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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong><br />

<strong>1965</strong> <strong>born</strong> <strong>in</strong> <strong>Venice</strong><br />

<strong>lives</strong> <strong>and</strong> <strong>works</strong> <strong>in</strong> Berl<strong>in</strong><br />

Teach<strong>in</strong>g (selection)<br />

s<strong>in</strong>ce 2003 Professor of Performative Art <strong>and</strong> Sculpture at the<br />

Akademie der bildenden Künste Wien, Vienna<br />

1998 – 2001 Guest Teach<strong>in</strong>g at Art Center College of Design, Pasadena<br />

<strong>and</strong> at the California Institute of the Arts, Valencia (California)<br />

Prizes, grants (selection)<br />

2010 W<strong>in</strong>n<strong>in</strong>g Artist of the Light Art Competition for the London Olympic Park,<br />

London 2012<br />

2007 Assigned the public commission for Hun Ligger (She Lies), a site-specific<br />

sculpture float<strong>in</strong>g on the water <strong>in</strong> front of the Oslo Opera House, Bjørvika,<br />

Oslo, 2010<br />

2005 National Gallery Prize for Young Art, Berl<strong>in</strong><br />

2000 – 2001 Scholarship Stiftung Kunstfonds, Bonn<br />

1999 Golden Lion for the best Pavilion, 48th <strong>Venice</strong> Biennale, <strong>Venice</strong><br />

1995 – 1996 Artist <strong>in</strong> Residence at the Berl<strong>in</strong> Senate for Cultural Affairs, Berl<strong>in</strong><br />

<strong>and</strong> at the Whitechapel Art Gallery, London<br />

1994 – 1997 Studio program, Kunst-Werke Berl<strong>in</strong>, Berl<strong>in</strong><br />

1994 Photography grant from the Berl<strong>in</strong> Senate for Cultural Affairs, Berl<strong>in</strong><br />

Solo exhibitions (selection)<br />

2011 A BLACK HOLE OF NEEDS, HOPES AND AMBITIONS, Cacmálaga,<br />

Centro de Arte Contemporaneo de Málaga, Malaga<br />

2010 BOTH ENDS, Kunsthalle Fridericianum, Kassel<br />

Bet Your Sweet Life, Galerie Max Hetzler, Berl<strong>in</strong><br />

2009 Focus: <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> — Light Me Black, Art Institute of Chicago, Chicago<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Museion, Bolzano<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Frac des Pays de la Loire, Carquefou<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> / Tom Burr, Städtische Galerie im Lenbachhaus, München,<br />

und Kunstmuseum Basel, Museum für Gegenwartskunst, Basel<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

2009 Increased Anxiety, Sleep<strong>in</strong>g Problems, Sexual Problems, Nausea, Diarrhea,<br />

Grieder Contemporary, Zurich<br />

2007 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Bonniers Konsthall, Stockholm<br />

NEVER MISSING A LINE, Sculpture Center, New York<br />

2006 No Erection Without Castration, Kunstraum Innsbruck, Innsbruck<br />

NOT FOR YOU, West of Rome, Los Angeles<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Galerie für Zeitgenössische Kunst, Leipzig<br />

2005 NEVER AGAIN, Museum Abteiberg, Mönchengladbach<br />

2004 Bl<strong>in</strong>d Shot, Galleria Emi Fontana, Milano<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>: Michael Elmgreen & Ingar Dragset, Sprengel Museum,<br />

Hannover<br />

2003 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> / Sam Durant: Break it / Fix it, Secession, Vienna<br />

Anxiety Attack, Modern Art Oxford, Oxford<br />

Shotgun, Tramway, Glasgow<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>: BeltedThrough, Opera, Umeå<br />

2002 Eternmale / Bonded Eternmale, Galleria Emi Fontana, Milano<br />

Werbung statt Kunst, Kunst im öffentlichen Raum, Projekt Aussendienst,<br />

Kunstvere<strong>in</strong> <strong>in</strong> Hamburg und Kulturbehörde Hamburg, Hamburg<br />

Black, ARoS Aarhus Kunstmuseum, Aarhus<br />

Add Elegance to Your Poverty, Anton Kern Gallery, New York<br />

Bonded Eternmale, Centre d’édition contempora<strong>in</strong>e, Geneva<br />

2001 Damaged, Galerie Krobath Wimmer, Vienna<br />

Add Elegance to Your Poverty, Chouakri Brahms, Berl<strong>in</strong><br />

Scream & Shake, Magas<strong>in</strong>, Centre National d’Art Contempora<strong>in</strong> de Grenoble<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, The Project Gallery, Los Angeles<br />

Eternmale, Galleria Emi Fontana, Milan<br />

2000 RUN, TAKE one SQUARE or two, Salzburger Kunstvere<strong>in</strong>, Salzburg<br />

Bad Bed Bud Pad Bet Pub, Kunsthaus Glarus, Glarus<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Oslo Kunsthall, Oslo<br />

1999 I Believe <strong>in</strong> the Sk<strong>in</strong> of Th<strong>in</strong>gs as <strong>in</strong> that of Women,<br />

Galerie Krobath Wimmer, Vienna<br />

<strong>Bonvic<strong>in</strong>i</strong>, Anton Kern Gallery, New York<br />

BEDTIMESQUARE, Galleria Emi Fontana, Milan<br />

FUCKEDUPTIMES, Mehdi Chouakri, Berl<strong>in</strong><br />

BAU, Galleria Civica d’Arte Moderna e Contemporanea, Tur<strong>in</strong><br />

1998 Destroy She Said, Künstlerhaus Stuttgart, Stuttgart<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, selected by Klaus Biesenbach for 444 - 1998,<br />

Four Curators Four Artists Four Weeks, Apex Art C.P., New York<br />

To Wall Up: Ecstasy, Mehdi Chouakri, Berl<strong>in</strong><br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Group exhibitions (selection)<br />

2012 Utopie Gesamtkunstwerk, 21er Haus - Österreichische Galerie Belvedere, Vienna<br />

2011 Vor dem Gesetz, Museum Ludwig, Cologne<br />

Dubl<strong>in</strong> Contemporary 2011, Dubl<strong>in</strong><br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, A BLACK HOLE OF NEEDS, HOPE AND AMBITIONS,<br />

Museo y centro de arte contemporáneo de Málaga, Malaga<br />

Surreal versus Surrealism <strong>in</strong> Contemporary Art, IVAM, Valencia<br />

Melanchotopia, Witte de With, Center for Contemporary Art, Rotterdam<br />

Glasstress 2011, Palazzo Cavalli Franchetti, <strong>Venice</strong> Projects, <strong>Venice</strong><br />

ILLUMInations, 54th <strong>Venice</strong> Biennale, <strong>Venice</strong><br />

X, Gio Marconi Gallery, Milan, Italy<br />

Beziehungsarbeit – Kunst und Institution, Künstlerhaus Wien, Vienna<br />

Compass <strong>in</strong> H<strong>and</strong>: Selections from the Judith Rothschild Foundation,<br />

Contemporary Draw<strong>in</strong>gs Collection, Mart<strong>in</strong>-Gropius-Bau, Berl<strong>in</strong><br />

De-Build<strong>in</strong>g, Christchurch Art Gallery, Christchurch<br />

2010 Under Destruction, Museum T<strong>in</strong>guely, Basel<br />

Misericordia, Prism Gallery, Los Angeles<br />

UEBERMODELS, PROGRAM, Berl<strong>in</strong><br />

Hospitability: Receiv<strong>in</strong>g Strangers, Muzeum Sztuki, Festival of Dialogue of<br />

Four Cultures, Łódź<br />

Intensif Station — 26 Künstlerräume im K21, K21 Ständehaus, Düsseldorf<br />

Post Monument, XIV Biennale Internazionale di Scultura di Carrara, Carrara<br />

MORE IS MORE, Centre of Contemporary Art Znaki Czasu, Toruń<br />

HIGH IDEALS & CRAZY DREAMS (compiled by Gerwald Rockenschaub),<br />

Galerie Vera Munro, Hamburg<br />

À l’ombre d’un doute, FRAC Lorra<strong>in</strong>e, Metz<br />

Open Light In Private Spaces, Biennale für Internationale Lichtkunst,<br />

RUHR.2010, Ruhr region<br />

The New Décor, Hayward Gallery, London, The Garage, traveled to Centre for<br />

Contemporary Culture, Moscow<br />

E<strong>in</strong>e Insel für die Kunst, EMSCHERKUNST.2010, Essen<br />

The Essence of Th<strong>in</strong>gs. Design <strong>and</strong> the Art of Reduction, Vitra Design Museum,<br />

Weil am Rhe<strong>in</strong><br />

Spatial City: An Architecture of Idealism, Institute of Visual Arts, Milwaukee,<br />

traveled to Hyde Park Art Center, Chicago, <strong>and</strong> Museum of Contemporary Art<br />

Detroit, Detroit<br />

I LOVE YOU, ARoS Aarhus Kunstmuseum, Aarhus<br />

The Berl<strong>in</strong> Box, CCA Andratx, Mallorca<br />

Julia Stoschek Collection — I want to see how you see, Deichtorhallen Hamburg,<br />

Hamburg<br />

2009 THE WORLD IS YOURS, Louisiana Museum of Modern Art, Humlebæk<br />

Poétique du Chantier, Le Musée — Château d’Annecy, Annecy<br />

Italics: Italian Art between Tradition <strong>and</strong> Revolution 1968–2008,<br />

