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32<br />

TONE AUDIO NO.51<br />

‘<br />

Nothing ever<br />

stays like it was in the<br />

beginning,” sings Jim<br />

James in the midst of his<br />

full-length solo debut,<br />

Regions of Light and<br />

Sound of God. “Nothing<br />

ever stays the same way<br />

for too long.”<br />

MUSIC<br />

Jim James<br />

Regions of Light and Sound of God<br />

ATO Records, LP or CD<br />

This is certainly true of both James and<br />

his longtime band My Morning Jacket. The<br />

Louisville-based crew first emerged in the late<br />

90s as a throwback to the classic Southern<br />

rock era before slowly morphing into art-rock<br />

weirdos over the course of a half-dozen wildly<br />

divergent albums. James has adopted a<br />

similar approach outside the ensemble. He’s<br />

recorded alongside M. Ward, Conor Oberst,<br />

and Mike Mogis in the eclectic supergroup<br />

Monsters of Folk and released a strippeddown<br />

tribute to late-Beatle George Harrison<br />

under the regrettable name Yim Yames.<br />

The singer’s evolution continues on<br />

Regions of Light and Sound of God, which<br />

sounds vaguely futuristic despite taking<br />

significant lyrical inspiration from Lynn<br />

Ward’s 1929 graphic novel State of the Art<br />

(A.E.I.O.U.). Dense and moody, it’s awash<br />

in plodding piano, creeping funk guitar,<br />

and scraggly digital textures. (continued)<br />

December 2012 33

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