Avi Avital & Erin Helyard Program Guide | September 2022
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
AVI AVITAL<br />
& ERIN HELYARD
2
Musica Viva Australia acknowledges the Traditional Custodians of the many lands on which we<br />
meet, work and live. We pay our respects to their Elders past and present – people who have<br />
sung their songs, danced their dances and told their stories on these lands<br />
for thousands of generations, and who continue to do so.<br />
AVI AVITAL<br />
Mandolin<br />
ERIN HELYARD<br />
Harpsichord<br />
BRISBANE<br />
Conservatorium Theatre,<br />
Griffith University, South Bank<br />
Tuesday 27 <strong>September</strong>, 7pm<br />
This concert will be livestreamed<br />
• Pre-concert talk: 6:15pm,<br />
Boardroom<br />
• Meet the Artists after the concert<br />
MELBOURNE<br />
Elisabeth Murdoch Hall,<br />
Melbourne Recital Centre<br />
Tuesday 20 <strong>September</strong>, 7pm<br />
• Pre-concert talk: 6:15pm,<br />
Salzer Suite, Level 2<br />
• Meet the Artists after the concert<br />
Saturday 24 <strong>September</strong>, 7pm<br />
Recorded for broadcast by ABC Classic<br />
• Pre-concert talk: 6:15pm,<br />
Salzer Suite, Level 2<br />
NEWCASTLE<br />
Newcastle City Hall<br />
Thursday 22 <strong>September</strong>, 7:30pm<br />
• Pre-concert talk: 6:45pm,<br />
Mulubinba Room<br />
SYDNEY<br />
City Recital Hall<br />
Monday 26 <strong>September</strong>, 7pm<br />
• Pre-concert talk: 6:15pm,<br />
Function Room<br />
• Meet the Artists after the concert<br />
|<br />
1<br />
|<br />
With special thanks to Eleanor Goodridge OAM<br />
for her support of this tour, and to the<br />
Producers’ Circle and Amadeus Society<br />
for their support of the <strong>2022</strong> Concert Season.<br />
Cover photo: Copyright Gary Heery
FROM THE ARTISTIC DIRECTOR<br />
The Israeli mandolin player <strong>Avi</strong> <strong>Avi</strong>tal is well<br />
known to Australian audiences, courtesy of<br />
a sequence of visits in which his fabulous<br />
musicality and virtuosity have stunned and<br />
charmed all those he encountered.<br />
|<br />
2<br />
|<br />
© Keith Saunders<br />
Italian cellist Giovanni Sollima had a similar<br />
impact when, on tour with the Australian<br />
Chamber Orchestra, I invited him and Richard<br />
Tognetti to be part of the 2014 Four Winds<br />
Festival to contribute what turned out to be an<br />
inspiring series of solo and chamber works.<br />
Asked to perform his favourite concerto<br />
cadenza, Giovanni mentioned by way of<br />
introduction that he used to perform this piece<br />
naked. ‘Come on then,’ Richard demanded.<br />
Giovanni partially obliged.<br />
Early conversations about the program for this<br />
Musica Viva Australia tour soon landed on the<br />
fact that both musicians grew up looking at<br />
the same patch of sea, if from very different<br />
countries and cultures. Thus, we talked about<br />
what the Mediterranean meant to each of them<br />
– not simply as a physical mass separating one<br />
country from the other, but more importantly<br />
as a source of myth and metaphor, of folksong<br />
and fantasy.<br />
If these were the bones, the flesh is rich and<br />
ample. Both brilliant improvisors, <strong>Avi</strong> and<br />
Giovanni dreamed up a way of telling the<br />
stories of their respective homelands through<br />
a patchwork of existing or improvised<br />
pieces, all stitched together with tales of their<br />
childhoods and their gradual emergence as<br />
two of the most original and fearless artists<br />
working today.<br />
Paul Kildea<br />
Artistic Director<br />
Musica Viva Australia
PROGRAM<br />
Please note this program is performed without interval.<br />
Musica Viva Australia has been advised that Giovanni Sollima has recently<br />
contracted COVID-19 and is unable to fly to Australia in time for his <strong>September</strong><br />
concerts. Whilst we are disappointed that he will miss some of his scheduled<br />
concerts, we wish him a speedy recovery and look forward to him re-joining<br />
the tour when possible.<br />
<strong>Avi</strong> <strong>Avi</strong>tal and <strong>Erin</strong> <strong>Helyard</strong> will perform a revised program for mandolin and<br />
harpsichord at this evening’s concert. The artists will introduce the repertoire<br />
from stage.<br />
|<br />
3<br />
|
COMPOSING CUTTING-EDGE<br />
LEGAL SOLUTIONS IN AUSTRALIA<br />
AND ACROSS THE GLOBE.<br />
Proud supporters of Musica Viva<br />
www.bakermckenzie.com/australia<br />
We’ve been taking orders and delivering<br />
fine wines to homes all across Australia since 1974.<br />
You won’t find our wine in bottle shops – we’ve<br />
always preferred to cut out the middle man.<br />
If you’re in Mudgee, come and see us at our<br />
beautiful winery and vineyard, try our wines<br />
and enjoy delicious local produce and<br />
weekend lunches in the gardens and grounds.<br />
As a friend of Musica Viva Australia, you are<br />
a friend of ours too, so take 20% off your first<br />
Huntington Estate order with coupon code<br />
MVAFRIEND, online or in our charming<br />
Cellar Door.<br />