Museum of Contemporary Art Chicago, Chicago<br />

Scorpio’s Garden, Temporäre Kunsthalle, Berl<strong>in</strong><br />

The Secret Life of Objects, Midway Contemporary Art, M<strong>in</strong>neapolis<br />

Noth<strong>in</strong>gness <strong>and</strong> Be<strong>in</strong>g, Fundación / Colección Jumex, Mexico City<br />

100 Years (version #2, ps1, nov 2009), P.S.1 Contemporary Art Center, New York<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Stardust, Fundament Foundation, Tilburg<br />

Elevator to the Gallows, Galerie im Regierungsviertel, Forgotten Bar Project,<br />

Berl<strong>in</strong>, X INITIATIVE, New York<br />

Political / M<strong>in</strong>imal, Muzeum Sztuki, Łódź<br />

Transitory Objects, Thyssen-Bornemisza Art Contemporary, Vienna<br />

Mit dem Fahrrad zur Milchstraße. Zeitgenössische Kunst aus der Sammlung<br />

Hoffmann, Kunsthalle im Lipsiusbau, Staatliche Kunstsammlungen Dresden,<br />

Dresden<br />

Where Do We Go From Here?, Selections from La Colección Jumex,<br />

Bass Museum of Art, Miami<br />

rebelle, kunst & fem<strong>in</strong>isme 1969–2009, Museum voor Moderne Kunst Arnhem,<br />

Arnhem<br />

“Th<strong>in</strong>k big…”?, Galerie de Multiples, Paris<br />

Accrochage, Galerie Max Hetzler, Berl<strong>in</strong><br />

Compass <strong>in</strong> H<strong>and</strong>: Selections from The Judith Rothschild Foundation,<br />

Contemporary Draw<strong>in</strong>gs Collection, Museum Of Modern Art, New York<br />

Fifty Fifty — Kunst im Dialog mit den 50er Jahren, Wien Museum, Vienna<br />

BERLIN2000, PaceWildenste<strong>in</strong> Gallery, New York<br />

The Porn Identity, Kunsthalle Wien, Vienna<br />

2008 Political / M<strong>in</strong>imal, KW Institute for Contemporary Art, Berl<strong>in</strong><br />

7 + 1 Project Rooms, MARCO, Museo de Arte Contemporanea de Vigo, Vigo<br />

PROSPECT.1, New Orleans Biennial, New Orleans<br />

Italics. Arte Italiana fra tradizione e rivoluzione, 1968–2008, Palazzo Grassi,<br />

Venezia, traveled to Museum of Contemporary Art, Chicago<br />

Female Trouble. Die Kamera als Spiegel und Bühne weiblicher Inszenierungen,<br />

P<strong>in</strong>akothek der Moderne, Munich<br />

Summer show, Metro Pictures, New York<br />

Whole Lotta Love, Contemporary F<strong>in</strong>e Arts, Berl<strong>in</strong><br />

Home is the Place you Left, Trondheim Kunstmuseum, Trondheim<br />

The Museum as Medium, MARCO, Museo de Arte Contemporanea de Vigo,<br />

Vigo, traveled to Koldo Mitxelena Kulturunea, San Sebastián<br />

Mental Draw<strong>in</strong>gs, Galleria Aless<strong>and</strong>ra Bonomo, Rome<br />

Art Aga<strong>in</strong>st Architecture, National Gallery of Icel<strong>and</strong>, Reykjavík<br />

Italia Italie Italien Italy Wlochy, ARCOS, Museo di Arte Contemporanea del<br />

Sannio, Benevento<br />

Focus on Italian Contemporary Art, MAMbo Museo d’Arte Moderna di Bologna,<br />

Bologna<br />

Thyssen-Bornemisza Art Contemporary, Sammlung als Aleph, Kunsthaus Graz,<br />

Graz<br />

2007 If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, MHKA Museum<br />

van Hedendaagse Kunst Antwerpen, Antwerp<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989–1999, KUMU, Art Museum of Estonia, Tall<strong>in</strong>n<br />

La parola nell’arte, MART - Museo di arte moderna e contemporanea di Trento e<br />

Rovereto, Rovereto<br />

C<strong>in</strong>ema Paradiso, ACCA Australian Centre for Contemporary Art, Melbourne<br />

Mentalscapes: A Journey Through Italian Contemporary Art, Tel Aviv Museum<br />

of Art, Tel Aviv<br />

Number one: Destroy, She Said, Julia Stoscheck Collection, Dusseldorf<br />

Beneath the Underdog, Gagosian Gallery, New York<br />

Camera con vista. Arte <strong>in</strong>terni <strong>in</strong> Italia 1900 – 2000, Palazzo Reale, Milan<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Novosibirsk State Art Museum,<br />

Novosibirsk<br />

Our Magic Hour. European Artists’ Show, Arario Gallery, Cheonan<br />

STABLE. The Balance of Power, Para / Site Art Space, Hong Kong<br />

2006 THIS IS NOT FOR YOU. Sculptural Discourses, Thyssen-Bornemisza Art<br />

Contemporary, Vienna<br />

Demolition, Engholm Engelhorn Galerie, Vienna<br />

How to Live Together, 27th Bienal de São Paulo, São Paulo<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, CAC, Contemporary Art Center, Vilnius<br />

In den Alpen, Kunsthaus Zürich, Zurich<br />

International 06, 4th Liverpool Biennial, Liverpool<br />

Fever Variations, 6th Gwangju Biennale, Gwangju<br />

Jenseits des K<strong>in</strong>os: Die Kunst der Projektion / Beyond the C<strong>in</strong>ema:<br />

The Art of Projection, Hamburger Bahnhof — Museum für Gegenwart, Berl<strong>in</strong><br />

Lignes brisées / Broken L<strong>in</strong>es, Le Pr<strong>in</strong>temps de Septembre, Festival de création<br />

contempora<strong>in</strong>e, Toulouse<br />

When the Moon Sh<strong>in</strong>es on the Moonsh<strong>in</strong>e, The Breeder, Athens<br />

Lifestyle, Kunstmuseum St. Gallen, St. Gallen<br />

Das achte Feld. Geschlechter, Leben und Begehren <strong>in</strong> der Kunst seit 1960,<br />

Museum Ludwig, Cologne<br />

Drei Farben — Blau, Rohkunstbau, Potsdam<br />

Down by Law, Wrong Gallery, Whitney Museum of American Art, New York<br />

The Exp<strong>and</strong>ed Eye, Kunsthaus Zürich, Zurich<br />

Il diavolo del focolare, La Triennale di Milano, Milan<br />

Construct<strong>in</strong>g New Berl<strong>in</strong>, Phoenix Art Museum, Phoenix<br />

Dark Places, Santa <strong>Monica</strong> Museum of Art, Santa <strong>Monica</strong><br />

2005 Open City, Nikolaj Copenhagen Contemporary Art Center, Copenhagen<br />

EXIT_Ausstieg aus dem Bild, ZKM — Zentrum für Kunst und Medientechnologie,<br />

Karlsruhe<br />

Beh<strong>in</strong>d Closed Doors, Dundee Centre for Contemporary Arts, Dundee<br />

Monuments for the USA, CCA Wattis Institute for Contemporary Arts <strong>and</strong><br />

San Francisco, White Columns, New York<br />

Blancanieves y los siete enanitos, Fundación Marcell<strong>in</strong>o Botín, Sant<strong>and</strong>er<br />

Nach Rokytník. Die Sammlung der EVN, mumok — museum moderner kunst,<br />

Stiftung Ludwig, Vienna<br />

The Experience of Art, 51st <strong>Venice</strong> Biennale, <strong>Venice</strong><br />

Re : MODERN, Künstlerhaus Wien, Vienna<br />

De Sculptura, Galerie Nikolaus Ruzicska, Salzburg<br />

SPACE: Now <strong>and</strong> Then, AaBe Fabrieken, Tilburg<br />

Preis der Nationalgalerie für junge Kunst 2005. John Bock, <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>,<br />

Angela Bulloch, Anri Sala, Hamburger Bahnhof — Museum für Gegenwart, Berl<strong>in</strong><br />

More! Than This. Negotiat<strong>in</strong>g Realities, Göteborg International Biennale for<br />

Contemporary Art 2005, Gothenburg<br />

Dall’occhio elettronico, Castello di Rivoli, Tur<strong>in</strong><br />

Centre of Gravity, Istanbul Modern, Istanbul<br />

Wall to be Destroyed, FRAC Lorra<strong>in</strong>e, Metz<br />

36 X 27 X 10, White Cube Berl<strong>in</strong>, Berl<strong>in</strong><br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

2004 3. Berl<strong>in</strong> Biennale für zeitgenössische Kunst, Berl<strong>in</strong><br />

L’Air du Temps—Collection Pr<strong>in</strong>temps / Été 2004, Migros Museum für<br />

Gegenwartskunst, Zurich<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Museo de Artes Visuales, Santiago<br />

Born to be a Star, Künstlerhaus Wien, Vienna<br />

See history 2004. Der demokratische Blick, Kunsthalle zu Kiel, Kiel<br />

From a Different Angle, SCAPE Christchurch Biennale of Art <strong>in</strong> Public Space,<br />

Christchurch<br />

Funky Lessons, Büro Friedrich, Berl<strong>in</strong>, traveled to BAWAG Contemporary, Vienna<br />

