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Avi Avital & Erin Helyard Program Guide | September 2022

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AVI AVITAL<br />

& ERIN HELYARD


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Musica Viva Australia acknowledges the Traditional Custodians of the many lands on which we<br />

meet, work and live. We pay our respects to their Elders past and present – people who have<br />

sung their songs, danced their dances and told their stories on these lands<br />

for thousands of generations, and who continue to do so.<br />

AVI AVITAL<br />

Mandolin<br />

ERIN HELYARD<br />

Harpsichord<br />

BRISBANE<br />

Conservatorium Theatre,<br />

Griffith University, South Bank<br />

Tuesday 27 <strong>September</strong>, 7pm<br />

This concert will be livestreamed<br />

• Pre-concert talk: 6:15pm,<br />

Boardroom<br />

• Meet the Artists after the concert<br />

MELBOURNE<br />

Elisabeth Murdoch Hall,<br />

Melbourne Recital Centre<br />

Tuesday 20 <strong>September</strong>, 7pm<br />

• Pre-concert talk: 6:15pm,<br />

Salzer Suite, Level 2<br />

• Meet the Artists after the concert<br />

Saturday 24 <strong>September</strong>, 7pm<br />

Recorded for broadcast by ABC Classic<br />

• Pre-concert talk: 6:15pm,<br />

Salzer Suite, Level 2<br />

NEWCASTLE<br />

Newcastle City Hall<br />

Thursday 22 <strong>September</strong>, 7:30pm<br />

• Pre-concert talk: 6:45pm,<br />

Mulubinba Room<br />

SYDNEY<br />

City Recital Hall<br />

Monday 26 <strong>September</strong>, 7pm<br />

• Pre-concert talk: 6:15pm,<br />

Function Room<br />

• Meet the Artists after the concert<br />

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With special thanks to Eleanor Goodridge OAM<br />

for her support of this tour, and to the<br />

Producers’ Circle and Amadeus Society<br />

for their support of the <strong>2022</strong> Concert Season.<br />

Cover photo: Copyright Gary Heery


FROM THE ARTISTIC DIRECTOR<br />

The Israeli mandolin player <strong>Avi</strong> <strong>Avi</strong>tal is well<br />

known to Australian audiences, courtesy of<br />

a sequence of visits in which his fabulous<br />

musicality and virtuosity have stunned and<br />

charmed all those he encountered.<br />

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© Keith Saunders<br />

Italian cellist Giovanni Sollima had a similar<br />

impact when, on tour with the Australian<br />

Chamber Orchestra, I invited him and Richard<br />

Tognetti to be part of the 2014 Four Winds<br />

Festival to contribute what turned out to be an<br />

inspiring series of solo and chamber works.<br />

Asked to perform his favourite concerto<br />

cadenza, Giovanni mentioned by way of<br />

introduction that he used to perform this piece<br />

naked. ‘Come on then,’ Richard demanded.<br />

Giovanni partially obliged.<br />

Early conversations about the program for this<br />

Musica Viva Australia tour soon landed on the<br />

fact that both musicians grew up looking at<br />

the same patch of sea, if from very different<br />

countries and cultures. Thus, we talked about<br />

what the Mediterranean meant to each of them<br />

– not simply as a physical mass separating one<br />

country from the other, but more importantly<br />

as a source of myth and metaphor, of folksong<br />

and fantasy.<br />

If these were the bones, the flesh is rich and<br />

ample. Both brilliant improvisors, <strong>Avi</strong> and<br />

Giovanni dreamed up a way of telling the<br />

stories of their respective homelands through<br />

a patchwork of existing or improvised<br />

pieces, all stitched together with tales of their<br />

childhoods and their gradual emergence as<br />

two of the most original and fearless artists<br />

working today.<br />

Paul Kildea<br />

Artistic Director<br />

Musica Viva Australia


PROGRAM<br />

Please note this program is performed without interval.<br />

Musica Viva Australia has been advised that Giovanni Sollima has recently<br />

contracted COVID-19 and is unable to fly to Australia in time for his <strong>September</strong><br />

concerts. Whilst we are disappointed that he will miss some of his scheduled<br />

concerts, we wish him a speedy recovery and look forward to him re-joining<br />

the tour when possible.<br />

<strong>Avi</strong> <strong>Avi</strong>tal and <strong>Erin</strong> <strong>Helyard</strong> will perform a revised program for mandolin and<br />

harpsichord at this evening’s concert. The artists will introduce the repertoire<br />

from stage.<br />

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COMPOSING CUTTING-EDGE<br />

LEGAL SOLUTIONS IN AUSTRALIA<br />

AND ACROSS THE GLOBE.<br />

Proud supporters of Musica Viva<br />

www.bakermckenzie.com/australia<br />

We’ve been taking orders and delivering<br />

fine wines to homes all across Australia since 1974.<br />

You won’t find our wine in bottle shops – we’ve<br />

always preferred to cut out the middle man.<br />

If you’re in Mudgee, come and see us at our<br />

beautiful winery and vineyard, try our wines<br />

and enjoy delicious local produce and<br />

weekend lunches in the gardens and grounds.<br />

As a friend of Musica Viva Australia, you are<br />

a friend of ours too, so take 20% off your first<br />

Huntington Estate order with coupon code<br />

MVAFRIEND, online or in our charming<br />

Cellar Door.<br />

641 ULAN ROAD BUCKAROO NSW 2850 WWW.HUNTINGTONESTATE.COM.AU


REGIONAL TOURING<br />

As part of Musica Viva Australia’s<br />

Regional Touring <strong>Program</strong>, <strong>Avi</strong> <strong>Avi</strong>tal<br />

and Giovanni Sollima will perform at:<br />

• Hobart Town Hall, Tasmania<br />

Monday 19 <strong>September</strong><br />

• Southern Cross University, Lismore, NSW<br />

Thursday 29 <strong>September</strong><br />

• Orange Regional Conservatorium, NSW<br />

Monday 10 October<br />

For further details visit:<br />

musicaviva.com.au/regional<br />

MASTERCLASSES<br />

<strong>Avi</strong> <strong>Avi</strong>tal and Giovanni Sollima will present<br />

the following masterclasses as part of this tour:<br />

• Wednesday 21 <strong>September</strong> (Sollima)<br />

Monash University, Melbourne<br />

• Thursday 29 <strong>September</strong><br />

Southern Cross University, Lismore<br />

• Friday 7 October (<strong>Avi</strong>tal)<br />

Sydney Conservatorium of Music,<br />

Recital Hall East<br />

• Monday 10 October<br />

Orange Regional Conservatorium<br />

For further details visit:<br />

musicaviva.com.au/masterclasses<br />

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Musica Viva Australia’s<br />