641 ULAN ROAD BUCKAROO NSW 2850 WWW.HUNTINGTONESTATE.COM.AU
REGIONAL TOURING<br />
As part of Musica Viva Australia’s<br />
Regional Touring <strong>Program</strong>, <strong>Avi</strong> <strong>Avi</strong>tal<br />
and Giovanni Sollima will perform at:<br />
• Hobart Town Hall, Tasmania<br />
Monday 19 <strong>September</strong><br />
• Southern Cross University, Lismore, NSW<br />
Thursday 29 <strong>September</strong><br />
• Orange Regional Conservatorium, NSW<br />
Monday 10 October<br />
For further details visit:<br />
musicaviva.com.au/regional<br />
MASTERCLASSES<br />
<strong>Avi</strong> <strong>Avi</strong>tal and Giovanni Sollima will present<br />
the following masterclasses as part of this tour:<br />
• Wednesday 21 <strong>September</strong> (Sollima)<br />
Monash University, Melbourne<br />
• Thursday 29 <strong>September</strong><br />
Southern Cross University, Lismore<br />
• Friday 7 October (<strong>Avi</strong>tal)<br />
Sydney Conservatorium of Music,<br />
Recital Hall East<br />
• Monday 10 October<br />
Orange Regional Conservatorium<br />
For further details visit:<br />
musicaviva.com.au/masterclasses<br />
|<br />
5<br />
|<br />
Musica Viva Australia’s<br />
Masterclass program is supported by:<br />
Nicholas Callinan AO & Elizabeth Callinan<br />
Caroline & Robert Clemente<br />
Ian & Caroline Frazer<br />
The Patricia H Reid Endowment Fund<br />
Andrew Sisson AO & Tracey Sisson<br />
Mick & Margaret Toller<br />
Anonymous (1)
MEET THE ARTISTS<br />
|<br />
6<br />
|<br />
AVI AVITAL<br />
The first mandolin soloist to be nominated<br />
for a classical Grammy, <strong>Avi</strong> <strong>Avi</strong>tal has<br />
been compared to Andrés Segovia for<br />
his championship of his instrument and to<br />
Jascha Heifetz for his incredible virtuosity.<br />
Passionate and ‘explosively charismatic’<br />
(New York Times) in live performance, he is a<br />
driving force behind the reinvigoration of the<br />
mandolin repertory.<br />
Highlights of the 2021–22 season have included<br />
performances with Les Violons du Roy, a<br />
return to the Wigmore Hall with Arcangelo,<br />
and a tour of Germany with Il Pomo d’Oro<br />
performing a program of Neapolitan music.<br />
His recent engagements include concerts with<br />
the Chicago Symphony Orchestra, Los Angeles<br />
Philharmonic, Yomiuri Nippon Symphony<br />
Orchestra, BBC Symphony Orchestra,<br />
National Orchestra of the Academy of St<br />
Cecilia, Tonhalle Orchestra Zürich, Deutsche<br />
Symphonie Orchester Berlin, Orchestre<br />
National de Lyon, Il Giardino Armonico,<br />
Maggio Musicale Fiorentino, Norwegian<br />
Radio Orchestra and the Israel Philharmonic.<br />
© Guy Hecht<br />
<strong>Avi</strong>tal collaborates with musicians across<br />
many genres including accordionist Ksenija<br />
Sidorova, early keyboard specialists Mahan<br />
Esfahani and Kristian Bezuidenhout, pianist<br />
Alice Sara Ott, countertenor Andreas Scholl,<br />
Dover Quartet, Danish String Quartet, the<br />
Brooklyn Rider quartet, jazz artists Omer Klein<br />
and Omer <strong>Avi</strong>tal, actress Martina Gedeck<br />
and the Georgian puppet theatre Budrugana<br />
Gagra. His versatility has led to engagements<br />
as feature artist at the Schleswig-Holstein<br />
Music Festival, BOZAR in Brussels and the<br />
Dortmund Concert Hall’s ‘Time Island’ series,<br />
and he is a regular presence at major festivals<br />
such as Aspen, Salzburg, Tanglewood,<br />
Spoleto, Ravenna, MISA Shanghai,<br />
Cheltenham, Verbier and Tsinandali.<br />
Born in Be’er Sheva in southern Israel, <strong>Avi</strong>tal<br />
began learning the mandolin at the age<br />
of eight and soon joined the flourishing<br />
mandolin youth orchestra founded and<br />
directed by his charismatic teacher, Russianborn<br />
violinist Simcha Nathanson. He studied<br />
at the Jerusalem Music Academy and at the<br />
Conservatorio Cesare Pollini in Padua with<br />
Ugo Orlandi. Winner of Israel’s prestigious<br />
<strong>Avi</strong>v Competition in 2007, <strong>Avi</strong>tal is the first<br />
mandolinist in the history of the competition<br />
to be so honoured. He plays on a mandolin<br />
made by Israeli luthier Arik Kerman.
ERIN HELYARD<br />
<strong>Erin</strong> <strong>Helyard</strong> has been acclaimed as an<br />
inspiring conductor, a virtuosic and expressive<br />
performer of the harpsichord and fortepiano,<br />
and a lucid scholar who is passionate about<br />
promoting discourse between musicology<br />
and performance.<br />
<strong>Erin</strong> graduated in harpsichord performance<br />
from the Sydney Conservatorium of Music with<br />
first-class honours and the University Medal.<br />
He completed his Masters in fortepiano<br />
performance and a PhD in musicology with<br />
Tom Beghin at the Schulich School of Music,<br />
McGill University, Montreal. His monograph<br />
Clementi and the woman at the piano was<br />
published by Oxford University Studies in<br />
Enlightenment in <strong>2022</strong>.<br />
© Jasmin Simmons<br />
As Artistic Director and co-founder of the<br />
celebrated Pinchgut Opera and the Orchestra<br />
of the Antipodes (Sydney) he has forged<br />
