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January CITIES OF THE MONTH<br />

A NEW TONE<br />

OF EXPRESSION<br />

Under the microscope. Gustave<br />

Courbet, Seated Male Model, ca.1840.<br />

Faust<br />

Tre Stuer og Bar<br />

Oslo<br />

Photo by Lasse Fløde<br />

Photo by Marianne Lind<br />

Fly to<br />

Oslo<br />

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one way<br />

While the forgery of artworks has been taking<br />

place for almost as long as artists have been painting,<br />

the geometric expansion of the art market and the rise<br />

in prices for artworks, as well as amazing advances in<br />

technology, mean that the scandals swirling around<br />

forgeries are occurring far more often than before. Even<br />

the most expert of experts at prestigious museums<br />

often find it difficult to tell the difference between an<br />

authentic artwork and a fake. At the exhibition Under<br />

the Microscope. Gustave Courbet, which is now on<br />

view at Norway’s National Gallery (Universitetsgata<br />

13; nasjonalmuseet.no; until February 5), one of these<br />

thrilling stories is told in detail.<br />

In 1947, the museum received Pêcheur à la ligne (The<br />

Fisherman) by Gustave Courbet (1819–1877) as a gift, but<br />

Courbet experts in France long doubted the painting’s<br />

authenticity. Their doubts were accentuated by the<br />

fact that Courbet’s style is easily imitated and the<br />

famous artist is therefore one of the most frequently<br />

counterfeited. He painted about 500 works, but<br />

collections worldwide hold about 5000 pieces attributed<br />

to him. Many forgeries have been discovered in recent<br />

years, but in the case of Pêcheur à la ligne, countless<br />

examinations testify to its authenticity. The Oslo<br />

exhibition is a visual story of how the museum reached<br />

this conclusion.<br />

Connoisseurs of fine design and fashion should<br />

check out the new Norwegian luxury shoe store Faust<br />

(Dronning Eufemias gate 10; fauststore.no), whose<br />

interior was designed by the well-known architectural<br />

firm Snøhetta. The store's logo was inspired by Johann<br />

Wolfgang von Goethe’s 17 th -century manuscripts of<br />

Faust. The Oslo store offers tailor-made originals as well<br />

as handmade ready-to-wear shoes. Craftsmanship in the<br />

form of elegance, high-quality materials and their skilful<br />

use is the store’s primary message. The store harbours<br />

five vaulted niches that call houses of worship to mind,<br />

while bridging the 21 st century with the period in which<br />

Goethe composed his work. Each niche has a particular<br />

function – one displays finished examples of shoes,<br />

another serves as a dressing room, while a third houses<br />

the craftsmen’s instruments.<br />

There’s also a new place in Oslo for good beer, burgers<br />

and other grilled food. Tre Stuer og Bar (Darres gate 1)<br />

means “three living rooms and a bar” in Norwegian. The<br />

dark blue walls and ceilings as well as the wooden floors<br />

and tables with retro brass details make this a cosy<br />

locale. It’s a perfect place to take a break on a wintry day<br />

in the Norwegian capital.<br />

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