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Tim Burton's Gothic Imagination

Tim Burton's Gothic Imagination

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against the pain of his past leads him to take away the livelihood of the town that once<br />

thrived on his chocolate-making business. The town that huddles below the mighty factory<br />

walls seems to exist in its shadow, drained of colour and life.<br />

In Fritz Lang’s Metropolis, the dark reality of the exploitation of the workers is hidden away<br />

in a subterranean industrial city, while outside the rich are perched high in the sky, bathed in<br />

the glow of the sun. In Charlie and the Chocolate Factory, the enchanted garden with its<br />

chocolate waterfall and sugary grass is inside the fortress-like factory, and you need a golden<br />

ticket to get in. Once inside, the winners slowly discover that the artificially-lit bright and<br />

magical world that Wonka has created for himself is a deceptive and rather cruel place, the<br />

product of a thwarted childhood and warped imagination. His paranoid response to the idea<br />

that workers were selling his secret recipes is bound up in his sense of isolation as well as his<br />

determination to be in total control. He reopens the factory, with a captive workforce of<br />

Oompa Loompas enslaved by their love of chocolate.<br />

I think of Willy as sort of the Citizen Kane or Howard Hughes of candy – somebody<br />

who was brilliant but then was traumatised and then retreats into his own world.—<strong>Tim</strong><br />

Burton 45<br />

FREE FOR EDUCATION Education Resources <strong>Tim</strong> Burton’s <strong>Gothic</strong> <strong>Imagination</strong> 27

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