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Trading Places (Mozart: Overture to the Marriage of<br />
Figaro)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.556812<br />
■ CINEMA CLASSICS 1997<br />
Breaking the Waves (Bach: Siciliana from Sonata, BWV<br />
1031) • The English Patient (Bach: Aria from the<br />
Goldberg Variations, BWV 988) • The Portrait of a<br />
Lady (Schubert: Andante con moto from “Death and the<br />
Maiden”) • Primal Fear (Mozart: Requiem – Lacrymosa)<br />
Shine (Chopin: Polonaise No. 6, Op. 53 • Rachmaninov:<br />
Allegro ma non tanto from Piano Concerto No. 3,<br />
Op. 30) • The People Vs. Larry Flynt (Chopin: Mazurka<br />
No. 47, Op. 68, No. 2 • Dvorˇák: Polonaise from Rusalka)<br />
Tin Cup (Vivaldi: Allegro non molto from the Four<br />
Seasons – Winter) • William Shakespeare’s Romeo and<br />
Juliet (Mozart: Allegro con brio from Symphony No. 25,<br />
K. 183)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551181<br />
■ CINEMA CLASSICS 1998<br />
Brassed Off (Rossini: William Tell Overture)<br />
The Devil’s Own (Johann Strauss II: Frühlingsstimmen)<br />
Face/Off (Mozart: Pamina’a Aria from The Magic Flute)<br />
The Fifth Element (Donizetti: Mad Scene from Lucia di<br />
Lammermoor – excerpt) • G.I. Jane (Puccini: O mio<br />
babbino caro) • Jurassic Park 2 (Beethoven: Adagio<br />
cantabile from Pathétique Sonata) • L.A. Confidential<br />
(Mendelssohn: Hebrides Overture) • One Night Stand<br />
(J.S. Bach: Air) • Paradise Road (Chopin: March from<br />
Piano Sonata No. 2) • The Peacemaker (Chopin:<br />
Nocturne in F minor) • Titanic (Johann Strauss II: The<br />
Blue Danube)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551182<br />
■ CINEMA CLASSICS 1999<br />
Babe – Pig in the City (Saint-Saëns: Maestoso; Allegro<br />
from Symphony No. 3 “Organ”) • The Big Lebowski<br />
(Korngold: ‘Glück das mir verblieb’ from Die tote Stadt)<br />
Bulworth (Sousa: Stars and Stripes Forever) • Elizabeth<br />
(Elgar: Nimrod from Enigma Variations) • Hilary and<br />
Jackie (Elgar: Adagio–Moderato from Cello Concerto)<br />
Life is Beautiful (Offenbach: Barcarolle for the Tales of<br />
Hoffmann) • The Proposition (Schubert: Andante from<br />
String Quartet D. 804) • Rounders (J.S. Bach: Allegro<br />
from Brandenburg Concerto No. 1) • Star Trek<br />
– Insurrection (Haydn: Finale from String Quartet<br />
Op. 64, No. 5) • The Thin Red Line (Fauré: In<br />
Paradisum from Requiem) • The Truman Show<br />
(Chopin: Romanza: Larghetto from Piano Concerto<br />
No. 1)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551183<br />
■ FANTASIA<br />
J.S. Bach: Toccata from Toccata and Fugue in D minor,<br />
BWV 565 • Beethoven: Symphony No. 6 “Pastoral”<br />
(Scene by the Brook) • Dukas: The Sorcerer’s Apprentice<br />
Mussorgsky: A Night on the Bare Mountain • Ponchielli:<br />
Dance of the Hours from La Gioconda • Schubert: Ave<br />
Maria • Stravinsky: The Rite of Spring (The Sacrifice)<br />
Tchaikovsky: Nutcracker Suite, Op. 71a<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551166<br />
■ IMMORTAL BEETHOVEN<br />
Bagatelle in A minor “Für Elise” • Piano Concerto No. 5<br />
“Emperor”, Op. 19 (Adagio & Rondo: Molto allegro)<br />
Piano Sonatas No. 14, “Moonlight” , Op. 27, No. 2<br />
(Adagio sostenuto) & No. 8 “Pathétique”, Op. 13<br />
(Adagio cantabile) • Piano Trio in D major, Op. 70,<br />
No. 1 “Ghost” (Largo assai ed espressivo) • Symphonies<br />
No. 3 “Eroica”, Op. 55 (Allegro con brio), No. 5 (Allegro<br />
con brio), No. 6 “Pastoral”, Op. 68 (Allegro), No. 7 in A<br />
CINEMA CLASSICS – EARLY MUSIC<br />
| NAXOS CATALOGUE 2003<br />