Masterclass program is supported by:<br />

Nicholas Callinan AO & Elizabeth Callinan<br />

Caroline & Robert Clemente<br />

Ian & Caroline Frazer<br />

The Patricia H Reid Endowment Fund<br />

Andrew Sisson AO & Tracey Sisson<br />

Mick & Margaret Toller<br />

Anonymous (1)


MEET THE ARTISTS<br />

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AVI AVITAL<br />

The first mandolin soloist to be nominated<br />

for a classical Grammy, <strong>Avi</strong> <strong>Avi</strong>tal has<br />

been compared to Andrés Segovia for<br />

his championship of his instrument and to<br />

Jascha Heifetz for his incredible virtuosity.<br />

Passionate and ‘explosively charismatic’<br />

(New York Times) in live performance, he is a<br />

driving force behind the reinvigoration of the<br />

mandolin repertory.<br />

Highlights of the 2021–22 season have included<br />

performances with Les Violons du Roy, a<br />

return to the Wigmore Hall with Arcangelo,<br />

and a tour of Germany with Il Pomo d’Oro<br />

performing a program of Neapolitan music.<br />

His recent engagements include concerts with<br />

the Chicago Symphony Orchestra, Los Angeles<br />

Philharmonic, Yomiuri Nippon Symphony<br />

Orchestra, BBC Symphony Orchestra,<br />

National Orchestra of the Academy of St<br />

Cecilia, Tonhalle Orchestra Zürich, Deutsche<br />

Symphonie Orchester Berlin, Orchestre<br />

National de Lyon, Il Giardino Armonico,<br />

Maggio Musicale Fiorentino, Norwegian<br />

Radio Orchestra and the Israel Philharmonic.<br />

© Guy Hecht<br />

<strong>Avi</strong>tal collaborates with musicians across<br />

many genres including accordionist Ksenija<br />

Sidorova, early keyboard specialists Mahan<br />

Esfahani and Kristian Bezuidenhout, pianist<br />

Alice Sara Ott, countertenor Andreas Scholl,<br />

Dover Quartet, Danish String Quartet, the<br />

Brooklyn Rider quartet, jazz artists Omer Klein<br />

and Omer <strong>Avi</strong>tal, actress Martina Gedeck<br />

and the Georgian puppet theatre Budrugana<br />

Gagra. His versatility has led to engagements<br />

as feature artist at the Schleswig-Holstein<br />

Music Festival, BOZAR in Brussels and the<br />

Dortmund Concert Hall’s ‘Time Island’ series,<br />

and he is a regular presence at major festivals<br />

such as Aspen, Salzburg, Tanglewood,<br />

Spoleto, Ravenna, MISA Shanghai,<br />

Cheltenham, Verbier and Tsinandali.<br />

Born in Be’er Sheva in southern Israel, <strong>Avi</strong>tal<br />

began learning the mandolin at the age<br />

of eight and soon joined the flourishing<br />

mandolin youth orchestra founded and<br />

directed by his charismatic teacher, Russianborn<br />

violinist Simcha Nathanson. He studied<br />

at the Jerusalem Music Academy and at the<br />

Conservatorio Cesare Pollini in Padua with<br />

Ugo Orlandi. Winner of Israel’s prestigious<br />

<strong>Avi</strong>v Competition in 2007, <strong>Avi</strong>tal is the first<br />

mandolinist in the history of the competition<br />

to be so honoured. He plays on a mandolin<br />

made by Israeli luthier Arik Kerman.


ERIN HELYARD<br />

<strong>Erin</strong> <strong>Helyard</strong> has been acclaimed as an<br />

inspiring conductor, a virtuosic and expressive<br />

performer of the harpsichord and fortepiano,<br />

and a lucid scholar who is passionate about<br />

promoting discourse between musicology<br />

and performance.<br />

<strong>Erin</strong> graduated in harpsichord performance<br />

from the Sydney Conservatorium of Music with<br />

first-class honours and the University Medal.<br />

He completed his Masters in fortepiano<br />

performance and a PhD in musicology with<br />

Tom Beghin at the Schulich School of Music,<br />

McGill University, Montreal. His monograph<br />

Clementi and the woman at the piano was<br />

published by Oxford University Studies in<br />

Enlightenment in <strong>2022</strong>.<br />

© Jasmin Simmons<br />

As Artistic Director and co-founder of the<br />

celebrated Pinchgut Opera and the Orchestra<br />

of the Antipodes (Sydney) he has forged<br />

new standards of excellence in historicallyinformed<br />

performance in Australia. The<br />

company won Best Rediscovered Opera (2019)<br />

for Hasse’s Artaserse at the International<br />

Opera Awards in London. Pinchgut’s opera<br />

film, A Delicate Fire, won Best Australian<br />

Feature Film at the Sydney Women’s<br />

International Film Festival in 2021. Operas<br />

under his direction have been awarded Best<br />

Opera at the Helpmann Awards for three<br />

consecutive years (2015-2017) and he has<br />

received two Helpmann Awards for Best<br />

Musical Direction: one for a fêted revival of<br />

Saul (Adelaide Festival) in 2017 and the other<br />

for Hasse’s Artaserse (Pinchgut Opera) in<br />

2019. Together with Richard Tognetti, <strong>Erin</strong> won<br />

an ARIA and an AIR award for Best Classical<br />

Album in 2020.<br />

He regularly appears as a collaborator with<br />

the Australian Chamber Orchestra and as<br />

a conductor <strong>Erin</strong> has distinguished himself<br />

in dynamic performances with the Sydney,<br />

Adelaide, Tasmanian, and Queensland<br />

Symphony Orchestras, ACO Collective, the<br />

Australian National Academy of Music, the<br />

Australian Haydn Ensemble, and as a duo<br />

partner on historical pianos with David Greco<br />

(baritone) and Stephanie McCallum (piano).<br />

In 2018 he was recognised with a Music and<br />

Opera Singers Trust Achievement Award<br />

(MAA) for contribution to the arts in Australia.<br />

In <strong>2022</strong> <strong>Erin</strong> is an Artist in Residence at the<br />

