Dossier de presse « Lola - Ciné-Tamaris
Dossier de presse « Lola - Ciné-Tamaris
Dossier de presse « Lola - Ciné-Tamaris
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SEEING <strong>Lola</strong><br />
I have seen <strong>Lola</strong> many times throughout my life, but I truly discovered it during the color grading<br />
of this restored version.<br />
Like all the films I love, I had never managed to «dissect» it, to focus on the directorial aspects in<br />
an attempt to un<strong>de</strong>rstand where this incredible charm emanating from Raoul Coutard’s black and<br />
white shots comes from… I’d get caught up in the story every time, and the film would end with<br />
me telling myself that I’d just have to do it next time…<br />
Then I saw the film again, very close up, with the Technicolor team in Los Angeles, going over each<br />
scene to refine the picture settings. It offered a different perspective: un<strong>de</strong>r a microscope.<br />
As far as the magic goes, I still can’t un<strong>de</strong>rstand it! I think I’ll have to give up trying to explain<br />
it, but I did notice the series of (barely perceptible) tracking shots of the lovers in the Passage<br />
Pommeraye, the choice of strong contrasts, due to a lack of means for lighting the interiors, the<br />
amazing DIY of the Eldorado song, and once again, I savoured the unforgettable lines of the lovely<br />
<strong>Lola</strong>: “Touch it! I washed my hair... It’s like silk!”<br />
It is a moving experience for me to immerse myself again today in Jacques’ first film, which he<br />
wanted to give me before he died, at a time when I have also just had my first experience as a<br />
director...<br />
My role was to contribute to making the film visible in contemporary screening conditions,<br />
without betraying the “colour” of the era.<br />
Many thanks to Séverine and Gilles, and I look forward to the public release!<br />
Mathieu Demy<br />
31 May 2012<br />
LOLA I 65