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Naxos of America to Distribute Ivory Classics.

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*LEADING IN NUMBER OF NEW RELEASES • *LEADING IN AVAILABLE, UNDUPLICATED REPERTOIRE • CRITICALLY ACCLAIMED PERFORMANCES • STATE-OF-THE-ART SOUND • CONSUMER-FRIENDLY PRICE • VOTED “BEST CLASSICAL LABEL” AT 1997 CANNES CLASSICAL AWARDS.<br />

N E W R E L E A S E G U I D E • J U N E 2 0 0 0<br />

TABLE OF CONTENTS<br />

Featured Titles . . . . . page 2<br />

Listen, Learn & Grow “Lullabies” page 3<br />

. . . . . . . . . . . . page 4<br />

. . . . . . . pages 5-6<br />

. . . . . . . . . . . . . . page 7<br />

MARCO POLO<br />

. . . . . . . . . . . . . . . page 8<br />

. . . . . . page 9<br />

Jazz<br />

dacapo<br />

dacapo White Cloud<br />

page 10<br />

. . . . . . . . . . . page 11<br />

CRITIC ’ S PICKS! . . . . . . . page 12<br />

D I S T R I B U T I O N<br />

E X C L U S I V E I N D U S T R Y B U Y E R ’ S G U I D E<br />

AMERICAN CLASSICS<br />

cpo<br />

Order<br />

The <strong>Naxos</strong><br />

2000<br />

Catalog!<br />

Gramophone<br />

Order Today!<br />

<strong>Naxos</strong> <strong>of</strong> <strong>America</strong> <strong>to</strong><br />

<strong>Distribute</strong> <strong>Ivory</strong> <strong>Classics</strong>.<br />

Premiere Pianophile Label Available this Month<br />

FRANKLIN, Tennessee -- <strong>Naxos</strong> <strong>of</strong> <strong>America</strong>, the current leader in Independent Classical Music Distribution in<br />

the US will begin distributing the <strong>Ivory</strong> <strong>Classics</strong> Label, June 1, 2000. <strong>Ivory</strong> <strong>Classics</strong> will be added <strong>to</strong> the <strong>Naxos</strong> family <strong>of</strong><br />

distributed labels which currently includes <strong>Naxos</strong>, <strong>Naxos</strong> AudioBooks, Marco Polo, cpo, dacapo, <strong>Naxos</strong> Jazz,<br />

White Cloud and Amadis.<br />

<strong>Ivory</strong> <strong>Classics</strong> was established in 1997 <strong>to</strong> alert the public <strong>to</strong> exceptional performances by distinguished pianists.<br />

Employing a state-<strong>of</strong>-the-art Audiophile recording process and his<strong>to</strong>ric res<strong>to</strong>ration remasterings, <strong>Ivory</strong> <strong>Classics</strong><br />

is devoted <strong>to</strong> documenting creative artists, extraordinary live performances by legendary interpreters, and the<br />

occasional prodigy heralding the future. The label’s commitment <strong>to</strong> release only recordings <strong>of</strong> the highest quality<br />

is enhanced by scrupulous attention <strong>to</strong> every aspect <strong>of</strong> production — from detailed graphics and insightful<br />

liner notes, <strong>to</strong> the employment <strong>of</strong> the finest CD replicating equipment. The pianists presented on <strong>Ivory</strong> <strong>Classics</strong><br />

are unique in the true sense <strong>of</strong> the word — artists whose recorded legacies must be preserved so that generations<br />

<strong>to</strong> come will be familiar with their remarkable achievements.<br />

Michael Rolland Davis, President <strong>of</strong> <strong>Ivory</strong> <strong>Classics</strong> said this about the distribution agreement with <strong>Naxos</strong>, "This is a<br />

perfect collaboration. We wish <strong>to</strong> be known as simply the best piano recordings. Now we are going <strong>to</strong> enjoy the<br />

commercial representation by the best distribu<strong>to</strong>r in the industry, <strong>Naxos</strong>."<br />

Please turn <strong>to</strong> page 11 for the latest new releases from <strong>Ivory</strong> <strong>Classics</strong><br />

as well as a listing <strong>of</strong> catalog titles from this label.<br />

<strong>Naxos</strong> AudioBooks Receives<br />

Audie Awards Nominations Honors.<br />

The Audio Publishers Association (APA) has recently announced finalists for the 2000 Audie<br />

Awards, honoring excellence in the spoken-word field. <strong>Naxos</strong> AudioBooks’ Realms <strong>of</strong> Gold,<br />

The Letters and Poems <strong>of</strong> John Keats, read by Samuel West with Matthew Marsh, has been<br />

selected as a finalist in the Poetry category, while Talkies award-winner and AFIM’s Indie<br />

Award-nominee, The His<strong>to</strong>ry <strong>of</strong> Opera, written by Richard Fawkes and read by Robert Powell<br />

is an Original Work category finalist. Winners will be announced at APA’s annual Audie<br />

Awards Dinner and Presentation <strong>to</strong> be held on June 2nd in Chicago, Illinois.<br />

Attending BookExpo <strong>America</strong>?<br />

… S<strong>to</strong>p by and visit us at Booth #4049!


Released Fall ’99<br />

FEATURED CLASSICAL TITLES<br />

NEW RELEASES • JUNE 2000<br />

8.554509 – SRP: $6.99<br />

Arnold Bax (1883-1953)<br />

Symphony No.5<br />

Symphony No.5 (Dedicated <strong>to</strong> Jean Sibelius)<br />

The Tale the Pine-Trees Knew (Dedicated <strong>to</strong> John Barbirolli)<br />

Royal Scottish National Orchestra / David Lloyd-Jones<br />

Playing Time: 57:51<br />

The young Arnold Bax was seen as the natural successor <strong>to</strong> Edward Elgar, a responsibility that he did not<br />

welcome as it placed on him a burden <strong>of</strong> public expectation. He did enjoy considerable success with a series <strong>of</strong><br />

symphonic poems, The Tale the Pine Trees Knew being a fine example <strong>of</strong> this atmospheric and colourful group<br />

<strong>of</strong> works. Yet it was his seven symphonies that were <strong>to</strong> create an international reputation for him.<br />

The Symphony No.5, completed in 1932, was dedicated <strong>to</strong> Sibelius and inhabits the same musical world as the<br />

great Finnish composer. The jagged rhythms, massive brass outbursts, and a sombre central movement,<br />

create an imposing score, an unexpected mood <strong>of</strong> optimism bringing the work <strong>to</strong> a close.<br />

<strong>Naxos</strong> repeats its success with Korngold’s Die <strong>to</strong>te Stadt by adding the only complete<br />

recording <strong>of</strong> this important 20th century German opera <strong>to</strong> its reper<strong>to</strong>ry. Premiered one<br />

year after Der Rosenkavalier, Der ferne Klang (The Distant Sound) concerns a young<br />

composer in search <strong>of</strong> his musical identity. It is rich in mysterious motifs and beautiful<br />

orchestral interludes. Fanfare says <strong>of</strong> this recording, "Der ferne Klang represents<br />

Schreker at his shimmering best, this fine recording opens a long-closed door <strong>to</strong> reveal<br />

a brilliant opera."<br />

8.554791 – SRP: $6.99<br />

Benjamin Britten (1913-1976)<br />

English Choral Music -<br />

Rejoice in the Lamb – Te Deum in C – Jubilate Deo – Antiphon – A Hymn <strong>to</strong> the Virgin –<br />

Festival Te Deum – Missa Brevis in D – Hymn <strong>to</strong> St. Peter – A Hymn <strong>of</strong> Saint Columba –<br />

Prelude and Fugue on a theme <strong>of</strong> Vit<strong>to</strong>ria – Hymn <strong>to</strong> St. Cecilia<br />

Choir <strong>of</strong> St. John’s College, Cambridge/Chris<strong>to</strong>pher Robinson<br />

Playing Time: 73:48<br />

2 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

6 36943 45092 5<br />

8.660074-75 – 2 CDs – SRP: $17.99<br />

Franz Schreker (1878-1934)<br />

Der ferne Klang (Opera in three acts)<br />

Grete Graumann – Elena Griorescu / Fritz – Thomas Harper / Dr. Vigelius – Andreas Haller / A<br />

7 30099 60742 1<br />

Ham Ac<strong>to</strong>r – Horst Fiehl / Old Graumann – Rudiger Bunse / Old Graumann’s Wife – Erica Pilari /<br />

The Landlord – Paul Friess / A Woman’s Voice – Marisa Altmann-Althausen / The Count – Werner<br />

Hahn / The Baron – Peter Nikolaus Kante / The Chevalier – Reinhard Leisenheimer<br />

Hagen Opera Chorus / Hagen Philharmonic Orchestra<br />

Michael Halász<br />

Playing Time: 132:28<br />

6 36943 47912 4<br />

Benjamin Britten’s compositional output was vast, covering every form <strong>of</strong> music from operas and ballets <strong>to</strong> simple<br />

voice settings <strong>of</strong> folksongs. He was also a highly respected conduc<strong>to</strong>r, solo pianist, accompanist, and an eager<br />

participant in many chamber groups. His large catalogue <strong>of</strong> choral works spans the whole <strong>of</strong> his compositional<br />

career, much <strong>of</strong> his music in this genre employing sacred texts that were derived from contemporary poets.<br />

They inspired Britten <strong>to</strong> fashion some <strong>of</strong> his most radiant scores, his unique use <strong>of</strong> boys’ voices providing such<br />

a distinctive and exciting <strong>to</strong>nal quality that it has come <strong>to</strong> characterize British church music <strong>of</strong> the twentieth century.


