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TONE STYLE<br />

“We’re fearless with what<br />

we serve, not to wow<br />

people, but because the<br />

foods are delicious. I love<br />

nose-to-tail food. There’s<br />

not enough of this in the<br />

United States.”<br />

100 TONE AUDIO NO.51<br />

Named after the Gorbals district of Glasgow—he is half Scottish,<br />

after all—the Los Angeles restaurant comprises a dining room and<br />

bar, and has a contemporary feel, with subdued recessed lighting,<br />

wood floors and a mixture of tables and benches creating an intimate<br />

atmosphere.<br />

When the subject of Music Hall comes up, Ilan mentions that he<br />

did help his father out along the way. “My friends and I used to help<br />

Dad stuff envelopes for his mailing list. I hated that—that was before<br />

the Internet. But I loved music and still have a turntable. I’ve had a<br />

turntable since I was ten.” Asked if his wide range of musical taste includes<br />

any guilty pleasures, he proudly states that he’s “not ashamed<br />

of any of his choices. I don’t like folk music, but I do like Weird Al<br />

Yankovic.” Hall admits that he has an influence on the eclectic music<br />

played in the restaurant, but that it is a fairly democratic thing. “I like<br />

early ’90s R&B, because it’s something most of my clients can bob<br />

their heads along to. Great music is a big part of the vibe.”<br />

As we dine on a wide range of things, from roasted corn to<br />

oysters, lamb, and burgers, Hall quickly ducks out to check on a<br />

few things in the kitchen, returning to discuss the menu, which he<br />

describes as “taking inspiration from my fridge growing up. We’re<br />

fearless with what we serve, not to wow people, but because the<br />

foods are delicious. I love nose-to-tail food. There’s not enough of<br />

this in the United States.” (continued)<br />

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