, New York, NY
“Storm House,” Setouchi International Art Festival (Island of Teshima), Toronto, Canada
2009
“09.09.09,” Kinokino - Center for Art and Film, Sandnes, Norway
“Because I Say So…,” Patricia & Phillip Frost Art Museum, Florida International University, Miami Beach,
Florida
“Distortion,” Curated by James Putnam, The Gervasuti Foundation, Venice, Italy.
“The Dwelling,” Australian Centre for Contemporary Art, Melbourne, Australia.
Embassy of Canada, Washington D.C.
“FEEDBACKSTAGE,” Galerie Thomas Schulte, Berlin, Germany
“The Kaleidoscopic Eye: Bornemisza Art Contemporary Collection,” Mori Art Museum, Tokyo, Japan
“Of Art and Music”, John Curtin Gallery, Perth, Australia
“Perth International Arts Festival,” Perth, Australia (Cardiff)
“Projections,” MacKenzie Art Gallery, Toronto, Canada
“Meeting Point,” Doris McCarthy Gallery, Toronto, Canada
“The Murder of Crows”, Centro de Arte Contemporanea, Inhotim, Brazil
“Nuit Blanche”, Église Saint Sévérin, Paris, France (Cardiff)
“Number Two: Fragile”, Julia Stoschek Collection, Düsseldorf, Germany
“The Storm Room,” Echigo-Tsumari Art Triennial, Echigo-Tsumari, Japan
“Tunnel 28,” organized by The Old Vic and Punchdrunk, Waterloo Station, London, UK.
“Yebisu International Festival for Art & Alternative Vision,” Tokyo Metropolitan Museum of Photography,
Tokyo, Japan
2008
Cardiff & Miller
5

“Act/React: Interactive Installation Art,” Milwaukee Art Museum, Milwaukee, Wisconsin. (catalogue)
(Cardiff)
“Cultural Olympiad Celebration 2008“, Surrey Art Gallery, Surrey, Canada
“Held Together with Water: Art from the Sammlung Verbund,” Istanbul Museum of Modern Art, Istanbul,
Turkey
“Illuminating the Word: The Saint John’s Bible,“ Tacoma Art Museum, Tacoma, Washington
“It cannot be visited but is experienced,” Platform Seoul, Korea
“Le Printemps de Septembre Festival,” Toulouse, France
“Revolutions: Forms that Turn,“ 16th Biennale of Sidney, Sidney, Australia
“Stop. Look. Listen: An Exhibition of Video Works,” The Herbert F. Johnson Museum of Art, Cornell
University, Ithaca, NY
“Voice & Void“, Galerie im Taxispalais, Innsbruck, Austria
2007
“Call of the Wild,” curated by Alessandra Pace, Niels Borch Jensen, Berlin, Germany and Benveniste
CP&P, Madrid, Spain.
“Other Than Yourself: An Investigation between Inner and Outer Space,” Thyssen-Bornemisza Art
Contemporary, Vienna, Austria. (catalogue)
“Projections,” Justina M. Barnicke Art Gallery, Toronto, Canada
“Rencontre Vidéo #4,” Musée d’art contemporain du Val-de-Marne (MAC/VAL), Paris, France
“Idiot Joy Showland,” The IFC Center, New York, NY.
“Held together with Water: Art from the Sammlung Verbund,” Österreichisches Museum für angewandte
Kunst, Vienna, Austria
“Voice & Void: 2006 Hall Curatorial Fellowship Exhibition,” curated by Thomas Trummer, The Aldrich
Contemporary Art Museum, Ridgefield, CT.
“Cinema Paradiso,” Australian Centre for Contemporary Art, Victoria, Australia.
“Skulptur Projekte 07,” Muenster, Germany.
“Touris’st Tale. Travels, tourism and representation,” ARoS Aarhus Kunstmuseum, Aarhus, Denmark.
“Thyssen-Bornemisza Art Contemporary: Sammlung als Aleph,” Kunsthaus Graz, Graz, Austria
“WALK! Spazierengehen in der Kunst,” Künstlerhaus Bethanien, Berlin, Germany
“Off Screen: Spatial Soundings & Silent Musicalities,” Netherlands Media Art Institute, Amsterdam, The
Netherlands
“The Invisible Show,” The Center for Contemporary Art, Tel Aviv, Israel
“Unidentified Emotions,” Art Statements Gallery, Hong Kong, China
“Silenzio,” Fondazione, Sandretto Re Rebaudengo, Turin, Italy
“Stereo Vision,” University of South Florida CAM, Tampa, FL
2006
“And Therefore I Am,” The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College,
Saratoga Springs, NY.
Art Basel, Galerie Barbara Weiss, Stand V6, Switzerland
Berlin Artists, Bass Museum of Art, Miami.
“Constructing New Berlin,” Phoenix Art Museum, Phoenix, AZ, traveled to Bass Museum of Art, Miami
Beach, FL.
“Complicit! Contemporary American Art & Mass Culture,” University of Virginia Art Museum,
Charlottesville, VA.
“Sublime Embrace”, Art Gallery of Hamilton, Ontario, Canada.
“Insight-Out“, Wanås Foundation, Knislinge, Sweden.
“Sonambiente Berlin 2006“, Akademie der Künste, Berlin, Germany.
“Anstoss Berlin: Kunst macht Welt“, Haus am Waldsee, Berlin, Germany
“Tell Me,” Casino Luxembourg, Luxembourg.
Cardiff & Miller
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“Touch My Shadows: New Media from the Goetz Collection,” Centrum Sztuki Wspøłczesnej Zamek
Ujazdowski, Warsaw, Poland.
“DOKU ARTS, Internationals Festival für Filme zur Künste,” Akademie der Künste, Berlin, Germany.
“The Whitechapel Auction: Defining the Conteporary,” Whitechapel Gallery, London, U.K.
“The Invisible Show,” Museo de Arte Contemporάnes de Vigo, Spain (Cardiff).
“Sensorium,” MIT List Visual Arts Center, Cambridge, MA.
“Almost Cinema,” Kunstcentrum Vooruit, Ghent, Belgium.
2005
“Take Two. Worlds and Views: Contemporary Art from the Collection,” The Museum of Modern Art, New
York, NY (Cardiff).
“Almost,” Robert Miller Gallery, New York, NY.
“Ecstasy: In and About Altered States,” The Geffen Contemporary at MoCA, Los Angeles, CA.
“Faces in the Crowd: Images of Modern Life from Manet to Renoir,” Castello di Rivoli Museo d’Arte
Contemporanea, Turin, Italy; Whitechapel Gallery, London, U.K.
“The Forest: Politics, Poetics, and Practice,” Nasher Museum of Art at Duke University, Durham, NC.
”Guardami - Percezione del video (Look at me - Video Perception)”, Palazzo delle Papesse,
Contemporary Art Center, Siena, Italy.
“Istanbul Biennial Eindhoven,” Van Abbemuseum, Eindhoven, The Netherlands.
“Raconte-moi / tell me,” Musée national des beaux-arts du Québec, Québec City, Canada; Casino
Luxembourg – Forum d’art contemporain Luxembourg.
“Sonic Presence”, Bergen Kunsthall, Bergen, Norway.
“Crowds / Conversations / Confessions”, Art Gallery of Alberta, Edmonton, Canada (Miller).
“Yokohama Triennale of Contemporary Art,” Yokohama, Japan.
“Realit:-)t”, Seedamm Kulturzentrum, Pfäffikon, Switzerland.
“Avance Rápido: Media Art de la Collecíon Goetz,” Centro Cultural Conde Duque, Madrid, Spain.
“Documentary Creations“, Kunstmuseum Luzern, Lucerne, Switzerland.
2004
“Janet Cardiff, Laura Kikauka, John Kormeling,” The Power Plant Contemporary Art Gallery, Harbourfront
Centre, Toronto, Canada. (Cardiff)
“Łodz Biennale,” Lodz, Poland.
“The Future Has a Silver Lining: Genealogies of Glamour,” migros museum für gegenwartskunst, Zurich,
Switerzland.
“Thriller,” The Art Gallery of Alberta, Edmonton, Canada.
“Videodreams: Zwischen Cinematischem und Theatralischem (Between the Cinematic and the
Theatrical),” Kunsthaus Graz, Graz, Austria.
“Everything Is Connected,” Astrup Fearnely Museet for Moderne Künst, Oslo, Norway.
“Files: Project in TRANS>area, New York,” Museo de Arte Contemporáneo de Castilla y León, Leon,
Spain.
“Modus Operandi,” Thyssen-Bornemisza Art Contemporary, Vienna, Austria.
“Die Zehn Gebote (The Ten Commandments),” Deutsches Hygiene-Museum, Dresden, Germany
(Cardiff).
2003
“Performative Installation #1, Gegeben sind…Konstruktion und Situation (Given...Construction and
Situation,” Galerie im Taxispalais, Siemens ArtsProgram, Innsbruck, Austria.
“Uneasy Space: Interactions with Twelve Artists,” SITE Santa Fe, Santa Fe, NM.
“On Stage,” Kunstverein Hannover, Hanover, Germany.
“Brightness: Works from the Thyssen-Bornemisza Contemporary Art Foundation,“ Museum of Modern
Art, Dubrovnik, Croatia.
Cardiff & Miller
7

“Somewhere Better Than This Place,” Contemporary Arts Center, Cincinnati, OH (Cardiff).
“Silver: Dreams, Screen and Theories,” Art Gallery of Greater Victoria, Victoria, Canada (Cardiff).
“fast forward: Media Art Sammlung Goetz,” Zentrum für Kunst und Medientechnologie KZM, Karlsruhe,
Germany.
“Love Planet”, Benese Corporation, Okayama, Japan.
“Fantasy Underfoot: The 47th Corcoran Biennial,” Corcoran Gallery of Art, Washington, D.C.
“Biennale Bern”, Bern, Switzerland (Cardiff).
“Octobre en Normandie,” Rouen, France (Cardiff).