+<br />

=<br />

Listen, Learn & Grow Lullabies<br />

NEW RELEASES • JUNE 2000<br />

Your Formula for a Good Night’s Sleep.<br />

Over one hour <strong>of</strong> the most beautiful and beloved classical melodies.<br />

8.554790 – SRP: $6.99 – CD<br />

Listen, Learn and Grow Lullabies<br />

Music Tracks Listed Below<br />

Various Artists<br />

Playing Time: 68:38<br />

6 36943 47902 5<br />

Includes:<br />

Mozart’s<br />

Twinkle, Twinkle,<br />

Little Star<br />

and Brahms’<br />

Lullaby<br />

TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

4.554790<br />

SRP: $4.99<br />

Cassette<br />

Listen,<br />

Learn<br />

and Grow<br />

Lullabies<br />

6 36943 47904<br />

9<br />

Classical Music and its effect on your baby.<br />

The first rhythm a baby hears is the gentle, steady beat<br />

<strong>of</strong> its mother's heart...the first melody is that <strong>of</strong> her<br />

comforting voice. Now, <strong>Naxos</strong> has compiled over an hour <strong>of</strong> the<br />

world's most beloved and beautiful lullabies, including Brahms’<br />

Lullaby and Mozart’s Twinkle, Twinkle Little Star for you and<br />

your baby <strong>to</strong> share <strong>to</strong>gether.<br />

The "Lullaby," or "Cradle Song," is a quiet composition found in the<br />

folk music <strong>of</strong> all countries for the past many<br />

centuries. It simulates a rocking motion by using a gentle, cyclical<br />

accompaniment pattern over which a beautiful melody is sung or<br />

played. Indeed lullabies were the first songs Anna Maria Mozart and<br />

Lea Salomon Mendelssohn sang <strong>to</strong> their sons Wolfgang and Felix.<br />

Parental love has always been expressed during the gentle, watchful<br />

moments when a mother or father comforts their infant <strong>to</strong> sleep.<br />

We invite you <strong>to</strong> join the parents <strong>of</strong> centuries past,<br />

as you share this beautiful music with your new baby.<br />

–Karen L. Deal, Conduc<strong>to</strong>r<br />

Compilation Producer<br />

1 Mozart – Twinkle, Twinkle, Little Star, K.265<br />

2 Brahms – Lullaby (Wiegenlied) Op.49, No.4<br />

3 Warlock – Dance (Pieds-en-l’air)<br />

4 Mozart – Clarinet Concer<strong>to</strong>, K.622, Adagio<br />

5 Faure – Lullaby (Berceuse) Op.16<br />

6 Mendelssohn – Songs without Words No.9, Op.30, no.3<br />

7 Mozart – Piano Concer<strong>to</strong> No.21, K.467, Andante<br />

8 Schumann – Of Foreign Lands & People<br />

9 Schumann – Daydream (Traumerei) from Kinderszenen, Op.15<br />

0 Chopin – Lullaby (Berceuse) Op.57<br />

! Schubert – Lullaby (Wiegenlied)<br />

@ Mozart – Flute & Harp Concer<strong>to</strong>, K.299, Andantino<br />

# Mendelssohn – Songs without Words No.40, Op. 84, no. 4<br />

$ Mendelssohn – Songs without Words No.19, Op. 53, no. 1<br />

% Suk – Adagio ^ Parry – Lady Radnor’s Suite, Slow Minuet<br />

3


N E W R E L E A S E S • J U N E 2 0 0 0<br />

CELEBRATE INDEPENDENCE DAY • AMERICAN CLASSICS<br />

8.559008 – SRP: $6.99<br />

John Philip Sousa (1854-1932)<br />

Vol. 1: “On Stage”<br />

The Bride Elect • El Capitan • Our Flirtations<br />

Razumovsky Symphony Orchestra<br />

Playing Time: 60:42<br />

8.559024– SRP: $6.99<br />

Samuel Barber (1910-1981)<br />

Orchestral Works, Vol. 1<br />

The School for Scandal Overture, Op.5 – Symphony No. 1, Op.9 –<br />

First Essay for Orchestra, Op.12 – Symphony No.2, Op.19<br />

Royal Scottish National Orchestra / Marin Alsop • Playing Time: 69:47<br />

“Everything is presented with affection and gus<strong>to</strong> by an ensemble who clearly demonstrate<br />

that you don’t have <strong>to</strong> be a Yank <strong>to</strong> play this music with spirit and good humor.”<br />

–<strong>America</strong>n Record Guide<br />

8.559003 – SRP: $6.99<br />

Walter Pis<strong>to</strong>n (1894-1976)<br />

Concer<strong>to</strong> No. 1 for Violin and Orchestra (1939)<br />

Fantasia for Violin and Orchestra (1970)<br />

Concer<strong>to</strong> No. 2 for Violin and Orchestra (1960)<br />

James Buswell, Violin/National Symphony Orchestra <strong>of</strong> Ukraine, Theodore Kuchar • Playing Time: 60:49<br />

8.559015 – SRP: $6.99<br />

Samuel Barber (1910-1981)<br />

Solo Piano Music<br />

Daniel Pollack, Piano • Playing Time: 72:16<br />

"The recording is first-class and very well balanced. There are excellent notes…<br />

This would be an essential purchase even at premium price, but on <strong>Naxos</strong> it is a gift!<br />

–Gramophone<br />

“Pollack makes it all sound important, embracing the sonata wholeheartedly,<br />

using deep resources and myriad details. The lighter material he imbues with elegance.”<br />

–Los Angeles Times<br />

8.559016 – SRP: $6.99<br />

Zez Confrey (1895-1971)<br />

Piano Music<br />

Kitten on the Keys (1921) / Dizzy Fingers (1923) / Meandering (1936) / African Suite (1924) / Jay Walk (1927) / Sparkling Waters (1928) / Wise Cracker Suite (1936)<br />

Amazonia (1945) / Blue Tornado (1935) / Three Little Oddities (1923) / Coaxing the Piano (1922) Stumbling (Paraphrase) (1922) / Moods <strong>of</strong> a New Yorker (1932)<br />

Rhythm Venture (1935) / Fourth Dimension (1959)<br />

Eteri Andjaparidze, Piano • Playing Time: 62:29<br />

“A lot <strong>of</strong> fun…Anjaparidze is a phenomenal pianist.”<br />

–Bos<strong>to</strong>n Globe<br />

8.559034 – SRP: $6.99<br />

Paul Cres<strong>to</strong>n (1906-1985)<br />

Symphonies Nos. 1-3<br />

Symphony No. 1, Op. 20 (1940) / Symphony No. 2, Op. 35 (1944) / Symphony No. 3, Op. 48<br />

(“Three Mysteries”) (1950)<br />

National Symphony Orchestra <strong>of</strong> Ukraine • Theodore Kuchar • Playing Time: 72:39<br />

“The performances are excellent…This is really good stuff, nicely recorded <strong>to</strong>o.”<br />

–<strong>Classics</strong>Today.com<br />

4 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

6 36943 90242 4<br />

Born in Pennsylvania in 1910, Samuel Barber is among the most famous <strong>of</strong> <strong>America</strong>n composers. Success was <strong>to</strong> prove elusive after<br />

Barber’s auspicious debut in 1933 with the vivacious and bubbling overture, The School for Scandal. It was a meeting with Arturo<br />

Toscanini that encouraged the great Italian conduc<strong>to</strong>r <strong>to</strong> premiere the Essay for Orchestra No. 1 and Adagio for Strings with his NBC<br />

Symphony Orchestra in New York, and this provided Barber with the international recognition he required <strong>to</strong> launch a major career.<br />

His modest catalogue <strong>of</strong> works includes three operas, two ballets, two symphonies and three concer<strong>to</strong>s. Though he did experiment<br />

with 20th century compositional techniques, his style remains firmly anchored in a romantic vein.<br />

THE CRITIC’S AGREE: NAXOS AMERICAN CLASSICS GETS 5 STARS! (and Stripes)<br />

Gramophone Critic’s Choice<br />

6 36943 90082 6<br />

6 36943 90032 1<br />

6 36943 90152 6<br />

6 36943 90162 5<br />

6 36943 90342 1


N E W R E L E A S E S • J U N E 2 0 0 0<br />

HISTORICAL SERIES<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

CLASSICAL<br />

8.553782 – SRP: $6.99<br />

Bohuslav Martin˚u (1890-1959)<br />

String Quartets Vol.1<br />

Sting Quartet No. 1 (1918) – String Quartet No. 2 (1925) – Tˇri jezdci (Three Horsemen)<br />

Martin˚u Quartet • Playing Time: 71:41<br />

8.110904– SRP: $6.99<br />

Frederick Delius (1862-1934)<br />

Orchestral Works, Vol. 1<br />

Two Pieces for Orchestra – Eventyr (‘Once Upon a Time’) – Koanga: Closing Scene<br />

Hassan: Incidental Music – Paris (‘Ein Nachtstück’) (The Song <strong>of</strong> a Great City)<br />

Royal Philharmonic Orchestra / London Select Choir / London Philharmonic Orchestra<br />

Sir Thomas Beecham<br />

Playing Time: 61:11<br />

Living in a church <strong>to</strong>wer, 193 steps above street level, was a good enough reason for the young Bohuslav Martin˚u,<strong>to</strong> spend his evenings practicing the violin.<br />

