Download the artwork brochure... - Beales Hotels
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<strong>the</strong><br />
<strong>artwork</strong><br />
at beales hotel
2<br />
The <strong>artwork</strong> at <strong>Beales</strong> Hotel is a <strong>the</strong> result<br />
of a remarkable collaboration between<br />
Hertfordshire’s oldest family firm, <strong>Beales</strong><br />
<strong>Hotels</strong>, and <strong>the</strong> Department of Fine Art at<br />
<strong>the</strong> University of Hertfordshire.<br />
In 2003 I was planning <strong>the</strong> demolition of<br />
<strong>the</strong> old Hatfield Lodge Hotel which had<br />
been in <strong>the</strong> family firm since 1964. It was<br />
frankly an outdated middling 3 star hotel<br />
and in no way reflected <strong>the</strong> dramatic<br />
change in <strong>the</strong> surroundings, what with <strong>the</strong><br />
building of <strong>the</strong> Galleria, <strong>the</strong> Hatfield<br />
Business Park, <strong>the</strong> University of<br />
Hertfordshire, <strong>the</strong> T-Mobile HQ etc.<br />
I wanted a <strong>the</strong>me for <strong>the</strong> stunning new<br />
hotel that would rise up from <strong>the</strong> ashes of<br />
<strong>the</strong> old, and didn’t want to <strong>the</strong>me <strong>the</strong><br />
hotel with <strong>the</strong> past glories of Hatfield and<br />
its links to <strong>the</strong> aircraft industry, but to<br />
represent Hatfield in <strong>the</strong> dynamic present<br />
and <strong>the</strong> future.<br />
beales hotel, comet way, hatfield, herts al10 9ng<br />
A chance meeting with Tricia Bryan and<br />
Sue Scott, second year Fine Art students<br />
of <strong>the</strong> University of Hertfordshire,<br />
triggered a collaboration that has worked<br />
successfully now for six years between<br />
<strong>the</strong> hotel and <strong>the</strong> artists at <strong>the</strong> University.<br />
We commissioned a competition among<br />
<strong>the</strong> second and third year students to<br />
come up with art suitable for <strong>the</strong> new<br />
hotel. Of <strong>the</strong> 35 or so who entered we<br />
picked <strong>the</strong> top 20 and commissioned<br />
several works from each.<br />
One may think of students as all being<br />
spotty eighteen year olds, but in fact <strong>the</strong><br />
majority were in <strong>the</strong>ir thirties and forties,<br />
with <strong>the</strong> youngest being 19 and <strong>the</strong> oldest<br />
well into <strong>the</strong>ir seventies!<br />
We wanted a sense of place and so much<br />
of <strong>the</strong> art is about <strong>the</strong> local area.<br />
A successful application to <strong>the</strong><br />
government sponsored charity Arts<br />
and Business saw <strong>the</strong>m funding half<br />
of <strong>the</strong> cost of this wonderful collaboration<br />
between <strong>the</strong> worlds of business and<br />
academia, literally between town<br />
and gown.<br />
Since <strong>the</strong> opening of <strong>the</strong> hotel in 2004<br />
<strong>the</strong>re has been a constant trickle of new<br />
works of art into <strong>the</strong> hotel and we now<br />
number over 120 original works by<br />
artists, many of whom have gone on to<br />
make <strong>the</strong>ir name on a wider stage.<br />
I hope you enjoy this little snapshot<br />
of <strong>the</strong> wonderful works on display at<br />
<strong>the</strong> hotel.<br />
Andrew Beale - Managing Director<br />
<strong>Beales</strong> <strong>Hotels</strong> - September 2009
4<br />
Opening<br />
artist: peter lardi<br />
location: ground floor reception area<br />
Standing in <strong>the</strong>ir own space a viewer of<br />
'opening' is drawn into a deep space emerging<br />
from <strong>the</strong> wall. This viewer participation affects<br />
people in different ways; some find it<br />
pleasurable, o<strong>the</strong>rs disturbing. How does it<br />
affect you?<br />
beales hotel, comet way, hatfield, herts al10 9ng<br />
a while with serenity<br />
artist: liz eujone | location: room 27<br />
To me art has its own language and if I were to give this language a name, I would refer to it as <strong>the</strong><br />
phenomena of grace. So when I am painting I become part of that creative process. This is <strong>the</strong><br />
experience I try to share with <strong>the</strong> viewer, a sense of timelessness. I do this by using simple forms,<br />
colours and shapes that complement and balance each o<strong>the</strong>r. And I hope <strong>the</strong> viewer (if only for a<br />
fleeting moment) experiences a sense of integrity, beauty, space and purpose conveyed by <strong>the</strong> <strong>artwork</strong>.
