September 2012 - The New York City Jazz Record

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(JAZZALDIA CONTINUED FROM PAGE 13) Håkon Kornstad’s concert, after midnight under the dome of a converted church in the Museo San Telmo, was spellbinding. It began with his tenor saxophone wafting up into the towering, reverberant space. Then he used digital loops to turn himself into a tenor saxophone choir. Then he added another tenor tone, his own operatic singing voice. Then two more musicians joined, Harkaitz Martínez de San Vicente and Mikel Ugarte. Together, they played an ethnic Basque percussion instrument, the Txalaparta. Striking tuned planks with mallets, they surrounded Kornstad with ringing, chiming clouds of sound. Kornstad is an original thinker and a poet of the first order. Terje Rypdal does not so much play songs as generate huge looming sonic events. His sound on electric guitar is his own: seagull cries over oceans of the night, waves crashing into rocks. Jazzaldia put Rypdal and three kindred spirits (Ståle Storløkken, keyboards; Nikolai Eilertsen, bass; Paolo Vinaccia, drums) in the Sala Club beneath the Teatro Victoria Eugenia, at one in the morning. In the small space it was scary-loud, the antithesis of bedtime music. Some of the most intriguing music came from Basques. Cantus Caterva, led by drummer Hasier Oleaga, was a quintet that snuck up on you, because their intelligent version of new millennium jazz was so subtle. All the fresh, clear melodies were Oleaga’s. Two notable players were Iñaki Salvador, a sinuous, seductive pianist, and alto saxophonist Mikel Andueza, whose solos were flowing and serene (even on “Mamu Sumoak”, which means something like “expecting the monster”). On the last night, under the high dome of the San Telmo, Gonzalo Tejada on bass and Olivier Ker Ourio on harmonica played a recital as rapt as a séance. The harmonica is a niche instrument in jazz, but its sonorities can be uniquely affecting, especially in an acoustic environment that extends every yearning note with long decays. “Both Sides Now” and “Moon River” were piercing in their poignance. Nils Petter Molvær played long after midnight on the last night, under the stars in the “claustro” (cloisters) of San Telmo. His trio with guitarist Stian Westerhus and drummer Erland Dahlen is one of the most revolutionary and important projects in current jazz. Molvær plays trumpet with spare, cryptic lyricism, but his horn is just one design element in a gigantic symphony of sound and light created by his band’s daring, aggressive use of electronics and video imagery. A simple figure from Westerhus or Molvær can be digitally exploded into seething sonic oceans. No one in jazz uses technology more creatively than Molvær. He makes his own world with it. He makes music of dark beauty with haunting melodies within the maelstrom, music that touches secrets of the The New York City Jazz Record NEW YORK’S ONLY HOMEGROWN JAZZ GAZETTE! • EXCLUSIVE CONTENT ON JAZZ AND IMPROVISED MUSIC IN NEW YORK CITY • COMPETITIVE & EFFECTIVE ADVERTISING: ADVERTISING@NYCJAZZRECORD.COM • SUBSCRIPTIONS AND GENERAL INFO: INFO@NYCJAZZRECORD.COM • FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com 50 September 2012 | THE NEW YORK CITY JAZZ RECORD subconscious. The video backdrops are the mystery made momentarily visible in flickering glimpses. Jazzaldia was a five-day jazz festival with almost 100 concerts that built to a climax and ended with its single most powerful performance. v For more information, visit heinekenjazzaldia.com (NEWPORT CONTINUED FROM PAGE 13) The next day, at the Harbor Stage, Mahanthappa led his band, Samdhi, comprised of guitarist David Gilmore, electric bassist Rich Brown and drummer Rudy Royston. They started with the appropriately titled “Killer”, a pulsating, funky raga. Mahanthappa overdubbed himself on alto, with a computer assist, on the funky and whimsical “Enhanced