new standards of excellence in historicallyinformed<br />
performance in Australia. The<br />
company won Best Rediscovered Opera (2019)<br />
for Hasse’s Artaserse at the International<br />
Opera Awards in London. Pinchgut’s opera<br />
film, A Delicate Fire, won Best Australian<br />
Feature Film at the Sydney Women’s<br />
International Film Festival in 2021. Operas<br />
under his direction have been awarded Best<br />
Opera at the Helpmann Awards for three<br />
consecutive years (2015-2017) and he has<br />
received two Helpmann Awards for Best<br />
Musical Direction: one for a fêted revival of<br />
Saul (Adelaide Festival) in 2017 and the other<br />
for Hasse’s Artaserse (Pinchgut Opera) in<br />
2019. Together with Richard Tognetti, <strong>Erin</strong> won<br />
an ARIA and an AIR award for Best Classical<br />
Album in 2020.<br />
He regularly appears as a collaborator with<br />
the Australian Chamber Orchestra and as<br />
a conductor <strong>Erin</strong> has distinguished himself<br />
in dynamic performances with the Sydney,<br />
Adelaide, Tasmanian, and Queensland<br />
Symphony Orchestras, ACO Collective, the<br />
Australian National Academy of Music, the<br />
Australian Haydn Ensemble, and as a duo<br />
partner on historical pianos with David Greco<br />
(baritone) and Stephanie McCallum (piano).<br />
In 2018 he was recognised with a Music and<br />
Opera Singers Trust Achievement Award<br />
(MAA) for contribution to the arts in Australia.<br />
In <strong>2022</strong> <strong>Erin</strong> is an Artist in Residence at the<br />
Melbourne Recital Centre.<br />
<strong>Erin</strong> is a Senior Lecturer at the Sydney<br />
Conservatorium of Music and appears<br />
courtesy of Pinchgut Opera.<br />
|<br />
7<br />
|
Musica Viva Australia’s Amadeus Society is<br />
a small philanthropic circle of passionate music<br />
lovers who help us to realise our bold artistic vision<br />
and bring acclaimed international and local artists<br />
to our stages throughout the country.<br />
Since 2007, the Amadeus Society has enabled<br />
Musica Viva Australia to further extraordinary<br />
artistic initiatives and in <strong>2022</strong> will continue to do<br />
so by celebrating the wealth and diversity of<br />
Australian musical talent.<br />
Annual membership of the Society includes<br />
intimate private house concerts with our<br />
mainstage artists, currently held in<br />
Melbourne and Sydney.<br />
If you are interested in joining the Amadeus Society or would like more information please contact:<br />
SYDNEY<br />
Caroline Davis, Individual Giving Manager<br />
02 8394 6636 | cdavis@musicaviva.com.au<br />
MELBOURNE<br />
Susan Eldridge, Senior Development Manager<br />
03 9645 5092 | seldridge@musicaviva.com.au
SIGNUM<br />
SAXOPHONE QUARTET<br />
& KRISTIAN WINTHER<br />
Europe’s favourite saxophone quartet join violinist Kristian Winther for a program<br />
including a brand-new arrangement of Kurt Weill’s daredevil violin concerto.<br />
musicaviva.com.au/signum-winther<br />
1800 688 482<br />
NATIONAL TOUR<br />
6–24 NOVEMBER
ABOUT THE MUSIC<br />
Today’s program is a little different<br />
from a ‘regular’ Musica Viva Australia<br />
program, and therefore About the<br />
Music will be a little different, too.<br />
The majority of the ‘program notes’<br />
for this performance will come from<br />
the artists onstage.<br />
The first three items on the program are<br />
Traditional tunes. The first is Sephardic, being<br />
music of the Jewish diaspora population who<br />
coalesced in the Iberian Peninsula (occupied<br />
today by Spain and Portugal). The second is<br />
Turkish; the third, Macedonian (a geographic<br />
and former administrative region of Greece).<br />
Following this selection of folk music is a sonata<br />
by Domenico Scarlatti (1685–1757), a Naplesborn<br />
composer of the Baroque, who spent<br />
much of his career on the Iberian Peninsula.<br />
|<br />
10<br />
|<br />
M E<br />
D I<br />
T<br />
E R<br />
R<br />
A<br />
N<br />
E<br />
A<br />
N<br />
S<br />
E<br />
A
Three works by Giovanni Sollima himself are<br />
next up; the cellist balances his performing<br />
life with that of a composer. The first of these<br />
works is literally an Improvisation, drawing<br />
on themes or fragments from traditional<br />
tunes (from Sicily, the Balkans etc), or from<br />
his own works, or from Bach’s Cello Suites...<br />
Sollima describes it ‘a surprise moment in the<br />
program’.<br />
Federico II is a piece originally written for<br />
string quartet as part of a 2001 project called<br />
Viaggio in Italia (Italian Journey): one hour<br />
of music for quartet/quintet and voice which<br />
premiered at Carnegie Hall in New York.<br />
Federico II is inspired by the controversial<br />
13th-century figure of Friedrich Hohenstaufen<br />
– Federico Ruggero in his native Italy – who<br />
was King of Sicily (from the age of three!),<br />
King of Jerusalem and Holy Roman Emperor,<br />
ruling over a vast empire that stretched<br />
through Italy, all the way north to Germany.<br />
He lies buried in Palermo Cathedral. On the<br />