Performative Architektur, GfZK Galerie für Zeitgenössische Kunst, Leipzig<br />

Dimensione Follia, Galleria Civica di Arte Contemporanea, Trento<br />

No Money, Kunsthalle zu Kiel, Kiel<br />

Cordially Invited, BAK—Basis voor Actuele Kunst & Centraal Museum Utrecht,<br />

Utrecht<br />

Pathos / Gefühle, Raumpool, Frankfurt am Ma<strong>in</strong><br />

None of the Above, Swiss Institute, New York<br />

2003 Liv<strong>in</strong>g Inside the Grid, New Museum of Contemporary Art, New York<br />

Bewitched, Bothered <strong>and</strong> Bewildered. Spatial Emotion <strong>in</strong> Art <strong>and</strong> Architecture,<br />

Migros Museum für Gegenwartskunst, Zurich, traveled to Laznia Centre for<br />

Contemporary Art, Gdansk<br />

Phantom der Lust, Neue Galerie am L<strong>and</strong>esmuseum Joanneum, Graz<br />

Somewhere Better Than This Place, Contemporary Arts Center, C<strong>in</strong>c<strong>in</strong>nati<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Carrillo Gil Museum, Mexico City<br />

Rendered, Sarah Meltzer Gallery, New York<br />

Accessoiremaximalismus, Kunsthalle zu Kiel, Kiel<br />

OUTLOOK — International Art Exhibition, Benaki Museum, Athens<br />

Poetic Justice, 8th International Istanbul Biennial, Istanbul<br />

Lei. Donne nelle collezioni italiane, Fondazione S<strong>and</strong>retto Re Rebaudengo,<br />

Tur<strong>in</strong><br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Van Ho Exhibition Center, Hanoi<br />

2002 Out of Place: Contemporary Art <strong>and</strong> the Architectural Uncanny,<br />

Museum of Contemporary Art, Chicago, traveled to Samuel P. Harn Museum<br />

of Art, Ga<strong>in</strong>esville<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Museum of Contemporary Art, Tokyo<br />

Centre of Attraction, 8th Baltic Triennial of International Art, CAC Contemporary<br />

Art Center, Vilnius<br />

Favorites, Steirischer Herbst 2002, Galerie & Edition Artelier, Graz<br />

Urban Creation, 4th Shanghai Biennale 2002, Shanghai Art Museum, Shanghai<br />

Hausordnungen, Stadthaus Ulm, Ulm<br />

UNLOADED — Com<strong>in</strong>g Up For Air, Bunker, Oberschan (Wartau)<br />

Quobo. Kunst / Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Sungkok Art Museum, Seoul<br />

Public Affairs, Kunsthaus Zürich, Zurich<br />

Fusion Cuis<strong>in</strong>e, DESTE Foundation for Contemporary Art, Athens<br />

Mapp<strong>in</strong>g the Process, Essor Gallery Limited, London<br />

Arte <strong>in</strong> Video, Castello di Rivoli, Tur<strong>in</strong><br />

2001 Inside Space: Experiments <strong>in</strong> Redef<strong>in</strong><strong>in</strong>g Rooms, MIT List Visual Arts Center,<br />

Cambridge (Massachusetts)<br />

Quobo. Kunst / Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Waikato Museum of Art <strong>and</strong> History,<br />

Hamilton<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Le Repubbliche dell’Arte. Germania. La costruzione di un’immag<strong>in</strong>e,<br />

Palazzo delle Papesse, Centro d’Arte Contemporanea, Siena<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Hamburger Bahnhof — Museum für<br />

Gegenwart, Berl<strong>in</strong><br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Museum National, Jakarta<br />

Trans Sexual Express, Barcelona Triennal, Centro d‘Art Santa <strong>Monica</strong>, Barcelona<br />

24th International Biennale of Graphic Arts, MGLC International Centre of<br />

Graphic Arts, Ljubljana<br />

E<strong>in</strong> gut platzierter Helm ist wie e<strong>in</strong> beruhigender Blick, Kunsthalle Nürnberg,<br />

Nuremberg<br />

Angst, Ursula-Blickle-Stiftung, Kraichtal, Grazer Kunstvere<strong>in</strong>, Graz<br />

Intime Expeditionen, Badischer Kunstvere<strong>in</strong>, Karlsruhe, traveled to Haus am<br />

Waldsee, Berl<strong>in</strong><br />

2000 Der anagrammatische Körper. Der Körper und se<strong>in</strong>e mediale Konstruktion,<br />

ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe<br />

HausSchau — Das Haus <strong>in</strong> der Kunst, Deichtorhallen Hamburg, Hamburg<br />

Quobo. Kunst/Art <strong>in</strong> Berl<strong>in</strong> 1989 – 1999, Pao Galleries, Hong Kong Arts Center,<br />

Hong Kong<br />

Futurama. Arte <strong>in</strong> Italia, Centro per l’arte contemporanea Luigi Pecci, Prato<br />

The children of Berl<strong>in</strong>, Museum Folkwang, Essen<br />

1999 Public Doma<strong>in</strong>, 3. Österreichische Triennale zur Fotografie, Eisernes Haus, Graz<br />

Children of Berl<strong>in</strong>: Cultural Developments 1989 – 1999, P.S.1, New York<br />

Der anagrammatische Körper. Der Körper und se<strong>in</strong>e mediale Konstruktion,<br />

Kunsthaus Muerz, Muerzzuschlag<br />

<strong>Bonvic<strong>in</strong>i</strong>, Moro, Toderi, De Appel Arts Centre, Amsterdam<br />

The Space Here Is Everywhere, Villa Merkel, Essl<strong>in</strong>gen<br />

Look<strong>in</strong>g for a Place, SITE Santa Fe’s Third International Biennale, Santa Fe<br />

Overflow, Anton Kern Gallery, New York<br />

dAPERTutto, 48th <strong>Venice</strong> Bienniale, <strong>Venice</strong><br />

To the People of the City of the Euro, Frankfurter Kunstvere<strong>in</strong>, Frankfurt am Ma<strong>in</strong><br />

Signs of Life, Melbourne International Biennale, Melbourne<br />

Construction Draw<strong>in</strong>gs, Kunst-Werke, Berl<strong>in</strong><br />

Not Photography, Rosamund Felsen Gallery, Los Angeles<br />

Identita’ femm<strong>in</strong>ile nel video italiano, Accademia Britannica, Rome<br />

Mov<strong>in</strong>g Images. Film — Reflexion <strong>in</strong> der Kunst,<br />

Galerie für Zeitgenössische Kunst, Leipzig<br />

Warten, Kunst-Werke, Berl<strong>in</strong><br />

1998 Site Construction, South London Gallery, London<br />

Berl<strong>in</strong> / Berl<strong>in</strong>, 1. Berl<strong>in</strong> Biennale für zeitgenössische Kunst, Berl<strong>in</strong><br />

Yesterday Beg<strong>in</strong>s Tomorrow: Ideals, Dreams, <strong>and</strong> the Contemporary Awaken<strong>in</strong>g,<br />

Center for Curatorial Studies, Bard College, Ann<strong>and</strong>ale-on-Hudson, New York<br />

Junge Szene, Wiener Secession, Vienna<br />

Kamikaze, Marstall, Berl<strong>in</strong><br />

Disidentico. Maschile, femm<strong>in</strong>ile e oltre, Palazzo Branciforte, Palermo<br />

Prix Whanki 1998, Whanki Museum, Seoul<br />

Construction Draw<strong>in</strong>gs, P.S.1, New York<br />

Le Futur du Passé, FRAC Languedoc-Roussillon, Montpellier, L.A.C. Lieu d’Art<br />

Contempora<strong>in</strong>e, Hameau du Lac (Sigean)<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

1997 Heaven: Private View, P.S.1, New York<br />

Vertigo, Galleria Emi Fontana, Milan<br />

1996 All Work No Play, ACME., Los Angeles<br />

Stadtluft, Charlottenstrasse, Berl<strong>in</strong><br />

Miss<strong>in</strong>g L<strong>in</strong>ks, Galerie Klaus Fischer, Berl<strong>in</strong><br />

1995 Soma, Bethanien, Kunstamt Kreuzberg, Berl<strong>in</strong><br />

Der telematische Raum, NGBK Neue Gesellschaft für Bildende Kunst, Berl<strong>in</strong><br />

All Work No Play, Festspielhaus Hellerau, Dresden<br />

1994 Goldrausch V, Haus am Waldsee, Berl<strong>in</strong><br />

1990 Dromomania. Kult und Ritual der täglichen Fortbewegung, Botschaft e.V., Berl<strong>in</strong><br />

Public projects (solo)<br />

2010 W<strong>in</strong>n<strong>in</strong>g Artist of the Light Art Competition for the London Olympic Park, London<br />

2007 Hun Ligger (She Lies), a site-specific sculpture float<strong>in</strong>g on the water <strong>in</strong> front of<br />

the Oslo Opera House, Bjørvika, Oslo, 2010<br />

2008 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, NBK Neuer Berl<strong>in</strong>er Kunstvere<strong>in</strong>, Berl<strong>in</strong><br />