major, Op. 92 (Allegretto) & No. 9 “Choral”, Op. 125<br />
(Presto) • Violin Concerto in D major, Op. 61 (Allegro<br />
non troppo) • Violin Sonata No. 9 “Kreutzer”, Op. 47<br />
(Adagio sostenuto; Presto)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551165<br />
■ OPERA GOES TO THE MOVIES<br />
Apocalypse Now (Wagner: Ride of the Valkyries from<br />
Die Walküre) • Diva (Catalani: Ebben?… Ne andrò<br />
lontana from LaWally) • Driving Miss Daisy (Dvorˇák:<br />
Song to the Moon from Rusalka, Op. 114) • Excalibur<br />
(Wagner: Siegfried’s Death and Funeral March from<br />
Götterdämmerung) • Fantasia (Ponchielli: Dance of the<br />
Hours from La Gioconda) • Godfather III (Mascagni:<br />
Intermezzo from Cavalleria Rusticana) • Moonstruck<br />
(Puccini: O soave fanciulla from La Bohème) • My Left<br />
Foot (Mozart: Un’aura amorosa from Così fan tutte,<br />
K. 588) • A Night at the Opera (Verdi: Vedi, le fosche<br />
notturne (Anvil Chorus) from Il Trovatore) • Peter’s<br />
Friends (Offenbach: Can-Can from Orpheus in the<br />
Underworld) • Philadelphia (Giordano: La mamma<br />
morta from Andrea Chénier) • Raging Bull (Mascagni:<br />
Intermezzo from Cavalleria Rusticana) • A Room with a<br />
View (Puccini: O mio babbino caro from Gianni<br />
Schicchi) • Someone to Watch Over Me (Delibes: Viens,<br />
Mallika… Dôme épais le jasmin (Flower Duet) from<br />
Lakmé) • Sunday, Bloody Sunday (Mozart: Soave sia il<br />
vento from Così fan tutte, K. 588) • Trading Places<br />
(Mozart: Overture to Le nozze di Figaro, K. 492)<br />
The Untouchables (Leoncavallo: Recitar!… Vesti la<br />
giubba from I Pagliacci) • The Witches of Eastwich<br />
(Puccini: Nessun dorma from Turandot)<br />
Various artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.551164<br />
✦ CLARINET ✦<br />
■ CLARINET EVERGREENS<br />
Albéniz: Chant d’amour • Tango • Beethoven: Menuetto<br />
from Septet, Op. 20 • Debussy: Le petit nègre • Dvorˇák:<br />
Humoresque • Garner: Misty • Jobim: The Girl from<br />
Ipanema • Joplin: The Easy Winners • Maple Leaf Rag<br />
Kodály: Epigrams • Mendelssohn: Songs without Words<br />
I–III • Monti: Csárdás • Mozart: Romance • Ravel:<br />
Pavane • Rimksy-Korsakov: The Flight of the Bumble<br />
Bee • Schumann: Träumerei<br />
Johann Strauss & Joseph Strauss: Pizzicato Polka<br />
Weiner: Fox’s Dance<br />
Budapest Clarinet Quintet . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.553427<br />
✦ EARLY MUSIC ✦<br />
■ THE A-LA-MI-RE MANUSCRIPTS<br />
Alamire: Tandernaken op den Rijn • Anonymous: Plus<br />
oultre • Salve Regina (on Myn Hert) • de Févin /<br />
Mouton: Celeste beneficium / Adiutorium nostrum<br />
Gascogne: Kyrie (Missa Myn hert) • Isaac: Maudit soyt<br />
Josquin Desprez: Plaine de duel • Proch dolor / Pie Jhesu<br />
Moulu: Mater floreat • Newsiedler: Myn hert altyt heeft<br />
verlanghen II • de Orto: Dulces exuviae • Rigo: Celle<br />
que j’ay • de la Rue: Autant en emporte • Jam sauche<br />
Myn hert altyt heeft verlanghen I • Soubz ce tumbel<br />
Willaert: Agnus Dei (Missa super Benedicta es)<br />
Capilla Flamenca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.554744<br />
9 1<br />
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■ AMBROSIAN CHANT<br />
Alleluia. Pascha nostrum • Antiphonae (Alleluia, noli<br />
flere Maria) • Antiphonae post Evangelium • Credo<br />
(symbolum) • Dixit Raphael angelus (offertorium)<br />
Gloria in excelsis (hymnus) • Haec dies. Confitemini<br />
(psalmellus) • In tribulatione mea (responsorium in<br />
baptisterio) • Kyrie eleison (litania) • Levavi oculos<br />
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