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Feng Xiao-Min I Compositions I 2021

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FOREWORD<br />

Upon his arrival in France in 1988, <strong>Feng</strong> <strong>Xiao</strong>-<strong>Min</strong> is struck by the vivid palettes of Western artists. Coming from China,<br />

where Modern art has strayed from colourful approaches, he still remembers: “although my blood is filled with the<br />

spirit and rhythm of Chinese painting and lines, I was most struck by the colours in Western painting”. Working with<br />

colours thus becomes an integral part of his creation.<br />

Gazing at an artwork by <strong>Feng</strong> <strong>Xiao</strong>-<strong>Min</strong> is entering one’s own world, where time stands still yet accelerates, where a<br />

nostalgia for an unknown past emerges and where light transforms, coats and builds his <strong>Compositions</strong>.<br />

To celebrate his first Parisian solo exhibition at Opera Gallery, the artist features a unique selection of twenty-four<br />

paintings, created especially for the occasion. The ensemble resonates as an illuminated introspection onto recent<br />

events.<br />

<strong>Feng</strong> <strong>Xiao</strong>-<strong>Min</strong>’s systematised titles allow a total, unbiased immersion at the heart of light, of emotion, and of composition.<br />

The artist’s signature abstract style varies in hues yet is centred around one permanent feature: an excellent master<br />

of harmony and balance, coming from his training as a calligrapher.<br />

Opera Gallery Paris is thrilled to present this exhibition where <strong>Feng</strong> <strong>Xiao</strong>-<strong>Min</strong> surprises us with his ambition: for the<br />

first time, he ventures into greater formats, spread over several canvasses. More than an invitation to travel, these<br />

new <strong>Compositions</strong> are a true dive into these lands of perpetual movement and overflowing light.<br />

Marion Petitdidier<br />

Associate Director<br />

Opera Gallery Paris<br />

Gilles Dyan<br />

Founder and Chairman<br />

Opera Gallery Group

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