2006 NOT FOR YOU, Rohkunstbau, site-specific outdoor <strong>in</strong>stallation, Potsdam<br />

2000 You Better Watch Out, Forum Stadtpark, Graz<br />

1994 A Place to Call Home, Berol<strong>in</strong>ahaus, Berl<strong>in</strong><br />

Public projects (group)<br />

2011 Untitled, 2011, from the series 15 Steps to the Virg<strong>in</strong>, Monopol Post-Card-<br />

Edition, Monopol, Magaz<strong>in</strong> für Kunst und Leben, 6/2011<br />

La Stampa. V<strong>in</strong>yl Record Cover Design Special Edition<br />

2010 E<strong>in</strong>e Insel für die Kunst, EMSCHERKUNST.2010, Essen<br />

2009 COLOSSAL! Kunst, Fakt, Fiktion, Museum und Park Kalkriese,<br />

Bramsche-Kalkriese<br />

2008 Art Basel Projects, Art Basel 39, Basel<br />

2007 PUBLIEK, Sculpture International Rotterdam, Rotterdam<br />

2006 NOT FOR YOU, NewcastleGateshead W<strong>in</strong>ter Festival, Newcastle <strong>and</strong> Gateshead<br />

2003 I Will Be Your Mirror, Fondazione Trussardi, Frieze Art Fair, London<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

2000 Projekt Fassade, Wiener Secession, Vienna<br />

Hier da und dort, Kunst <strong>in</strong> S<strong>in</strong>gen. Internationales Kunstprojekt im öffentlichen<br />

Raum, S<strong>in</strong>gen<br />

1995 Club Berl<strong>in</strong>, Teatro Malibran, 46th Biennale di Venezia<br />

Film & Theater<br />

Stage Design for:<br />

2007 This is Not a Love Song, Wiener Festwochen, Vienna<br />

2004 231, East 47th Street, Sophiensaele, Berl<strong>in</strong><br />

2002 Betrogen, Staatsbank, Berl<strong>in</strong> (director: Ulrich Rasche)<br />

Assistant Director for Film Productions:<br />

2001 Hasan non si e’ fermato a Badolato<br />

1994 Vergessen, Vergangen, Vorüber (director: Jan Ralske)<br />

Solo exhibition catalogs<br />

2011 CAC MALAGA (ed.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>. A BLACK HOLE OF NEEDS, HOPES<br />

AND AMBITIONS, exh. cat., Museo y centro de arte contemporáneo de Málaga,<br />

Malaga, 2011<br />

2010 Kunsthalle Fridericianum; Re<strong>in</strong> Wolfs (eds.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>. BOTH ENDS,<br />

exh. cat., Kunsthalle Fridericianum und Verlag der Buchh<strong>and</strong>lung Walther König,<br />

Cologne, 2010<br />

2009 Matthias Mühl<strong>in</strong>g, Nikola Dietrich (eds.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, exh. cat.,<br />

Städtische Galerie im Lenbachhaus und Kunstbau, München, Museum für<br />

Gegenwartskunst, Basel, text by Jan Verwoert, DuMont, Cologne, 2009<br />

2003 Wiener Secession (ed.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> / Sam Durant: Break it / Fix it,<br />

exh. cat., Wiener Secession, texts by Rebecca Gordon Nesbit,<br />

Jennifer González, Hou Hanru, Jörg Heiser, Matthias Herrmann, Leslie Kanes<br />

Weisman, Chris Kraus, John Miller, Frank Lutz, John S<strong>in</strong>clair, Roberto Ohrt,<br />

Patrizia Valduga, Kev<strong>in</strong> Young, Revolver Archiv für aktuelle Kunst,<br />

Frankfurt am Ma<strong>in</strong>, 2003<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Anxiety Attack, exh. cat., Modern Art Oxford <strong>and</strong> Shotgun,<br />

Tramway, Glasgow, text by Suzanne Cotter, Oxford, 2003<br />

2001 Lionel Bovier (ed.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>: Scream & Shake, exh. cat.,<br />

Le Magas<strong>in</strong>, Centre National d’Art Contempora<strong>in</strong>, Grenoble,<br />

texts by Joshua Decter, Diedrich Diederichsen, Donna Petrescu, <strong>in</strong>terview<br />

between Andrea Bowers <strong>and</strong> <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Grenoble, 2001<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

1999 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>: Bau, exh. cat., GAM Galleria Civica d’Arte Moderna e<br />

Contemporanea, texts by Dan Cameron, Susanne von Falkenhausen,<br />

Hopefulmonster, Tur<strong>in</strong>, 1999<br />

De Appel Foundation (ed.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, exh. cat., De Appel Foundation,<br />

text by Jan Ralske, Amsterdam, 1999<br />

1994 Goldrausch Frauennetzwerk, e.V., Künstler<strong>in</strong>nen-projekt “Ohne Kompromiß”<br />

(eds.), <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, platz machen, text by Harald Fricke, Berl<strong>in</strong>, 1994<br />

Artist books<br />

2009 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, This Hammer Means Bus<strong>in</strong>ess, Museion, Bolzano,<br />

Frac de Pays de la Loire, Verlag der Buchh<strong>and</strong>lung Walther König,<br />

Cologne, 2009<br />

2008 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, CUT, Stefan Bidner, Kunstraum Innsbruck (eds.),<br />

Verlag der Buchh<strong>and</strong>lung Walther König, Cologne, 2008<br />

2002 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Kill your Father, 2002<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, EternMale, Kunsthaus Glarus, Centre d’édition<br />

contempora<strong>in</strong>e, Genève, <strong>in</strong>terview between Beatrix Ruf <strong>and</strong> <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>,<br />

2002<br />

1999 <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, What Does Your Wife / Girlfriend Th<strong>in</strong>k of Your Rough And Dry<br />

H<strong>and</strong>s?, SITE Sante Fe Museum of Contemporary Art, text by John Miller,<br />

Los Angeles, 1999<br />

Catalogs, books (selection)<br />

2011 Vervoordt Foundation (ed.), TRA: Edge of Becom<strong>in</strong>g, exh. cat., Vervoordt<br />

Foundation Wijnegem, texts by Axel Vervoordt, Rosa Mart<strong>in</strong>ez, Francesco Poll,<br />

Eddi De Wolf <strong>and</strong> Tasuro Miki, <strong>Venice</strong>, 2011<br />

Neuer Berl<strong>in</strong>er Kunstvere<strong>in</strong> (ed.), Jahresgaben Editionen, Publikationen,<br />

Künstler DVDs, NBK, Berl<strong>in</strong>, 2011<br />

Christchurch Art Gallery Te Puna o Weiwhetu (ed.), De-Build<strong>in</strong>g, exh. cat.,<br />

Christchurch Art Gallery, Christchurch, 2011<br />

von Falkenhausen, Susanne, Praktiken des Sehens im Felde der Macht,<br />

Gesammelte Schriften, published by Ilaria Hoppe, Bett<strong>in</strong>a Uppenkamp <strong>and</strong><br />

Elena Zanichelli, Philo f<strong>in</strong>e Arts, Hamburg, 2011<br />

k/haus (ed.), Beziehungsarbeit / Kunst und Institution, Künstlerhaus Wien,<br />

exh. cat., Schlebrügge Editor, 2011<br />

ILLUMInations. 54th <strong>Venice</strong> Biennale, exh. cat., Marsilio, <strong>Venice</strong>, 2011<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Valentia Angeleri, Orit Gat (eds.) Ten Year <strong>and</strong> beyond. The Collection per l'Arte<br />

Moderna e Contemporanea - CRT for Tur<strong>in</strong> <strong>and</strong> Piemont, texts by Giovanni<br />

Ferrero, David Ross, Marcella Beccaria, Elena Volpato. Archive Books,<br />

Berl<strong>in</strong>, 2011<br />

2010 JGM. Galerie (ed.), Art for the World—The City of Fork<strong>in</strong>g Paths, exh. cat.,<br />

World Expo Shanghai 2010, JGM. Galerie, texts by Ami Barak, Jean-Gabriel<br />

Mitterr<strong>and</strong>, Hugo Liao, Lu Leip<strong>in</strong>g, Hanna Alkema, Shanghai, 2010<br />

Barbara Bergmann, Peter Schaufler (eds.), Schauwerk S<strong>in</strong>delf<strong>in</strong>gen —<br />

100 Künstler, 100 Werke, 100 Positionen, exh. cat., The Schaufler Foundation,<br />

SCHAUWERK S<strong>in</strong>delf<strong>in</strong>gen, texts by Götz Adriani, Jean-Christophe<br />

Ammann, Eugen Blume, Harald Falckenberg, Helmut Friedel, Wulf Herzogenrath,<br />

Udo Kittelmann, Sean Ra<strong>in</strong>bird und Werner Spies et al., DuMont Buchverlag,<br />

Cologne, 2010<br />

Dirk Luckow (ed.), Julia Stoschek Collection. I Want to See How You See,<br />

exh. cat., Deichtorhallen Hamburg, text by Angela Rosenberg et al., Hamburg,<br />

2010<br />

MARCO Foundation (ed.), 7+1 Project Rooms, exh. cat., MARCO — Museo de<br />

Arte Contemporanea de Vigo, text by Matthias Mühl<strong>in</strong>g et al., Vigo, 2010<br />

ARoS Aarhus Kunstmuseum (ed.), I Love You, exh. cat., ARoS Aarhus<br />

Kunstmuseum, text by T<strong>in</strong>e Engel Mogensen, Aarhus, 2010<br />

Florian Matzner, Karl-He<strong>in</strong>z Petz<strong>in</strong>ka, Jochen Stemplewski (eds.),<br />

EMSCHERKUNST.2010—E<strong>in</strong>e Insel für die Kunst, Wuppertal, texts by Katja<br />

Assmann, Florian Matzner, Karl-He<strong>in</strong>z Petz<strong>in</strong>ka, Jochen Stemplewski, Simone<br />