2002
“Walk Ways,” A traveling exhibition organized and circulated by Independent Curators International (ICI),
New York, Curated by Stuart Hordodner. Traveled to: Portland Institute of Contemporary Art,
Portland, OR.(September 10 – November 2, 2002); Western Gallery, Western Washington
University, Bellingham, WA (January 6 – March 1, 2003); Dalhousie University Art Gallery,
Halifax, Nova Scotia, Canada (March 20 – May 11, 2003); Oakville Galleries: Oakville Galleries in
Gairloch Gardens (June 14 – August 17, 2003) and Oakville Galleries at Centennial Square (June
21 – August 17, 2003), Oakville, Ontario, Canada; Arthouse at the Jones Center, Austin, TX
(September 6 – November 2, 2003); University of South Florida Contemporary Art Museum,
Tampa, FL (November 14, 2003–January 17, 2004); Freedman Gallery, Albright College Center for
the Arts, Reading, PA. (February 6 – March 19, 2004); Surrey Art Gallery, Surry, Canada
(September 25 – November 21, 2004).
“Sphere,“ Sir John Soane’s Museum, London, U.K.
“(The World May Be) Fantastic”, The Biennale of Sydney 2002, Sydney, Australia.
“Future Cinema,” Zentrum für Kunst und Medientechnologie ZKM, Karlsruhe, Germany.
“Do you know those moments,” Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway.
“Hautnah: Die Sammlung Goetz,” Museum Villa Stuck, Munich, Germany.
2001
“La Biennale d’Image en Mouvement,” Musée d’art moderne et contemporain, Centre pour l’image
contemporaine Saint-Gervais Genève, Geneva, Switzerland.
“TRANS Editions,” Chac Mool Gallery, Los Angeles, CA.
“Black Box: The Dark Room in Art,” Kunstmuseum Bern, Bern, Switzerland (Cardiff).
“Walk Ways,” ICI Traveling Exhibition.
“Museum unserer Wünsche (100 Wishes) “, Museum Ludwig, Cologne, Germany (Cardiff).
“010101: Art in Technological Times,” San Francisco Museum of Modern Art, San Francisco, CA (Cardiff).
“Elusive Paradise: The Millenium Prize,” National Gallery of Canada, Ottawa, Canada (Cardiff).
2000
“Mixing Memory and Desire (Wunsch and Erinnerung),” Kunstmuseum Luzern, Lucerne, Switzerland.
“Wonderland,” The St. Louis Art Museum, St. Louis, MO (Cardiff).
“La Ville, le Jardin, la Mémoire-1998, 2000, 1999,“ Académie de France à Rome, Villa Medici, Rome, Italy
(Cardiff).
“Untitled (Sculpture),” Luhring Augustine, New York, NY.
“LIFE, After the Squirrel,” Location One, New York, NY.
“Between Cinema and a Hard Place - Tate Modern Opening,” Tate Modern, London, U.K.
1999
“Carnegie International 1999/2000,” The Carnegie Museum of Art, Pittsburg, PA (Cardiff).
“The Passion and the Wave: 6th International Istanbul Biennial,” Istanbul, Turkey.
“The Museum as Muse: Artist’s Reflect,” The Museum of Modern Art, New York, NY (Cardiff).
Cardiff & Miller
8

“TALK. Show: Die Kunst der Kommunikation in den 90er Jahren,” Von der Heydt-Museum, Wuppertal,
Germany; Haus der Kunst, Munich, Germany.
“Divine Comedy,” KunstFort Asperen, Beesd, The Netherlands (Miller).
“Voices,” Le Fresnoy, Studio national des arts contemporains, Lille, France.
“Musiques en Scène,” Museé d’Art contemporain de Lyon, France (Cardiff).
“Body and Sound,” Musée régional de Rimouski, Québec, Canada.
“Stumble,” Trianon Gallery, Lethbridge, Alberta, Canada.
1998
“XXIV Bienal de São Paulo (Drogan’s Nightmare),” São Paolo, Brazil (Cardiff).
“Voices,” Witte de With Center for Contemporary Art, Rotterdam, The Netherlands; Fundació Joan Miró,
Barcelona, Spain.
“Places in Gothenburg ’98," Kulturnämnden, Göteburg, Sweden (Cardiff).
“Wanås ’98", The Wanås Foundation, Knislinge, Sweden (Cardiff).
“Beauty and the Banal,” The Art Gallery of Alberta, Edmonton, Canada (Miller).
“New Work: Words and Images,” curated by Lorie Mertes, Miami Art Museum, Miami, FL (Cardiff).
1997
"Skulptur: Projekte in Münster ’97," Landesmuseum für Kunst und Kulturgeschichte (LWL), Münster,
Germany (Cardiff).
“Present Tense: Nine Artists in the Nineties,” San Francisco Museum of Modern Art, San Francisco, CA
(Cardiff).
“Membra Disjecta,” (two-person show with Gary Hill) Argos Centre for Art & Media, Brussels, Belgium
(Miller).
“Los Angeles International Biennial Art Invitational,” Richard Heller Gallery, Santa Monica, CA (Miller).
1996
“NowHere,” Louisiana Museum for Moderne Kunst, Humlebæk, Denmark (Cardiff).
“Alberta Biennial for Contemporary Art,” The Art Gallery of Alberta, Edmonton, Canada; The Glenbow
Museum, Calgary, Canada.
“Young Contemporaries ’96,” curated by James Patton, The London Regional Art Gallery, London,
Ontario, Canada (Miller).
1995
“The Table Project,” The Power Plant Art Gallery, Toronto, Canada.
“A Night at the Show” curated by Harm Lux, Field, Zypressenstraβe 71, Zurich, Switzerland (Cardiff).
"Think Big," Erindale College, Toronto, Canada (Cardiff).
"A Public Room," Cambridge Library and Art Gallery, Whitby Arts Inc., Whitby, Ontario, Canada (Cardiff).
1992
“Intimacies”, performance with Charles Cousins, Nelson Henricks, & Jon Winet, sponsored by The New
Gallery, Calgary, Canada.
“Environment”, The Photographers Gallery, Saskatoon, Canada.
“Present Tense: Nine Artists in the Nineties”, San Francisco Museum of Modern Art, San Francisco, CA.
“Whisper in My Ear”, (3 person) A.K.A., Sastkatoon, Canada.
“Auricle Interchange” (two person) Muttart Art Gallery, Calgary, Canada.
“Ear As Eye”, Los Angeles Contemporary Exhibitions, Los Angeles, CA.
“A Night at the Show” ‘Field’, Zypressenstrass 71, Zurich, Switzerland.
“Think Big”, Erindale College, Toronto, Canada.
“A Public Room”, Cambridge Library and Art Gallery, Ontario, Canada.; Whitby Arts Inc., Whitby, Canada;
McLaren Art Centre, Barrie, Canada.
Cardiff & Miller
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SELECTED BIBLIOGRAPHY
Catalogues and Essays:
2012
Davidson, Justin. “A Horror Movie Without the Movie,” New York Magazine, August 20, 2012, pp. 165-
166.
Féral, Josette. “How To Define Presence Effects: The Work of Janet Cardiff,” Archaeologies of Presence:
Art, Performance and the Persistence of Being, Edited by Gabriella Giannachi, Nick Kaye and
Michael Shanks. New York: Routledge, 2012, pp. 29-49.
Ohlin, Alix. “’I Am In Here’ – On Silence in Fiction,” The Writer’s Chronicle, Vol. 45, No. 3, December
2012, pp. 56-57.
Rosenberg, Karen. “A Funereal Presence Swoops In to Roost and Caw,” The New York Times, Friday,
August 10, 2012, p. C25.
Scott, Kitty. À Ciel Ouvert, Québec, Canada: Musée National Des Beaux-Arts Du Québec, 2012, pp. 58-
61.
Wray, John. “We’ve Been Trying to Escape Reality For, Like, 35 Years,” The New York Times Magazine,
July 29, 2012, pp. 18-21.
2011
Janet Cardiff and George Bures Miller: The Murder of Crows. Ostfildern: Hatje Cantz Verlag, 2011.
Barrett, Terry. Making Art: Form and Meaning, New York: McGraw Hill Companies, Inc., 2011, p. 146.
Mϋller, Lars and Akiko Miki, ed. Insular Insight: Where Art and Architecture Conspire with Nature:
Naoshima, Teshima, Inujima, Baden, Switzerland: Lars Mϋller Publishers, 2011, p. 100-101.
2010
Allen, Jan and Kirsty Robertson and Sarah E.K. Smith. Sorting Daemons: Art, Sureillance Regimes and
Social Control. Kingston, Ontario: Queen’s University, 2010, pp. 36-39.
Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. New York:
Oxford University Press, 2010, pp. 179-182.
Roelstraete, Dieter. Richard Long: A Line Made by Walking. London: Afterall Books, 2010. Pp. 55-57.
2009
Thrift, Nigel, “Cityescapes,” Parcitypate. Art and Urban Space, Edited by Timon Beyes, Amelie Deuflhard,
Sophie-Thérèse Krempl. Zurich: Verlag Niggli AG, Sulgen, 2009. pp.30-31, 269-284.
San Francisco Museum of Modern Art: 75 Years of Looking Forward, San Francisco: San Francisco
Museum of Modern Art, 2009. Edited by Janet Bishop, Corey Keller, and Sarah Roberts.
Scott, Kitty. “Janet Cardiff & George Bures Miller,” The Gershorn Iskowitz Prize. Montreal: The Gershon
Iskowitz Foundation, 2009. pp. 88-91.
2008
16th Biennale of Sidney. Report, Biennale of Sidney (ed.)
2008 Biennale of Sydney. Revolutions – Forms That Turn, exhibition catalogue, Fishermans
Art and The Moving Image: A Critical Reader. Edited by Tanya Leighton. London: Tate Publishing in
association with Afterall, 2008. pp. 10, 36, 304, 368, 370, 386, 387, 481.
Janet Cardiff & George Bures Miller: The House Of Books Has No Windows. (two volumes), ed. by Fiona
Bradley. Edinburgh: The Fruitmarket Gallery with Modern Art Oxford.
Gianelli, Ida (ed), Castello di Rivoli Museo d´Arte Contemporanea, The Castle The Collection, Skira
editore, 2008, p. 172-173
Platform Seoul 2008, exhibition catalogue, Platform Seoul (ed.)
Cardiff & Miller
10

Suyun bir arada tuttugu. Held together with water * Art from Sammlung Verbund, Gabriele Schor (ed.),
Istanbul Modern and Sammlung Verbund, p. 109
2007
After the Revolution; Woman who transformed contemporary art. Prestel, Ed. Eleanor Heartney, Helaine
Posner, Nancy Princenthal and Sue Scott.