It was later <strong>to</strong> bring him a temporary living as a member <strong>of</strong> the Czech Philharmonic Orchestra, though his objective in life was <strong>to</strong> become a composer.<br />

An enormously prolific composer, he developed an intensely personal style, which <strong>of</strong>ten made use <strong>of</strong> Czech thematic material. The quite remarkable Tˇri jezdci,<br />

written by the 12-year-old Martin˚u, was <strong>to</strong> herald one <strong>of</strong> the outstanding string quartet composers <strong>of</strong> the 20th century. The First Quartet was composed while<br />

Martin˚u was strongly influenced by the music <strong>of</strong> Ravel and Debussy, and had yet <strong>to</strong> develop the unique <strong>to</strong>nal colors we find in the Second Quartet.<br />

8.554399 – SRP: $6.99<br />

Jean-Baptiste Lully (1632-1687)<br />

Grand Motets, Vol. 3<br />

This famous recording, conducted by Delius’ greatest champion, Sir Thomas Beecham, is amazingly res<strong>to</strong>red by<br />

engineer David Lennick. This was the first recording session at which Beecham worked with legendary music<br />

producer Walter Legge. Volume 2 by the same artists is eagerly awaited.<br />

Exaudiat te Dominus (Psalm 19) – O dulcissime Domine – Notus in Judaea Deus (Psalm 75) – Laudate pueri Dominum (Psalm 112) – Benedictus<br />

TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

6 36943 19042 5<br />

7 30099 47822 9<br />

6 36943 43992 0<br />

Le Concert Spirituel/Hervé Niquet • Playing Time: 57:35<br />

By the age <strong>of</strong> twenty-one Jean-Baptiste Lully had become Composer <strong>of</strong> the King’s Instrumental Music and for the next thirty years he almost completely<br />

dominated music life at the court and in French theatre, winning in 1672 the exclusive right <strong>to</strong> produce opera. His output ranged from Church music <strong>to</strong> ballets<br />

de cour and notable collaborations with Molière in the form <strong>of</strong> comédies-ballets such as Le bourgeois gentilhomme. In these works, written for the Chapel Royal,<br />

Lully is inspired <strong>to</strong> paint a whole sweep <strong>of</strong> emotions, at once melancholy, sweet, tragic, noble and vic<strong>to</strong>rious. Observe his mastery <strong>of</strong> color. Listen <strong>to</strong> how choral<br />

and orchestral textures, now in five, now in ten parts, change with the rhythm <strong>of</strong> the text. Note how subtle <strong>to</strong>uches <strong>of</strong> orchestral color highlight the meaning <strong>of</strong><br />

a word or the sweetness <strong>of</strong> a modulation.<br />

8.554286 – SRP: $6.99<br />

Franz Berwald (1796-1868)<br />

Complete Duos<br />

Duo in D minor for violin and piano (1858) – Fantasy on two Swedish folk-melodies (1850) – Concertino in A minor for violin and piano (1859)<br />

Duo Concertant in A minor for two violins (1816) – Duo in B flat major for cello and piano (1857)<br />

6 36943 42862 7<br />

Tobias Ringborg, Violin / David Bergström, Violin / Mats Rondin, Cello / Bengt-Ake Lundin, Piano • Playing Time: 70:20<br />

For much <strong>of</strong> the nineteenth century in Sweden, music making was confined <strong>to</strong> small-scale chamber music at home and ambitious composers had <strong>to</strong> move abroad<br />

<strong>to</strong> seek acceptance <strong>of</strong> their work. While Berwald enjoyed some success in continental Europe, only a handful <strong>of</strong> his orchestral works were performed in Sweden during<br />

his lifetime. This caused him in later years <strong>to</strong> concentrate on chamber music, completing two piano quintets, two string quartets, three piano trios as well<br />

as duos for violin and piano and cello and piano. Berwald received much encouragement from his friend Liszt who praised Berwald’s invention, skill and elegant<br />

style while adding, somewhat prophetically: ‘you truly possess originality but you will not enjoy success during your lifetime. Nevertheless you must persevere.’<br />

8.554704 – SRP: $6.99<br />

Gaetano Donizetti (1797-1848)<br />

L’elisir d’amore (Highlights)<br />

Nemorino – Vincenzo LaScola, Tenor / Adina – Alessandra Ruffini, Soprano / Dulcamara – Simone Alaimo, Bass<br />

Belcore-Rober<strong>to</strong> Frontali, Bari<strong>to</strong>ne / Giannetta – Mariangela Spo<strong>to</strong>rno, Soprano<br />

Hungarian State Opera Choir & Orchestra / Pier Giorgio Morandi<br />

Playing Time: 77:09<br />

6 36943 47042 8<br />

This highlights disc <strong>of</strong> L’Elisir d’Amore includes over half <strong>of</strong> the music from the <strong>Naxos</strong> full-length version <strong>of</strong> the Bel Can<strong>to</strong> Master Donizetti’s most popular comic<br />

opera. <strong>America</strong>n Record Guide praised the recording saying, "The chorus is strong, the orchestra alert and the sound is fine." Of the hallmark<br />

aria <strong>of</strong> this disc, "Una Furtiva Lagrima" the magazine raves that it "is poured out with full tenorial intensity."<br />

5


N E W R E L E A S E S • J U N E 2 0 0 0<br />

CLASSICAL<br />

8.554682 – SRP: $6.99<br />

The Best <strong>of</strong> Opera, Vol.4<br />

Wagner: Overture <strong>to</strong> Die Meistersinger von Nürnberg / Verdi: Ri<strong>to</strong>rna vinci<strong>to</strong>r! from Aida – Manrico?…Di quella pira from Il Trova<strong>to</strong>re – 36943 46822<br />

Follie!…Sempre libera from La Traviata / Mozart: Come scoglio from Cosí fan tutte – Dies Bildnis ist bezaubernd schön from Die Zauberflöte / Massanet:<br />

Méditation from Thaïs / Puccini: Sola, perduta, abbandonata from Manon Lescaut / Donizetti: Una furtiva lagrima from L’elisir d’amore / Korngold: Gluck,<br />

das mir verblieb from Die <strong>to</strong>te Stadt / Rossini: Nacqui all’affanno from La Ceneren<strong>to</strong>la / Leoncavallo: Bell Chorus from Pagliacci / Ponchielli: Cielo e mar from La<br />

Gionconda / Gluck: Ombre larve from Alceste / Bizet: Entr’acte, Act 3 from Carmen / Mascagni: Mamma, quel vino é generoso from Cavalleria Rusticana<br />

Playing Time: 77:58<br />

From rousing orchestral works like the Overture <strong>to</strong> Wagner’s Die Meistersinger von Nürnberg <strong>to</strong> acrobatic showpieces like the aria from Rossini’s<br />

La Ceneren<strong>to</strong>la or Mozart’s Così fan Tutte, this latest volume <strong>of</strong> the Best <strong>of</strong> Opera includes arias and orchestral works from some <strong>of</strong> the genre’s seminal works.<br />

8.553518 – SRP: $6.99<br />

Wolfgang Amadeus Mozart (1756-1791)<br />

Piano Duets<br />

Sonata in C major, K.521 – Andante with Five Variations in G major, K. 501 – Sonata in D major, K. 381 –<br />

Fantasia in F minor for mechanical organ, K.608 (version for piano duet) – Sonata in C major, K.19d<br />

Jenö Jandó / Zsuzsa Kollár • Playing Time: 68:58<br />

7 30099 45182 6<br />

Although it is for his symphonies, concer<strong>to</strong>s and operas that Mozart is best remembered, he also wrote extensively for the solo keyboard, having made his<br />

début as soloist at the age <strong>of</strong> six. This recording presents some <strong>of</strong> his least known music, for piano duet. The precocious Sonata K.19d, written at the age <strong>of</strong><br />

nine, and the Sonata K.521, written only four years before Mozart’s death, recall the idiom and the turbulence <strong>of</strong> the great piano concer<strong>to</strong>s <strong>of</strong> the period.<br />

These works <strong>of</strong>fer charm, elegance and brilliance in abundance.<br />

8.550762 – SRP: $6.99<br />

John Field (1782-1837)<br />

Piano Music Volume 2 – Nocturnes and Sonatas<br />

Nocturne No.10 in E minor – Nocturne No.11 in E flat major – Nocturne No.12 in G major – Nocturne No.13 in D minor – Nocturne No.14 in C major –<br />

Sonata in C minor, Op.1/3 – Nocturne No.15 in C major – Nocturne No.16 in F major – Nocturne No.17 in E major – ‘Midi’ (Nocturne No.18) in E major<br />

Benjamin Frith, Piano<br />

Playing Time: 66:59<br />

7 30099 57622 2<br />

Born in Ireland, educated in England and adopted by Russia, John Field became one <strong>of</strong> the most famous pianists <strong>of</strong> the early nineteenth century. The legendary delicacy<br />

<strong>of</strong> Field’s playing is reflected in his poetic, <strong>of</strong>ten melancholic and innovative Nocturnes. Though he was not the first <strong>to</strong> compose in this genre, he was certainly<br />

the first <strong>to</strong> develop the Nocturne as the musical form that was subsequently popularized by the great composers <strong>of</strong> the nineteenth century.<br />

8.554228 – SRP: $6.99<br />

An<strong>to</strong>ine Reicha (1770-1836)<br />

Wind Quintets, Volume 1<br />

Wind Quintet in C minor, Op.91, No.6 – Wind Quintet in F major, Op.88, no.6<br />

