1 Italian Maiolica of the Renaissance - The Ashmolean Museum

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1904), pl. facing p.46. It was sold at the Beit sale, Sotheby’s, London, 16 October 1942, lot 21, bought by Alfred Spero for £33. Another from the same set was in the Pringsheim collection, Falke 1994, II, no. 179. For other pieces with the same arms, see C. Ravanelli Guidotti, “Bianchi blasonati”, Faenza 91 (2005), pp. 25-38. No. 57: Provenance: Sotheby’s, London, 2 March 1993, lot 221. This piece was placed under sequestro giudiziario in 1999 and returned to the owner in 2003. p. 122: Another Faenza plate, an armorial tondino, in the Grassimuseum, Leipzig, has a similarly-scratched B in the glaze on the back. No. 58: Subsequently Frizzi Baccioni collection, Florence. Reproduced in E. Barbolini Ferrari (ed.), Convivium. Fasto e stile a tavola tra XVI e XIX secolo, a cura di Icaro Progetti x l’Arte. Modena, 2007, p. 29. No. 59: This piece was placed under sequestro giudiziario in 1999 and returned to the owner in 2003. It was acquired by the Fondazione Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 26 No. 59: Formerly Pisa collection, Catalogue de la collection Luigi Pisa, préface de Ugo Ojetti, Milan 1937, no. 551. No. 60: This piece was offered for sale at Semenzato, Florence, 15 December 2001, lot 122. It was acquired by the Fondazione Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 27. This bowl was lot 427 in the Achillito Chiesa sale (part 3) at the American Art Association, New York, 16-17 April, 1926. A very similar figure, on another Faenza crespina, was sold from the Castiglioni collection, Wawra and Werner, Vienna, 26 November 1925 and following days, lot 69. No. 61: This piece was placed under sequestro giudiziario in 1999 and returned to the owner in 2003. It was acquired by the Fondazione Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 28. Nos 63, 64, 65, 66: These pieces were placed under sequestro giudiziario in 1999 and returned to the owner in 2003. 64 and 66 were acquired by the Fondazione Cassa di Risparmio di Perugia in 2006. p. 136, no. 63: Michael Brody suggests that the letters may be read FI, perhaps for Franciscus Iesus. No. 64 was acquired by the Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 29. No. 66 was acquired by the Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 30. 10
p. 143, no. 67: The jar was subsequently in the Koelliker collection. Michael Brody notes that a similar jar was in the Cotinat sale, Paris (Drouot Montaigne), 20 June 1997, lot 110. Nos. 68, 69: On p. 148, 69 is on the left and 68 on the right. No. 69: This piece was placed under sequestro giudiziario in 1999 and returned to the owner in 2003. It was subsequently in the Koelliker collection, from which it was sold Wannenes, Genoa, 11-12 October 2011, lot 40. no. 68 was acquired by the Fondazione Cassa di Risparmio di Perugia in 2006 (see introductory note) and is republished by Wilson and Sani 2006, no. 31. No. 70: A similar jar, dated 1555, is described by Luciana Arbace, Museo della Ceramica Duca di Martina: la maiolica italiana (Naples 1996), no. 55; another, dated 1549, is in the Musée des Hospices, Hôtel Dieu, Lyon. Nos 71 and 72: The colour illustrations have been wrongly arranged and numbered. The first (p. 152) is no. 71, the second and third (pp. 153, 154) are no. 72, and the fourth (p. 155) is no. 71. Peter Arney suggests that the old man is Moses striking the rock with his rod. These two jars were lot 7 in the catalogue of the Cabinet de curiosité d'un grand amateur, Paris (Drouot Montaigne), 20 October 1990. No. 71 was subsequently Frizzi Baccioni collection, Scarperia, Florence; from which acquired in 2006 by the Fondazione Cassa di Risparmio di Perugia, and published in the second volume of the catalogue of that collection, edited by Timothy Wilson and Elisa Paola Sani (2007), no. 120. No. 73: Subsequently Frizzi Baccioni collection, Scarperia, Florence; from which acquired in 2006 by the Fondazione Cassa di Risparmio di Perugia, and published in the second volume of the catalogue of that collection, edited by Timothy Wilson and Elisa Paola Sani (2007), no. 121. No. 75: A. Piccini, in "La giusta lettura del marchio della bottega di Virgiliotto da Faenza", Arte Incontro in Libreria 34 (April-June 2001), p. 37, suggests that the VR AF mark refers to the societas between Virgiliotto and Antonio di Fenzolo (or Franzolo?) Lagnanini. No. 76: Now private collection, Cento. No. 77: This piece was placed under sequestro giudiziario in 1999 and returned to the owner in 2003. Nos. 75-77: All previous scholarly literature on bianchi is now superseded by Carmen Ravanelli Guidotti, Faenza-Faience: "Bianchi" di Faenza [exhib. cat., Museo Internazionale delle Ceramiche, Faenza], Ferrara 1996. No. 76: Now private collection, Cento. Published by Ravanelli Guidotti, Bianchi (cit.), pp. 348- 9, suggesting an attribution to Pier Paolo [Stanghi] (the painter whom Fiocco and Gherardi believe to be identifiable with Pier Paolo Menzocchi). No. 77: This plate was in the sale at Semenzato (Milan), 13 March 1987, lot 336. 11
Page 1 and 2: Italian Maiolica of the Renaissance
Page 3 and 4: di Santa Fina, Siena 2000, p. 55; 7
Page 5 and 6: each year to the rector of the chur
Page 7 and 8: p. 72, note 1: Another lustred exam
Page 9: Nos 53, 54, 55: These pieces were p
Page 13 and 14: No. 83: The photograph of the rever
Page 15 and 16: No. 89: This plaque was offered for
Page 17 and 18: pp. 145-151 as the painter "S", pos
Page 19 and 20: e la coppa di Tiberio", Faenza 82 (
Page 21 and 22: was acquired by the Fondazione Cass
Page 23 and 24: No. 130: Add to bibliography: F. Ra
Page 25 and 26: Florence, 19 December 2002, lot 172
Page 27 and 28: Suzanne Higgott has pointed out to
Page 29 and 30: p. 424, col. 1, note 2: For Wilson
Page 31 and 32: no. 182, the one with land animals
Page 33: Bibliography G. Liverani 1976. For

1 Italian Maiolica of the Renaissance - The Ashmolean Museum

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