Cinema Paradiso, Southbank, Australian Center for Contemporary Art (ed.) (Exh.cat.)
Held together with water Kunst aus der Sammlung Verbund, Sammlung Verbund, Vienna, pp. 358 – 363
(Exh. cat.) Gabriele Schor (ed.)
Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven, Yale University
Press. pp. 29, 248. Ed. Marìa De Corral and John R Lane.
Janet Cardiff & George Bures Miller: The Killing Machine and Other Stories 1995-2007. Ostfildern: Hatje
Cantz Publishers with Museu d’Art Contemporani de Barcelona and Institut Mathildenhöhe
Darmstadt. Edited by Ralf Beil and Bartomeu Marí.
Janet Cardiff & George Bures Miller. Kuenstler- Kritisches Lexikon der Gegenwartskunst, Eine Edition der
Zeitverlag Beteiligungs GmbH & Co KG, Ausgabe 90, Booklet 24, 4. Quartal 2007. By Pamela C.
Scorzin.
Mapping London- Making Sense of the City. Black Dog Publishing, p. 259 by Simon Foxell
Not all is visible- Works from the Astrup Fearnley Collection. Cat, pp. 18 – 23 (Exh. cat.) Gunnar B.
Kvaran and Hanne Beate Ueland.
Open Space. Art in public realm in London 1995 – 2005. Arts council England and Central London
Partnership, pp 158 - 161 Ed Jemima Montagu.
Other than yourself. An Investigation between Inner and Outer Space. Thyssen-Bornemisza Art
Contemporary, Vienna, pp. 68 – 73 (Exh.cat.) Cram, Gabrielle and Daniela Zyman (ed.),
Stop. Look. Listen: An Exhibition of Video Works. Ithaca: Herbert F. Johnson Museum of Art, Cornell
University, p. 39. Ed. Andrea Inselmann.
Sublime Embrace: Ex-periencing consciousness in contemporary art. Hamilton: Art Gallery of Hamilton.
pp. 58-61. Ed. by Patrick Shaw Cable.
The Forty Part Motet. Janet Cardiff. Ed. Ajuntament de Pollenca, Mallorca (Exh. cat.)
The Invisible Show. The Center for Contemporary Art, Tel Aviv, pp 82-83 (Exh cat.) Delfim Sardo and
Sergio Edelsztein (ed.)
Voice & Void. Ridgefield: The Aldrich Contemporary Art Museum. pp. 96 – 103 (Exh. cat.) Ed. Thomas
Trummer.
Theater der Einbildung. Zur Wahrnehmung und Imagination des Zuschauers, Theater der Zeit. pp.111-
122. By Benjamin Wihstutz.
2006
Anstoß Berlin—Kunst macht Welt. Ed. Katia Blomberg. Exh. cat. Haus am Waldsee. Berlin.
Blazwick, Iwona and Simon Wilson. Tate Modern: The Handbook. London, p. 83.
Collecting Contemporary. Adam Lindemann. Köln: Taschen, 2006, p.168.
Constructing New Berlin: Contemporary Art Made in Berlin, Munich/Berlin/London/New York: Prestel
Verlag with Phoenix Art Museum.
Jones, Caroline A. Sensorium—Embodied Experience, Technology, and Contemporary Art. Boston, pp.
57–61.
La exposición invisible—The Invisible Show. Exh. cat. Museo de Arte Contemporánea de Vigo. Vigo and
Granada.
Louisiana Contemporary: Janet Cardiff & George Bures Miller. ed. by Michael Juul Holm and Mette
Marcuse. Humlebæk: Louisiana Museum for Moderne Kunst.
Moderne Kunst—Die Kunst des 20. Jahrhunderts und der Gegenwart im Überblick. Ed. Ulrich Wilmes.
Exh. cat. Museum Ludwig. Cologne.
Roberts, Brady. Constructing New Berlin: Contemporary Art Made in Berlin. Munich et al.
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Sotheby’s: The Whitechapel Auction. Defining the Contemporary. Auction and Exhibition, pp. 94–95.
The Forty Part Motet by Janet Cardiff, Alsheimer, Elisabeth. Wanas 2006, p. 72.
Tate Modern: The Handbook. London: Tate Publishing, page 83.
sonambiente berlin 2006 – klang kunst sound art. Ed. de la Motte-Haber, Helga et al. Exh. cat. Akademie
der Künste, Berlin. Heidelberg, pp. 52–53.
Sublime Embrace: Experiencing Consciousness in Contemporary Art. Ontario: Art Gallery of Hamilton.
Curated by Shirley Madill, pp. 12, 58-61, 77, 79.
2005
Avance Rápido. fast forward. Media Art de la Colección Goetz . Centro Cultural Conde Duque, Madrid
Art Unlimited. Simon Lamuniere and Martin Schwander. Art 36 Basel, p. 52
Bilder aus dem Off. Mirjam Schaub. VDG, Weimar, pp. 73-84
Castello di Rivoli: 20 Anni d’Arte Contemporanea. Castello di Rivoli Museo d’Arte Contemporanea,
Milano, p. 422.
Ecstasy. In and about altered States. Lisa Mark. Los Angeles:The Museum of Contemporary Art.
Eyes of Laura - Janet Cardiff, Vancouver: Vancouver Art Gallery.
Janet Cardiff: The Walk Book. Vienna: Thyssen-Bornemisza. Francesca Von Habsburg and Tom Eccles.
TBA21, Vienna and Public Art Fund, New York.
Files. Museo de Arte Contemporaneo de Castilla y Leon, p. 26
The Forest: Politics, Poetics, and Practice. Kathleen Goncharov. Nasher Museum of Art at Duke
University, Durham, NC. pp. 40-41 (exhibition catalog).
Greenberg, Kerryn et al. EindhovenIstanbul. Vanabbemuseum, 2005. P. 73
Guardami- percezione del video. Siena: Palazzo delle Papesse centro arte contemporanea, 2005, p104-
105.
Hautnah. Die Sammlung Goetz. Jo-Anne Danzker. Museum Villa Stuck, Muenchen, pp.26-31.
Istanbul Eindhoven. A short guide. Kerryn Greenber and Eva Meyer-Hermann.Van Abbemuseum, p. 28
New Media in Art, (new edition). Michael Rush, ed., New York: Thames & Hudson, p. 232.
Pandemonium: Janet Cardiff George Bures Miller. Julie Courtney. Easter State Penitentiary Historic Site,
Philadelphia, PA, (exhibition catalogue).
Place, Tacita Dean and Jeremy Miller.Thames and Hudson, p.150
Raconte-moi / tell me. Marie Fraser. Musee national des beaux-art du Quebec and Casino Luxembourg –
Forum d’art contemporain, Luxembourg (exhibition catalog), pp. 46-50.
The Secret Hotel: Janet Cardiff + George Bures Miller. Edited by Eckehard Schneider, with essays by
Joerg Heiser and Matthais Lilienthal, Kunsthaus Bregenz catalogue, Bregenz, Germany. (exhibition
catalogue.)
Urban Legends: The Audio Walks of Janet Cardiff. Anne Purcell Riker. Princeton, 2005 (thesis)
Yokohama 2005. International Triennale of Contemporary Art. Yokohama, pp. 56-57
2004
Artists’ Favorites, Act II. Jens Hoffman. Institute of Contemporary Art, London, U.K., p. 8
Die Zehn Gebote. Klaus Biesenbach. Deutsches Hygiene-Museum, Dresden, Germany, p. 21
The Forty-Part Motet. Bernardo Paz. Centro de Art Contemporanea, Inhotim Minas Gerais, Brazil, p. 20
The Future has a Sliver Lining. Genealogies of Glamour. Zurich: Migrosmuseum and JPR, Ringier
Publishers, 2004, pp.128-129, 235-326 (exhibition catalogue).
Turbulenz Portikus Projekte 2001-2004. Portikus, Frankfurt am Main, Germany 2004 (exhibition
catalogue.), pp. 94-95.
Urlberger, Andrea. “Janet Cardiff: Walk in my Footsteps...” Les Carnets Du Paysage: Cheminements, No.
11, pp. 171-183.
Videodreams. Between the Cinematic and the Theatrical. Kunsthaus Graz, Austria (exhibition catalogue).
pp. 20-21 & 132-135.
Cardiff & Miller
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2003
Brightness. Francesca Von Habsburg. Thyssen-Bornemisza Contemporary Art Foundation, Dubrovnik,
Croatia, p. 26-7
Janet Cardiff - George Bures Miller. Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway (exhibition
catalogue).
Janet Cardiff - George Bures Miller. Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway (exhibition
catalogue).
Somewhere Better Than This Place: Alternative Social Experience in the Space of Contemporary Art.
Contemporary Arts Center, Cincinnati, OH, 2003, pp.104-107 (exhibition catalogue).
fast forward, Media Ar Sammlung Goetz. Ingvild Goetz and Stephan Urbaschek. Karlsruhe, Germany, pp.
112-117; 462-464
Performative Installation, Cologne: Siemens Arts Program and Snoeck Publishing, 2003, pp.36-37
(exhibition catalogue).
Understanding Installation Art, From Duchamp to Holzer. Mark Rosenthal. Munich: Prestel Publishing,
2003, pp.84-85, 87, 90-91.
Silver – Dreams, Screen and Theories. Lisa Baldissera. Gallery of Greater Victoria, pp. 30-31
2002
The 47th Corcoran Biennial: Fantasy Underfoot. Adam Lerner. The Corcoran Museum, Washington, D.C.,
pp. 42-45 (exhibition catalog).
Art Now – 137 Artists at the Rise of the New Millennium. Uta Grosenick and Riemschneider Burkhar.
Cologne: Taschen, p. 80-83.
Baerwaldt, Wayne and Dana Samuel, “George Bures Miller, Simple Experiments in Aerodynamics: 6 & 7,
Mercer Union, Toronto, Ottowa, Canada
Beil, Ralf. Janet Cardiff: To Touch. Black Box: Der Schwarzraum in der Kunst, Kunstmuseum Bern, Bern,
Switzerland
*Blase, Christoph, “Janet Cardiff and George Bures Miller,” Centre pour l’Image Contemporaine Saint-
Gervais, Geneva, Switzerland
*Christov-Bakargiev, Carolyn, “Do you know those moments.” Janet Cardiff - George Bures Miller, Astrup
Fearnley Museet for Moderne Kunst, Oslo, Norway
Fleming, Marnie, A Large Slow River, Oakville Galleries, Oakville, Ontario, Canada
Graze, Sue, “Words and Image” in Converge, Miami Art Museum, Miami, Fl.