Michael Thompson Wind Quintet • Playing Time: 68:41<br />

6 36943 42282 3<br />

Born in Prague in 1770, An<strong>to</strong>ine Reicha ran away from home at the age <strong>of</strong> eleven and was adopted by his uncle, who taught him <strong>to</strong> play the violin, piano,<br />

and flute. A prolific composer and highly regarded teacher, Reicha was appointed pr<strong>of</strong>essor in composition at the Conserva<strong>to</strong>ire in 1818. His catalogue <strong>of</strong><br />

compositions includes many operas, symphonies, concer<strong>to</strong>s, large-scale choral works and a vast collection <strong>of</strong> chamber music. The wind quintets, always<br />

regarded among his finest scores, possess an abundance <strong>of</strong> melodic invention, the quintet’s <strong>to</strong>nal colors skillfully and charmingly explored.<br />

8.554295 – SRP: $6.99<br />

Joseph Bodin de Boismortier (1689-1755)<br />

Ballets de Village<br />

Premier ballet, Op.52 – Cinquième gentillesse, Op.45 – Deuxième ballet, Op.52 – Première sérénade ou première simphonie françoise, Op.39<br />

Troisième ballet, Op.52 – Quatrième ballet, Op.52<br />

6 7<br />

6 36943 42952 5<br />

Le Concert Spirituel/Hervé Niquet • Playing Time: 74:45<br />

Joseph Bodin de Boismortier was born in France in 1689, and became one <strong>of</strong> the first composers whose income <strong>to</strong>tally depended upon his ability <strong>to</strong> provide a<br />

constant flow <strong>of</strong> new works. He had no patrons, few <strong>of</strong> his scores were commissioned, and it seems that in his mature life he never appeared as an instrumental<br />

musician. Yet he was so prolific, and his music so frequently performed, that he became very wealthy. Though he introduced many novel features in instrumental<br />

combinations, he was a composer <strong>of</strong> the popular classics <strong>of</strong> the day, relying on tunefulness and elegance. His group <strong>of</strong> divertissements, the Ballets de<br />

Village, was composed in 1734, and displays the composer’s ability <strong>to</strong> please the listener with simple charms.<br />

8.554756 – SRP: $6.99<br />

Salon Orchestra Favourites I • Light <strong>Classics</strong><br />

Heinrich Strecker (1893-1964): Drunt’in der Lobau / Frantisek Alois Drdla (1869-1944): Serenade No.1 ("Kubelík-Serenade") /<br />

Isaac Albéniz (1860-1909): Tango / Ruggero Leoncavallo (1857-1919): Brise de mer - Mattinata / Luigi Arditi (1822-1903): Il bacio<br />

Paul Lincke (1866-1946): Sie hören Paul Lincke-Potpourri / Enrico Toselli (1883-1926): Serenata / Zdenek Fibich (1850-1900): Poème<br />

Robert S<strong>to</strong>lz (1880-1975): Spiel auf deiner Geige das Lied von Leid und Lust / Ruggero Leoncavallo: Mattinata / Rudolf Sieczynski (1879-1952): Wien, du Stadt meiner<br />

Träume / José Padilla (1889-1960): El relicario / Riccardo Drigo (1846-1930): Die Millionen des Harlekin-Serenade / Emil Waldteufel (1837-1915): Die Schlittschuhläufer<br />

An<strong>to</strong>n Rubinstein (1829-1894): Mélodie in F major<br />

Salonorchester Schwanen / Georg Huber • Playing Time: 63:16<br />

At the turn <strong>of</strong> the last century salon music, a genre ranging from original compositions <strong>to</strong> arrangements <strong>of</strong> orchestral works, operas or operatic extracts, was a<br />

6 36943 47562<br />

1<br />

phenomenon found all over Europe. A growing market, in which direct means <strong>of</strong> musical reproduction were still unknown, had <strong>to</strong> be supplied with compositions<br />

which were easy on the ear. Later generations have tended <strong>to</strong> regard these compositions as inferior, a prejudice which is refuted by this collection <strong>of</strong> pearls.<br />

6 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393


N E W R E L E A S E S • J U N E 2 0 0 0<br />

CLASSICAL<br />

8.225125 – SRP: $15.99<br />

Roy Webb (1888-1982)<br />

Cat People (Classic Music for the Val Lew<strong>to</strong>n Films)<br />

Cat People – Bedlam – The Seventh Victim – The Body Snatcher – I Walked with a Zombie<br />

Score Recontructions by John Morgan<br />

Slovak Radio Symphony Orchestra (Bratislava) / William T. Stromberg<br />

Playing Time: 69:53<br />

John Morgan and Bill Stromberg follow their stunning success with critically acclaimed film score reconstructions <strong>of</strong> The Egyptian,<br />

Mr. Skeffing<strong>to</strong>n and Devotion with a premiere digital recording <strong>of</strong> the score from master horror producer Val Lew<strong>to</strong>n’s film Cat People.<br />

To Morgan, It was a foregone conclusion that the Marco Polo Classic Film Music Series would someday include the gifted, yet neglected<br />

Roy Webb among its recordings <strong>of</strong> better known composers. His output was enormous-he worked on nearly 300 films including<br />

household classics like No<strong>to</strong>rious, Cat People, Murder My Sweet, Mighty Joe Young, The Spiral Staircase and Bringing Up Baby. After<br />

the departure <strong>of</strong> Max Steiner from RKO in 1935, Webb became the musical voice at the studio for nearly 20 years. Occasionally, RKO<br />

would go outside their talent pool and hire such high pr<strong>of</strong>ile composers as Alfred Newman, Bernard Herrmann, or Max Steiner for<br />

special projects, but it was Roy Webb, more than any other composer, who set the musical style for the studio during this era.<br />

8.225070 – $15.99<br />

Georges Auric (1899-1983)<br />

Film Music, Vol. 3<br />

Notre-Dame de Paris (Suite , 1956) – Esmerelda (Notre-Dame de Paris, 1956) – Lola Montez (Suite, 1955) – Farandole (Suite, 1944)<br />

Moscow Symphony Orchestra / Adriano, Conduc<strong>to</strong>r<br />

Playing Time: 63:33<br />

6 36943 51252 4<br />

6 36943 50702 5<br />

This volume <strong>of</strong> classic film scores from the great French composer Georges Auric features the music for Max Ophul’s deliriously romantic creation,<br />

Lola Montez. The title character <strong>of</strong> this film was a courtesan who attracted both King Ludwig and Franz Liszt. The beautiful dance suite Esmerelda is<br />

also included in this volume. This elegant suite <strong>of</strong> two harps, two guitars and cello is from Delannoy’s film based on the tale <strong>of</strong> The Hunchaback <strong>of</strong><br />

Notre Dame.<br />

8.225100 – $15.99<br />

Romantic Orchestral Music by Flemish Composers, Vol. 1<br />

Peter Benoit (1834-1901): Orchestral Suite from "De Pacificatie van Gent" (1876) (The Pacification <strong>of</strong> Ghent)<br />

Lodewijk Mortelmans (1868-1952): Elegie I. In Memoriam (1917) – Elegie II. Hartverheffing (1917) (Exultation)<br />

Lodewijk de Vocht (1887-1977): Concer<strong>to</strong> in D minor for Cello and Orchestra (1956)<br />

Roel Dieltiens, Cello / VRT Philharmonic Orchestra / Silveer Van den Broeck<br />

Playing Time: 72:52<br />

6 36943 51002 5<br />

This CD presents works by three leading exponents <strong>of</strong> the Flemish Romantic School, from Peter Benoit, <strong>of</strong>ten regarded as the founding father <strong>of</strong> the<br />

movement, <strong>to</strong> Lodewijk de Vocht, who, as a conduc<strong>to</strong>r, introduced many 20th century works <strong>to</strong> Belgian audiences. Benoit’s aim was <strong>to</strong> create music in a<br />

specifically Flemish style, based on language and folk-song, and he did much <strong>to</strong> raise the standard <strong>of</strong> music-making in Belgium, establishing the Royal<br />

Flemish Conserva<strong>to</strong>ry in Antwerp. Benoit’s favourite student, Lodewijk Mortelmans contributed greatly <strong>to</strong> musical life in Antwerp by co-founding the<br />

series Nieuwe Concerten (New Concerts), in which many <strong>of</strong> the works <strong>of</strong> Benoit, de Vocht and Mortelmans received their first performances.<br />

8.225101 – $15.99<br />

Romantic Symphonic Music by Flemish Composers, Vol.II<br />

Jef van Ho<strong>of</strong> (1886-1959): Symphony No.2 in A flat major / Lodewijk Mortelmans (1868-1952): Mythe der Lente<br />

(The myth <strong>of</strong> Spring – Symphonic Poem) / Peter Benoit (1834-1901): In de Velden (In the Fields – Song for oboe and string orchestra)<br />

Arthur Meulemans (1884-1966): Symphony No.7 "Zwaneven" (Een Heidesymphonie) ("Swan Fen" – A Heathland Symphony)<br />

Joost Gils, Oboe / VRT Philharmonic Orchestra / Silveer Van den Broeck<br />

Playing Time: 74:24<br />

6 36943 51012 4<br />

As with the First volume in this series, this title brings <strong>to</strong>gether the most prominent composers in the Flemish Romantic School. Benoit's idiomatic work<br />

In de Velden for oboe and string orchestra is included. Mortelmans music, featured here, received their first performances in the composer's Nieuwe<br />

