Naxos of America to Distribute Ivory Classics.
Naxos of America to Distribute Ivory Classics.
Naxos of America to Distribute Ivory Classics.
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Released Fall ’99<br />
FEATURED CLASSICAL TITLES<br />
NEW RELEASES • JUNE 2000<br />
8.554509 – SRP: $6.99<br />
Arnold Bax (1883-1953)<br />
Symphony No.5<br />
Symphony No.5 (Dedicated <strong>to</strong> Jean Sibelius)<br />
The Tale the Pine-Trees Knew (Dedicated <strong>to</strong> John Barbirolli)<br />
Royal Scottish National Orchestra / David Lloyd-Jones<br />
Playing Time: 57:51<br />
The young Arnold Bax was seen as the natural successor <strong>to</strong> Edward Elgar, a responsibility that he did not<br />
welcome as it placed on him a burden <strong>of</strong> public expectation. He did enjoy considerable success with a series <strong>of</strong><br />
symphonic poems, The Tale the Pine Trees Knew being a fine example <strong>of</strong> this atmospheric and colourful group<br />
<strong>of</strong> works. Yet it was his seven symphonies that were <strong>to</strong> create an international reputation for him.<br />
The Symphony No.5, completed in 1932, was dedicated <strong>to</strong> Sibelius and inhabits the same musical world as the<br />
great Finnish composer. The jagged rhythms, massive brass outbursts, and a sombre central movement,<br />
create an imposing score, an unexpected mood <strong>of</strong> optimism bringing the work <strong>to</strong> a close.<br />
<strong>Naxos</strong> repeats its success with Korngold’s Die <strong>to</strong>te Stadt by adding the only complete<br />
recording <strong>of</strong> this important 20th century German opera <strong>to</strong> its reper<strong>to</strong>ry. Premiered one<br />
year after Der Rosenkavalier, Der ferne Klang (The Distant Sound) concerns a young<br />
composer in search <strong>of</strong> his musical identity. It is rich in mysterious motifs and beautiful<br />
orchestral interludes. Fanfare says <strong>of</strong> this recording, "Der ferne Klang represents<br />
Schreker at his shimmering best, this fine recording opens a long-closed door <strong>to</strong> reveal<br />
a brilliant opera."<br />
8.554791 – SRP: $6.99<br />
Benjamin Britten (1913-1976)<br />
English Choral Music -<br />
Rejoice in the Lamb – Te Deum in C – Jubilate Deo – Antiphon – A Hymn <strong>to</strong> the Virgin –<br />
Festival Te Deum – Missa Brevis in D – Hymn <strong>to</strong> St. Peter – A Hymn <strong>of</strong> Saint Columba –<br />
Prelude and Fugue on a theme <strong>of</strong> Vit<strong>to</strong>ria – Hymn <strong>to</strong> St. Cecilia<br />
Choir <strong>of</strong> St. John’s College, Cambridge/Chris<strong>to</strong>pher Robinson<br />
Playing Time: 73:48<br />
2 TOLL FREE FAX: 888-771-9520 • TELEPHONE: 615-771-9393<br />
6 36943 45092 5<br />
8.660074-75 – 2 CDs – SRP: $17.99<br />
Franz Schreker (1878-1934)<br />
Der ferne Klang (Opera in three acts)<br />
Grete Graumann – Elena Griorescu / Fritz – Thomas Harper / Dr. Vigelius – Andreas Haller / A<br />
7 30099 60742 1<br />
Ham Ac<strong>to</strong>r – Horst Fiehl / Old Graumann – Rudiger Bunse / Old Graumann’s Wife – Erica Pilari /<br />
The Landlord – Paul Friess / A Woman’s Voice – Marisa Altmann-Althausen / The Count – Werner<br />
Hahn / The Baron – Peter Nikolaus Kante / The Chevalier – Reinhard Leisenheimer<br />
Hagen Opera Chorus / Hagen Philharmonic Orchestra<br />
Michael Halász<br />
Playing Time: 132:28<br />
6 36943 47912 4<br />
Benjamin Britten’s compositional output was vast, covering every form <strong>of</strong> music from operas and ballets <strong>to</strong> simple<br />
voice settings <strong>of</strong> folksongs. He was also a highly respected conduc<strong>to</strong>r, solo pianist, accompanist, and an eager<br />
participant in many chamber groups. His large catalogue <strong>of</strong> choral works spans the whole <strong>of</strong> his compositional<br />
career, much <strong>of</strong> his music in this genre employing sacred texts that were derived from contemporary poets.<br />
They inspired Britten <strong>to</strong> fashion some <strong>of</strong> his most radiant scores, his unique use <strong>of</strong> boys’ voices providing such<br />
a distinctive and exciting <strong>to</strong>nal quality that it has come <strong>to</strong> characterize British church music <strong>of</strong> the twentieth century.