Janet Cardiff: A Survey of Works including collaborations with George Bures Miller. Carolyn Christov-
Bakargiev. P.S.1 Contemporary Art Center, Long Island City, N.Y. (exhibition catalogue)
*Kölle, Brigitte, and Wayne Baerwaldt, The Paradise Institute, Canadian Pavilion, XLIX Biennale Di
Venezia, Venice, Italy
Lingwood, James, “Janet Cardiff: The Missing Voice,” Off Limits: 40 Artangel Projects, London, U.K., pp.
114-115
*Meyer-Büser, Susanne, “Janet Cardiff/George Bures Miller,” Looking at You, documenta und Museum
Fridericianum, Kassel, Germany
Obrist, Hans Ulrich. “Sonic City” and “Rumours,” Mutations, ACTAR, Barcelona, Spain
(The World May Be) Fantastic. 2002 Biennale of Sydney, pp.60-64 (exhibiton catalog).
Walk Ways. Independent Curators International, New York, p. 20-21, 52 (exhibition catalog).
2001
9e Biennale de l’Image en Mouvement 2001. MAMCO, Centre pour l’Image Contemporaine Saint-
Geneve, Geneva, Switzerland, (exhibition catalogue).
Cardiff, Janet, The Missing Voice (Case Study B). London: Artangel, (essay by Kitty Scott).
Cardiff, Janet and George Bures Miller. The Paradise Institute. XLIX Biennale Di Venezia, Canadian
Pavilion Exhibition Catalogue.
Museum unserer Wünsche. Kaspar König. Museum Ludwig, Köln, pp. 84-85
Cardiff & Miller
13

Nemiroff, Diana, “Elusive Paradise: The Millennium Prize,” National Gallery of Canada, Ottowa, Canada.
2000
Blazwick, Iwona, “Janet Cardiff” in Fresh Cream, Phaidon Press, pp. 184-189
Mixing Memory and Desire. Edt. Ulrich Loock, Daniel Kurjakovic, Cornelia Dietschi. New Museum of Art
Lucerne, Lucerne, Switzerland, (exhibition catalogue).
Wonderland. Edt. Rochelle Steiner, with contributions by Giuliana Bruno, Beatriz Colomina, Terence
Riley, Margie Ruddick. St. Louis Art Museum, St. Louis, pp. 48-53
1999
Christov-Bakargiev, Carolyn and Madeleine Grynsztejn, “Janet Cardiff,” in CI : 99/00/V02, Carnegie
International 1999/2000, Carnegie Museum of Art, Pittsburgh, Pa.
Scott, Kitty, “I want you to walk with me,” Janet Cardiff: The Missing Voice, (Case Study B) Artangel,
London, England
McShine, Kynaston. “The Museum as Muse; Artists Reflect,” MoMA, New York, NY, 1999.
Meyer-Büser, Susanne and Bernhart Schwenk. Talk.Show. Von der Heydt Museum, Wuppertal, Germany
(exhibition catalog).
The Passion and the Wave. David Garneau, Paulo Columbo and N. Fulya Erdemci ed., 6 th international
Biennial; pp. 58-61 (exhibiton catalog).
Van der Sande, Bridgitte. Divine Comedie. Fort Asperen, Beesd, Netherlands, 1999 (exhibition
catalogue).
1998
Bosse, Laurence, Hans Ulrich Obrist, and Carolyn Christov-Bakargiev. La Ville, le Jardin, la Mémoire
Académie de France à Rome. (Fortin, Sylvie, “Journeys Through memory gardens and other
impossible homecomings;” and John S. Weber, “Janet Cardiff,”) Rome, Italy 1998 (exhibition
catalogue).
Fortin, Sylvie. “Journeys Through Memory Gardens and Other Impossible Homecomings”, La Ville, le
Jardin, la Mémoire. Académie de France à Rome Villa Medici, Rome, 1998 (essay in exhibition
catalog).
Mesquita, Ivo. “Anthropofagia: Art History as a Ready-Made-in-Waiting,” Roteiros, Roteiros, XXIV Bienal
de Sao Paulo, Sao Paulo, Brazil 1998 (exhibiton catalog).
Places In Gothenburg. Gothenburg Cultural Board, Gothenburg, Sweden, 1998.
Phillips, Chistopher. Voices. Witte de With Rotterdam, Netherlands and the Miro Foundation, Barcelona,
Spain 1998 (exhibition catalog).
Wachtmeister, Marika and C-G. Wanas 1998. The Wanas Foundation, Knislinge, Sweden, 1998
(exhibition catalog).
1997
Bussmann, König, Matzner. Sculpture. Projects in Muenster, Westfälisches Landesmuseum, Muenster,
Germany (exhibition catalog).
Sawchuck, Kim. Auricle Interchange. Muttart Public Art Gallery, Calgary, Canada (exhibition catalog)
1997.
Warland, Betsy. Whisper in my ear, Jane Williams, Annie Martin, Janet Cardiff. AKA Gallery, Saskatoon,
Canada (exhibition catalog).
Weber, John. Present Tense: Nine Artists in the Nineties. San Francisco Museum of Modern Art, San
Francisco, CA, pp. 16, 34, 37 (exhibition catalog).
1996
NowHere Louisiana. Museum Louisiana for Moderne Kunst, Humlebaek, Denmark 1996 (exhibition
catalog).
Cardiff & Miller
14

1995
Crowstone, Catherine. The Dark Pool. Walter Phillips Gallery, Banff, Canada 1995 (exhibition catalog).
Scott, Kitty. “Walk-On Parts,” Résidence 1982-1993. La Chambre Blanche, Quebec, Canada pp 274-278
(exhibition catalog).
1994
Woodcock, Laurel. “Janet Cardiff,” The Southern Alberta Art Gallery, Alberta, Canada 1994.
1993
Scott, Kitty. “To Touch, an Installation by Janet Cardiff,” The Edmonton Art Gallery, Edmonton, Canada
1993.
1990
“Oldman River Expedition,“ Odyssey Art Expeditions, 1991.
1989
Lemecha, Vera. “Dualisms: Janet Cardiff and William MacDonnell,” Glenbow Museum, Calgary, Canada
1988
Jenkner, Ingrid. “Tabl’eau,” Macdonald Stewart Art Centre, Guelph, Canada 1988.
Marand, Celine. “Scripta Manent,” La Gallerie des Arts Lavalin, Montreal, Canada 1988.
Traer, Patrick. “Chronicle and Symbol,” Memorial University Art Gallery, St. John’s, Canada 1988.
1987
Wylie, Liz. “Another Fiction,” Glendon Gallery, Toronto, Canada1987.
Publications:
2012
Barrett, Margaret S. and Sandra L. Stauffer (ed). Narrative Soundings: An Anthology of Narrative Inquiry
in Music Education. “Music Lessons and Other Stories: Partial Inventory: Forty-Part Motet:
Choosing a Path Through Sound,” by Rishma Dunlop. Springer Science+Business Media.
Netherlands: Printforce. pp. 131-132.
Boucher, Brian. “Janet Cardiff and George Bures Miller – Park Avenue Armory,” Art in America, no. 10,
November 2012, p. 173.
Chimal, Alberto. “Obras abiertas,” Fahrenheit, April-May 2012, no. 51, pp.16-17.
Forbes, Alexander. “Portfolio: Cardiff & Miller,” Modern Painters, July/August 2012, pp. 17-18.
Klich, Rosemary and Edward Scheer. “Multimedia Performance,” New York, NY: Palgrave Macmillan,
2012, p. 6, 136.
Tipton, Gemma. “Critics’ Picks: Helsinki. Janet Cardiff and George Bures Miller,” Artforum.com, April 5,
2012.
2011
Brotman, Yael. “Miner for a Heart: an Open Studio curatorial project / by Yael Brotman,” Toronto,
Canada: Open Studio Publishing, 2011, pp. 27-31.
Chan, Carson. “Diary from Venice: Another Bienniale,” Log, Issue 21, Winter 2011, pp. 26-27.
Finessi, Beppe. “Dormire altrove: Sleeping Elsewhere,” Domus. Issue 949, Special Report Hotels, 2011,
p. 56-59.
Fox, Dan. “On Nature,” Frieze, Issue 137, March 2011, p. 94-97.
Cardiff & Miller
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“The glittering prizes: Winners,” The Art Newspaper, No. 220, January 2011, p. 7.
Schwartzman, Madeline. See Yourself Sensing: Redefining Human Perception. London: Black Dog
Publishing, 2011, p. 70-71.
2010
Asfour, Nana. “Janet Cardiff & George Bures Miller,” Time Out New York, April 15-21, 2010,
Braad, Agnete. “Udsigt fra omega punktet,” Louisiana Magasin, Nr. 32, 2010, p. 68.
Burrichter, Felix. “Venice Report: Dreaming of Architecture,” T Magazine, August 31, 2010.
Davidson, Justin. “The Ranaissance: Interactive Edition,” New York Magazine, November 15, 2010, p. 67.
Frankel, David. “Janet Cardiff and George Bures Miller,” Artforum, Summer 2010, XLVIII, No. 10, pp. 347-
8.
Johnson, Ken. “Janet Cardiff & George Bures Miller,” New York Times, Friday, April 2, 2010, p. C27.
Hoberman, J. “The Moviegoer,” Harper’s Magazine, July 2010, p. 74.
Levin, Kim. “Janet Cardiff & George Bures Miller,” ARTnews, June 2010, Vol. 109, No. 6, p. 109.
Milroy, Sarah. “Sound and music can really push you emotionally,” The Globe and Mail, March 3, 2010.
Sherlock, Diana. “The New Art Gallery of Alberta: Honour, Horror, and High, High Ceilings” Canadian Art,
February 11, 2010. pg.
Stockton-Moore, Cindy. “Circular Logic,” ARTnews, October 2010, pg 38.
Tousley, Nancy. “Taking the room by storm,” Calgary Herald, March 3, 2010.