Concerten (New Concerts) series. Jef van Ho<strong>of</strong> was a pupil <strong>of</strong> Mortelmans, and spiritual heir <strong>of</strong> Benoit, a tireless organizer and conduc<strong>to</strong>r <strong>of</strong> Flemish<br />

song festivals. Standing somewhat apart from the others, Arthur Meulemans was influenced by french Impressionsim and did much <strong>to</strong> promote the works<br />

<strong>of</strong> Debussy and Ravel in Belgium.<br />

8.225043 – $15.99<br />

André Caplet (1878-1925)<br />

Le miroir de Jésus<br />

Miroir de joie – Miroir de peine – Miroir de gloire<br />

6 36943 50432 1<br />

Brigitte Desnoues, Mezzo-soprano / Maîtrise de Radio France (Denis Dupays, Chorus-master) / Orchestre des Pays de Savoie / Mark Foster<br />

Playing Time: 61:13<br />

A brilliant student, André Caplet beat Ravel in the Grand Prix de Rome in 1901. The voice has an important place in Caplet’s work and his bold writing<br />

laid the basis <strong>of</strong> modern vocal technique. Le miroir de Jésus brings <strong>to</strong>gether his main preoccupations: the human voice and the Christian faith with a part<br />

for mezzo-soprano that includes singing, chant, ryhthmic declamation and sprechgesang.<br />

TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

7


cpo cpo<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

CPO – CLASSICAL<br />

999668-2 – SRP: $16.99<br />

Gottfried Heinrich Stölzel (1690-1749)<br />

Christmas Ora<strong>to</strong>rio, Cantatas 1-5<br />

FULL PRICE RELEASE<br />

7 61203 96682 0<br />

Cantatas for the First Day <strong>of</strong> Christmas – Cantatas for the Second Day <strong>of</strong> Christmas – Cantata for the Third Day <strong>of</strong> Christmas<br />

Britta Schwarz, Can<strong>to</strong> (Mezzo-Soprano) / Henning Voss, Al<strong>to</strong> / Jan Kobow, Tenor / Klaus Mertens, Bass / Weimarer Barockensemble / Ludger Rémy<br />

Playing Time: 57:54<br />

"It’s a wonderful CD: The music’s quality can easily be compared with Bach’s. But Stölzel has his own voice,<br />

which speaks <strong>to</strong> us across the centuries through Rémy and his superb ensemble, imploring us <strong>to</strong> listen." –Joel Flegler, Fanfare<br />

Stölzel composed a series <strong>of</strong> ten cantatas for the feast days from Christmas <strong>to</strong> Epiphany, a sort <strong>of</strong> fictive Christmas Ora<strong>to</strong>rio analogous <strong>to</strong> Bach’s famous cantata collection. Stölzel’s cantatas, however, do<br />

not merely concern the Christmas s<strong>to</strong>ry, but comment and reflect on it in magnificently crafted compilations <strong>of</strong> biblical passages, free madrigal poetry and chorales. As in his Brockes Passion, it becomes<br />

abundantly clear that Stölzel was indeed an independent-minded and highly original composer. Our recording features the premiere <strong>of</strong> Cantatas Nos. 1-5 for the First <strong>to</strong> Third Days <strong>of</strong> Christmas. A true<br />

Christmas celebration for all ora<strong>to</strong>rio fans, treasure hunters, and pleasure seekers.<br />

999581-2 – SRP: $16.99<br />

FULL PRICE RELEASE<br />

Felix Draeseke (1835-1913)<br />

Symphony No.3, op.40 in C (Symphonia tragica) – Funeral March, op.79 in E minor<br />

7 61203 95812 2<br />

Radio-Philharmonie Hannover des NDR / Jörg-Peter Weigle • Playing Time: 54:58<br />

This CD premiere <strong>of</strong> Felix Draeseke’s principal symphonic work, the Symphonia tragica marks an important miles<strong>to</strong>ne in music his<strong>to</strong>ry. Draeseke’s third symphony celebrated its sensational concert premiere in Dresden in<br />

1888 and a whole century <strong>of</strong> discographic documentation had <strong>to</strong> go by before one <strong>of</strong> the once most successful and certainly most powerful accomplishments <strong>of</strong> the German symphonic literature could be made available <strong>to</strong><br />

the world. During the 1920s the Symphonia tragica was still regarded by many as one <strong>of</strong> the most important symphonies <strong>of</strong> all time, and prominent conduc<strong>to</strong>rs enlisted themselves in its cause. It is as<strong>to</strong>nishing indeed how<br />

Draeseke was able <strong>to</strong> forge <strong>to</strong> his own unique stylistic path between the giants Brahms and Bruckner.<br />

999583-2 – SRP: $11.99<br />

MID-PRICE RELEASE<br />

Jan Ladislav Dussek (1760-1812)<br />

Piano Trios<br />

Sonata Op.20, No.3 in F major – Sonata Op.24, No.3 in B flat major – Three Sonatas with Scotch & German Airs for the Piano Forte. With Accompaniments for a Violin & Bass op.31 Trio 1790 • Playing Time: 63:05<br />

999631-2 – SRP: $17.99<br />

Sigfrid Karg-Elert (1877-1933)<br />

Works for Harmonium, Volume 4<br />

BUDGET PRICE<br />

CD 1: Renaissance, op.57 – Sicilienne – Portraits, op.101, 1-14 CD 2: Portraits, op.101, 15-33 – Graduale W70 – Einsames Vögelein – Zwei Miniaturen – Zwei Sensibilismen – Zwei Expressionismen<br />

Johannes Matthias Michel, Harmonium • Playing Time: 129:28<br />

999644-2 – SRP: $11.99<br />

MID-PRICE RELEASE<br />

Niels W. Gade (1817-1890)<br />

Violin Sonatas 1-3<br />

Violin Sonata No.1, op.6 in A major (1842) – Violin Sonata No.2, op.21 in D minor (1849) – Violin Sonata No.3, op.59 in B flat major (1855)<br />

Dora Bratchkova, Violin / Andreas Meyer-Hermann, Piano • Playing Time: 63:23<br />

999700-2 – SRP: $8.99<br />

Johann Sebastian Bach (1685-1750)<br />

Organ Works, Vol.6<br />

BUDGET PRICE<br />

7 61203 95832 0<br />

During his own fascinating lifetime Bohemian composer Jan Ladislav Dussek was regarded as a piano and glass-harmonica virtuoso. In Paris and London, he maintained close ties <strong>to</strong> the aris<strong>to</strong>cracy and was very<br />

successful and popular as a pianist, piano teacher, and composer. Dussek was interested in the further development <strong>of</strong> the pianos <strong>of</strong> his time and was responsible for the extension <strong>of</strong> the keyboard <strong>to</strong> a full 6 octaves.<br />

These Piano Trios and three Sonatas, all from his London period, captivate with their catchy lightness and elegance, employing Scottish and Irish melodies. This performance on authentic instruments is an invitation <strong>to</strong> dance!<br />

Sigfrid Karg-Elert certainly numbers among the most original musical personalities <strong>of</strong> the first half <strong>of</strong> the twentieth century. He defies stylistic classification. His choice <strong>of</strong> the much-maligned harmonium as his principal<br />

instrument already marks him as a nonconformist. Karg-Elert’s 33 Portraits, op. 101 for harmonium form a one-<strong>of</strong>-a-kind musical gallery taking us through the centuries. This unique anthology <strong>of</strong> stylistic copies is no<br />

laughing matter but a serious work that has nothing at all in common with run-<strong>of</strong>-the-mill "Variations on...in the Style <strong>of</strong>...." You will smile with delight at chameleon Sigfrid’s stupendous change-artistry.<br />

7 61203 96442 0<br />

Niels W. Gade, known as "Father <strong>of</strong> Danish Music," developed an early passion for the violin. After intensive private lessons he made his first public appearance at the age <strong>of</strong> sixteen and soon embarked on a compositional career, writing<br />

successful symphonies as well as many pieces for the violin. His three Violin Sonatas illustrate his development as a composer from his early first Sonata op. 6 dedicated <strong>to</strong> Clara Schumann <strong>to</strong> his second, most successful Sonata op.<br />

21 bearing his personal romantic signature. It was not for another thirty-six years that he wrote his late third Sonata op. 59, a work <strong>of</strong> a brooding melancholy sometimes reminiscent <strong>of</strong> Brahms.<br />

7 61203 97002 5<br />

Praeludium et Fuga in C BWV 545 – Chorale preludes BWV 720, 721, 727, 741 & 735 – Praeludium et Fuga in D BWV 532 – Partita diverse sopra il Corale Sai gegrüsset, Jesu gütig BWV 768 – Praeludium et Fuga in e BWV 548<br />

Gerhard Weinberger, Organ • Playing Time: 77:26<br />

The origins <strong>of</strong> The former Grauh<strong>of</strong> Augustinian Monastery can be traced back <strong>to</strong> the Middle Ages. The monastery church built in 1711 was one <strong>of</strong> the most important baroque architectural complexes in Lower Saxony,<br />

and the construction <strong>of</strong> a magnificent organ by the organ builder Chris<strong>to</strong>ph Treutmann during 1734-37 brought the church <strong>to</strong> its artistic completion. The gravity <strong>of</strong> this organ’s sound character, its rich color palette <strong>of</strong><br />

foundation s<strong>to</strong>ps, and its numerous reed s<strong>to</strong>ps combine <strong>to</strong> produce an overall sound that seems <strong>to</strong> be virtually ideal for the interpretation <strong>of</strong> Bach’s organ music.<br />

