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Above: full size noise level checks<br />

from left to right at ISO 8000,<br />

16000, 32000 and 51200. Left:<br />

at ISO 640, dynamic range and<br />

accessible shadow detail allow<br />

strong image adjustments from<br />

raw. Note the shadow lift in the<br />

wellies and bushes in the adjusted<br />

second example.<br />

and that is exactly how it<br />

should be for the 2016 flagship<br />

model. The big difference<br />

actually comes with<br />

the video facilities. This<br />

could be the best non dedicated<br />

video camera ever and<br />

that is important to anyone<br />

who shoots a significant<br />

amount of video for crossover<br />

clients. 4K, a dedicated<br />

headphone socket and touch<br />

screen focusing will make<br />

a serious difference to your<br />

workflow. You can’t ignore<br />

facilities like that and they<br />

just were not there on the<br />

Mk1.<br />

Does the 1DX MkII offer a<br />

package that is so much better<br />

than the other models in the<br />

Canon range that it merits a<br />

price tag that is literally thousands<br />

of pounds more than the<br />

‘lesser’ models?<br />

The top gun wins<br />

Camera ranges have become<br />

a lot more complicated<br />

down at Canon Towers.<br />

There is a huge range of<br />

professional, amateur and<br />

pro-am cameras to choose<br />

from. The obvious comparisons<br />

are the 5D MkIII and<br />

MASTER PHOTOGRAPHY SEPTEMBER/OCTOBER 2016 • 33

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