MARCELOTEIXEIRA_ARCHITECTURE_PORTFOLIO_2021

CENTRO JURÍDICO

ARQUITETURA

PAISAGISMO

& INTERIORES

UIRAMUTÃ

TOURIST

SUPPORT

CENTER

PAGE 3

PARICARANA’S

HEART

PAGE 7

MIAMI

BALCONIES

HOTEL

PAGE 17

PHOTOGRAPHY

GRAPHIC

DESIGN

Logo created for a company

that provides hospital services.

Logo created for a

company that provides

intensive therapy services.

PAGE 21

Rosa

Benedetti

Caroline

Nakagawa

PAGE 23

DRAWINGS

Logo created for a Law Center.

Logo created for a architeture

professional.

PORTFOLIO MARCELO TEIXEIRA 2021

PAGE 25

ToUrIsT

SuPpOrT

CeNtEr

UiRaMuTÃ

ToUrIsT SuPpOrT CeNtEr UiRaMuTÃ

2021 UFRR/UIRAMUTÃ TOWN HALL

PROJECT MANAGER: Prof. PhD GRACIETE GUERRA DA COSTA

GEOGRAPHIC LOCATION

Brazil is located in South America. The County of Uiramutã is

an indigenous area in the extreme northeast of Roraima.

SOUTH

AMERICA

BRAZIL

STATE of

RORAIMA

CITY of

UIRAMUTÃ

This Tourist Support Center project is currently being executed

by a team of wonderful architects, each one on their own

specialty.

On this project I’m responsible for it’s visual identity, the

portal of the city and the indigenous museum.

PROJECT PARTI

Because of its remote location and difficult access, the

project should be simple, modular and easy to maintain.

VISUAL IDENTITY (Colors)

SITE LOCATION

The site location is 100 meters from the entrance of

Uiramutã’s urban area and it’s important to say that it’s

before the first road fork that takes to the falls because the

Tourist Support Center will be also used as a screening point.

The whole visual identity was based on the indigenous

culture, the natural resources of Uiramutã and its five ethnicities:

Macuxi, Ingaricó, Patamona, Wapixana and Tuarepang.

The color palette was based on one of the 23 waterfalls

located in Uiramutã (image and picture bellow).





VISUAL IDENTITY (Icons)

All the indigenous ethnicities of the location were represented

by a group of five icons listed bellow:

PORTICO of UIRAMUTÃ

The Portico of Uiramutã is an invitation to the city but also a

stop for screening of the tourists, to make sure they know the

rules, the indigenous history of the place and to buy their

work if they want.

CRAFTSMANSHIP

(STRAW)

HUNT and

FISHING

CRAFTSMANSHIP

(CLAY)

WATERFALLS

VISUAL IDENTITY (Floor pagination)

PENACHES

It was also inspired by the waterfalls as you can see on those

three groups of metal stripes coming down from the metal

structure. The whole structure is made by galvanized carbon

steel tubes because of its modularity and low maintainance.

The security cabin is made by bricks and a concrete slab.

The sidewalks pagination (image bellow) also has indigenous

theme. It was inspired by an indigenous straw craftsmanship,

adapted to the color scheme chosen for this project.


Vale dos

Cristais

Cachoeira Cachoeira

Urucazinho Urucá

Canion

RR171

Uiramutã

Piauí Variedades

Bessa

Lanches

Pousada

Uiramutã

Salão do Reino das

Testemunhas de Jeová

Prefeitura

Municipal

de Uiramutã

FarLab

Cursos

Churrascaria &

Restaurante

Comercial Casa

dos Compadres

RR171

Cachoeira

Sete Quedas

Mercado

Coração

Macuxi

Distribuidora

do Cacau

Igreja Assembléia

de Deus Ministério

Uiramutã

Camping

Cachoeira

do Paiua

Você está Aqui

RR171

Uiramutã

Fotos: Nicoló Lanfranchi/The Guardian

Fotos: Nicoló Lanfranchi/The Guardian




TOURIST SUPPORT CENTER (Museum)

The idea of the Indigenous Museum was to be an immersive

place, telling the history of the ethnicities from the time the

tourists enter into the museum, to the time they leave it, and

that could be better achieved with the circular shape we can

see on indigenous longhouses.