999748-2 – SRP: $26.99<br />

BUDGET PRICE<br />

Ture Rangström (1884-1947)<br />

Complete Symphonies<br />

CD 1: Symphony No.1 – Dityramb & Várhymn • CD 2: Symphony No.2 – Intermezzo dramatica • CD 3: Symphony No.3 – Symphony No.4<br />

Norrköping Symphony Orchestra / Michail Jurowski • Playing Time: 170:34<br />

Sweden’s Ture Rangstroem was a natural talent, an elemental <strong>to</strong>nal force, and so is his mighty, hymnic, and original music. He had a fine sense for new ideas and created al fresco paintings in a block technique in<br />

which elegiac <strong>to</strong>nes are sometimes colored by loud orchestral effects. This music is overwhelming in the truest sense <strong>of</strong> the word.<br />

8 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

7 61203 96312 6<br />

7 61203 97482 5


N E W R E L E A S E S • J U N E 2 0 0 0<br />

NAXOS JAZZ: REAL JAZZ. UNREAL PRICE.<br />

86058-2 – SRP: $6.99<br />

LEW DEL GATTO • Katewalk<br />

Katewalk – Caravan – Autumn Nocturne – Ain’t Too Hip (To Hip Hop) – I Thought About You<br />

Barbados Delight – Long Divorce Blues – And Friends – You Don’t Know What Love Is – My One And Only Love<br />

Lew Del Gat<strong>to</strong>, tenor sax / Randy Brecker, trumpet, flugelhorn / Joe Cohn, guitar<br />

Ron Feuer, organ, piano / Chip Jackson, bass / Vic<strong>to</strong>r Lewis, drums / Steve Turre, trombone<br />

Playing Time: 67:23<br />

86053-2 – SRP: $6.99<br />

FLORIAN ROSS BRASS PROJECT • Lilacs and Laughter<br />

Opening Chorale – Opening Fanfare – Lilacs and Laughter – Vamp 1 – Mutual Recognition – Rondo #5<br />

Four is a Company – At the Movies – Vamp 2 – Vamp 3 – Old, New City – Vamp 4 – Aldersong (Encore)<br />

Florian Ross, piano / Ingolf Burkhardt, Claus Stötter, Eric Vloeimans, trumpets / Christine Chapman, Ruth Funke,<br />

french horns / Jürgen Neudert, Nils Wogram, trombones / Ed Partyka, bass-trombone, tuba<br />

Ingmar Heller, bass / John Hollenbeck, drums / Manfred Knaak, conduc<strong>to</strong>r • Playing Time: 73:49<br />

86060-2 – SRP: $6.99<br />

TRIO FRIEDRICH-HEBERT-MORENO • Surfacing<br />

Surfacing – Poème – Azure – Shadows – Nothing Is As It Seems – Hydra – The Truth Is Out There<br />

Monchichi – Zugabe (Encore) – Jürgen Friedrich, piano / John Hebert, bass / Tony Moreno, drums<br />

Playing Time: 67:38<br />

86061-2 – SRP: $6.99<br />

DAVID PHILLIPS & FREEDANCE<br />

Eastern Peace – You and the Night and the Music – Scrambe from the White House – Pops and Poppies<br />

New Esthetic – Soul Food – Rezolution – Paper Spoons – Valerina – Creating Destiny – Spiritual – In a Sentimental Mood<br />

David Phillips, bass / Rez Abbasi, guitars / John O’Gallagher, saxophone / Tony Moreno, drums & precussion<br />

Playing Time: 64:18<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

AUDIOBOOKS<br />

Approximate Running Time: 2 Hours, 30 Minutes<br />

2 Cassettes · ISBN 9-62634-697-3 · NA219714 · $13.98 / 2 CDs · ISBN 9-62634-197-1 · NA219712 · $15.98<br />

MIDDLEMARCH<br />

By George Eliot · Read by Carole Boyd<br />

One <strong>of</strong> the great novels <strong>of</strong> 19th century England, Middlemarch<br />

7 47313 60582 8<br />

Versatile New Yorker Del Gat<strong>to</strong> has been a mainstay <strong>of</strong> the scene for over 25 years, playing regularly on<br />

saxophone with the Saturday Night Live Band. In addition <strong>to</strong> his playing, Lew is also involved as an arranger<br />

and contrac<strong>to</strong>r on this illustrious show. Lew is intricately entwined in the music world in various mediums but<br />

his first love is jazz…that is what he plays at every possible moment. The first-rate playing and band he's put<br />

<strong>to</strong>gether (Steve Turre, Randy Brecker, Ron Feuer, Vic<strong>to</strong>r Lewis and others) for this tribute <strong>to</strong> his wife proves<br />

he's still the man.<br />

7 47313 60532 3<br />

"In [Ross’s] pieces he achieves a sense <strong>of</strong> organic development, which yet includes many surprising twists and turns<br />

and always projects emotion eloquent <strong>of</strong> the human condition." –BBC Music Magazine<br />

7 47313 60602 3<br />

This progressive trio recording with German leader/pianist Friedrich, bassist John Hebert and drummer Tony Moreno,<br />

should impress with its ECM-influenced sound and playing. Friedrich won the 1997 Gil Evans Fellowship and 1998's Julius<br />

Hemphill Composition Award.<br />

7 47313 60612 2<br />

New York-based quartet FreeDance led by bassist David Philips performs <strong>of</strong>ten at the Knitting Fac<strong>to</strong>ry and other clubs.<br />

Its guitar/sax/drum/bass philosophy is <strong>to</strong> present original music and explore its instrumentation.<br />

FAMOUS PEOPLE IN HISTORY II<br />

By Nicolas Soames · Read by Daniel Philpott,<br />

Laura Brattan & Garrick Hagon<br />

is the s<strong>to</strong>ry <strong>of</strong> the blighted marriage <strong>of</strong> Dorothea, a young idealistic woman, and Lyd Gate, who is betrayed by his wife’s egoism. In this work concerning<br />

complex social interrelationships, and the struggles <strong>to</strong> hold fast <strong>to</strong> personal integrity in a materialistic and mean-spirited age, the author presents a<br />

vivid portrait <strong>of</strong> England during the 1830s.<br />

9 789626 346976 9 789626 341971 7 30099 01974 3 7 30099 01972 9<br />

Cassette EAN CD EAN<br />

Cassette CD<br />

Not everyone changes the world they live in, or has an effect on generations <strong>of</strong> people well after they have gone… The figures featured on this recording did not<br />

seek fame, but rather had a burning desire <strong>to</strong> do something – and as a result, they achieved a fame that will last as long as his<strong>to</strong>ry is read and <strong>to</strong>ld and heard.<br />

Written specially for <strong>Naxos</strong> AudioBooks, Famous People in His<strong>to</strong>ry II, the second volume in a series designed for 8-12 year-olds, recounts the s<strong>to</strong>ries <strong>of</strong><br />

Alexander the Great, Joan <strong>of</strong> Arc, Leonardo da Vinci, Isaac New<strong>to</strong>n, Ludwig van Beethoven, Louis Pasteur, Marie Curie, Mahatma Gandhi and George Washing<strong>to</strong>n.<br />

9 789626 346969 9 789626 341964 7 30099 01964 4 7 30099 01962 0<br />

Cassette EAN CD EAN<br />

Cassette CD<br />

• Features 19th Century Symphonic Music from the <strong>Naxos</strong> Catalog<br />

Approximate Running Time: Over 7 Hours<br />

6 Cassettes · ISBN 9-62634-696-5 · NA619614 · $32.98 / 6 CDs · ISBN 9-62634-196-3 · NA619612 · $38.98<br />

TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

• Features Music <strong>of</strong> the Period<br />

from the <strong>Naxos</strong> Catalog<br />

9


dacapo<br />

Jazz<br />

dacapo<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

CLASSICAL<br />

8.224098 – SRP: $15.99<br />

Ludolf Nielsen (1876-1939)<br />

Symphony No.3 in C major, Op.22 – Hjortholm. Tone picture, Op.53<br />

Bamberger Symphoniker / Frank Cramer<br />

Playing Time: 67:20<br />

Ludolf Nielsen’s (1876-1939) third and last symphony is one <strong>of</strong> the greatest Danish works in the Late Romantic style, where Ludolf Nielsen concentrates the essence <strong>of</strong> his<br />

Romantic view <strong>of</strong> life on the basis <strong>of</strong> the mot<strong>to</strong> <strong>of</strong> the work: "I see the world with flowers, / Know joy requires a s<strong>to</strong>rmy night." The <strong>to</strong>ne picture Hjortholm is ten years younger,<br />

and is an example <strong>of</strong> his <strong>to</strong>nal idiom from the inter-war years. Both works are first recordings, and show Ludolf Nielsen as a master <strong>of</strong> orchestral writing.<br />

8.224158-59 – SRP: $15.99<br />

King Frederik IX conducts the Danish National Radio Symphony Orchestra<br />

Richard Wagner ; Ouverture til Tannhäuser – Ouverture di Rienzi – Ludwig van Beethoven: Symphony no.7 in A major, Op.92 –<br />

Symphony No.3 in E flat major, Op.55 Edvard Grieg: Valse, Op.34, 2 (Last Spring) / Niels W Gade –<br />

Efterklange af Ossian, Op.1 (Echoes <strong>of</strong> Ossian) – Hakon Børreson: Forspil til Don Kongelied Graest (Prelude <strong>to</strong> The Royal Guest)<br />

