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IFFI Bulletin - 21 nd November - International Film Festival of India

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06<br />

<strong>IFFI</strong> | <strong>November</strong> <strong>21</strong>, 2012<br />

A CHRONOLOGY OF INTERNATIONAL FILM FESTIVALS OF INDIA<br />

The practice <strong>of</strong> holding festivals started in Venice in 1932 as part <strong>of</strong> the city’s traditional international Art Exhibition. The Cannes <strong>International</strong> <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> France was<br />

started in 1939.<br />

The nations which were rebuilding their film i<strong>nd</strong>ustry after the World War saw in festivals a chance for world recognition.<br />

As international political alliances were being reconstituted, the festivals provided an opportunity for interaction. <strong>Festival</strong>s were started in Berlin, Moscow, Karlovy Vary<br />

(Czechoslovakia), Lo<strong>nd</strong>on, San Francisco a<strong>nd</strong> New York City.<br />

1. 1952 Mumbai Non-Competitive - <strong>Festival</strong> also<br />

taken to Kolkata, Chennai, Delhi<br />

2. 1961 Delhi Non-Competitive<br />

3. 1965 Delhi Competitive - Graded ‘A’ category by<br />

Paris based Federation <strong>International</strong><br />

De Producers De <strong>Film</strong>s (FIAFPF)<br />

4. 1969 Delhi Competitive<br />

5. 1974 Delhi Competitive<br />

6. 1975 Delhi Competitive - Permanent insignia<br />

comprising a peacock, I<strong>nd</strong>ia’s national Bird,<br />

with a permanent motto <strong>of</strong> the festival<br />

‘Vasudhaiva Kutumbakum’ (the whole<br />

7. 1976<br />

world is a family)<br />

Mumbai Competitive<br />

8. *1977 Delhi Competitive<br />

9. 1978 Chennai Non-competitive – Introduction<br />

<strong>of</strong> I<strong>nd</strong>ian Panorama<br />

10. 1979 Delhi Competitive<br />

11. 1980 Bangalore Non-competitive<br />

12. 1981 Delhi Competitive<br />

13. 1982 Kolkata Non-competitive<br />

14. 1983 Delhi Competitive – Sirifort Complex, built<br />

for 9th Asian Games, used as venue<br />

15. 1984 Mumbai Non-competitive<br />

16. 1985 Delhi Competitive – Special short film<br />

section, Documedia<br />

17. 1986 Hyderabad Non-competitive<br />

18. 1987 Delhi Competitive – Dates changed from 3 to<br />

17 January, to 10 to 24 January Introduction<br />

<strong>of</strong> Mainstream Cinema section<br />

19. 1988 Thiruvananthapuram Non-competitive<br />

20. #1989 Delhi Non-Competitive - <strong>Festival</strong> restricted<br />

to 10 days, 10 to 20 January- Information<br />

section was re-christened ‘Cinema <strong>of</strong> the<br />

World’<br />

<strong>21</strong>. 1990 Kolkata Non-competitive – Use <strong>of</strong> word<br />

‘<strong>Film</strong>otsav’ discontinued<br />

22. 1991 Chennai Non-competitive<br />

23. 1992 Bangalore Non-competitive<br />

24. 1993 Delhi Non-competitive<br />

25. 1994 Kolkata Non-competitive<br />

26. 1995 Mumbai – Non-competitive - Celebration<br />

<strong>of</strong> Hu<strong>nd</strong>red Years <strong>of</strong> Cinema<br />

27. @1996 Delhi Competitive re-introduced, confined<br />

to Asian women.<br />

28. 1997 Thirvanthanpuram Competitive<br />

29. 1998<br />

Introduction <strong>of</strong> ‘Sangamam’ organized in<br />

collaboration with the Federation <strong>of</strong> <strong>Film</strong><br />