Melbourne Recital Centre.<br />

<strong>Erin</strong> is a Senior Lecturer at the Sydney<br />

Conservatorium of Music and appears<br />

courtesy of Pinchgut Opera.<br />

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Musica Viva Australia’s Amadeus Society is<br />

a small philanthropic circle of passionate music<br />

lovers who help us to realise our bold artistic vision<br />

and bring acclaimed international and local artists<br />

to our stages throughout the country.<br />

Since 2007, the Amadeus Society has enabled<br />

Musica Viva Australia to further extraordinary<br />

artistic initiatives and in <strong>2022</strong> will continue to do<br />

so by celebrating the wealth and diversity of<br />

Australian musical talent.<br />

Annual membership of the Society includes<br />

intimate private house concerts with our<br />

mainstage artists, currently held in<br />

Melbourne and Sydney.<br />

If you are interested in joining the Amadeus Society or would like more information please contact:<br />

SYDNEY<br />

Caroline Davis, Individual Giving Manager<br />

02 8394 6636 | cdavis@musicaviva.com.au<br />

MELBOURNE<br />

Susan Eldridge, Senior Development Manager<br />

03 9645 5092 | seldridge@musicaviva.com.au


SIGNUM<br />

SAXOPHONE QUARTET<br />

& KRISTIAN WINTHER<br />

Europe’s favourite saxophone quartet join violinist Kristian Winther for a program<br />

including a brand-new arrangement of Kurt Weill’s daredevil violin concerto.<br />

musicaviva.com.au/signum-winther<br />

1800 688 482<br />

NATIONAL TOUR<br />

6–24 NOVEMBER


ABOUT THE MUSIC<br />

Today’s program is a little different<br />

from a ‘regular’ Musica Viva Australia<br />

program, and therefore About the<br />

Music will be a little different, too.<br />

The majority of the ‘program notes’<br />

for this performance will come from<br />

the artists onstage.<br />

The first three items on the program are<br />

Traditional tunes. The first is Sephardic, being<br />

music of the Jewish diaspora population who<br />

coalesced in the Iberian Peninsula (occupied<br />

today by Spain and Portugal). The second is<br />

Turkish; the third, Macedonian (a geographic<br />

and former administrative region of Greece).<br />

Following this selection of folk music is a sonata<br />

by Domenico Scarlatti (1685–1757), a Naplesborn<br />

composer of the Baroque, who spent<br />

much of his career on the Iberian Peninsula.<br />

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Three works by Giovanni Sollima himself are<br />

next up; the cellist balances his performing<br />

life with that of a composer. The first of these<br />

works is literally an Improvisation, drawing<br />

on themes or fragments from traditional<br />

tunes (from Sicily, the Balkans etc), or from<br />

his own works, or from Bach’s Cello Suites...<br />

Sollima describes it ‘a surprise moment in the<br />

program’.<br />

Federico II is a piece originally written for<br />

string quartet as part of a 2001 project called<br />

Viaggio in Italia (Italian Journey): one hour<br />

of music for quartet/quintet and voice which<br />

premiered at Carnegie Hall in New York.<br />

Federico II is inspired by the controversial<br />

13th-century figure of Friedrich Hohenstaufen<br />

– Federico Ruggero in his native Italy – who<br />

was King of Sicily (from the age of three!),<br />

King of Jerusalem and Holy Roman Emperor,<br />

ruling over a vast empire that stretched<br />

through Italy, all the way north to Germany.<br />

He lies buried in Palermo Cathedral. On the<br />

one hand, he was a major patron of science<br />

and the arts, a scholar, poet, composer and<br />

architect (some of his buildings are truly<br />

amazing, and many are still open today);<br />

on the other, Dante Alighieri in the Divine<br />

Comedy places him in Hell.<br />

Alep (Pesce) is also born from a larger-scale<br />

project. Sollima describes it as ‘essentially a<br />

song, in an antique or folk style. Leonardo’s<br />

Bestiary is a text that I love very much by<br />

Leonardo da Vinci who, among all his codices,<br />

discoveries, experiments, inventions and<br />

paintings, had the time to write musical jokes,<br />

rebus puzzles and games. The Bestiary is a<br />

catalogue of animals, real and imaginary:<br />

Leonardo gives them names – Alep is a fish –<br />

and human characters, both the virtues and<br />

the vices...’.<br />

Dario Castello (1602–1631) worked mostly in<br />

Venice: he held a position as violinist at<br />

St Mark’s Basilica under Claudio Monteverdi.<br />

His Sonata is followed by a Tarantella by<br />

Sollima’s father, also a composer:<br />

Eliodoro Sollima (1926–2000).<br />

<strong>Avi</strong> <strong>Avi</strong>tal’s own thrilling arrangement of a<br />

traditional Bulgarian tune may be familiar<br />

to listeners who have attended his Musica<br />

Viva Australia concerts previously – back<br />

by popular demand! Girolamo Frescobaldi<br />

(1583–1643), meanwhile, was a highly<br />

influential Italian composer of mostly keyboard<br />

music; he held the position of organist of<br />

St Peter’s Basilica.<br />

Concluding the program are two more folk<br />

tunes; one Sephardic and one from Salento<br />

(in the ‘heel’ of the Italian ‘boot’).<br />

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1. Iberian Peninsula | Traditional Sephardic<br />