7 30099 98582 6<br />

"Denmark's King Frederik IX (1899-1971) was an accomplished amateur musician and self-taught conduc<strong>to</strong>r who frequently led the<br />

Royal Danish Orchestra or the Danish National Radio Symphony in private rehearsals and concerts. Some <strong>of</strong> the King's performances were<br />

recorded, and the ones selected for this two-disc set appear for the first time. The results...need no apology. The Danish musicians...<br />

clearly go the extra mile for their monarch, playing their hearts out...very good and well-balanced mono engineering."<br />

–<strong>Classics</strong>Today.com<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

JAZZ<br />

DCCD 9446 – SRP: $15.99<br />

Nice Work • The Danish Radio Jazz Orchestra & Jim McNeely<br />

Pete’s Feet - …and Rhythm – Moksha – Rough Night – Syretha’s Gift – Reflection – Nice Work if You Can Get it<br />

Playing Time: 69:17<br />

Danish Radio Jazz Orchestra chief conduc<strong>to</strong>r, pianist and composer Jim McNeely combines tradition and intrepidity. He draws from inspiration <strong>of</strong> former masters but,<br />

mainly, his writing is personal and easily recognizable – including drama, rhythmical tension and poetry. McNeely encompasses the masculine swing <strong>of</strong> Thad Jones and<br />

the ’European’ and expressionistic <strong>to</strong>uch that Bob Brookmeyer added <strong>to</strong> jazz writing. Thus he ensures that the big jazz orchestras will survive in a time when the<br />

expression <strong>of</strong> improvised music is ever changing and searching.<br />

DCCD 9454 – SRP: $15.99<br />

Jordsange • Earth Songs<br />

Jordsang (Earth Song) – Det virkelige ord (The True Word) – Min verden (My World) – Den som blaeser us…(He who blows out…)<br />

Ja Ja Ja (Yes Yes Yes) – Gåderne (The Mystery) – Uromkvaed (Primal Chorus) – Gå! (Go!) – Se efter (Look) – Evigheden (Eternity)<br />

Marilyn Mazur / Vocal Group Ars Nova / Copenhagen Art Ensemble • Playing Time: 61:13<br />

Marilyn Mazur likes when music is telepathic, surprising, emotional, warm and alive, <strong>to</strong> reach from the s<strong>of</strong>test lyrical <strong>to</strong>uch and mysterious grooves <strong>to</strong> powerful wild energy.<br />

This new recording finds Mazur at her multi-talented best, combining her skills <strong>of</strong> composing, conducting and percussion <strong>to</strong> produce, eclectic yet accessible music artfully performed<br />

by these skilled musicians.<br />

11038-2 – SRP: $15.99<br />

From the Mists <strong>of</strong> Time<br />

Jon Mark: From the Mists <strong>of</strong> Time – The Hunger – From the Mists <strong>of</strong> Time<br />

Michael Atkinson: Mother <strong>of</strong> the Celts – Morning <strong>of</strong> the World<br />

David Downes: Shadow <strong>of</strong> a Cloud Sanctuary – Beloved<br />

White Cloud<br />

Celia Briar: The Clergys Lamentation – The Dove<br />

Radha Sahar: The Deliverance Nova Schola Gregoriana Gustate et Videte Gustate et Videte<br />

Camerata Cassovia: Ave Verum Corpus Novopassky Monastery Choir: Hail Mary<br />

Hungarian Radio Chorus: Jesu Bleibet Meine Freude<br />

Playing Time: 53:23<br />

7 47313 00382 2<br />

A special selection <strong>of</strong> mystical and inspirational music that resonates with timeless<br />

reverence, reaching across the centuries from the deep sonorous in<strong>to</strong>nations <strong>of</strong><br />

Gregorian chant <strong>to</strong> the highly compelling and emotive work <strong>of</strong> contemporary musicians.<br />

10 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

11038-2<br />

7 30099 97982 5<br />

7 30099 94462 5<br />

7 30099 94542 4


70701 – SRP: $31.99 – 2 CDs<br />

Fryderyk Chopin<br />

The Complete Nocturnes<br />

Earl Wild, Piano • Playing Time: 1:45:69<br />

70702 – SRP: $15.99<br />

George Gershwin<br />

Rhapsody in Blue – Seven Virtuoso Etudes<br />

Grande Fantasy on Porgy and Bess<br />

Three Preludes for Piano<br />

Earl Wild, Piano • Playing Time: 1:06:55<br />

N E W R E L E A S E S • J U N E 2 0 0 0<br />

IVORY CLASSICS<br />

70801 – SRP: $15.99<br />

Earl Wild Goes <strong>to</strong> the Movies<br />

Featuring the Music <strong>of</strong> Liszt • Chopin • Rozsa<br />

Rodgers • Steiner • Mozart<br />

Earl Wild, Piano and Celeste<br />

London Promenade Orchestra/Harry Rabinowitz,<br />

6 44057 08012 9<br />

Charles Gerhardt, Conduc<strong>to</strong>rs / RCA Symphony Orchestra<br />

Eric Hammerstein, Conduc<strong>to</strong>r / Gamley Orchestra<br />

Douglas Gamley, Conduc<strong>to</strong>r / Royal Philharmonic Orchestra<br />

Russell Stanger, Anthony Randall, Conduc<strong>to</strong>rs<br />

Playing Time: 68:00<br />

70802 – SRP: $15.99<br />

Ruth Slenczynska<br />

The Legacy <strong>of</strong> a Genius<br />

His<strong>to</strong>ric Performances <strong>of</strong> Bach, Liszt and Chopin/Liszt<br />

Ruth Slenczynska, Piano<br />

Playing Time: 68:39<br />

6 44057 08022 8<br />

70803 – SRP: $15.99<br />

Dances for Two Pianos<br />

Sergei Rachmaninov: Waltz, from Suite No.2, Op.17 –<br />

Symphonic Dances, Op.45 / Maurice Ravel: La Valse-poème choréographique<br />

Earl Wild & Christian Steiner, Piano<br />

Playing Time: 85:13<br />

71001 – SRP: $15.99<br />

Robert Schumann<br />

Études Symphoniques<br />

Toccata in C major, Op.7 – Études Symphoniques, Op.13 – Fantasie in C major, Op.17<br />

Earl Wild, Piano<br />

Playing Time: 72:45<br />

6 44057 10012 4<br />

Three masterpieces by Robert Schumann are presented in authoritative performances by Earl Wild. Works <strong>of</strong> sweeping and magnificent intensity, they represent<br />

the pinnacle <strong>of</strong> 19th century virtuosity. This live performance <strong>of</strong> the Toccata is a brilliant and superbly pianistic <strong>to</strong>ur de force, while the Études Symphoniques are<br />

truly orchestral-sounding piano studies. Schumann’s Fantasie presents Earl Wild at his most romantic, most lyrical and most pr<strong>of</strong>ound. Released for the first<br />

time, these ardent interpretations by the Romantic Master himself, are heard in state-<strong>of</strong>-the-art HDCD sound.<br />

71002 – SRP: $15.99<br />

Felix Blumenfeld<br />

Complete Preludes and Impromptus<br />

Twenty-Four Preludes, Op.17 (1892) – Two Impromptus, Op.13 (1890) –<br />

Impromptu in B major, Op.28 (1898) – Four Preludes, Op.12 (1890) – Two Impromptus, Op.45 (1912) – Valse-Impromptu, Op.16 (1892)<br />

Philip Thomson, Piano • Playing Time: 75:02<br />

6 44057 10022 3<br />

Felix Blumenfeld was a virtuoso pianist-composer and highly respected teacher, whose students included Vladimir Horowitz, Heinrich Neuhaus and<br />

Dmitry Tiomkin. His deeply romantic Preludes and Impromptus on this disc receive their world premiere recorded performances by the Canadian pianist,<br />

Philip Thomson (who can also be heard on <strong>Naxos</strong>' Liszt series). Musical discoveries abound on this audiophile release.<br />

71003 – SRP: $15.99<br />

Robert Schumann • Erno Dohnanyi<br />

Schumann: Piano Quintet, Op.44 / Dohnanyi: Piano Quintet No.1, Op.1<br />

<strong>America</strong>n String Orchestra / Isaiah Jackson, Conduc<strong>to</strong>r / Earl Wild, Piano<br />

Playing Time: 61:09<br />

6 44057 10032 2<br />

Two brilliant Romantic piano quintets, universally regarded as chamber music masterpieces, are recorded here for the first time in elegantly expanded<br />

versions for piano with string orchestra. The lush sonics and gorgeous textures originally imagined by both, Schumann and Dohnányi vividly come alive<br />

in these dramatic performances recorded in March 2000 using 24-bit technology.<br />

71004 – SRP: $15.99<br />

Robert Schumann<br />

Carnaval – Kinderszenen – Sonata No.2<br />

Ruth Slenczynska, Piano<br />

Playing Time: 66:07<br />

6 44057 10042 1<br />

A legendary pianist and virtuosa, Ruth Slenczynska is celebrating her 75th birthday with this release <strong>of</strong> her first studio recordings in over two decades.<br />

This is Ms. Slencznska’s first and only Schumann recording. She studied with the greatest pianists <strong>of</strong> the 20th century, including Egon Petri, Artur Schnabel,<br />