As you can see beside, the wall could be painted, seamlessly,

by a native from the region or a personalized wallpaper. The

painting would start from a map where the tourists could

locate themselves and see where they want to go, followed

by the history of the ethnicities through images exposing

their craftsmanship, and, at the same time, informational

totens in front of each ethnicity to deep on their history. All

that wrapped around with ambient light and sound of nature.

WaPiXaNa

UiRaMuTÃ

IMAGENS MERAMENTE ILUSTRATIVAS

MaCuXi

TaUrEpAnG

InGaRiCÓ

PaTaMoNa

RENDER: DANIEL OLIVEIRA

MODEL: ANGÉLICA TRIANI

RENDER: DANIEL OLIVEIRA

MODEL: ANGÉLICA TRIANI


IMAGENS PROJETO

50 0 50 100

Paricarana’s Heart: A space for the integration of scientific knowledge

2018 UFRR FINAL PROJECT

GEOGRAPHIC LOCATION

Brazil is located in South America. The City of Boa Vista is the

capital of Roraima and it’s located in the North region of

Brazil (marked in light gray bellow).

From now on all the projects on this portfolio will be located

on the same geographic location.

STATE of

RORAIMA

Considering the complexity of this project, a brief introduction

will be made to make it understandable.

This final project was intended to solve, throught architecture

and urbanism, the lack of integration between students and

between students and professors in the campus. The motivation

to solve this problem is that an integration between

people from different knowledge base increases the chance

to come up with new and/or original ideias.

SOUTH

AMERICA

BRAZIL

CITY of

BOA VISTA

This campus, in particular, has never had or followed an

expansion plan, leading to a disorderly growth. Because of

that, the space was not sectorized and the buildings were

built spreaded ramdonly throughout the campus area (image

bellow).

PWD*

SITE LOCATION

The site location is the Campus of Paricarana, one of the

Federal University of Roraima campuses. It’s located in the

northwest of the City of Boa Vista, 100 meters from the

airport.

PWD*

THE CHALLENGE

STUDY BUILDINGS

ADMINISTRATIVE AREA

LIBRARY

STREETS

CAMPUS BOUNDARIES

The challenge was to solve the problem creating an integration

space with a minimum of intervention on what’s already

built.

• The first step was to find the reasons why there’s a lack of

integration between students and students and professors;

• The second step was to find a place inside the campus

where students and professors were already converging;

• The third step was to find an area, on this place, where the

intervention could be taken place.

*PREDOMINANT WIND DIRECTION




THE RESEARCH

PROJECT PARTI

The research was the first step to find the reasons of the lack

of integration, an online survey was applied to the students,

professors and employees of the university. That raised basic

problems that hindered their mobility and their stay at the

university during the whole day, they are mainly:

To create more space and increase mobility, the inner

streets and parking lots were removed, and a detour on

the main accesses was made (image bellow).

PWD*

CAF

MAIN

ACCESS

• Lack of shading (trees);

• Lack of illumination;

• Lack of a place to integrate with others;

• Lack of a place to rest/chill;

• Some had a job, others children, and stayed at the university

only on the period of the classes.

MAIN ACCESS

DETOUR

INNER STREETS

AND PARKING LOTS

LAW/MUSIC

BUILDING

NPPGCT

IGEO

PROF BUILDING

BUILDING 2

ANNEX

BUILDING 3

IGEO

NUPENERG LAB

BUILDING 5

ANNEX

RNP

BULDING 5

ENGEL

WAREHOUSE

NUPENGE

MED BUILDING

SOCIAL SCIENCES

CENTER

PROCISA

PRONAT

HYDROS

The second step was also covered because the survey

helped to locate the place students and professors had in

common inside the campus, which happened to be the

library. Fortunately the library was almost in the center of the

campus and I knew that the integration space had to be close

to it.

BUILDINGS 6 e 7

HUMAN

SCIENCE

CENTER

DCE

INAN

ANNEX

DCE

RESTAURANT

NPS OBSERVARR

NUPEPA

NUCELE

NUDOCHIS NPJDDH NAPRI NEEDS

WATER

TOWER

BASIC

CYCLE

LIBRARY

LIVING

CENTER

CECOMP

RECTORY

PROINFRA

ARCHIVE

DRH

PRPPG

CBIO

BUILDING 4

SECONDARY

ACCESS

BUILDING 1 BUILDING 2

HEALTH

DIRECTORY

MEDICAL

CLINIC

INSIKIRAN

NUHSA

DECAR

LABCOM

50 0 50 100

More space was revealed when the streets were removed

but there were still two buildings on the way (CECOMP

and RNP). One of the premises of this project was a free

field of view, so if the main building continued the shape

of the library, those buildings could be used as foundations

as showed beside.