Timmerhaus, Hatje Cantz, Ostfildern, 2010<br />

CAC Contemporary Art Center C<strong>in</strong>c<strong>in</strong>nati, Bass Museum of Art, Miami Beach,<br />

Fundacíon/Colección Jumex, Ecatepec, Mexico (eds.), Where Do We Go From<br />

Here? Selection from La Colección Jumex, exh. cat., CAC Contemporary Art<br />

Center C<strong>in</strong>c<strong>in</strong>nati, Bass Museum of Art, Miami Beach, Fundacíon/Colección<br />

Jumex, Ecatepec, Mexico, text by Silvia Karman Cub<strong>in</strong>a, Miami, 2010<br />

Hayward Publish<strong>in</strong>g (ed.), The New Décor, London, 2010<br />

Silvana Editoriale (ed.), Post Monument. XIV Biennale Internazionale di<br />

Sculpture di Carrara, exh. cat., 2010<br />

Museum T<strong>in</strong>guely, Basel <strong>and</strong> Swiss Institue, New York (eds.). Under<br />

Construction, exh. cat., texts by Rol<strong>and</strong> Wetzel, Gianni Jetzer, Chris Sharp,<br />

Distanz Verlag, Berl<strong>in</strong>, 2010<br />

Susanne Pfeffer (ed.), Jahresr<strong>in</strong>g 57. My Work And Me, Verlag der Buchh<strong>and</strong>lung<br />

Walther König, Cologne, 2010<br />

2009 Aimee Selby (ed.), Art <strong>and</strong> Text, texts by Will Hill, Charles Harrison, Dave Beech,<br />

Black Dog Publish<strong>in</strong>g, London, 2009<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Charlotte Bonham-Carter, David Hodge (eds.), The Contemporary Art Book,<br />

texts by Charlotte Bonham-Carter, David Hodge, Goodman, London, 2009<br />

Louisiana Museum of Modern Art (ed.), The World Is Yours, exh. cat., Louisiana<br />

Museum of Modern Art, texts by Michael Juul Holm, Anders Kold, T<strong>in</strong>e Colstrup,<br />

Humlebæk, 2009<br />

Kirst<strong>in</strong>e Roepstorff, Temporäre Kunsthalle, Berl<strong>in</strong>, (eds.), Scorpio’s Garden,<br />

exh. cat. Temporäre Kunsthalle, Berl<strong>in</strong>, text by Patricia Ellis, Verlag der<br />

Buchh<strong>and</strong>lung Walther König, Cologne, 2009<br />

Hans Werner Holzwarth (ed.), 100 Contemporary Artists, Taschen, Cologne, 2009<br />

Christian Rattemeyer (ed.), Compass In H<strong>and</strong>: Selections from the Judith<br />

Rothschild Foundation, exh. cat., Museum of Modern Art, New York,<br />

texts by Isabelle Graw, Scott Gerson, Manfred Hermes, Mart<strong>in</strong> Herbert, Brian<br />

Sholis, Jan Tumlir, New York, 2009<br />

Eva Ebersberger, Daniela Zyman (eds.), The Collection Book, Thyssen-<br />

Bornemisza Art Contemporary, foreword by Francesca von Habsburg,<br />

texts by Miriam Schaub, Hans Ulrich Obrist et al., Verlag der Buchh<strong>and</strong>lung<br />

Walther König, Cologne, 2009<br />

Christ<strong>in</strong>a Pantazou, Susanne Tauss (eds.), COLOSSAL, exh. cat.,<br />

texts by Lorenzo Benedetti, Nuno Crespo, Beatrijs Eemans, Friederike Fast,<br />

Jan Hoet, Stijn Huijts, Michael Kröger, Ines L<strong>in</strong>dner, Stefan Lüddemann,<br />

Elisabeth Lumme, Frank Maes, Rol<strong>and</strong> Nachtigäller, Thomas Niemeyer, Norbert<br />

Nobis, Vessela Nozharova, Marc Ruyters, Manfred Schneckenburger, Bram Van<br />

Damme, Eva Wittoxc, L<strong>and</strong>schaftsverb<strong>and</strong> Osnabrücker L<strong>and</strong> e.V,<br />

Osnabrück, 2009<br />

Pace Wildenste<strong>in</strong> (ed.), Berl<strong>in</strong> 2000, exh. cat., PaceWildenste<strong>in</strong>, texts by Birte<br />

Kleemann, Marcus Ste<strong>in</strong>weg, Gunter Reski, Ariane Müller, Benita Piechaczek,<br />

Rhode Isl<strong>and</strong>, 2009<br />

Thomas Edl<strong>in</strong>ger, Gerald Matt, Florian Waldvogel, Kunsthalle Wien (eds.), The<br />

Porn Identity, Expeditionen <strong>in</strong> die Dunkelzone, texts by Thomas Ballhausen,<br />

Thomas Edl<strong>in</strong>ger, L<strong>in</strong>da Hentschel, Ramón Reichert, Angela Stief,<br />

Florian Waldvogel, Kather<strong>in</strong>a Zakrawsky, Verlag für moderne Kunst Nürnberg,<br />

Nuremberg, 2009<br />

Erika Hoffmann-Koenige (ed.), Mit dem Fahrrad zur Milchstrasse, exh. cat.,<br />

Kunsthalle im Lipsiusbau, Dresden, texts by Ulrich Bischoff, Heike Fuhlbrügge,<br />

Antje von Graevenitz, Jennifer Allen, Jean-Luc Nivaggioni, Verlag der<br />

Buchh<strong>and</strong>lung Walther König, Cologne, 2009<br />

Johannes Porsch, Daniela Zyman (eds.), Transitory Objects, Thyssen-<br />

Bornemisza Art Contemporary, Wien, texts by Sabeth Buchmann, Manuel<br />

DeL<strong>and</strong>a, Helmut Draxler, Sebastian Egenhofer, Denis Hollier, Rosal<strong>in</strong>d Krauss,<br />

Mark Wigley, Verlag der Buchh<strong>and</strong>lung Walther König, Cologne, 2009<br />

www.maxhetzler.com <strong>in</strong>fo@maxhetzler.com


Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

MARCO, Museo de Arte Contemporanea de Vigo, Koldo Mitxelena Kulturunea<br />

(eds.), El Medio es el Museo (The Museum as Medium), exh. cat., MARCO,<br />

Museo de Arte Contemporanea de Vigo, Koldo Mitxelena Kulturunea, texts by<br />

Pablo Fanego, Pedro de Llano, Dorothea von Hantelmann, Vigo, 2009<br />

2008 Dan Cameron (ed.), Prospect.1 New Orleans, exh. cat., Prospect.1 New Orleans,<br />

texts by Barbara Bloem<strong>in</strong>k, Lolis Eric Elie, Claire Tancons, PictureBox, New York,<br />

2008<br />

Museo d’Arte Contemporanea Sannio (ed.) Italia Italie Italien Italy Wlochy,<br />

exh. cat., ARCOS, Museo d’Arte Contemporanea Sannio, Mondadori Electa<br />

S.p.A., Milan, 2008<br />

Michael Elmgreen, Ingar Dragset, Trondheim Kunstmuseum (ed.), Home is the<br />

Place You Left, exh. cat., texts by <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> et al., Verlag der<br />

Buchh<strong>and</strong>lung Walther König, Cologne, 2008<br />

Inka Graeve Ingelmann (ed.), Female Trouble. Die Kamera als Spiegel und Bühne<br />

weiblicher Inszenierungen, exh. cat., P<strong>in</strong>akothek der Moderne, München,<br />

texts by Gabriele Betancourt Nunez, Elisabeth Bronfen, Inka Graeve Ingelmann,<br />

Gabriele Schor, Carla Schulz-Hoffmann, Abigail Solomon-Godeau,<br />

Beate Söntgen et al., Hatje Cantz, Ostfildern, 2008<br />

Francesco Bonami (ed.), Italics. Italian Art Between Tradition And Revolution<br />

1968 – 2008, exh. cat., Palazzo Grassi, texts by Francesco Bonami, Guido<br />

Guerzoni, Giuliano da Empoli, Francesco Manacorda, Paola Nicol<strong>in</strong>, Mondadori<br />

Electa S.p.A., Naples, 2008<br />

Julia Stoschek Foundation (ed.), Number One: Destroy, She Said, texts by<br />

Daniel Birnbaum, Kaye Geipel, Klaus Biesenbach, Hatje Cantz, Ostfildern 2008<br />

Ralf Daab (ed.), Restroom Design, daab gmbh, Cologne, 2008<br />

2007 MART, Museo di arte moderna e contemporanea di Trento e Rovereto (ed.)<br />

La parola nell’arte, exh. cat., MART, Museo di arte moderna e contemporanea<br />

di Trento e Rovereto, texts by Gabriella Belli, Achille Bonito Oliva, Giorgio<br />

Zanchetti, Roberto Antol<strong>in</strong>i, Silvia Bignami, Nicoletta Boschiero,<br />

Domenico Cammarota, Davide Colombo, Silvia Conta, Daniela Ferrari, Melania<br />

Gazzotti, Andreas Hapkemeyer, Antonello Negri, Aleks<strong>and</strong>ra Obuchova, Julia<br />

Trolp, Federico Zanoner, Skira, Milan, 2007<br />

Australian Center for Contemporary Art (ed), C<strong>in</strong>ema Pardiso, exh. cat., ACCA<br />