6<br />
kimpton place<br />
artist: Liz Eujone | location: kimpton room<br />
After doing extensive research in kimpton village, I was interested in how <strong>the</strong> old suddenly becomes <strong>the</strong> new via one long road. To me art has its own language<br />
and if I were to give this language a name, I would refer to it as <strong>the</strong> phenomena of grace. So when I am painting I become part of that creative process. This is<br />
<strong>the</strong> experience I try to share with <strong>the</strong> viewer; a sense of timelessness. I do this by using simple forms, colours and shapes that complement and balance each<br />
o<strong>the</strong>r. And I hope <strong>the</strong> viewer (if only for a fleeting moment) experiences a sense of integrity, beauty, space and purpose conveyed by <strong>the</strong> <strong>artwork</strong>.<br />
fields three<br />
artist: Barbara Dean | location: Room 28<br />
I live and work in London but grew up in Hertfordshire. I did my BA in painting at Hertfordshire<br />
University and an MA in Fine Art at Middlesex University. Today I work between <strong>the</strong> practices of<br />
painting and performance art, both of which are inextricably linked through a desire and passion to<br />
create community. I am fascinated not only by <strong>the</strong> appearance of architectural space but also its<br />
function to provide shelter, and I aspire to provide this function in my painting to <strong>the</strong> eye, which is<br />
<strong>the</strong> window to <strong>the</strong> soul.<br />
beales hotel, comet way, hatfield, herts al10 9ng
8<br />
moonlight shadows<br />
artist: tom tennant | location: room 51<br />
My work involves <strong>the</strong> practice of contemporary painting. I am trying to expand <strong>the</strong> limitations in painting and I continually experiment and discover new<br />
techniques. Colour and mark making are at <strong>the</strong> core of my painting practice.<br />
beales hotel, comet way, hatfield, herts al10 9ng<br />
(me)<br />
artist: Bashar Al-abbas | location: Upstairs Balcony<br />
My work has been heavily inspired by <strong>the</strong> celebrity culture and <strong>the</strong> way<br />
celebrities are seen as icons of fashion and beauty. I enjoy reading<br />
celebrity magazines and I feel that my inspiration has been built up from<br />
<strong>the</strong>se magazines and some of <strong>the</strong> most famous artists in <strong>the</strong> world: Andy<br />
Warhol and <strong>the</strong> French duo Pierre et Gilles. I love <strong>the</strong> fake beauty and<br />
glamour of celebrities and manipulate digital portraits into $1,000,000<br />
idols, by enhancing <strong>the</strong> person’s features and adding an extra touch of<br />
beauty and glitz with a few sequins here and <strong>the</strong>re. Trying to give<br />
everyone <strong>the</strong>ir ‘15 minutes of fame’ as Warhol said.
10<br />
matters of judgement<br />
artist: karole lange | location: cecil room<br />
I use bricks in my work because, whilst appearing <strong>the</strong> same, <strong>the</strong>y in fact illustrate individuality. Each brick is unique and so it is with people.<br />
When seen toge<strong>the</strong>r as a wall or a society, it is difficult to determine all those differences without looking hard. We must look hard, however, to<br />
make good judgements.<br />
Sir Robert Cecil (1563-1612) 1st Earl of Salisbury was a very effective and ambitious politician who worked with Elizabeth I as Secretary of State<br />
and subsequently with James IV. He lived at Hatfield House.<br />
beales hotel, comet way, hatfield, herts al10 9ng<br />
bumble bee<br />
artist: joseph vallory | location: room 45<br />
As an artist I am a painter, photographer and sculpturist by trade. I usually combine <strong>the</strong> three to<br />
create interpretations of modern day society. Each technique can work individually and ask<br />
questions involving colour texture and atmosphere. I use <strong>the</strong> various media to my advantage so I<br />
can express my opinions through different avenues. It is a process that allows me to be creative<br />
within a two-dimensional form and gain my own philosophies upon a vastly changing environment.
slow sexy<br />
artist: sam jury | location: talkbar<br />
‘Slow Sexy’ is <strong>the</strong> culmination of a body of work made over a period of<br />
several years. This body of work was created in response to a continual<br />
search for a generic ‘type’ – a homogenization of models presented in<br />
<strong>the</strong> media. These pieces were constructed entirely of media imagery from<br />
glossy life-style magazines, a multitude of photographs digitally<br />
superimposed to create an almost hyper-real visage, that at once is both<br />
alluring and disturbing. The first piece of this type was <strong>the</strong> aptly named<br />
‘Something Perfect’ (2002). All <strong>the</strong> pieces created at this time had no<br />
origin in one photograph, and notably in no photograph I myself took.<br />
The final image was a pure amalgamation devoid of time and place, a<br />
fabrication of <strong>the</strong> already super-enhanced. A series of large-scale heads,<br />
often translated into painting or print, followed, and ‘Slow Sexy’ was one<br />
of <strong>the</strong>se pieces. Ostensibly <strong>the</strong>se works presented <strong>the</strong> semblance of <strong>the</strong><br />
beautiful idealized human face, referencing stock images of young<br />
women in adverts, but <strong>the</strong> undercurrent was that of vulnerability and<br />
subject as victim of <strong>the</strong>ir desirability...<br />
beales<strong>artwork</strong><br />
Vice Chancellor of <strong>the</strong> University of Hertfordshire<br />
Tim Wilson and Managing Director<br />
of <strong>Beales</strong> <strong>Hotels</strong> Andrew Beale<br />
beales hotel, comet way, hatfield, herts al10 9ng 01707 288500 www.bealeshotels.co.uk