THE CONCEPT

The Campus was named after a tree called Paricarana. When

the inner streets and the parking lots were removed, a

biological heart shape was formed (image bellow), and that’s

how the name Paricarana’s Heart and the concept were

born.

named KDS - Knowledge Diffusion Space. This space

was thought to generate traffic to the Integration Space,

and it was divided in three different buildings.

The main building, suspended in pilotis, named as SKIC

- Scientific Knowledge Integration Center (in

portuguese the acronym is CICC, just to make the façade

understandable), has inside it all the six academic

centers, that were located in different buildings, a

mini-auditorium, a food court, stores, a place to rest,

individual and coletive pods for studying. The building

under the main building is a space for exposition named

ParicaExpo, where students or people from outside of

the university can expose their works.

This project concept is basically the operation of the circulatory

system where the study buildings are the organs, and

the students and professors are the blood that goes to the

heart and come back renovated with new knowledge and

ideas.

Inside the “heart” the sidewalks were named as arteries and

veins. The arteries had a red color, they’re wider and

interconnect all the campus to the integration spaces, while

the veins are narrower and colored accordingly with the

space it surrounds.

Two spaces were created to materialize students and professors

demands, one of the spaces was named KAS - Knowledge

Acquisition Space, which is an outdoor space in front

of the library where students can study (acquire knowledge)

without worrying about making noise, and the other was

CYCLEWAY LEGEND

Free to pedal

ATENTION!

DANGER! Crossing

ARTERIES

Sidewalks that

interconnect all the

campus to the

integration spaces.

SQUARES

All space

between

buildings will

be reserved for

small waiting

points and/or

rest.

VEINS LEGENDS

Exact Sciences

Human Sciences

Administrative Space

Common Space

Integration Space

Arteries

ARBORETUM

S4

ARBORETUM

S3

BOTANICAL

BOTANICAL

GARDEN

GARDEN

S1

S2

VEGETABLE

GARDEN

RESERVED SPACES

SQUARES

All space between

buildings will be reserved

for small waiting points

and/or rest.

LIBRARY

SPACE RESERVED

FOR EVENTS

PARICA

PUB

SKIC

PARICA

EXPO

VEINS

Sidewalks that connect the arteries to the

buildings of the campus. Each vein has a color

that takes to an especific area, becoming a

horizontal signage.

ARBORETUM

S2

PWD*

ARBORETUM

S1

BIKE PATHS

They are on the main

parts of the campus

using horizontal speed

signals identified by

colors.

KDS - Knowledge

Difusion Space

Indoor students and

professors integration

space, with academic

centers, mini-auditorium,

stores, food court,

spaces to study and

rest, art exposition and

leisure.

KAS - Knowledge

Acquisition Space

Outdoor space for

studying where students

and/or professors can

integrate without

worrying about making

noise.



9

8

7

6

5

4

3

2

1



THE BUILDINGS (SKIC)

09

STAIR

(NORTH

ACCESS)

PWD*

08

03

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20

D

07

20

20

20

20

22

23

24

25

26

D

21

21

19

06

04

02

05

STAIR

(SOUTH

ACCESS)

B

20

20

20

20

20

20

12

19

19

26

25

01

24 23 22 21 20 19 18 17 16 15 14

13

12 11 10

11

14 15

16 17

16

14 15

11

19

12

A

12

10

12 12

13

17

16

17

13 13

18

RAMP

(NORTH

ACCESS)

A

RAMP

(SOUTH

ACCESS)