Performance”. “Breakfastlunchanddinner”, which had a dance groove with a bop border, underscored Mahanthappa’s wonderful sense of humor. Mahanthappa ended his outstanding set, sweat-soaked and beaming, with the ballad “For All the Ladies” where even his stridency and harmonics had structural balance and coherence. Following Mahanthappa was the string/vocal trio of Gretchen Parlato, Lionel Loueke and Becca Stevens. Loueke was on guitar and vocals while Stevens and Parlato played various stringed instruments between them. They opened with Loueke’s “Farfina” and their collective vocalizing was sharp and colorful. Parlato then sung lead and played ukulele on her arrangement of the Jacksons’ “Push Me Away”. Loueke sung one of his songs, “Akwe”, whose theme was, as he stated succinctly, “Just don’t waste water!” Parlato’s phrasing on another Michael Jackson song, “I Can’t Help It”, seemed self-conscious, as if she was vocalizing from memory and not emotion. The last song of the set was the best, Parlato on charango (a small stringed instrument made from the back of an armadillo). The song, “Magnus”, was based on a melody that the titular child invented to sing to his future sibling, who was in his mother’s belly. The Maria Schneider Orchestra, a virtual all-star team, was at the Fort Stage. Accordionist Gary Versace duked it out with guitarist Ben Monder on “Green Piece”, until Frank Kimbrough stepped in wonderfully on piano. Schneider’s lovely tribute to Gil Evans, “Evanescence”, featured excellent solos by altoist Charles Pillow and trombonist Marshall Gilkes. The driving “Gumba Blue” was highlighted by Ryan Keberle’s quicksilver trombone and Greg Gisbert’s soaring trumpet. The orchestra then performed the premiere of Schneider’s “Home”, a commissioned suite for Newport, which was dedicated to George Wein. It was a lovely, lilting, soaring piece highlighted by more of Versace’s accordion and stellar baritone sax by Scott Robinson. Schneider closed out with the uplifting “Hang Gliding in Rio”, again featuring lovely tenor work by Donny McCaslin. One constant remains at the Newport Jazz Festival: Wein is still on the scene. One of the great sights of the weekend was seeing the convivial 86-year-old icon being driven around in a golf cart that was rechristened the “Wein Machine” in his honor. v For more information, visit newportjazzfest.net (JAZZ EM AGOSTO CONTINUED FROM PAGE 13) The outdoor concerts take place on the first two weekends of August. This year the intervening weekdays included three nights at the Teatro do Bairro in the narrow winding streets of Lisbon’s Bairro Alto, trading the perfumed woods of the Gulbenkian Park for a cigarette-scented black box theatre. Nuova Camerata is a recently formed, Lisbonbased quintet that matches the sonic and harmonic vocabulary of mid-20th century European formal music - Messiaen, Boulez - with the methodology of improvisation. Veteran violinist Carlos Zíngaro is adept at spontaneously generating music that sounds uncannily like the advanced mathematics of serialism while classical percussionist Pedro Carneiro, a newcomer to improvisation, is possessed of very quick ears as well as hands. The younger string players - violist João Camões, cellist Ulrich MitzIaff and bassist Miguel Leiria Pereira - diligently followed Zíngaro’s clear leads, creating pieces of striking coherence. At the opposite pole of sound, the Leeds, England band Trio VD worked at the edge of chaos with telepathic organization, using minimal cueing to create an ever-shifting montage of sharp-edged fragments. Saxophonist Christophe de Bézenac and guitarist Chris Sharkey constantly shifted between articulating acoustic bits then sampling, processing, combining and recombining them, all of this matched to the precision drumming of Chris Bussey to oscillate violently between playground and psychodrama. The third band to appear at the Teatro do Bairro was the trio Das Kapital. Guitarist