Standard Resolution Version 23MB - TONEAudio MAGAZINE
Standard Resolution Version 23MB - TONEAudio MAGAZINE
Standard Resolution Version 23MB - TONEAudio MAGAZINE
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32<br />
TONE AUDIO NO.51<br />
‘<br />
Nothing ever<br />
stays like it was in the<br />
beginning,” sings Jim<br />
James in the midst of his<br />
full-length solo debut,<br />
Regions of Light and<br />
Sound of God. “Nothing<br />
ever stays the same way<br />
for too long.”<br />
MUSIC<br />
Jim James<br />
Regions of Light and Sound of God<br />
ATO Records, LP or CD<br />
This is certainly true of both James and<br />
his longtime band My Morning Jacket. The<br />
Louisville-based crew first emerged in the late<br />
90s as a throwback to the classic Southern<br />
rock era before slowly morphing into art-rock<br />
weirdos over the course of a half-dozen wildly<br />
divergent albums. James has adopted a<br />
similar approach outside the ensemble. He’s<br />
recorded alongside M. Ward, Conor Oberst,<br />
and Mike Mogis in the eclectic supergroup<br />
Monsters of Folk and released a strippeddown<br />
tribute to late-Beatle George Harrison<br />
under the regrettable name Yim Yames.<br />
The singer’s evolution continues on<br />
Regions of Light and Sound of God, which<br />
sounds vaguely futuristic despite taking<br />
significant lyrical inspiration from Lynn<br />
Ward’s 1929 graphic novel State of the Art<br />
(A.E.I.O.U.). Dense and moody, it’s awash<br />
in plodding piano, creeping funk guitar,<br />
and scraggly digital textures. (continued)<br />
December 2012 33