Australian Center for Contemporary Art, texts by Juliana Engberg, Anna<br />

MacDonald <strong>and</strong> Olivia Meehan, Melbourne, 2007<br />

Palazzo Reale (ed.), Camera con vista. Arte e <strong>in</strong>terni <strong>in</strong> Italia 1900–2000,<br />

exh. cat., Palazzo Reale, Milano, texts by Amerigo Daveri, Manolo De Giorgi,<br />

Rachele Ferrario, Claudia Gian Ferrari, Maria Paola Ma<strong>in</strong>o, Luigi Settembr<strong>in</strong>i,<br />

Skira, Milan, 2007<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Michael Hiltbrunner, Christoph Schenker, HGKZ (eds.), Kunst und Öffentlichkeit.<br />

Kritische Praxis der Kunst im Stadtraum Zürich, texts by Marius Babias,<br />

Bernadette Fülscher, Oliver Marchart, Stefan Römer, Hito Steyerl,<br />

Philip Ursprung, Ulrich Vonrufs, Tim Zulauf, JRP R<strong>in</strong>gier, Zurich, 2007<br />

Phaidon Editors (ed.), Ice Cream. Contemporary Art <strong>in</strong> Culture, texts by Sergio<br />

Edelszte<strong>in</strong>, Jens Hoffmann, Lisette Lagnado, Pi Li, Midori Matsui, Shamim M.<br />

Mom<strong>in</strong>, Gloria Sutton, Olesya Turk<strong>in</strong>a, Philippe Vergne et al., Phaidon, London,<br />

New York, 2007<br />

Nikolai Molok (ed.), 2nd Moscow Biennale. Footnotes on Geopolitics,<br />

Market <strong>and</strong> Amnesia, exh. cat., 2nd Moscow Biennale of Contemporary<br />

Art, texts by Joseph Backste<strong>in</strong>, Daniel Birnbaum, Nicolas Bourriaud, Fulya<br />

Erdemci, Gunnar B. Kvaran, Rosa Mart<strong>in</strong>ez, Hans Ulrich Obrist, Moscow, 2007<br />

Jörg Heiser, Plötzlich diese Übersicht. Was gute zeitgenösische Kunst ausmacht,<br />

Claassen/Ullste<strong>in</strong>, Berl<strong>in</strong>, 2007<br />

2006 John C. Welchman (ed.), Institutional Critique <strong>and</strong> After, SoCCAS Symposium<br />

Vol. II, texts by <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, John C. Welchman, John Searle, Hans<br />

Haacke, Alex<strong>and</strong>er Alberro, Maria Eichhorn, Andrea Fraser, Isabelle Graw,<br />

Mart<strong>in</strong> Sastre, Renée Green, Lynn Zelevansky, Christiane Paul, The Guerrilla<br />

Girls, Juli Carson, Javier Téllez, Astrid Mania, Amy Pederson, The Yes Men,<br />

Lauri Firstenberg, Jens Hoffmann, Mike Kelley, Ricardo Dom<strong>in</strong>guez, JRP R<strong>in</strong>gier,<br />

Zurich, 2006<br />

Vanessa Joan Müller, Nicolaus Schafhausen, Under Construction. Perspectives<br />

on Institutional Practice, European Kunsthalle, texts by Beatrice von Bismarck,<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Liam Gillick et al., Verlag der Buchh<strong>and</strong>lung Walther König,<br />

Cologne, 2006<br />

Pr<strong>in</strong>temps de Septembre á Toulouse (ed.), Lignes Brisées. Broken L<strong>in</strong>es à<br />

Toulouse, Vol. 3, exh. cat., Pr<strong>in</strong>temps de Septembre á Toulouse, texts by<br />

Marie-Thérèse Perr<strong>in</strong>, Jean-Marc Bustamante, Pascal Pique, Mirjam<br />

Varad<strong>in</strong>is, Les presses du réel, Dijon, 2006<br />

Taipei F<strong>in</strong>e Art Museum (ed.), Dirty Yoga, exh. cat., 5th Taipei Biennale,<br />

text by Dan Cameron, Taipei, 2006<br />

Mark Gisbourne, Berl<strong>in</strong> Art Now, Thames & Hudson, London, 2006<br />

Paul Domela (ed.), International 06, exh. cat. 4th Liverpool Biennial of<br />

Contemporary Art, texts by Declan McGonagle, Lewis Biggs, Manray Hsu,<br />

Gerardo Mosquera, Liverpool, 2006<br />

Tobia Bezzola, Cathér<strong>in</strong>e Hug (eds.), In den Alpen, exh. cat., Kunsthaus Zürich,<br />

texts by Tobia Bezzola, Cathér<strong>in</strong>e Hug, Zurich, 2006<br />

Joachim Jäger, Gabriele Knapste<strong>in</strong> und Anette Hüsch (eds.), Jenseits des<br />

K<strong>in</strong>os. Die Kunst der Projektion. Filme, Videos und Installationen von<br />

1963 bis 2005, exh. cat., Hamburger Bahnhof—Museum für Gegenwart, Berl<strong>in</strong>,<br />

texts by Stan Douglas, Christopher Eamon, Anette Hüsch, Joachim<br />

Jäger, Gabriele Knapste<strong>in</strong>, Britt Schlehahn et al., Hatje Cantz, Ostfildern, 2006<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Frank Wagner, Kasper König, Julia Friedrich et al. (eds.), Das Achte Feld.<br />

Geschlechter, Leben und Begehren <strong>in</strong> der Kunst seit. 1960, exh. cat., Museum<br />

Ludwig, Köln, texts by Judith Butler, Douglas Crimp, Diedrich Diederichsen,<br />

Harald Fricke, Julia Friedrich, Hanne Loreck, Thomas Me<strong>in</strong>ecke, Eva<br />

Meyer, Crist<strong>in</strong>a Nord, Frank Wagner, Hatje Cantz, Ostfildern, 2006<br />

Ursula Maria Probst (ed.), Born to be a Star, exh. cat., Künstlerhaus Wien,<br />

texts by Peter Bogner, Ursula Maria Probst, Gabriele Werner, Jutta Koether,<br />

Katar<strong>in</strong>a Matiasek, Just<strong>in</strong> Hoffmann, Kar<strong>in</strong> Pernegger, N<strong>in</strong>a Stuhldreher, Christ<strong>in</strong>a<br />

Nemec, Constanze Schweiger, Raimer Stange, Elisabeth Penker, Cosima Ra<strong>in</strong>er,<br />

Yo Taubert, Ina Wudke, Schlebrügge Editor, Vienna, 2006<br />

Yves Aupetitallot (ed.), Magas<strong>in</strong> 1986–2006, Le Magas<strong>in</strong>, Centre National<br />

d’Art Contempora<strong>in</strong>, Grenoble, texts by Paul Ardenne, Yves Aupetitallot,<br />

Lionel Bovier, Laura Cott<strong>in</strong>gham, Paul McCarthy, Stéphanie Moisdon Trembley,<br />

Frank Perr<strong>in</strong>, Eric Troncy, JRP R<strong>in</strong>gier, Zurich, 2006<br />

FRAC Lorra<strong>in</strong>e (ed.), In/visible. Collection Productions, texts by Will Bradley,<br />

Giovanni Carm<strong>in</strong>e, Béatrice Josse, Aneta Szylak, JRP R<strong>in</strong>gier, Zurich, 2006<br />

Bice Curiger, Kunsthaus Zürich (eds.), The Exp<strong>and</strong>ed Eye, exh. cat.,<br />

Kunsthaus Zürich, texts by Ina Blom, Bice Curiger, Diedrich Diederichsen,<br />

Kurt W. Forster, Al Rees, Rüdiger Wehner, Hatje Cantz, Ostfildern, 2006<br />

Phoenix Art Museum (ed.), Construct<strong>in</strong>g New Berl<strong>in</strong>, exh. cat., Phoenix Art<br />

Museum, texts by Brady Roberts, Christoph Tannert, Jörg Heiser, Angeli Sachs,<br />

Prestel, Munich, 2006<br />

2005 Ida Gianelli, Marcella Beccaria (eds.), Video Art. The Castello di Rivoli Collection,<br />

Castello di Rivoli Museo d’Arte Contemporanea, Tor<strong>in</strong>o, texts by David A. Ross,<br />

Marcella Beccaria, Francesco Bernardelli, Skira, Milan, 2005<br />

FRAC Lorra<strong>in</strong>e (ed.), Wall to be destroyed, exh. cat. FRAC Lorra<strong>in</strong>e,<br />

Fonds régional d’art contempora<strong>in</strong> de Lorra<strong>in</strong>e, Metz, texts by Hélène Guen<strong>in</strong>,<br />

Béatrice Josse, Gaïdig Lemarié, Metz, 2005<br />

La Biennale di Venezia (ed.), The Experience of Art. 51. International Art<br />

Exhibition. La Biennale di Venezia, exh. cat. 51st <strong>Venice</strong> Biennale, texts by<br />

Rosa Mart<strong>in</strong>ez, Maria De Corral, Rizzoli, New York, 2005<br />

Rosa Mart<strong>in</strong>ez, Istanbul Museum of Modern Art (eds.), Centre of Gravity,<br />

exh. cat., Istanbul Modern, texts by Çekim Merkezi et al., Istanbul, 2005<br />

Uta Grosenick (ed.), Art Now Vol. 2, Taschen, Cologne, 2005<br />

Udo Kittelmann (ed.), Snow White <strong>and</strong> the Seven Dwarfs, exh. cat., Fundación<br />