Hasse Poulsen, tenor saxophonist Daniel Erdmann and drummer Edward Pérraud performed Hanns Eisler compositions from Bertolt Brecht plays and Hollywood movies, even the East German national anthem. The trio created a free jazz cabaret in the festival’s most entertaining set, mining Eisler’s plaintive melodies and hard-edged rhythms for maximum effect, then exploding them with expressionist bursts. The evening was capped by DJ Sniff, whose turntable and sampler exploration of free jazz began as collage but developed into a kind of sustained dream state. The theatre’s emphasis on deconstructed melody was matched by the younger bands on the main stage at the Gulbenkian. The British quintet Led Bib plays a form of latter-day fusion, emphatic funk rhythms underscoring the two-alto frontline in which Pete Grogan seems to shadow Chris Williams’ rapid, rollercoaster lines. The final concert in the garden was also one of the best, with bassist Ingebrigt Håker Flaten’s Chicago Sextet achieving rare levels of drive and invention, with fellow Norwegian Ola Kvernberg channeling the ghosts of jazz-rock violin and an assemblage of the Midwest’s finest. Guitarist Jeff Parker and drummer Frank Rosaly were as adept at overdriven rock as free jazz. Vibraphonist Jason Adasiewicz and saxophonist Dave Rempis were brilliant, the latter’s unaccompanied exploration of baritone multiphonics lingering long after the festival’s final note. v For more information, visit musica.gulbenkian.pt/jazz
BUCKY ADAMS - As an 11-year-old trumpeter, Adams played for Queen Elizabeth’s visit to Canada. Later he picked up his father’s tenor saxophone and eventually played alongside Louis Armstrong, Dizzy Gillespie, Oscar Peterson, Count Basie and BB King. A fixture on his hometown Halifax jazz scene, Adams died Jul. 13th at 75. DON BAGLEY - The saxophonist composed the score to the 1975 slasher flick The Swinging Barmaids but actually did some real swinging himself as a member of Stan Kenton’s band as well as with his own groups in the ‘50s. An active session and touring musician with people like Dexter Gordon, Åke Persson, Les Brown, Phil Woods and Ben Webster, Bagley died Jul. 26th at 85. LIONEL BATISTE - A mentor to many younger jazz and blues musicians in his native New Orleans, the singer and bass drummer, known as Uncle Lionel, was assistant leader of the Treme Brass Band since 1995, led Norway’s Molde Jazz parade since 2000 and frequently appeared in the HBO show Treme. Batiste died Jul. 8th at 81. JOSE ROBERTO BERTRAMI - The Brazilian keyboardist was a tri-founder of the jazz-funk group Azymuth in 1972, which released a number of albums on Milestone in the ‘80s and Far Out in the ‘90s-00s. Prior to and during his time with Azymuth, Bertrami released albums as a leader and worked with Latin jazzers and vocalists like Sarah Vaughan, Mark Murphy and Flora Purim. Bertrami died Jul. 8th at 66. MARIA HAWKINS COLE - Though as a vocalist she is overshadowed by her husband Nat King Cole (and later, daughter Natalie), prior to her marriage Hawkins was a big band vocalist with Duke Ellington and Count Basie in the mid ‘40s. Hawkins Cole died Jul. 10th at 89. LOL COXHILL - While other British saxophonists of his generation were splitting off into genre factions, Coxhill could and did play everything, mixing a love of traditional jazz with a keen improvisatory intellect. Early in his career he worked in the bands of Kevin Ayers and participated in Derek Bailey’s Companys all while playing with visiting blues musicians. Later he became more closely aligned with English school of improvising and focused on soprano saxophone, both as a solo performer and with Trevor Watts, John Stevens, AMM and more recently the London Improvisers Orchestra. Coxhill died Jul. 9th at 79. September 1 †Art Pepper 1925-82 Willie Ruff b.1931 †Gene Harris 1933-2000 Wayne Horvitz b.1955 Essiet Essiet b.1956 Wolter Wierbos b.1957 September 2 Horace