one hand, he was a major patron of science<br />
and the arts, a scholar, poet, composer and<br />
architect (some of his buildings are truly<br />
amazing, and many are still open today);<br />
on the other, Dante Alighieri in the Divine<br />
Comedy places him in Hell.<br />
Alep (Pesce) is also born from a larger-scale<br />
project. Sollima describes it as ‘essentially a<br />
song, in an antique or folk style. Leonardo’s<br />
Bestiary is a text that I love very much by<br />
Leonardo da Vinci who, among all his codices,<br />
discoveries, experiments, inventions and<br />
paintings, had the time to write musical jokes,<br />
rebus puzzles and games. The Bestiary is a<br />
catalogue of animals, real and imaginary:<br />
Leonardo gives them names – Alep is a fish –<br />
and human characters, both the virtues and<br />
the vices...’.<br />
Dario Castello (1602–1631) worked mostly in<br />
Venice: he held a position as violinist at<br />
St Mark’s Basilica under Claudio Monteverdi.<br />
His Sonata is followed by a Tarantella by<br />
Sollima’s father, also a composer:<br />
Eliodoro Sollima (1926–2000).<br />
<strong>Avi</strong> <strong>Avi</strong>tal’s own thrilling arrangement of a<br />
traditional Bulgarian tune may be familiar<br />
to listeners who have attended his Musica<br />
Viva Australia concerts previously – back<br />
by popular demand! Girolamo Frescobaldi<br />
(1583–1643), meanwhile, was a highly<br />
influential Italian composer of mostly keyboard<br />
music; he held the position of organist of<br />
St Peter’s Basilica.<br />
Concluding the program are two more folk<br />
tunes; one Sephardic and one from Salento<br />
(in the ‘heel’ of the Italian ‘boot’).<br />
|<br />
11<br />
|<br />
1. Iberian Peninsula | Traditional Sephardic<br />
2. Turkey | Traditional Turkish<br />
3. Macedonia | Traditional Macedonian<br />
4. Naples, Italy | Domenico Scarlatti’s birthplace<br />
5. Palermo, Sicily | Giovanni Sollima’s birthplace<br />
6. Venice, Italy | Castello – Sonata No. 4<br />
7. Marsala, Sicily | Eliodoro Sollima’s birthplace<br />
8. Bulgaria | Bučimiš<br />
9. St Peter’s Basilica, Vatican City | Frescobaldi<br />
– Canzona No. 3<br />
10. Salento, Italy | Traditional Salento<br />
11. Be’er Sheva, Israel | <strong>Avi</strong> <strong>Avi</strong>tal’s birthplace
PATRONS<br />
CUSTODIANS<br />
ACT Geoffrey & Margaret Brennan, Clive & Lynlea Rodger,<br />
Ruth Weaver, Anonymous (4)<br />
NSW Jennifer Bott AO, Catherine Brown-Watt PSM & Derek<br />
Watt, Lloyd & Mary Jo Capps AM, Andrew & Felicity Corkill,<br />
Peter Cudlipp, Liz Gee, Suzanne Gleeson, David & Christine<br />
Hartgill, Annie Hawker, Elaine Lindsay, Trevor Noffke,<br />
Dr David Schwartz, Ruth Spence-Stone, Mary Vallentine AO,<br />
Deirdre Nagle Whitford, Richard Wilkins, Kim Williams AM,<br />
Megan & Bill Williamson, Ray Wilson OAM, Anonymous (12)<br />
QLD Anonymous (2)<br />
SA Monica Hanusiak-Klavins & Martin Klavins,<br />
Anonymous (5)<br />
TAS<br />
Kim Paterson QC, Anonymous<br />
VIC Elizabeth & Anthony Brookes, Julian Burnside AO QC,<br />
Ms Helen Dick, Robert Gibbs & Tony Wildman,<br />
Helen Vorrath, Anonymous (8)<br />
WA Graham Lovelock, Anonymous (4)<br />
LEGACY DONORS<br />
NSW The late Charles Berg, The late Janette Hamilton,<br />
The late Dr Ralph Hockin in memory of Mabel Hockin,<br />
The late Kenneth W Tribe AC, Anonymous<br />
QLD<br />
The late Steven Kinston, Anonymous<br />
SA The late Edith Dubsky, The late John Lane Koch,<br />
The late Lesley Lynn<br />
VIC The late Raymond Brooks, In memory of Anita<br />
Morawetz, The family of the late Paul Morawetz,<br />
The late Dr G D Watson<br />
ENSEMBLE PATRONS<br />
Our artistic vision for <strong>2022</strong> is made possible thanks to the<br />
extraordinary generosity of our Ensemble Patrons, each of<br />
whom supports the presentation of an entire national tour<br />
for our <strong>2022</strong> Season.<br />
Ian Dickson AM & Reg Holloway (Van Diemen’s Band)<br />
Anonymous (Paul Grabowsky & Andrea Lam)<br />
Peter Griffin AM & Terry Swann, Susie Dickson,<br />
and Ms Felicity Rourke & Justice François Kunc<br />
as part of The Travellers – Giving Circle<br />
(A Winter’s Journey)<br />
Australian Music Foundation (Z.E.N. Trio)<br />
Eleanore Goodridge OAM<br />
(<strong>Avi</strong> <strong>Avi</strong>tal & Giovanni Sollima)<br />
CONCERT CHAMPIONS<br />
Adelaide Helen Bennetts & Tim Lloyd, Joan & Ivan<br />
Blanchard, Helen Fulcher, The late Lesley Lynn,<br />
Dr Susan Marsden & Michael Szwarcbord, Leonie Schmidt<br />
& Michael Davis, Anonymous (2)<br />
Brisbane Ian & Cass George, Andrew & Kate Lister, Barry<br />
& Diana Moore, The Hon Justice A Philippides, Anonymous<br />
Canberra The Musica Viva Australia ACT Committee<br />
& Ruth Weaver, Andrew Blanckensee Music Lover,<br />
Humphries Family Trust, Malcolm Gillies & David Pear in<br />
memory of Stewart Gillies, Dr Sue Packer, Sue Terry<br />
& Len Whyte, Anonymous<br />
Melbourne Alexandra Clemens, Continuo Collective,<br />
Peter Griffin AM & Terry Swann, Monica Lim & Konfir Kabo,<br />
Peter Lovell, Rosemary & John MacLeod, The Morawetz<br />
Family in memory of Paul Morawetz, Allan Myers QC AC in<br />