2. Turkey | Traditional Turkish<br />

3. Macedonia | Traditional Macedonian<br />

4. Naples, Italy | Domenico Scarlatti’s birthplace<br />

5. Palermo, Sicily | Giovanni Sollima’s birthplace<br />

6. Venice, Italy | Castello – Sonata No. 4<br />

7. Marsala, Sicily | Eliodoro Sollima’s birthplace<br />

8. Bulgaria | Bučimiš<br />

9. St Peter’s Basilica, Vatican City | Frescobaldi<br />

– Canzona No. 3<br />

10. Salento, Italy | Traditional Salento<br />

11. Be’er Sheva, Israel | <strong>Avi</strong> <strong>Avi</strong>tal’s birthplace


PATRONS<br />

CUSTODIANS<br />

ACT Geoffrey & Margaret Brennan, Clive & Lynlea Rodger,<br />

Ruth Weaver, Anonymous (4)<br />

NSW Jennifer Bott AO, Catherine Brown-Watt PSM & Derek<br />

Watt, Lloyd & Mary Jo Capps AM, Andrew & Felicity Corkill,<br />

Peter Cudlipp, Liz Gee, Suzanne Gleeson, David & Christine<br />

Hartgill, Annie Hawker, Elaine Lindsay, Trevor Noffke,<br />

Dr David Schwartz, Ruth Spence-Stone, Mary Vallentine AO,<br />

Deirdre Nagle Whitford, Richard Wilkins, Kim Williams AM,<br />

Megan & Bill Williamson, Ray Wilson OAM, Anonymous (12)<br />

QLD Anonymous (2)<br />

SA Monica Hanusiak-Klavins & Martin Klavins,<br />

Anonymous (5)<br />

TAS<br />

Kim Paterson QC, Anonymous<br />

VIC Elizabeth & Anthony Brookes, Julian Burnside AO QC,<br />

Ms Helen Dick, Robert Gibbs & Tony Wildman,<br />

Helen Vorrath, Anonymous (8)<br />

WA Graham Lovelock, Anonymous (4)<br />

LEGACY DONORS<br />

NSW The late Charles Berg, The late Janette Hamilton,<br />

The late Dr Ralph Hockin in memory of Mabel Hockin,<br />

The late Kenneth W Tribe AC, Anonymous<br />

QLD<br />

The late Steven Kinston, Anonymous<br />

SA The late Edith Dubsky, The late John Lane Koch,<br />

The late Lesley Lynn<br />

VIC The late Raymond Brooks, In memory of Anita<br />

Morawetz, The family of the late Paul Morawetz,<br />

The late Dr G D Watson<br />

ENSEMBLE PATRONS<br />

Our artistic vision for <strong>2022</strong> is made possible thanks to the<br />