Silver b.1928 †Clifford Jordan 1931-93 †Walter Davis Jr. 1932-90 John Zorn b.1953 Jonas Kullhammar b.1978 September 3 Mickey Roker b.1932 Larry Ridley b.1937 Onaje Allan Gumbs b.1949 Veryan Weston b.1950 Peter Bernstein b.1967 David Sanchez b.1968 September 4 Gerald Wilson b.1918 David Liebman b.1946 Lonnie Plaxico b.1960 Kenny Davis b.1961 Bireli Lagréne b.1966 Patrick Cornelius b.1978 September 5 †Albert Mangelsdorff 1928-2005 †Eddie Preston 1928-2009 †Richie Powell 1931-56 Charles “Bobo” Shaw b.1947 September 6 †Buddy Bolden 1877-1931 †Clifford Thornton 1936-89 Peter Van Huffel b.1978 Live In Hollywood Wardell Gray (Xanadu) September 9th, 1952 The Haig, where this album was recorded, was an important club in the careers of many West Coast jazz musicians. Tenor saxophonist Gray settled in Los Angeles in the mid ‘40s after time with Earl Hines and was an active player until his mysterious death in 1955 at age 34. Joining Gray for this program of mostly standards is Art Farmer (trumpet), Hampton Hawes (piano, also writing “Jackie”), Howard Roberts (guitar on three tunes), Joe Mondragon (bass) and Shelly Manne (drums), Amos Trice replacing Hawes for a pair of songs. September 7 †Max Kaminsky 1908-94 †Graeme Bell 1914-2012 Sonny Rollins b.1930 †Makanda Ken McIntyre 1931-2001 Ron Blake b.1956 Bruce Barth b.1958 Irvin Mayfield b.1978 September 8 †Wilbur Ware 1923-79 †Specs Wright 1927-63 †Marion Brown 1935-2010 †James Clay 1935-95 Butch Warren b.1939 September 9 †Elvin Jones 1927-2004 †Walter Benton 1930-2000 Zbigniew Namyslowski b.1939 George Mraz b.1944 September 10 †Frank Coughlan 1904-79 †Rod Rodriguez 1906-92 †Raymond Scott 1908-94 †Joe Deniz 1913-1994 †Cliff Leeman 1913-86 †Ken Rattenbury 1920-2001 †Prince Lasha 1929-2008 Roy Ayers b.1940 Dave Burrell b.1940 Craig Harris b.1954 Steve Davis b.1958 September 11 †Charles Moffett 1929-97 †Baby Face Willette 1933-1971 Oliver Jones b.1934 †Hiram Bullock 1955-2008 Dan Aran b.1977 September 12 †Cat Anderson 1916-81 †Joe Shulman 1923-57 †Earl Coleman 1925-95 Steve Turre b.1948 Joëlle Léandre b.1951 Scott Hamilton b.1954 Adam Rudolph b.1955 Brian Lynch b.1956 Marc Mommaas b.1969 Champian Fulton b.1985 September 13 †”Chu” Berry 1908-41 †Leonard Feather 1914-94 †Dick Haymes 1916-80 †Charles Brown 1922-99 †Mel Torme 1925-99 Alex Riel b.1940 Joe Morris b.1955 Moppa Elliott b.1978 September 14 †Cachao 1918-2008 †Jay Cameron 1928-2011 †Bill Berry 1930-2002 Joseph Jarman b.1937 Eddie Moore b.1940 Oliver Lake b.1942 Jerome Sabbagh b.1973 Aram Shelton b.1976 Brian Landrus b.1978 Diederik Rijpstra b.1982 September 15 †Al Casey 1915-2005 †Gene Roland 1921-82 †Arvell Shaw 1923-2002 †Julian “Cannonball” Adderley 1928-75 †Seldon Powell 1928-97 Ned Rothenberg b.1956 Bad! Bossa Nova Gene Ammons (Prestige) September 9th, 1962 Gene Ammons, son of pianist Albert Ammons, was one of the fathers of the Chicago tenor tradition. After work with Billy Eckstine and his father, Ammons worked mostly as a leader, including a partnership with Sonny Stitt. His recording rate was consistent until this date, which was done before a seven-year incarceration for drugs (his second). Ammons only wrote “Moito Mato Grosso” of the album’s six tunes, supported by the dual guitars of Kenny Burrell and Bucky Pizzarelli, with pianist Hank Jones in the rhythm section. IN MEMORIAM By Andrey Henkin BIRTHDAYS September 16 †Joe Venuti 1903-78 Jon Hendricks b.1921 †Charlie Byrd 1925-99 †Gordon Beck 1938-2011 Lisle Atkinson b.1940 Hamiet Bluiett b.1940 Steve Slagle b.1951 Graham Haynes b.1960 Chris Cheek b.1968 September 17 †Jack McDuff 1926-2001 †Earl May 1927-2008 Theo Loevendie b.1930 David Williams b.1946 Jeff Ballard b.1963 Craig Haynes b.1965 September 18 †Steve Marcus 1939-2005 Jovino Santos Neto b.1954 John Fedchock b.1957 †Emily Remler 1957-90 Pete Zimmer b.1977 September 19 Muhal Richard Abrams b.1930 †Lol Coxhill 1932-2012 Tatsu Aoki b.1957 Bruce Cox b.1959 Cuong Vu b.1969 September 