Mercel<strong>in</strong>o Botín, Sant<strong>and</strong>er, 2005<br />

California College of the Arts, Wattis Institute of Contemporary Arts (eds.),<br />

Monuments for the USA, exh. cat., CCA Wattis Institute for Contemporary Arts,<br />

San Francisco, text by Ralph Rugoff, San Francisco, 2005<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Joachim Jäger (ed.), Preis der Nationalgalerie für Junge Kunst, exh. cat., Preis<br />

der Nationalgalerie für Junge Kunst, Vere<strong>in</strong> der Freunde der Nationalgalerie,<br />

texts by Jennifer Allen, Jan Verwoert et al., Berl<strong>in</strong>, 2005<br />

Fundament Foundation (ed.), Space—now <strong>and</strong> then, Art <strong>and</strong> Architecture,<br />

exh. cat. AaBe Fabrieken, Fundament Foundation, Tilburg, 2005<br />

Göteborg International Biennale for Contemporary Art (ed.), More! than this,<br />

Negotiat<strong>in</strong>g Realities, exh. cat., Göteborg International Biennale for<br />

Contemporary Art, texts by Sara Arrhenius, Pamela M. Lee, Natasa Petres<strong>in</strong>,<br />

Kim West, Gothenburg, 2005<br />

Dirk Hebel, Jörg Stollmann (eds.), Bathroom Unplugged, Architecture <strong>and</strong><br />

Intimacy, texts by Marc Angelil, Andre Bideau, Nils Becker, Andreas Dornbracht,<br />

Nicholas Frei, Lian Fuchs, Silvan Furger, Dirk Hebel, Tobias Lutz, Iris Mathez,<br />

Christ<strong>in</strong>a Nater, Andreas Ruby, Ilka Ruby, Carsten Ste<strong>in</strong>acker, Jörg Stollmann,<br />

Georges Teyssot, Philip Ursprung, Dom<strong>in</strong>ique Wehrli, Birkhäuser, Basel, 2005<br />

Nikolaj Copenhagen Contemporary Art Center (ed.), Circa Berl<strong>in</strong>, exh. cat.,<br />

Nikolaj Copenhagen Contemporary Art Center, texts by Marius Babias, Jennifer<br />

Allen, Hito Steyerl, Copenhagen, 2005<br />

Jörg Heiser, Funky Lessons, exh. cat., Büro Friedrich, Berl<strong>in</strong>, BAWAG<br />

Foundation, Wien, texts by Jörg Heiser et al., Revolver Archiv für aktuelle<br />

Kunst, Frankfurt am Ma<strong>in</strong>, 2005<br />

2004 Ute Meta Bauer (ed.), Komplex Berl<strong>in</strong> / Complex Berl<strong>in</strong>, exh. cat., 3. Berl<strong>in</strong><br />

Biennale für zeitgenössische Kunst, texts by <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> et al.,<br />

Verlag der Buchh<strong>and</strong>lung Walther König, Cologne, 2004<br />

SCAPE 2004 Biennial (ed.), SCAPE, from a different Angle, exh. cat.,<br />

New Zeal<strong>and</strong> Community Trust Art & Industry Urban Arts Biennial 04, Art &<br />

Industry Biennial Trust, Christchurch, text by Sarah Pepperle et al., 2004<br />

Dirk Luckow (ed.), No Money, Installationen von Michael Beutler, <strong>Monica</strong><br />

<strong>Bonvic<strong>in</strong>i</strong>, gelat<strong>in</strong>, exh. cat., Kunsthalle zu Kiel, texts by Dirk Luckow,<br />

Dörte Zbikowski, Elena Zanichelli, Snoeck, Cologne, 2004<br />

Raumpool (ed.), Pathos/Gefühle, exh. cat., Raumpool, texts by Felix Ruhöfer,<br />

Nasan Tur, Frankfurt am Ma<strong>in</strong>, 2004<br />

2003 Giovanni Carm<strong>in</strong>e, Cather<strong>in</strong>e Hug (eds.), BUNKER: UNLOADED, Com<strong>in</strong>g Up For<br />

Air, texts by Giovanni Carm<strong>in</strong>e, Cather<strong>in</strong>e Hug, Aless<strong>and</strong>ro Galasso, Tom Gnägi,<br />

Gerald<strong>in</strong>e Ramphal, Peter Stamm, Reg<strong>in</strong>e Helbl<strong>in</strong>g Gerster, Thomas Knellwolf,<br />

Sab<strong>in</strong>a Lang, Mart<strong>in</strong> Lengwiler, Maurice Lovisa, Edizioni Periferia, Luzern, 2003<br />

Ida Gianelli, Marcella Beccaria (eds.), Castello di Rivoli Museo d’Arte<br />

Contemporanea—The Castle of the Savoy Dynasty—The Collection, Castello<br />

di Rivoli Museo d´Arte Contemporanea, texts by Maria Grazia Cerri, Marcella<br />

Beccaria, Laura Cherub<strong>in</strong>i, Carolyn Christov-Bakargiev et al., Umberto Allem<strong>and</strong>i<br />

& Co., Tur<strong>in</strong>, 2003<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Dan Cameron (ed.), Liv<strong>in</strong>g Inside the Grid, exh. cat., New Museum of<br />

Contemporary Art, texts by Dan Cameron, Lisa Phillips, New York, 2003<br />

Peter Weibel (ed.), Phantom der Lust, Visionen des Masochismus <strong>in</strong> der Kunst,<br />

Vol. II, Neue Galerie am L<strong>and</strong>esmuseum Joanneum, Belleville Verlag, München,<br />

2003<br />

Heike Munder, Adam Budak (eds.), Bewitched, Bothered <strong>and</strong> Bewildered:<br />

Spatial Emotion <strong>in</strong> Contemporary Art <strong>and</strong> Architecture, exh. cat., Migros Museum<br />

für Gegenwartskunst, Laznia Centre for Contemporary Art, Gdańsk, texts by<br />

Philippe Rahm, Anthony Vidler, Mark Wigley, Stephen Willats, JRP R<strong>in</strong>gier,<br />

Zurich, 2003<br />

Dirk Luckow (ed.), Accessoiremaximalismus, exh. cat., Kunsthalle zu Kiel, texts<br />

by Dirk Luckow, Feridun Zaimoglu, Ingrid Loschek, Knut Ebel<strong>in</strong>g, Birgit Richard,<br />

Jana Simon, Lu Salome, Petra Gördüren, Maren Welsch, Dörte Zbikowski, Jörg<br />

He<strong>in</strong>isch, Kiel, 2003<br />

Angelika Nollert (ed.), Performative Installation, exh. cat., Galerie im Taxispalais,<br />

Museum Ludwig, Köln, Museum für Gegenwartskunst Siegen, Wiener<br />

Secession, Galerie für Zeitgenössische Kunst Leipzig, texts by Silvia Eiblmayr,<br />

Barbara Engelbach, Kasper König, Christ<strong>in</strong>e Litz, Angelika Nollert,<br />

Eva Maria Stadler, Barbara Ste<strong>in</strong>er, Snoeck, Cologne, 2003<br />

Kathar<strong>in</strong>a Menzel, Antje Krause-Wahl (eds.), Hausordnungen, exh. cat.<br />

Stadthaus Ulm, texts by Andreas Mühl<strong>in</strong>g, Susanne Leeb, Peter Kruska,<br />

Ulm, 2003<br />

Efza Evrengil (ed.), Poetic Justice, exh. cat., 8th Istanbul Biennale, texts by<br />

Dan Cameron, Ariel Dorfman, Kendell Geers, Orhan Pamuk, Arundhati Roy et al.,<br />

Istanbul Foundation for Culture <strong>and</strong> Arts, Istanbul, 2003<br />

2002 Jiang Xu et al. (ed.), Urban Creation, exh. cat. 4th Shanghai Biennale, Shanghai,<br />

2002<br />

Tobias Berger, Virg<strong>in</strong>ija Januskeviciute (eds.), Centre of Attraction, 8. Baltic<br />

Triennial of International Art, Vol. I + II, exh. cat., CAC Contemporary Art<br />

Center, Vilnius, texts by Tobias Berger, Kestutus Kuiz<strong>in</strong>as, Ricardas Baub<strong>in</strong>as,<br />

Jochen Becker, G<strong>in</strong>taras Beresnevicius, Dmitrij Bulatov, Anders Härm, Jeffrey<br />

Inaba & Peter Zellner, G<strong>in</strong>tautas MaNovickas, Mart<strong>in</strong>a Pachmanova, Lars Saari,<br />

Edgar Schmitz, Marius Povilas Saulauskas, Arturas Teresk<strong>in</strong>as, Skaidra<br />

Trilupaityt, David Weber, Niels Werber, Peter Zellner, Audrone Zukauskaite,<br />

Revolver Archiv für aktuelle Kunst, Frankfurt am Ma<strong>in</strong>, 2002<br />

Universität der Künste (ed.), Identität und Individualisierung, texts by<br />

<strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> et al., Universität der Künste, Berl<strong>in</strong>, 2002<br />

DESTE Foundation for Contemporary Art (ed.), Fusion Cuis<strong>in</strong>e, exh. cat.,<br />

DESTE Foundation for Contemporary Art, texts by Kater<strong>in</strong>a Gregos,<br />

Jo Anna Isaak, Rosa Mart<strong>in</strong>ez, Am<strong>and</strong>a Michalopoulou, Maria Skamaga,<br />