extraordinary generosity of our Ensemble Patrons, each of<br />

whom supports the presentation of an entire national tour<br />

for our <strong>2022</strong> Season.<br />

Ian Dickson AM & Reg Holloway (Van Diemen’s Band)<br />

Anonymous (Paul Grabowsky & Andrea Lam)<br />

Peter Griffin AM & Terry Swann, Susie Dickson,<br />

and Ms Felicity Rourke & Justice François Kunc<br />

as part of The Travellers – Giving Circle<br />

(A Winter’s Journey)<br />

Australian Music Foundation (Z.E.N. Trio)<br />

Eleanore Goodridge OAM<br />

(<strong>Avi</strong> <strong>Avi</strong>tal & Giovanni Sollima)<br />

CONCERT CHAMPIONS<br />

Adelaide Helen Bennetts & Tim Lloyd, Joan & Ivan<br />

Blanchard, Helen Fulcher, The late Lesley Lynn,<br />

Dr Susan Marsden & Michael Szwarcbord, Leonie Schmidt<br />

& Michael Davis, Anonymous (2)<br />

Brisbane Ian & Cass George, Andrew & Kate Lister, Barry<br />

& Diana Moore, The Hon Justice A Philippides, Anonymous<br />

Canberra The Musica Viva Australia ACT Committee<br />

& Ruth Weaver, Andrew Blanckensee Music Lover,<br />

Humphries Family Trust, Malcolm Gillies & David Pear in<br />

memory of Stewart Gillies, Dr Sue Packer, Sue Terry<br />

& Len Whyte, Anonymous<br />

Melbourne Alexandra Clemens, Continuo Collective,<br />

Peter Griffin AM & Terry Swann, Monica Lim & Konfir Kabo,<br />

Peter Lovell, Rosemary & John MacLeod, The Morawetz<br />

Family in memory of Paul Morawetz, Allan Myers QC AC in<br />

honour of the 90th birthday of Barry Jones AC, Greg Shalit &<br />

Miriam Faine (2), Dr Michael Troy, The Musica Viva Australia<br />

Victorian Committee, Anonymous<br />

Newcastle Megan & Bill Williamson, Gay Bookallil &<br />

the Musica Viva Australia Newcastle Committee<br />

Perth Dr Robert Larbalestier AO, Deborah Lehmann AO &<br />

Michael Alpers AO, In memory of Stephanie Quinlan (2),<br />

David Wallace & Jamelia Gubgub, Valerie &<br />

Michael Wishart<br />

Sydney Patricia Crummer, Pam Cudlipp, Dr Jennifer<br />

Donald & Mr Stephen Burford, Charles Graham – in<br />

acknowledgement of his piano teacher, Sana Chia,<br />

Katherine & Reg Grinberg, Anthony Strachan, Kay Vernon,<br />

Kim Williams AM & Catherine Dovey (2), Ray Wilson OAM<br />

PRODUCERS’ CIRCLE<br />

Darin Cooper Foundation, Stephen & Michele Johns<br />

AMADEUS SOCIETY<br />

Tony Berg AM & Carol Berg, Marc Besen AC & Eva Besen<br />

AO dec., Ms Jan Bowen AM, Tom Breen & Rachael Kohn AO,<br />

Dr Di Bresciani OAM, Julian Burnside AO QC (President,<br />

Melbourne) & Kate Durham, Dr Helen Ferguson,<br />

Ms Annabella Fletcher, Dr Annette Gero, Peter Griffin AM &<br />

Terry Swann, Katherine & Reg Grinberg, Jennifer Hershon<br />

& Russell Black, Penelope Hughes, Dr Alastair Jackson AM,<br />

Michael & Frederique Katz, Ruth Magid & Bob Magid OAM,<br />

Prof. John Rickard, Andrew Rosenberg, Ray Wilson OAM<br />

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MASTERCLASSES<br />

GIVING CIRCLE<br />

The Masterclasses Giving Circle is a group of generous<br />

donors whose collective support will enable the artistic<br />

development of the next generation of Australian<br />

chamber musicians.<br />

Nicholas Callinan AO & Elizabeth Callinan, Caroline &<br />

Robert Clemente, Ian & Caroline Frazer, Patricia H. Reid<br />

Endowment Fund, Andrew Sisson AO & Tracey Sisson,<br />

Mick & Margaret Toller, Anonymous (1)<br />

COMMISSIONS<br />

Musica Viva Australia is proud to support the creation<br />

of new Australian works through The Ken Tribe Fund<br />

for Australian Composition and The Hildegard Project.<br />

We are grateful to the following individuals and<br />

collectives for their generous support of this work:<br />

In loving memory of Jennifer Bates, Julian Burnside AO QC<br />

& Kate Durham, The Barry Jones Birthday Commission,<br />

Michael & Fréderique Katz in honour of Cecily Katz,<br />

Graham Lovelock & Steve Singer, D R & K M Magarey,<br />

Vicki Olsson, The Silo Collective, Tribe family in honour of<br />

Doug Tribe’s 75th birthday, WA Commissioning Circle<br />

The Barry Jones Birthday Commission ($500+)<br />

Steve Bracks AC & Terry Bracks AM, Dr George Deutsch<br />

OAM & Kathy Deutsch, Carrillo Gantner AC & Ziyin Gantner,<br />

Professor Margaret Gardner AC & Professor Glyn Davis AC,<br />

Naomi & George Golvan QC, Hon David Harper AM, Ellen<br />

Koshland & James McCaughey, Miles Lewis, Barry McGaw,<br />

Jeannette McHugh, Fiona McLeod AO SC, Peter & Ruth<br />

McMullin, Julie & Ian Macphee, peckvonhartel architects,<br />

Ralph & Ruth Renard, Anne & Robert Richter QC, Gianna<br />

Rosica, Joy Selby Smith, Smith Family, Maureen & Tony<br />

Wheeler, Lyn Williams, Dr Robyn Williams AO, Bob, Robyn,<br />

Annie & Nick, Anonymous (3)<br />

We thank all our audience members<br />

who donated the value of their<br />

cancelled tickets towards the Artist Fund<br />

and sincerely appreciate the generous<br />

support we receive from our<br />

incredible community.<br />

We encourage you to scan the QR code<br />

to see a full list of donors over $500 to<br />

Musica Viva Australia.<br />

MAJOR GIFTS<br />

$100,000+<br />

NSW The Berg Family Foundation,<br />

Patricia H. Reid Endowment Fund<br />

$50,000–$99,999<br />

ACT Marion & Michael Newman<br />

NSW J A Donald Family, Katherine & Reg Grinberg,<br />

Tom & Elisabeth Karplus<br />

$20,000–$49,999<br />

NSW Tom Breen & Rachael Kohn AO,<br />

Michael & Fréderique Katz, Vicki Olsson<br />

QLD<br />

Ian & Caroline Frazer, Andrea & Malcolm Hall-Brown<br />

VIC The Morawetz Family in memory of Paul Morawetz,<br />

Anonymous<br />

WA<br />

Anonymous<br />

$10,000–$19,999<br />

ACT R & V Hillman, Anonymous<br />

NSW Anne & Terrey Arcus AM, Gardos Family,<br />

Gresham Partners, Hilmer Family Endowment,<br />

Nigel & Carol Price, Anthony Strachan<br />

QLD<br />

SA<br />

Anonymous<br />

Jennifer & John Henshall, Anonymous<br />

VIC Roger Druce & Jane Bentley, Peter Griffin AM<br />

& Terry Swann, Mercer Family Foundation, Monica<br />

Lim & Konfir Kabo, Peter Lovell, Marjorie Nicholas AM,<br />

Anonymous<br />

WA Team Legacy, Deborah Lehmann AO<br />

& Michael Alpers AO<br />

$5,000–$9,999<br />

ACT Goodwin Crace Concertgoers, Craig Reynolds,<br />

Sue Terry & Len Whyte<br />

NSW Christine Bishop, Patricia Crummer,<br />

Jo & Barry Daffron, Sarah & Tony Falzarano,<br />

Iphygenia Kallinikos, Mrs W G Keighley,<br />

D R & K M Magarey, Hywel Sims, David & Carole Singer,<br />

Diane Sturrock, Kim Williams AM & Catherine Dovey<br />

QLD<br />

SA<br />

Andrew & Kate Lister, The Hon Justice A Philippides<br />

Aldridge Family Endowment, Anonymous<br />

VIC In memory of Kate Boyce, Alexandra Clemens,<br />

Robert Gibbs & Tony Wildman, Doug Hooley,<br />

Andrew Johnston, Greg Shalit & Miriam Faine,<br />

Stephen Shanasy, Anonymous<br />

WA Anonymous (2)