Alfred Cor<strong>to</strong>t and Sergei Rachmaninov. Her interpretations <strong>of</strong> Schumann's piano works show her masterful phrasing and pacing, impeccable musical taste,<br />

along with her golden singing <strong>to</strong>ne. This is truly a recording in the grand pianistic tradition!<br />

70804 – SRP: $15.99<br />

Ralph Votapek<br />

Alber<strong>to</strong> Ginastera: Sonata No.1, Op.22 (1952)<br />

Francis Poulenc: Nocturnes (Complete)<br />

Karol Szymanowski: Masques (3 Poems), Op.34 (1916)<br />

As<strong>to</strong>r Piazzolla: Two Tangos<br />

Ralph Votapek, Piano<br />

Playing Time: 60:40<br />

6 44057 07012 0<br />

6 44057 08042 6<br />

6 44057 07022 9<br />

6 44057 08032 7<br />

70805 – SRP: $15.99<br />

Earl Wild Plays Spanish<br />

and French Gems<br />

Music by Albéniz, Debussy, Falla, Granados,<br />

Mompou, Moszkowski and Ravel<br />

Earl Wild, Piano<br />

Playing Time: 67:15<br />

70806 – SRP: $31.99 – 2 CDs<br />

Nadia Reisenberg<br />

The Acclaimed Haydn Recordings<br />

Nadia Reisenberg, Piano<br />

Playing Time: 73:18<br />

70901 – SRP: $31.99 – 2 CDs<br />

The Virtuosity <strong>of</strong> Earl Wild<br />

Liszt • Tchaikovsky • Moszowski • Chopin •<br />

Donanyi • Mendelssohn • D’Albert<br />

Earl Wild, Piano • Playing Time: 65:13<br />

6 44057 08052 5<br />

6 44057 08062 4<br />

6 44057 09012 8<br />

70902 – SRP: $15.99<br />

Ruth Slenczynska in Concert<br />

Haydn: Sonata No.47 in B minor, Hob.XVI:32<br />

6 44057 09022 7<br />

Brahms: Rhapsody in B minor, Op.79, No.1 / Copland: Midsummer Nocturne (1947)<br />

Chopin: Sonata No.3 in B minor, Op.58 / Rachmaninov: Eight Preludes<br />

Ruth Slenczynska, Piano • Playing Time: 70:38<br />

TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />

“When Earl Wild performs, the Golden Age<br />

<strong>of</strong> the keyboard suddenly reappears.” –TIME Magazine<br />

“She knows what she is doing every minute <strong>of</strong> the time. It is amazing!”<br />

– Josef H<strong>of</strong>mann after hearing Ruth Slenczynska in her New York debut at Town Hall, 1933.<br />

70903 – SRP: $15.99<br />

Earl Wild<br />

Tchaikovsky: The Season, Op.37bis<br />

Medtner: Improvisation in B-flat minor, Op.31, No.1<br />

Mussorgsky: Pictures at an Exhibition<br />

Earl Wild, Piano • Playing Time: 75:10<br />

70904 – SRP: $15.99<br />

Shura Cherkassky<br />

The 1982 San Francisco Recital<br />

Jean –Baptiste Lully: Suite de pièces / Felix Mendelssohn: Scherzo a Capriccio<br />

in F-sharp minor – Pyotr Il’yich Tchaikovsky: Grand Sonata in G major, Op.37 /<br />

Fryderyk Chopin: Polonaise Fantaisie in A-flat Major, Op.61 – Waltz in A-flat<br />

Major , Op.42 Josef H<strong>of</strong>mann: Kaleidoskop, Op.40, No.4<br />

Shura Cherkassky, Piano • Playing Time: 72:43<br />

70905 – SRP: $15.99<br />

Ludwig van Beethoven (1770-1827)<br />

Sonatas – Op. 10, No. 3 Opus 57 “Appassionata”<br />

Symphony No. 1 Opus 21 (Transcribed by Liszt)<br />

Earl Wild, Piano • Playing Time: 75:01<br />

70906 – SRP: $15.99<br />

Dame Loura Lympany<br />

Mendelssohn • Liszt • Falla • Li<strong>to</strong>lff<br />

Dame Loura Lympany, Piano • Playing Time: 69:04<br />

70907 – SRP: $15.99<br />

Earl Wild Virtuoso Piano Transcriptions<br />

Earl Wild, Piano • Playing Time: 66:54<br />

70908 – SRP: $15.99<br />

Wolfgang Amadeus Mozart (1756-1791)<br />

José Iturbi, Piano / Amparo Iturbi, Piano<br />

6 44057 09032 6<br />

6 44057 09042 5<br />

6 44057 09052 4<br />

6 44057 09062 3<br />

6 44057 09072 2<br />

6 44057 09082 1<br />

Rochester Philharmonic Orchestra with José Iturbi conducting from the Piano<br />

Playing Time: 68:47<br />

11


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NAXOS<br />

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International Website: hnh.com<br />

RECOGNIZED FOR EXCELLENCE<br />

BY INDEPENDENT MEDIA.<br />

J U N E 2 0 0 0<br />

CRITIC’S PICKS<br />

CRITIC’S PICK<br />

“ Here, Huberman's flexible ruba<strong>to</strong>,<br />

coloristic shadings, and rich <strong>to</strong>ne put <strong>to</strong> shame the<br />

literalism <strong>of</strong> so many contemporary interpretations.<br />

The shaping <strong>of</strong> the violin's first entry is a virtual<br />

lesson in romantic phrasing and the Andante sings with rarely achieved<br />

poignancy. Mark Obert-Thorn's transfers are excellent. At <strong>Naxos</strong>'s<br />

budget price, there's no excuse for not getting this one.”<br />

–Amazon.com<br />

CRITIC’S PICK<br />

“ An<strong>to</strong>ni Wit once again has carefully<br />

prepared and masterfully performed<br />

his teacher's challenging music,<br />

and the Polish Radio National Symphony<br />

is behind him 100 percent in every bar. <strong>Naxos</strong>’ sound is<br />

beautifully clear, full, and dynamic. At this price,<br />

don't give it a second thought. Buy it.”<br />

–<strong>Classics</strong>Today.com<br />

DUBLINERS, Part 1<br />

By James Joyce ·<br />

Read by Jim Nor<strong>to</strong>n<br />

CRITIC’S PICK<br />

“<br />

<strong>Naxos</strong> Jazz surprised<br />

its audience and<br />

recordings have been<br />

lauded by jazz critics.”<br />

–Jazz Times<br />

6 36943 19032 6<br />

8.110903<br />

SRP: $6.99<br />

Bronislaw<br />

HUBERMAN<br />

(1882-1947)<br />

Beethoven<br />

Tchaikovsky<br />

Violin Concer<strong>to</strong>s<br />

Playing Time: 67:02<br />

6 36943 44912 7<br />

8.554491<br />

SRP: $6.99<br />

Krzyszt<strong>of</strong><br />

PENDERECKI<br />

(b. 1933)<br />

Orchestral Works Vol. 1<br />

Symphony No. 3<br />

Threnody<br />

National Polish Radio<br />

Symphony Orchestra<br />

(Ka<strong>to</strong>wice)<br />

An<strong>to</strong>ni Wit<br />

Playing Time: 77:25<br />

7 47313 60152 3<br />

Clifford<br />

Adams<br />

THE<br />

MASTER<br />

POWER<br />

86015-2<br />

Playing Time: 61:32<br />

SRP: $6.99<br />

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Critic’s Picks<br />

Bin Divider Card<br />

Share with your cus<strong>to</strong>mers<br />

the excellent critical acclaim<br />

given <strong>to</strong> recent <strong>Naxos</strong><br />

releases by using our Critic’s<br />

Pick’s Bin Divider Cards.<br />

Bin Divider Cards can be<br />

ordered on the accompanying<br />

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attach it <strong>to</strong> the cards and<br />

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7 30099 01732<br />

CD<br />

9<br />

9 789626 346730 9 789626 341735 7 30099 01734 3<br />

Cassette EAN CD EAN<br />

Cassette<br />

"It was a wise choice <strong>to</strong> cast Jim Nor<strong>to</strong>n as the performer <strong>of</strong> this collection <strong>of</strong> James Joyce’s short s<strong>to</strong>ries. A native Dubliner himself,<br />

Nor<strong>to</strong>n provides a masterful palette <strong>of</strong> characterizations for each <strong>of</strong> the 10 pieces, fleshing out the realities <strong>of</strong> their <strong>of</strong>tentimes stark and<br />

difficult lives with technique that no one but a true local could bring. Irish music is interspersed throughout the production, lending an<br />

even more authentic feel without ever becoming overbearing."<br />

–AudioFile Magazine April/May 2000<br />

Approximate Running Time: 3 Hours, 30 Minutes<br />

3 Cassettes · ISBN 9-62634-673-6 · NA317314 · $17.98 / 3 CDs · ISBN 9-62634-173-4 · NA317312 · $19.98<br />

NAXOS<br />

CRITIC’S PICK<br />

The budget label <strong>Naxos</strong> has done it<br />

again. Here is another excellent recording<br />

<strong>of</strong> rarely heard works. As is most<br />

<strong>of</strong>ten the case with <strong>Naxos</strong>, overall sound<br />

quality is impeccable.”<br />

– Cleveland Plain Dealer<br />

Winner! Gramophone Edi<strong>to</strong>r’s Choice Award<br />

Nominated for 2000 AFIM INDIE Award<br />

BULK RATE<br />

U.S. POSTAGE<br />

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NASHVILLE, TN<br />

PERMIT NO. 2802

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