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18<br />

Like These (2007). during shooting, director and actor had had a row<br />

and had briefly fallen out. remembering this spat was what prompted<br />

van groeningen to give him the role in the new feature. ‘that is who the<br />

father in The Misfortunates has to be. he’s the guy who everybody likes<br />

but who all of a sudden changes. this should shock you. this guy has<br />

these fits of aggression that come out of nothing. that also creates this<br />

tension between father and son which is at the heart of the movie.’<br />

ENJOyABLE AND ExHAUSTINg<br />

van groeningen has various trusted collaborators who’ve worked on all<br />

his features. these include cinematographer ruben impens, editor nico<br />

leunen and producer dirk impens. ‘the producer is maybe the biggest<br />

collaborator because he is really there from a to Z. he’s in at the start of<br />

the scriptwriting and, of course, on the shoot, the post-production and<br />

the releasing,’ the director reflects on dirk impens.<br />

van groeningen begins his movies with a clear artistic vision but still<br />

wants and expects input from his colleagues. ‘collaboration is the key<br />

word in filmmaking... i like to say that i don’t exactly know where i will end<br />

but i know where i want to go.’<br />

during the build-up to The Misfortunates, dop ruben impens was<br />

present at rehearsals. the editor, nico leunen, was then heavily involved<br />

in creating the look of the film, which is shot on digital and combines<br />

both grainy-looking colour and some black and white sequences.<br />

this was an enjoyable, if exhausting, film to make. the director and crew

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