ANNUAL GIVING<br />

$2,500–$4,999<br />

ACT Kristin van Brunschot & John Holliday,<br />

Dr Andrew Singer, Ruth Weaver, Anonymous<br />

NSW Penny Beran, Susan Burns, ADFAS Newcastle,<br />

Andrew Rosenberg, Jo Strutt<br />

QLD<br />

Greyhound Australia<br />

SA DJ & EM Bleby, Peter Clifton, Ms Judy Potter<br />

& Dr George Potter<br />

VIC Jan Begg, Alastair & Sue Campbell,<br />

Anne Frankenberg & Adrian McEniery, Lyndsey &<br />

Peter Hawkins, Ralph & Ruth Renard, Maria Sola,<br />

Helen Vorrath, Lyn Williams, Igor Zambelli<br />

WA David Cooke, Ros Kesteven, Zoe Lenard &<br />

Hamish Milne, Mrs Morrell, Anonymous<br />

$1,000–$2,499<br />

ACT Andrew Blanckensee, The Breen/Dullo Family,<br />

Odin Bohr & Anna Smet, Dudley & Helen Creagh, Martin<br />

Dolan, Liz & Alex Furman, Olivia Gesini, Malcolm Gillies<br />

AM, Kingsley Herbert, Margaret & Peter Janssens, Garth<br />

Mansfield, Teresa Neeman, Margaret Oates, S Packer,<br />

Clive & Lynlea Rodger, Hannah Semler, Anonymous (3)<br />

NSW Judith Allen, David & Rae Allen, Maia Ambegaokar<br />

& Joshua Bishop, Dr Warwick Anderson, Stephen Booth,<br />

Vicki Brooke, Neil Burns, Hugh & Hilary Cairns, Hon J C<br />

Campbell QC & Mrs Campbell, Lloyd & Mary Jo Capps AM,<br />

Robin & Wendy Cumming, Thomas Dent, Nancy Fox AM &<br />

Bruce Arnold, John & Irene Garran, H2 Cairns Foundation,<br />

Annie Hawker, Robert & Lindy Henderson, Margaret Hicks,<br />

Lybus Hillman, Dr Ailsa Hocking & Dr Bernard Williams,<br />

Dorothy Hoddinott AO, Catharine & Robert Kench, Kevin<br />

& Deidre McCann, Arthur & Elfreda Marshall, Dr Dennis<br />

Mather & John Studdert, Mora Maxwell, Michael &<br />

Janet Neustein, Paul O’Donnell, In memory of Katherine<br />

Robertson, Peter & Heather Roland, Ms Vivienne Sharpe,<br />

Dr Robyn Smiles, Tom & Dalia Stanley, Geoff Stearn, Richard<br />

& Beverley Taperell, Graham & Judy Tribe, Mary Vallentine<br />

AO, Dr Elizabeth Watson, John & Flora Weickhardt, Richard<br />

Wilkins, Megan & Bill Williamson, Anonymous (8)<br />

QLD George Booker & Denise Bond, Prof. Paul & Ann<br />

Crook, John & Denise Elkins, Robin Harvey, Lynn & John<br />

Kelly, Dr Helen Kerr & Dr John Ratcliffe, Jocelyn Luck, Barry<br />

& Diana Moore, Keith Moore, Debra & Patrick Mullins,<br />

Barbara Williams & Jankees van der Have, Anonymous<br />

SA The late Peter Bailie & Ann-Maree O’Connor,<br />

Ivan & Joan Blanchard, Richard Blomfield, Max & Ionie<br />

Brennan, John & Libby Clapp, The Hon. Christopher Legoe<br />

AO QC & Mrs Jenny Legoe, Joan Lyons, Fiona MacLachlan<br />

OAM, Dr Leo Mahar, Geoff & Sorayya Martin, Ann & David<br />

Matison, Diane Myers, H & I Pollard, Trish & Richard Ryan<br />

AO, Anne Sutcliffe, Anonymous<br />

VIC Joanna Baevski, Russ & Jacqui Bate, Marlyn Bancroft,<br />

Peter Burch AM BM, Alison & John Cameron, Alex &<br />

Elizabeth Chernov, Lord Ebury, Virginia Henry, Dr Anthea<br />

Hyslop, Helen Imber, John V Kaufman QC, Angela Kayser,<br />

Angela & Richard Kirsner, Ann Lahore, Janet McDonald,<br />

Ruth McNair AM & Rhonda Brown in memory of Patricia<br />

Begg & David McNair, June K Marks, Christopher Menz &<br />

Peter Rose, Traudl Moon OAM, The Myer Foundation,<br />

Sir Gustav Nossal, Barry Robbins, Murray Sandland,<br />

Darren Taylor & Kent Stringer, Wendy R. Taylor, Ray Turner<br />

& Jennifer Seabrook, Dr Victor Wayne & Dr Karen Wayne<br />

OAM, Mark & Anna Yates, Anonymous<br />

WA David & Minnette Ambrose, Dr S Cherian, Michael<br />

& Wendy Davis, In memory of Raymond Dudley, Dr Penny<br />

Herbert in memory of Dunstan Herbert, Anne Last & Steve<br />

Scudamore, Hugh & Margaret Lydon, Olivier David &<br />

Dr Bennie Ng, Mandy Loton OAM, Marian Magee & David<br />

Castillo, John Overton, Margaret & Roger Seares, Vivienne<br />

Stewart, Elizabeth Syme, Robyn Tamke, Anonymous (4)<br />

$500–$999<br />

ACT Geoffrey & Margaret Brennan, Christopher Clarke,<br />

Peter Cumines, Jill Fleming, Robert Hefner, Mary Elspeth<br />

Humphries, Claudia Hyles OAM, Margaret Lovell &<br />

Grant Webeck, Margaret Millard, Robert Orr, Helen Rankin,<br />

Dr Paul & Dr Lel Whitbread, Anonymous (2)<br />

NSW Jock Baird in memoriam Annette McClure, Barbara<br />

Brady, K Becker, Denise Braggett, Christopher & Margaret<br />

Burrell, Robert Cahill & Anne Cahill OAM, Lucia Cascone,<br />

Michael & Colleen Chesterman, Zoë Cobden-Jewitt & Peter<br />

Jewitt, Rhonwen Cuningham, Trish & John Curotta, Professor<br />

Zoltan Endre, Dr Arno Enno & Dr Anna Enno, Bronwyn<br />

Evans, Anthony Gregg, Roland & Margaret Hicks, David<br />

& Sarah Howell, Alicia Howlett, David & Jennifer Jacobs,<br />

Megan Jones, In honour of Michael Katz, Cynthia Kaye, K P<br />

Kemp, Mathilde Kearny-Kibble, Bruce Lane, Graham & Sue<br />

Lane, Olive Lawson, Dr Colin MacArthur, Ian & Pam McGaw,<br />

Laura McDonald, Dr V Jean McPherson, Robert McDougall,<br />

Alan & Rosemary Moore, Margot Morgan, Donald Nairn,<br />

Professors Robin & Tina Offler, Kim & Margie Ostinga,<br />

Christina Pender, Dr John Rogers, Penny Rogers, Peter &<br />

Heather Roland, Dr Lynette Schaverien, Professor Lynne<br />

Selwood, Andrew Wells AM, Anonymous (13)<br />

QLD Geoffrey Beames, Janet Franklin, Marie Isackson,<br />