Tsuchiya, Seichi. “The MVP Guide of Contemporary Artists: Video Art. Janet Cardiff & George Bures
Miller,” Geisai #14, March 14, 2010, page 132.
2009
Allen, Christopher. “The house as a mind on the edge,” The Australian, October 20, 2009, p. 17.
Griffin, Michelle. “Open window on a homely topic inspires return visit,” The Age, Monday, October 26,
2009, p. 15.
“No-Holds-Barred Comparative Reviews of Ten International Asia-Pacific Shows in 2008: Biennial of
Sydney 2008,” ART iT, Winter/Spring 2009, p. 76.
Power, Liza. “Nightmare on Southbank,” The Age, Friday, October 9, 2009, p. 16.
2008
Allen, Christopher. “Biennale´08 -Oh for work that speaks for itself,” Australian Financial Review, June 26,
2008, p.22.
Antlfinger, Carrie. “Interactive art exhibit opens at Milwaukee museum,” msnbc.msn.com, October 14,
2008.
Bache, Pauline. “Theatrical, Immersive & Voyeuristic,” Aesthetica, December 2008-January 2009, pp. 30-
31.
Baum, Caroline. “Ten of the best from the Biennale of Sydney,” Sydney Morning Herald, Sydney
Magazine, May 29, 2008.
Baxter. “turn, turn, turn- the 2008 Sydney Biennale celebrates revolution,” RealTime, no.85, June-July,
2008, p.6.
Bend, Victoria (Australia). “2008 Biennale of Sydney. Revolutions – Forms That Turn. Free Guide,”
Sydney 2008, p. 28-29 and p. 112-113.
Birdsall, Carolyn and Anthony Enns, ed. Sonic Meditations: Body, Sound, Technology. Newcastle upon
Tyne: Cambridge Scholars Publishing, 2008, pp. 6, 194-201, 204-205.
Brown, Mark. “Tunnel vision of underground art,” The Guardian, Friday, May 8, 2009.
Clark, Robert. “Janet Cardiff and George Bures Miller, Oxford,” The Guardian – Guide, October 11-
October 17, 2008.
Clegg, James. “Janet Cardiff and George Bures Miller. The Fruitmarket Gallery,” Art Review, Issue 26,
October 2008, p. 152.
Cardiff & Miller
16

Coen, Lorette. “Des Oeuvres Pérennes dans une Oeuvre Ready-Made, L’artiste et la Lamproie.” Revue
303: La revue culturelle des Pays de la Loire. No. 106, June 2009, p. 92.
Cumming, Laura. “It´s time you made that bed,” Tracey, The Observer, 10 August, 2008.
Cunningham, Harriet. “Sound affects,” The Sydney Morning Herald, June 21, 2008.
Dabek, Ryszard. “(When you wake) you’re still in a dream,” Art Monthly Australia, No. 212, August 2008,
pp. 30-31.
Delany, Max. “16th Biennale of Sydney, various venues, Australia,” Frieze, September 2008, p.190.
Dent, Nick. “Aural murder,” Time Out Sydney, issue 34, July 2-8, 2008.
Dorment, Richard. “Edinburgh Festival 2008: Janet Cardiff and George Bures Miller's fantastic show,”
Telegraph.co.uk, August 12, 2008.
Dorment, Richard. “The Show You Must Not Miss,” The Daily Telegraph. August 12, 2008.
Engberg, Juliana. “Children of the Revolutions,” The Monthly, August 2008, pp.60-62.
“Festival Highlights,” Time Out Sydney, 18-24 June, 2008, p.13.
Gardner, Anthony. “catholic tastes and tail-chasing,” Broadsheet, vol.37, no.3, September, 2008, pp.172-
175
Gavin, Francesca. “Janet Cardiff and George Bures Miller: Step Into the Heart of Surreal Sound
Sculptures,” Dazed & Confused, August 2008.
Hart, Daniel. “Janet Cardiff and George Bures Miller,” Daily Information, Oxford, November 29, 2008.
Reviews section.
Heiser, Jörg. “All of a Sudden, Things that Matter in Contemporary Art,” Sternberg Press, 2008.
Heartney, Eleanor. Art & Today, New York: Phaidon Press, 2008, pp. 140, 360.
Hetherington, Alex. “The House of Books Has No Windows,” Interface, September, 2008
Hsieh, Catherine Y. “Listening In: Interview with Janet Cardiff,” NY Arts, September/October, Vol12, No.
9/10, cover, pp.44-46.
“Interiors at risk. Precarious spaces in contemporary art,” Harvard Design Magazine, 29 Fall/Winter 2008-
09, pp. 12 – 21
Keehan, Reuben. “A revolution with harbour views,” Art and Australia, Vol. 46, No. 1, Spring 2008, pp. 46-
47.
Koon Yee-wan. “Visual Arts,” Muse Magazine, January 2008, 12, p. 93-95.
Lack, Jessica. “Artist of the week no 5: Janet Cardiff and George Bures Miller,” The Guardian, September
4, 2008.
Lajer-Burcharth, Ewa. “Interiors at Risk: Precarious Spaces in Contemporary Art,” Harvard Design
Magazine, No. 29, Fall/Winter 2008-9, pp. 12-21.
Lee, Stephen. “Janet Cardiff & George Bures Miller: The House of Books Has No Windows,” Art Monthly,
December 2008-January 2009, p. 32.
Likklegirl.blogspot.com, “A Day Of Buildings And The Art Within (1),” 6 July, 2008.
Mayhew, Sarah. “Just Imagine,” Oxford Mail. October 24, 2008, p. 27.
McDermott, Leon. “Janet Cardiff and George Bures Miller,” Metro, Monday, August 4, 2008.
Mead, Andrew. “Critic’s Choice: Look beyond the visual for a fuller experience of architecture and space,”
Architects’ Journal. November 12, 2008.
Miller, Stanley A. “Visitors call the shots in art museum’s ‘Act/React’,” jsonline.com, October 4, 2008.
Motlani, Aisha. “Art and Time,” expressmilwaukee.com, October 7, 2008.
Palmer, Daniel. “Revolutions-Forms That Turn,” Art World, October-November, 2008, pp.168-169
Peacocke, Helen. “Haunting Creations,” Oxford Times. October 24, 2008, Arts section, p. 5.
Priest, Gail. “Listening to the turning world,” RealTime, no.86, August-September, 2008, p.30.
Prouteau, Éva. “Les voies intérieures.” Revue 303: La revue culturelle des Pays de la Loire. No. 106,
June 2009, p. 63.
Provencher, Louise. “Janet Cardiff: Notes On the Range of a Fiction,” Espace, Spring 2008, pp. 23-28.
Raqs Media Collective. “Top Ten. 4: Janet Cardiff and George Bures Miller, The Muriel Lake Incident,”
Artforum International, February 2008, p. 127
Searle, Adrian. “Fire Up the Killing Machine,” The Guardian, October 23, 2008, p. 21.
Cardiff & Miller
17

Stations. Cologne: DuMont Buchverlag, 2008. Edited by Amelie von Heydebreck. Texts by Daniel
Fiedlerand and Ingolf Kern.
Stern, Nathaniel. “Action, Reaction, and Phenomenon,” rhizome.org, October 15, 2008.
Storer, Russel in conversation with Carolyn Christov-Bakargiev. “Revolutions,” Art and Australia, Vol. 45,
No. 4, June/July/August 2008 (Winter Edition), pp. 601-605.
Were, Virginia. “Revolution now!,” Art News New Zealand, Spring 2008, pp.122-126.
Yarish, Carla. “Selected Exhibitions: 10 UK shows Art World recommends,” Art World,
October/November, 2008.
2007
Cocker, Emma. ”Desiring to be Led Astray,” Paper of Surrealism, Issue 6, Autumn/Winter 2007,
www.surrealismcentre.ac.uk.
Davila, Thierry. “Une cinéplastique généralisée.” esse: arts + opinions. #54, pp. 5-6.
“Excerpt of Opera for a small room,” Aspect. The Chronicle of New Media Art. Performance Vol 9. DVD,
Finkel, Jori. “Janet Cardiff and George Bures Miller at MACBA,” Art in America, No. 6, July/July 2007, pp.
214-215.
Genocchio, Benjamin. “Art Review: Listening Rooms,” The New York Times, September 23, 2007
(online).
Gilligan, Melanie. “The Beggar’s Pantomime,” Artforum International XLV No. 10, Summer 2007, p. 429.
“Janet Cardiff.” La Tempestad, Numero 53, March April 07, pp. 8-19.
“Janet Cardiff,” NY Arts Magazine International, Vol. 11, no. 11/12. p. 134
Koon Yee-wan. “Eyes Wide Open,” Muse Magazine, January 2008, issue 12, p. 93–95.
Landi, Ann. “’Voice & Void:’ Aldrich Contemporary Art Museum,” ArtNews, December 2007, pp. 162-163.
Robinson, Walter. “Miami Myasthenia,” artnet.com, December 07, 2007.
Rosenberg, Karen. “At Fairs by the Beach, the Sands of Creativity,” The New York Times, December 08,
2007.
Santiago, Fabiola. “Visual Arts: MAC@MAM mixes sculpture, collage, audio,” The Miami Herald,
November 04, 2007 (online).
Traub, Peter. “Cardiff and Miller Interviewed,” Network Music Review, Sept 21.
“The Killing Machine und andere Geschichten 1995-2007 Review,” Theater Heute Review, Oct 4, pp 24-
26.
Trummer, Thomas (ed). Voice and Void. RemaPrint: Austria.pp. 96-103
Vendrame, Simona (ed). “Books: The Killing Machine,” Tema Celeste, no. 124, November/December
2007. p.23.
“Verrueckte Bilder im Ohr,” Art- das Kunstmagazin, Nr 8, August 2007, pp. 68-73.
“Walking and Talking,” Res Magazine, vol. 9, no. 1, Jan-Feb, pp. 60-61.
“What’s On. Rest of Europe: our selection A-Z (Spain),” The Art Newspaper, No. 178, March 2007, p. 13.
Withers, Rachel. “Janet Cardiff and George Bures Miller: Museu D’Art Contemporani De Barcelona,”
Artforum International XLV No. 5, January 2007. p. 125
2006
Alsheimer, Elisabeth. “The Forty-Part Motet by Janet Cardiff.” Wanås, p. 72.
