Mster photo
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Above: full size noise level checks<br />
from left to right at ISO 8000,<br />
16000, 32000 and 51200. Left:<br />
at ISO 640, dynamic range and<br />
accessible shadow detail allow<br />
strong image adjustments from<br />
raw. Note the shadow lift in the<br />
wellies and bushes in the adjusted<br />
second example.<br />
and that is exactly how it<br />
should be for the 2016 flagship<br />
model. The big difference<br />
actually comes with<br />
the video facilities. This<br />
could be the best non dedicated<br />
video camera ever and<br />
that is important to anyone<br />
who shoots a significant<br />
amount of video for crossover<br />
clients. 4K, a dedicated<br />
headphone socket and touch<br />
screen focusing will make<br />
a serious difference to your<br />
workflow. You can’t ignore<br />
facilities like that and they<br />
just were not there on the<br />
Mk1.<br />
Does the 1DX MkII offer a<br />
package that is so much better<br />
than the other models in the<br />
Canon range that it merits a<br />
price tag that is literally thousands<br />
of pounds more than the<br />
‘lesser’ models?<br />
The top gun wins<br />
Camera ranges have become<br />
a lot more complicated<br />
down at Canon Towers.<br />
There is a huge range of<br />
professional, amateur and<br />
pro-am cameras to choose<br />
from. The obvious comparisons<br />
are the 5D MkIII and<br />
MASTER PHOTOGRAPHY SEPTEMBER/OCTOBER 2016 • 33