honour of the 90th birthday of Barry Jones AC, Greg Shalit &<br />
Miriam Faine (2), Dr Michael Troy, The Musica Viva Australia<br />
Victorian Committee, Anonymous<br />
Newcastle Megan & Bill Williamson, Gay Bookallil &<br />
the Musica Viva Australia Newcastle Committee<br />
Perth Dr Robert Larbalestier AO, Deborah Lehmann AO &<br />
Michael Alpers AO, In memory of Stephanie Quinlan (2),<br />
David Wallace & Jamelia Gubgub, Valerie &<br />
Michael Wishart<br />
Sydney Patricia Crummer, Pam Cudlipp, Dr Jennifer<br />
Donald & Mr Stephen Burford, Charles Graham – in<br />
acknowledgement of his piano teacher, Sana Chia,<br />
Katherine & Reg Grinberg, Anthony Strachan, Kay Vernon,<br />
Kim Williams AM & Catherine Dovey (2), Ray Wilson OAM<br />
PRODUCERS’ CIRCLE<br />
Darin Cooper Foundation, Stephen & Michele Johns<br />
AMADEUS SOCIETY<br />
Tony Berg AM & Carol Berg, Marc Besen AC & Eva Besen<br />
AO dec., Ms Jan Bowen AM, Tom Breen & Rachael Kohn AO,<br />
Dr Di Bresciani OAM, Julian Burnside AO QC (President,<br />
Melbourne) & Kate Durham, Dr Helen Ferguson,<br />
Ms Annabella Fletcher, Dr Annette Gero, Peter Griffin AM &<br />
Terry Swann, Katherine & Reg Grinberg, Jennifer Hershon<br />
& Russell Black, Penelope Hughes, Dr Alastair Jackson AM,<br />
Michael & Frederique Katz, Ruth Magid & Bob Magid OAM,<br />
Prof. John Rickard, Andrew Rosenberg, Ray Wilson OAM<br />
|<br />
13<br />
|
|<br />
14<br />
|<br />
MASTERCLASSES<br />
GIVING CIRCLE<br />
The Masterclasses Giving Circle is a group of generous<br />
donors whose collective support will enable the artistic<br />
development of the next generation of Australian<br />
chamber musicians.<br />
Nicholas Callinan AO & Elizabeth Callinan, Caroline &<br />
Robert Clemente, Ian & Caroline Frazer, Patricia H. Reid<br />
Endowment Fund, Andrew Sisson AO & Tracey Sisson,<br />
Mick & Margaret Toller, Anonymous (1)<br />
COMMISSIONS<br />
Musica Viva Australia is proud to support the creation<br />
of new Australian works through The Ken Tribe Fund<br />
for Australian Composition and The Hildegard Project.<br />
We are grateful to the following individuals and<br />
collectives for their generous support of this work:<br />
In loving memory of Jennifer Bates, Julian Burnside AO QC<br />
& Kate Durham, The Barry Jones Birthday Commission,<br />
Michael & Fréderique Katz in honour of Cecily Katz,<br />
Graham Lovelock & Steve Singer, D R & K M Magarey,<br />
Vicki Olsson, The Silo Collective, Tribe family in honour of<br />
Doug Tribe’s 75th birthday, WA Commissioning Circle<br />
The Barry Jones Birthday Commission ($500+)<br />
Steve Bracks AC & Terry Bracks AM, Dr George Deutsch<br />
OAM & Kathy Deutsch, Carrillo Gantner AC & Ziyin Gantner,<br />
Professor Margaret Gardner AC & Professor Glyn Davis AC,<br />
Naomi & George Golvan QC, Hon David Harper AM, Ellen<br />
Koshland & James McCaughey, Miles Lewis, Barry McGaw,<br />
Jeannette McHugh, Fiona McLeod AO SC, Peter & Ruth<br />
McMullin, Julie & Ian Macphee, peckvonhartel architects,<br />
Ralph & Ruth Renard, Anne & Robert Richter QC, Gianna<br />
Rosica, Joy Selby Smith, Smith Family, Maureen & Tony<br />
Wheeler, Lyn Williams, Dr Robyn Williams AO, Bob, Robyn,<br />
Annie & Nick, Anonymous (3)<br />
We thank all our audience members<br />
who donated the value of their<br />
cancelled tickets towards the Artist Fund<br />
and sincerely appreciate the generous<br />
support we receive from our<br />
incredible community.<br />
We encourage you to scan the QR code<br />
to see a full list of donors over $500 to<br />
Musica Viva Australia.<br />
MAJOR GIFTS<br />
$100,000+<br />
NSW The Berg Family Foundation,<br />
Patricia H. Reid Endowment Fund<br />
$50,000–$99,999<br />
ACT Marion & Michael Newman<br />
NSW J A Donald Family, Katherine & Reg Grinberg,<br />
Tom & Elisabeth Karplus<br />
$20,000–$49,999<br />
NSW Tom Breen & Rachael Kohn AO,<br />
Michael & Fréderique Katz, Vicki Olsson<br />
QLD<br />
Ian & Caroline Frazer, Andrea & Malcolm Hall-Brown<br />
VIC The Morawetz Family in memory of Paul Morawetz,<br />
Anonymous<br />
WA<br />
Anonymous<br />
$10,000–$19,999<br />
ACT R & V Hillman, Anonymous<br />
NSW Anne & Terrey Arcus AM, Gardos Family,<br />
Gresham Partners, Hilmer Family Endowment,<br />
Nigel & Carol Price, Anthony Strachan<br />
QLD<br />
SA<br />
Anonymous<br />
Jennifer & John Henshall, Anonymous<br />
VIC Roger Druce & Jane Bentley, Peter Griffin AM<br />
& Terry Swann, Mercer Family Foundation, Monica<br />
Lim & Konfir Kabo, Peter Lovell, Marjorie Nicholas AM,<br />
Anonymous<br />
WA Team Legacy, Deborah Lehmann AO<br />
& Michael Alpers AO<br />
$5,000–$9,999<br />
ACT Goodwin Crace Concertgoers, Craig Reynolds,<br />
Sue Terry & Len Whyte<br />
NSW Christine Bishop, Patricia Crummer,<br />
Jo & Barry Daffron, Sarah & Tony Falzarano,<br />
Iphygenia Kallinikos, Mrs W G Keighley,<br />
D R & K M Magarey, Hywel Sims, David & Carole Singer,<br />
Diane Sturrock, Kim Williams AM & Catherine Dovey<br />
QLD<br />
SA<br />
Andrew & Kate Lister, The Hon Justice A Philippides<br />
Aldridge Family Endowment, Anonymous<br />