Berwick, Carly. “Forty Harmonious Voices Drown Out Your Woes: Cardiff at MoMA,” Bloomberg.com,
January 10, 2006.
Diehl, Carol. “Janet Cardiff and George Bures Miller at Eastern State Penitentiary,” Art in America, No. 1,
January 2006, page 125.
Hastings, Sascha. “Postmark Berlin,” Canadian Art, Spring 2006, Volume 23, Number 1, pp.62-67.
Heartney, Eleanor. “Report From Los Angeles: Ecstasy Now,” Art in America, March 2006. pp. 47-51.
Jones, Caroline A. (ed). Sensorium: New Media Complexities for Embodied Experience, MIT Press,
Cambridge. Pp. 56-61, ill.
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Jones, Caroline A. “Sensorium: New media complexities for embodied experience, “ Parachute, No. 121
(January/February/March), 2006, pp.80-97
“July’s Best Reads (The Walk Book),” ArtReview, Issue 01, July 2006, pg. 127.
Karcher, Eva. “Der Klang der Welt.“ Vogue-Talk with Janet Cardiff and Hussein Chalayan. Vogue
Germany, no. 1 (January), pp. 204–211.
Kitamura, Katie. “New York: Central Park. Her Long Black Hair,” contemporary, issue 78, pp. 59-60.
Kors, Stacey. “Close Your Eyes and Try to See,” The New York Times, January 01, 2006.
Margolis, Janet. “Is It Real or Is It Ecstasy,” Art and Living, Issue 01, 2006, pp. 20-21.
Messer, Karen. “Creating Worlds,“ ascent, no. 30 (September), p. 42.
Myers, Julian. Review of “Ecstasy” exhibition at LA MoCA, Los Angeles, frieze, Issue 96, January-
February 2006. pp. 145-146.
Parsons, Laura. “Cultural consumption. Art world collides with worldly art,” The Hook.
“Take Two,” (exhibition review) Flash Art Vol. XXXIX No.246, January-February 2006, page 45.
Viso, Olga. “Eye-Openers,” ARTNews, November 2006. p. 126, ill.
“What’s On. Rest of the world,” The Art Newspaper, No. 167, March, page 17.
“What’s On. Rext of Europe,” The Art Newspaper, No. 171, July-August 2006, page 10.
2005
Boxer, Sarah. “When Seeing Is Not Always Believing,” The New York Times, July 11, 2005, Section E, p.
3.
Colless, Edward, “Lucid screams to stir the nation’s soul”, The Australian, p. 7
Criqui, Jean-Pierre. “Preview: Los Angeles,” Art Forum International, September 2005, p. 134.
Davila, Thierry. “Une Cineplastique Generalisee,” Esse Arts + Options, Spring/Summer 2005, No. 54, p. 6
(text in French).
“Ghost Machine: A Video Walk by Janet Cardiff and George Bures Miller,” Berlinale Journal, February 10-
20, 2005, p. 80.
Gopnik, Blake. “Sound Ideas. Janet Cardiff’s Audio Walk Makes Tracks for a Parallel Universe,” The
Washington Post, Thursday, August 4, 2005, p.C01.
Heuer, Megan. “They Can’t Take the Heat,” ArtNews, Art Talk section, January 2005, p. 32.
Kuhn, Nicola. “Flackern, flüstern, fliehen”, Der Tagesspiegel, February 2006, p. 17
Kuhn, Nicola. „Kleine Miss im Ohr,“ Der Tagesspiegel, April 29, 2005
Scharrer, Eva. “Janet Cardiff and George Bures Miller,” C Magazine, Fall 2005, p. 18.
Scharrer, Eva. “Janet Cardiff and George Bures Miller,“ International Contemporary Art,” (September 22),
pp. 18-21.
*Sozanski, Edward, “Artists Provide Good Reason to go to Prison,” The Philadelphia Inquirer, June 12,
2005 p. H1
*Tilmann, Christina. “Dreh dich nicht um!,” Der Tagesspiegel, February 10, 2005 p. 34.
Wollen, Joel. “Janet Cardiff and George Bures Miller—Eastern State Penitentiary, Philadelphia,“
Canadian Art International (Winter), p. 80.
2004
“Across The Country Over the Seas,” Canadian Art, Fall 2004, Volume 2, No. 3, pp. 50-51.
Bunbury, Stephanie, “Sculpting sounds into the spaces of silence”, The Age, p. A2
Curto, A. “Janet Cardiff,” Juliet Art Magazine, No. 116, February - March 2004, p. 50 (text in Italian).
Faces in the Crowd. Picturing Modern Life from Manet to Today. London: Whitechapel Gallery & Rivoli-
Torino: Castello di Rivoli Museo d’Arte Contemporanea, Skira Publishing, 2004, pp. 294-295
(exhibition catalogue).
Fast Forward: Media Art. Sammlung Goetz, Munich, Germany, 2004, pp. 112-117 (exhibition catalog).
Friedling Pearl, Melissa. “Janet Cardiff and George Bures Miller, Luhring Augustine,” Flash Art, Vol.
XXXVII, No.236, page 139.
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Golden, Thelma. “The Best of 2004: 13 Critics and Curators Look at the Year in Art; Janet Cardiff, Her
Long Black Hair,” Artforum, December 2004, p. 166.
Ivry, Sara. “It’s a Walk in the Park. No, Really,” The New York Times, Sunday, June 13, 2004, page 33.
Kbm, “Wann Bilder Zählen,” Tip Berlin, No. 22, p. 82
La Gui Cas Madrid para el arte ahora mismo. Obra Social, Madrid, Spain, p. 45 (exhibition catalog).
Manovich, Lev. “Pour une Poetique de L’espace Augmente,” Ecrans Numeriques_Digital, Parachute
(Canada), pp. 34-59 (text in French).
Nelson, Robert, “Feel the mighty rhythm”, The Age, October 27, 2004
Ohlin, Alex. “Something to be Desired. Janet Cardiff and the Pull of Film Noir,” Art Papers,
January/February 2004, pp. 34-39.
Papadopoulos, Helena. “Road Trip,” Exberliner, November 2004, p. 28.
Pollack, Barbara. “Janet Cardiff, Her Long Black Hair,” Time Out New York, July 29-August Sunday June
13, 2004, p. 33.
Ratner, Megan. “Back: Janet Cardiff. Central Park, New York,” Frieze, November/December 2004, Issue
87, pp. 115-116.
Raven, Lucy. “Surround Sound,” NYFA Quarterly, Spring 2004, p. 4-5.
Richard, Frances. “Janet Cardiff and George Bures Miller,” Artforum, May 2004, pp.208-209.
Slavin, John, “Straining to be heard”, The Age, p. A3
Sholis, Brian. “Janet Cardiff and George Bures Miller,” Artforum, February 2004.
Smith, Roberta. “Janet Cardiff and George Bures Miller at Luhring Augustine,” The New York Times, Arts
section, Friday March 12, 2004, p. 33.
Smith, Roberta. “Art That Speaks To You. Literally,” The New York Times, Arts section, Sunday March 7,
2004, p. 30.
Sundell, Margaret. “Janet Cardiff and George Bures Miller,” Time Out New York February – March 4,
2004, p. 66.
The Future has a Sliver Lining. Genealogies of Glamour. Zurich: Migros Museum and JPR, Ringier
Publishers, 2004, pp.128-129, 235-326 (exhibition catalogue).
Turbulenz Portikus Projekte 2001-2004. Portikus, Frankfurt am Main, Germany 2004 (exhibition
catalogue.)
Urlberger, Andrea. “Janet Cardiff: Walk in my Footsteps...” Les Carnets Du Paysage: Cheminements, No.
11, pp. 171-183.
Videodreams. Between the Cinematic and the Theatrical. Kunsthaus Graz, Austria (exhibition catalog).
2003
Barrows, David and Anthony L. Harvey. "At the Museums; Corcoran Gallery of Art," The Intowner,
January 2003, pp. 15-16.
Bigge, Ryan and Ted Geatros. “The Third Annual Most Alluring Canadian Awards: The Arts.” Fashion
Magazine, November 2003, p 152.
Bonacossa, Ilaria. “Fire, Walk with Me.” Label, Summer 2003, pp. 86-89.
Campello, F. Lennox. “Gallery Beat; The 47th Corcoran Biennial,” Old Town Crier, January 2003, p. 12.
Cumming, Alan. “The New Rock and Roll,” Modern Painters, Autumn 2003, pp.34-36.
Coomer, Martin. “Inside Out,” Time Out London, June 25, 2003.
* Cruewell, Konstance, “Stockdunkel,” Frankfurter Allgemeine Zeitung, February 17, p 64.
Cumming, Alan, “The New Rock and Roll,” Modern Painters, Autumn 2003, pp.34-36
Datebook, The New York Times, Friday, January 10, 2003.
Dixon, Glenn. "Fantastic Damage," Washington City Paper, Vol. 23, No. 6, February 14-20.
Elwes, Catherine. “Janet Cardiff and Georges Bures Miller, “ Border Crossings, Volume 22, Number 4,
Issue No. 88, 2003, pp. 104-105 (exhibition review).
Giuliano, Mike. “Breaking down doors of perception,” The Howard County Times, February 27, 2003.
Herbert, Martin. “Best of 2003. Janet Cardiff, Forty Part Motet,” Artforum, December 2003, pp. 134-135.
*Homann, Silke, “Die Melodie des Tischnachbarn,” Frankfurter Allgemeine Zeitung, February 17, p. 39
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“Janet Cardiff,” Art Review, International Edition, V.1, No. 10, p.105 (exhibition review).
Off Limits: 40 Artangel Projects. London: Merrell Publishers, 2003, pp.114-115.
Langendorfer, Nicole. “Wandering into collaborative art,” The Western Front, 2003
Schwerfel, Hans Peter. Kino Und Kunst. Eine Liebesgeschichts. Cologne: DuMont Literatur und Kunst
Verlag, 2003, p. 16 (text in German).
Tarsia, Andrea. Interview: Janet Cardiff & George Bures Miller. Whitechapel Gallery, London, UK 2003
(information booklet).
Thea, Carolee. “Inexplicable Symbiosis. A Conversation with Janet Cardiff,” Sculpture, Jan/Feb 2003, pp.
53-57.