Lynne Tillman, Athens, 2002<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Dom<strong>in</strong>ic Molon (ed.), Out of Place. Contemporary Art & the Architectural<br />

Uncanny, exh. cat., Museum of Contemporary Art Chicago, Samuel P.<br />

Harn Museum of Art, Ga<strong>in</strong>esville, text by Dom<strong>in</strong>ic Molon, Chicago, 2002<br />

Bice Curiger, Kunsthaus Zürich (eds.), Public Affairs. Von Beuys bis Zittel:<br />

Das Öffentliche <strong>in</strong> der Kunst, exh. cat. Kunsthaus Zürich, text by Bice Curiger,<br />

Zurich, 2002<br />

Uta Grosenick, Burkhard Riemschneider (Heds.), Art Now.<br />

137 Artists at the Rise of the New Millennium, texts by Lars Bang Larsen,<br />

Christoph Blase, Yilmaz Dziewior, Jean-Michel Ribettes, Raimar Stange,<br />

Susanne Titz, Jan Verwoert, Astrid Wege et al., Taschen, Cologne, 2002<br />

Achim Könneke, Stephan Schmidt-Wulffen (eds.), Aussendienst.<br />

Kunstprojekte <strong>in</strong> öffentlichen Räumen Hamburgs, exh. cat., Hamburger<br />

Kulturbehörde, Kunstvere<strong>in</strong> Hamburg, texts by Achim Könneke, Stephan<br />

Schmidt-Wulffen, Stephan Lanz et al., Freiburg im Breisgau, 2002<br />

Maria Rosa Sossai, Artevideo. Storie e culture del video d’artista <strong>in</strong> Italia,<br />

Silvana Editoriale, Milan, 2002<br />

2001 Xabier Arakista<strong>in</strong>, Rosa Martínez (eds.), Trans Sexual Express Barcelona 2001,<br />

exh. cat., Barcelona Triennale, Generalitat de Cataluyna, Departament<br />

de la Cultura, Centro d‘Art Santa <strong>Monica</strong>, texts by Xabier Arakista<strong>in</strong>,<br />

Rosa Martínez, Barcelona, 2001<br />

Matthias Herrmann (ed.), Angst, exh. cat., Ursula-Blickle-Stiftung, Grazer<br />

Kunstvere<strong>in</strong>, texts by Matthias Herrmann, Steve Rogenste<strong>in</strong>, Eva Maria Stadler,<br />

Triton Verlag, Vienna, 2001<br />

Bill Arn<strong>in</strong>g, Joel S<strong>and</strong>ers, MIT List Visual Arts Center (eds.), Inside Space.<br />

Experiments <strong>in</strong> Redef<strong>in</strong><strong>in</strong>g Rooms, exh. cat., MIT Visual Arts Center,<br />

texts by Bill Arn<strong>in</strong>g, Joel S<strong>and</strong>ers, Cambridge (MA), 2001<br />

2000 Christoph Bauer, Michael Brunner, Manfred Sailer (eds.), Hier da und dort,<br />

exh. cat., Kunst <strong>in</strong> S<strong>in</strong>gen. Internationales Kunstprojekt im öffentlichen Raum,<br />

texts by Jean-Christophe Ammann, Florian Matzner, Michael Brunner, Walter<br />

Grasskamp, Matthias Bleyl, Christoph Bauer, Manfred Sailer, Julia Pascual,<br />

Silvia Eiblmayr, Renate Wiehager, Kira van Lil, llya & Emilia Kabakov, Gerd Blum,<br />

Joseph Kosuth, Olaf Metzel, Laura Ruggeri, Sab<strong>in</strong>e B. Vogel, Georg W<strong>in</strong>ter,<br />

Ulrike Havemann, Verlag Jürgen Häusser, Darmstadt, 2000<br />

Gabriele Knapste<strong>in</strong>, Ingrid Buschmann (eds.), Quobo. Kunst / Art <strong>in</strong> Berl<strong>in</strong><br />

1989–1999, exh. cat., Ifa Institut für Ausl<strong>and</strong>sbeziehungen, texts by<br />

Thomas Wulffen, Annette Tietenberg, Melitta Kliege, Susanne von<br />

Falkenhausen, Nicola Kuhn, Jörg Heiser, Harald Fricke, Angelika Stepken,<br />

Peter Funken, Bodo Mrozek, Mart<strong>in</strong> Conrads, Christoph Tannert, Stefan<br />

Heidenreich, Peter Herbstreuth, Durs Grünbe<strong>in</strong>, Stuttgart / Berl<strong>in</strong>, 2000<br />

Wiener Secession (ed.), Projekt Fassade, exh. cat. Wiener Secession, texts by<br />

Matthias Herrmann, Isolde Charim, Eleonora Louis, Vienna, 2000<br />

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Galerie Max Hetzler Oudenarder Straße 16–20 D-13347 Berl<strong>in</strong> Phone +49 (0)30 45 97 74 20 Fax 45 97 74 220<br />

Giann<strong>in</strong>o Malossi (ed.), Uomo oggetto. Mitologie, spettacolo e mode della<br />

maschilità, exh. cat. Stazione Leopolda, Firenze, text by Giann<strong>in</strong>o Malossi,<br />

Bolis Edizioni, Bergamo, 2000<br />

Zdenek Felix (eds.), HausSchau. Das Haus <strong>in</strong> der Kunst, exh. cat. Deichtorhallen<br />

Hamburg, Hatje Cantz, Ostfildern, 2000<br />

SITE Santa Fe (ed.), Look<strong>in</strong>g for a Place, exh. cat. SITE Santa Fe’s Third<br />

International Biennial, texts by <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Jan Ralske et al.,<br />

SITE Santa Fe, Santa Fe, 2000<br />

1999 Miriam Wiesel, Peter Herbstreuth (eds.), Children of Berl<strong>in</strong>. Voices, exh. cat., KW,<br />

Institute for Contemporary Art, Berl<strong>in</strong>, P.S.1, New York, <strong>in</strong>terview of Peter<br />

Herbstreuth with <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong>, Berl<strong>in</strong>, New York, 1999<br />

Peter Weibel, Neue Galerie Graz (eds.), Der anagrammatische Körper.<br />

Der Körper und se<strong>in</strong>e mediale Konstruktion, exh. cat., Kunsthaus Muerz, Verlag<br />

der Buchh<strong>and</strong>lung Walther König, Cologne, 1999<br />

Dirk Luckow, Jan W<strong>in</strong>kelmann (eds.), Mov<strong>in</strong>g Images. Film — Reflexion <strong>in</strong> der<br />

Kunst, exh. cat., Galerie für Zeitgenössische Kunst, Leipzig, texts by Dirk<br />

Luckow, Jan W<strong>in</strong>kelmann, Thomas Meder, Sebastian Weber, Melita Zajc,<br />

Siemens Kulturprogramm, Munich, 1999<br />

Harald Szeemann (ed.), La Biennale di Venezia. 48. Esposizione <strong>in</strong>ternationale<br />

d´arte. dAPERTutto, exh. cat., dAPERTTutto, 48th Biennale di Venezia, <strong>Venice</strong>,<br />

1999<br />

1998 Hans Dickel, Kunstsammlungen zu Weimar (eds.), Neues Museum Weimar,<br />

Die Sammlung Paul Maenz, B<strong>and</strong> 1, Objekte, Bilder, Installationen, exh. cat.,<br />

Kunstsammlungen zu Weimar, texts by Rolf Bothe, Hans Dickel, Paul Maenz,<br />

Gerda Wendermann, Hatje Cantz, Ostfildern, 1998<br />

Miriam Wiesel, Klaus Biesenbach, Hans Ulrich Obrist, Nancy Spector (eds.),<br />

Berl<strong>in</strong> / Berl<strong>in</strong>, exh. cat. ,1. Berl<strong>in</strong> Biennale für zeitgenössische Kunst,<br />

texts by <strong>Monica</strong> <strong>Bonvic<strong>in</strong>i</strong> et al., Hatje Cantz, Ostfildern, 1998<br />

Wiener Secession (ed.), Junge Szene, exh. cat., Wiener Secession,<br />

text by Werner Würt<strong>in</strong>ger, Vienna, 1998<br />

Achille Bonito Oliva et al., Disidentico. Maschile, femm<strong>in</strong>ile e oltre, exh. cat.,<br />

Palazzo Branciforte, Palermo, Panep<strong>in</strong>to Arte, Rome, 1998<br />

Klaus Biesenbach, David Thorp (eds.), Site Construction, exh. cat., South<br />

London Gallery, London, 1998<br />

1996 Frank Wagner (ed.), Der telematische Raum, exh. cat. , NGBK Neue Gesellschaft<br />

für Bildende Kunst, Texte texts by Ursula Damm, Hiltrud Ebert, Georg<br />

Fleischmann, Friedrich Glaugner, Christ<strong>in</strong> Lahr, Eva Meyer, Maria Ocon<br />

Fren<strong>and</strong>ez, Saskia Sassen, Frank Wagner, Berl<strong>in</strong>, 1996<br />

Rolf Bothe (ed.), Nach Weimar, exh. cat., Kunstsammlungen zu Weimar,<br />

texts by Klaus Biesenbach, Rolf Bothe, Joshua Decter, Hans Ulrich Obrist,<br />

Nicolaus Schafhausen, Gerda Wenderman, Hatje Cantz, Ostfildern, 1996<br />

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