B

1. MAIN FLOOR

5 0 5 10

1 STAIR (SOUTH ACCESS)

2 ACADEMIC CENTERS SECRETARY

3 BUTTLER’S PANTRY

4 HUMAN SCIENCE CENTER

5 SOCIAL SCIENCE CENTER

6 AGRARIAN SCIENCE CENTER

7 ARCHIVE

8 SCIENCE AND TECHNOLOGY CENTER

9 ADMINISTRATIVE AND ECONOMIC SCIENCES CENTER

10 MINI-AUDITORIUM

11 CLEANING DEPOSIT

12 CIRCULATION

13 STORES RESERVED SPACES

14 MEN'S RESTROOM

15 WOMEN'S RESTROOM

16 SNACK BARS/RESTAURANTS RESERVED SPACES

17 SITTING AREAS

18 RESTING SPACE

19 COLECTIVE STUDY PODS

20 INDIVIDUAL STUDY PODS

21 STAIR (NORTH ACCESS)





THE BUILDINGS (SKIC SECTIONS)

02 03

04

05

06

05

04

08 10

01 07

09

2. SECTION AA

5 0 5 10


2 CIRCULATION

3 MINI - AUDITORIUM

4 RESTROOMS

5 SNACK BAR/RESTAURANTS RESERVED SPACE

6 SITTING SPACE

7 PUBLIC WALKING SPACE

8 RESTING SPACE

9 RAMP (NORTH ACCESS)

10 STAIR (NORTH ACCESS)

STEEL AND

GLASS SKYLIGHT

PLATIBAND

TILTING

GLASS

WALL

BREEZES

03

04

03

02 01

3. SECTION BB

5 0 5 10


2 CIRCULATION

3 MINI - AUDITORIUM

4 RESTROOMS




THE BUILDINGS (PARICAPUB)

B

12

MAIN

ACCESS

12

PWD*

A

08

09

10

11

A

07

06

05

04

03

03

12

1 GLASS BRIDGE

2 PORCH

3 EATING SPACE

4 GAMES SPACE

5 COUNTER/BAR

6 KITCHEN

7 DUMP

8 COLD PANTRY

9 WOMEN’S RESTROOM

10 HANDICAP RESTROOM

11 MEN’S RESTROOM

12 WATER MIRRORS

MAIN

ACCESS

02

12

01

12

B

1. GROUND FLOOR

5 0 5 10





THE BUILDINGS (PARICAPUB SECTIONS)

01 02 03 04 05 06

2. SECTION AA

5 0 5 10

1 COLD PANTRY


3 RESTROOMS ACCESS

4 MEN’S RESTROOM

5 GAMES SPACE

6 GLASS BRIDGE

01 02

03 04 05 01

3. SECTION BB

5 0 5 10

1 GLASS BRIDGE

2 PORCH

3 KITCHEN

4 RESTROOMS HALLWAY

5 MEN’S RESTROOM




THE BUILDINGS (PARICAEXPO)

MAIN

ACCESS

B

PWD*

1 EXPOSITION AREAS

2 WATER MIRROR

02

01

02

A

A

01

01

B

1. GROUND FLOOR

5 0 5 10

*PREDOMINANT WIND DIRECTION PORTFOLIO MARCELO TEIXEIRA 2021



THE BUILDINGS (PARICAEXPO SECTIONS)

THERMOACOUSTIC TILES

GUTTER

03

02

01

2. SECTION BB

5 0 5 10

1 EXPOSITION AREAS

2 WATER MIRROR

3 TENSIONED STRUCTURE FOR

RAINWATER HARVESTING

PLATIBAND

THERMOACOUSTIC TILES

METALIC GUTTER

01

02 02

03

01

3. SECTION AA

5 0 5 10

1 EXPOSITION AREAS

2 WATER MIRROR

3 TENSIONED STRUCTURE FOR

RAINWATER HARVESTING


Miami Balconies

2016 UFRR DESIGN STUDIO 4: HOTELS

GEOGRAPHIC LOCATION

PROJECT PARTI

SOUTH

AMERICA

BRAZIL

STATE of

RORAIMA

CITY of

BOA VISTA

Part of this project was inspired by a hotel I stayed in Miami

Beach, called Beachcomber Hotel, back in the 80’s, when I

was a kid. The hotel layout, as in the pictures bellow, had a

long balcony serving as access to the apartments. and most

of the apartments were turned to the pool.

SITE LOCATION

For privacy issues the configuration had to be inverted,

placing the original long balcony to the opposite side of the

pool, and creating private balconies facing the pool on each

apartment.

The site location is in downtown of Boa Vista, iin a residential

neighborhood. It’s important to know that Boa Vista has a

predominantly flat relief and the water table level is, in general,

shallow. The climate is tropical with a significative pluviosity

and the weather is really warm, reaching almost 40

degrees Celsius.