Wilson Lloyd, Ann. “The Art That’s Living In The House Hadid Built,” The New York Times, Art &
Architecture section, Sunday June 8, 2003, p. 29.
2002
Armour, Nicole, “Suspending Disbelief: The filmic art of Janet Cardiff,” Cinemascope pp. 8-10
Ayers, Robert. “Janet Cardiff and Goerge Bures Miller: The Paradise Institute,” Contemporary, June, July,
August 2002, p. 152 (exhibition review).
Blanchette, Manon. “Sound or the Inner Element in the work of Janet Cardiff, Shirin Neshat, and Viola,
‘Sound Space’.” Espace Sulpture, No. 58, winter 2001-2002, pp.16-22.
Briers, David, “Janet Cardiff,” Art Monthly, January, pp. 45-46
Crevier, Lyne, “Vues en trompe-l’oeil,” ici, May 23-29, p. 11
Delgado, Jérôme, “Seul à seul avec Cardiff,” La Presse, May 25, p. D14
D’Souza, Aruna, “A World of Sound,” Art in America, No. 4, April, pp. 110-115, 161
Egoyan, Atom. “Janet Cardiff,” Bomb, No. 79, Spring 2002, pp. 60-67.
*Erfle, Anne, “Magie der reinen Töne,” Süddeutsche Zeitung, February 11, p.14
Fleury, Jean-Damien. “Le son, quinze manières de l’utiliser. Image en mouvement.“ La Liberté
(November 10)
Gang, Stephen. “Janet Cardiff and George Bures Miller: The Paradise Institute at Luhring Augustine,”
Anything Art Magazine, Volume 1, No. 1, May 2002, pp.
Galanternick, Mery. “Brazil’s Power Buyer,” Art News, October 2002, p. 78.
Gessel, Paul, “Janet Cardiff’s Strange Universe,” Ottawa Citizen, May 26, p J9
Gilmam-Sevcik, Tim and Frantiska. “Janet Cardiff P.S.1,” Flash Art, Vol. XXXIV, No. 223, March-April
2002, pp.102-103.
Gioni, Massimiliano. “I Know What You Did Last Summer: 2001 in retrospect. The Show, the Artists and
the Events That Kept Us Talking and Thinking, About Art in 2001: a Portable Chronology,” Flash
Art, January-February 2002, No. 222, pp. 65-67.
Giuliano, Charles, “Sounding off: Janet Cardiff,” Maverick Arts, Issue 64, June
Gopnik, Blake. “A Familiar ‘Fantasy,” The Washington Post, Sunday, December 22, pp. G1, G5.
Grande, John K. Art Papers Magazine, Reviews International (Montreal), September/October 2002,
pp.53-54.
Hanna, Deirdre. “Sound Of Silence,” Modern Painters, Winter 2002, pp. 102-103.
Harris, Larrisa. “Janet Cardiff and George Bures Miller: There’s Someone Behind You,” Make, Special
Edition 92, 2002, pp. 62-64.
“Janet Cardiff: P.S.1 Contemporary Art Center, New York,” Reviews, Tema Celeste, January-February
2002, p. 80.
*Johnson, Ken, “Janet Cardiff and George Bures Miller - The Paradise Institute,” The New York Times,
April 12, p. E 36
Lahey, Anita. “Janet Cardiff and the Paradise Institute,” Vernissage, Vol. 4, No. 2, Summer 2002, pp.30-
33 (article in English and French).
Lamarche, Bernard, “Promenades dans l’Espace et le Temps,” Le Devoir, June 17, p. A1-2
Lammich, Yvonne. “Montreal,” Contemporary, October 2002, pp.38-39.
Lehman, Henry, “Sound competes with what we see,” The Gazette, June 1, p. G6
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*Miller, Marcus, “The aesthetics of immersion,” Canadian Medical Association Journal, August 20, vol.
167 No. 4
Oßwald, Anja, “Medizin mit Zucker,” Zitty Berlin, February 7, p 82
O’Sullivan, Michael.“Top 10,” Washington Post, Friday December 27, 2002, p.WE32.
O’Sullivan, Michael. “The Corcoran Biennal: Dramatic License,” Washington Post, Friday December 27,
2002, p.WE38.
*Pauly, Katrin, “Wenn der Zuschauer zur Kunst wird,” Berliner Morgenpost, February 22
Redfern, Christine, “Soundscapes,” Mirror, May 30 – June 5, p. 52
Saltz, Jerry. “Positively 24th Street. A Block of Spectacles in Chelsea,” The Village Voice, Art section,
April 9 2002, p. 59.
Shaw-Eagle, Joanna. “Breaking Boundaries,” The Washington Times, December 21, 2002.
Simpson, Bennett, “Walk on By,” Frieze, issue 66, April, pp. 82-85
Sundell, Margaret. “Janet Cardiff P.S.1 Contemporary Art Center,” Artforum, January 2002, show review,
p.137.
*Tilmann, Christina, “Die Angst des Künstlers vor dem Kinogänger,” Tagespiegel, February 24
THE NEW YORK TIMES, Datebook, Friday December 20, 2002.
Valdez, Sarah. Gallery Reviews, Paper, April 2002, p.134.
*Vaughn, R.M., “Partners in Art and Life,” The Globe and Mail, July 17, pp. R1-5
Villeneuve, Paquerette, “Janet Cardiff à l’école,” Vie des Arts, no. 186, p. 30
Viveros-Faune, Christian. “The Paradise Institute,” New York Press April 17-23 2002, p.27
Volk, Gregory, “Janet Cardiff, P.S.1 Contemporary Art Center,” tema celeste, Jan/Feb, p.80
Wiebrecht, Ulrike, “Janet Cardiff: Wechselbad der Sinne,” Vernissage Berlin, Winter, pp.48-53
Yablonsky, Linda. “Janet Cardiff & George Bures Miller, The Paradise Institute,” Time Out New York, No.
340, April 4-11 2002, p. 55, (show review).
2001
Artcite: When Montreal Turns Into a Museum. Musee d’Art Contemporain, Montreal, Canada, p. 10.
Barriere, Caroline. “Janet Cardiff lauréate du prix du millénaire.“ Le Droit, Ottawa-Hull, (March 8), p. 34.
Blase, Christoph. “Das Video und sein Environment.“ Kunstbulletin, (July/August)
Borins, Sara. "Four nights in the funhouse : the Venice Biennale is as famous for its parties as for its
prestigious art prizes". Saturday night. Vol. 116, no. 6, July 14, 2001. Pp. 21-28
BS, “Janet Cardiff, P.S. 1 Contemporary Center,” ArtForum, Preview section, September, p. 66.
Caldwell, Rebecca. “The Artist’s Life, Janet Cardiff,” The Globe and Mail, Saturday March 31.
“Canvas,” Artnews, November, p.44.
Christov-Bakarkiev, Carolyn. “Janet Cardiff,” Tema Celeste, interview, No. 87, September-October, pp.
52-55, (illustration).
Christov-Bakarkiev, Carolyn. “And the Winner is...” Tema Celeste, no. 86, Summer, pp.40-41,
(illustration).
Christov-Bakargiev, Caroly. “Janet Cardiff,” tema celeste, No. 87, pp. 52-55.
Doyle Driedger, Sharon. “George Bures Miller & Janet Cardiff.“ Maclean’s 2001 Honour Roll (January 2)
Enright, Robert. “Pleasure Principals: The Art of Janet Cardiff and Georges Bures Miller,” Border
Crossings, issue No. 79, pp. 22-35.
“Expo Record All-Over”, L’Hebdo, November 15 2002.
Fleury, Jean-Damien. “Le Son, Quinze Manieres de L’Utiliser. Image en Mouvement”, La Liberte,
November 10 2002.
Frehner, Matthias. “Kunst für Spaziergänger.“ Neue Zürchner Zeitung (June 9)
Hoptman, Laura, “Videodrome,” Flash Art, July-September, p. 91 (illustration).
“Janet Cardiff A Survey of Works, Including Collaborations with George Bures Miller,” Time Out New
York, Art Listings, October 18-25, p. 79
Lacayo, Richard. “Sound and Video Artist Feast for the Eyes and Ears”, Time Magazine, October 15, p.
90 (Fine Arts section of “Innovators Time 100: The Next Wave”).
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Lammerich, Yvonne. “Cinema Arcade.“ Revue de l’art actuel, (September/November), pp. 70–76.
Landi, Anne. “Sonic Boom: Janet Cardiff Crafts Multidimensional Art Tours Out of Whispers, Sighs,
Footsteps, and Rustling Leaves.” ArtNews, pp.106-107, December 2001.
Levin, Kim. “Panic Attack,” Village Voice, July 3, p. 63.
Kimmelmann, Micheal. “Art in Review” (P.S.1 show), New York Times, November 30, p. E36.
Kimmelman, Michael “A Carnival in Venice: Arty, Artful, Artless.” New York Times, June 20.
Penaloza, Si Si. “Paradise at the Venice Biennale,” C International, Summer, p. 11.
Milroy, Sarah. “The Invisible Masterpiece,” The Globe and Mail, March 8, pp. R1, R6.
Naso, Rüdiger von. “Biennale 2001.“ Madame, (German Edition August)
Rebentisch, Juliane. “Das Publikum und seine Zeit.“ Texte Zur Kunst, (September), pp. 61–65.
Schmidt, Thomas E. “In der Dunkelkammern.“ Die Zeit (June 13).
Schwabsky, Barry. “Janet Cardiff (Preview),” Artforum, September 2001 XL, No. 1, page 65.
Siegel, Katy. “Human, All too Human”, Artforum, September, pp.166-167 (illustration).
Soutif, Daniel. “Pick To Click,” Artforum, September XL, No. 1, pp.160-161 (illustration).
Storr, Robert. “Harry’s Last Call”, Art Forum, September, pp.158-159 (illustration).
Drogan’s Nighmare: The Walk. CD-ROM included in TRANS> Magazine issue 9/10.
“Voir et Entendre au Musee,” LE TEMPS (Samedi Culturel), November 3, 2001.
Vogel, Carol. “The Art World Returns to Venice, Dipping en Masse Into Nostalgia,” The New York Times,
The Arts section, E1, Thursday june 14, 2001.
“Venice Biennale,” Art Press No.269, June, pp. 49-50.