20 †Jackie Paris 1926-2004 †John Dankworth 1927-2010 †Red Mitchell 1927-92 Joe Temperley b.1929 Eddie Gale b.1938 †Billy Bang 1947-2011 Steve Coleman b.1956 Ben Kono b.1967 ON THIS DAY by Andrey Henkin Live at the Lighthouse Elvin Jones (Blue Note) September 9th, 1972 Despite fame from his association with Coltrane, drummer Elvin Jones always was his own man, waxing his debut as a leader in the early ‘60s. After Coltrane’s death, Jones became more active fronting groups and mentoring younger musicians. Three of those are here: the twin saxophones of Steve Grossman and Dave Liebman (the former a Miles alum, the latter just starting with the trumpeter) and bassist Gene Perla. Liebman and Perla penned half the tracks from this Hermosa Beach concert, the last of many jazz albums made there. EDWIN DUFF - The Scottish popular singer started his career on the other side of the world in Australia, winning a vocal contest as a ten-year-old on the ship journey down under. He became a national star there, working often on the radio and with many of that country’s big bands as well as with visiting Americans like Dizzy Gillespie, Gene Krupa, Carmen McRae, Buddy Rich and Art Tatum. Duff died Jul. 9th at 84. BEN KYNARD - While part of Lionel Hampton’s band in the ‘40s, the baritone saxophonist wrote the future jazz standard “Red Top”, though he never got the accolades that later covers of the tune received. Kynard also played with Willis Jackson briefly but spent his post-Hamp days working for the US Postal Service while jamming in his native Kansas City at night. Kynard died Jul. 5th at 92. LARANCE MARABLE - A mainstay in bassist Charlie Haden’s late ‘80s-present Quartet West, the stalwart Los Angeles drummer came up in that city’s jazz scene in the ‘50s, playing with visiting boppers like Wardell Gray, Charlie Parker and Dexter Gordon as well as up-and-coming locals like Chet Baker and Frank Morgan while touring in the ‘70s with Supersax and Bobby Hutcherson. Marable died Jul. 4th at 83. ILHAN MIMAROGLU - Known primarily for the acoustic and groundbreaking electronic music he wrote from the ‘50s on, the composer was also a producer at Atlantic (and later his own Finnadar) Records, where he worked with Freddie Hubbard and Charles Mingus in the ‘70s as well as John Cage and Karlheinz Stockhausen. Mimaroglu died Jul. 17th at 86. ROB PRONK - An arranger for Holland’s Metropole Orchestra for 30 years, Pronk also played trumpet with and arranged for Kurt Edelhagen in the ‘50s and then appeared occasionally as a pianist with such players as Dexter Gordon, Zoot Sims and Frank Rosolino as well as teaching arranging and composition at Rotterdam Conservatory. Pronk died Jul. 6th at 84. JODY SANDHAUS - The vocalist’s first album Winter Moon featured her husband, pianist Pete Malinverni. Since the ‘80s, after a piano education founded on classical music, she performed in many New York City venues and released three more albums that included both well-known standards and unusual vocal fare. Sandhaus died Jul. 17th at 47. September 21 †Slam Stewart 1914-87 Chico Hamilton b.1921 †Fred Hunt 1923-86 Sunny Murray b.1937 John Clark b.1944 September 22 †Fletcher Smith 1913-93 Bill Smith b.1926 Ken Vandermark b.1964 Alex Kontorovich b.1980 September 23 †Albert Ammons 1907-49 †John Coltrane 1926-67 †Frank Foster 1928-2011 †Jimmy Woode 1928-2005 †Ray Charles 1930-2004 Norma Winstone b.1941 Jeremy Steig b.1943 George Garzone b.1950 September 24 †”Fats” Navarro 1923-50 †John Carter 1929-91 Wayne Henderson b.1939 Bill Connors b.1949 Jay Hoggard b.1954 Ingrid Laubrock b.1970 Walter Smith III b.1980 September 25 †Alex Bigard 1899-1978 †Charlie Allen 1908-72 †Sam Rivers 1923-2011 †Roland Alexander 1935-2006 Horacee Arnold b.1937 Mike Gibbs b.1937 John Taylor b.1942 Craig Handy b.1962 Barbara Dennerlein b.1964 September 26 †George Gershwin 1898-1937 †Dick Heckstall-Smith 1934-2005 Gary Bartz b.1940 Vic Juris b.1953 