ORIGINAL LAYOUT

OR

UPDATED LAYOUT

BALCONIES

BALCONIES

PWD*

POOLS

POOLS

From the updated layout, the logo and the texture for the

muxarabi (bellow) were created. The blue color of the pool

was changed to green to represent the rivers and the nature.

Miami Balconies



SERVICE

ACCESS

MAIN

ACCESS

SERVICE

ACCESS

Miami Balconies


THE CHALLENGE

The challenge of this project was fitting a comfortable hotel,

with all its main facilities, in a 1.200 m² site, respecting local

urban parameters and brazilian norms.

A

10

B

B

19

17

17

15

17

20

18

15

17

17

17

30

29

30

29

16 16 17

14

10

13

12

28

15

26

27

5

10

4

9

11 11

8

3

2

30 A

A

30

21

7

6

1

24 23 22

B

B

25

17

17

15

31

17

PWD*

A

1 HOTEL ACCESS

2 LOBBY

3 RECEPTION

4 INTERNET ZONE

5 RESTROOMS

6 GENERAL OFFICE

7 SECRETARY

8 FINANCIAL OFFICE

9 HUMAN RESOURCES

10 SERVICE ACCESS

11 SERVICE ELEVATOR

12 LAUNDRY

13 WOMEN'S LOCKER ROOM

14 MEN'S LOCKER ROOM

15 APARTMENTS ACCESS

16 DISABLED APARTMENTS

17 DOUBLE APARTMENTS

18 EXTERNAL RESTROOMS

19 MACHINE ROOM

20 POOL

21 RESTAURANT

22 RESTAURANT BALCONY

23 PANTRY AND COLD PANTRY

24 SANITATION AND STORAGE

25 KITCHEN

26 WAREHOUSE

27 EMPLOYEES KITCHEN

28 RESTAURANT RESTROOMS

29 SOCIAL ELEVATOR

30 STAIRS

31 SOLARIUM/GREEN ROOF

1. GROUND FLOOR

2. SECOND FLOOR

5 0 5 10 5 0 5 10



Miami Balconies


BUILDING SECTIONS

8

2 6

3. SECTION AA

5 0 5 10

9

7 10

5 4 3 1

2

11

1 HOTEL ACCESS

2 SERVICE ACCESS

3 LOBBY

4 STORAGE

5 CORRIDOR

6 HUMAN RESOURCES

7 KITCHEN

8 NORTH ROOFTOP

9 NORTH ROOFTOP ACCESS

10 RESTAURANT

11 SOLARIUM/GREENROOF

HOTEL CATEGORY

This Hotel was intended to be a Low-cost Hotel where guests

could have a basic service with comfort.

Because the tourism is concentrated in the State, not the

Capital, the type of hotel guests that come to Boa Vista are

mostly passing by or staying for a short period of time. Half of

those guests come for business and the other half come to

visit the natural attractions we have in the country side of the

State.

4

12

11

13

14

7

8

4

4

5

9 10

4

15

16

16

16

1 2

3 4

5

6 4

15

16

16

16 17

4. SECTION BB

5 0 5 10

1 RECEPTION

2 STORAGE

3 SERVICE ELEVATOR SHAFT

4 STAIRS

5 SERVICE CORRIDOR

6 LAUNDRY

7 RESTAURANT BALCONY

8 RESTAURANT

9 EMPLOYEES KITCHEN


11 NORTH ROOFTOP ACCESS

12 MACHINE ROOM

13 SOUTH ROOFTOP

ACCESS

14 SOUTH ROOFTOP

15 CORRIDORS

16 APARTMENTS

17 POOL ACCESS


PHOTOGRAPHY

1st ROW: BOA VISTA/RR, BRAZIL • 2nd ROW: BRASÍLIA/DF, BRAZIL • 3rd ROW: VANCOUVER/BC, CANADA


PHOTOGRAPHY

1st COLUMN: ITALY • 2nd COLUMN: BRAZIL • 3rd COLUMN: FRANCE


GRAPHIC DESIGN


GRAPHIC DESIGN


DRAWINGS


MARCELOTEIXEIRA_ARCHITECTURE_PORTFOLIO_2021

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