VIC In memory of Kate Boyce, Alexandra Clemens,<br />
Robert Gibbs & Tony Wildman, Doug Hooley,<br />
Andrew Johnston, Greg Shalit & Miriam Faine,<br />
Stephen Shanasy, Anonymous<br />
WA Anonymous (2)
ANNUAL GIVING<br />
$2,500–$4,999<br />
ACT Kristin van Brunschot & John Holliday,<br />
Dr Andrew Singer, Ruth Weaver, Anonymous<br />
NSW Penny Beran, Susan Burns, ADFAS Newcastle,<br />
Andrew Rosenberg, Jo Strutt<br />
QLD<br />
Greyhound Australia<br />
SA DJ & EM Bleby, Peter Clifton, Ms Judy Potter<br />
& Dr George Potter<br />
VIC Jan Begg, Alastair & Sue Campbell,<br />
Anne Frankenberg & Adrian McEniery, Lyndsey &<br />
Peter Hawkins, Ralph & Ruth Renard, Maria Sola,<br />
Helen Vorrath, Lyn Williams, Igor Zambelli<br />
WA David Cooke, Ros Kesteven, Zoe Lenard &<br />
Hamish Milne, Mrs Morrell, Anonymous<br />
$1,000–$2,499<br />
ACT Andrew Blanckensee, The Breen/Dullo Family,<br />
Odin Bohr & Anna Smet, Dudley & Helen Creagh, Martin<br />
Dolan, Liz & Alex Furman, Olivia Gesini, Malcolm Gillies<br />
AM, Kingsley Herbert, Margaret & Peter Janssens, Garth<br />
Mansfield, Teresa Neeman, Margaret Oates, S Packer,<br />
Clive & Lynlea Rodger, Hannah Semler, Anonymous (3)<br />
NSW Judith Allen, David & Rae Allen, Maia Ambegaokar<br />
& Joshua Bishop, Dr Warwick Anderson, Stephen Booth,<br />
Vicki Brooke, Neil Burns, Hugh & Hilary Cairns, Hon J C<br />
Campbell QC & Mrs Campbell, Lloyd & Mary Jo Capps AM,<br />
Robin & Wendy Cumming, Thomas Dent, Nancy Fox AM &<br />
Bruce Arnold, John & Irene Garran, H2 Cairns Foundation,<br />
Annie Hawker, Robert & Lindy Henderson, Margaret Hicks,<br />
Lybus Hillman, Dr Ailsa Hocking & Dr Bernard Williams,<br />
Dorothy Hoddinott AO, Catharine & Robert Kench, Kevin<br />
& Deidre McCann, Arthur & Elfreda Marshall, Dr Dennis<br />
Mather & John Studdert, Mora Maxwell, Michael &<br />
Janet Neustein, Paul O’Donnell, In memory of Katherine<br />
Robertson, Peter & Heather Roland, Ms Vivienne Sharpe,<br />
Dr Robyn Smiles, Tom & Dalia Stanley, Geoff Stearn, Richard<br />
& Beverley Taperell, Graham & Judy Tribe, Mary Vallentine<br />
AO, Dr Elizabeth Watson, John & Flora Weickhardt, Richard<br />
Wilkins, Megan & Bill Williamson, Anonymous (8)<br />
QLD George Booker & Denise Bond, Prof. Paul & Ann<br />
Crook, John & Denise Elkins, Robin Harvey, Lynn & John<br />
Kelly, Dr Helen Kerr & Dr John Ratcliffe, Jocelyn Luck, Barry<br />
& Diana Moore, Keith Moore, Debra & Patrick Mullins,<br />
Barbara Williams & Jankees van der Have, Anonymous<br />
SA The late Peter Bailie & Ann-Maree O’Connor,<br />
Ivan & Joan Blanchard, Richard Blomfield, Max & Ionie<br />
Brennan, John & Libby Clapp, The Hon. Christopher Legoe<br />
AO QC & Mrs Jenny Legoe, Joan Lyons, Fiona MacLachlan<br />
OAM, Dr Leo Mahar, Geoff & Sorayya Martin, Ann & David<br />
Matison, Diane Myers, H & I Pollard, Trish & Richard Ryan<br />
AO, Anne Sutcliffe, Anonymous<br />
VIC Joanna Baevski, Russ & Jacqui Bate, Marlyn Bancroft,<br />
Peter Burch AM BM, Alison & John Cameron, Alex &<br />
Elizabeth Chernov, Lord Ebury, Virginia Henry, Dr Anthea<br />
Hyslop, Helen Imber, John V Kaufman QC, Angela Kayser,<br />
Angela & Richard Kirsner, Ann Lahore, Janet McDonald,<br />
Ruth McNair AM & Rhonda Brown in memory of Patricia<br />
Begg & David McNair, June K Marks, Christopher Menz &<br />
Peter Rose, Traudl Moon OAM, The Myer Foundation,<br />
Sir Gustav Nossal, Barry Robbins, Murray Sandland,<br />
Darren Taylor & Kent Stringer, Wendy R. Taylor, Ray Turner<br />
& Jennifer Seabrook, Dr Victor Wayne & Dr Karen Wayne<br />
OAM, Mark & Anna Yates, Anonymous<br />
WA David & Minnette Ambrose, Dr S Cherian, Michael<br />
& Wendy Davis, In memory of Raymond Dudley, Dr Penny<br />
Herbert in memory of Dunstan Herbert, Anne Last & Steve<br />
Scudamore, Hugh & Margaret Lydon, Olivier David &<br />
Dr Bennie Ng, Mandy Loton OAM, Marian Magee & David<br />
Castillo, John Overton, Margaret & Roger Seares, Vivienne<br />
Stewart, Elizabeth Syme, Robyn Tamke, Anonymous (4)<br />
$500–$999<br />
ACT Geoffrey & Margaret Brennan, Christopher Clarke,<br />
Peter Cumines, Jill Fleming, Robert Hefner, Mary Elspeth<br />
Humphries, Claudia Hyles OAM, Margaret Lovell &<br />
Grant Webeck, Margaret Millard, Robert Orr, Helen Rankin,<br />
Dr Paul & Dr Lel Whitbread, Anonymous (2)<br />
NSW Jock Baird in memoriam Annette McClure, Barbara<br />
Brady, K Becker, Denise Braggett, Christopher & Margaret<br />
Burrell, Robert Cahill & Anne Cahill OAM, Lucia Cascone,<br />
Michael & Colleen Chesterman, Zoë Cobden-Jewitt & Peter<br />
Jewitt, Rhonwen Cuningham, Trish & John Curotta, Professor<br />
Zoltan Endre, Dr Arno Enno & Dr Anna Enno, Bronwyn<br />
Evans, Anthony Gregg, Roland & Margaret Hicks, David<br />
& Sarah Howell, Alicia Howlett, David & Jennifer Jacobs,<br />
Megan Jones, In honour of Michael Katz, Cynthia Kaye, K P<br />
Kemp, Mathilde Kearny-Kibble, Bruce Lane, Graham & Sue<br />
Lane, Olive Lawson, Dr Colin MacArthur, Ian & Pam McGaw,<br />
Laura McDonald, Dr V Jean McPherson, Robert McDougall,<br />
Alan & Rosemary Moore, Margot Morgan, Donald Nairn,<br />
Professors Robin & Tina Offler, Kim & Margie Ostinga,<br />
Christina Pender, Dr John Rogers, Penny Rogers, Peter &<br />