Wagner, Thomas. “Hochplateau für Landvermesser.“ Frankfurter Allgemeine Zeitung (June 9)
Wattie, Chris. “$50,000 Art Prize goes to Cunning Array of Speakers,” National Post, March 8.
“When Montreal Turns Into a Museum.“ Artcite, (October), p. 10.
White, Murray. “Put the Headphones but Don’t Trust Your Ears,” The New York Times, Arts & Leisure
Section 2, October 14, pp. 37-39.
Willians, Megan. “Venetial Ball.“ Flare, (September), pp. 72–74
2000
Art Magazine (Korea), September.
Biagioli, Monica. “Janet Cardiff: The Missing Voice (Case Study B): An Audio Walk.“ Artfocus,
Winter/Spring, pp. 12-14.
Blanchette, Manon, “Le Nomadisme Comme Metaphore,” ETC Montreal, Sept. Oct. Nov.2000, pg. 58-62.
Boxer, Sarah, “An Artist Who Travels With You (on Tape, That Is)” The New York Times, The Arts
Section, Arts Abroad, Tuesday, August 8, p. E1-E2.
Zoo, sección de arte, arte internacional, martes 8 de agosto, pp. E1-E2, nº 5, abril, Gran Bretaña: The
Friary Press, p. 168
“Elusive Paradise,” The Millenium Prize, National Gallery of Canada News Letter, February-March.
Kreuger, Anders. “The Passion and the Wave.“ Artelier, pp. 79–81.
Leffingwell, Edward. “Carnegie Ramble.“ Art in America, (March), pp. 4–5.
Milevska, Suzana. “Biennale Instanbul.“ Springerin, (December 1999/February 2000),
Phillips, Christopher, “Report from Istanbul. Band of Outsiders”, Art in America, April, pp.70-75.
Sirmans, Franklin, “Review: Untitled (Sculpture).” Time Out New York, February 10 -17, p. 69 illustration.
Talk Show. Von der Heydt Museum, Wuppertal, Germany and Haus der Kunst, Munich, Germany
(exhibition catalog).
Weil, Rex, “Review: Untitled Sculpture,” ARTnews, May, pp. 229-230.
Williams, Gilda. “Reviews: 6 th Istanbul Biennial.“ Art Monthly, (December 1999/January 2000), pp. 26–27.
Wonderland. St. Louis: St. Louis Art Museum and D.A.P. (Distributed Art Publishers), pp.48-53 (exhibition
catalogue).
1999
Bishop, Claire, “Review: Whitechapel,” Flash Art, November-December, Vol. 32, No. 209, p. 87.
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The Carnegie International. The Carnegie Museum of Art, Pittsburg, PA (exhibition catalogue).
Clapp, Susannah. “Down these Mean Streets a Playwright Must Go,” The Observer Review, June.
Dault, Gary Michael. “Janet Cardiff,” Canadian Art Magazine, Spring 1999, pp. 40-45.
Fisher, Jennifer. “Speeches of Display: The musuem audio guides of Sophie Calle, Andrea Fraser and
Janet Cardiff,” Parachute Magazine 94, 1999, pp. 25-31.
Heartney, Eleanor. “A Cabinet of Critiques.“ Art in America, (December), p. 121.
Heartney, Eleanor. translated by Frank Straschitz, “Sixieme Biennale,” Art Press, December.
Gaché, Sherry. “Miami: Janet Cardiff,” Sculpture, January/February 1999, p.61.
Godfrey, Tony. “Walks with Mnemosyne: Recent Artangel Projects,” Contemporary Visual Arts, Issue 25,
pp. 40-45.
Kortun, Vasif. “A Sleepy Biennial,” Flash Art, November-December, Vol. 32, No. 209, p. 87.
McShine, Kynaston. Museum as Muse: Artists Reflect. The Museum of Modern Art, New York, NY pp.
166-7.
Nasgaard, Roald. “The Museum as Muse Amused,” Canadian Art Magazine, Summer 1999, p. 53.
Peaker, Carol. “The voice of a friend,” National Post, Weekend Post, July 3, 1999, p. 7.
Rugoff, Ralph. “A walk on the wild side,” Financial Times, June 19
Schwabsky, Barry. “Surrounded by Sculpture,” Art in America, NY, pp. 57, 59.
Scott, Kitty. “Museum as Muse.“ The Museum of Modern Art, pp. 166–167.
Withers, Rachel. “Review: Art Angel,” Artforum, December, Vol. 38, No. 4, p.157.
1998
Gopnik, Blake. “Charting new paths to contemporary treasures,” Globe and Mail, Toronto, Nov 7, 1998, p.
E9.
Grundberg, Andy. “Present Tense: Nine Artists in the Nineties,” Artforum, NYC, February ’98, p.87.
Milroy, Sarah. “The sights and sounds of art that’s going places,” Globe and Mail, Toronto, May 16, ’98,
p.E12.
Turner, Elisa. “Multimedia MAM.. a surreal, interactive assault on the senses,” The Miami Herald, , May
17, ’98 p.61.
1997
Baker, Kenneth. “Nine Artists’ Lessons,” San Francisco Chronicle, Sept. 13.
Camhi, Leslie, “In Deep: Janet Cardiff and George Bures Miller,” The Village Voice, NYC, December 23
Finkel, Jori. “Over There,” Express, Oct. 3, ’97.
Garneau, David “Dark Pool”, Art + Text, (Los Angeles/Sydney), Spring 1997.
Helfand, Glen. “Just a Moment,” San Francisco Bay Guardian, Sept. 24, p 65-67.
von Kuhn, Nicola. “Das wahre Drama spielt im Kopf,” Der Tagesspiegel (Kunst & Markt section).
Plath, Nils. “Janet Cardiff; Audiotouren zwischen Fiktion und Wirrlichkeit,” Kunst-Bulletin, Zurich, June
1997 p.10 -17 (cover photo).
“Voice Choices- Janet Cardiff and George Bures Miller,” The Village Voice, December 2.
“Vorhang beiseite: Janet Cardiff in Berlin,”Frankfurter Allgemeine Zeitung (Kunstmarkt section) June
21,’97, p.40.
Wagner, Thomas. “Crash auf Ebene vier; Eie dritten Skulpturen-Projekt in Muenster,” Frankfurter
Allgemeine Zeitung, July 3, ’97.
Wahjudi, Claudia. “Krimi ohne Leiche,” zitty 12/97, p.64.
1996
Fricke, Harald. “NowHere, Louisiana Museum,” Artforum, Nov. ’96, p. 95,127.
Garneau, David. “Post Ironic Re-enchantments,” Border Crossings, Fall, ’96, p. 65-68.
Ifversen, Karsten R.S. “Kunstmuseets genfødsel,” Politiken, (Copenhagen), May 15, ’96, sec 2 Kulture,
p.5.
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Lamontagne, Valerie. “Louise Wilson and Janet Cardiff,” Parachute Magazine 83, Montreal, Summer
1996, pp. 46-48.
Mitchell, Alanna. “Alberta looks beyond tradition,” The Globe and Mail, Visual Arts section, Nov. 9, p. E4.
Tousely, Nancy. “Alberta Biennial of Contemporary Art,” The Calgary Herald, The Arts, Nov. 2,p.E6.
Vine, Ricard. “Report from Denmark,” Art In America, October, ’96, pp. 41-47.
White, Ryan. “1996 Alberta Biennial of Contemporary Art,” C Magazine, #51, Oct.-Dec. ’96, p.51.
1995
Drobnick, Jim. “Mock Excursions and Twisted Itineraries, Tour Guide Performances” Parachute, no. 80,
October, November, December, 1995, p.35.
Marks, Laura. “Janet Cardiff”, Artforum, Vol. XXXIII #7, March 1995, p.96.
1994
Heyd, Thomas. “Touching Us Softly,” Border Crossings, Spring 1994, p.62.
Litvin, Michele. “On Exhibit: hearing is believing,” Chicago READER, Dec. 14, 1994, p. 7
1993
Lounder, Barbara. “Janet Cardiff,” Parachute, no.71, July - September, p.40, 41.
1992
Taylor, Kate. “Art About,” The Globe and Mail, Arts Section, July 17, 1992, p,C2.
Tousley, Nancey. “Feeling Intimate?” Calgary Herald, Scene section, May 1, 1992, p.F11.
1990
Genereux, Linda. “Janet Cardiff,” Artforum, November 1990, p.179.
Hanna, Dierdre. “Janet Cardiff’s Risky Photos Uncover Natural Memories”, NOW Mag. Aug. 23, 1990,
p.42.
1989
Collinson, Helen. “Tabl’eau,” Vanguard (Vancouver), Summer 89, p.33.
Gard, Peter. “Chronicle and Symbol...” Arts Atlantic, Vol. 9 No. 2, 1989, p.5.
1988
Dumond, Jean. “Le language de l’art,” La Presse February 27, 1988.
Grande, John K. “Writing on the Wall,” Montreal Mirror, Feb 19-March 3, 1988.
McGrath, Jerry. “Focus On Janet Cardiff,” Canadian Art, Winter 1988, p.93.
1987
McGrath, Jerry. “Janet Cardiff - Glendon Gallery,” Vanguard (Vancouver), Summer 1987, p.37.
SELECTED COLLECTIONS:
Air Canada, Montreal
Alberta Foundation for the Arts
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway.
British Air, London, UK
Canada Council Art Bank
Carleton University Art Gallery, Ottawa, Ontario
Castello di Rivoli, Turin, Italy
Central Guaranty Trust, Toronto
Fondazione Sandretto Re Rebaudengo, Torino, Italy
Cardiff & Miller
25

Hart House, University of Toronto, Toronto
Louisiana Museum, Denmark
Magasin 3 Stockholm Konsthall, Stockholm, Sweden
Musée D’Art Contemporain, Montreal
San Francisco Museum of Modern Art, San Francisco
The Art Gallery of Ontario
The Corcoran Museum, Washington D.C.
The Edmonton Art Gallery, Canada
The Hirshhorn Museum and Sculpture Garden, Washington D.C.
The Museum of Modern Art, New York
The National Gallery of Art, Ottowa
Thyssen - Bornemisza Contemporary Art, Vienna, Austria
Tate Collection, Tate Liverpool, UK
University of Lethbridge, Lethbridge, Alberta
Wanas Art Foundation, Knislinge, Sweden
Westfälisches Landesmuseum, Germany
Cardiff & Miller
26