M F Lejeune, Diana Lungren, Timothy Matthies & Chris<br />

Bonnily, Anonymous (3)<br />

SA Daniel & Susan Hains, Elizabeth Ho OAM in honour of<br />

the late Tom Steel, Dr Iwan Jensen, Helga Linnert & Douglas<br />

Ransom, Ruth Marshall & Tim Muecke, Linda Sampson,<br />

Tony Seymour, Anonymous (5)<br />

TAS<br />

Anonymous<br />

VIC David Bernshaw & Caroline Isakow, Helen Brack,<br />

John & Chris Collingwood, John & Mandy Collins, Ted &<br />

Alison Davies, Beverley Douglas, Mary-Jane Gething,<br />

Alan Gunther, John & Margaret Harrison, Irene Kearsey &<br />

Michael Ridley, Jane Lazarevic, Greg J Reinhardt AM,<br />

Eda Ritchie AM, Maureen Turner, Pera Wells, Anonymous (8)<br />

WA Joan Carney, Fred & Angela Chaney, Rachel & Bruce<br />

Craven, Helen Dwyer, Jennifer L Jones, Paula Nathan AO &<br />

Yvonne Patterson, Lindsay & Suzanne Silbert, Father Richard<br />

Smith, Ruth Stratton, Christopher Tyler, Anonymous (6)<br />

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CONCERT PARTNERS<br />

Perth Concert Series Sydney Morning Masters Series Commissioning Partner<br />

Legal<br />

Chartered Accountants<br />

Piano & Tuning<br />

Media Partner<br />

Wine Partners<br />

Hotel Partners<br />

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ARTIST DEVELOPMENT PARTNERS<br />

Strike A Chord<br />

Principal Partner<br />

Strike A Chord<br />

Strategic Partner<br />

Strike A Chord<br />

University Partner<br />

Strike A Chord<br />

Key Philanthropic Partner<br />

Strike A Chord Partner<br />

FutureMakers<br />

Lead Partner<br />

FutureMakers<br />

Residency Partner<br />

Key Philanthropic Partner<br />

GOVERNMENT PARTNERS<br />

Musica Viva Australia is assisted by the<br />

Commonwealth Government through the<br />

Australia Council, its arts funding and advisory body.<br />

Musica Viva Australia<br />

is supported by the<br />

NSW Government<br />

through Create NSW.<br />

Musica Viva Australia is a<br />

Not-for-profit Organisation endorsed<br />

by the Australian Taxation Office as<br />

a Deductible Gift Recipient and<br />

registered with the Australian<br />

Charities and Not-for-profits<br />

Commission (ACNC).


EDUCATION PARTNERS<br />

National<br />

Marion & Mike Newman<br />

WA<br />

• Legacy Unit Trust<br />

NSW<br />

• Margaret Henderson Music Trust<br />

VIC<br />

• Godfrey Turner Memorial Music Trust<br />

Western Sydney & Melbourne<br />

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• The Benjamin Fund • The Marion & E.H. Flack Trust<br />

• In memory of Anita Morawetz • Keith McKenzie Will Trust<br />

SA<br />

• Aldridge Family Endowment • Carthew Foundation • Day Family Foundation<br />

• FWH Foundation • Jennifer & John Henshall • Lang Foundation • Marsden Szwarcbord Foundation<br />

ACT<br />

NT<br />

QLD<br />

Perpetual Foundation –<br />

Alan (AGL) Shaw<br />

Endowment<br />

Perpetual Foundation –<br />

Alan (AGL) Shaw<br />

Endowment


STORIES TO INSPIRE<br />

BY REMI HARVEY<br />

MUSICA VIVA AUSTRALIA SUPPORTING THE NORTHERN<br />

RIVERS MUSIC COMMUNITY IN A TIME OF NEED<br />

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Lior Attar and the Tinalley String Quartet at Southern Cross University.<br />

Over half of the audience attended thanks to subsidised tickets.<br />

Image courtesy of the Hon Ben Franklin MLC.<br />

Musica Viva Australia was set to present four<br />

concerts and a number of workshops at the<br />

Northern Rivers Conservatorium this year,<br />

an important presenting partner for our<br />

extensive regional touring program. Sadly,<br />

these plans were not realised as intended. The<br />

devastating floods of February and March left<br />

the Conservatorium nearly destroyed, with<br />

two of its three floors completely submerged.<br />

Not a single instrument in the building was<br />

salvageable.<br />

Shocked by the damage and in the spirit<br />

of Musica Viva Australia’s longstanding<br />

friendship with the Conservatorium,<br />

our CEO Hywel Sims reached out to the<br />

Conservatorium’s Executive Director Anita<br />

Bellman: ‘Musica Viva Australia has a deep<br />

and longstanding connection to Lismore<br />

– we’ve been touring to schools and the<br />

Conservatorium there for many years. As soon<br />

as we heard news of the flooding, I contacted<br />

Anita Bellman and asked how we could help.<br />

Anita and I came up with the idea of providing<br />

free seats at concerts and, separately, we also<br />

decided to provide free tours to local schools.<br />

We were determined to continue providing<br />

live music to the region and, thankfully,<br />

we were able to do so. At the first concert,<br />

more than 250 people took advantage of<br />

our free seats initiative – proof that music is<br />

most needed when times are tough. We look<br />

forward to providing more free seats at the<br />

rest of this year’s concerts in Lismore.’<br />

Southern Cross University is generously<br />

providing space for the scheduled concerts<br />

and activities to take place, while artist<br />

fees for concerts and workshops are being<br />

covered by Musica Viva Australia donors.