Heather Roland, Dr Lynette Schaverien, Professor Lynne<br />
Selwood, Andrew Wells AM, Anonymous (13)<br />
QLD Geoffrey Beames, Janet Franklin, Marie Isackson,<br />
M F Lejeune, Diana Lungren, Timothy Matthies & Chris<br />
Bonnily, Anonymous (3)<br />
SA Daniel & Susan Hains, Elizabeth Ho OAM in honour of<br />
the late Tom Steel, Dr Iwan Jensen, Helga Linnert & Douglas<br />
Ransom, Ruth Marshall & Tim Muecke, Linda Sampson,<br />
Tony Seymour, Anonymous (5)<br />
TAS<br />
Anonymous<br />
VIC David Bernshaw & Caroline Isakow, Helen Brack,<br />
John & Chris Collingwood, John & Mandy Collins, Ted &<br />
Alison Davies, Beverley Douglas, Mary-Jane Gething,<br />
Alan Gunther, John & Margaret Harrison, Irene Kearsey &<br />
Michael Ridley, Jane Lazarevic, Greg J Reinhardt AM,<br />
Eda Ritchie AM, Maureen Turner, Pera Wells, Anonymous (8)<br />
WA Joan Carney, Fred & Angela Chaney, Rachel & Bruce<br />
Craven, Helen Dwyer, Jennifer L Jones, Paula Nathan AO &<br />
Yvonne Patterson, Lindsay & Suzanne Silbert, Father Richard<br />
Smith, Ruth Stratton, Christopher Tyler, Anonymous (6)<br />
|<br />
15<br />
|
CONCERT PARTNERS<br />
Perth Concert Series Sydney Morning Masters Series Commissioning Partner<br />
Legal<br />
Chartered Accountants<br />
Piano & Tuning<br />
Media Partner<br />
Wine Partners<br />
Hotel Partners<br />
|<br />
16<br />
|<br />
ARTIST DEVELOPMENT PARTNERS<br />
Strike A Chord<br />
Principal Partner<br />
Strike A Chord<br />
Strategic Partner<br />
Strike A Chord<br />
University Partner<br />
Strike A Chord<br />
Key Philanthropic Partner<br />
Strike A Chord Partner<br />
FutureMakers<br />
Lead Partner<br />
FutureMakers<br />
Residency Partner<br />
Key Philanthropic Partner<br />
GOVERNMENT PARTNERS<br />
Musica Viva Australia is assisted by the<br />
Commonwealth Government through the<br />
Australia Council, its arts funding and advisory body.<br />
Musica Viva Australia<br />
is supported by the<br />
NSW Government<br />
through Create NSW.<br />
Musica Viva Australia is a<br />
Not-for-profit Organisation endorsed<br />
by the Australian Taxation Office as<br />
a Deductible Gift Recipient and<br />
registered with the Australian<br />
Charities and Not-for-profits<br />
Commission (ACNC).
EDUCATION PARTNERS<br />
National<br />
Marion & Mike Newman<br />
WA<br />
• Legacy Unit Trust<br />
NSW<br />
• Margaret Henderson Music Trust<br />
VIC<br />
• Godfrey Turner Memorial Music Trust<br />
Western Sydney & Melbourne<br />
|<br />
17<br />
|<br />
• The Benjamin Fund • The Marion & E.H. Flack Trust<br />
• In memory of Anita Morawetz • Keith McKenzie Will Trust<br />
SA<br />
• Aldridge Family Endowment • Carthew Foundation • Day Family Foundation<br />
• FWH Foundation • Jennifer & John Henshall • Lang Foundation • Marsden Szwarcbord Foundation<br />
ACT<br />
NT<br />
QLD<br />
Perpetual Foundation –<br />
Alan (AGL) Shaw<br />
Endowment<br />
Perpetual Foundation –<br />
Alan (AGL) Shaw<br />
Endowment
STORIES TO INSPIRE<br />
BY REMI HARVEY<br />
MUSICA VIVA AUSTRALIA SUPPORTING THE NORTHERN<br />
RIVERS MUSIC COMMUNITY IN A TIME OF NEED<br />
|<br />
18<br />
|<br />
Lior Attar and the Tinalley String Quartet at Southern Cross University.<br />
Over half of the audience attended thanks to subsidised tickets.<br />
Image courtesy of the Hon Ben Franklin MLC.<br />
Musica Viva Australia was set to present four<br />
concerts and a number of workshops at the<br />
Northern Rivers Conservatorium this year,<br />
an important presenting partner for our<br />
extensive regional touring program. Sadly,<br />
these plans were not realised as intended. The<br />
devastating floods of February and March left<br />
the Conservatorium nearly destroyed, with<br />
two of its three floors completely submerged.<br />
Not a single instrument in the building was<br />
salvageable.<br />
Shocked by the damage and in the spirit<br />
of Musica Viva Australia’s longstanding<br />
friendship with the Conservatorium,<br />
our CEO Hywel Sims reached out to the<br />
Conservatorium’s Executive Director Anita<br />
Bellman: ‘Musica Viva Australia has a deep<br />
and longstanding connection to Lismore<br />
– we’ve been touring to schools and the<br />
Conservatorium there for many years. As soon<br />
as we heard news of the flooding, I contacted<br />
Anita Bellman and asked how we could help.<br />
Anita and I came up with the idea of providing<br />
free seats at concerts and, separately, we also<br />
decided to provide free tours to local schools.<br />
We were determined to continue providing<br />
live music to the region and, thankfully,<br />
we were able to do so. At the first concert,<br />
more than 250 people took advantage of<br />
our free seats initiative – proof that music is<br />
most needed when times are tough. We look<br />
forward to providing more free seats at the<br />
rest of this year’s concerts in Lismore.’<br />
Southern Cross University is generously<br />
providing space for the scheduled concerts<br />
and activities to take place, while artist<br />
fees for concerts and workshops are being<br />
covered by Musica Viva Australia donors.
