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Dossier de presse « Lola - Ciné-Tamaris

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SEEING <strong>Lola</strong><br />

I have seen <strong>Lola</strong> many times throughout my life, but I truly discovered it during the color grading<br />

of this restored version.<br />

Like all the films I love, I had never managed to «dissect» it, to focus on the directorial aspects in<br />

an attempt to un<strong>de</strong>rstand where this incredible charm emanating from Raoul Coutard’s black and<br />

white shots comes from… I’d get caught up in the story every time, and the film would end with<br />

me telling myself that I’d just have to do it next time…<br />

Then I saw the film again, very close up, with the Technicolor team in Los Angeles, going over each<br />

scene to refine the picture settings. It offered a different perspective: un<strong>de</strong>r a microscope.<br />

As far as the magic goes, I still can’t un<strong>de</strong>rstand it! I think I’ll have to give up trying to explain<br />

it, but I did notice the series of (barely perceptible) tracking shots of the lovers in the Passage<br />

Pommeraye, the choice of strong contrasts, due to a lack of means for lighting the interiors, the<br />

amazing DIY of the Eldorado song, and once again, I savoured the unforgettable lines of the lovely<br />

<strong>Lola</strong>: “Touch it! I washed my hair... It’s like silk!”<br />

It is a moving experience for me to immerse myself again today in Jacques’ first film, which he<br />

wanted to give me before he died, at a time when I have also just had my first experience as a<br />

director...<br />

My role was to contribute to making the film visible in contemporary screening conditions,<br />

without betraying the “colour” of the era.<br />

Many thanks to Séverine and Gilles, and I look forward to the public release!<br />

Mathieu Demy<br />

31 May 2012<br />

LOLA I 65

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