For example, Katherine and Reg Grinberg<br />

are supporting subsidised tickets for affected<br />

Lismore audiences to attend the <strong>Avi</strong> <strong>Avi</strong>tal and<br />

Giovanni Sollima concert program.<br />

In addition to the overwhelmingly successful<br />

season opener with Lior and the Tinalley<br />

String Quartet, we will also present Ian<br />

Munro’s newly composed score for The<br />

Sentimental Bloke, performed by Ying Ho<br />

and Ian Munro. <strong>Avi</strong> <strong>Avi</strong>tal and Giovanni<br />

Sollima are visiting the region during this<br />

mainstage concert tour, and as part of<br />

their visit, they will also be presenting a<br />

workshop to the students of Northern Rivers<br />

Conservatorium at Southern Cross University.<br />

‘The generous support of Musica Viva<br />

Australia in being able to offer free tickets to<br />

flood-affected members of the Lismore and<br />

wider Northern Rivers community is extremely<br />

beautiful,’ says Anita Bellman. ‘Our local<br />

community is deeply touched by the kindness<br />

and generosity of this gesture, bringing the<br />

healing power of music during the difficult<br />

recovery from the catastrophic floods of<br />

February this year.’<br />

As one of the largest providers of live music<br />

education to schools, we also contacted<br />

teachers in the area to ask how we could help.<br />

Here too, schools welcomed the idea of free<br />

concerts, and so, again with support from<br />

donors, we will be providing free tours to a<br />

number of local schools affected by the floods.<br />

Minister Franklin speaks from stage at the<br />

first concert in Lismore since the floods.<br />

Image courtesy of the Hon Ben Franklin MLC.<br />

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If you would like to support the provision of free, live music<br />

to schools and concert audiences, please contact<br />

Caroline Davis, Individual Giving Manager<br />

cdavis@musicaviva.com.au / 02 8394 6636.


Tribute<br />

The concert in Sydney on Saturday 8 October celebrates<br />

Ken Tribe’s contribution to Musica Viva Australia.<br />

KENNETH W TRIBE AC (1914–2010)<br />

Through the 1970s and 1980s Ken’s influence<br />

in Australian cultural life was far-reaching.<br />

He served on boards and committees for<br />

organisations including the Australia Council<br />

for the Arts, Canberra School of Music, Sydney<br />

College of the Arts, the NSW Arts Advisory<br />

Council, the Australian Opera and the<br />

Australian Broadcasting Commission, as it was<br />

then known.<br />

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20<br />

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Kenneth Wilberforce Tribe was born in<br />

Sydney in 1914, the second of three children<br />

born to Cecil and Elizabeth Tribe. Having<br />

attended St Andrew’s Cathedral Choir School,<br />

Ken won scholarships to Sydney Church of<br />

England Grammar School (Shore), then to the<br />

University of Sydney to study Law, graduating<br />

in 1937 (music not being regarded as a viable<br />

occupation during that time of the Great<br />

Depression).<br />

Despite family responsibilities and an<br />

extremely demanding professional life, Ken<br />

soon began a pattern of engaging in activities<br />

outside of his profession; the most significant<br />

and long-standing of these associations<br />

was with Musica Viva Australia. In 1949 Ken<br />

joined Musica Viva Australia as Chairman<br />

of the executive and in 1966 took on the role<br />

of Artistic Director, which amalgamated with<br />

that of President in 1973. It was Ken’s initiative<br />

that created Musica Viva Australia’s National<br />

Board in 1980–81.<br />

With apparently endless energy Ken also<br />

worked on the boards of a number of trusts,<br />

funds and in different capacities with a large<br />

number of arts bodies. Much of Ken’s value to<br />

the community over the years was ‘behind the<br />

scenes’ support, always pro bono.<br />

Ken retired from the Presidency of Musica<br />

Viva Australia in 1986 and was Patron until his<br />

death in July 2010. He maintained a visionary<br />

commitment to commissioning new music from<br />

Australian composers and his support has<br />

enabled new works by luminary composers<br />

including the late Richard Meale, the late Peter<br />

Sculthorpe, Ross Edwards, Carl Vine and Nigel<br />

Westlake. This commitment will continue to be<br />

honoured by Musica Viva Australia through<br />

the Ken Tribe Commemorative Fund for<br />

Australian Composers.<br />

It would be impossible to overstate Ken’s<br />

impact on the arts in Australia and on music<br />

especially. Our lives have been enriched<br />

because of his unique capacity to combine<br />

plain hard work with a vision of what things<br />

might be. As part of Musica Viva Australia<br />

for more than 60 years, Ken’s influence was<br />

enormous.<br />

© GWEN BENNETT<br />

AND MUSICA VIVA AUSTRALIA


ALLAN CLAYTON & KATE GOLLA<br />

A WINTER’S JOURNEY<br />

Fresh from triumphant seasons as Hamlet (The Met) and Peter Grimes (Covent Garden),<br />

tenor Allan Clayton joins pianist Kate Golla for Schubert’s immortal songs of love and loss.<br />

Director Lindy Hume and video designer David Bergman weave a magical<br />

Australian setting from Fred Williams’ wondrous landscapes.<br />

THE BARBICAN, LONDON: WED 7 DECEMBER<br />

ONLINE CONCERT: WED 7 DECEMBER, 7PM (AEDT)<br />

musicaviva.com.au/a-winters-journey-online<br />

1800 688 482<br />

(Australian Book Review)<br />

(Limelight Magazine)<br />

(The Age)


As Australia’s flagship music education and non-profit<br />

touring company, we continuously strive to provide more<br />

for all music lovers – more music education and teacher<br />

professional development opportunities to help feed<br />

young imaginations everywhere; more exceptional artists<br />

on stage performing on metropolitan and regional stages<br />

and online to bring audiences together across the country;<br />

and more creative projects to promote a continuously<br />

evolving and vibrant music sector.<br />

Help us to continue to keep doing more so that everyone,<br />

regardless of age, location or circumstance, can access<br />

and share the very best live music.<br />

For more information contact our Individual Giving Manager:<br />

Caroline Davis, cdavis@musicaviva.com.au

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