Societies <strong>of</strong> I<strong>nd</strong>ia. Called Open Forum in<br />

later festivals<br />

Delhi Competitive - exte<strong>nd</strong>ed to Asian<br />

cinema<br />

30. 1999 Hyderabad Competitive<br />

31. 2000 Delhi Competitive<br />

32. 2001 NO FESTIVAL<br />

33. 2002 Delhi Competitive<br />

34. 2003 Delhi Competitive – <strong>Festival</strong> Shifted to<br />

October<br />

35. 2004 Goa Competitive – <strong>Festival</strong> shifted to<br />

<strong>November</strong>-December<br />

36. 2005 Goa Competitive - exte<strong>nd</strong>ed to Asia,<br />

Africa, Latin America Master Class sessions<br />

introduced<br />

37. 2006 Goa Competitive<br />

38. 2007 Goa Competitive – Online Registration,<br />

ticketing system, introduced Mainstream<br />

Cinema section discontinued<br />

39. 2008 Goa Competitive – Daily delegate system<br />

introduced Unique section on films made<br />

on the Taj Mahal; For the first time, Focus on<br />

Edited by: B B Nagpal on behalf <strong>of</strong> <strong>IFFI</strong> Secretariat, Ministry <strong>of</strong> Information & Broadcasting, New Delhi.<br />

Hi<strong>nd</strong>i Editor: Dr. Rajeev Shrivastav, Co-ordinator: Rizwan Ahamd, Deputy Director<br />

Photos: Photo Division<br />

Printed at: Impressions, Belgaum<br />

three countries – Russia, Switzerla<strong>nd</strong>, a<strong>nd</strong><br />

Iran. For the first time since its inception in<br />

1978, the number <strong>of</strong> features in the I<strong>nd</strong>ian<br />

Panorama exceeded <strong>21</strong> a<strong>nd</strong> was 26, with no<br />

Mainstream Cinema section<br />

40. 2009 Goa Competitive – Season Ticket<br />

41. 2010<br />

introduced. Daily tickets confined to I<strong>nd</strong>ian<br />

Panorama. Focus section exte<strong>nd</strong>ed to<br />

one continent – Latin America – a<strong>nd</strong> five<br />

countries – France, Italy, Pola<strong>nd</strong>, Croatia,<br />

a<strong>nd</strong> Estonia. Unique section on War &<br />

Peace<br />

Goa Competitive section made global<br />

instead <strong>of</strong> Asia, Africa a<strong>nd</strong> Latin America.<br />

Two new awards for Best Actor a<strong>nd</strong> best<br />

actress introduced New section on fulllength<br />

documentaries introduced<br />

42. 2011 Goa Competitive – Permanent a<strong>nd</strong> separate<br />

<strong>IFFI</strong> Secretariat established, Shankar<br />

Mohan becomes first <strong>IFFI</strong> Director<br />

43. 2012<br />

Introduction <strong>of</strong> <strong>Festival</strong> Kaleidoscope a<strong>nd</strong><br />

other new sections Inauguration for first<br />

time in Margoan Re-introduction <strong>of</strong> Life<br />

Time Achievement Award<br />

Goa Competitive – Centenary <strong>of</strong> I<strong>nd</strong>ian<br />

Cinema section primary highlight<br />

Inauguration in open air Football<br />

Grou<strong>nd</strong>s in Panaji Master Strokes, A Cut<br />

Above, Chai a<strong>nd</strong> Chat, soul <strong>of</strong> Asia on<br />

Mysticism, Incredible I<strong>nd</strong>ia to promote<br />

I<strong>nd</strong>ia as a film shooting site, a<strong>nd</strong> other<br />

new sections introduced Introduction<br />

<strong>of</strong> Centenary Award, amounting to Rs<br />

10 lakh Introduction <strong>of</strong> film shows on<br />

beaches.<br />

*Between 1977 a<strong>nd</strong> 1987, a policy was adopted whereby all <strong>Festival</strong>s held in Delhi were competitive a<strong>nd</strong> were known as <strong>International</strong> <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> I<strong>nd</strong>ia while those held in<br />

other cities were non-competitive a<strong>nd</strong> were known as <strong>Film</strong>otsav.<br />

#It was decided that all <strong>Festival</strong>s from 1988 onwards would be non-competitive a<strong>nd</strong> so the <strong>Film</strong>otsav tag was discontinued<br />

@ Competition re-introduced from 1996 onwards as regular annual feature<br />

+ Dates in <strong>November</strong> or December vary according to Diwali a<strong>nd</strong> other <strong>Festival</strong>s. - B B Nagpal<br />

GLIMPSES OF THE GRAND OPENING CEREMONY<br />

<strong>IFFI</strong> Director Shankar Mohan with our Esteemed Jury.<br />

Our Honoured Guests pose for the camera.<br />

Kailash Kher moving the audience. Cultural programmes.

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