Nicholas Payton b.1973 Mamiko Watanabe b.1980 September 27 †Bud Powell 1924-66 †Hank Levy 1927-2001 †Red Rodney 1927-94 Mike Nock b.1940 Matt Wilson b.1964 September 28 †John Gilmore 1931-95 Gerd Dudek b.1938 Ray Warleigh b.1938 Rod Mason b.1940 †Sirone 1940-2009 †Mike Osborne 1941-2007 †Kenny Kirkland 1955-98 September 29 Rolf Kühn b.1929 Malcolm Griffiths b.1941 Jean-Luc Ponty b.1942 Roy Campbell b.1952 Dave Kikoski b.1961 Alex Skolnick b.1968 September 30 †Buddy Rich 1917-87 †Oscar Pettiford 1922-60 †Carmen Leggio 1927-2009 †Jon Eardley 1928-91 †Steve McCall 1933-89 Antonio Hart b.1968 Melissa Stylianou b.1976 Marshall Gilkes b.1978 To a Finland Station Gillespie/Sandoval (Pablo) September 9th, 1982 Trumpeter Arturo Sandoval owes much to Dizzy Gillespie. Not only was the elder musician a formative influence but it was during a 1990 tour with Gillespie that Sandoval defected from his native Cuba. This album, recorded five years after Sandoval finally met his idol, was documented in the Finnish capital of Helsinki, the trumpeters working with a local rhythm section (including the bassist brother of pianist Heikki Sarmanto) for a five-tune program of Gillespie pieces, including the humorously titled “Dizzy the Duck”. GEORGE GARZONE September 23rd, 1950 The tenor saxist’s technique and musical imagination was honed during weekly gigs in his native Boston with the freeish trio The Fringe (the first two albums are essential) starting in 1972. Since then he has applied his Coltraneinfluenced style to a number of albums as leader as well as appearances with a wideranging selection of artists like George Russell, Gunther Schuller, Joe Lovano and Danilo Perez. His influence, instrumentally at least, may be felt more in the students he has taught (including Joshua Redman and Branford Marsalis) - many of whom pack whatever club in which he is playing - as a longtime educator at such institutions as Berklee College of Music, New England Conservatory and The New School. -AH 9.9.99 Per Henrik Wallin (Stunt) September 9th, 1999 Swedish pianist Per Henrik Wallin is one of those musicians who worked under the surface of general jazz consciousness, appreciated by those who discovered him. His discography is broken up into two periods, the early period recording for indigenous labels Dragon and Caprice, halted due to a 1988 accident, then starting again in the late ‘90s, often working with younger Swedish musicians. This date includes bassist Peter Janson and drummer Leif Wennerstrôm for a 10-song set highlighting Wallin’s inside-out sensibilities. THE NEW YORK CITY JAZZ RECORD | September 2012 51 Scott Friedlander
Page 1: September 2012 | No. 125 B O B B Y
Page 4 and 5: NEW YORK @ NIGHT SMOKE ® JAZZ&SUPP
Page 6 and 7: Photo by Geoffrey Creighton INTERVI
Page 8 and 9: SATURDAY, SEPTEMBER 22 | 7:30PM |$3
Page 10 and 11: ENCORE Rahn Burton by Matthew Mille
Page 12 and 13: Inner Circle by Alex Henderson Greg
Page 14 and 15: IN MEMORIAM Lol Coxhill - a great i
Page 16 and 17: Plays Toninho Horta Duduka Da Fonse
Page 18 and 19: GLOBE UNITY: BRAZIL Piano Masters S
Page 20 and 21: Alive at the Vanguard Fred Hersch T
Page 22 and 23: 22 September 2012 | THE NEW YORK CI
Page 24 and 25: Fortune Songs Jasmine Lovell-Smith
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Page 28: Live at Smalls Jesse Davis (smallsL
Page 31 and 32: Yesterday and Today Toots Thieleman
Page 33 and 34: Loverly Lenore Raphael/Howard Alden
Page 35 and 36: New York City’s most famous jazz
Page 37 and 38: Conduit Greg Diamond (Dot Time) by
Page 39 and 40: Golden Child Jared Gold (Posi-Tone)
Page 41 and 42: (INTERVIEW CONTINUED FROM PAGE 6) a
Page 43 and 44: Wednesday, September 5 êPeter Brö
Page 45 and 46: Friday, September 14 êDan Tepfer
Page 47 and 48: Sunday, September 23 êFONT: Natsuk
Page 49: CLUB DIRECTORY • 449 Lounge 449 L

September 2012 - The New York City Jazz Record

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