For example, Katherine and Reg Grinberg<br />
are supporting subsidised tickets for affected<br />
Lismore audiences to attend the <strong>Avi</strong> <strong>Avi</strong>tal and<br />
Giovanni Sollima concert program.<br />
In addition to the overwhelmingly successful<br />
season opener with Lior and the Tinalley<br />
String Quartet, we will also present Ian<br />
Munro’s newly composed score for The<br />
Sentimental Bloke, performed by Ying Ho<br />
and Ian Munro. <strong>Avi</strong> <strong>Avi</strong>tal and Giovanni<br />
Sollima are visiting the region during this<br />
mainstage concert tour, and as part of<br />
their visit, they will also be presenting a<br />
workshop to the students of Northern Rivers<br />
Conservatorium at Southern Cross University.<br />
‘The generous support of Musica Viva<br />
Australia in being able to offer free tickets to<br />
flood-affected members of the Lismore and<br />
wider Northern Rivers community is extremely<br />
beautiful,’ says Anita Bellman. ‘Our local<br />
community is deeply touched by the kindness<br />
and generosity of this gesture, bringing the<br />
healing power of music during the difficult<br />
recovery from the catastrophic floods of<br />
February this year.’<br />
As one of the largest providers of live music<br />
education to schools, we also contacted<br />
teachers in the area to ask how we could help.<br />
Here too, schools welcomed the idea of free<br />
concerts, and so, again with support from<br />
donors, we will be providing free tours to a<br />
number of local schools affected by the floods.<br />
Minister Franklin speaks from stage at the<br />
first concert in Lismore since the floods.<br />
Image courtesy of the Hon Ben Franklin MLC.<br />
|<br />
19<br />
|<br />
If you would like to support the provision of free, live music<br />
to schools and concert audiences, please contact<br />
Caroline Davis, Individual Giving Manager<br />
cdavis@musicaviva.com.au / 02 8394 6636.
Tribute<br />
The concert in Sydney on Saturday 8 October celebrates<br />
Ken Tribe’s contribution to Musica Viva Australia.<br />
KENNETH W TRIBE AC (1914–2010)<br />
Through the 1970s and 1980s Ken’s influence<br />
in Australian cultural life was far-reaching.<br />
He served on boards and committees for<br />
organisations including the Australia Council<br />
for the Arts, Canberra School of Music, Sydney<br />
College of the Arts, the NSW Arts Advisory<br />
Council, the Australian Opera and the<br />
Australian Broadcasting Commission, as it was<br />
then known.<br />
|<br />
20<br />
|<br />
Kenneth Wilberforce Tribe was born in<br />
Sydney in 1914, the second of three children<br />
born to Cecil and Elizabeth Tribe. Having<br />
attended St Andrew’s Cathedral Choir School,<br />
Ken won scholarships to Sydney Church of<br />
England Grammar School (Shore), then to the<br />
University of Sydney to study Law, graduating<br />
in 1937 (music not being regarded as a viable<br />
occupation during that time of the Great<br />
Depression).<br />
Despite family responsibilities and an<br />
extremely demanding professional life, Ken<br />
soon began a pattern of engaging in activities<br />
outside of his profession; the most significant<br />
and long-standing of these associations<br />
was with Musica Viva Australia. In 1949 Ken<br />
joined Musica Viva Australia as Chairman<br />
of the executive and in 1966 took on the role<br />
of Artistic Director, which amalgamated with<br />
that of President in 1973. It was Ken’s initiative<br />
that created Musica Viva Australia’s National<br />
Board in 1980–81.<br />
With apparently endless energy Ken also<br />
worked on the boards of a number of trusts,<br />
funds and in different capacities with a large<br />
number of arts bodies. Much of Ken’s value to<br />
the community over the years was ‘behind the<br />
scenes’ support, always pro bono.<br />
Ken retired from the Presidency of Musica<br />
Viva Australia in 1986 and was Patron until his<br />
death in July 2010. He maintained a visionary<br />
commitment to commissioning new music from<br />
Australian composers and his support has<br />
enabled new works by luminary composers<br />
including the late Richard Meale, the late Peter<br />
Sculthorpe, Ross Edwards, Carl Vine and Nigel<br />
Westlake. This commitment will continue to be<br />
honoured by Musica Viva Australia through<br />
the Ken Tribe Commemorative Fund for<br />
Australian Composers.<br />
It would be impossible to overstate Ken’s<br />
impact on the arts in Australia and on music<br />
especially. Our lives have been enriched<br />
because of his unique capacity to combine<br />
plain hard work with a vision of what things<br />
might be. As part of Musica Viva Australia<br />
for more than 60 years, Ken’s influence was<br />
enormous.<br />
© GWEN BENNETT<br />
AND MUSICA VIVA AUSTRALIA
ALLAN CLAYTON & KATE GOLLA<br />
A WINTER’S JOURNEY<br />
Fresh from triumphant seasons as Hamlet (The Met) and Peter Grimes (Covent Garden),<br />
tenor Allan Clayton joins pianist Kate Golla for Schubert’s immortal songs of love and loss.<br />
Director Lindy Hume and video designer David Bergman weave a magical<br />
Australian setting from Fred Williams’ wondrous landscapes.<br />
THE BARBICAN, LONDON: WED 7 DECEMBER<br />
ONLINE CONCERT: WED 7 DECEMBER, 7PM (AEDT)<br />
musicaviva.com.au/a-winters-journey-online<br />
1800 688 482<br />
(Australian Book Review)<br />
(Limelight Magazine)<br />
(The Age)
As Australia’s flagship music education and non-profit<br />
touring company, we continuously strive to provide more<br />
for all music lovers – more music education and teacher<br />
professional development opportunities to help feed<br />
young imaginations everywhere; more exceptional artists<br />
on stage performing on metropolitan and regional stages<br />
and online to bring audiences together across the country;<br />
and more creative projects to promote a continuously<br />
evolving and vibrant music sector.<br />
Help us to continue to keep doing more so that everyone,<br />
regardless of age, location or circumstance, can access<br />
and share the very best live music.<br />
For more information contact our Individual Giving Manager:<br />
Caroline Davis, cdavis@musicaviva.com.au